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magicalgirlgrimoire · 2 years ago

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Genesis of Genre: Part 4

Post modern Puella Magi and what the future holds for Magical Girl as a genre

Author’s note:

I wrote the bulk of this essay the same time as the previous essays I’d posted to this blog. There’s an interjection partway through that notes where I begin to rewrite parts, and you can check the addendum at the very bottom of the page if you want to read about my meek return.

The “Golden Age” of Japanese Magical Girl media would be the 90’s and early 2000’s, introducing us to to genre defining series like Sailor Moon and Card Captor Sakura, alongside the more Avant-Garde series like Utena. As mentioned previously, Sailor Moon ushered in an array of series clearly influenced by it’s sentai style dynamic, but those kinds of stories are much more rare these days. I believe we are instead in a Post-Modern age of Magical Girl Media. It’s more common to see a deconstruction or subversion of the archetypical Magical Girl narrative as opposed to seeing it played straight. While some pick up on the darker elements of the genre, others choose to subvert expectations; we’ve had everything from stripper angel magical girls to anime centred around groups of magical boys in the last decade. However, not all series are made equally, and in this (perhaps overly long) segment we’re going to look over the Magical Girl genre hits of the mid 2000s to the 2010s.

Utena began the dialogue with darker themes; Akiyuki Shinbo’s 2004 Magical Girl Lyrical Nanoha continued it. Nanoha is notable in being one of the first contemporary Magical Girl shows that was not aimed at young girls; instead it was a seinen, aimed at young men. We’d previously had lots of instances of men writing series, along with an uninvited male gaze, but these series were still targeting an audience of young girls. Nanoha is also different than pre-Sailor Moon examples like Cutie Honey, which is a Shounen, as instead of being more of an action comedy, it delved into darker themes of abuse, on top of being a spin off of an erotica visual novel game; all of which is made much more disturbing when we remember the characters are all elementary school aged children.

Real talk for a moment: it sucks a genre that started out being about young women’s friendships and dreams for the future eventually got turned into torture porn for crusty men. And it didn’t stop with Nanoha.

Shinbo returned in 2010 with the acclaimed Puella Magi Madoka Magica, the huge franchise that now comprises the original anime, several films and countless spin-off manga. I’ll save my complex feelings towards Madoka for another time; the key point is that for better or worse, it is a definitive deconstruction of all Magical Girl media that comes before it. Madoka succeeds in examining the human experience of suddenly being thrust into a world of aliens and magic better than it’s predecessors. The character’s youth and immature decision making is central to the story, and the tragedy stems from the magical girls being children who act rashly and aren’t able to fully process the consequences of their choices until it’s too late. While there is a portion of the audience that is undoubtedly there to view misery being inflicted to young girls for whatever gross whims, it can’t be argued that Madoka’s narrative managed to be compelling to people of all ages and genders, and that is a strength of it’s story. However at the same time, it also lead to a lot of copycats, just like Sailor Moon before it, because there is unfortunately a market for teenage girl torture porn. Please look forward to my Black Rock Shooter hit piece.

On the possibly brighter side, we also had more comedic subversions. First, there’s the very specific brand of Magical Girl shows that Studio Gainax and Trigger started putting out in the 2010s; both Panty and Stocking with Garterbelt and Kill La Kill take the sexualisation of the female body present in old school works like Cutie Honey to the logical extremes, and despite being so overtly sexual and fan-servicey, both wind up completely absurd by the end of it. These are obvious subversions of the idea of Magical Girls as pure and innocent; Panty and Stocking is particularly interesting because of how it blends Japanese and American art styles – particularly cartoons like The PowerPuff Girls- to create a cute and cartoony presentation that contrasts with the crass humour and antics of its titular characters. Conversely, I remember watching Kill La Kill during it’s original run and being stunned that by the end of it, when the finale happens and all the characters are completely naked, I was astounded to find I’d become completely desensitised to the naked human form (all this before 3 years of life drawing).

-a future interjection- I’m writing this at the time of posting. The part of the essay you just read is a part I’ve mulled over for over a year. My original essay from 2017, which I’m using as a basis for this much larger work, spoke quite favourably of both Kill La Kill and Panty & Stocking. I think I simply could not leave it as is.

I recently rewatched parts of both Panty and Stocking and Kill La Kill. Surprisingly, Panty and Stocking held up well, so this isn’t about them. Kill La Kill on the other hand simultaneously held up better and much, much worse than my first watch during it’s original run. (I think I might begin doing straight up reviews for shows soon; but that’s for another post)

My main thought upon rewatch was my attitude now, and my attitude nearly 10 years ago is a real reflection of the ways popular feminism, and my own ideologies have shifted over time. Originally, I’d felt the display of the main character’s bodies, that they were powerful and strong while wearing the skimpiest chainmail bikinis, was almost a power move. I especially admired Satsuki’s character, being someone so unflinchingly determined, and feeling no shame in her body as she served a higher conviction.

I just don’t think I can look at the show in the same way now. Yes, the show is still absurd; I do still think it veers into the surreal. But its far more uncomfortable than I remember.

Either way, both these shows still serve as a perfect subversions of the classic magical girl story. -end-

Sliding across the spectrum, there’s also the notable increase in shows that star Magical Boys. On paper this might seem like a thoughtful take on how we present young men but in reality most of these series are played for comedy and or fanservice for a female demographic. Though I’m sure there’s merits to it, it’s a far cry from earlier Magical Girl series which deeply examined themes of gender and sexuality. At best, these are missed opportunities!

We’ve also seen an uptick in remakes and sequels to more nostalgic franchise; Sailor Moon Crystal is the notable example, as is Card Captor Sakura’s Clear Card Arc which is currently ongoing. Tokyo Mew Mew, at the time of writing, has now seen two separate revivals with the short lived magical boy spin off (???) and now with a new anime version airing as I write this! I think the revisiting of these older properties is both a symptom of our expected nostalgic media cycles (see, the 30/20 year cycle), but also a reflection of the current want to revisit late 90’s and Y2K media again, and companies as always being more willing to bank on pre-existing franchise.

The last few decades of Magical girl media has, to be honest, been a mixed bag. However there is one, single shining light for me, and that is 2013’s Little Witch Academia, and it’s subsequent sequel film and anime series. Somehow, the creators of Kill La Kill, the most edgy, ludicrously sexual and action orientated Magical Girl show in recent years also created the most sweet and wholesome. Little Witch Academia takes the genre right back to its roots, utilising the Magical Witch Archetype with a main character named Akko, just like the heroine of years passed, and centres the relationships between the students and teachers at their magical academy. The series also stands out from Trigger’s other works as it didn’t start out as a syndicated show; the original OVA was Trigger’s first outing, created as a project for new animators, and its sequel film was crowdfunded to increase it’s original runtime of 20 minutes to a full 50. The eventual series was created in collaboration with Netflix, and I believe this alternate production also lends to why Little Witch Academia successfully unshackles itself from the troubling tropes that have stagnated Magical Girl media in recent years. Little Witch Academia is the genre returned to it’s primordial state; devoid of fan service and rich in substance, it’s a love letter to the genre.

Addendum:

I started writing this blog around the winter of 2020/Jan 2021. A lot of terrible things have happened in my personal life since then but recently, I started feeling like I could write some essays again, for fun. This particular essay had been sitting in my storage since back then too. As I said in the post, part of what made me not publish it until now is because I'd started to re-contextualise some of the writing with my current views, and it felt incomplete to post it as I'd written it; as in, quite true to my perspectives in my original 2017 essay. I still have a lot I want to write, both based on my original work and also large pieces, but I think I might start writing the essays out of order+mix in some more general reviews with my personal thoughts added in. I do intent to write a more contextual essay about western magical girl shows, but I'll leave that for later maybe! Thank you everyone who followed this blog and read my work so far. I hope I can start posting more frequently!

#Revolutionary girl utena #sailor moon #puella magi madoka magica #magical girl lyrical nanoha #magical girl essay #context #cutie honey #tokyo mew mew #little witch academia #kill la kill #panty and stocking #black rock shooter

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magicalgirlagency · 3 years ago

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I'm sorry that you had to go through tough times back then... could you please elaborate? It's okay if you don't answer this ask; no one's forcing you.

It's alright, love. I'm just a bit upset at the years of double-standards.

Like, here's the thing: Girls, specially TEENAGE girls, aren't allowed to enjoy things. If they enjoy things, then that thing is automatically considered cringy.

You know like how some 2010's TV shows and boy bands/kpop groups have large female followings? They're constantly dismissed as superficial, and are reduced to ridicule and heavily stereotyped by fujoshis and Wattpad fanfiction writers (the "my mom sold me to 1D" joke has stopped being funny like five minutes ago, okay? Plus, that's slavery/sex-trade; how fucked up do you have to be to joke about a thing that still happens nowadays?!)

Meanwhile boys are allowed to say and do the most out-of-pocket shit, and never get reprimanded for it. Case In Point: The male fans of My Little Pony, the Bronies. They get a cool fan name of their own, conventions and even a fucking documentary! What do girls get? Absolutely NOTHING!

It gets even worse if you are a neurodivergent woman. And that's where my past of self-loathing comes in...

You see, back in middle school and high school, I was the weird kid. I struggled with socialization, and I rarely hung out with other teens. And I've spent most of my time drawing and fantasizing about those cool fantasy worlds...

My main interests (other than magical girls, of course) were Sonic the Hedgehog and Pokémon (nothing much has changed, lol), and this would influence heavily on my drawings, as people would often point out that the characters I've created looked like they came out of either SonicTH or Pokémon.

As much as this was just an innocent commentary, it used to fill my heart with anxiety and dread, because of the infamous and dreadful Chris Chan, as for years, he gave autistic fans everywhere a bad name (I'll spare you all of the details, but he's in jail now).

Thanks to his rancid internet legacy, I did not only hated myself for being autistic, but also for enjoying the same game franchises; and I'd close myself to the world in fear of being bullied for loving stuff. My teen years felt like an endless nightmare to me, because I did my hardest to not succumb to the fatal ordeal of being seen and known.

But nowadays, I am finally at peace with myself. Sure, the fears and anxieties still remain, but I remember that I have people to support and help me out whenever they can, and I feel more at ease than I did before. And I have this blog not only as a coping method, but also to grow and develop as a critic and as a content creator, learning the dos and don'ts of modern storytelling (and if we're being honest here, I'm doing a better job than most professionals out there...)

Take it from someone who went through this: Double standards are HURTFUL. They can do a number on your mental health, and it'll certainly take a while to detox yourself and finally be free. Most people on the 'net are fine with being cringe from what I've seen (in and out of Tumblr), and that's a relief.

But sadly, this is a thing that still plagues today's society; I remember stumbling across a TikTok video with a guy talking about how girls shouldn't enjoy shounen because "they don't understand the complexities and struggles of the MC's journey", or some bullcrap like that.

I mean, boys don't understand the complexities and struggles of magical girls, but that certainly didn't stopped them from creating Madoka Magica and traumatize the whole entire world back in the 2010's...

And funny how men say that "girls don't understand", when majority of the content creators I have met here on Tumblr that enjoy shounen are GIRLS. Not only that, but they were also BLACK as well (there's also the issue of racism/colorism within otaku/geek communities, but that's another story for another day).

And what's even funnier is that shounen is not even that great nowadays! I mean, most of the shounen characters are either dead or miserable! And that's not complex storytelling; that's just plain torture porn and shock value!

Not to mention the whinning and moaning when something doesn't cater to them, like how "The protagonist of Turning Red is a 13yo asian girl, so therefore I am unable to relate to them, because I am a MAN".

Like, bro; that's not an excuse. I am a woman, and yet I could relate to male characters, such as Miles Morales, Midoriya "Deku" Izuku and Kageyama "Mob" Shigeo.

In all honesty, if you have to rely on things such as gender for relatability factor in a media, then you're a BAD consumer of media. It's about time that you woke up and realized that the world does not revolve around you.

I've sincerely had it up to here with this double standard crap!

I want to be free! I want to be unapologetically happy and loud! I want to enjoy things and create stuff! I want to live life, like God intended!

After years of self-hatred, I absolutely won't tolerate this sexism crap any longer. Men have spoken for far too long; now, it's time for them to SHUT UP and LISTEN.

Cringe Culture is fucking dead, red pandas murdered it in cold blood.

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themonotonysyndrome · 4 years ago

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The Holy Quintet in Twisted Wonderland!

While I was having a writer’s block for ‘A Modern Fairytale’, I complained to my friend and we chatted on Discord. I told her about TW and she asked me if TW ever gonna have an anime adaptation since Magia Record:PMMM had an anime after the game is released. We love the Madoka Magica series and since they’re some similarities between the two, I thought why not have the main girls (I haven’t watch Magia Record yet though I’m aware of the existence of Doppels) react to the world of TW?

For those who don’t know about Puella Magi Madoka Magica, here’s a brief summary: It’s basically an anime about cute magical girls fighting evils where absolutely nothing bad ever happened. Like, ever.

Anyway, hopefully by the time I’m done with this, I can get my flow back for my previous writings...

*Since the First-Years are 16, I aged up the Holy Quintet just to match.

Homura could’ve unleashed a thousand bombs and grenades onto the wretched white rat the moment she realise that they were no longer in Mitakihara City or even on Earth!

Her day has been going on so well, too.

Morning arrives with the same monotonous routine. It’s a new day and a new timeline which means a whole new planning she needed to do before the fated day. But that can wait after school.

The teachers and students followed their scripts perfectly. Homura deftly ignore the hallway where the History teacher would request her help carrying the journals for the woman’s next class, spin around before the clumsy girl from the class next door would spill her water bottle onto her and even freezing time to whisper into Hitomi Shizuki’s ear who is lingering outside their shared class; how she had been neglecting her dear friend Sayaka lately in favour of Kyousuke Kamijou, how unfair her treatment of Sayaka has been lately.

By the time recess roll by, Madoka is alone just like Homura planned. Sayaka is pulled away by Hitomi. It wasn’t hard to wait quietly in her seat before the other girl spotted her and asked if they could have lunch together.

Homura accepts without hesitation.

She let the hours went by at their own pace until the moon is high in the sky. There’s a Witch that has been causing quite a ruckus near the shopping district. One that Homura would have no problem killing on her own, but Kyouko found it first and not even a day later, Mami caught wind of it as well.

As the clock is about to strike midnight, the Holy Quintet are standing in front of the Witch’s Labyrinth; the back door of a luxurious shoe shop. Homura ponder on what was the connection of the shop and the Witch, before Kyouko suddenly declare to kill the Witch herself.

“Hey, I was the one who found it first! This kill is my right!” The redhead Magical Girl announced with a Pocky stick pointing sternly at them to back off.

“Shouldn’t we work together to stop the Witch? Tomoe-san mentioned that it’s strong...” Madoka softly countered. Kyouko’s loud voice didn’t scare her but since the prize is a Grief Seed, everyone wanted it. Madoka wouldn’t dream of rebuking her friends of it. Not when they dearly need it for their magic.

“I don’t want to add more to the fire, but if we work together, who’s going to claim the grief Seed?” Sayaka interjects, her hand up in the air as if they were in class. They haven’t transform for battle yet; it’d be a waste of magic to transform only to have half of them returning home later or search out for another Witch all night long if Kyouko won’t budge from this one.

Madoka, Sayaka and Kyouko all turn to Mami when she remains silent for too long.

“It can’t be help then.” Mami shrugs. “If Kyouko is adamant to kill this Witch, then we should leave it to her. She was the one to discover it after all.”

When Kyouko whoop and cheer, Sayaka went ahead to scold her. But their relationship had progress to a stage where they could banter easily with no hard feelings involve, so Madoka is at ease.

Homura, however, is not as it slightly deter from the script but she wisely keeps it to herself.

Homura’s day went wrong when Madoka sweetly offer, “I still have some Grief Seeds on me, so I’m more than happy to help Sakura-san out!”

“Madoka - ” Homura automatically begin, she would rather have Madoka reserve her magic but luckily Kyouko beats her to it.

“Aww, it’s fine Kaname-san. I’m a big girl, ya know? I can’t handle one Witch.” Kyouko assured her with a bright smile that’s enough to dissipate Madoka’s worries. “Beside, you guys have been working hard these past few nights hunting Witches. You guys deserve a break for once.”

“I can’t argue with that...” Mami ruefully reply. The girls all decide to leave this Witch to Kyouko’s capable hands and was about to make their way home (with Mami escorting them back even if she didn’t have to) when the door to the Witch’s Labyrinth suddenly flings open. Light, colours, myriad of voices and music flood out from the shop.

“D-Did the Witch realised we’re here already!?” Sayaka said through gritted teeth. The corrupted Magic that’s spilling from the door is overwhelming, trying to pull the girls inside.

“That can’t be!” Kyouko retort with her spear already in hand and stab to the ground to anchor her. Her other hand is gripping Sayaka’s to hold her steady in place. “A Witch only have absolute reign in its Labyrinth. Not in the real world!”

The Magic then began to slowly drag their feet towards the door. Madoka, who is the closest to Homura, touch her Soul Gem. Homura didn’t want her to fight, she’d rather deal with the Witch herself.

“Madoka, wait!” Homura shouted and lunge to grab her. Her Shield is already on her arm despite that she’s still in her school uniform. She just needed to freeze time and then -

“Now this is interesting. This doesn’t feel like a Witch’s magic at all.” Perch on top of the many lamp post and unbothered by the overwhelming magic is Kyuubey. The Incubator blink its pink, beady eyes before jumping down and landed beside Homura.

“You - You’re not needed here!” Homura hissed viciously.

“Look carefully through the door there, Akemi Homura. Doesn’t that look like a mirror?” Kyuubey instruct in a pleasant tone that irked the girl.

“What are you - ”

“Akemi-san, look! There’s a mirror!” Mami’s urgent voice snapped Homura to attention.

Indeed. There’s a black mirror inside the shop, floating in air.

“Is that how the Witch noticed us!?” Kyouko is already brandishing her spear to throw it straight through the mirror.

Before any of the Magical Girls could do anything, the mirror forcefully yank them towards it and swallow them whole. Silence descend on the streets.

Homura fought to stay awake but the magic lull her to close her eyes and sleep.

“Did.. did a mirror just appear from the ceiling and spat out... girls?” An unfamiliar, incredulous voice was what stirred Homura up. Something feels off.

When Homura open her eyes and realise that she and her friends are surrounded by people in strange robes staring at them as if they were aliens, a man wearing a mask and a mirror with a green face floating in it, she immediately went for the offence.

She withdraws a gun from her Shield and aim straight at the masked man standing beside the mirror, her eyes never waver away from the crowd in robes in front of her. With a quick glance underneath her, Madoka and the rest are still unconscious before focusing on the enigma of this world and something in her whisper that she should hold the masked man accountable.

“Where are we?” Homura demanded in the calmest voice she could muster, her finger is light as a feather against the trigger. The scripts has gone completely off the rail. “Who are you people?”

“Well now, I think that would be my question!” The masked man rebuked. Homura’s ears picked up the dumbstruck and lividness in his tone. “Really... a mirror suddenly summoned in the middle of the dorm sorting ceremony and you girls interrupted it!”

A bullet wheeze past by the masked man’s head, only grazing a lock of his hair. Just like that, the crowd is silent. Finally realise the strange and uneasy atmosphere that curtains them, courtesy of one Magical Girl.

“I won’t ask again.” She threatens. Her eyes narrowed when a few of the people in front of her shifted. A short boy with red hair and a bespectacled boy with a beauty mark on his lower lip. She studied them warily and they did the same towards her. The fingers twitch to a small... pen? The red and grey gems will become her targets if they so much as move.

“Geez... the situation suddenly turn dangerous.” A voice said through a floating tablet. He sounds meek and scared.

Murmurs follow soon after. She's losing control on the situation.

“Well?” Homura pressed and this time, she aims the gun right between the masked man’s eyes. Adults in strange coloured clothings that stood behind the mirror with the green face slowly tried to separate Homura from the crowd. Their expressions severe and cautious.

They don’t feel like familiars. This strange room doesn’t feel like a product of a Witch’s magic. What’s worse, Kyuubey is nowhere in sight.

“Young Miss, I don’t know what you’re trying to pull here but you’re in the prestigious Night Raven College. Did you and your friends forcefully unlock your coffins?” The masked man asked, with his hands on his hips like a scolding parent yet tentative when addressing Homura after her warning shot.

“Night Raven... College? Coffins?” Homura repeated, growing confused by the minute. She’s never heard such institution before!

Her gun lowered slightly when she caught pieces of conversations floating from the crowd.

“... a mistake? Night Raven College is an all-boys school after all.”

“We woken up every first year students before coming here. There’s no way we could missed them!”

“So they somehow broke out from the coffins on their own earlier?”

“...that in her hand? It looks some kind of weapon but I’ve never seen anything like it...” That came from the floating tablet.

“It happened so fast that headmaster couldn’t even react! Whatever that thing is, it’s dangerous.” The short redhead boy added, his fingers nearly brushing his red gem now.

“Where is Mitakihara City?” Homura asked instead.

The masked man titled his head at her question. “Mita... what? There’s no such city with a name like that. Did the mirror where you came from malfuction? And what’s with your clothing, Young Lady? Is that supposed to be a school uniform?”

This is bad. Nothing makes sense. “Students of this college would already be wearing their ceremonial robes the moment they step out of their coffins.” The masked man continued, oblivious to Homura’s concern. The other Magical Girls remain sleeping. It’s up to her to get them out safely or try to figure out what’s going on.

This couldn’t be the incubator’s game.

Homura pulls her gun back and relax her shoulders just a little. Enough to show that she’s calm and not going to attack any time soon. “A college you say? My friends and I were forcefully pulled in through a mirror and then I woke up here. Tell me, are we even on Earth?”

Now the masked man is perplexed. “Earth? I’ve never heard such a word before! Why, this is Twisted Wonderland!”

Homura bit her lower lip to prevent herself from calling the masked man out as a liar. She doesn’t have any prove or any information that the man is joking after all.

Homura comfort herself by tugging on her magic and grip her gun. Good. She still has her full arsenals and useful items as well as her magic is in its peak form.

Her mind is racing now. If one wants information, one must offer their piece first, yes?

“I believe there’s been a... mishap. My friends and I aren’t from here. We came from a place call Mitakihara City. Twisted Wonderland doesn’t exist for us.” Homura begins. That should suffice for now.

The floating tablet floated near Homura although there is still some distance between them. “A-Are you serious!? A bunch of girls literally isekai’ed into Night Raven College!? I can’t believe this is actually happening! My manga is a reality!”

Homura is taken aback at the sudden enthusiastic voice. Truly not expecting a 180 from his previous meek tone.

“Eh? Another world? Did you and your friends came from another world!?” A white haired boy with ruby eyes intervenes. Despite how odd the situation is now that he said it out loud, he’s excited about the notion.

“It would seem so...” Homura murmus. If this is meant to be a college then the crowd must be students and adults here are their teachers. There’s magic lingering in the air. It’s unfamiliar to Homura but it’s magic nonetheless.

“The sorting ceremony must continue on.” The mirror with the face boomed. Its voice deep and unsettling. The masked man react accordingly to it.

“Yes, yes, we musn’t dawdle! Now then Young Miss, if you’d be so kind to help bring your unconscious friends here beside me so that the others students could - ”

“Step forth you who have mastered time and space.” The mirror with the face ordered.

Another silence descend the room before the white haired boy with red eyes shattered it.

“So they ARE students! This is so exciting, isn’t it Jamil? We never had students from another world before!” The boy exclaim with a beaming smile. Somehow, his smile reminded Homura of Madoka’s when she’s in a really good mood.

“We still don’t know what’s really going on, Kalim.” A boy with complex, braided hair chastise him. Though it doesn’t deter his friend’s excitement at all. “After all, she was willing to attack the headmaster.”

“I’m sure it’s just a misunderstanding! Won’t you be confused and scared too if you’re suddenly teleported to a strange land, Jamil?” The white haired boy countered before shooing Homura to the mirror behind her. “Go see what the Mirror of Darkness has to say! Maybe it could help you.”

The masked man sigh. “I guess it can’t be help. Young Miss, please address the mirror properly.”

Homura tucked the gun back into her Shield and slowly turn around. The mirror with the face doesn’t strike fear in her like Kyuubey or Walpurgisnacht do, so she slowly padded towards it.

And thus begin the Holy Quintet role as students in the world of Twisted Wonderland right after each one of the girls has been sorted.

The next continuation will be dorm sorting! It was a little tough trying to sort 5 of them when there are 7 dorms but I have a idea how to get around this. Hope I did Homura justice and you guys enjoyed this piece. I adore crossovers!

A big shoutout to @twsted-caramel (I hope it’s ok to tag you here) for giving me the big inspiration. Please check out their crossover of KNY and TW pieces! It’s amazing!)

#twisted wonderland #puella magi madoka magica #puella magi holy quintet #crossover #Holy Quintet series in TW

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atamascolily · 4 years ago

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more stuff from the time-based fic meme

august: are any of your fics associated with certain genres/artists/songs/etc?

I only recently got into it, but it turns out I love writing short fics based on/inspired by songs! I have a lot of WIPs, but Actually Posted Fics include Knight Moves and Predictions, both of which are Suzanne Vega songs.

I also have a Star Wars legends modern AU series of short fics based on songs by the band Carbon Leaf called life less ordinary. Currently two have been posted:

-so I can tempo me to your time ("On Any Given Day") -we meet the people that change our lives ("Blue Ridge Laughing")

I also wrote "The Wreck of the Katana Fleet", which is a pastiche of the "The Wreck of the Edmund Fitzgerald" by Gordon Lightfoot.

friday: most self-indulgent fic you have ever posted?

The Ending I Wanted , which is a Harry Potter-type epilogue to the Adventures of Sinbad that is exactly what it says on the tin. It's so fluffy and sentimental and trope-y and I absolutely love it, especially since the show ended before we got any kind of real resolution or closure. No regrets!

(Also, it was way easier to write this scene as a one-shot then at the end of an entirely season's worth of material.)

saturday: what gets you excited whilst writing?

Imagining the reactions of my readers--or sometimes the reactions of one very specific person--always gets me pumped.

A particularly clever juxtaposition or turn of phrase makes ME very happy, but it's always more fun when I can finally share it with people.

october: name the darkest or angstiest fic you have written and/or posted?

if I could turn back time, a Clannad x Puella Magi Madoka Magica crossover that manages to take the angstiest bits of two already angst-ridden canons and run with it. It opens with a man making a deal with the devil to save his dead wife, and then just spirals into endless rounds of Bad Timelines where everybody keeps dying in horrific ways, and ends with... the vague hope of doing better on yet another round.

I love this fic because Clannad makes so much more sense when you imagine it as a dark magical girl show told from the clueless love interest's perspective--and the time travel/reset points mirror the original visual novel format!!

minutes: how long does it normally take you to complete a fic?

Depends on the fic! Some fics I can write very quickly, some fics take years. Obviously, longer fics take longer to write, but there have been some short fics that have stumped me for YEARS until I figured out what I wanted to do with it. Of the two situations, I prefer the “I know what I’m gonna do, it’s just gonna take a while to do it” vs. “I have absolutely no idea what I’m doing”.

Generally, in an average month I can bang out one 10K chapter of a plot- and character-heavy longfic, plus a handful of short fics as a palate-cleanser. Obviously, this is dependent on everything going well in my life and in the larger world, not to mention the weather.

yesterday: favourite way to write angst?

My rule of thumb is always to think, "Okay, what do I have to do to make this WORSE?" and go from there.

It turns out that making characters happy before you deprive them of everything--especially if the reader knows what's coming--is always a good strategy to ratchet up the pain quotient.

november: do you have any rituals or requirements for getting in the mood for writing?

OPENING THE DAMN DOCUMENT.

That's the hardest part, every time.

#fic memes #writing life

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loopy777 · 5 years ago

Note

You've got me curious now as to what anime youve seen, enjoyed and why.

Oof, I don’t track that type of thing. I’ve been asked about anime I like previously, and I feel like I always forget something. I suppose I should start a MyAnimeList one of these days, just for reference.

So let’s list everything I can remember, as well as a pithy reaction.

Baccano!This one is just so much fun. It’s violent and crass in a classy way, it’s funny in a weird way, and it’s a great example of a non-linear narrative. I love it.

Code Geass (Season 1)Ugh, I only watched this one because people solicited my opinion on it. Well, my opinion is that it’s not as smart as it wants to be, there’s too much contrived melodrama (and considering the wild premise, that’s saying something), and Kallen would be a wonderful and interesting character if she wasn’t always being demeaned for fan-service. I quit when the first season finale kicked off, because I felt things were just getting too contrived. I hear it really fell apart in the second season.

Cowboy BebopI found this a bit pretentious. It had good episodes and bad episodes. The production quality is good. But I'm not sure why it's legendary. Still, I liked its sense of humor, and enjoyed it when it wasn’t trying to be super serious. My favorite character is Ed.

Demon SlayerI'm mainly watching this because my brother wanted to give it a try on Toonami, but I kind of checked out when it unceremoniously removed everything difficult about the sister being a demon and made her into an order-following sidekick that fits in a suitcase. Now the latest episode introduced a loud annoying side character, so we may quit. I have no idea why this one is so popular.

Fullmetal AlchemistCovered

Gatchaman CrowdsI was asked to watch this one, as well, but it went a lot better than Code Geass. It’s a bit weird, and I think it's naively optimistic about the internet in many ways, but I still found it's exploration of Internet-age superheroes to be interesting, and it's the best, most mature take on the Power Rangers-style ‘sentai’ genre that I've seen. I don't know how well it matches up with its Gatchaman legacy, but as its own thing, it's pretty good.

Ghost in the Shell: Stand Alone Complex (including 2nd Gig)This is another legendary one that I think is good but a bit over-rated. It's a good piece of modern Cyberpunk, but it's very talky, and very jargon-filled. I'm almost convinced that the viewer is not meant to follow half of the conversations, that they're just part of the ambiance. I tended to like the stand-alone episodes better than the storyline episodes. Still, it’s a very smart series, and probably the best thing in the franchise, from what I’ve heard.

Log Horizon (first season only)I’ll tell you what- I think it’s possible to make a good anime with the premise of people from the modern, real world entering a fantasy realm (either another dimension or a VR video game). Log Horizon did not end up being that ideal. The main character is a Gary Stu, his romances with girls who are either ten years old or just look like they’re ten years old are creepy, and it got boring seeing the protagonists’ plans always succeed without much of a hitch.

Lupin III (series 4 and 5)I like this franchise when it's being clever, when it's springing a twist while playing fair. Sometimes, though, it doesn't play fair with its twists, leaving me underwhelmed. And while the regular cast is amusing, they're fairly shallow characters; this isn't always a bad thing, as that allows them to slot into all kinds of genre fare, but does limit the storytelling ambitions. It’s fine.

Macross franchiseSuper Dimensional Fortress MacrossI still like the original, despite how dated it is. It's probably the best possible implementation of 'soap opera in space.'

Macross PlusI'm not sure why this one is so revered. I feel like it doesn't play fair with its mystery, despite being such a short story, and whole thing with the killer popstar AI just left me cold.

Macross 7I like the music, but the story really drags for the first half with a formula that’s repeated far too long, and then falls apart in the end. The love triangle isn’t resolved, and in fact I’m of the opinion that two of the participants didn’t even know they were in competition. The bad guys are allowed to sail off into the sunset, forgiven, despite still inhabiting the bodies of kidnapped humans. But this isn't a series you watch for the story; this is a series you watch because you like the idea of a rockstar flying into space in a transforming mecha, controlled by an electric guitar, to sing at alien invaders. Personally, I think the idea is dumb. Plus, this ruins the premise of the original series by adding in what is effectively magic.

Macross ZeroThis is pretty good and has the best dogfights in the series, but it has one of those weird arty endings that anime sometimes likes to do where no one can tell what actually happened and we need to find translated interviews with the creative team to get it explained.

Macross FrontierBy this point, I was wondering why everyone is so eager for the Macross franchise to get American distribution. It’s better than Macross 7, but feels like a first draft of the intended story, and the creative team lost track of their own subplots. The two AU movies do a more satisfying take on the same basic story, but sometimes they come across like an abridged recap of the series, so you really need to watch everything to get a satisfying experience. That said, the final experience was indeed fairly satisfying, making this the second best thing in the franchise for me. Still, I wouldn’t say it lives up to the original in any way.

Macross DeltaBoy, this one was dumb. Everything wrong with Frontier is worse here, with none of the good stuff.

The Melancholy of Haruhi SuzumiyaI still want an ending for this, despite nothing worthwhile coming from it since 2011. It wouldn't even be hard to pick it up again; set it in modern times, and explain the fact that everyone has smartphones now to be a result of some weird off-screen Haruhi antics.

Mobile Suit Gundam franchiseMobile Suit Gundam: Iron-Blooded OrphansI've only ever experienced the Gundam franchise because my brother wants to get into it and he keeps trying to find a vector. This was my first experience with it, and I found it very 'teenage boy,' in both tone and story. I was underwhelmed.

Mobile Suit Gundam Unicorn RE:0096Another case where the storytellers reached the end only to have forgotten the rest of the story. Why does that happen so often in anime? And I think it assumes the viewer is familiar with the whole rest of the franchise, because there was a lot that just went straight over my head but didn't seem like it was supposed to. Nice animation and art style, though.

Mobile Suit Gundam: The Origin - Advent of the Red CometEverything I said about Unicorn, only more.

My Hero AcademiaCovered

NichijouThis thing is still hilarious, even after a rewatch. Stick with the sub, as the new dub's voice-acting doesn't have the same range and power of the original, losing a lot of the humor.

Outlaw Star I'm struggling to remember a lot of this one. it’s another I watched because my brother was interested in it. I do recall that it was a fairly standard Space Western that ends in a way that's more like serious science fiction, and that for some reason a Japanese swordswoman in classic clothing was part of the cast. Now I wonder if that was an homage to Lupin III. Or maybe Japan just really loves throwing classic samurai into everything, regardless of setting or genre.

Pokemon (part of first series)I was in high school when this franchise first came to America, and for some reason all the geeks in my high school thought it was the greatest thing. The games were good, yeah, but the anime? I don't think it's bad for a kiddie cartoon, but it obviously has no greater ambitions than pleasantly occupying the kids for 22 minutes. Personally, what I really want is a series about Team Rocket done in the style of Cowboy Bebop.

Princess TutuCo-owner of the Best Magical Girl designation. I forget who asked me to watch this, but I owe them.

Puella Magi Madoka MagicaCo-owner of the Best Magical Girl designation. I still haven't bothered with anything but the original series, and I continue to be happy with that choice.

Samurai ChamplooI liked this better than Cowboy Bebop, but only because its ambitions were lower. It leaned more into its genre, had fun with its style more even when being serious, and as a result became more enjoyable. I overall liked going on a journey with these rascals, but I think it ended at a good point. I don’t need more.

Spice & Wolf (first season)I watched this on someone's suggestion, and found it a little underwhelming. What I really appreciated were the two main characters, especially that they seem to be into each other, romantically and sexually, and aren't freaked out by it while at the same time not being in a hurry to become a couple. It was just a kind of, "Yeah, this could really be something if we ever find the time." It was so amazingly mature and real. Too bad the main Economics plotlines just wound up being tepid.

Tekkaman BladeMy thoughts haven't changed on this.

Tiger & BunnyI'm still fond of this one, and I'm actually kind of curious to revisit it in light of My Hero Academia.

Transformers ‘Unicron Trilogy’These three cartoons are true anime, produced by and for Japan. (The other cartoons in the franchise were written, and sometimes animated, in the west.) It's garbage that assumes its child audience are morons, and on top of that the first two series wound up with laughably bad dubs. How this trilogy revitalized the franchise, I have no idea, and thankfully I'll never have to worry about it.

Volton (original)Either this or Robotech/Macross was my first anime; I was too young to say which I discovered first. I'll admit that the original Voltron isn't good, despite the toy being neat, but I have a soft spot for it. I tried the Netflix reboot, watching the first three episodes, and found it to be vacuous junk. Maybe some day a version of this will come along that will do justice to the toy.

And I think that’s it. If I remember anything I left off, I’ll reblog with the addition.

#Anonymous

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recentanimenews · 5 years ago

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How Witches Cast a Spell on Magical Girl Anime

Witches are an essential member of the Halloween rogues' gallery. Though if you're an anime fan, your image of witches may be a little different. Maybe you think of Gekidan Inu Curry's surreal monster designs in Puella Magi Madoka Magica. Maybe your mind goes straight to the magical hopefuls of Little Witch Academia. Either way, we know that witches in one form or another are a mainstay of anime.

But did you know that they're an essential part of the history of magical girl anime in particular? The genre that brought us Sailor Moon didn't start with crime-fighting heroines. Rather, it started with a mischievous witch girl, herself based on another well-known TV magic user. For Halloween, it seems appropriate to revisit that history, and explore how the witches of years past made the transforming heroines we love possible!

Magical girls nowadays come in all shapes and sizes. Back in the 1960s, though, there was a grand total of two... one of which was, well, a witch.

The Bewitching World of Sally

The U.S. TV sitcom Bewitched ran from 1964-1972, and was a hit among viewers. Even those of us born after it aired have seen it in reruns, and know the story of Darrin Stevens (both versions of him!) and his magical wife Samantha. The series was beloved all around the world, and was dubbed into multiple languages, including Japanese.

In Japan, the series was released as Okusama wa Majo (My Wife Is a Witch) and became a mainstay of TV. It's so popular that it received a Japanese remake in 2004. Though the second-best indication of its popularity may well be voice actor Mamoru Miyano's one-man recreation of a typical episode, complete with "dubbing":

youtube

Imitation is the sincerest form of flattery, however, and that's what Mitsuteru Yokoyama had in mind. The manga artist, who also created Tetsujin-28 and Giant Robo, decided to give Japan its own version of Bewitched in the form of Mahou Tsukai Sally (Sally the Witch). The manga began in July 1966, following a princess from the Kingdom of Magic who comes to the mortal realm for fun. Her stories follow similar beats to those of Bewitched, with her use of magic both causing and solving problems for her friends.

In December of 1966, Sally the Witch would be adapted into an anime, which originally ran for two years. Sally wasn't alone in her field, though: fellow magical girl series Himitsu no Akko-chan premiered as a manga in 1964, but wouldn't get animated until 1969 (1967's Princess Knight, a precursor to Revolutionary Girl Utena, was more on the fringes on the burgeoning genre than either of these titles). So the title of "first magical girl" really depends on whether you're looking to anime or manga; either way, Sally was there at the start.

Witch Switch

For the first few decades, magical girl anime stuck largely to the Bewitched concept: seemingly normal girl with magical powers makes trouble or solves problems (or a combination of the two). Shows like Majokko Megu-chan and Majokko Tickle played with variants on the concept. Like Sally, the heroines were often princesses from magical kingdoms who came to Earth to finish their education or relieve boredom.

Around the same time, there were a few series that leaned more toward the transformation-centric aspect of Himitsu no Akko-chan. Cutie Honey (technically a seinen series but with magical girl elements) and Minky Momo went this route, along with Studio Pierrot's lineup of heroines like Creamy Mami and Magical Emi. The trope even made it into the 90s with shows like Magical Angel Sweet Mint, about a witch who came to earth to help run a knick-knack shop.

Then a show came along that upended everything it meant to be a magical girl.

Sailor Moon was a game-changer for magical girl anime, tying its heroines' magical powers to their transformations rather than sticking to more casual tricks. The blend of shoujo and tokusatsu was, as we remember even 25 years later, a massive hit. By the mid-90s, everyone was trying to make the next Sailor Moon, with shows like Wedding Peach, Akazukin Cha-Cha, and a shoujo retooling of Cutie Honey as major contenders.

Nowadays, this is what comes to mind when we think of magical girl anime: teenagers with mystical items that transform them into cute and colorful battle forms. Does that mean the witch girls of anime are gone forever? Not necessarily!

The Modern Witch

For better or for worse, the era of Bewitched-style magical girls appears to be behind us for good. But that doesn't mean witch girls are no longer with us!

In modern magical girl anime, witches are more a theme or style within transforming heroine shows. Series like Ojamajo Doremi (which turns 20 this year), Maho Girls PreCure, and the well-loved Little Witch Academia are still carrying the torch for the concept. Also, where witch girls of the past were much more plainclothes, the modern witch dresses the part—in fact, the costume is a major part of the appeal!

While the witchy elements of magical girl anime have changed over the years, it's fun to look back on where it all began. Our favorite magical girls have grown so much since they first arrived in the 1960s!

Which witch is your favorite? Do you have any witch-themed or vintage magical girl series you enjoy? Tell us about them in the comments!

-----

Kara Dennison is a writer, editor, and interviewer with bylines at VRV, We Are Cult, Fanbyte, and many more. She is also the co-founder of Altrix Books and co-creator of the OEL light novel series Owl's Flower. Kara blogs at karadennison.com and tweets @RubyCosmos.

By: [email protected]

#Anime #News #Latest in Anime News by Crunchyroll!

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jujywrites · 6 years ago

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WIP Challenge

I got tagged by @kikithedeceiver to do this!

Challenge: post the names of all the files in your WIP folder, regardless of how non-descriptive or ridiculous.

Here’s the thing. I don’t have many separate WIP files; most of them are in one huge doc. and most of the separate wip files are... pretty dead? but ok whatevs. under a read more since it’s long...... and my ego won’t let me skip snippets hjkhkhk thanks for the idea Kiki

From my main miscellaneous folder:

50 Grades of Steele. 1 and a half chaps of a role-flipped 50 Shades of Grey rewrite (i haven’t read the books so I extra don’t care about the characters lol). why do i still have it i’ve lost interest.... *side eyes her entire wip ecosystem* ...Then I see my interview subject, seated at her desk.

"Mr. Grey. I'm pleased to meet you."

And I stop breathing. [end CH1]

[open CH2) I forgot to mention something: I exaggerate occasionally. But I'm not now. I literally stop breathing for a few seconds. A thousand thoughts are racing through my mind, which doesn't help my chest stop seizing, but the main problem here is that Anastasia Steele is quite possibly the most beautiful woman I've ever seen.

Fanfic idea masterlist. my most active file and where I keep most of my WIPS, unless they get too “large”. Organized by fandom. lotta stuff i keep passing by & may as well be dead but don’t wanna delete. here’s a zero-draft snippet of probably the next chapter of my G-rated yukyoru fic collection

He grabbed a pillow and placed it to his chest, grabbed her arm, and yanked her to him, praying his idea would work.

Seconds passed and he didn't transform. He put his arms around her gingerly. Should he try to immobilize her or would that make it worse?

She made the decision for him. "Mom," she sobbed, clutching him with an iron grip. "N-Need to help...!"

His stomach dropped to his shoes.

Thudding footsteps announced Yuki's arrival. "What's wrong?! Honda-san--"

He didn't say "What did you do?" The thought raced by and Kyo said, "Grab a pillow and help me!"

As Yuki positioned the pillow and himself without having to ask, Kyo said, "She won't wake up. I don't know what to do!"

"Night terror," Yuki said tightly. He was too close but it almost didn't matter. "Not much you can do besides wait."

MayxWard BDSM fic agents of SHIELD. mix of notes and actual writing. kind of a half AU. Melinda climbed into the driver's side and buckled in, then started up the car. "If you've not ridden on the left before you might have motion sickness. It's normal. Just close your eyes until—" She paused as she looked at him; his hands shook so much he couldn't manage the seatbelt. "Here, let me."

"Thanks," he muttered with a sigh, looking rueful.

Modern AU Zelink. What it says on the tin~ Teenage-ish Zelink, with a mash of supporting characters from other games. another mix of notes and fic. Link wasn't sleeping tonight. Tonight was the night he'd been planning for and awaiting for weeks. He was going on a quest: the quest to meet Princess Zelda.

She wasn't really a princess, of course. That was just her nickname. Zelda Nohansen was Hyrule's sweetheart, the most sought-after young actress in the movie business. And Link had fallen in love with her the first time he'd seen her, two years ago in a tiny theater in Kakariko.

PMMMfic homumado. Madoka Magica. AU, been around since about an hour after I finished the series (5 years yikes, still gotta watch Rebellion). Homura's time power still somewhat involved, but Mami's an adult, everyone's at a boarding school (I think?) where ~things aren't as they first seem~ and Madoka has mysterious powers and night terrors. just notes at the moment.

SoubixHitomi. Loveless. 3 unfinished/dead first-person Shinonome-senseixSoubi snippets, all of ‘em spicy.

yvy abo. Yuri On Ice. Yuri (Katsuki!!)/Victor/Yuko(!!?!), my attempt at. well. omegaverse(!!!!!!!). orignally started as part of a “bad YOI fic” bigbang and now I’m taking it seriously dgdgfg. Alpha Yuko. “Please, please stop,” she whispered, like saying it aloud would make any difference. But the pressure in her head kept building. Her limbs had begun to itch restlessly.

And Victor wouldn’t let go of her hand.

With the last scrap of her control, she straddled him quickly and kissed him awake.

Even in half-sleep he arched to meet her, and when he opened his eyes sapphire blue had already turned stormy with lust.

yvy canonfuturefic. Yuko-focused following of canon, or: how canon can I keep YOI while still rareship OT3ing it. She and Yuri fall in and out of love, in between falling for Victor. Victuri is still my life I swear

“You have got to watch this,” she tells Yuri. She watches Yuri’s face instead of the video, having seen it at least forty times by now.

Yuri’s eyes transform into beacons of awe, and Yuko swallows around her rapid heartbeat, breaths coming too short. She sees everything she’s feeling and more on his face. She remembers that she loves him, that he’s real and here and more important than the beautiful boy on her phone who’s trying to pull her under to a scary new world.

ZnT ot3 bdsm AU. Zankyou no Terror, 9/12/Lisa. mix of notes and fic, not just PWP. in heavy need of editing bc a lot was inspired by a non-spicy book.

“But it’s not just me. It’s everyone. You need everyone because you have no idea how to need yourself. Or even how to be yourself.”

“You’re wrong.” The force and volume of her voice shocked her and pushed her onward. “You and Touji. I don’t need anyone except you and Touji! Because you both taught me how to be myself-- no, how to find that on my own. I know exactly who I am, and that me isn’t complete without both of you!” She could feel the tears streaming down her face, yet somehow her voice didn’t waver. She felt so full of conviction she could burst into flames. “Don’t you understand, Arata? We’re all meant to be together.”

From my SnK folder:

Cave of the Crystal Maiden (working title). Aruani. Modern AU. MMORPG shenanigans with a dollop of magical realism/supernatural. Just notes. @portraitofa-girl suggested “meeting online” and it’s been there literally for years oh lord im sorry. no fic yet, just notes.

Falling Anthem (working title) Modern AU Levihan, art student Hange and young professor Levi. just notes. fic one in a planned series. also has been years ;_;

Raindrops and Soft Steps. Jearmin. unsurprisingly, modern AU. One morning, when Jean looks out of his bedroom window, he sees a boy dancing across the street. In the street, to be exact. There wouldn't be anything unusual about that, Jean supposes, except it's raining cats and dogs outside.

In my IAMXfic folder (fff i almost skipped this):

2ndPOVCalberto (DO NOT CORRUPT WITH HET) ChrisxAlberto? not much to say?? yes i know they’re real people??? which applies to everything after this oh my god *crawls under desk* Of course she knows; she is annoyingly perceptive when it comes to romance. The only thing preventing you from asking her (like a fucking lovestruck teenager) if Alberto likes you back is emptying that beer bottle. By then the only thing on your mind is ordering another.

CalbertImmi. i can’t even keep my poly shit outta RPF ahaha omhg Imogen has a conversation with her lover's lover. (AlbertImmi, sequel to...) Imogen finds herself in an unenviable position. (emerging CalbertImmi)

Alternate summaries (CC POV, first fic?): Chris loves two people. He doesn't want to choose. Chris has fallen in love a few times in his life. But he's never fallen for two people at once. (Chris also isn't good at choosing.)

ChrisxJ. several self-insert fics bc CC is just that powerful, apparently. haven’t looked at the file in a long time,,,,,

He started calling people to the stage with him, and one by one, my row emptied.

"Come on, yeah, come on," he was saying, waving his hand in an inviting gesture and grinning like a little kid. "Hey, you want to?" I did a double take.

"Me?" I mouthed, pointing at myself just to be sure. He nodded, smiling wider.

So it was that I walked unsteadily down the ramp and waited in line, feeling like I didn’t belong there. Soon I was next in line. What would I say? What would I do? I was sure if I opened my mouth I’d either burst into tears or faint.

Genderswapped IAMX sci-fi. The sci-fi was inspired by a word prompt, genderswapping by my own brain. (play spot the Immi lmao) Across the aisle, Sam rolled his eyes. “Leave Chris alone; she’s nervous.”

“And put on your own seatbelt, Johann,” shouted Jess, two seats back and in Sam’s aisle.

Patrick turned to look at Chris. “Subspace travel is a bitch,” he said simply, and turned back to his book.

“Oh, I feel much less nervous now,” Chris said with a sardonic grin. “How do you know that, anyway?”

"I'm not exactly what I seem to be." He didn’t look up.

Chriimmi (While I Was Gone inspired). Chris/Imogen, inspired by scenes from Sue Miller’s While I Was Gone.

"You really ought not to do that, you know," he said softly.

"Do what?"

"Sneak up on me."

My eyes slid from his face. "I didn't mean to. It just... happened."

"Mm." I glanced back at him; he wore a lopsided smile. "Not that I minded." The tension was so strong the air nearly vibrated with it, yet I held my tongue, terrified that I was the only one feeling it. He took a breath, deep, nearly rising on his toes. "No. I didn't mind at all." He took my hand, circled his thumb over the back. My breath caught as I felt it, as I watched him looking down at our hands.

Chriimmi bathtub dream. dream inspired Chris/Immi smut.

Chriimmi twitter. twitfic plus some, inspired from an actual tweet iamx made that i’m still not over.

@ imogenheap Come sing your lovely lyrics with us in London. @ IAMX misses you. CCx

ChrisxImmi main. grab bag of Chriimmi I was too lazy to put into separate docs.

“What do you think?” She grinned, twirling.

He cleared his throat. “Ah, I-Imogen, what are you wearing?”

“Well, I didn’t want to clash with your theme… Janine helped me. Does it work?”

Scandalously short skirt, midriff-baring top, knee-high boots.

“You’re trying to kill me, aren’t you? You’re trying to fucking kill me.”

Her grin only widened, even though a blush had started.

Fic edit chriimmi ver. yeah. editing someone else’s original fic to be chrimmi. either never posting or editing the frick out of. ~_~

He kissed her neck, whispered into it, “I love you.”

Imogen laughed. “Bollocks,” she said lazily.

”I do!” Chris protested. She looked down at him, nestled on her shoulder. He looked back, open, a little adoring. “I fell in love with you halfway through the show; I sang every note just for you.”

”Oh, please. You couldn’t have seen me.”

”No,” he said. “But I knew you were out there… I knew it had been you the minute I saw you backstage.”

Hospital Chriimmi. In which my guilty feeling over RPF are even worse bc of the inspiration ^_^U “Ms. Heap. What a pleasant surprise.” It’s surprising, how well she remembers his voice.

“Mr. Corner, what have you got yourself into?”

“Oh, just a bit of lingering insomnia. You know how it is.”

She takes a seat in the chair near his bed, crossing her legs. “Well, I’ve certainly had a sleepless night here and there, but I’ve never ended up in hospital from it. So no, I don’t suppose I do know.” Her tone is light, but her smile has begun to crack.

ImmixChris genderbend smut. the my secret friend video is... fertile material. have not actually written the smut yet.

...he saw us as characters– we put on those clothes and become separate from ourselves, removed. Whereas I simply felt like myself in men’s clothes, and instead of feeling what He felt for Her, I just kept right on feeling what I felt for Chris, amplified to a distracting level.

ReluctantdommeImmixSubCC. ...shrug emoji? notes and uh. visualizing.

Vampire Chriimmi. based on a dream. smutty. inspired by True Blood so wow that’s old.

From my Markipairings folder:

demon dream. markiplier self insert...... ughhhhhhhh o///o

"You can have me," I tell the creature. "But this one," I jerk my head toward Mark, "comes with me. He's mine, you see." A bold proclamation to make, but in the moment I know that the truth in those words surpasses everything I've ever said. He is mine, and saying the thought out loud fills me with courage. He squeezes my hand, two short and a long one so strong I think he might break it.

I know we’ll win.

DommeJujY. same as above, same as the next four. smutty.

Fight team AU. i forget where i got this one from. vaguely inspired by loveless i guess. The first clear thought I had was, He shouldn't have gone ahead of me. The second one was, I should have been able to protect him. But these came later, after the rage went away, after I hugged him and apologized, after I bandaged him…

Gaming meetcute. i win some contest or whatever to secretly tagteam w/ Mark. stuff happens and yeah......

The adrenaline surges through my veins as I take in the scene. Mark's avatar is flailing around, backed into a corner by some Eldritch Abomination and holy shit, the graphics in this game are amazing.

"This is not good, I can't move, I can't move…"

There's a voice in the back of my head screaming to shut the game down, to get that horrible thing off the screen. I ignore it.

Markinpanties. .......smut.

shifter-slight sci-fi AU. shrug emoji.

I looked up from the ground and saw I was heading straight for a brick wall. There was no time to slow down. I braced for impact...

It didn't happen. I opened my eyes and found myself in a café.

What.

Looking behind me, I saw a door. On impulse I walked over and opened it; the tree-lined street I could see through the glass was indeed there. No brick wall to smack my face into. Bewildered, I turned around and looked for a seat, choosing one near a window.

Gouldiplier~. master doc of ficbits of my cracky mccrackship, MarkiplierxEllie Goulding.

I check my phone during break time again. My selfie has been liked and retweeted thousands of times, and I shake my head in disbelief; I don't think that will ever stop surprising me, deep down. To make things even better, Mark's liked it! I'm in the middle of a happy jig when I realize there's a text from him and a squeak of joy slips from me.

hellooo gorgeous

looks like you're having fun. Hope the shoot's going great! <3

I quickly send a reply. it has been. Be glad when it's done tho. Missin u lots xo

Markipicbunnies. fanart of Mark for Gouldiplier insipration. photographer au.

"Ms. Goulding, I'm really not sure about this…"

"I produce pictures that are intimate because I'm an intimate being, Mark." Ellie looked at him directly, a hint of a smile shaping her lips. "Deep down, I think you are too. We just need to draw you out a bit."

showersexgouldiplier. WELP. IT’S SMUT.

Also I have folders for my 2010/11 nanowrimo novel that are kinda still WIPs but also kinda not

i’m gonna tag.... @kippielovesyou @kiridork and @mistergrass and anyone else who wants to do this can too :3

#JujYwrites #Mintyblather #i have too much stuuuffffff

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