#this is a bit worse

[starstruckpurpledragon]

So the good news is that having the humidifier pointed at me pretty much all day since it arrived was a good plan. Yesterday afternoon my cough disappeared entirely. Much rejoicing.

The bad news is that I realized this because I was starting to feel a bit clammy and so shut off the humidifier. Turns out the humidifier wasn't making me feel clammy (and a bit jittery too); it was one of the early signs of the food poisoning I was up with all last night.

I, uh... I would have preferred the cough turned into bronchitis than to have gotten food poisoning. So much for my healthy salad for lunch. *grumble* I'm pretty sure it had to be the salad's fault, anyway.

So now I still may wind up visiting the doctor's office tomorrow or Friday, just not for the bad allergy-cough.

Taking today off from work. Just gonna read fanfic, scroll mindlessly here on tumblr, snuggle Estelle (who is concerned about her pet human), and try to drink plenty of liquids.

[sofiaruelle]

❄️☃️The SDV Girlies in their winter garb!☃️❄️

One side how i interpreted their lil avatars and then the other side is just me playing dress up lmao.

“Bois when?” Dunno. 🤷🏽‍♀️ I will if anyone donates screenshots.

[dinoserious]

recent gira skpg+some slightly older doodles of baby gira

[clouvu]

yknow what. *undooms your yuri again*

[animalinvestigator]

happy 9 years

here's to 990 more

[welcometogrouchland]

Extremely bad batgirls comic I made featuring Steph's sex life and Cass' ability to read everything but the room

[sandflakedraws]

re : how each brother reacts learning that they can't go back

you'll have to pry the "all the Brozone Bros knew what happened at the tree" headcanon outta my cold, dead dead dead hands.

[deathricedrawn]

i'm ready to try

[ohblimeygeorge]

Finding out George had speech therapy as a kid bc he mumbled a lot, makes a lot of things make sense with how he talks and presents himself now. The way he always seems to really think about what he’s going to say before he says it and how he properly annunciates some words. And then still gets given shit for the way he talks…

[bubbarnes]

“... there's so many layers to that to unpack because the characters are communicating in subtext in different scenes as well.”

[brat-pack-it-up-boys]

If your ever having a bad day just remember your not Darrel Curtis having to read his younger brothers theme where he’s called heartless and a bitch a hundred times per page while his other brother is being called hot and perfect every time he’s mentioned

[goblinshop]

Icebound stuff from my sketchbooks

[mychapel-004]

FNAF SPOILERS! SCROLL! TALKING ABOUT THE SPRINGLOCK SCENE!

i’ve seen so many people discussing the springlock scene in both negative and positive ways and i think it brings up really cool points about how matthew played that scene and balanced fan expectations with his own characterisation.

i think the discussions around this movie have rlly exposed the disconnect between fanon and canon in fnaf, especially talking abt the core games in isolation, bc frankly in the game universe (ignoring the books) we get Very Little characterisation for William other than the obvious, but Matthew managed to add so much in the way he talks and his body language.

in the reveal scene, we see afton at arguably his peak. in his first scene, he comes off as somewhat demeaning and judgemental until he recognises mike’s name, at which point he seems to have this nervous energy, rushing to cover it up but stumbling slightly, his reaction to the tables being turned even slightly is massive.

this is a man who committed multiple mrdrs in essentially broad daylight, hid the bodies in the most obvious place, and still got away with it, and then kept the crime scene as a trophy of his actions, and an ongoing prison sentence for his victims. he has been in complete control for decades, and is confident that he can deal with any kind of threat quickly. his confidence in his reveal is palpable

it changes when vanessa shoots him. the whole parallel with vanessa and the animatronics is hugely interesting too- how william refers to the animatronics almost endearingly as “kids” when he wants them to obey, how both vanny and the animatronics have an unearned loyalty to him, almost a pseudo-adoption through what he did to them, taking them from their parents and keeping them under his thumb, forever stuck as naive, forgiving, obedient children. vanessa breaking from that control shakes him, but the mask slips back into place almost immediately.

then, he’s outsmarted by the brother of one of his victims, and the child he planned to end next. his pseudo-children turn on him and he can no longer manipulate his appearance or shed his skin to escape. he explodes on them, and his language is incredibly telling that he is being dishonest.

he calls them small, trying to belittle them into submission, even though they are ten feet tall metal animatronics powered by rage. he is grasping at straws to regain control, and failing miserably.

finally, the springlocks go off. the locks in the movie look more like a ribcage, so the first two likely puncture his lungs. they’re slow, and painful, but he doesn’t scream or beg or sob. he grunts and groans, gritting his teeth and only letting out sounds of pain that sound almost involuntary. there is no way in hell he would visibly let himself show weakness or pain in front of these creatures that he believes he has control over. he isn’t brought to his knees until there are eight metal spikes embedded in his abdomen. he doesn’t let the mask fall for even a second, until he literally PUTS THE ACTUAL MASK ON and finally collapses. even then, he’s fighting for consciousness, twitching and writhing with no control over his body. william afton thrives on control, and his soul will not rest until he gets it back.

it’s why he keeps the pizzeria- he always comes back. he can’t help but return to the scene of the crime, putting on his old costume, continuing his killings. he revels in being a constant threat on the horizon. and now, he knows he is going to die, and he knows the suit will bring him back, and noone will be able to get rid of him then. so he puts the mask back on, and waits.

in terms of the sfx- they’re pretty accurate. with stab wounds, you need to leave the knife in the wound as long as possible for best chance of survival, as it stops the blood from escaping. in terms of the springlocks, there wouldn’t be copious amounts of blood as the locks are keeping the wounds filled- which is good because it means a slower, more painful death.

[r-aindr0p]

Throwing this at the svsss fandom before disappearing again, I just suddenly had several questions...

[eybefioro]

Wait a minute...

I knew I recognized that from somewhere lol

[grimmweepers]

just a little something for those who know sukuna would drop to his knees and be totally smitten with us (because obviously, it's true)

— ★ contents: trueform!sukuna, fem!bodied reader, oral (fem. receiving), fingering mention, multiple tongue mention, established relationship, marking, possessiveness. MDNI 18+ ONLY | masterlist | byf/dni

It’s a shame that no one ever sees this side of the King of Curses.

To the world, he’s a figure who delights in the fear he instills, making a mockery of those who hold their heads too high, yet here he ironically is, setting a fine example with his head bowed low, nestled between your legs.

He moves his tongue with precision, diligently lapping up every drop of your essence as his nose grazes the hood of your clit— and his grunts vibrate against your core, sending tremors through your body. When his half-lidded eyes finally lock with yours, they’re filled with a potent mix of adoration and lust— a sight so tender it almost feels forbidden. In this moment, you’re grateful this isn’t the man the world fears.

You shudder as his grip on your thighs tightens, holding you in place with not one but two pairs of large, powerful hands. It’s during times like this that he often forgets your fragility, his nails digging into your skin and leaving marks. But it was his way of claiming you, reminding you that you belong to him just as much as he does to you.

Sukuna used to sneer at the idea of love, calling it worthless. But right now he pours every ounce of himself into pleasing you. His thick fingers move inside you with practised ease while his tongues work their magic over any spot you crave. Your cries are the music he lives for and there’s nothing he won’t do to draw them out of you.

With your fingers tangled in his hair, you lift his head just enough to see his face, “Sukuna, is this how you show you love me?” You ask, soft but sincere.

He smirks, something wicked and possessive glinting in his eyes, “Do you doubt it? Or should I stop and leave you wanting?”

“Don’t you dare,” you breathe.

His smirk deepens as he dives back in, determined to take everything you have to offer. Ryomen Sukuna, who once saw love as a weakness, is now lost in you. And he won’t stop until you’re a quivering, spent mess, completely undone by the pleasure he pulls from you.

As you teeter on the edge, you know that to him you’re worth more than anything— worth everything.

© 2024 grimmweepers — do not repost, copy, translate, modify my work on any platform

divider by @/chachachannah