#this is a character’s journey perspective

[downbad4sylus]

“Come to drug my girlfriend again?”

synopsis: Sylus hates Caleb, Caleb hates Sylus. That’s it, that’s the fic.

content: sylus x afab!reader; use of Y/N; established relationship; caleb cameo; caleb acts like caleb; mentions of being drugged; general angst; mostly proofread

word count: ~3.4k

a/n: i’m a sylus girlie through and through but caleb intrigues the absolute shit out of me. including his perspective in this was very interesting and i hope i did his character justice. also, i feel that based on what sylus said in his main story, he knows that caleb is/has been alive and what he’s been up to, and caleb being involved with ever and knowing MC’s whereabouts in the N109 zone, know who sylus is. this fic operates under that assumption

The only person you’d told about your mission to Skyhaven was Sylus. And now, having returned from the harrowing journey—after being reunited with your childhood best friend Caleb, who you thought was dead—Sylus was the only person you wanted to see.

Your boyfriend had been keeping tabs on you the best he could while you were gone, using his contacts in Skyhaven to relay information. But he had to be careful not to tip off anyone from the Farspace Fleet lest it ruin your cover, or worse, get you hurt. The second you texted him you were coming home, however, he stopped everything he was doing, hopped on his bike, and sped straight for your apartment.

Sylus was there when you walked through the door, hauling you into his arms and hugging you so tightly you could hardly breathe. It didn’t phase you anymore to find him in your apartment, knowing he had no problem coming and going as he pleased.

“Miss me?” you teased, whispering in his ear.

He huffed. “Not in the least,” he said, hugging you tighter.

“Sy, I love you, but I can’t breathe.”

Finally his gripped loosened enough that you could breathe normally again. You pushed back, hands on his shoulders, and just admired his face after not having seen it for quite some time.

“Enjoying the view?” Sylus asked.

You smiled. “I always do.” You placed a chaste kiss on his lips. “I did miss you though.”

He smiled that soft smile reserved only for you, and you melted at the sight. “I missed you too.”

“I have a lot to tell you, but I’d like to change first if you don’t mind,” you said. “Wait for me on the couch?”

“Of course, take your time, I’m not going anywhere.”

Reluctantly, Sylus lowered you to the ground.

You quickly changed into more comfortable clothes and joined Sylus on the couch, where he pulled you into his lap, the need to hold you far too strong for him to ignore.

“So,” he began, fingers brushing along your back, “where do you want to start?”

You sucked in a deep breath, the words weighing heavily on your tongue, as if saying them aloud will finally make the truth sink in. “Um, I don’t know how else to say this so, it turns out Caleb is alive. Has been this whole time.”

Sylus’s expression remained neutral. “You saw him while you were up there?”

You nodded. “He’s the Farspace Fleet’s Colonel, and he’s…not the same as I remember him.”

Sylus brushed a strand of hair out of your face, his fingers grazing your cheek. “Tell me.”

You launched into your story, detailing everything that happened, from investigating the bombing site undercover to the first interview with Caleb, the switch in personality from Colonel to best friend, to staying with him in his home, visiting Mia in the hospital and running into Zayne, finding Kevi and the Aether Core in his possession.

Talking about the night you were supposed to retrieve Kevi and bring him to Zayne, you got a bit choked up. Having to voice what happened, what you had been in denial about but knew you needed to admit, was perhaps the most difficult of all.

“I wasn’t feeling well that day,” you said, “and before I ‘went to bed,’ Caleb gave me some medicine to help.” You averted your gaze. “All of a sudden, I was so exhausted I couldn’t keep my eyes open, and I ended up falling asleep before I even realized it.”

Sylus tensed beneath you, the unspoken pieces slowly clicking into place.

“Sy…I think Caleb… I think he may have drugged me.”

The betrayal was still raw, maybe more painful now that you’d said it aloud for the first time since it happened.

Abruptly, Sylus removed you from his lap, placing you gently onto the couch before rising and heading straight for the door.

Confused, and perhaps a little desperate, you grabbed his arm, stopping him in his tracks. “Sylus, where are you going?”

Without turning to you he said with such lethal calm a shiver went down your spine, “I’m going to visit Skyhaven and have a chat with the Colonel.”

You snapped to your feet, wrapping both your arms around Sylus’s. “Sy, please, you can’t.”

He looked at you, fury blazing like an inferno in his red eyes. “He drugged you, Y/N,” he snarled. “That cannot go unpunished.”

While you greatly appreciated Sylus’s well-placed protectiveness, your feelings were still a jumbled mess when it came to Caleb. But you knew one thing, you didn’t want him to get hurt, and you certainly didn’t want Sylus to be the one hurting him.

You shook your head, voicing your thoughts aloud. “I don’t want you to hurt him. I know what he did was wrong, and please believe when I say I’m furious about it too, but he’s important to me, Sy. I thought he was dead and I just got him back, we both need to be a little more forgiving than usual, for my sake.”

Sylus was conflicted. The instinct to protect was near overwhelming, but truly the last thing he ever wanted to do was upset you. And killing hurting your beloved childhood best friend would do far more than just upset you.

So he tamped down his instincts and relaxed in your grip. “Fine.”

You breathed a sigh of a relief. “Thank you.”

“But if I have the displeasure of meeting him, I will be saying something,” Sylus said, leaving no room for negotiation.

“Okay, I can live with that,” you agreed. You pulled him back down onto the couch. “I have more to tell you, will you sit and listen this time?”

He shot you a withering look. “Yes, sweetie.”

So you finished your story, telling him about the strange man named Viper, how you found Caleb with the oddly-behaving Kevi and “the Professor,” and your departure that felt like you’d left with more unfinished business than when you’d first arrived.

Sylus kept his word and sat, giving you his full attention despite the fact that his anger still simmered in his veins. He certainly shared your sentiment regarding unfinished business, this was not the first or last time he was going to hear about Caleb. He just hoped he wouldn’t have to kill the Colonel should he cross that line with you, something he was wisely keeping to himself.

—

It’d be two weeks since you’d returned from Skyhaven. You’d spent a fair amount of it with Sylus, trying to make up for the time spent apart.

Caleb was always in the back of your mind, though, and the two of you had shared brief conversations over text during that time. You were still wrapping your head around the fact that Caleb was back in your life, albeit in a much different role than he’d once had.

You were eternally grateful to have Sylus by your side, he was the solid ground you so desperately needed to stand on right now, and he was more than happy to be that for you.

He was with you currently, the two of you settling in for a night-in at your apartment. You’d ordered take-out and were patiently waiting for the food to be delivered so you could start the movie you’d carefully chosen.

Lounging on the couch with your head in Sylus’s lap, you scrolled mindlessly through your phone, flipping it to show him silly posts every now and then. The sense of comfort that overwhelmed you, having such an innocuous night with your boyfriend, was a welcome reprieve to the constant anxiety plaguing you these past two weeks.

The sound of your doorbell cut through the tranquil atmosphere.

You and Sylus locked eyes, the same look of confusion on both of your faces. It wasn’t like the delivery person hadn’t shown up at your door before, but it was certainly unusual considering your instructions said to leave the food in the lobby.

Sylus lightly patted the top of your head. “I’ll get it.”

You lifted your upper body enough for Sylus to slide out from under you and promptly lay back down to resume your scrolling.

You listened as Sylus walked to, and opened your door, then felt rather than heard the pregnant pause before your boyfriend spoke.

“Well, if it isn’t the Colonel of the Farspace Fleet. Come to drug my girlfriend again?”

A myriad of emotions flickered in Caleb’s eyes. Surprise. Recognition. Fury. Regret. Guilt. But Caleb was well versed in handling difficult situations, and had no problem slipping on a mask of charisma, while inside he was positively seething.

You bolted for the door.

“Y/N didn’t mention having a boyfriend when she was in Skyhaven,” Caleb said cheerfully.

You skidded to a halt behind Sylus, panic icing your veins seeing your childhood best friend unexpectedly at your door, holding your bag of take-out in one hand, having a death-glare competition with your boyfriend.

“I didn’t exactly have the time to mention it, Caleb,” you said, trying to cut through the thick tension in the air. “You didn’t tell me you were stopping by, or that you stole our dinner.”

Caleb shrugged. “I was in the area, figured I’d drop in and see what you were up to.” His gaze flicked to Sylus before returning to you. “If you wanted pork ribs you know you could’ve just asked me, right pip-squeak?”

Sylus went rigid at the pet name.

You held back a groan, instead politely asking, “Why don’t you come in so I can properly introduce you?”

Sylus hated that you said that.

Caleb loved that you did.

“Sure, wouldn’t want your dinner to get cold standin’ out in the hall all night,” Caleb said.

You pulled Sylus away from the door to allow Caleb entry. Having the two men, both broad and tall, taking up the entryway made this situation all the more suffocating.

You swiped the take-out from Caleb’s hand, grabbed Sylus’s, and dragged him with you to the kitchen with Caleb following close behind.

Placing the bag on the counter, you whirled to face your childhood best friend, far more nervous than you should’ve been to introduce your boyfriend for the first time. Neither of you had had significant others to introduce before, in fact you pretended to be Caleb’s girlfriend in college so the girls would leave him alone. But since Caleb was gone, you could no longer interfere with each other’s love lives…

You cleared your throat. “Caleb, this is Skye, my boyfriend. Skye, this is Caleb, my best friend from childhood.”

Caleb’s eyes darkened in a way that was still unfamiliar to you but not foreign, and a wolfish grin spread over his lips. “Y/N,” he drawled, his voice dropping, “you know you can’t lie to me.”

You froze, Sylus’s fingers tightening around yours. “What are you talking about?”

Caleb looked languidly at Sylus. “You know as well as I do his name isn’t Skye.” The dark look vanished from his eyes as they settled on you, instead reflecting a deep concern. “Can we go talk, pip?”

“Absolutely not,” Sylus snarled. “She isn’t going anywhere with you.”

You gave Caleb your back to face Sylus who was glaring menacingly at the Colonel. You reached up and cupped his cheek. “Sy.” His gaze snapped to yours, softening slightly. “I’m going to go talk to him.”

He would never deny you anything, nor tell you what you could or couldn’t do. You were your own person, who could make your own choices, even if he emphatically disagreed. He knew you could handle yourself, but this supposed childhood best friend had already drugged you once, and Sylus did not want to find out what else he was willing to do.

Sylus’s brow buckled. “Sweetie, please. I don’t trust him.”

Caleb scoffed.

You shot him a glare over your shoulder.

“I know you don’t,” you said to Sylus, stroking his cheek, “but I need you to trust me.”

He did, wholeheartedly.

With a resigned sigh, Sylus dipped his head, brushing his lips along your temple before whispering in your ear, “I’ll be watching, just call for me if you need help.”

You turned your head and kissed his cheek. “I will, I promise.”

Squeezing his hand and flashing him your most reassuring smile, your attention shifted to Caleb, who stood there looking as murderous as Sylus had when he’d opened your apartment door.

“Caleb,” you snapped, breaking him out of his trance. “Let’s go.”

—

You and Caleb didn’t go far, opting to sit off to the side on the steps leading into your apartment complex. Perched on the branch of a nearby tree was Mephisto, his ruby red eyes trained intently on you as Sylus watched from inside.

“Okay,” you said, “what did you want to talk about?”

Caleb angled his body toward you, grabbing your hands as if they were the most delicate things in the world. “Y/N, what are you thinking?” he asked, that same concern from earlier bleeding into his voice. “You know who he is, don’t you?”

“Of course I do,” you said.

His gaze hardened slightly. “You know and yet you’re still with him? The leader of Onychinus? Do you have any idea the things he’s done, the things he’s capable of?”

You snatched your hands away from him, your temper flaring. What right did he have to question you like this? He didn’t get to come back into your life after almost a year of thinking he was gone forever and just tell you what to do.

“I am well aware of what Sylus has done and what he is capable of,” you nearly growled. “But I know who he is at his core and in his heart. That is what’s important to me, that is the man I fell in love with.”

Love. You were in love with this guy?

Caleb’s face fell and a wave of guilt crashed over you.

You took his right hand in yours, saying much softer, “Just because someone does bad things doesn’t mean they’re a bad person. You of all people should understand that.”

“I was just trying to protect you,” Caleb whispered, the pain in his voice clear as he stared at your hands. “All I want is to make sure you’re safe.”

“I know Caleb,” you murmured, trying to catch his gaze. “I’m safe with Sylus.”

Caleb shook his head, like he couldn’t believe what he was hearing, because he couldn’t believe it. He was the only one who could protect you and keep you safe. He was the only one you were supposed to love. How could he let another man—the leader of Onychinus, no less—come into your life and take you from him? He knew he was gone for a year but he was back now, who else did you need but him?

But Caleb also knew that eliminating this new threat in the form of your current boyfriend wouldn’t be as easy as he wanted it to. You clearly cared for this guy—loved him even—so he’d have to continue playing the long game lest he ruin any chance he had left to be with you.

You sucked in a deep breath, then blew it out slowly. “Look Caleb, I want you in my life, you’re my best friend, but we need to have some boundaries, okay?”

“Boundaries?” Caleb echoed, his brows pinching. “Since when have we ever had boundaries?”

“Since now,” you responded firmly. “You can’t just show up at my door without saying anything. I’m happy to have you over, but we have to plan it first.”

He nodded, a spark igniting in his eyes. He could do that. If it made you happy, then he would do it for you. “Okay, easy, done. Anythin’ else you got for me?”

You couldn’t help the small smile lifting the corners of your lips. It was so much easier with him when he acted like his old self. You missed this Caleb.

“I need you to get along with Sylus, for my sake,” you said, squeezing his hand. “Put aside whatever pissing contest I know you two already have because I don’t want my best friend and my boyfriend hating each other’s guts.”

Caleb’s expression didn’t falter despite the rage he felt boiling in his blood. “That goes both ways ya know,” he said with a rather disarming grin. “You’ll have to talk to your boyfriend about that too.”

It physically hurt Caleb to call Sylus that cursed word, but he had an award-worthy performance to put on if he ever hoped to replace the Onychinus leader as the only thing he’d ever wanted to be to you.

You rolled your eyes. “Please don’t start.”

He laughed, and though it sounded genuine, it was far more forced than he led on. “Okay, okay,” he conceded. “That it?”

“You sound like you want me to give you more boundaries.”

“You can give me whatever you want, pip-squeak.” Preferably your undying devotion, but he’d work on that.

“Caleb,” you admonished but he merely grinned wider in response. With a sigh, you let go of his hand and pushed yourself to your feet. “I’m glad we had this talk.”

He rose as well, towering over you. “Me too,” he murmured. “I’m happy you want me to be in your life again.”

“I never wanted you to leave it,” you told him earnestly. “And as much as I hate to say this, you better go. My dinner is probably cold by now and I need to go talk to Sylus, alone.”

“Didn’t mean to interrupt dinner,” Caleb quipped. “Seriously though, next time you want pork ribs, just call me, okay?”

You laughed. “All right, all right.” You started pushing him down the steps. “Now go, go. Text me when you’re home so I know you’re safe.”

Caleb’s chest tightened. Despite everything, you still wanted him safe, you still cared about him. He would cling to this like a lifeline.

“Text me when you get upstairs so I know you’re safe,” he shot back, meaning to be playful but coming across more hostile than anything.

You frowned. “I told you already, I’m safe with Sylus.”

He smiled to ease the tension and was relieved when it worked. “Just humor me, ‘kay?”

“Whatever.” You gave him one last shove. “Don’t be a stranger, Caleb.”

“I won’t, pip-squeak, I promise.”

And he had every intention of keeping that promise and then some.

—

Sylus flung open the door before you could even reach for the handle, checking you over with a careful precision, making sure not a hair was out of place.

You patted his shoulders. “I’m okay, Sy, we just talked.”

“I don’t like the way he speaks to you,” Sylus grumbled, not stopping his thorough inspection. “It’s like he thinks you’re his possession or something.”

“You say all the time that I belong to you,” you teased.

He cut you a fierce glare. “That’s different, I don’t treat you as though you’re an object for me to claim. You’re a person, Y/N.”

Maybe you were naive, but you didn’t think Caleb thought of you in such a way. You weren’t going to argue about it though. Your date night had been ruined enough, adding a fight into the mix would only further sour your mood and his.

“No, you don’t treat me like that,” you said, knowing he was looking for your reassurance, and you were more than happy to give it because it was the truth.

Sylus visibly relaxed. “You look exhausted.”

“I am exhausted.” You pouted. “I just wanted to spend a quiet night in with you.”

He smoothed your hair as he tucked you close to his chest. “The night’s still young, we have plenty of time to do just that.”

“Our dinner is cold.”

“We can heat it up.”

You wrapped your arms around his waist and peered up at him. “Nothing’s going to change between us just because Caleb’s back. We can talk more about it tomorrow, but I need you to know that.”

He nodded. “I know, sweetie, I wasn’t worried.”

No, Sylus was not worried about you, he was however, incredibly suspicious of what Caleb had in store.

But that was a tomorrow problem, tonight he would give you the date you wanted with no more mention of your childhood best friend.

You nuzzled your face into his chest. “I love you, Sy.”

Sylus kissed the top of your head. “I love you, Y/N.” He drew back, bracing his hands on your hips. “Shall we go warm our dinner?”

You smiled. “Yes please.”

As you trailed behind your boyfriend to the kitchen, you quickly pulled out your phone, firing off a text to Caleb letting him know you were safe.

Still outside your apartment complex, Caleb stared at the notification on his own phone. He kissed the necklace clutched tightly in his hand as a sense of victory washed over him.

[theliteraryarchitect]

5 Reasons NOT to Use Multiple Point of View (and What to Do Instead)

I've been meaning to make this post for a long time. As a developmental editor, I see a LOT of manuscripts that use multiple point of view (where each scene or chapter is from the perspective of a different character), when they really should be using a classic single character POV. Over the years, I've come to the conclusion that writers see multiple POV as a solution to problems that really shouldn't be solved that way. Basically, they're using it for the wrong reasons. And when that happens, instead of making the story more awesome, multiple POV can actually weaken it.

Here are five of the most common reasons writers choose multiple POV (and why those reasons might be a problem). Don’t worry—I’ll also share what to do instead.

1. You Don’t Know What Your Story Is About

Sometimes, when writers aren’t 100% clear on their story’s main conflict, theme, or plot, they reach for multiple POV. It feels like a fix—after all, why focus on one perspective when you can try out a little of this and a little of that?

Here’s the thing: multiple POV actually requires you to be more clear about your story, not less. Readers will naturally look for a thread that ties all the perspectives together, and if that thread isn’t there, the story will feel scattered or aimless.

What to Do Instead: Take a step back. If you’re feeling unsure about what your story is really about, try some journaling or outlining. Ask yourself:

What’s the main conflict?

Who’s the central character?

Why am I telling this story?

Often, writers discover they actually have one protagonist, and a limited third or first-person perspective would work better. If you still feel like multiple POV is the right call, go for it! Just be sure to periodically revisit your outline to make sure the story hasn’t “gotten away” from you. (Multiple POV has a sneaky way of doing that.)

2. You Haven’t Developed Your Characters

Multiple POV doesn’t work unless each character is fully developed. Every POV character needs their own voice, journey, and reason for being in the story. If they can’t stand on their own, readers will notice.

What to Do Instead: Before assigning a POV, ask yourself:

Is this character compelling enough to hold the reader’s attention?

Do they add something essential to the story that no one else can?

If the answer is no, it might be better to stick with a single POV. Sometimes less is more.

3. You Can’t Decide on a POV Character

This one is common, especially in early drafts. You’re still figuring out your story, and it’s hard to choose whose perspective should take center stage.

What to Do Instead: Experiment! Write key scenes from different characters’ perspectives. Often, the strongest voice will make itself known as you go. And remember: just because you write a draft with multiple POV doesn’t mean you can’t narrow it down later.

4. You Need to Share Information Your POV Character Doesn’t Have

Ah, the classic "But how do I show this thing the protagonist doesn’t know?" dilemma. This is probably the most common reason I see writers reach for multiple POV. It’s tempting to throw in a chapter or two from another character’s perspective just to share that extra bit of information.

The problem? Those chapters often feel disconnected from the rest of the story. Every POV character needs to carry their weight, and dropping in a random narrator just for convenience can leave readers feeling unsatisfied.

What to Do Instead: There are other ways to get information across. Here are a few ideas:

Educated Guesses: Let your main character speculate. (“Iris kept tapping her pencil on the desk. Was she nervous about the meeting earlier?”)

Show, Don’t Tell: Use actions, dialogue, or other clues to reveal what another character might be thinking.

Bring in a New Element: Introduce a third character, a conflict, or even an object that reveals something important.

Overhearing or Spying: Yes, it’s a little cliché, but when used sparingly, it can work in a pinch.

5. You’re Looking for an Easy Way Out

Let’s be honest: multiple POV can feel like a catch-all solution to tough storytelling problems. Need to fix pacing? Add another POV! Can’t figure out how to make the ending work? Add another POV!

But here’s the truth: multiple POV is actually harder than other POVs. You’re not just developing one character—you’re developing several, and you have to tie all their perspectives into a cohesive whole.

What to Do Instead: Focus on nailing the story with a single POV first. Once you’re confident the core of the story is solid, you can decide if adding other perspectives will truly enhance it.

In Summary

Multiple POV is a powerful tool, but it’s not a shortcut. It requires careful planning and strong execution. If you’re considering it, ask yourself:

Does every POV character bring something unique to the story?

Am I clear on the main conflict and theme?

Could this story be told just as well (or better) with a single POV?

Sometimes, the simplest route is the best one.

Hope this helps!

/ / / / / / / / / / /

@theliteraryarchitect is a writing advice blog run by me, Bucket Siler, a writer and developmental editor. For more writing help, download my Free Resource Library for Fiction Writers, join my email list, or check out my book The Complete Guide to Self-Editing for Fiction Writers.

[bibuckaroo]

i saw someone talking about how jayce was literally obsessed with magic his entire life and then it turned out that his girlfriend was a mage all along and arcane just… didn’t do anything with that.

but like (this is not me throwing any type of shade, i love mel with my whole heart, i’m just talking about the storylines) if you’re saying this, you completely missed the point of both jayce’s and mel’s story? even if they were together briefly and in love with each other, their stories were not intrinsically connected.

mel’s story was indeed about learning that she had powers and what that meant about her identity, her family and her future moving forward, her story is defined by her own sense of self.

jayce’s story is defined by… viktor (i know, shocking, as if the show hadn’t been clear enough). their story was indeed intrinsically connected, the only reason jayce became obsessed with magic was because of future!viktor in the first place, but his obsession with magic had nothing on his obsession with viktor, because ultimately he decided that viktor was more important to him than anything else.

the point is, of course the show wouldn’t do anything about mel being a mage having to do with jayce, because her story is independent from him and the only reason jayce was obsessed with magic was to lead him to viktor. in this essay, i will…

[hexb0nes]

this made me tear up. from the perspective of someone who has been disabled for all their life with a condition like viktor’s, those moments where he’s floating hit so hard.

for the first time in life, he likely felt no pain in his body, weightless and unburdened. he could move without the pain and GODS it makes me wanna cry. the mere thought of being free from the chains of chronic pain is overwhelming. i can’t blame viktor for wanting to “evolve” himself - it’s rooted in internalized ableism and the desire to live unbound by your disability’s limits.

and god, people fail to realize how important jayce’s leg getting injured and becoming “crippled” is. his journey in the destroyed future mimics viktor. i honestly don’t think the timeline would have succeeded if jayce didn’t experience that, for it was that personal experience that gave jayce the final piece to truly connect with viktor.

ANYWHO viktor will forever be my favorite character and i love jayce and i love jayvik

A nice little detail I noticed tonight.

They bar the door with Viktor’s cane, so when the Enforcers break in, the cane breaks too.

And then the next thing we see is Viktor floating, with his amazed smile, his childlike wonder.

There’s this sweet, almost bittersweet implication that he’s transcended his body, just for a moment.

He won’t feel so free in his body again for years, until he drops his crutch and runs on the docks.

The ways that their partnership is imprinted on his body, and the stages of it reflected through his body—how he finds freedom and joy that first night; how he’s wasting away during the period when Jayce’s attention was elsewhere; how Jayce reconstructs him through love and it’s too much for him to take; how Jayce’s body comes to mirror his; how they’re both bodiless in the end, and free, like it’s taken them years of suffering to reach the purity of that first free moment again—will always be so moving to me.

Arcane is a story written on Viktor’s body.

[shorthaltsjester]

i contain multitudes and can say that i am a little :( about vex and percy being teammates with benefits because i think there’s something particularly heartbreaking about the dynamic that was neither of them ever said a thing even though they both were aware of it and it took losing percy for vex to finally admit it and Even Then, she couldn’t say it to percy’s face when they got him back, percy was the one who had to make the first move (that they were both alive for at least) and he was only able to do that because he’d heard her confession, because he never would’ve thought otherwise. to be clear, i also very much enjoy the story being told, i think i just wish they’d maybe committed more significantly to This Is A Campaign-Inspired Story Rather Than A Retelling sooner in the show so that maybe there would be a bit more grounding or set-up for the storylines the narrative is focusing on (and i understand why they wouldn’t), because i think they’re doing very well with percy’s arc for example, because they started with focusing on his and keeping his beats mostly the same and that seems to be much the same case as some of his second wave of meaty character stuff has arrived. but with vex they’ve aimed for the same character beats but it doesn’t always feel as earned or really feel like much character at all; i think saundor particularly was a bit of an :/, since in the campaign it was really a catalyst for vex interrogating her role in the party and her morality and something she struggled to get over and that haunted her far beyond the walls of that tree, but in the show it hasn’t really had a clear impact on vex beyond the scope of the episode itself — syldor certainly has, but the challenge that saundor presented didn’t really have much weight beyond its moment. and obviously a large part of that’s also probably just, 7 protagonists and wanting to expand the perspectives to antagonists and give more room for side characters is a lot of things to cover. and, i say with love, perhaps a bit too ambitious for a 12 episode per season, ~22 minute runtime show if they want their characters to have the kind of depth that really makes campaign 1 shine the way it does.

[mightyray]

First pic on tumblr.

[sketching-shark]

Starting Journey to the West assuming its the story about a silly goofy monkey going on monster-of-the-week adventures with his friends:

Reading about Sun "was-definitely-a-warlord" Wukong smashing the upteenth person's head into a meat patty but a few chapters in:

[copperhawks]

I don't really think this works for me, either, honestly. And it's not really what I'm arguing in this post.

You can obviously comment on the white savior aspects of this series and of Aly's character and the ways in which those things are problematic, and I won't disagree with that, but I don't know that this narrative as it is would work if Aly were somehow "part-raka."

Aly being a complete and utter outsider is part of the point. All of the characters before her stayed (primarily) in Tortall or at least were introduced within it before leaving it later on to look at other worlds, but even then, the story isn't truly ABOUT those new worlds as much as it is about the character's journey back (think Daine going through the Realms of the Gods trying to get home, or Alanna going to get the Dominion Jewel so she can return to Tortall). The Trickster duology is ABOUT this new world, it's ABOUT the Copper Isles. But this is a series where readers kind-of expect a connection to Tortall. People still often discuss the books as "The Tortall books" versus the "Emelan" books in order to describe the difference. So in order to go to this new place while maintaining a connection to Tortall, it helps to have a character who is both connected to not just Tortall itself but the characters we have come to know before, and who is new enough that she can discover the world for the readers.

But even beyond the logistics of wanting to make a story in the Tortall universe about a place that is not Tortall, the story's themes kind-of revolve around this idea of NEW PERSPECTIVES. Aly learns who she is by learning to see the world through the eyes of different people. She learns to understand the raka, their history, their current plight, their culture. She learns to understand the crows and their relationships to the raka and the Isles and Kyprioth himself. She even learns to understand the luarin and the Rittevons and THEIR relationship to the Isles. And we often see all of them learning to view their own world differently by seeing it through Aly's perspective. Aly being SO outside of this world and this conflict until she DECIDES to be a part of it gives her a way of viewing it that changes everything for everyone involved. Aly introduces a lot of new concepts to the raka revolution at the same time as she learns to respect all of the things they've ALREADY DONE and are still doing that work better than what she could've come up with. It's Aly who sees Dove as an option and who convinces Kyprioth that Dove is an equally good if not better option for Queen when Sarai leaves, for example.

There's a lot of places in the books where we see Aly having to change how she thinks of things, but we also see Aly changing other people's minds and people AROUND Aly having to argue for new perspectives, too. And a lot of this comes from the fact that Aly herself ISN'T ALREADY A PART OF THIS. But if she's "part-raka" then she's naturally already connected to this conflict, she has a personal stake in it and a personal connection to the raka part of it. She's not learning to care for these people she'd never have even thought of before, she's not changing who she is by immersing herself into a world and a war she hadn't even known existed before.

So, sure, you COULD make Aly "part-raka" or you could've just let the new heroine be Dove herself or any number of other options, but then it's not really the same story anymore, with the same themes and messages. It's a different story. It doesn't necessarily fix the story we have, it just makes a new one. Maybe it'd be better. But it's impossible to know for sure since you can't just make Aly "part-raka" or make Dove the heroine and keep the story itself the same.

I'm sorry, but I just don't buy that Aly being made to leave the Copper Isles a few years into Dove's reign is somehow a good ending for her character. You spend TWO BOOKS, her entire series, watching her come into her own and figure out who she is and what she wants as an adult with her own career and find a family and a home that believe in her and want her because of what she can do, and I'm supposed to somehow be satisfied with an ending where she loses ALL OF IT and gets stuck in a limbo AGAIN, listlessly floating through life because she can't do what she wants to do as a result of someone else's rules and doesn't have the desire or skillset to do something else (and might not be allowed to even if she did), leaving her with zero other options than to spend the rest of her life as nothing more than someone's wife or mother. How empowering.

I don't even buy that it was NECESSARY or realistic given the world we were introduced to. We KNOW how influential Kyprioth is in the Copper Isles, we KNOW how important that prophecy and the people in it are to the raka, and we KNOW how delicate Dove's position is when she takes power. I don't for a MOMENT believe that anyone would really truly consider it the smart sane choice to send away a resource like Aly, someone whose skills are IMMENSELY needed to keep a very new government in power, when it could easily piss off the god who chose her to represent him to his people. Aly is his messenger, he chooses her to see the things he wants her to see, he uses her to move things into place in a way he does nobody else, and I'm supposed to believe that he's stupid enough to think that Dove's government is SO SECURE a measly few years post-revolution that he can just throw away someone like Aly? I'm supposed to believe he'd ALLOW THAT and not step in to ensure it didn't happen even if other people started to come to that conclusion?

I'm supposed to believe that Aly would be considered equivalent to Taybur even though she's never served the Rittevons, is involved in the raka prophecy, and was instrumental to putting Dove on the throne? How is all of this somehow less important than just making sure every single position in the government is only filled by raka? How is it not important for Dove to ensure she has at least a few luarin in there to appease the luarin nobles, especially after the narrative makes such a big deal out of her being both raka and luarin and how it's important not to dismiss one side of her in favor of the other?

I call bullshit. It's a terrible ending just from a normal narrative standpoint because it removes all satisfaction from the ending and the implied future within those novels, but it's also just unbelievable and unrealistic given what we've been told about this world and these people. I love Pierce's works, I do, and I appreciate that sometimes she comes back to stories and feels like she perhaps made a misstep and I see where this may have come from, but I think this is a terrible way to have Aly's story end and I refuse to acknowledge it.

[jagged-peaks-number-1-fan]

I'M GOING TO THROW UP LAUGHING MAN....YOU DON'T GET IT THIS IS SO FUNNY. clear sky reacting like this is a fucking youtuber ad read. "This is so sad! But here's a way to be less sad. Let me introduce you to the sponsor of this video, Leaving The Mountains On The Sun Trail,"

[goblinbugthing]

hi idk if you have energy to do the ask game but,,, 🃏with Hara would RULE

🃏 - draw a character as a tarot card.

oh hell yeah

i picked justice bc of stuff that happens in the taboo/exile rewrite and also i thought itd look cool (it does)

…yknow what fuck it, im submitting this as propaganda for the oc tournament. @kirbyoctournament more haraganda :)

actual tarot card + meaning (according to a random tarot website) under the cut

[liquidchocolatecake]

currently captive audience to a knock down drag out fight in my brain between desire to respect the wishes of the creator and not look for anyone redistributing the comic and god i fucking miss wonderlab i miss wonderlab so much you have no idea i want wonderlab back so bad

[not-poignant]

hi there! i just wanted to say i love your writing sooo much, i started out reading your fandom works a few months ago (palmarosa is absolutely delectable) but after dipping my toes into your original work via underline the blue i decided to delve into it more deeply. your universe was hella intimidating ngl (2.6 million words just for the core texts of spoils & fae tales is insane and also very impressive!) but i started with falling falling stars since it appealed to me the most and i’ve read almost the whole thing in the past 4 days. it’s just THAT GOOD.

anyways i suppose i don’t really have a proper question except… in falling falling stars, augus comes across as kinda horrible. i can’t possibly wrap my head around him and gwyn being the “original main couple” or main characters i’m supposed to root for in the rest of the series. is augus really that much of a dickhead in the spoils of the spoiled as well? it seems like that fic must present an entirely different perspective on the character for it to even make sense to root for him. (i hope it wasn’t silly of me to read falling falling stars before the spoils of the spoiled!)

reading underline the blue and then meeting nate in falling falling stars was also like… whiplash. the character seems so incredibly different. is this something i should take into account when it comes to your other verses? underline the rainbow versus spoils versus fae tales i mean. are the stories and plotlines and characters completely different and there’s only internal consistency within each individual universe so to speak?

anyways, reading your author’s notes about your health is so stereotypically ao3 and makes me incredibly grateful that you still take the time to write all this for FREE for us! i wish you the best n hope you don’t take offense to my questions, i really am just curious. you’re a fantastic writer and the way you tackle these difficult subjects is often very cathartic for me to read. i sincerely appreciate everything you do n hope you have a great day whenever you’re reading this :)

Hi anon!

So Falling Falling Stars is like a role reversal of Spoils of the Spoiled. Spoils of the Spoiled actually came many years before, and in that, Efnisien was such a villain that quite a lot of people have never been able to read Falling Falling Stars, or they had to wait a long time to see if it would be worth reading.

Both stories kind of function as 'the main character is the hero of his own story.' Or 'the person who is a villain to one person is a hero to another.'

Augus does do some pretty bad things in Spoils of the Spoiled, but he shows he's capable of growth, he saves Gwyn's life, he's molested by Efnisien (unprovoked), and he's a victim of a lot of circumstances. Much like Efnisien in Falling Falling Stars, he's complicated.

Characters aren't black and white, anon, they have nuance. Someone can do something bad to one person, but still be wonderful to another. Efnisien is actually a great example of this. We're rooting for him. The people who know the people who hurt, might want him dead. Both of those things are true and both of things can be valid. I find that a really interesting grey area to write within! But Augus is very much in that area as well.

Falling Falling Stars and Efnisien's journey would never exist if it wasn't for Augus saving Gwyn's life in Spoils of the Spoiled. In a way, Efnisien - though he'll never realise it - is indebted to Augus for his actions in helping and galvanising Gwyn into the emancipation case that got him away from his abusive family (which very much included Efnisien at the time). And Augus was hurt and threatened by Efnisien for it, more than once.

It's funny reading this though, and I think a few other readers might feel that way. Your feelings about Augus and Gwyn and not being able to 'wrap your head around' them as the good guys / protagonists in the rest of the series is actually how everyone felt about Efnisien.

Like, literally. You're just...on the other end of something everyone else has felt for the character you like.

So we know it's possible, because we all went through it re: learning to care for this version of Efnisien lol.

I will say canon Efnisien in the Fae Tales canon is literally an irredeemable monster, capable of no compassion, who glories in defilement, degradation and torture. He's really not comparable to his human counterpart.

is augus really that much of a dickhead in the spoils of the spoiled as well?

I mean no. Otherwise no one would read the story. He has his dickhead moments, especially in the beginning, just like Efnisien had his dickhead moments in the beginning when he was thinking of torturing Gary and animals and children and other people.

reading underline the blue and then meeting nate in falling falling stars was also like… whiplash. the character seems so incredibly different. is this something i should take into account when it comes to your other verses?

Yes, absolutely.

are the stories and plotlines and characters completely different and there’s only internal consistency within each individual universe so to speak?

It sounds like this might be the first time you've encountered the concept of an Alternative Universe! An Alternative Universe in fandom tends to keep the characters (generally) and changes everything or some other things around them as a way of exploring new scenarios, but also seeing how those scenarios impact the characters.

For example Falling Falling Stars and Spoils of the Spoiled both explored 'what if these characters were human' 'what if they didn't have magical healing' 'what if Gwyn managed to get away from his family.' The characters preserve some aspects of themselves, but not others, as a result.

It's logical that if you take a character that's one thing, and put them in a world where their job, their friends, even their partners change, then aspects of their personality will change! And then the challenge (and fun for us as readers and writers) is to see where they're the same, why they're the same, and where they're different, and why they're different.

What's cathartic about AUs (alternate universes) is we often still get to hit very meaningful moments over and over again in different ways - for example Augus and Gwyn falling in love, or Efnisien making a connection with Gary, or Efnisien starting out very abrasive and hostile and becoming softer and more caring over time etc. The themes are similar, but there's different reasons for these big moments to be happening, and so they happen in different ways, with different dialogue etc.

Meanwhile Nate, as an example, is someone in FFS who we only ever see as an outsider. We don't know how soft he is with Janusz at home. Or with his friends. We only see him in response to a trigger (PTSD), and see him in a very limited way. Of course he will be different when we see a story from his perspective! He's not going to see himself the way someone who hardly knows him and has never seen him vulnerable sees him. Even without him being an omega etc. in Underline the Blue, how Nate lives his life and sees himself has nothing to do with Efnisien. Efnisien has seen maybe 0.00000001% of his entire life and personality (I don't know how numbers work, but trust me, we can't get an accurate read through 'Efnisien the unreliable narrator'), Nate's the one who has to live it. In that sense, it's easier to trust Nate and his loved ones re: what he's really like, than Efnisien.

Likewise, it's easier to trust Augus and Gwyn over what Augus is really like, than Efnisien. And it's easier for us to trust Efnisien and Arden and Kadek over what Efnisien's really like, instead of Augus' perspective, or even Gwyn's.

Efnisien in the Fae Tales canon is only ever an outsider. In fact he's dead by like chapter 15 of Game Theory. Which is good, because he's awful and incapable of being redeemed in any way. He's a torturer in The Wildness Within. Obviously that's quite different to who we end up with, in Falling Falling Stars, and we only end up with him because of Augus and Gwyn's journey in Spoils of the Spoiled. (If you'd read Spoils first anon, trust me, you'd be asking yourself 'I don't know how I could ever want to read a story about Efnisien he seems so awful' instead lol - but I like...the journey, and the challenge, to see if I can guide a reader through someone's inner universe so they can trust a character's growth, even if they don't like them in the beginning).

Anyway, degrees of separation impact how we see the people around us. We as readers are extremely separate from Nate in FFS because Efnisien is. So...yeah, he feels different when we get a story from his perspective! The whiplash is real. Because he becomes a developed character, and not just a 'bad impression' in Efnisien's insecure, sensitive mind. That's the same with Spoils and Falling Falling Stars, we never see Augus' perspective in FFS, we never see Efnisien's in Spoils. That matters.

Sometimes seeing the character's perspective changes everything! I hope that helps :D

[randomingoftherandomness]

Yuanzhi knows he is good at what he does, he likes to spend time in his laboratory but sometimes feels it's not enough. Ziyu became the Zhiren and now he's capable of beating him in a fight, Shangjue is just perfect and that leave Yuanzhi at the very bottom. So he starts overworking himself, skipping meals and testing the most dangerous poisons on him

Ziyu pauses before he crosses the threshold of Jue residence. There’s a seed of trepidation that makes him doubt himself. Would he be blamed for this? Would it be taken as his fault?

“Zhiren? What are you standing out there for? I was just about to go see you.”

Shangjue is smiling as he beckons him in. There’s a kettle on the brazier and teacups waiting on the table. As if Shangjue is waiting on someone.

Ziyu forces his throat to work around the lump that grows in it.

“Were you… Were you expecting me?” He asks, shifting his robes to sit down more comfortably.

“I’m waiting for Yuanzhi didi,” Shangjue says. “I didn’t see him at the gates and when I came back, Jin Fu told me that he’d been in seclusion in his residence for the last month. By now he should have heard that I’m back.” The fond smile on his lips turn warm and gentle. “I’ve brought him many gifts from the jianghu. I think he’ll like them.”

“Gege dotes on Yuanzhi didi the most,” Ziyu quietly notes.

Perhaps it is something in his voice that clues Shangjue to it, or maybe the man is just extra sensitive when it comes to his most precious person. But Shangjue’s soft countenance hardens and a frown furrows between his brows.

“What happened?”

Ziyu hesitates. Cupping his tea, he steels himself. “He started skipping meals after you left. At first, no one thought anything of it, but Zishang went over to check on him after he’d missed out on their standing afternoon tea appointments and…”

Shangjue is on his feet. Eyes hard and lips pressed into an unhappy line. For those looking in, it would be easy to misconstrue that he is angry, but Ziyu is no longer someone looking from from the outside in. He can understand Shangjue better now. And he knows.

This is worry.

“What. Happened.”

Ziyu won’t lie. “He overdosed on a cocktail of poisons he somehow acquired through the black market trade. He’s fine now. We got to him on time. We’ve cleared up the den and arrested a few of the people running the place, though we suspect there may be a few eels that slipped the net.”

“Elder Yue has been personally overseeing his recovery. He will be fine.”

“Ziyu,” Shangjue starts, before his mouth shuts. Devastation is clear on his face. “D-did he say…”

“Why?” Ziyu finishes for him. He looks at the clear surface of the tea, eyeing the way a stalk is upright swimming just under the edge of a reflection. “He was out of it when we tried to help. But we… we found notes. All of which saying that he just wants to be useful to the family.”

Shangjue makes to leave. No doubt to be by Yuanzhi’s side, but Ziyu grabs at his wrist.

“Don’t be too mad at him,” Ziyu says, standing too. “He was just feeling a little lost and he made a mistake.”

“Oh, of course,” Shangjue agrees, baring his teeth. “I’ll definitely do that. Right after I beat some sense into him.”

When Ziyu loosens his hold on him and following him out the door, he hopes Yuanzhi won’t blame him too much for spilling the beans.

[cmythelight]

Sketches of today

[heloflor]

After getting into Mario with a more “fandom” kind of mindset, and more specifically getting a bigger interest in the RPG games, something that amuses me a lot are the people in youtube comments trying to argue that the Koopalings aren’t Bowser’s children.

Like, don’t get me wrong, I know Miyamoto retconned their link to Bowser. But the funny thing is, even to this day, Nintendo themselves are still writing those kids as if they were related to Bowser !

Seriously :

- In New Super Mario Bros Wii and Wii U, the Koopalings are attacking the castle along with Junior/Bowser, thus putting them on the same level of importance as Bowser and his son. The ending cutscenes do the same thing, especially the one in Wii U that just screams “they’re a family”. Plus, all the Koopalings serve as world bosses, which was kinda Junior’s role in DS, yet again putting them on the same level.

- In New Bros U, they all have their own ship. The only character to have a ship with their face on it before had always been Bowser.

- As I’ve seen someone point out in a comment section, the Koopalings are different skins of Junior in Smash Ultimate, again putting them on the same level as Bowser’s son. They might also be skins of Junior in Mario Maker 2 but I’m not sure on this one.

- In New Bros 2, they’re using a giant clown car, which is implied to belong to Bowser as Bowser and Junior are the only ones with a recurring clown car and Junior’s is too small. I doubt Bowser would let just about anybody use his car.

- On top of that, each has their own clown car in Smash.

- You know that icon/logo of his head thing that Bowser has (the one we see in games like 64 when we die) ? Bowser Junior had had one for a while now and more recently each Koopaling were given one (I think you can see them at Nintendo World in Bowser’s castle ?).

- Since they were originally created as Bowser’s children, they’re the same type of Koopa as him, and that fact hadn’t been changed in recent years. Hell, outside of Ludwig in Mario World and the fights in Superstar Saga, the Koopalings are never shown to breath fire, yet in the remake of Superstar Saga, they chose to keep the fire breath (except for Ludwig ironically enough). They could’ve easily removed the fire breath to make them more similar to Boom Boom, especially since Boom Boom has recently been shown with spikes on his shell, but they chose to keep this ability. Granted their shell plastron is different from Boom Boom, but that’s another design change Nintendo could make to set them apart from Bowser (giving them the same shell as Boom Boom to make it seem like they’re the same species, instead of keeping them as “Royal Koopas”).

In short, the Koopalings’ design wasn’t changed after the retcon, making them, Bowser and Junior the only members of that specific type of Koopa, thus implying they might be related. It’s also not helped by them having magic (which only Magikoopas and Bowser have) + being high-ranked members of the army. They might also be the only minors in the army, which raises a few eyebrows as to how they got the job (why would Bowser hire a bunch of children/teenagers to put in charge of his army ? Granted some like Ludwig, Roy and Wendy might be adults by now but I can’t bring myself to see Lemmy and Larry as anything other than teenagers).

- Saw a video of the bosses in Paper Mario Color Splash, and the minions (paratroopas) address Ludwig as “your evilness”, which is pretty reminiscent to how Bowser is called by his army, most notably by Kamek (“you grouchiness”, stuff like this)

- Baby Bowser and Bowser Jr are referred to as “young master” by Kamek. In the RPGs, the Koopalings are sometimes called “master [name]” (and “mistress Wendy”) when talked to individually. Note that both this point and the previous one are for the English version tho, not the Japanese one (no idea how they’re called in Japan).

- There’s that one Super Mario Adventures comic made in the 90s that was apparently re-released a few years ago (something like 2017-2018 ?), aka well after Nintendo retconned the kids’ relationship with Bowser (around 2012). Yet, in this comic, at least in the English version, the Koopalings are explicitly said to be Bowser’s children, with him saying he wants to marry Peach so they can have a mom + the kids calling him dad. And I don’t think they changed this dialogue in the re-release ?

- Bowser Jr’s Journey. Just, Bowser Jr’s Journey. After seeing all the cutscenes of this game, it is a crime that those kids aren’t related ! Hell there’s literally a moment where Junior pulls out the “I’ll tell dad !” card on Roy ! And let’s not forget stuff like the interactions between Junior and most notably Ludwig/Morton/Roy, Junior saying “us Koopalings” at some point thus including himself amongst that group, or stuff like him singing “I’m the one who wears the crown” making it sound like he’s saying “I’m the one chosen amongst the eight of us”. Then there’s the “family drama” vibe in the first half, the cute moments etc (Also unpopular opinion but after seeing that game, Ludwig should still be the heir of the throne. He has what it takes to be a fantastic king ! Granted Junior is still extremely young and could learn and mature.)

- Also about Jr’s Journey, the main conflict actually works a lot better if you imagine the kids to be siblings, with the Koopalings talking down to Junior because he’s the baby of the family + they resent him for taking the throne from them, while Junior is tired of his siblings babying him + he’s that kind of kid who orders the older siblings around because he thinks he has the power to do so. Them being siblings also justifies why Junior changes his mind so easily during the beach scene and then is quickly shown to be strongly attached to the others (getting happy when Iggy gets his memories back, ordering Ludwig to stay with him from now on, that whole adorable scene with Morton etc).

Meanwhile, if you see the Koopalings as nothing more than high-ranked underlings, it’s weird why they would have such an issue with Junior, the son of their king who is also their boss, and likewise it’s weird why Junior would take such issue with them only to have such a quick change of heart. Idk, I feel like if they weren’t siblings they probably wouldn’t spend that much time together, making both their whole conflict and strong bond a bit weird. And in general their interactions in this game read more as people who are widely different and wouldn’t usually be friends yet still love each other, which is the kind of dynamic many siblings tend to have (isn’t there a poll going around about whether you’d be friends with your siblings if they weren’t your siblings, and the option winning is “we wouldn’t be friends” ?)

- According to their page on the Mario wiki, during an interview revealing them in Mario Kart 8, Miyamoto used a word that means either “underlings” or “adopted children” when mentioning their relationship to Bowser (btw I know it’s the most popular headcanon anyways but them being adoptive children is just perfect. It would explain why 1. Some might be young adults while Bowser is younger than 40 depending on how old you see him, 2. Why they look so widely different from Bowser and each other, 3. Why Junior is the rightful heir).

- Also according to the wiki, the Italian and German versions of Mario and Luigi Paper Jam has mentions of them being Bowser’s kids, which I find hilarious. The translation teams didn’t give a fuck !

So yeah, when it comes to the Koopalings not being Bowser’s kids : who’s gonna tell Nintendo ?

(Side note about the whole idea of “Bowser clearly likes Junior more and neglects his older kids” : what if instead it was just that the Koopalings are teenagers/young adults now so Bowser is giving them their space + have them busy with royal duties, hence why he doesn’t spend that much time with them ? Plus, in all the examples that put the Koopalings on the same level as Junior, it’s pretty evident that they have the same privileges)

[cloud-somersault]

Sorry, I just feel like the prose should have a personality 🤷