#this includes any of you who have pulled non tumblr folks in

[solsearchingnights]

BY THE WAY, I haven't had any IitV readers reach out to me about having commissions open, so I'd like to remind you, yes you, dear reader, that if you or someone you know that is also a reader has visual art commissions open, please let me know! I want to have a list in case the couple I ask aren't interested!

[a-girl-called-bob]

I originally wrote a whole thing about how the lack of founding texts makes it hard to pin down what types of stories Are Told in a Solarpunk setting, but I got to a point where I had to look up some other recent/lesser known 'punks to form a more coherent argument and uh, Solarpunk is actually kind of unique in its lack of founding texts. Most of the 'punks people talk about exist largely because one or two works of fiction had some really striking aesthetics and then someone published a tabletop RPG or something, but Solarpunk is not really like that.

Cutting here because I ended up rambling for a long time. Read more if you want to hear my critique of the origins of Solarpunk, a bit of discussion around social media ephemera, and a few thoughts on the kinds of stories that Solarpunk allows.

From what I can tell, Solarpunk was kind of made whole cloth on Tumblr. The original post actually turned ten years old like, a week ago, and it's. This is not to be mean, I do like it quite a bit. But it's exactly what I'd expect from something on 2014 Tumblr. It's mostly aesthetic touchstones, with the interest in renewable energy and a better relationship to nature less as an ideological line and more as a guide for the aesthetic. There are some interesting things with how the touchstones include a lot of public transit and community-centered things, but there are also a fair amount of things that just, don't seem very thought out. Just to pick at one thing, if one of the core focuses is 'Less corporate capitalism, and more small businesses' (which, the small businesses line is already just, so 2014 liberal), if we take that at face value, then quick question: who the fuck is making all of these solar panels and streetcars?

And I mean, to be clear, 'plot holes' in a few-hundred-word aesthetic post aren't a reason to throw out the entire thing - if anything, answering those questions could lead to some interesting storytelling. The original post wasn't meant to be anything in entirety, I think it was meant to invite others to play in the aesthetic space and use some of the elements to craft their own settings.

One of my more direct criticisms of that original post, though, is the way that it pulls on Steampunk aesthetics. I have a number of issues with General Steampunk Aesthetics that I'm not going to get into here; my issue has more to do with how it, kind of doesn't really mesh well with the rest of the Solarpunk vibe? Like, if we've got solar panels baked into every window and electric cars and such, is there any non-aesthetic reason why we're still using airships? The art nouveau revival stuff is like, it's fine if you aren't a giant nerd who thinks about things like the cultural influences behind art movements, and old cars do have a certain look to them, for sure, but like, the rest of the aesthetic is so grounded in (2014) contemporary desires for a utopian society that all of the retrofuturism stuff pulled from Steampunk feels a bit out of place.

Despite my quibbles with the original post, the core concept of an optimistic speculative future based in renewable energy and the creation of communities is overall very appealing, and the aesthetics that people who like that concept have honed in on are definitely neat. I think it says something that a cursory scroll through the Solarpunk tag is almost exclusively like, things in the world now that folks think could bring us closer to that idealized future, developments in clean energy and degrowth and all that good stuff. People have mostly latched on to the parts that make sense for current contemporary futurism and left the parts that are more based in retrofuturism behind.

On the other hand though, the Solarpunk tag doesn't have a ton of like, Solarpunk fiction in it. There's the occasional bit of art or comic page, but like, people aren't in the Solarpunk tag talking about movies and books much. The most common example people give of Solarpunk media is Pokemon, and like. I love Pokemon, don't get me wrong, but there are only some parts of the setting that are really Like That, like earlier gens had stuff like Sunyshore City and all but Gen 8 was basically about an exploitative megacorp that doesn't change at all after you fight its CEO.

Of course, that's a pretty limited slice of what people have written and said about Solarpunk. A cursory scroll in the tag is not rigorous reading. The thing is, though, it's kind of hard to track down the origins of many of the later ideas in Solarpunk because most of it comes from other Tumblr posts, and Tumblr's search function is... notoriously broken. Most of the criticisms I'm laying (and will continue to lay) on Solarpunk based on a small subset of people in the space have probably already been answered by someone or another, but the issue is that there isn't really any kind of unified canon in the way of Cyberpunk. And this, once again, goes back to how the foundational texts of the genre are almost entirely contained in blog posts and social media ephemera.

So, what do we do? How do we tell stories in this space that has essentially become the past decade's idea of an actually possible idyllic future? Well, I hate to say it, but the best way I can think of to write in this space is to drill in on its flaws. Solarpunk's ideas of what a good future looks like are deeply liberal, deeply middle-class, deeply first-world. It imagines an urbanist utopia of perfect little clean cities, poverty eradicated through means best left as an exercise to the reader. Some individual folks have more global perspectives on what that looks like, but at its core within our current systems a mass solar transition for the first world is built on the back of exploitation of the third world. Fundamentally, it imagines solutions to the problems of today that allow us to mostly live undisturbed consumer lives. Tackling and addressing these criticisms could be the thematic driver for stories in a solarpunk setting.

It always comes back to the age-old question: utopia for who? If the eventual end state is 'utopia for ALL', then the story of how we get there, how we tackle the complicated problems, how it's just plain not as simple as 'everyone has clean energy and the climate is saved', that's where the story is, at least in my opinion.

Or, we could actually lean *more* into the less futurist and more speculative/fantastical aspects of the setting. Solarpunk has largely morphed into a genre that wants to explore the near future of today, but like. The alternate history Solarpunk novel where Al Gore became president in 2001 and that didn't fix everything but it sure did move the needle on the climate would be interesting. Solarpunk would work pretty well as a basis for some kind of noblebright urban fantasy as well; imperfect utopia, utopia at the fringes, burgeoning or in decline, there are stories to tell here. It's a bit harder to find things to tell stories about at the height of a proper utopia, but like. A villain can be anywhere. Solarpunk would have its opposition, does have its opposition. It's not terribly hard to imagine what types of internal threats might challenge the utopia.

And like, I'm not a terribly creative person, and I came up with this shit just spitballin'. There are stories to be told here. In my opinion, the most interesting ones would be challenging some of the setting's core assumptions and resolving the challenges in a way that still maintains the core optimism, but like, that's not the only way to tell the story by a long shot.

I think a lot of the reason there's not been a ton of big solarpunk-style media is because it's inherently utopian and that leads to a real lack of conflict. Which is a shame that there's not a lot, because I LOVE how Solarpunk looks! But A lot of it is very big-scale from what I've seen; theorizing about ways man can integrate technology with nature, but not really what man is actually doing after that. What are the kinds of lives people would live in a solarpunk city? Surely actual human stories don't simply end because a lot of our needs are met. There's gotta be something!!

[yourfaveisamuppet]

So It's April 1st Again

i'll be honest, i really don't love april fools' on tumblr. every year folks feel the need to make saccharine, feel-good "pranks" that are just... kind of condescending. oh it's two kitties, not one! that's not a prank, that's peekaboo. which is fine. some people love it and i can avoid it. but i don't go around telling horror fans that rudolph the red-nosed reindeer is actually horror because it scares me. (true story - to this day that movie is on my blacklist because it can and will give me nightmares.) and i certainly don't try to ban halloween just because i don't like wearing costumes.

anyway, i think that a lot of the problem stems from the fact that there are a lot of mean, bad-faith pranks out there - and also perfectly innocent japes that escaped their target audience and found someone who was genuinely hurt by them. so in the interest in making one of my favorite holidays more bearable, have a non-exhaustive guide to fun and safe tomfoolery.

(this guide was written for an audience of adults, as i have no interest in the responsibility of adapting it for minors. if you're under 18, talk to your parents or a trusted adult about safe pranks.)

intention matters. before deciding to pull a prank on someone, take the time to figure out why you want to in the first place. every prank, no matter what it is (yes, even the kitten peekaboo!) carries the risk of actually hurting the person being pranked. if your only goal is to trick someone else for your own amusement, stop here. if it's to feel better or smarter than them, stop here. personally, i love pranks (pulling them and being pranked) because they're basically elaborate trust falls. you get a little jolt of adrenaline, but at the end of the day someone is there to catch you. you might have other reasons! maybe you love watching your friend's face as they realize what's going on and dissolve into giggles. maybe it's a way to be creative and lighthearted. maybe it's something your friends do for an excuse to be together. whatever the reason, knowing why you're doing it will help you decide if it's worth the risk of miscalculating and hurting someone. and it also helps you figure out how to make things right if they do go wrong.

safety is paramount. physical and mental. to bring back my metaphor from before, i wouldn't do a trust fall off a roof, no matter how much i trusted the person catching me. there are plenty of ways to fool your friends without risking injury or illness (including mental harm). as a rule, i avoid food-based pranks and risky physical comedy, and never lie about safety or wellbeing (i.e. no "i lost the cat" texts or fake hospital visits). i also make liberal use of the unreality tag online. but this is sort of a "use your best judgement" thing, because what is risky to one person is another person's tuesday. which brings me to my next point.

know your audience. this one is where a lot of internet pranksters fuck up. you can't go out into a random public space and start messing with people indiscriminately. there's no way of knowing who is in the crowd and what their individual limits may be, and it's incredibly difficult to warn ahead of time. websites like tumblr are a little easier, because there are widespread blacklist tags (like unreality), but it still carries a pretty big risk. tag liberally, warn your followers ahead of time that you'll be participating in april fools, set limits, and stick to them. when it comes to pranking your friends and loved ones, make sure you know their limits. including if they don't want to be a part of any pranks at all. double- and triple-check. use your words. ASK if they're okay with pranks and what their limits are. contrary to popular belief, knowing a prank is coming doesn't actually ruin the fun.

consent is necessary. if someone asks you to tag, you tag. if someone asks you to stop, you stop. check in to make sure everyone is feeling safe and happy. consider picking a safeword that your friends can use if they need to confirm what is real and what is part of the prank. (or to tap out entirely.) keep your pranks limited to your pre-determined audience, and stick to your pre-established limits. pranks can easily escape containment on the internet, so keep that in mind when planning online pranks. if you don't think you're up to the task of keeping your prank contained, err on the side of caution and don't do it.

check in. ask your friends how they're feeling after a prank. debrief and clarify any lies that you told. renegotiate boundaries. find other ways to spend time together as well. basically, post-prank aftercare is important.

you don't have to participate. i know it sucks to feel left out, but you're also (presumably) a grown-up. i don't particularly like halloween, but i don't go around calling people mean and insensitive for dressing up or watching scary movies. i also don't force myself to dress up or watch movies i don't like. i update my blacklist, i wear my everyday clothes, and i buy some candy in case i get trick-or-treaters. the same thing applies here. tomorrow will be april 2nd, and things will be back to normal. in the meantime, find something fun to do that doesn't involve pranking anybody.

your boundaries are not universal. contrary to what tumblr would have you believe, there are people out there who love screamers and jumpscares, and they are spending today gleefully sending videos back and forth. i hate most food-based pranks, but some people get a kick out of them. lots of people can't stand bugs, but i love them and would be over the moon about any spider-based pranks. (so long as the spider and i are both safe.) if you hear about a prank you personally wouldn't enjoy, consider minding your own business. make sure your blacklist is updated in late march. take reasonable steps to keep yourself safe, and communicate if you feel that someone has overstepped your boundaries. unfollowing and blocking is always an option on tumblr as well.

[itsclydebitches]

RWBY Recaps: Volume 8 “Divide”

Hello, everyone, and welcome back! It feels good to be doing some normal RWBY-ing in this strange world of ours. First, some supplementary materials.

Number One: In response to any (valid) questions along the lines of, “Hey Clyde, it’s now been a full year since Volume 7 was airing and you still haven’t answered my ask about it. Or the ones about Volume 6… what’s up with that?” I’ve created what I hope is an informative video detailing the problem:

(I assure you, the Earth, Wind & Fire was a happy accident during the screen recording.)

Needless to say, there’s a lot and I’ve known for some time now that I will LITERALLY never get through all my asks. Which doesn’t mean I don’t want you to send future thoughts in! Just know that as we head into Volume 8 territory I’ll most likely prioritize those, as well as any Volume 7 asks that aren’t woefully out of date. But I do want everyone to know that I read all the asks I receive, appreciate them immensely, and think too much about hypothetical answers, even if I don’t have time to actually write them out 💜

Number Two: There’s a bingo board this year!

Jury’s out on whether I’ll remember to update it, but at the very least this serves as a decent glimpse into my — and others’ — expectations going into this volume.

Number Three: I’ve collected a list of things I’ve heard about Volume 8 from what seem to be reputable sources. I did this because RT is developing a tendency to talk up certain points and then fail to deliver, either because something was taken out of a volume/moved to another, or because RT apparently has radically different ideas about what including something means. So this might be handy to keep on file and ask ourselves two months from now, “Did RT actually deliver on what they promised?”

Emphasis on Ruby’s leadership and how Summer’s death has impacted her

Insight into Ren and Nora’s flaws

May Merigold will supposedly have a larger part

More information about The Long Memory (Ozpin’s cane)

Theme of the volume is that you can respect someone but that doesn’t necessarily mean you agree with them

Very short timeline (supposedly just two days)

Yang in particular is very suspicious and distrustful

I was also going to include a list of all the threads that need to be continued/wrapped up, but honestly that would have taken too large a chunk off my life. Let’s just throw out the highlights:

Are we really going to have Qrow gunning for Ironwood?

Clover is dead regardless. Press ‘F’ to pay respects

Oscar bb you got shot please acknowledge this

Ozpin bb you got done dirty please acknowledge this

Penny is a Maiden now. I feel like the fandom has been sleeping on this (myself included)

Queer baiting, queer baiting… you’re on thin ice at this point, RWBY. Just skate on over to the queer snack bar before you fall straight into the lake.  

Ren spill your deep dark secret already and it had better be something more than just ‘Oh no Nora might someday die :( ’

Salem is here so how the actual fuck is the cast surviving this?

Will Ironwood likewise survive his descent into antagonism? Yes or please yes no?

I think that’s all the biggies. I strive to keep lists like this in mind while analyzing, but honestly RWBY has a hundred moving parts that are abandoned or changed or simply retconned at the drop of a hat. So an attempt will be made.

Number Four (last one I promise!): Normal disclaimers and reminders for Recaps apply:

Please don’t fill up the already full inbox with flames. It’s still 2020. No one has time for that nonsense.

There will absolutely be typos and wonky parts because I try to get these out the same day an episode premieres. I have now been working on this for ten hours, nearly straight, and have no more energy for edits. Apologies in advance and RIP to my Saturdays.

I reserve the right to use stupid GIFs and memes at my discretion.

I strive to keep my focus on recapping/analyzing but salt tends to worm its way in… If you’re a die-hard RWBY fan with little patience for criticism, let alone (at times) snarky criticism, please proceed with caution.

No wait I lied, this is the last thing:

Okay, got that out of my system LET’S DO THIS!

We start not with the episode itself but rather Rooster Teeth’s (RT’s) strange non-promotion of it. If you follow my blog you may have caught the post where I pointed out that there was nothing on RT’s website to suggest that one of their most popular shows—if not the most popular show—was premiering today. Nothing on the main page. Nothing on the RWBY page either, not unless you count the Volume 8 poster background (easily mistaken for the Volume 7 poster) and the trailer buried all the way down past Episodes, past Merch, in the Bonus Features section along with videos like Live From Remnant and the volume intros. RT… the promotion of your feature show is not a bonus. This should be front and center! Honest to god, five minutes before the episode dropped I was checking the website for a Volume 8 section, a countdown, anything that would tell me the episode was imminent without relying on fans on tumblr to keep me in the loop. We got nada, zilch. I’m not sure whether that speaks more to RT’s iffy management of the series or simply the website’s horrible design—RIP losing RWBY on Youtube—but I was surprised when I saw the episode a few minutes after 11:00am. At that point I honestly expected to hear about a dely.

So that’s the mood I entered the premiere in, but truly? We start off strong. Things take a pretty severe nosedive later on, we’ll get to that, but I was impressed with our beginning and that probably has a lot to do with the fact that we start with our villains.

We open on a Cinderella character, Cinder, and thus I’m immediately pleased that we’re getting something about her backstory after all this time. Seven years! She appeared in episode one, folks! To say we’re overdue is an understatement. There isn’t a whole lot to go on, just a younger Cinder sadly scrubbing the floor, poised under a spotlight. What we learn, or potentially learn, is based far more in cultural knowledge than this scene. We know Cinderella’s story, which includes the abusive family, the longing for more, the eventual escape, and thus we’re able to read all of that in this image, despite the image itself not telling us any of this overtly. That means we could be wrong in our interpretation, but if we’re not it’s an easy shorthand in an already packed story.

What I’m really impressed with is the sound bridge between the scrubbing and her nails on the back of Neo’s chair. Fantastic way to confirm that this is Cinder as well as showcasing just how far she’s come. The sound of her labor has been replaced with the sound of her power and given that Cinder’s power is stolen, tied to a grimm arm, the property of a genocidal maniac… that’s messed up. It’s a Cinderella story gone wrong.

So yeah, Cinder tells Neo to head straight into the creepy, grimm infested blood cloud to see Salem and Neo is like, ‘Uh… no thank you?’ lol.

RT does a good job this episode with her expressions, ensuring we know exactly what she’s thinking despite an unwillingness/inability to speak.

Poor Neo might be in too deep, but I quite like the overall atmosphere of this opening. Say what we will about Salem’s awful characterization, at least she has style. This woman knows how to make an entrance and, piggybacking off of the Apathy, RT knows how to infuse horror elements into their fantasy. The red and purple coloring of the clouds, spiked whale teeth peeking through, bright orange in the background looking like explosions… that’s all 👌 Including the intro card.

The only thing I want to gripe about is this:

I’m sorry, why does the whale grimm have landing pads? Or something like it?? The whale otherwise works because it’s poised between the natural and the fantasy synthetic. It looks like a real grimm whale on the outside, but is sporting a throne room, a control panel, and other unnatural elements on the inside. It’s a visual indicator of Salem’s ability to control and change grimm. Now though, the additions are wrong, infringing on the line between organic and tech, the line between what helps the grimm individually (giving monkeys wings) and what just helps Salem. Every other aspect of the whale straddles that line wonderfully, adding to the creep factor, like a grimm version of the Uncanny Valley: it’s not quite a whale anymore… but landing pads? That looks ridiculous. Why does Salem even have that? How many ships are her people feasibly using? Why are there five?

Take it away, please.

Cinder waltzes in like this is a normal home visit, but Neo has an appropriate ‘What the actual fuck?’ face going on.

They approach Salem on her throne where Cinder immediately kneels, greeting her with, “My queen.” I mentioned during my trailer breakdown that I think Cinder is lying her ass off here, and I still think that based on a line we’ll get in a minute, but now at least we have a sense of how she can pull this off. A woman who started out as a (presumed) servant is going to know how to mimic subservience, even if her heart isn’t in it. Salem is very good at playing the girl who will still kneel and scrub the floor for you. She will scrub the floor, she’ll do everything you want, she’ll just be plotting her own rise to power while she does it.

There’s quite a bit of interesting cinematography in this episode, not all of it good, and I think one of the mistakes is here when we get a closeup on Salem’s mouth as she greets Cinder. A closeup like that should be reserved for more significant dialogue—“Rosebud”—and yet we get this shot again when Cinder tells Emerald to be quiet. It’s awkward and coupled with the numerous eye closeups we got in the trailer, I think RT is playing a little fast and loose with the camera. Each shot should add something to the scene, not distract from it. If you don’t have a reason for including a technique like that then leave it be.

Back to the actual dialogue though. We knew that Salem knew Cinder was alive and now it seems that she just expected her to come back? I’m slightly lost. It feels like we’re missing something here. Cinder goes off to secure the lamp, fails, nearly dies, wanders on her own for months, and then randomly shows back up on Salem’s whale doorstep, yet Salem isn’t angry at all? Did she have faith that Cinder would return when she has something to offer? Did she just not care about Cinder, considering her return an unnecessary but otherwise welcome surprise? That would make the least sense given that she holds the key to accessing Beacon’s relic… but that circles right back around to why Salem is seemingly indifferent to Cinder’s comings and goings. Surely she can’t actually believe that Cinder is loyal?

“So I trust you wouldn’t return to me empty handed,” she says. Yeah, trust means nothing in this show, Salem, didn’t you watch Volumes 6 and 7? Again, I simply don’t know. I suppose I’ll just chalk it up to confidence, that if Cinder did bail Salem knew she could track her down again. Deciphering her motivations and beliefs is a lost cause when the show continually gives us so little.

The important thing now is that Cinder does indeed have an offering and you can see that Salem is somewhat surprised at being handed the relic.

Cinder, of course, takes credit for the victory and we’re given another wonderful shot of Neo. ‘YOU took it?’

Oh, Neo. Best get out while you still can.

Tyrian appears having obviously made his way to Salem’s ship sometime between her arrival and now. The exchange is pretty standard for this group. He insults Cinder for failing and needing this victory to make amends, talks about how any win against Ironwood says more about his lack of intelligence than her skill, and Cinder… doesn’t have a whole lot of comebacks, actually. I’d say Tyrian won that verbal spar, enhanced by a better use of the camera when we get his tail looming menacingly towards Cinder and Neo.

He goes on to say that Watts was a “necessary sacrifice” so, uh… I’m just going to toss out the ask I answered yesterday. Based on our intro I’d say Watts is still significant to the volume—hacking Penny is my guess—but by the end? He could be in trouble.

(As a side note: I plan to analyze the intro next week. It’s just easier when it comes first.)

Tyrian also calls Neo “little one” which I just found absolutely hilarious. In an on brand creepy manner, that is. Not that Neo couldn’t kick his ass, but there’s something wonderfully chilling about having the serial killer use an endearment towards a potential victim, one that comments on her size while he’s looming.

In contrast, Cinder refers to Neo as a “valuable asset” and we get our third mood of the episode.

Who’s going to start a Neo reaction image collection?

It’s true enough on the surface—who wouldn’t want an ally who can turn into anyone else?—but we’re still bumping up against question of why Salem needs this. She’s immortal! She has an endless army! Magic! This scene works well with a villain who needs a skillset like Neo’s to succeed, but Salem doesn’t. RT is doing a great job writing a story thus far, just not the story we’ve previously been given. This isn’t the story they set up.

This will come back up when we reach the RWBYJNOR group. Just wait.

Before that though, the gang’s all here as Emerald, Mercury, and Hazel show up, all in new outfits.

I think I like everything except for the weird Xs on Emerald’s jacket—it’s way too distracting and frankly makes an otherwise good look ugly—and the fact that she’s showing her midriff in Atlas. Hazel doesn’t have any sleeves! Oh my god, why doesn’t anyone dress for the weather in this show?

Frankly, I found their reunion to be kind of lackluster. I mean, there was nothing wrong with it. Emerald does sound briefly excited, she does run, and it’s in character for Cinder to cut her off… it just didn’t resonate with me emotionally. I thought after two volumes of thinking she’s dead, then working through the knowledge that she’s alive, that I would feel Emerald’s shock and relief more, but I didn’t. And I’m not entirely sure why. I don’t want to level any accusations at the voice acting because frankly I know next to nothing about that skill (and from what I’ve seen it’s usually praised in the fandom), but I will say that throughout the premiere I was noticing it more than I ever have before. The lack of emotion here and some awkward deliveries later, like when Yang goes, “Ruby, there is no way Ironwood will cooperate with us” and I immediately thought, “Wow, that came out stilted.” These observations stick with me because, as said, voice acting usually isn’t on my radar. It’s not something I’ve studied or had practice analyzing. If you’d never told me that Ren or Qrow’s VA changed then after a year hiatus I literally wouldn’t notice… but there’s something about this episode that didn’t sit right. Anyone else get that sense, or was it just me?

Regardless, the arrival of our other three villains really doesn’t amount to much, though I’m happy for all the Emerald and Mercury fans who get to see them in new outfits. The focus is still on Cinder as she delivers a line indicative of her true motivations: “That power will be mine.” Yeah, she’s not loyal to Salem, she’s just power hungry. Of course, Salem immediately takes note of this and raises her hand, in another nice use of the foreground, reminding her that she hasn’t given that order.

Cinder is shocked, angry even, but quickly covers it up with her “Without you I am nothing” line. If I caught it right I think she also calls Salem “Ma’am”? Hilarious. Again, skilled at playing the servant.

Also, before I forget, it’s worth noting that almost everything from our trailer appeared in this episode. Yeah, there are a few details like Nora attacking some tech and the group on their bikes, but on the whole we’ve already seen the majority of our promo material and will likely get most of the rest next week. It makes me both interested and nervous for what another twelve episodes are going to hold.

Salem opens her whale, or opens a portal type view in it, something that gives us a long-distance look at Atlas. I don’t know what exactly is going on here, but it’s pretty so I’ll take it.

She also delivers the frankly badass line, “Just because you’re more valuable to me than a pawn does not make you a player.”

She waves them all away with perfect ‘You mean nothing to me’ attitude and we sadly leave our villains.

Sad not because I don’t love my farm boy, but because things are about to get a whole lot messier.

Oscar has made his way to a camp of civilian survivors… all of whom are just hanging out in the supposedly deadly cold. Yeah, there’s a single fire, but at least four of them aren’t anywhere near it. Three of them also aren’t wearing gloves. What was that survival rate again?

A nice if gruff dude gives Oscar soup—water?—while showing off his… badger claws? I don’t know what kind of faunus he’s supposed to be, but he feels like the sort of two second, minor character who could easily become a meme lol.

Oscar thanks him (my polite son!) and hands the bowl back after a single sip. Which is impressive because I would have assumed the guy was giving me the whole bowl and just taken it. Hell, I’ve done that even when I didn’t assume it’s all for me. A Starbucks barista once approached me with a tray and a plate of samples, I knew I was supposed to take just one, yet for some reason my hand went to take the whole goddamn plate. He had to tell me off, then I was trying to explain that I didn’t actually want or think I should have eight shots of cappuccino all to myself, I don’t even like coffee, he clearly didn’t believe me… it was awkward. So good job, Oscar. You’re less awkward than me (though that’s not saying much).

Now a question, Oscar. Darling. Brilliant boy who has been through too much: why the fuck aren’t you talking to Ozpin? This will be A Thing later when he presents a lack of time to talk as justification for keeping more secrets (we’ll get to that too…) yet here is time! You’re just sitting there for who knows how long, with plenty of privacy to hide a supposedly one-sided conversation so the Mantle citizens don’t get weirded out or suspicious. Talk to Ozpin. Our headmaster gets two lines in this episode, utterly inconsequential lines like his airship scene, lines that feel like they exist to say, “See? He’s still included in the story!” even though he absolutely is not. Two volumes of mostly silence, a perfect setup to start the reconciliation process, but we’re going to put it off again?

Instead Ruby randomly and conveniently appears. I want to know how she found him. Oscar isn’t wearing a tracker. He clearly didn’t call them because he’s surprised when Ruby shows up. He fell alllllllll the way back down to Mantle and then wandered to a random part of the slums. You’re telling me they flew over the entire city—after beginning this search thinking he was in Atlas—and somehow managed to spot him from up in the air? C’mon. I would have rather had a beginning where Oscar makes his way back to the group himself, giving him and Ozpin time to hash things out.

“Need a lift?” Ruby says, eliminating that potential. Sigh.

Oscar immediately starts beating himself up when he gets onboard, saying that he “was stupid to think the General would listen.” Nah, you were stupid to buy into Ruby’s nonsensical confidence and for telling Ironwood he’s as bad as Salem. Sorry, Oscar, but everyone is written badly these days. I will, however, say that I am THRILLED at the group’s reaction to his return. Ruby says that she’s “just glad you’re alright.” Nora has a wonderfully tender moment where she hugs him gently rather than her usual glomp.

That? That added a year to my life. Everyone else seems relieved that he’s okay too, so kudos there. After four years of Oscar being an outsider in the group, this is one of the few moments that feel like he’s 100% accepted. Really glad to see it.

Now let’s see if it sticks after they learn Ozpin is back...

They fly to the Happy Huntresses’ base and I again feel like I’ve missed something crucial. When did they team up? I mean, RWBYJNOR was working directly under Ironwood up until the last hour and Robyn ran off to fight Tyrian/Clover in the last couple episodes. When did she have time to explain her (briefly) changed allegiance and why would the Happy Huntresses trust the group without that? Did Robyn share that Blake and Yang went behind Ironwood’s back for her? Do the Huntresses instinctively trust them because they’re now wanted by the military? How did they even run into each other?

Again, I think we would have been better served to have an episode before all this. Let Oscar make his way back and let the group struggle with the magnitude of their situation on the airship, before they find new allies. Transferring directly to, “They have help and a secret base and a plan in the works!” makes me feel like I missed the real premiere last week. You know, the one where Salem unexpectedly arrived and we left the group like this.

This is where we’ve ended up though. The group is cozy in this hideout, getting info from Joanna, and my only other thought is, “Why is she giving all this exposition?”  

Shouldn’t it be May? I mean, we were told that she was going to play more of a role this volume, a promise that’s pretty important imo given her status as a (so far off screen) trans character, so why not put her in the role of mediator between the Happy Huntresses and RWBYJNR? Giving her that setup as a leader among her people as well as lots of lines would be meaningful. A trans character just existing and being a part of this fight! May could obviously still fill that role—I’m well aware that we’re only one episode in—but it just seems like a missed opportunity to me. Out of all the undeveloped Happy Huntresses, our premiere focuses on the one who has the least importance to the fandom.

As said, Joanna talks a fair bit but what it basically boils down to is trying to get everyone to the crater below Atlas. It’s apparently not safe, but it’s warm, which is what matters right now.

So… let me get this straight. You want to gather everyone into a not safe crater, by leading them through an army of grimm, so that they can wait there in case someone moves the Staff, thus dropping an entire city on top of their heads? That’s the plan? Which admittedly isn’t Joanna’s fault. This is another instance of RWBYJNOR having information that a leader does not and they should really consider speaking up about it. But of course they don’t.

Also, how long does everyone have in regards to the cold? Shouldn’t there be dead civilians by now? The time it would take to find the Happy Huntresses, team up with them, get settled in the base, and find Oscar says that things should be pretty grim right now (pardon the pun), yet every non-aura user in this city seems content to just hang out in the snow. Either the cold is deadly enough to justify moving everyone to the crater, or it’s mild enough to let everyone survive this long, not both.

After hugs are given everyone obviously wants to know what happened to Oscar. His response?

“It’s a… long story. I get the feeling there’s been a few of those tonight.”

That’s a check for the bingo card! We’re halfway through the first episode and we’ve already got another secret. Yes, this is a secret. Oscar actively chooses not to tell anyone that Ozpin is back—something Ozpin himself comments on—and then skillfully draws attention away from himself with “I get the feeling there’s been a few of those tonight.” Indeed, all eyes go to Penny. Oscar’s plight is forgotten, which is what he wanted. His justification?

Ozpin: “You’re not going to tell them?”

Oscar: “You and I aren’t done talking yet.”

Along with this look.

Oscar no. There’s so much wrong with this I don’t even know where to begin. Let’s create a list.

As said, you had plenty of time to talk to Ozpin and chose not to. Miss me with this excuse.

You are now doing to your friends exactly what you and your friends did to Ironwood, which in turn is what Ozpin did to you! I can’t believe we’ve got Oscar critically side-eyeing him when they are still—still—repeating the behavior they drove Ozpin away for.

What is there to even talk about now? Oscar didn’t punch himself/Ozpin (lol) but he did steal Jinn’s name from Ozpin in the first place. You got what you wanted, drove him away, and have been lying and keeping secrets ever since. The only thing they should be talking about involves apologizing. Any further criticism—which is what Oscar’s expression and curt reply suggests—is beyond hypocritical.

Seriously, what needs to be discussed? There’s no reason not to tell the group unless Oscar wants to talk about whether they should tell them. There’s no good ending here...

Don’t you think it would be nice to know that Ozpin is back and you’ve got super magic powers while making plans to save the entire world?

This is all especially stupid given Oscar’s “Salem wants to divide us” reminder to Ruby in a moment. Oscar, you are doing the most to divide the group right now. By not forgiving Ozpin. By refusing to work with him. By keeping him secret from everyone else.

This is bad, friends, I worry for what the rest of the volume will bring…

The story is done with Ozpin for now so I guess I will be too. The group continues filling Oscar in and we get some shots of the base, including a rather prominent poster of what I assume are two Happy Huntresses. Did they die in battle perhaps?

It’s a little strange.

Oscar: “Where’s Qrow?”

Me: “Likely still making bad decisions.”

No one knows so they just drop it. Which I kind of get, only so much you can do to find him if he’s not out on the streets like Oscar, but it still reads as kind of iffy that two nieces look down at the ground for a hot second and then move on with their plans, content to leave Qrow to whatever fate befell him. In a minute we’ll see Yang firmly take Ren’s side regarding helping the people they can in Mantle, which frankly comes out of nowhere for her. I think an easy motivation would have been Qrow. Ruby wants to save the world, Yang wants to find and save their uncle, and that just happens to align with Ren’s desire to save the civilians who need immediate grimm and cold help. Don’t get me wrong, I like that there’s finally some division between the sisters, I just wish it hadn’t come about so abruptly. Ren had setup for standing up to Ruby. Yang did not.

But I’m getting a little ahead of myself. Joanna lists the grimm horde and no heat as the major threats to everyone. The group agrees.

Me: What about Salem?

Joanna says that this is all doubly dangerous because there’s “no more military protection.”

Me: Oh, so now you want the military?

This is all so disjointed. Even more-so when Joanna mentions that Ironwood has stopped all evacuations to Atlas, likely due to the “hard light shields” that are the only thing standing between Salem and the city. Thing is, the show never makes this connection, I just did it myself based on this scene and the one that comes later. The show presents Joanna’s line as a pure condemnation. Ironwood won’t let more evacuees in because… he’s just evil, I guess. Yet there is a justification here, namely that continuing the evacuations even while he’s stuck without Penny leaves him wide open to a Salem attack, the death of everyone currently safe, but that argument is never presented to the viewer. I don’t need people to agree with Ironwood’s perspective, I just wish that perspective was offered as an option. The show is very good about acting like RWBYJNOR’s opinion is the only justified opinion, or simply the only opinion at all.

After everything is laid out Weiss goes, “We’re never going to sleep again, I just know it.”

I could make a crack about the lack of continuity and how the group should be collapsing right now… but that was a funny line. It can stay.

What is far more of a problem is the fact that no one is talking about Salem. Okay, that’s a lie. They do talk about her, but in a roundabout way like her presence isn’t impacting every decision they make. That’s the real issue. They’re acting as if Salem isn’t here right now, like she’s off far away, maybe approaching slowly, and they’re arguing over how best to prep the world for her eventual attack. There’s no emotion here—let alone action—to reflect that the series’ Big Bad has arrived and is poised to murder them all. Literally what is this? Ruby is yelling about warning the world and, ignoring the continued question of why that’s a good thing when the world can do nothing to stop Salem and knowledge of her continually drives people to horrible acts, she has yet to acknowledge that… she’s the world? Ruby is the world in this conflict. She, Mantle, and Atlas. Salem is here for you all. Right now. You are, this instant, in the situation you want to warn others about, so why don’t you try to do something about it? Or at least acknowledge it. Ruby wants to warn the neighborhood about a potential fire while her house is actively ablaze, and the fire could have totally killed her by now but decided not to for… reasons.

“Ruby’s right,” Nora says. They have to tell the world so “they can prepare.” How? How are they supposed to prepare for this? The story cannot continue ignoring Salem’s immortality.

“Ruby’s right,” is all Blake says and I’m starting to thinks that’s why her character exists now, to agree with Ruby. It’s great that she’s getting a little distance from Yang, but man.

As Ruby asks whether Pietro can get Amity up and running despite it not being finished (called it) we start an incredibly odd sequence of flashforwards to their individual missions. I’ve seen a lot of praise for this already and though I agree that, in theory, it’s a good way to save time, I found the actual execution to be jarring. Upon thinking back through our timeline, it became clear they were flashforwards, but while watching I thought they might be flashbacks (especially since that’s more common).

Some of the shots, like Nora’s, just look awkward when you’ve got the exact expression and pose transplanted from one scene to another, like she’s a cardboard cutout behind a green screen. To say nothing of how the flashforwards ruin any suspense (I use that word loosely) in the conversation itself. If the question is, “Will they decide to go to the military compound?” then that question is answered when we see Ruby scoping out the compound, not when the group actually decides on the course of action.

It just made an already muddled scene worse for me, so I hope this trend doesn’t continue.

And of course, Amity can be used despite all the info last volume claiming that it wasn’t finished. Pietro suddenly acts like it is finished and the only thing standing in their way is Ironwood providing access. If that were the case, he would have used Amity weeks or days ago like he wanted to! When was it finished? Not after Watts commented on how incomplete it was. When did they get back the resources they needed from Robyn? It’s as ridiculous and retcon-y as I thought it would be.

Yang points out that Ironwood will never listen to them and Ruby counters that “he doesn’t have to.” They’ll just take the access from him. Because why wouldn’t they in a series where they’ve already stolen two airships? Stealing from the super evil military that Joanna wishes were helping them right now is just the group’s go-to plan nowadays.

Pietro isn’t sold on this plan though. He lists at least three obstacles they’d need to get through “and then… oh boy, I might need to think about this some more.” “And just to clarify,” Oscar says, “This is the easy option?” Um...no it’s not? We also know there’s an access point in Ironwood’s office so… why not go there instead? They really think the Academy is less guarded than the military base? There’s a potential justification here along the lines of, “After Neo and Cinder broke into his office Ironwood will have the place on high alert,” but unless I missed it the group doesn’t assume anything like that. They just listen to Pietro point out all the ways they can’t get into the military base and jump straight to that being the best option. It feels like a transparent way to create conflict for the group. We’ll just have them taking the most dangerous route despite an easy route being offered alongside it. Why bother mentioning his office at all? Just have the access in the military base. Boom, done.

It’s that conflict and the fact that Ruby tends to hear “You can’t” and digs in her heels. You can’t go to Atlas. I’ll just steal a ship then. You can’t defeat Salem. Watch me. You can’t break into this base. Guess what I’m doing! She’s dangerous in her fairy tale, meta-driven insistence that everything will turn out her way because she wants it to.

Speaking of, we finally—FINALLY—get someone challenging Ruby. Sort of. Not actually but it’s the closest we’ve ever gotten:

Yang: “Ruby, when we came here we said we’d follow your lead… but things haven’t exactly worked out.”

Now, there are two things to take away from this moment. The first is how utterly shocked Ruby and the others are. I mean, take a look at these expressions.

Ruby straight up can’t believe what she’s hearing. Weiss put her hand to her mouth like this is the most dramatic thing to ever happen to her. Oscar looks down in a ‘Yeah, I agree but please don’t look at me and make me admit that’ way. And Nora looks indifferent in the screenshot but animated she goes sort of stern, likely pissed that Yang would dare say that given her own agreement with Ruby. This not only reiterates that Yang’s challenge came out of nowhere—seriously, how did we move from following Ruby no matter what to this? Last volume she asked a single question along the lines of, ‘You sure?’ and when Ruby said ‘Yes’ Yang was entirely on board—but also demonstrates that no one has EVER said no to her before. Ruby is amazed that someone would challenge her. The act of challenging Ruby is, in and of itself, shocking. This group has gotten so used to following Ruby blindly that the teensiest little pushback is greeted with this.

Because it is teensy. This is the second takeaway: Yang barely challenges her and that challenge leads nowhere. She doesn’t accuse Ruby of anything, she doesn’t question her continued authority, she just broadly implies that things could be better. We followed you, now things are bad, take from that what you will. It’s incredibly mild as far as criticism goes, making the shock all the more, well, shocking, but it also amounts to—wait for it—nothing! Because Yang didn’t truly challenge Ruby’s leadership. She’s still in charge, she’s still calling the shots, and they’re still listening to her. We might have gotten some change if this division had been allowed to play out, but instead Jaune comes in with a, “Let’s go for both!” solution. It let’s both groups get what they want which, in turn, releases them from the need to grapple with whether they’ll listen to Ruby when she’s advocating for something they don’t agree with. We have now lost the chance to see whether, when push comes to shove, Ren and Yang will cave to Ruby’s will or stick by their own beliefs.

Don’t get me wrong, it’s more conflict than we’ve gotten in years, but that doesn’t mean it’s particularly compelling conflict. It’s good by RWBY’s standards, which doesn’t necessarily make it good. The actual issues at hand—Ruby’s dangerous arrogance, the group’s loyalty, her choices up until now—are just swept under the rug. For all the visuals we get insisting that there’s this great divide in the group… there’s really not. Not in any way that matters.

Also, Ruby is an idiot. Okay, that was mean, but she really is in this scene. She’s actually not an idiot overall because she was written as wonderfully intelligent in the early volumes, but now? Lately? She makes me want to bang my head against a wall.

“But that’s how Salem got this far,” she cries. “By dividing us!”

Ruby… oh my god, Ruby. No one should have to explain to you that dividing people means turning them against each other, not literally dividing your team to complete separate tasks. This girl honestly thought that because there was this teensy disagreement and that half the team would complete Plan A while she and the other half completed Plan B, both of which notably work towards the goal of, “Protect people from Salem,” that this was somehow what Salem wanted. That is was dangerous. Honestly, it’s a scary look at her view of leadership too: If everyone doesn’t 100% agree with me and do what I say, that’s an objectively bad thing that the grimm queen wants, right? Does Ruby think that unification means following a single person (her) without question or variation? That would explain a lot...

The fact that Oscar needs to explain the difference to her is not good. It really doesn’t say great things about this version of Ruby. Though he was comparing Ironwood to Salem last volume, so really they should all be wearing dunce hats.

Penny offers to take the relic directly to Salem in exchange for her leaving the kingdom alone. I honestly didn’t expect that. If anyone took that risk I would have put my money on Ozpin (but of course, during all this talk of the women he knows best, he’s kept quiet). Oscar is again the voice of wisdom, pointing out that they have no reassurance that Salem will keep her word. At least Penny is thinking about Salem as a threat though, so kudos for that. When this plan is shot down she volunteers to get Ruby past the military security instead and, uh, she’s a little intense about it.

I’m not entirely sure what is going on with Penny. She disagreed with Winter but then seemed to come around to her point of view, enough to help anyway. They had another (stupid) disagreement about the value of individual lives, so that helps to explain why she’s teaming up with RWBYJNOR (if you ignore that Ironwood is also trying to save individual lives...). Did watching Fria die shake her up? Is it being the Winter Maiden that’s not sitting right? Does Penny have lingering feelings about the framing that haven’t shown up until now? Her status as a ‘real girl’? We’ve got a lot of reasons that could definitely explain this sudden need to fight, but we’re not told which—if any of these—is the driving force.  

We’re then given a lot of little details. Someone points out that if Salem gets the staff and “create[s] anything else” then Atlas will fall (so yeah, let’s move the people underneath it). We still don’t know what exactly the Staff does because “creation” is kind of broad and “powering a city to float” doesn’t seem to sit within that category at all. Pietro gives Yang the keys to his lab so they can get the bikes. We see the group dividing in the flashforwards, something I do like, especially since the show has gone out of its way to break up most of the usual duos. Nora in particular is pissed at Ren for his choice.

“Oh, I’m saving Mantle because I actually believe we can do this.”

#yikes. Well, I did say I wanted a conflict other than ‘Oh no, one of us might die’ and it looks like I got it. But Nora, the only reason you can do this is because the plot is in your corner: none of you are collapsing from two major fights, you didn’t lose your aura so the cold isn’t a danger, the military is barely a threat all of a sudden, Salem is helpfully hanging out in her whale instead of killing you, and the story decided that Amity can function so long as you all are the ones who get to use it. That’s why you can do this. Ren, who follows in-world logic and doesn’t want to risk a whole kingdom’s worth of lives on a pipe dream, thinks differently, oddly enough.

As they leave though Penny gets a call from Ironwood. I know precisely what the fandom is going to say here: “This evil man is just trying to use Penny to open the vault!” Of course he is. He needs it open to save everyone he can, Penny included. Plus the concept of “using” her is a double-edged sword. What do we think the group is doing right now? Using her to get past the security. Penny’s power is a tool any way you slice it. Granted, Penny volunteers to help the group, but notably here Ruby speaks for her. Penny seems torn and Ruby takes the scroll away with, “She’s not going anywhere until you change your mind about Mantle.”

Sorry, Ruby, but coming from you that sounds less like a reassurance for Penny and more like just an order for Ironwood. Remember Harriet? We’ll stop attacking you provided you do what we want. Ruby has yet to learn about compromises, let alone acknowledge that she might be wrong. How about you let Penny decide where she goes, especially since by all logic she should have a lot of loyalty to Ironwood. She knew him before she ever met you. She’s worked with him since she was rebuild post-Volume 3. Despite what Penny has said, if the story would just let her think about his actions for a hot second—making her the protector of Mantle, sticking up for her after the framing, sending her to the party, teaming her up with Ruby, etc.—she might realize that the ‘He doesn’t want me to have friends’ and ‘He just treats me like a tool’ assumptions are just that, unfounded assumptions. But no, Ruby speaks for them both because Ironwood is evil now.

“If she makes it through our defenses,” Ironwood says, “everything that follows will be on your hands.”

That’s true! Kind of like how it’s own Qrow’s hands that Clover died. When you insist on making a bad situation worse you hold responsibility when the shit hits the fan. You know though that Salem won’t get through their defenses now, somehow, so that there’s no chance RWBYJNOR will be blamed for it. Or, by that point Ironwood will be so crazed that anything coming out of his mouth is dismissed, no matter how accurate it might be.

We then transfer to the Ace Ops who are, despite what the fandom theorized for many months, clearly upset about Clover. Also pissed. Which they have every right to be. Their friend and leader was killed. Imagine for a moment that Ruby had been murdered by Tyrian with an allies’ help. Exactly what do you think the group would do? Swallow it quietly and get over it? Ha.

I’ve already seen some speculation that Clover survived due to details like showing us the bandage and his room being listed as for a “Patient,” but he looks pretty dead to me.

He got gutted through the chest and left out in the snow for who knows how long. We saw him slip away. Qrow screamed over his dead body. He’s not breathing now. If RWBY suddenly claims he survived this, I’m calling BS.

Most of the other visuals we get here were already dropped in the trailer. Winter is pretty injured from her encounter with Cinder, likely permanently based on her new outfit. Ironwood had to replace his arm—and I am calling BS on that “Losing his arm is reflective of him losing his humanity” commentary from RT. Please go read up on a couple decades worth of ableism in media and then get back to me.

We get Ironwood’s line about the light shields and, notably, a whole lot of empathy. Regardless of what he might want Penny for, he still called her with compassion. He’s watching the Ace Ops mourn their friend. He’s talking about protecting his kingdom. The first thing he says to Winter is, “Thank you, Winter. I don’t know what I would do without you.” Ironwood has a heart! It’s always on display, which makes this scene utterly ridiculous.

I literally don’t know how to respond to this. The gunshot made me jump, both because it’s a gunshot and because, again, what the fuck? I know I said that next volume RT might just have Ironwood descend into full villainy, shooting whoever he pleases now that he’s shot Oscar, but I didn’t actually expect them to do it. Because he never should have shot Oscar in the first place! I wanted the story to let Oscar grapple with it a bit and then quietly backtrack, acknowledging it as the mistake it was. The concept that Ironwood, empathetic Ironwood, rational Ironwood, always thinks before he acts Ironwood, let’s kids yell at him Ironwood, tried to team up with Robyn Ironwood, did everything Ruby wanted Ironwood, won’t kill Watts after he destroyed his arm Ironwood would shoot this guy just to shut him up is absurd. It was absurd then, it’s absurd now.

That being said, there’s a possibility he didn’t actually shoot the council member, but rather just (“just”) gave a warning shot down the hallway. I say this because the reactions to this are pretty tame. Everyone looks startled, yeah, but after the initial shot there’s nothing that I would expect if there was now a guy bleeding out on the floor. The council woman doesn’t scream. Winter doesn’t seem overly shocked. No one is running to try and help him. Basically, if Ironwood had just killed a political figure in front of six witnesses, entirely unprovoked, I would expect a bit more of a reaction than this. This feels far more like a, “Damn he’s not joking around, letting off warning shots to get people to leave him alone” not “WOW, our general just killed someone in cold blood!”

What I really hate though—beyond just assassinating his character—is how many fans think my friends and I are delusional for calling it character assassination at all. I hopped onto the RWBY tag for five minutes this morning and was bombarded with posts about how Ironwood needs to be murdered horrifically, anyone who likes him is sick, the Ironwood stans are as bad as Adam stans, you’re an idiot if you want him redeemed… because apparently the concept of a story writing a character badly doesn’t compute. I’m not here to argue that Ironwood didn’t do these awful things (regardless of whether he actually killed the guy or not). I’m not here to argue that they’re not awful. I’m just here to say that we never should have gotten these scenes in the first place, or if we were going to get them, we deserved an actual descent into murder at the drop of a hat territory. I’ve already explained extensively on this blog how early Ironwood was not accurate foreshadowing for this, and Volume 7 certainly wasn’t setup, but it looks like the majority of fans aren’t interested in examining whether any of this adds up. Which makes my job, as someone trying to examine this series somewhat objectively—in as much as that’s possible for any single viewer—as well as simply enjoy it as a show, really hard. It’s bad enough when a story keeps taking the characters you love and villainizing them, and doing that badly, but then when you turn to the community and see them rallying around the idea that you’re awful for being dissatisfied—you’re the bootlicker, you’re the blind stan, you can’t see what’s ‘really’ going on here… that sucks. For those of you happy and satisfied with Ironwood’s arc, that’s great! I’ve also seen a lot of posts hyping up the complexity of his character now. There’s nothing wrong with enjoying what we’ve been given and I’d never want to imply that just because it’s not what I wanted it’s somehow wrong. I’m honestly thrilled that after a year of worry so many people have adored our premiere, including this scene. I just wish that I could say RWBY had given me something I didn’t want in a persuasive manner and that the fandom as a whole was a bit more welcoming of differing criticisms.

Not that I didn’t already know the RWBY fandom had its flaws, but still lol.

That’s basically it for our premiere. Nice note to end on, huh? Our final scene is of Salem using the lamp to set her bloodhound grimm on the city. Why doesn’t she just go herself? What was she planning to do here in Atlas in the first place, considering that getting the relic was a surprise? Who knows. Little about this holds together. But we do end with another awesome shot, so small favors.

It’s always strange concluding a recap, but even more-so when it’s a premiere, during a historical moment in the U.S., amidst all the nonsense that is 2020. So for now I’ll just conclude with three quick things:

The updated bingo board will be listed at the end of each recap, provided I don’t forget about it lol. Today I’m checking off tone (not nearly enough freaking out about Salem), the team keeping secrets (Oscar), and major plot point dropped (Amity is suddenly finished). I could also probably check off the cold not killing civilians and getting Amity up and running, but we’ll see if any changes with those.

I’m including my Ko-Fi link at the end of recaps now. Not with any expectations. Not with anything resembling pressure. I thought long and hard over whether to include it at all—let alone mention it here—because I love doing these and never want anyone to feel like it comes with strings attached. But life is a little harder and weirder than it was last year, so I figure it can’t hurt. Feel free to pass on by and I won’t be bringing it up past this note.

Far more importantly: thank you for reading! :D

(Bonus 4. Editing this was an absolute nightmare — damn you, tumblr!  — so I apologize if anything is super wonky when I finally post.)

See you next week! 💜

[Ko-Fi]

[longinglook]

I may or may not have spent my entire Sunday binge watching all of I told sunset about you and Gaya sa pelikula and now I have so many thoughts and feelings that I need to write about them so here we go! Under a read more (if tumblr allows me to) because it’s 2k words hehe

First of all, I knew next to nothing about both shows before starting them. I had seen a couple of gifs here and there, but really had no idea what I was in for.

I started with I told sunset about you, which has 3 episodes out of 5 out. All I knew is that it was going to be beautiful and possibly sad, and it was. Everything about this show is so high quality, from the audio to the dialogue to the locations to the acting, just wow. The production is better than a lot of movies I’ve seen, and every technical aspect is perfect. I am really loving the plot so far as well, I find the childhood friendship to stubborn rivalry to grown up friendship again very relatable. I think it’s a very common experience for a lot of non straight folks to develop an extremely close bond with a same sex friend when you’re too young to realize what you’re actually feeling for them until you’re a lot older and suddely the jealousy and possessivenes all make sense.

I love the recurring themes sprinkled throughout the episodes, starting from the chinese vocabulary that expresses the core thoughts of the two main characters: rival, intimacy, secret, male protagonist, as promised. They could easily be the episode titles, or the names of imaginary sections the show could be divided into. It’s a great way to integrate metaphors and deeper meaning into the plot.

That’s how most of the communication goes in this show, deep emotions are never conveyed through words because words are scary and loud and they can’t be taken back once they’re out there. The plot advances though stares and gestures and touch and gorgeous shots of the landscape. The pace is slow with hour-long episodes that could each be a movie of their own. This worried me a bit before starting, and I have to admit that at times I struggled to stay focused, especially during scenes that set the mood but don’t do much plot-wise. This is just a personal preference, though, and in no way I see it as a flaw. 

The dancing around each other the main characters do, sometimes literal, is frustrating but it determines an emotional build up that’s just starting to reach its peak. This is one of those shows that has me screaming if only they talked to each other, but the silences and unspoken words are so well directed and acted that it works. I struggle a lot with keeping in mind that they’re still in high school, they’re very young and I can’t expect them to act rationally just yet. 

I was really worried about Teh possibly going the insufferable Theory-of-love-khai way, and I am still not 100% sold on him. When he started helping Oh-aew again it felt like he was just doing it to make himself feel better about the whole thing. It was frustrating to see him so possessive and jealous while also so deeply in denial about his own feelings, to the point where he had me rooting for Bas instead. He was getting better, but then he fled at the end of episode 3 and now I have no clue what’s going to happen next. About this, I really have no idea if they’re going for a happy ending or a sad one. I’m really hoping it will be good, because so far there has been barely any emotional payoff for all the repressed longing and misunderstanding the show has put us through.

I do like their dynamic a lot though, I have a weak spot for childhood friends reconnecting and an ever weaker spot for informal mentor/mentee relationships. Oh-aew asking Teh to tutor him until he passes the admission exam was an almost exact mirror of Yuri on ice Yuri begging Victor to be his coach until he retires and I loved that a lot.

Now on to the one issue I have with this show: it feels too much like an art film. It reminds me of Moonlight and Call me by your name, in the way that I wasn’t able to connect with those movies because they are too perfect. They are so beautiful and carefully crafted that I can’t fully immerse myself in them. There’s a filter that stops me from relating to the characters and constantly reminds me that this is not reality. It’s pretty, it’s extremely well done, but it feels like art. It has some quirks, some scenes that feel too artificial. One scene in particular, the one where Teh buries his head in the paper Oh-aew wrote with his coconut scented pen to sniff it, which is a direct parallel to Call me by your name, bothered me in particular. Just as it felt over-the-top and purposefully weird in the movie, so it feels in the show. It’s a way of showcasing how a confused teen deals with attraction he barely understands, it’s raw and animalistic in a way, but it’s so quirky that all it accomplishes is to remind me that I’m watching an lgbt show. It makes me wonder if a scene like this would make sense in a straight relationship because here it seems to highlight how different and primal his attraction is. If I had to pinpoint it, I’d say that I have a problem with media showcasing queerness though peculiar, purposefully awkward scenes like these instead of normal kissing and cuddling.

Overall, I can’t wait to see how this show ends and I still think it’s one of the best bls to air in 2020, if not ever. It’s refreshing to see something with a big budget used well! So far my rating is 8/10, which I know is a lot lower than what everyone else seems to think but it’s still very much subject to change! Just hoping they won’t pull a Make our days count, but I doubt they’ll go there.

And now Gaya sa pelikula. Wow. Again, I knew next to nothing about this show before watching, and I was coming from a 3 hour I told sunset about you binge watch, so the bar was pretty high.

And boy, did this show deliver. I was blown away by the depth and the humor of it. It feels like the writers had fun taking all sorts of common tropes and stereotypes just to show everyone how well they can be evolved and made complex. Two strangers who somehow find themselves sharing an apartment sounds like the start of so many fanfictions out there, but it’s so well executed and interesting that you don’t even stop to think about how weak the premises for their meeting are. It doesn’t matter and it’s not even that far-fetched, either. The sister and the neighbor are also two characters that start off as extra stereotyped, but in just a few scenes they unveil an incredible depth and backstory. It blew me away.

Each character is so realistic. Everything they do and say makes sense, they all have their reasons and their past and they react accordingly, it’s so coherent. It’s impressive how everything takes place inside the house and you barely realize it because things happen and the plot moves anyways, and the way information about external events and people is conveyed is so seamless that you don’t even notice it. In only 7 episodes (so far) they have managed to give everyone a complex background and personality through the use of objects and small details and wow don’t get me started on the music.

The soundtrack is SO GOOD. I never really pay attention to music in shows but it plays a very important role here in my opinion and, well, it’s exactly the kind of music I like listening to and ahhh I just spent 4 hours playing the first kiss song on loop so I might be biased. Right from the start in episode 1, when Karl gives in to Vlad’s music and starts dancing to it, it’s established that it’s an important element to the mood of each scene. I love how the dancing I talked about for I told sunset about you comes back here, but while I saw it as a hesitant dancing around each other there, here it’s the opposite, it’s freeing and it’s about accepting yourself. And the end of episode 6 highlights this, with the beautiful quote “You are entitled to a love that lets you dance without fear and shame.” It made me cry a looooot.

I think the development of their relationship is masterfully done. It doesn’t happen too quickly nor too slowly. Karl goes through some needed shocks that act as his wake up call. When I’m watching bl shows I care the most about them feeling real and relatable. I don’t want to feel like they were written by a straight person trying to guess what it’s like to be gay. Now I didn’t look anything up about the Gaya sa pelikula writers, but I’d be very surprised if they were straight. I can relate to both Karl and Vlad for different aspects of their stories and their worries and thoughts. There was one part in particular that hit so close that I had to take a few breaks because it hurt too much. I am a lesbian, I’ve had relationship with a girl that lasted over a year, I am out to some friends but not all. I never came out to my parents, who are both very open minded and friends with a lot of gay people and would love me just as much if I told them, and yet I can’t. It’s not just that, I am terrified by the idea of them already knowing or being able to guess. When Karl freaked out over his uncle guessing, it hit me so hard because I’ve felt the same way so many times.

Episode 7 was amazing. I hate badly written drama the most, and 99% of shows can’t come up with any good reason for drama but they have to put it in there anyways and it sucks. This was the complete opposite, I adored it and I say this as a lover of fluff. It feels right, I think it’s an issue that would come up between two people like them. They are both right and the only thing that could happen there is what actually went down. I definitely think things will be fixed by the end and I am looking forward to it, but I am very glad this issue was included because it’s so important and so true to many lgbt people’s lives.

Another aspect I absolutely adored are the multiple references to lgbt theory and language, and Vlad has some of the best lines I’ve ever heard coming from a bl. When he tells Karl not to be afraid of the word, when he explains that “you don’t look gay” isn’t a compliment, when he scolds his sister for not acknowledging the things she used to say to him by covering them up with her ally act, those are all such important and educative moments that I hope everyone listens to. I love that Vlad is not correcting some ignorant bad guy, but it’s his accepting and loving friends and family that make the mistakes, because sometimes being supportive your own way isn’t enough if you’re not actively learning from the ones you want to support.

This is a 10/10 for me right now. I can’t find anything I don’t like about it. It never feels boring, it never feels overdone, it never feels cheap or unoriginal. It went straight to the top of my favorite bls.

And now I can’t help but compare the two a bit, because yes they are two different shows but right now the relationships they portray have reached the same point: there has been a climax and now the one who is more confused about his sexuality is panicking and taking a step back. It’s a coincidence that I watched both shows on the same day when their last aired episodes end in such a similar way, but it really leads me to compare the two. I don’t want to put them one against each other or say which one did it better because that’s not the point of this, they are both two amazing and important shows who are excelling in what they’re doing. 

Gaya sa pelikula is down to earth, it’s explicit and it’s straight to the point in explaining what’s going on inside each character’s head. It feels like watching real people deal with real struggles. I told sunset about you is a lot more subtle and quiet, and since we don’t really have a clear insight in the characters’ heads sometimes it’s hard to completely understand what’s going on with them. It’s a completely different way of narrating, and while Gaya sa pelikula makes me feel like I’m a part of the events, I told sunset about you feels like I’m just spectating from an outside perspective. They are different choices, but one of them ends up feeling a lot more emotional to me than the other.

To wrap it up, I highly recommend both shows and I can’t wait to see how they’ll end! They are both among the best shows of the year, both free of all those annoyingly stereotyped characters and plot points that most bls tend to overuse.

[who-is-page]

Hi there! Some of the information on this website is incorrect. I'll go by each category as you have listed out on the hamburger menu and write out the corrections I noted and sources. I don't cover everything that's inaccurate-- just the things I can easily find sources for and quickly explain.

Although, I would like to preface this with perhaps the most important thing that I don't want to be lost in the long post below: the Therian Guide is not a safe place to be recommending to folks. (Source)

Alterhumanity Types...

Therianthropy

Therianthropy is not a belief system; it's an identity label. Additionally, psychological therians can and do exist in the community and have for decades (A Comprehensive Introduction to a Psychological View of Therianthropy, Liesk, 2007). Therians also don't need to be specifically earthen animals, this is a myth that's been disproved multiple times over (Therian: Dispelling the Earthen Animal Myth, Daski, 2022).

Were

It's somewhat misleading to say that were is a term used by individuals in the community who have been around for a long time; the term is largely unused because it was functionally replaced by therianthrope in the following years-- it's not even significantly older than the term therianthrope, which was coined in just one year after in 1994 (Tracing the Origins of the Term Therianthropy, Swiftpaw, 2004).

Otherkin

Otherkinship, like therianthropy, is not a belief system, but an identity label. Otherkin are not required to adhere to any specific type of spiritual belief to be otherkin, and psychological-identifying otherkin exist (A Simple Introduction to Otherkin and Therianthropes, Orion Scribner, 2024).

The draconic community has roots that derive directly not from the otherkin community precisely, but instead from the alt.fan.dragons group, which is why some draconic individuals and spaces may consider themselves to be separate from the otherkin community (A History of the Draconic Community 1993 - 2000, House of Chimeras, 2014).

Fictionkin and factualkin (factkin for short) are not synonymous. Fictionkin identify as characters, species, or other entities from fiction, and largely trace their history back to the Temple of the Ota'kin webpage from Otherkin.net in 2001 (A Timeline of the Fictionkin Community, House of Chimeras, 2021). The term factkin, comparatively, refers to people who identify as a human being who exists or has existed. The term factkin seems to have been popularized on Tumblr (Factkin FAQ, ama-factkin, 2021).

The term Starseed does not originate from the otherkin community, nor does it represent alienkin; it was coined in 1976 by Brad Steiger in Gods of Aquarius and starseeds are thus a wholly separate group.

Phytanthropes do not just feel a connection to plants, they specifically identify as plants; it's worthwhile to note that the term was also coined in the Werelist, and was designed to parallel the term therianthropy (A Timeline of Plant-Identified People in the Otherkin Communities, House of Chimeras, 2021).

God shards themselves aren't necessarily inherently a subset of the otherkin community, but instead the idea of being a god shard is a phenomena which some deitykin may use to explain their identity (Shards, Shezep, 2015).

Kith

Kith as a term is mostly defunct; the most popular term to refer to the phenomena identifying with or having a significant connection to something is otherhearted, which was coined in 2009 on The Daemon Forum (The History of the Term Animal-Hearted, House of Chimeras, 2014). The term other-hearted is not a subset of the term kith. Other-hearted individuals may have any number of reasons for their connection, including spiritual ones relating to souls and past lives; not all other-hearted individuals have non-spiritual explanations, although some may (General 'Heartedness Survey Results, Corv, 2023).

Copinglink

As the person who coined this term in 2015, I don't feel like I need to pull citations for this one.

Copinglink is not synonymous with 'copingkin.' Copinglinks do not require someone to have experienced trauma, and, despite the name, copinglinks do not need to even be formed specifically for the purpose of coping. Copinglinks have also never referred to specifically voluntary identities which center extinct or extant non-fiction animals.

Shifting Terms...

Sensory/Perception Shifts

A sensory or perception shift isn't characterized by a change in someone's thought process, and is instead a form of shifting where one or more of the shifter’s senses seem to become more like their theriotype’s, kintype’s, or of another nonhuman creature’s (Otherkin Lexicon pg. 26, Orion Scribner, 2013).

Miscellaneous Terms...

Alterhuman Forums

As mentioned previously, Therian Guide is not a safe forum to recommend to individuals due to its pro-animal abuse leadership (Therian Guide Beware, Page Shepard, 2022). The Therian Guide forum has historically frowned upon the larger alterhuman community and being associated with it.

The Torque Take On Alterhumanity

AlterHumanity, especially Therianthropy and OtherKinnity, are like great, fluid beasts, every-changing. But from a decade ago, and now, one could argue that somewhere, they have changed completely, into something new.

The Torque Take is an attempt to revive the old ways and meanings and traditions of AlterHumanity, long before the creation of this NeoAlterHumanity.

And what better place to start, than with the definitions themselves?

Introducing the Torque Take, a blend of old culture, somewhat retrofitted for the modern era. Welcome, to my AlterHuman Bible.

[annakie]

Are we out of the woods yet?

Hey all, haven't been on tumblr in a few days!

I have been living through what so many other Texans have been living through, so I thought I’d write a bunch of words about it, for posterity.  My story isn’t nearly as bad as so many others, but hey, it was still a fairly major historical event so... writing it for my own memories. :)

Post title because that particular Taylor Swift song was stuck in my head for most of the last few days, for obvious reasons.

So the last week has been an adventure! Last Friday I got my first Moderna Vaccine, and I posted about it a few times, but by Monday was feeling pretty good. Of course, it snowed overnight. I'd been so out of it all weekend I didn't realize quite how bad it was going to be, but when a friend who lives nearby told me his power was out I kinda went "uh oh", baked myself a box mix of orange cranberry bread, fortified some windows with blankets, and crossed my fingers. Also starting that morning I'd reduced the temperature in the house, and shut off and unplugged everything non-essential.

I was feeling pretty happy when the power stayed on all day. My friend's power came back that evening so I thought I was out of the woods.

And then at 10pm... plunged into darkness.

I threw some more blankets into areas where the cats hang out and my bed, let some friends know, and tried to go to bed, hoping for the best in the morning. Couldn't fall asleep for hours, worrying, as the temperature was plunging to the negatives for the first time in living memory in Texas. Finally fell into a restless sleep, and woke up a few hours later, no power.

The worst thing about no power is like, all the things you can't do. My phone started at 100% charge and I'd charged all my devices including my backup battery, but still tried to conserve power. The scary thing was hearing that this could last for days. And boy the news that day was bleak about the possibility of having power again anytime soon. The house, however, stayed at about 51 degrees the entire day. So, it was cold, but very bearable with a few layers and blankets. Whichever cats I was near were very cuddly though.

I was really glad to have the cranberry orange bread because it was tasty and easy to eat. Also had a sizeable amount of beef jerkey, and chips, and I'd bought about 48 bottles of water at the start of the pandemic that I never drank, so I had no worries about what to eat for the time, luckily. I figured, worst case, I'd figure out a way to do soup over a candle to have a hot meal eventually.

I’d been dripping the bathtub and checking the other faucets regularly.  I’ve never had a burst pipe in the normal cold we have, and was hoping for the best this time as well.  All seemed well the entire day.

I slept a lot when I wasn't scrolling twitter and nextdoor for information. And early afternoon there was a knock on the door. My mom literally called the cops to do a wellness check on me because I hadn't answered texts in a few hours, lol. I thanked him, and called my mom. Internet had been spotty and her calls weren't going through, nor notifications when I got texts. So that was... notable.

I tried doing some reading, and playing on my Switch but to be honest, I was so anxious about everything that I couldn’t relax and keep my mind on anything but the lack of power and when it’d come back.  I did take about four naps though. Considered bringing some of the cats into the car with me to warm up but realized I’d have to lift the garage door manually to run the car without, you know, dying, and instead just turned it on for less than a minute twice that day to keep the battery fresh...er... without carbon monoxide poisoning.  (My garage door is solid wood.  Even with good springs... it’s heavy.)

By the time it started to get dark, I started to worry about how much longer this would go on. I have a friend who has a 4-wheel drive... idk a land rover or something. He lives about 30 minutes away normally. It'd probably take well over an hour for him to get there now, especially since there was another storm coming that night. Since learning my power was out, he'd been asking if he could come get me, and they had steady rolling blackouts in their neighborhood, several other people I knew nearby were also saying their blackouts were rolling along.

I resisted, because I really didn't want to move the cats but I would never ever abandon my pets. But also it would be very difficult to move them. Patchy doesn't get along with any of them -- she stays in the master bedroom 100% of the time. There was a short period of time last year she would explore the house, but she got along with everyone else, especially Fry, so poorly that she decided she did not want to explore the house anymore. Fry sometimes wanders into the master bedroom and if they're both on the floor there's lots of hissing and yelling, and maybe swatting. She also has nothing but hissing for Pemily and Leela if she sees them. The master is her domain, the rest of the cats can have everything else.

Everyone else can be mean to Leela, though she gets along OK with Pemily most of the time. 

But Fry is just... hoo boy he is nothing but a problem child I don’t want to subject on others.  He’s a bully and an asshole and yells loudly when anything doesn’t go his way.  He would really, really not take a new environment well.  He hates the outside, and runs away when I even open a door.  And getting him to the vet involves kitty sleeping pills, though he also still fights through it enough to freak out the entire time he’s in a carrier badly, yeowling the entire time and literally rips all his nails off trying to get out, still trying to dig his way out with bloody paws.  It’s a nightmare.  So the thought of getting all four of them into carriers at the same time, then putting them all in a car for well over an hour (and the entire trip would be nothing but all four of them crying the entire time with Fry being the worst), then bringing them into someone else’s house, and needing two separate rooms because I can’t put Patchy in the same room as the other three... and trying to keep them all calm in a whole new situation when none of them were used to any other environment than my house (aside from yearly trips to the vet) man... moving them was a last resort.

But around 10pm when I had been sitting in the dark for 24 hours, I texted him and said in the morning, if the power wasn't on, we'd talk about him coming to get me and the cats in the morning.

I fortified Leela’s bed with a blanket fort.  (Pic above was from later, when I got power, and was way more open than I kept it when it was cold.) I couldn’t get her to move anywhere else... it actually worked pretty well. 

I fortified the master bedroom with blankets over the sliding glass door on Monday and then put Patchy’s cat bed on the bed and fortified IT with more blankets.  After she was settled in I managed to get her covered up.  Then I went into the living room, which is the smallest room in the house and a room most would use as a bedroom, and snuggled into the couch with Fry and Pemily, the door cracked for ventilation, and four candles burning. 

Fell asleep around 10:30.

Around midnight I was woken up by a terrifying sound... running water.  Honestly thought I was dreaming for a moment, had to work to pull myself out of my dream, and my heart froze in terror that I may have a burst pipe.  And then I heard a very, very good sound... the furnace turning on. 

POWER!  26 hours later.. POWER.  The running water sound was the cats’ water fountain.

Got out of bed, nuked myself a small frozen pizza, checked around the house for everything and everyone being OK, plugged in all my portable devices to recharge, and went back to sleep.  Woke up around 4 and still had power.  I thought... I really wanted a hot meal and should cook something that wouldn’t be bad as cold leftovers for lunch, as I’d finished the cranberry orange bread when I woke up at midnight.  I didn’t want to use too much power so uh... I made Fettuccine Alfredo, and ate half of it... at 4am.  What?  It was good.

Also... I hadn’t seen the stray cat I’d been taking care of since Sunday night.  He hadn’t even visited because there were no tracks in the snow.  Checked the backyard randomly and he was there!!!  So he got food and water.  I was very happy.

THERE’S THE BOY!  I call him Patchy’s Boyfriend.  Taken through the blinds as to not scare him.

Animal tracks in the snow!!  I was glad some birbs got some water, too!

Went back to bed in my own bed.  Woke up a little later than normal for work with the power still on.  Texted my folks to tell them the good news.  Got up and went into the kitchen, started contemplating coffee and pancakes for a hot meal.  Opened the fridge for the first time and checked the milk.  Sadly, it didn’t survive, and realized I was a dumbass for not just.. putting the groceries... in the garage... where it was cold...

And just as I sighed and started to decide if I wanted coffee without milk... the power went back off.  Aw, damn.

My spirits were lifted, though, at having power and a warm house overnight.  I checked in with work and let them know I’d be out again unless the power came back, told my friends and said NOT to come get me, decided NOT to tell my mom the power was off again, because all that would do is make them worry about me all day again, checked on the cats and tucked them in, and went back to bed.  Got some more sleep.

Relaxed more that day, with the house taking longer to cool down.  Actually played some Switch, read the first couple of books in the Mass Effect Comic Collection.  Had cold Alfredo and an apple with peanut butter for lunch.  Scrolled twitter a lot more, not afraid to have to go to my backup battery if needed.

Right around the time I’d usually be knocking off for work... the power came on again.

And it didn’t shut off.  Yay.

In total I was without power somewhere around 34 hours.  It sucked.. but also... I didn’t have my pipes burst... they didn’t even freeze.  The house never dipped below 50, thanks insulation!  My water was always running, though for a few hours it was very low pressure, and always clean.  My city government and congressman were both very involved and communicative, doing their best to help people and get the word out.  City had two warming centers should I have needed them, one of which was pet friendly.  I had plenty of food and water, enough for a week or more easily.  I had friends willing to put themselves at risk and through inconvenience to make sure I was taken care of.

A lot of people had it much, much worse.  So yeah.  I don’t ever wanna do that again, but for me, it wasn’t all that bad.

Shoutouts to:

My nearby friend Eric, who would have let me stay at his place if needed.

My far-away friend Marcus for offering to come and get me, and suffer the inconvenience of my cats.  Other friends would have if I’d asked, too.

My queen sized purple fleece blanket for being so warm and comforting.

My warm fuzzy bathrobe, messy bun beanie, and fuzzy slippers for making sure I was never all that cold.

My cats for weathering things well.  They also learned that maybe they DO like being under covers now.

My LED Headlamp for providing hands-free light for hours and hours.

My mom for a bag of candles she gave me YEARS ago I always would see and want to throw out, but didn’t let myself just in case I needed them someday.  I burned many of them and they kept me warm that second night.

Also my mom for... calling... the police... on me?  I know she loves me.  Also that cop for having a sense of humor about it and telling me to call my mom more often lol.  ACAB and all, but I shoulda checked my texts.

My Switch and Mass Effect Comic Collection for being huge piles of entertainment when I could finally relax and read them.

My coworker Monica for suggesting I make something I could snack on easily in case we lost power.  That cranberry orange bread was perfect.

Me for never throwing away a blanket.  I should probably donate some, though.  Between the cats and covering windows and me, though.. I used... a lot of blankets.

4am Fettuccine Alfredo.

My municipal utilities for already saying our bills wouldn’t be drastically higher from this month.  Although, I take it back for being real bad at the “rolling” part of the “rolling” blackouts.

Also, one more thing... FUCK YOU TED CRUZ, YOU DESERTING PIECE OF SHIT.  BETO O’ROURKE DOES YOUR JOB BETTER THAN YOU WITHOUT THE TITLE, POWER, OR PAYCHECK.

[whoson1st]

Are you in the official King Falls server at all? Just trying to get an idea of what's going on and who knows what's going on

Hoooooo BOISE.

So, long story short, yes. Yes I’m in the discord, yes I know what’s going on, and it’s all really, really stupid. I think that there were mistakes made on a lot of fronts, but I also think that the end result is, in a lot of ways, a long time coming.

I haven’t been responding to things I’ve seen on social media for the most part, and wasn’t REALLY keen to respond to this, but there’s also a lot of misinformation happening due to hurt feelings. There’s plenty of abridged accounts of what’s going on, and I’m pretty sure you know that. I’m taking this question on good faith that it’s genuinely asking and not setting me up to get torn down but...honestly, either way, I don’t care. I’m not on tumblr much these days anyway so it doesn’t really matter, and internet drama is just….it’s always dumb. But there’s a lot of “evidence” being put forth that is out of context or in bad faith, and the people who are being the loudest are a whole lot of the problem, so I’ll put in my account and opinions.

Anyway, I’m putting everything under a cut because it’s...a lot.

So first off, full disclosure, I used to be a mod on the discord. I left the team at the beginning of the year of my own volition because I’m an adult with a job and a life and things to take care of that aren’t that and needed a break. I’m still friends with all the current mods, and talk to them regularly, as well as being on good terms with the cast and creators. Just in case you’re dead set on hating any of them, you should know that. I try to keep a pretty good perspective, and I’m a little more removed than I was a few months ago, but I won’t say I’m totally free of bias either. If that’s what you’re into, just go ahead and skip this.

This all started with a piece of fan art, which honestly should be a clue as to how petty this all is. The fanart included The Dirt in a BDSM outfit as part of a larger work, and it was posted in the fanart section of the discord. It was bordering on NSFW, and the artist maybe should have asked the mods and/or put it behind a spoiler tag--which is probably as far as the mods would have gone had they been consulted, because it was 1) part of a larger thing and 2) canon compliant (it’s Jacob Williams, what do you want?). Neither of those things happened, people complained, the art was taken down. Then Kyle Brown, one of the writers, retweeted the copy that had been uploaded to twitter on his personal account--his account, not KFAM official--and someone complained that it made them uncomfortable and was not safe for work. Another cast member, Trent Shumway, replied that twitter isn’t a safe for work site, which it’s not. Which then led to both Kyle and Trent being socially crucified for not taking more care in what their followers see on their personal accounts on an open social media platform that is not dedicated to any single person or work.

It was already stupid. Really, really stupid. Especially since this is not a SFW podcast. It never has been. Everyone remember the third episode with Archie’s pomchies? And I know that certain aspects of that make people uncomfortable but if you are choosing to listen to the show regardless of that, it’s on you. An artist isn’t going to repaint something because you’re not a fan of green. And the SFW rule on the server has always been “within the guidelines of the show”.

So then, someone made this post that has since been deleted but I’m including mostly because if other people want to go ahead and pull receipts, I’m also going to.

Before I go ANY further with this, I want to say this: this person has been a problem for a LONG TIME. Months, at least, since before I left the mod team, and is honestly part of the reason being a mod became so difficult for me. They have displayed a pattern of abuse of the mods, the creators, and other members of the community on both twitter and tumblr, and have made people on the discord server uncomfortable enough that they either don’t participate or have left completely. This one person. And they have a bully squad behind them. And it sucks. But in the end, it was always decided that we couldn’t police what people did on their individual accounts or single someone out who hadn’t technically broken guidelines in the server, despite numerous complaints, because the mods and creators want to make everyone feel that they’re included. This decision was made...numerous times. After multiple incidents. For months.

I had my own issues with this decision, but that’s neither here nor there, and doesn’t really matter anymore. Because that post was the straw that broke the camel’s back.

Kyle, misunderstanding the term, took it as a threat. Not hard to do, given the already heightened emotions, the tags, and this person’s history. So the person was immediately banned. The fact is, even without misunderstanding, that’s a really shitty post. That’s hating one a writer and a cast member and still wanting to pretend they have nothing to do with the THING THEY CREATE because this person doesn’t like what they said on twitter.

Following that, one of their friends--who had also been a longstanding problem--attempted to start a knockdown dragout in the general chat with one of the mods over this, and was upset when the mod in question first said they’d be happy to talk on DM but not on the server, and then ignored them when they repeatedly tried to carry on the argument.

Then they lit a candle in the channel the banned person had pitched a fit in order to form, as if the person was dead and not just a jerk. And then they made this post:

They also got banned, because OBVIOUSLY. Again, misunderstanding or not, that’s a horrible way to deal with it. You can’t possibly expect to call someone an illiterate fuckwad and still want to be included in spaces they created, much less EXPECT to be. 

And then several other people who were attempting the same nonsense publicly. And then invites were taken away when the mods got word that there was a possible plan in the works to spam the server. And there’s a weird campaign to EXPOSE THE CREATORS FOR THE ASSHOLES THEY ARE.

And that’s...about where things are at now. A lot of people are upset and hurt across the board. And it sucks.

Here’s the thing. Mistakes were made. Kyle misunderstood Death of the Author, and has a tendency toward knee-jerk, unedited reactions. The mods should have been more on top of the problem and not let it fester. There were ways that this could have been mitigated and done better. There always are.

But this was always going to happen in some fashion.

Podcasts and podcast communities are not new anymore, folks. But it still seems like people have a hard time grasping their actual level of involvement in the creation because of how active some creators are. You’re free to say whatever you want, but you are not free from consequence. And you’re not exempt from being wrong. This isn’t just a matter of the creators of KFAM--or any work, to be honest--not being able to take criticism, this is a matter of people thinking that their criticism is 100% correct 100% of the time, and the entitled attitude that comes with that. KFAM isn’t perfect, I have my own criticisms of it, because I have criticisms about basically everything under the sun, so it’s not just blind following. But it is trust in the creators and the people around them to find the best way to tell their story, to the see their problems and strive for better. And we’ve literally seen that happen in KFAM, in changes made to Walt, in Emily’s storyline, in Lily’s...everything. In the addition of “guys, gals, and non-binary pals”. They’re trying. They’re not perfect, but they’re not deaf. They’re also not obligated or beholden to everything their audience says regarding their story.

The whole argument that they can’t take criticism is undercut when it’s being made by people who think that everything they say should be taken as gospel, and treat every instance where someone disagrees with them as a personal attack. The scope of hypocrisy here is just...breathtaking.

Also, when not withstanding some nonsense attacks, they’re all genuinely kind and friendly. I already admitted some bias here, but seriously, they go out of their way to check on people and respond to people and lift people up. It’s total horse dookie to act like they don’t care about their fans.

And as for the discord--god, just get a life. The mods there work SO HARD to make everyone feel included, to encourage participation, the create a positive environment for people to talk about the things they love and make friends. They have meetings and spreadsheets and calendars and work together as a team and with Kyle to keep the place working smoothly even though there’s FIVE of them running a HUGE server. The person who was initially banned was forever complaining about the discord and how the mods ran it, even while some suggestions they had were implemented. But that discord has like 1500 people in it, gang, it’s not about what one person wants all the time. And that person has their own server anyway so just go be unhappy there and leave everyone else alone. It’s what you were doing anyway.

TL;DR: There was a lot of manufactured outrage over something incredibly dumb, and some misunderstandings, and resulted in actions that had been looming for a long time and just finally popped off. Kyle and the mods aren’t perfect, but they aren’t the villains. The people who were banned have a history of negativity and bullying that led to the decision to remove them.

If anyone takes anything from this, please let it be that it’s a GODDAMN PODCAST. If it makes you angry, if you don’t like it, go watch a movie. Eat a snack. Knit a sweater. Take a nap. Listen to a new music album. Literally anything. There’s so many things to do in this life that aren’t LOOKING for things to be upset about.

Remember the golden rule, and don’t be a dick.

[beesatthedisco]

How does this even work...

Okay, so I’ve been on tumblr since before the first time they very slightly changed the shade of blue and I hope that in and of itself is enough to help y’all know... I’m ancient. (I’m 27, and will only rp with ppl 18+, sorry friendos)

Somehow, despite being on tumblr and despite having made about a million accounts for various things in my day, I’ve not made an RP account, and don’t really know how to get started. I guess I’m just gonna put down what I know about myself and what I’m looking for here and hope for the best, but I’d be open to any kind of protips from those of you who have been using tumblr to find rp for much longer.

RIP to your eyes ahead of time, this is a long post. If you want to skip to the part where I share my Original plots, pairings, and fandom cravings, please just scroll to the end and accept my humble apologies. (Highkey I copied this out of my google doc, don’t shoot me.)

I enjoy writing both original plots and fandom stuff. When RPing within a fandom setting, I'm open to playing as canons, as ocs, or any combination of both. I'm open to co-creating settings inspired but not based in fandoms, and open to playing AU or canon settings as well. When originals are involved, I prefer co-creating our worlds together, so we're both invested in the landscape that our characters inhabit. Speaking of characters- I'll play as any gender and in any pairing type- I hope that this is the same for you. I love writing a broad spectrum of characters to keep things interesting for myself and to practice viewing the world through different perspectives. I feel it's difficult to do this when being forced or pigeonholed into writing as a gender you DEMAND of me. However... I can be flexible, and if your ideas are interesting enough, I may just give you what you ask for anyways, haha. I'm perfectly open to playing multiple characters, whether it's a broad interactive cast of mains and background characters, a system of noninteracting or separate sets of doubles, triples, you name it, or whatever other configuration of multiple-character-playing you prefer.

I'm not too terribly concerned about post lengths and am open to writing with people who might be new to the RP scene. I'm pretty flexible about how much I'll write. A good rule of thumb for myself is that I tend to respond with more when I have more to work with. That doesn't always mean that there are more words on your post for me to respond to; instead, I mean that if your post has enough ideas, inspiration, and momentum, I can go buckwild with my posts. My comfort zone seems to be around 4-6 paragraphs per post, but I've been known to write either a lot more in particularly thrilling rps. If I'm writing a huge post- don't feel daunted or expected to match length. I love all sized posts!!! I'm just overly enthusiastic and get carried away sometimes. (This means you can also at any time tell me to chill out on how much I'm writing. ) When it comes to writing style, I only have a few hard expectations of you- I do not engage in roleplay featuring the 'would' style of writing. (For example: "She would pick up the rock and inspect it closely.") I don't exactly know why I dislike this tense so much, but it pulls me right out of the immersion of writing/reading and tends to entirely destroy my interest in the story. I'm sorry. Next, I care at least a little about punctuation and spellchecking. If you're roleplaying online, you have access to ways to make sure that you're not just submitting gibberish. If you need help finding those resources... feel free to ask!

I'm open to the idea of making profiles for our characters, but I'm okay without making them too. I'm also vaguely ambivalent to 'beautifying' our posts, should we do them somewhere that allows that sort of thing. I'm fine with any style of reference images, or with not using them at all. I can't promise I won't send you songs and images and memes that remind me of our story, though! Also- I'm super down for dice systems if we decide to go that route (and prefer dice systems if we include combat of any variety in our story.) I love romance, but it doesn't necessarily have to be the drive of our plot if that's not your style. My favorite genres to write in are science fiction, any variety of fantasy, horror, drama, historical settings, wild western settings, and mysteries.

Last but not least, I tend to like making friends with my writing partners. I prefer writing with people I actually get along with, so for me, the plotting phase is the most important. It helps me get to know your personality a bit more, and you mine, so we both know whether or not it's a good match to write long term! I'll write on most platforms, so let's discuss what makes the most sense for us. Finally, I generally only write with folks 18+, for the safety of everyone involved. Thanks for understanding.

Well, as I said, I've got a big ol list of ideas, if any of this strikes you as 'good writing friend' material, so send me a DM and I'll get back to you asap! Feel free to share your ideas too!!!

Original Ideas

- There's something dire down in the mines to the east of this old Western town. Folks keep goin' in to investigate, disappearin' for days at a time, then comin' back all different-like with the lights gone from their eyes. What could be happenin' out there, sheriff? (horror/western)

- A high-fantasy world's balance is shattered when the source of magic is destroyed. How will the people of this mystical land navigate a now mundane life, and how can they survive when so many magical devices go defunct and awry?

- A no-magic world is suddenly spun into chaos: an apocalyptic event leads to the sudden introduction of magic into a world that had previously never known it. In the post-apocalyptic (and mystically-charged) ashes of a world that once was, how do the survivors compete for resources and control?

- A star falls from the sky! They're rare, and it's dangerous to be one. Are you the star, hunted and lost? Or are you someone who finds a star?

- A lich (my character) is rumored to live in the castle at the foot of the mountains, only a mile or so from your town. It's said they're a true villain, the worst of the worst... but what is the truth?

-Arranged Marriages between physical embodiments of the seasons or planets

- There's something dire down in the mines to the east of this old Western town. Folks keep goin' in to investigate, disappearin' for days at a time, then comin' back all different-like with the lights gone from their eyes. What could be happenin' out there, sheriff? (horror/western)

-A sailor, pirate, or other seafarer keeps noticing the same shape in the waters near their ship. After a terrible storm, the ship wrecks… now, one’s a mermaid, one’s a sailor, and they’re both idiots trying to find their way back home.

-Disaster has struck! A grisly assassination attempt leads a bodyguard to quickly usher their liege to safety. Drama ensues!

-Stowaways, and the people who catch 'em!

- Androids and more androids! Or... androids and non-androids!

-In a dwindling-magic world, those who cling to the olde magicks and the old way of living struggle against the new capitalist society and its nonmagic technology. In one still-magickal neighborhood where our story takes place, shopkeepers fight against nonmagickal gentrification in an effort to keep their businesses, communities, and traditions alive.

- A wandering traveler gets caught in a storm and chances upon an abandoned home, castle, or manor.... oh no!

- A train hopping crust punk encounters the ghost of a fellow train-hopper who fell under the rails and died.

- A living person's computer, gaming device, or phone is inhabited by a flirty ghost!

- There's a friendly but sad ghost living in a living person's new home! (Can you tell I like ghosts?)

Original (and corny) pairing ideas

fairy or elf / vampire or other dark creature

vampire / human

god / mortal

demon / angel or other dark/light archetypical pairings

dragon / humanoid

naval captain / stowaway

mob boss / citizen

superhero / supervillain

serial killer / investigator

serial killer / citizen

Bounty hunter/outlaw

outlaw/sherriff

outlaw/outlaw

farmhand/outlaw

Current Fandom Interests/Cravings

Pokemon - preferably with ocs and in a custom setting ft. all the ‘mons/us playing as humans

Elder Scrolls - pls, i’m craving this almost more than anything, and have been for years

Red Dead Redemption - it is cowboy time now

Legend of Zelda - i have a couple of cute ideas for this!

Avatar/Legend of Korra

Labyrinth - please please please someone play jareth for me, ill give you my firstborn in exchange

Star Wars - currently a little burned out on playing as kylo for everyone, so please don’t ask me to be him dlfkjdslfj

Game of Thrones

Lord of the Rings

Night in the Woods

Brutal Legend - does anyone but me remember this??? Omfg lets rp in this setting PLS

The Dragon Prince

[edream93]

You’re a Gryffindor, Hook: Year 2, Part 1

Okay, so I thought I posted already this but then Tumblr ate it? So essentially, here’s part 1 of Year 2 of “You’re a Gryffindor, Hook” . You can also read it on AO3. Enjoy!

She ignored the stares and odd looks she received as she made her way into the stands. It wasn’t a surprise that she stood out with her emerald green robe in a sea of red and gold. 

A snake in the lions’ den, she thought with a roll of her eyes, unconsciously holding herself taller. Honestly, she would have thought they would have gotten used to it by now. 

But this wasn’t the first, nor would it be the last time that Uma Tritaea gained stares. It had become almost a daily nuisance since her first class where she chose her best friend, her closest confidant, over a centuries old house rivalry. Shouldn’t the noble and brave Gryffindors know something or two about loyalty? 

Several older Gryffindors hissed as she passed them by. She hopped smoothly over a purposefully extended leg that happened to be in her path. Uma made a mental note of them. She would get them back with stinging hexes that would have them howling anytime they tried to sit on their behinds. 

Not now though. Too many untrusting eyes watching the Slytherin witch. Now she had to be on her best behavior. After all, there was a reason she was in the stands belonging to the house of lions. 

“Anyone sitting here?” she asked a familiar looking boy. Ben, she thought. From Herbology. He was one of the few Gryffindors that didn’t make Uma want to hex them.

“Yes!” a brunette girl sitting next to him glared at Uma just as Ben said “No,” already making room and genuinely giving a smile that took Uma off guard.

“What Audrey means is, it’s all yours. Promise,” he said, his smile growing impossibly brighter despite his companion’s glare twisting into an offended sneer as Uma gave a nod of thanks, sitting down. Ben opened his mouth, as if to say more but was interrupted by the game’s announcer. 

Diego DeVil, a fourth year Slytherin boy that Uma always saw flirting with anything with legs at their house table - the ghosts included - sat with microphone in hand at the stand where the professors, other school staff, and a few bored looking representatives of the Ministry were congregated. 

“Hello ladies, gents, and non-binary friends to the first match of the season, Gryffindor versus Slytherin!” DeVil smoothly crooned into the ancient looking mic, waiting a moment for the crowd’s enthusiastic screams to die down. “This is surely going to be one for the books, folks! The players are now getting into position as Madame DunBroch steps out onto the field to begin the game!”

What looked like small figures, in red or greens, hovered hundreds of feet above the ground on their brooms as the fiery red haired Gamekeeper and Flight Instructor walked towards the sealed chest in the middle of the field. 

“Which team are you watching for?” Ben startled Uma out of her intense stare of the field just as Madame DunBroch released the bludgers and the snitch, the small gold ball a fleeting speck of glimmer in the air before disappearing. It was a strange question, Uma thought. After all, it was the assumption that if your house was playing, you were cheering for them. 

Uma’s gaze was instantly drawn to the source of an excited crowing that she could still easily pick out despite the loud roar of the crowd as the quaffle was thrown up into the air.

“Not watching for a team,” she said, watching as one of the players in Gryffindor red snatched the quaffle from the air, taking off with surprising speed towards the Slytherin goal post.

Merlin, she hoped that her idiot of a best friend didn’t get himself hurt. Again. (Harriet had a habit of sending both Harry and Uma a howler when Harry got himself in dumb situations.)

Uma found herself sitting up straight and tense, hands fisted in her robes as she watched one of the new Slytherin beaters, a second year named Jay Abanazar, sneak up from behind and club a bludger at the Gryffindor chaser. Uma leaned forward, eyes never leaving the chaser as he quickly spun out of the path of the bludger with fluid ease and scoring in one move.

“Whoa! Looks like the infamous second year Harry Hook is trying to make a statement, scoring the first goal of the game!” DeVil chuckled despite the obvious booing coming from the Slytherin stands. A little bit of tension released from Uma’s shoulders as Harry completely bypassed the few members of his team that attempted to congratulate him. Instead, to Uma’s annoyed amusement, he flew towards the Gryffindor stands, blue eyes on her. 

“Ye see that?!” He grinned, all windswept hair and boyish charm as he leaned forward on his broom to get as close as possible to her. “Uma, did ye see that shot?”

“Harry! The game is still going!” One of his teammates yelled as they zoomed past, chasing one of the Slytherin chasers, a sixth year with long ice blonde hair pulled into a high bun, who now had the quaffle. But Harry didn’t even look back, waiting expectantly for Uma’s response with a wide grin. 

“Yeah, you did good Hook,” Uma allowed herself to smirk as she tried to push him away. “Now go and try to make Jay cry.”

Harry’s grin widened as he grabbed her hand, pressing a soft kiss on the back of it. “Aye aye capt’n!” 

Again, Uma refused to acknowledge the stares directed at her as the Gryffindor chaser zoomed off with surprising speed back into the game. Harry was just being his usual showboat self. It tended to grind on most people’s nerves but Uma found it as normal as the sun rising and setting. 

 The Gryffindors around her jumped to their feet in a deafening roar as Harry intercepted and flew away with the quaffle before the blonde Slytherin chaser could even comprehend that the ball was no longer in her hands. Harry swooped back towards the Slytherin goals, two of the school’s numerous part dwarf cousins who were the Gryffindor beaters flanking him to keep the bludger off him before he scored another point. 

The entire House of Gryffindor cheered wildly, everyone’s focus on the field. One stare though did itch against Uma’s skin enough for her to turn with a glare, hand already reaching for her wand, just in case. 

“Do I have something on my face, Florian?” 

A blush that had nothing to do with the crisp wind filled Ben’s cheeks. “Oh. Uh. No, I was just- nevermind,” he awkwardly turned back to face the game. Uma’s eyes narrowed but sensed no maliciousness from the boy, turning back as well to watch the game. 

Hours later, while Slytherin would be celebrating late into the morning hours thanks to their Seeker finding the snitch before Gryffindor could score any more points, Uma would find herself spending the night in the infirmary (long after Madame Flora had tried to kick her out). She had carefully wedged herself next to Harry on the bed, finishing a letter to Harriet explaining to the older witch how her only brother had yet again wound up in the infirmary again, said wizard next to her, sleeping off the Skele-Gro potion that was repairing his left arm with cringing pops and snaps that Uma bit her bottom lip to ignore. 

After finishing the letter, she was just about to read the section on cecaelias in her book of water-based magical creatures Harry had insisted on buying for her when they had gone school shopping when she felt him shift next to her. He reached out sleepily with his good hand, fingers lightly twisting in her braids like they always did when he wanted to make sure she was close. “Did ye, did ye see me, Uma?” he mumbled, already falling back to sleep as he curled closer to her.

Uma gave him a fond smile, carding her hand through his wild hair. “I saw,” she said, pausing for a moment before leaning over and pressing a quick, feather light kiss on his brow before returning back to her book, ignoring the happy sigh that escaped from her best friends lips or the way that she slowly let her breath match his until they were both asleep. 

[haich-slash-cee]

Is the print publishing world picking up online/fandom terms? How they are using them? How do we feel about this?

So this is... attention-getting, for folks who like to follow publishing and meta stuff.

https://twitter.com/sapphicxrey/status/1215065948677443584

https://twitter.com/TorDotComPub/status/1233391556750647299

(2nd tweet -- TW, mentions of non-con)

Are we seeing the beginnings of book publishers directly borrowing from online/fandom culture in promoting their books? How do we feel about these examples?

More below cut.

Exhibit #1: screenshots of Bonds of Brass promo from Jan 8 2020. (Which is probably going to have reactions of “haha, cute” at most.)

Transcript of blurb: 

“If you like... 

forbidden romances, “there’s only one bed”, cityships, weaponized umbrellas, powersuits, secret princes, best friends, best friends PINING, fake dating between PINING best friends, tactical streaking, the minivan of starships, cigar-chomping cyborg ladies, scary empress moms, galactic-level bisexual disasters, LEGACY (WHAT IS A LEGACY?), rooftop hopping, golden trios, rumblin’ drums, bootleg fireworks, BIG SPACE BATTLES PEW PEW, a surprisingly functional public transit system, mob trouble, one hell of a pilot, the inherent DRAMA of empire, a nice interlude in a river, smoking a joint that’s been on the floor, sick stunts, slick grifts, hiding in a dumpster, or any combination of the above,

 Then you might like 

BONDS OF BRASS”

The Twitter responses seem to be generally enthusiastic. (And also, “FinnPoe! FinnPoe!”)

Personally, I’m intrigued from a meta-view of “oh so that’s definitely pulling from online world and fanfiction world, interesting. I wonder how much fanfiction culture is starting to influence print book culture and promotion.” Maybe I’ve got some questions like, “Ok so moneymaking companies such as Penguin are now using culture developed by the not-moneymaking-world of fanfiction? How do we feel about this?” Anyway, the book looks cute, I’m interested enough and I might get it from the library.

I suspect many people’s reactions are along the lines of “hm, interesting”, “sounds like a lark”, or “haha they’re using AO3 tags as promo”, etc. 

Exhibit #2, screenshots of DOCILE promo, from Feb 28 2020 (today is March 1 2020), and screenshots of Twitter responses so far:

(*CW, non-con discussion)

Tweet transcript:

“DOCILE by @KMSzpara:  

-Dubcon/Noncon 

-Dramatic Trillionaire Content 

-BDSM and then some more BDSM and then a lot more BDSM

 -Hurt/comfort and hurt/no comfort

 -Cinnamon roll of steel 

-The most scandalous kink: love 

-Courtroom, bedroom, & Preakness drama

[Tor book website link]”

So this is getting mixed reactions on Twitter. All dozen or so reactions, so far. Here’s text transcripts and bio info from repliers, below. I’m being a little obsessive, mostly to show that there’s a mix of queer, book-ish people in the replies (including the author).)

Noncon is nonconsentual sex, rape. Even in fandom it's a content tag, not a promotional term. I can't imagine being a rape survivor and seeing this come across my TL. -- @WriteSomeGood [queer rainbow] [Cis queer homemaker, aspiring author, maker of incredible cinnamon buns. She/her] [has a Tumblr page]

I’m not a survivor but it was an instant “no thank you” from me. And I was sincerely looking forward to this prior to. This is the most immediately off-putting marketing push I’ve seen for a book in a long damn time. -- @AGAWilmot [Author, editor, artist. Co-EIC of @anathemaspec. @SFU alum. The Death Scene Artist/W&W 2018. Ace/enby. They/them. Horror is my comfort food.]

Whichever intern wrote this tweet, deserves a full time job. With benefits. -- @simeontsanev [Aspiring writer, post-aspiring musician, and overall geek  He/Him /[queer rainbow]/ To the world we dream about, and the one we live in now! http://simeontsanev.com]

Idk why everyone thinks it’s always an intern writing copy and not a team comprised of extremely skilled social media experts, editors, publicists and marketers, and their assistants  I worked on those tags with my editor and a good friend!! -- @KMSzpara [Kellan. [queer rainbow]  Speculative fiction writer. Queer agenda.  Hugo & Nebula finalist.  DOCILE 3/3/20 from Tor Dot Com Publishing.  He/him.  Rep @suddenlyjen] *The author, bio page and twitter page.

this is CUTE! -- @MSSciarappa  [queer rainbow] I do books. he/him.

I am Extremely Ready for this content thank u -- @JessicaBCooper [Journo ☽ Writer of faerie, villain fuckery & cruel desires ☽ Lestat & Loki's love child ☽ Aleksander Morozova's side-hoe ☽ Rep'd by Kate Testerman @ktliterary]

I’m listening -- @MerynLobb [Government worker. Weightlifter. Nihilist. Aspiring cult leader. Avid user of words, often bad ones. #AMM R6 Mentee. she/her]

Soon! Soon!! -- @castrophony [Geek. Gamer. Cosplayer. Bibliophile. Scientist. She/Her.]

[happy reaction gif] -- @TorDotComPub [Providing a home for writers to tell SFF stories in exactly the number of words they choose. All our titles are available globally in print and DRM-free ebook.]

[throwing stuff in dumpster, unhappy reaction gif] -- @cursedgravy  [name's xavi, im a transman and i like to daydream about making content] 

For more context, here’s the blurb from the author website. Below is the blurb from the publisher’s site:

“Docile

K.M. Szpara

K. M. Szpara's Docile is a science fiction parable about love and sex, wealth and debt, abuse and power, a challenging tour de force that at turns seduces and startles.

There is no consent under capitalism.

To be a Docile is to be kept, body and soul, for the uses of the owner of your contract. To be a Docile is to forget, to disappear, to hide inside your body from the horrors of your service. To be a Docile is to sell yourself to pay your parents' debts and buy your children's future.

Elisha Wilder’s family has been ruined by debt, handed down to them from previous generations. His mother never recovered from the Dociline she took during her term as a Docile, so when Elisha decides to try and erase the family’s debt himself, he swears he will never take the drug that took his mother from him.

Too bad his contract has been purchased by Alexander Bishop III, whose ultra-rich family is the brains (and money) behind Dociline and the entire Office of Debt Resolution. When Elisha refuses Dociline, Alex refuses to believe that his family’s crowning achievement could have any negative side effects—and is determined to turn Elisha into the perfect Docile without it.

Content warning: Docile contains forthright depictions and discussions of rape and sexual abuse.”

So that’s a lot of info and reactions.

Personally: at first glance, I absently skimmed the tweet and “hurt/comfort” popped out, and I was like “What? Mainstream publishing is cool with this now? I was wondering if ‘hurt/comfort’ would one day become commonly used in publishing [related post]. But this is way sooner than I thought.” And then I read the rest of of the tweet and thought, “Wait, what?” 

And then I started reading through the tweet replies and thought, “OK, at the risk of getting a bunch of Tumblr drama, I want to bring this to the whump community and see how people feel."

As for myself, one of my squicks is non-con, and I’m not really interested in hurt/no comfort. So just from the tweet, I know the book is not for me. The official blurbs confirmed that. In this sense, this is like skimming Ao3 tags on a fic and saying “pass” on a story.

However, I have questions about the specific promotion of the book. So the official blurbs are pretty standard. What about that tweet, which Tor (and the author, who helped put it together) put out? Because I think an official publisher’s Tweet comes with different context than Ao3 tags.

First, the different internet spaces. You can filter tags on Ao3 and Tumblr. I know you can mute words on Twitter, but is that the same thing? Also, would people be expecting these tags on Twitter? Compared to Ao3 or Tumblr or Tumblr Whump spaces?

Within the Tumblr Whump community, from what I’ve browsed, the community attitude (guidelines?) seem to be “Write and discuss what you want. Be sure to tag it, use content warnings, or otherwise clearly communicate if you have things that may be triggering. Respect people’s squicks/triggers. Walk away from what you don’t like.” Like, tumblr whump has a very specific culture of trying to balance discourse/stories about potentially very dark stuff, but also wanting to make sure the IRL people and Tumblr users are okay. There’s always posts going around about how to do this, are we doing this in the right way, ethics, so on. Also -- and people can correct me -- the whump tumblr space might be where tags are content warnings for people to stay away, and also what people might actively look for. So if any space is going to discuss if this promotional tweet checks out, I feel like it’s this space. 

Also, to note again, Tor Tweets are in the money-official-publisher-world, not unpaid-tumblr-people or unpaid-fanfiction-fandom-world.

Maybe I just want to ask, “Hey those first two tweet responses, does they have a point? Tor using ‘noncon’ as official promotion? On Twitter?” I mean, I’ve previously written, “The CW and TW tags that Ao3 writers use, I really wish those were used with published books as well.” But somehow, the Tor tweet was not quite what I was expecting. Maybe for reasons similar to that first tweet response. (I guess one could debate if a tweet is really promotion or just information... you know what someone can correct me, but I’m gonna say that a Tor.com tweet is promotion, compared to information like Ao3, and that tweet was there for promotion.)

Those tags operate within specific Ao3 and Tumblr cultures and infrastructure. I don’t hang around Twitter for whump stuff, IDK what the culture is. Anyway, does dropping these tags into a promotional tweet from Tor.... translate?

The tweet is evidently gathering the people who are there for it, and the people who aren’t there for it are quickly realizing that they are not there for it. But personally, the Tor website blurb does a better job at that, using writing that I’d expect from a publisher for communicating fictional non-con situations. (Maybe the blurb content warnings are what I wanted more of, when I said I wished for CW and TW in books.)

Anyway, there’s no huge drama about that Docile book promo on Twitter, as far as I can tell. So this is a niche thing, right now. But. The promo for Bonds of Brass and for Docile might be the beginnings of a trend of well-known book publishers borrowing from online writing / fandom culture and terminology in order to promote or categorize their books. These two promos might set a precedent or have other significance.

So if anyone has discourse on the tweets or potential future trends... 

[ask-de-writer]

DARING DO and the ADVENTURE of the X'IBIAN VASE! : MLP Fan Fiction : Part 6 of 21

Return to theMaster Story Index

Return to MLP Fan Fiction

DARING DO and the

ADVENTURE of the X'IBIAN VASE!

by

De Writer (Glen Ten-Eyck) @ask-de-writer​

And

Carmen Pondiego @askcarmenpondiego​

Cover Art by

Doctor Dimension

52630 words

© 2020 by Glen Ten-Eyck

Writing begun 08/26/15

All rights reserved.  This document may not be copied or distributed on or to any medium or placed in any mass storage system except by the express written consent of the author.

//////////////

Copyright fair use rules for Tumblr users

Users of Tumblr.com are specifically granted the following rights.  They may reblog the story.  They may use the characters or original characters in my settings for fan fiction, fan art works, cosplay, or fan musical compositions, provided that such things are done without charge.  I will allow those who do commission art works to charge for their images.  

All sorts of fan art, cosplay, music or fictions is actively encouraged.

///////////////////////

Daring Do, being a pegasus, really had little magic.  It was all small and strictly practical. Truth testing, safe grip that allowed the picking up of cracked or damaged things without losing any parts or causing further damage, fast read (handy but you had to know the language fairly well first) and a few other spells of that sort.  They were all Non Equine Magic learned from the Non Equine University.

Truth testing was simple and unobtrusive.  First, it showed her that what they saw was real.  She could have sworn it was staged for effect!

“I am Captain Getsthere, of the Sea Sage.  Ship’s a bit obsolete, mixed sail and steam paddle wheeler.  She is sound, though, and will get you there.  I hear that you want to get to the Chineignese Empire.  Main port at Singapone and then up the Dunn See river to Cantrot.”

The Guardian said quietly, “Not to cast a doubt on your honorable self but all the docks are occupied by ships with Lading Deposits.  None are loading, however.”

Captain Getsthere smiled, showing yellowed teeth, some with gold or silver crowns.  “Legal trick there, Honorable One.  If we have cargo to load and a paid Lading Deposit, the Harbor Master HAS to move a vessel that is not loading out to the roadstead and let us have the dock space.”

Daring Do invited Captain Getsthere to sit and said, “Order what you wish.  We have the Lading Deposit in Gold and the cargo is in Dock Warehouse #4.  So, you can get us to Singapone?  What about river barge connections to Cantrot?”

The Captain was briefly busy with the waiter and then replied, “Sea Sage is shallow enough draft that we’ve been up to Cantrot six times.  At low water, too.  Make that whole run for you without transshipping once.”

Truth testing passed him completely, to Daring Do’s amazement.  She saw Cy nodding approval. She reached into her saddlebag and pulled out the bag of gold that was the deposit for the previous vessel.

Captain Getsthere carefully counted it out.  He shoved back a substantial sum.  “Sea Sage’s Lading Deposit is well known.  Won’t overcharge you first thing.”

Daring Do considered carefully. “Make us a proper receipt. Make us another for any refits that you think good.  We want the ship under us to be as sound as possible.”

At that he nodded acceptance. “I can do that.  Got a list, in fact.  Was going to use the deposit money to get it.”

He left to make arrangements with the Harbor Master and order his refitting supplies from the chandlers.

The group of them were sitting outside, watching the gulls fly and the coming and going of smaller boats.  The docks were full of idle ships.  Most of them had the wisp of smoke at the stack that indicated operational steam up.  That was required by the Royal Maritime Commission.  It let docks be cleared quickly for emergencies, a precaution that had paid off handsomely in the past.  

“Look!” Cy exclaimed.  “They are bringing up a tug to Dock and Warehouse 4!”

The Guardian said softly, “The Rising Whale does not have steam up as required.  They are pulling her out.  Her captain is protesting.  From the looks of the longshore ponies with axes to cut the hawser lines it will be a useless protest.”

He was right.  The captain had to get a gig to catch up to his idle ship, being towed out to the roadstead.

The Sea Sage was in place and ready to load in only a half hour or so.  Maneuvering a ship, even a smaller one, near a dock is tricky business and has to be done with care.

Their supplies were being loaded and the Sea Sage was taking on coal while they watched.  Daring Do called on her Magic Net mirror.  Looking up, she explained, “We will have three others from the Royal University joining us in a short time.  I sent them ahead and told them where to wait.  They are all experts in conservation and collection of delicate artifacts.”

Sure enough the three came trotting up in a little while.  One, a pale mauve pony, introduced himself, “I am Senior Graduate Student Horace.  These others are Jeremy, the orange guy there, and the big white mare is Soree Bea Shann.  She is a Saddle Arabian exchange student.

“I don’t know why they are along.  Jeremy barely made the cut for the program and HER?  Her folks back in the desert are RICH.  Her only qualification.”

The two were about to protest when Daring Do cut in, “THEY are along because I personally sent for them.  YOU muscled your way onto the team without my consent.  I am most curious as to WHY?”

Cy simply pounced.  She used a right foreleg thrust to the side of Horace’s neck.  He was not only knocked down, he was driven over a meter from where he had been standing a fraction of a second ago.  Cy was sitting on his neck to keep him down while she explained, “Horace, here, is in ROT’s pay. He was smart enough to demand gold up front and no written contract.

“His job is to report your expedition’s progress and the exact location of the tomb.  ROT will then swoop in and steal anything of value.  If a few ponies have to die, including you, Doctor Do, no big deal, as he sees it.  He will have money and perhaps fame.”

Daring Do considered for a moment.  “How can you know these things?  I have noticed other times that you knew what you really had no way of knowing.”

Going perfectly serious, Cy replied, “That is a matter of ERIS Supreme security, Doctor.  The Guardian knows.  In a private setting, he may tell you what he deems fit.”

With a pluck of her sleeve, the Guardian led her inside the Rusty Barnacle.  Looking about to be sure of not being overheard, he told her, “You have seen her eye and mane.  More was changed in her inheritance after the Mage Weapon Blast of two generations past than only her body.  The Watcher of the Most Exalted One can read minds.  More it is unwise to say.”

Daring Do, thinking back saw answers to many things.  “Her precise combat moves.  She knows were the enemy is without looking.  The trick with the sewers and fire fighting mains.  She was near enough to somepony who knew it!  I am glad that she is a Watcher for Eris.  So many try to harm her.”

They went back out where Cy was passing time by lightly popping Horace’s head against the ground. She looked up brightly as Daring Do approached.  “Can I?  Please? We know everything that he is aware of about the plot.  I would love to kill him!”

The eager puppy look to her single eye left no doubt about Cy’s sincerity.  Daring Do hated to disappoint her.  “I am afraid not, Cy.  I do believe you.  One test, though.  How was he to communicate with ROT?”

“Empty his left saddle bag. There is a hidden flap on the inside.  Lifting it will reveal the pocket holding a World Wide Magic Net mirror.  A small one but with plenty of reach.  We at ERIS cracked that algorithm about two years ago.  That type of mirror was still in development when we got it.”

Horace sort of gave up.  “Those are supposed to be totally private.  You heard my signals when I called them to say we were going to the ship.”

Cy looked down at him. “Something of that sort.  I waited to be sure that I had what you knew before I moved, that is all.”

Slumped even flatter, Horace asked, “Since I am not going along, can’t you just let me go?  I can’t hurt you now.”

Serenely digging out the mirror, Cy poked some codes.  “Hello, are you Mister Robber or Mister Overthrow?  Oh, you are Mister Tyrrany!  I am Cyrene Clopes.  I work for ERIS, Inc.  I just wanted you to know that we have taken your spy for Doctor Do’s expedition.

“What?  No.  We are letting him go for now.  The Royal Road Police will be handling the charge of Criminal Taking of Royal Funds.  We thought that since you are a law firm and have him on retainer, that you would likely want to defend him in the courts.

“This was purely a courtesy call, you understand.  Good bye.”  She closed the mirror and handed it back to Horace.

“Do be so good as to pack your things and leave, young pony.  We really don’t want you along.”

As Daring Do watched Horace go, she had a pang of conscience.  She turned to Cy and said softly, “They will kill him, won’t they?”

Cy smiled calmly, watching gulls wheel overhead.  “Almost certainly, Doctor Do.  I might have handled things differently if this was the only bad thing that he has done.  It is not.  He has cheated and trampled others for most of his life.”

Soon they were all picking staterooms aboard the Sea Sage.  They all rushed up to the deck to wave good bye to Cy, staying behind on the dock as the ship was towed free and the huge, nearly antique paddles began to churn the harbor’s water.  Her big whistle let loose a piercing scream and crewponies worked to unfurl the sails.

Heeling gracefully, the Sea Sage rounded the breakwater and swept out onto the swells of the open sea.

Soree, the Saddle Arabian, who had never been to sea before, was happily trotting all over, looking at all of the wonderful new sights!  She drew in deep breaths of the amazing salt air, the scent of smoke and lubricants from the massive two cylinder walking beam engine and the pitch on the rigging ropes.

Poor orange Jeremy was hanging his head over the rail and wishing that his heaving tummy would stop. It was emptied long ago!

Daring Do and the Guardian had a low table set up on the poop deck and were happily playing Mah Jongg, to the rattle of dice and the clacking of tiles.

Daring Do felt a deep contentment.  She was on the way; another expedition to find the unknown and learn the secrets of the ancient past.

The weather, which at sea, was native and wild, untamed by Cloudsdale or any other such authority, held fine.  Jeremy got over his sea-sickness.  Both he and Soree began to learn the ins and outs of Mah Jongg.  It is an excellent four hoof game.

The weather did not prove to be a problem.  The pirates, on the other hoof …

<== Previous   Next==>

Return to the Master Story Index

Return to MLP Fan Fiction

[erinptah]

Super Drags review (tl;dr Show Good)

The post where I do my best to spread the Good News, that there exists a saucy gay drag-queen magical-girl animated comedy and everyone should watch it.

Okay, not everyone -- I'll give some caveats at the end -- but definitely a heck of a lot more people than Netflix has bothered to advertise it to.

Look at this! Why did nobody tell me about this??

What is Super Drags?

Fast facts:

It's a 1-season, 5-episode adult animated comedy series, released in November 2018

Here's the official page, with a free-to-view trailer

It packs more explicit, unashamed queerness into those 5 episodes than any other cartoon I can think of

The only possible competitor would be if you took the whole 5000-episode run of Steven Universe and pared it down to a supercut of Just The Gay Parts

This in spite of being produced in Brazil, which (in my broad understanding, as a total non-authority on the subject) is more oppressively, dangerously homophobic than the US

The original is in Portuguese

There is an English dub, fabulously voiced by contestants from RuPaul's Drag Race

It's wrapped in "for adults only!" warnings, not because the content is any less child-friendly than (say) your Bojacks Horsemen or your Ricks and Mortys, but because Brazilian authorities tried to get it shut down on the grounds of this much gay being Harmful For Children

It was (heartbreakingly) not renewed for a second season

Here's a promo video, in which the main characters (Portuguese, with subtitles) play Drag Race judges for Shangela, who ends up voicing Scarlet in English.

And here's a beautiful flashy music video of the big musical number! (Also Portuguese, no subtitles, but the melody and the visuals stand on their own.)

Plot and worldbuilding stuff!

The elevator pitch is "What if Charlie's Angels, but also drag queens, with superpowers, because magical-girl transformations?"

In this universe, all LGBTQ people have magical energy. The Big Bad is an evil magical-drag-queen nemesis who tries to drain our energy for her own purposes. It's like if Ursula from The Little Mermaid was a first-season Sailor Moon villain.

...sidenote, in case you were worried, the representation isn't "cis gay men and nobody else." There's a butch lesbian in the recurring cast, a genderfluid person (in that specific word!) as a one-off love interest, and all the ensemble scenes are wonderful collages of different races, body types, and gender presentations.

Our heroes also fight non-magical everyday homophobes, who get written with scathing realism.

The moment I knew the show wasn't pulling any punches was in the first episode, where a newscaster complains about being Silenced by the Law of Political Correctness, then chirps "however, we have a special guest who is thankfully above the law!"

According to the reviews I've found from Brazilian viewers, it's also pitch-perfect when it comes to local queer culture, community dynamics, slang and speech patterns, even memes. All of which flies right over my head, so here's a post (with no-context spoilers) about one viewer's favorite details.

The handful of reaction posts on Tumblr have a dramatic split between "Brazilian viewers fiercely defending the show as culturally-accurate, uplifting, and brave in a terrifying political moment" and "American viewers complaining that the show is problematic because it's a comedy about drag queens with no perfect role models and lots of sex jokes."

As the Super Drags tell their nemesis (and this is also in the first episode): "How dare you try to turn the LGBTQXYZ community against each other? We do enough of that on our own!"

In between missions, our girls work sitcom retail jobs and deal with other everyday problems. All of which are written in amazingly nuanced and thoughtful ways for a show that also features "defeating an orgy monster with a lip-sync battle."

Detailed character stuff!

Our heroes are Color Coded For Your Convenience!

The Super Drags themselves go by "she" in-uniform, and a lot of the time when out of it. Like the Sailor Starlights, only more so. I'll roll with that.

In blue: Safira Cyan, or Ralph by day, an excitable college-age kid who's built like a football player and squees like a fangirl. (She's an anime fan in the original, and for some reason all the otaku references were replaced in the dub, but you can see them in the subtitles.)

Ralph lives with her younger sister (they play video games together!) and their dad, comes out to them mid-series, and is very shippable with another young guy who starts out reciting the homophobic beliefs he was raised with but whose heart clearly isn't in it.

Safira's weapon is a classic magical-girl wand that casts protective force-fields. Which are shaped like condoms. Because of course.

In yellow: Lemon Chiffon, aka Patrick, the oldest of the group and generally the smartest/most strategic. In most cases, the other two treat her as the de facto team leader -- unless she pushes it too far.

By day she's a single guy with thick thighs and thinning hair, who has some body-image insecurities on the dating scene. And this show has Things To Say about unrealistic beauty standards within the community...not to mention, about masc guys who look down on anyone too flaming or femme because straight people disapprove.

Lemon's weapon is a fluffy boa that can be used as a whip or a lasso, especially when there's a bondage joke to be made.

In red: Scarlet Carmesim, also Donizete, the loudest and most aggressive teammate with the most cutting insults, who refuses to suppress that attitude in an attempt to appease racists. (But will give it a shot when trying not to get fired.)

Donny still lives in her religious/homophobic mom's apartment, and I'm pretty sure it's because neither of them can afford to move out. Her rock-solid sense of fierce self-confidence is the reason it doesn't bring her down.

Scarlet's weapon is a fan that she uses to throw shade. Yeah, you knew that was coming.

The Charlie to these angels is Champagne, who runs operations from a cool magitech compound and breaks the fourth wall at the end to petition for viewers' support in getting a second season.

...we let her down, folks :(

So here's a thing. The show never draws a sharp line between "people who become drag queens because it's a way they're driven to express themselves as gay men" and "people who become drag queens because they were trans women all along." That's consistent with how South American LGBT+ culture works. (Again: best of my knowledge, not personally an authority on this, etc etc.)

Many of the characters, including Champagne, never describe themselves in ways that translate to one of our sharply-defined Anglo-USian identity categories. And I'm not going to try to impose any English labels on them here.

But I can say (in contrast to Safira, Lemon, and Scarlet), Champagne never switches out of her "drag" name/voice/presentation, not even in the most candid off-duty scenes, and still has the same bustline when naked in the tub. Make of that what you will.

You Should Watch This Show

If you have a Netflix subscription, watch Super Drags!

If you ever do a Netflix free trial month in the future, make a note to yourself to watch Super Drags!

It's one of their original productions, so there's no risk of missing your chance because the license expired. But it's absolutely not getting the promotion it deserves. Which means potentially interested viewers won't find it, which means Netflix will think there's no interest, which means they'll keep not promoting it...etc etc etc.

No idea if there's any chance of getting it un-canceled, but maybe we can at least convince them to release it on DVD.

And the sheer gutsiness it took for a group of Brazilian creators to produce this show in the first place -- that deserves to be rewarded with your attention.

In spite of various anti-discrimination laws that sound good on paper, the country has serious problems with homophobia, transphobia, and anti-LGBT violence (warning, article has a violent image which is only partly blurred).

Maybe the creators could've gotten a second season if they made this one softer, less sexually-explicit, more restrained...but honestly? I bet that wouldn't have helped.

Consider Danger & Eggs, an Amazon original cartoon. It was made in the US, thoroughly child-friendly, and restricts its LGBT+ representation to things like "characters go to a Pride celebration...where nobody ever names or describes the quality they're proud of."

And it didn't get renewed past the first season either.

(Note: it had a trans woman showrunner and a queer-heavy creative staff, so I blame all that restraint on executive meddling, not the creators themselves. The showrunner even liked the tweet of my review that complains about it.)

So there's something very satisfying about how Super Drags went all-out, balls-to-the-wall (sometimes literally), all the rep explicit and unapologetic, packing every 25-minute episode with all kinds of queer content that would be censored or muted elsewhere -- but here it's exaggerated and celebrated and just keeps coming.

(...as do jokes like that, and I'm not sorry.)

Okay, there are a few legitimate reasons to not watch this show

Some caveats.

None of these things are Objectively Bad Problems that the show itself should be shamed for...but maybe they're genuinely not your cup of tea.

It does have actual Adult Content beyond "the existence of gay people." This show loves to swing barely-clothed cartoon genitalia in your face. There is, as mentioned, an orgy monster. If that kind of humor is going to bother you too much to appreciate the rest of the show, give it a pass.

I wasn't kidding about how realistic the homophobes are. Opening of the first episode has a guy trying to murder a busload of people while shouting slurs at them. If that level of hatred on-screen is gonna crush your soul, even in a show about sparkly queens flying to the rescue with dick-shaped magical weapons, don't push yourself.

Any fiction with this much crossdressing and gender-transgressing is going to hit some trans viewers in a bad way. Because trans people are such a broad group, with so many different experiences, that Every Possible Trope Involved pushes somebody's buttons. (See also: "some trans readers complain about a storyline that turns out to be drawn from a trans writer's actual life experience".) If this show goes does gender things that turn out to be personally distressing for you...or even just distressing for this specific time in your life...don't feel obligated to keep watching.

It has aggressively-sassy queer characters making jokes and calling each other things that are affectionate in-context, but would not be okay coming from straight/cis people. If you can't wrap your head around that, go watch something else.

Other Than That, Go Watch This Show

For all its big heart, big ambitions, and big gay energy, Super Drags is tiny enough that I've binged the whole show 2 times in the past 2 weeks. Thankfully, it's highly re-watchable -- lots of fun background gags and subtle foreshadowing that you don't catch on the first round.

(Pausing one last time to appreciate that a show with elements like "the high-tech robot assistant is called D.I.L.D.O." can be subtle at all, let alone be this good at it.)

I've also paged through all the fanart on Tumblr and Deviantart, looked up the single fanfic on the AO3, and started brainstorming plans to request it in Yuletide next year. Someone, please, come join me in (the English-language side of) the itty-bitty fandom for this ridiculous, glittery, over-the-top, fabulous series.

[dustedandsocial]

One thing and an Other thing

The One Thing:

After many failures in the world of responsible adulthood, I decided in 2010 that I would go full throttle into music distro and record label management. And for a fleeting moment, things were working out in my favor.

But let me back up. I had been having bizarre sleeping patterns going all the way back into my childhood, that no insomnia or depression diagnosis nor medication could ever fix. I never got an answer from a doctor that explained my sleep problems.

Essentially, my body and brain think that a day is 25 hours long. If you pause on that fact for a second, what becomes clear is that my sleep schedule rotates around the clock in a never-ending cycle. This had been the case for me from the age of 10, but clinical research studies were few and far between for most of my life.

Then in the summer of 2011 I learned for the first time that my vague sleeping issue was in fact a disorder, although I didn’t yet know the full extent of the limitations it imposed. Which is why for years I kept thinking there would be some way for me to keep working, despite being fired every time I tried to do so. I mostly lived on an annuity until I was 20 ($1047 per month), which came from a court decision when I was little (my mother committed suicide in a hospital and a court found them responsible, granting settlements to each of my family members). I kept thinking I could dance around extreme sleep fluctuations and pull myself up from the ground by my bootstraps, but I only ever fell back on my annuity.

When I was 12, the cops would show up at my house, wake me up, and drive me to school (my dad was a welder and made an early exit to work at 4:30am). Those near-truancies — as well as all the successful truancies! — along with my insistence on bringing alcohol in my backpack to school, smoking in the bathroom, getting high before school with friends, and stealing car stereos from the high school parking lot, all led me to multiple arrests, finally getting me the boot form junior public high school. There was also the despair of losing my mother at the age of 9, which was certainly an important aspect to all of this maladjustment, if not the most central factor. 

But without a cop showing up at my house, I’d wake up around 5PM.

At 13, I was placed in an “alternative school” (aka a program for trouble makers and drug dealers). Most students would sail though towards a diploma, being graded on video game scores, pick-up basketball games, and honest-to-god fantasy basketball gambling leagues (that I several times created for school credit!). We had smoke breaks twice a day in school, and I even sold one of my teacher’s pot. I only showed up half the school year, yet somehow graduated a half-year early at the age of 17. Basically, our ”alternative learning program” was a way for the school district to fudge numbers and make it look like they had rehabilitated kids. I managed to graduate High School easily without my disability playing a major factor. It all felt like being home schooled but with no parents or curriculum to help. Hence why five years into a dedicated leftist education, I can still barely understand Marxist arguments around value theory.

It would still be 11 years from my graduation until I learned about my sleep disorder, so the following years would be spent tossing and turning, going to work and class after being up 24 hours, often crashing at hour 40, then sleeping 24 hours straight to make up for massive sleep deprivation. I’d get fired left and right, girlfriends and family members had no idea what to express to me other than their lack of faith that I could ever get my shit together (and I believed as much myself, because what other explanation was there?)

I decided to work online in 2010 as I began 80/81 Records, as well as work part-time in physical space, all just to scrounge up enough money for distro items and record pressings. I started off with some relative success. I was the first in the US to distro Australian titles like Deaf Wish, Woolen Kits, Mad Nanna, Teen Archer, etc (all even before Bruce’s Easter Bilby!). I had a plethora of reissue releases from the Memoire Neuve label, as well that beautiful Les Olivensteins reissue LP. I even sold a sketchy Chosen Few bootleg to True Anon’s own Brace Belden (aka PissPigGrandad). 

By the age of 30, my body started to fall apart.Within a few years, despite a few solid releases on 80/81, I had to give up on a slew of planned record releases and call it quits. All were thankfully rescued by a couple of friendly labels, with masters sent off to a few others. These were: Mosquito Ego’s “Plomb” LP (thanks @ever-never-records), Pustostany’s “2012″ LP (shout out to the great Sweet Rot), Shovels S/T (thanks to Homeless Records), and Expert Alterations 12″ (Slumberland), and the Virvon Vavron EP, later taken care of by Girlsville Records. There was also the Human Hair "My Life As A Beast And Lowly Form” LP, which came in lieu of a 7″ I had planned for them (still streamable on the 80/81 Bandcamp). Sorry to all these fantastic bands! There was no label in the last decade better at not releasing records!

Nearly as long as I’ve been using this tumblr, I’ve been disabled. However, I didn’t realize I was *officially* disabled per the US government until last year, nor did I know that my condition was an incurable neurological disorder. In fact, it’s technicality not a sleep disorder. If earth had the rotational position of Mars, my circadian rhythms would be perfectly in sync. I've never brought it up here, I never wanted it to be a factor in how I presented myself, and I never wanted this to be a personal blog about my plight. But I can't in good conscience hide this aspect of myself any longer, while so many other disabled folks are engaged in fights for all of our rights, including those beyond the disabled community. 

Oh, and the other thing: 

I figured out last month that I am NOT a heterosexual guy. Queer? Omnisexual? How about "not straight”? Why did it take me so long to face up to this? Well, growing up in a poor and violent neighborhood meant that I needed to latch onto anything at a young age in order to keep myself safe. I could under no circumstances continue to endure the abuse that happened when I was very young, that I thought would come back my way if I opted out of a "straight"  “tough” identity. And even with that identity, I felt an inexplicable terror at all times, that seemed like it was seeping through the air, like it was the blood gushing from behind the hotel walls in “The Shining”. In order to avoid the terror, I had to act out in an extreme way so no one would question me. I’d always be the first to tell adults off. I’d always be the one to break into a house. I always be the first to steal, or mouth off to a cop. I did get choked by a cop once, which was also tame compared to the beatings my black and Hispanic friends received. But I also hated fighting, so that style of acting out was mostly a dodge and redirection of attention.

But so many toxic ideas overtook me over the years. While I may not have been outwardly homophobic as an adult, I no doubt policed my own behavior for decades, not allowing myself vulnerability, not allowing myself comfort, robbing myself of joy. And it took me three decades to shake that straight identity loose.

I think this straight identity I adopted though trauma is common for men, even though whose childhoods weren’t as traumatic as mine. That isn't to say that those who adopt it are closeted, but the ideology driving performative straight male expression can cut off naturally heterosexual men from understanding themselves and what it is that they most desire, who they want to connect with, what makes them complete. Heterosexuality as ideology is a giant fucking scam. You get nothing out of it, maybe an early death from a heart attack.

But I’m also happier now than I’ve ever been. When I gave up the straight identity, I completely gave up fear, and in ways far beyond matters of sexuality. That straight identity also policed how I though of women, and since I’ve been free of it, my relation to women has changed significantly. 

And now

I’m fighting month after month to get on disability and food stamps (I’ve been denied for disability seven times in eight years, and food stamps were just cut in RI). When all is sorted I’m going to join radical orgs in Providence. From here to there and beyond, it’s class struggle.

Had our welfare state not been decimated, or had we decommodified health care and housing, I would have never had to jump through so many hoops for ultimately no help. When I lacked diagnosis, I could have lived with dignity while I waited for an explanation of my issues, if only the society had a non-bureaucratic solution to personal crisis. I’m a “lumpen” of a sort, but I’m also now a committed small-c communist and queer. Sorry apolitical people, but the fight will be intense for the remainder of all our lives.

[ichiwashername-o]

Traveler’s Rest RP Discord Server is looking for members!

Traveler’s Rest is a small, private RP Discord channel for active and fun-loving RP-ers!  We are looking for members to join our group to have fun, casual, fast-paced RPs!

What is Traveler’s Rest?

Initially started as an off-shoot from a much larger Discord RP channel, the concept began as a fantasy tavern that could traverse across worlds, making any and every character type able to join in on the fun!  While the channel itself has diverged from the initial concept, all genres and types are welcome!  Current RP’s are usually modern fantasy or fantasy in general, but we certainly are not opposed to sci-fi, mystery, and thrillers!

RPs are typically multi-session, multi-paragraphed submissions between 2-4 players, but that of course can vary greatly depending on context and what everyone enjoys.  We keep the format loose to best fit with what you like, so we’re not going to monitor to make sure your posts are long enough or whatever.  

Rules:

-No one under 18 please! While our server does not tolerate any explicit sexual RP (keep that in the DMs, please) we would like to enforce the age restriction of no one under 18 years.  This is non-negotiable, sorry!

-Leave your baggage at the door, please.  Keep talks of politics to an absolute minimum (try not to talk about it at all, really) and don’t fish for attention.  That’s uncool.  You can certainly share fun stories about your real life in the general chats but try to keep it light-hearted.

-As stated above, no blatant or overtly sexual RPs.  Fade to black if you must, but nothing may be portrayed on screen.

-BE COURTEOUS!  The major key to any fun RP community is to respect your fellow members and the moderators!  Be respectful of boundaries, be sure everyone’s having fun and is comfortable with what you are doing, and please feel free to speak out if you are not. Bad sportsmanship or whining is not tolerated.  Just be nice and be casual, it’s simple.

-HAVE FUN!  This is where we can all come after hours to sit back, chill out, shoot some banter, and do some roleplaying!

Who can join?

As stated, Traveler’s Rest is a very small, very private community.  We would like to keep the group tight so everyone can feel included and comfortable while still able to choose their own adventures and interactions. As such, there will be an “audition” to join, and membership will be decided by the current moderators, myself and @acerin-thinks-a-thought (Tumblr page here: https://acerin-thinks-a-thought.tumblr.com/ )

So how can you audition?

Submit a message to myself or @acerin-thinks-a-thought on Tumblr or Discord demonstrating your RP capabilities (My Discord is Ichi#4937 and Ace’s is Ace#1607)  Show that you’re proficient in English grammar and writing, show that you know how to portray characters in an interesting and creative way, show that you know how to RP.  Submissions are encouraged to be 2-4 paragraphs long, but please no short stories, just a sample RP post will do.  If you have any characters, this is a good place to start showing them off!

EXAMPLE POST:

A grumbling woman pushed her way through the sparse streets, looking for any sort of structure that had a functioning roof to give her some reprieve from the rain.  Clutching her traveler’s cloak tighter around her form, hood pulled up high enough to partially obscure her view, Lachesa found a modest, shabby (but solid) building with a few poor, sad, wet, miserable horses hitched outside and a few people ducking in and out.  It’d have to do. She weaved her way indoors, letting the hood fall back with a heavy sigh.  It was packed in here; clearly her idea wasn’t an all-too original one.  It was a tiny place; by no stretch of the imagination was it ever intended to hold more than twenty people.  And from the looks of it, half the tiny little Podunk town was in here.

The servers were clearly running ragged trying to attend to so many wet and miserable grumpy patrons, and admittedly, the woman was feeling a twinge of pity for them.  If she was gonna coop up here til the rain passed, least she could do was give this dump some of her coin.  She approached the bar, asked for a pint of ale, paid for her drink, and then was set about the monumental task of finding somewhere to sit.  A tall order, as a quick sweep told her all the tables had been taken.  She’d have to settle for a chair.  Great.

Everyone was as miserably and drabbily dressed as the surrounding sad little mud-hole, save for a spark of color somewhere off to the side.  Lachesa arched an eyebrow.  It was a man, looking half-drowned and having his things all scattered about to claim the table all to himself.  That was fine, she just wanted somewhere to sit down.  And none of the other . . . patrons looked like any folk Lachesa wanted to disturb.  Crusty lot, all of them.  Lachesa was not an imposing figure by default; she was of average height with relatively plain features, light skin with black hair, half of it falling across her face hiding it with side-swept bangs.  So that made it somewhat difficult to navigate through all these bodies.  She made her way over, cradling her ale in one hand and guiding her way with a silvery staff in the other.  The staff was relatively plain and straight with a curled end that wrapped around an opaque white stone.  It’d normally just be a passing curiosity, but here where everything was brown and boring, it drew a few more stares than normal.  That, in addition to her red-purple robes that peeked beneath her traveler’s cloak.  She sat herself down next to the colorful man’s table, making no move to claim any of his staked territory.  She gave him a passing nod of acknowledgment. “Hope you don’t mind, just looking to sit down,” Lachesa said.  She gave the half-drowned man a once-over, her vibrant purple eyes narrowed in her calculating gaze, but not quite hostile.  She turned back to the rest of the tavern, keeping the man in her peripheral, nursing her drink in her gloved hands as she shucked off her cloak, her staff resting against her side.

You will get a message back stating whether your submission has been accepted or declined.  PLEASE BE RESPECTFUL OF THE MODERATOR’S DECISIONS IF WE DON’T DECIDE TO ACCEPT YOU!  Like we said, this will be a small group, so we will be very selective of who gets to join. Considerations will be made depending on number of applicants, quality of applications, and good attitude. Complaining or throwing a fit is a sure-fire way you will not be accepted.  I certainly will not tolerate it, I don’t have the patience for that, so don’t try.

JOIN TODAY!  APPLICATIONS ARE OPEN, COME JOIN THE FUN!

[skamofcolor]

I know you probably don't do discourse, but even after all the backlash with the whitewashing of sana and erasing mahdi, skam italia now had the even counterpart say the n-word in one of the clips 😬😬😬

Oh boooooooooooy lol. 

My response became extremely long so I’m gonna put it under a Read More:

Okay, so I when I first heard this happened after the SkamIt clip dropped, I was thinking about doing a post on this here, but ultimately decided against it. I did post a bit about how ludicrous the situation was on my personal blog, though, lol. But since we’ve gotten an ask on it, and it’s been a few days so I’ve had time to collect my personal thoughts more, here’s a long post about the entire situation.

Context, for anyone who doesn’t know yet: In one of SkamIt’s latest clips (the og equivalent would be that scene in S3 where Isak and Even hang out, listen to rap, make food, smoke weed, etc. and then Isak discovers Even has a girlfriend) Italian!Even - Niccolò - says the n-word. 

I actually did watch this scene to get a full idea of it, so here’s how the framing of it happens: Martino (Italian!Isak) and Niccolò are talking about music. Niccolò is like, “one of my fave artists is Earl Sweatshirt, let’s put some of his music on.” So he gets up to do that, and then goes back to the couch. They’re both holding these weird puppets that Niccolò owns, and Niccolò is like, “let’s play fight with the puppets.” As the opening line of the song comes on, he says something like, “let’s go, my n*gga.”

So this caused a bit of a fandom blow-up. Where on one side, there’s folks who aren’t horrible are rightfully mad that this show had a white boy said the n-word. And then… there are stans who have been using every excuse under the sun to defend it, including: this is Italian culture, this word has a different meaning everywhere except for English speaking countries, Americans have no right to be mad because this isn’t for them, and it’s only a word, who cares. The showrunner also put out a… charming… defense to the whole thing, which although it’s since been deleted off of Instagram, a kind Tumblr user has translated. 

So this all being put out there, here are my personal thoughts on the matter: to be honest, I’m annoyed that Niccolò said it but that’s not my big issue. My big issue is that I hate the framing and consequent defense of it. Here’s what I mean by that:

1) Yes, white Europeans, the n-word, in all it’s forms, is a racial slur. No, it doesn’t fucking matter if it “means something different” in your country. And no - you can’t fucking say it.  

First of all, I’m gonna have to call bullshit on it “meaning something different.” 

A lot of the defense I’ve seen has been people claiming that it’s “U.S.-centric” to be mad that Niccolò said the n-word. And my response to that is… And So???? Lol?????

Look. The word comes from a U.S.-context. So you cannot have it both ways. You can’t talk about this word and claim in “means something different” in your country and then not want to talk about the ROOTS of it. If this word doesn’t come from your culture, then why are you so quick to defend it as part of your culture? 

Furthermore, Italy is not free of systemic antiblackness. When Italy (as well as every other country in the world) has a derogatory term for Black people, has a history of colonization in African nations, and has seen an increase of violence and murder of Black people in this year alone? Y’all can’t pretend like just because this word is in English that it’s meaningless in a country full of racism, xenophobia, and antiblackness. 

And if you’re trying to claim that Italian teenagers are using it willy nilly because they don’t know what it means… I just… I literally can’t believe that. I just can’t believe in this day and age that folks, even outside of the U.S., do not know what the word means or where it comes from. But what I do believe is that folks do know what it means, and yet don’t care. They appropriate it for themselves because everyone loves Black culture while simultaneously hating Black people. And that’s facts. 

In a globalized world where specifically Black American culture is commodified and distributed like candy, you’d have to be living under a rock to not understand the violence behind this word. And if you are living under a rock… you never would’ve heard it in the first place. 

(In case you are one of those living-under-a-rock people, there are a thousand and one articles on why it’s okay for Black people to say the n-word and why non-Black people shouldn’t. Here’s just one of those videos in case you didn’t know. The fact of the matter is, it’s not just a word. It’s violence. And regardless of if Black people wanna use it or not, that’s NOT up to anyone who’s not Black to decide.) 

2) We have to remember that this is a FICTIONAL television show. And that every single thing that the characters do/say was CREATED by an actual human.

Okay, but fine.

Let’s go with the defense that white teenagers all over Italy are using a racial slur casually cause no one knows the violent context behind the n-word and it’s all in good fun (Sounds fake, but okay). 

So Niccolò says it because that makes it realistic, and SkamIt is going for realism. Okay. Then the big issue of this isn’t that he said it; it’s the framing of it that it’s a-okay that he’s said it that’s my issue.

Because this all has to do with the SHOWRUNNERS, who are grown ass people, knowing the context and meaning of the n-word. Because as adults creating media for young people, I damn sure will be holding them responsible for what their characters say and do. And honestly? If non-Black teenagers in Italy are really running around saying the n-word with nary a care in the world, then it’s your duty as the adult to show why that’s wrong.

 Including someone doing/saying racist things isn’t inherently bad, because I agree. It is realistic. But never showing a resolution to it or calling it out within the framing of your show just lets your audience know that A) you don’t care about People of Color and/or B) you don’t think the oppression we face is a big deal. And both, when you’re making a show for young people, is dangerous. 

Because it perpetuates the idea that racism is okay or it’s not as bad, particularly when it’s done in a casual, “not intending to cause harm” kind of way. Racism isn’t always direct intentional malice; it can include anything that perpetuates the normalization of systemic oppression. Which was the big issue with how Julie portrayed Vilde’s racism all throughout og Skam but that’s another rant.  

It would be one thing if Niccolò said it and Martino recoiled a bit or was like “bro, wtf?” But he doesn’t do any of that. Niccolò says it and then the two play with their puppets. And that’s the thing - I personally feel, that as a showrunner, if you’re going to depict the normalization of racial slurs (which you inherently do, when you have someone casually saying the n-word) then it’s your DUTY to frame it as bad. Because it is bad. Regardless of how “realistic” it is, it’s still racist as fuck. Again, especially because of the rise in xenophobia, racism, and specifically antiblackness in Italy. 

But that brings us to Ludovico’s ridiculous statement, because it’s obvious that he doesn’t agree that using the n-word was at most racist as shit and at the very least, in bad taste. And his statement, altogether, shows a very basic lack of critical thinking and comprehension as to why what happened was not okay. 

3) Ludovico’s reasoning for having Niccolò say the n-word, quite frankly, is bullshit and the most cringey white person thing I have ever read in my life, ever. 

And I think by breaking down his… non-apology… this addresses a lot of the bullshit defenses that SkamIt’s stans have been throwing at folks, too. 

“What is happening? Niccolò listens to American rap. He listens to Earl Sweatshirt. A black rapper. People who are criticising me, do they even know who this artist is? How does he look like? Do they know his father was a  South African activist and politician? Do they know his lyrics and his thoughts? Do they know that in those lyrics he always talks about the black community’s condition? And when he does that, he uses that word, that word you’re all worrying about. Niccolò, who loves Earl, is singing one of his songs, like anyone would do with a song they like.

Oh, my God.

First of all, it’s… ironic for him to pull up Earl Sweatshirt’s lineage and his music in order to defend this white boy saying the n-word. Because not only was his father a Black South African activist who was raised during apartheid and then was exiled to the U.S., his mother is a Black law professor who specializes in critical race theory! This man… is really trying to say that someone who had these parents would celebrate a white boy… using a racial slur… let’s use some critical thinking… 

Second of all, and I can’t believe I have to say this, a Black person reclaiming the n-word and using it conversationally or in their music is not the same as a non-Black person using it. If you’re not part of a marginalized group, you do not have a say in the conversation over using slurs within that group. 

Earl deciding to use the n-word, particularly in order to talk about “the Black community’s condition,” has meaning. It has power, it’s reclaiming a tool of oppression. A white Italian - who a lot of people are claiming don’t know anything about the origins of the word and thus the plight of Black Americans - using it is, at best meaningless and at worse intentionally racist. Ludivico wrote Niccolò as a character who just loves Earl Sweatshirt so much. But he wrote him as a character that loves him just on the surface - just enough to think it’s okay to use this racial slur and to “understand” the message of violence against Black people but not enough to not use a derogatory word that is actual violence against his favorite artist. Sure. 

Third of all, to me, it really didn’t seem like Niccolò was singing along to anything. He literally just says the line and then stops talking as him and Martino do their puppet fight. But that might be another argument, one that… is quite pointless. Because it would have cost him (Ludivico writing him) nothing to not say that line. To skip the n-word, to play a different song, to do literally anything else in that context. But it was, apparently, so central to Italian culture and so important for Niccolò to use this word that it had to be included. Alright.  

Are we really trying to attack Skam Italia for something like this? Do you really think we’re racist or insensitive? After all we’re doing? After all the work we do every day so we can bring values and themes that - for now, in Italy - have always been touched in such a superficial way?

“After all we’re doing”

Ludivico, what exactly are you doing for Black people and other People of Color? 

Like… he really fixed his wretched fingers and typed this out as if he literally had not made the choice to A) cast a white Non-Muslim woman to play literally one of the most iconic Muslim WoC in media history B) erase one of the few Black characters because “he didn’t have a large role,” instead of, you know, CREATING a larger role, as is his right, as a SHOWRUNNER WITH CREATIVE POWER, and casting a host of white boys instead C) has probably whitewashed their version of the Balloon Squad as well. Because yah - I’ve seen enough GIFsets of the “Martino watching a video of Niccolò playing piano” to see that there’s a bunch of white boys in the background laughing and joking with him. And it’s true; you can’t tell someone’s ethnicity by how they look. But the evidence so far is pretty damning. 

This is all to say that this a show… that has consistently refused to work with People of Color across the board. Not only in hiring actors, but it’s obviously not hiring non-white crew members and refusing to engage with fans of color. His constant excuses about why PoC cannot be involved make zero sense. He acts as though these characters are sentient beings that he has no control over instead of fictionalized people, wherein he and the other showrunners have the power to cast whoever they want, make them say whatever they want, and make them do whatever they want. 

And it’s obvious that him and his stans are the ones who are interacting with this entire situation is a superficial way. People who are calling it out, from what I’ve seen, are saying hey, this isn’t cool. Maybe we should have a nuanced dialogue for why this white Italian shouldn’t be saying the n-word. While he and his stans are crying white tears and saying this is our culture! Shut up if you don’t understand it!

In Salvini’s Italy, do you think that the main problem is a boy who loves American rap and sings a song with a word that people don’t like? Amazing.

This sarcastic deflection, I think, is exactly part of the problem. No one is saying that this is the end all and be all of racism in Italy. But using a word that is inextricably linked to physical, emotional, and spiritual violence is a part of the problem. It’s not “just a word”; it’s dehumanization. And that dehumanization of white people using it against Black people is exactly what has lead to issues in “Salvini’s Italy.”

The lyrics from American rap songs are full of inappropriate words. Shouldn’t we use them? The characters can sing them, but should they stop before that word? 

That’s… no one is saying not to use Black music lmao. But literally exactly what people are asking for is to not have non-Black people saying the n-word. If you’re not Black DON’T SAY IT. Why is that so hard.

These attacks don’t hurt black people, because they are smart enough to be able to appreciate the fact that we’re giving space to a rapper who’s really good and pretty capable of talking about their condition. 

The absolute condescension of this, honestly, makes me think that he has never interacted with a Black person in his life. Ever. And I’m not even trying to be funny. 

Look. I’m not claiming to speak for all Black people, especially in a globalized world. Our diaspora is huge and complex due to our histories of enslavement, colonization, imperialism, and violence. I’m sure there are Black people who literally don’t care about white people singing/saying the n-word. I’m sure that the decontextualization of it makes a lot of folks think it’s no big deal. And that’s fine. But again - that’s an intracommunity issue.

To have this white Italian proclaim to speak for Black people - not only here but also in proclaiming to know what Earl Sweatshirt is and isn’t okay with - is another form of dehumanization. Because it’s a catch-22. If we’re “smart enough” to not be mad at this racial slur being used, then what does it mean for those of us who are mad? That we’re unintelligent? That we’re not focused enough on the “right issues”? Once again, the lack of critical thinking is astounding. As if folks can’t understand that this is a big deal along with other forms of violence that are being enacted. 

But having this white boy say the n-word has nothing to do with “giving space” to Earl Sweatshirt or his art. It honestly just feels like a self-insert fantasy. It feels like a moment wherein these white people, once again, feel like they have claim to Black culture and language without having to reap any of the repercussions of that culture. And now once they’ve been called out, they want to be defensive. They don’t actually care about our communities or struggle. Idk how many ways I can say it but a marginalized person speaking truth to power and reclaiming a word is not the same as an oppressor using our language. 

They hurt me. You don’t know how much.

Ahhhhhh, the icing on top of this shit cake. 

Because this is the real root if it, isn’t it? Ludivico doesn’t like that he’s been called out. He doesn’t like that people are angry and that they have something to say about his racism. He doesn’t know how to just take the L and admit that he’s done something that’s messed up and has hurt people. Because in his mind, this is a personal attack. 

This is… this is Vilde dropping out of the bus because everyone “hates her” after her obnoxiously racist and Islamophobic “Muslim gangster world” monologue. But the funny sad thing is, this is a grown man. This isn’t a fictionalized teenager who doesn’t know how to confront her own prejudice. This is the root of why I’m so annoyed; because once again, we have a white person centering their own feelings over the heart of the issue. 

I’m sure I have more to say, lmao, but I am getting tired. 

TLDR; IMO, Niccolò saying the n-word with no repercussions was bad and Ludivico’s obnoxious “explanation” only made it worse. 

- mod Jennifer