#this fic meant a lot to me

[silverstarfics]

Annnd that’s a wrap on this lil fic (which I will probably revisit because I love writing Tracys and cats)

[somnimagus]

My page for @sheikahzine; about Impaz's duty to her village, empty of people and full of memories.

[id in alt text]

[facefullofsadness]

hey so-

.... yall know the fics where y/n and idol are from different groups and have a collab stage and are practicing late at night in the studio but the choreo is so steamy that there's a bunch of tension between them and they fuck against the mirror? yeah uhm, THIS IS THEM LIKE THIS IS LITERALLY THEM, THE CHOREO AND THE IDOLS I STG. YALL WATCH THAT BTS VIDEO OF THEM PRACTICING?? "of course a puppy is naturally attracted to a cat" or whatever gay shit yujin said like guys...

[omo321]

“Are you crying?” Fina exclaims in alarm. Tsurumi is equally startled when he wipes at his face and his hand comes away wet. Not once had he shed tears, not even when he’d lost them. Pulling a chair up to him, Fina dries his cheeks with soft dabs of her handkerchief. With her hand on his shoulder and her beautiful, bright eyes soft with more love than Tsurumi can bear, she waits for an explanation that he cannot give.

gnawing on "theatre" by Saengak again... it's free serotonin to me

[kyriathanatos]

I can’t stop thinking of a moment from my disco playthrough. A confirmed bug in the dialogue, and yet it meant so much to me…

that morning I had decided I was going to belt out my soul in karoke that night, and through the events of the day, I ended up having to send Kim away that night with the body from the fridge. So, after he was gone, I dressed like a man possessed by a gay theatre troupe and let out the perfect rendition of the saddest song in the whole world. “The smallest church in saint saëns” And I dedicated it to my partner, “Kim Kitsuragi, who isn’t here right now”

Later on, at the end of the story, as my previous partner grilled me on the case, Kim remarked that I sung very well that night… much to his own dismay

And I can’t stop thinking about that. Maybe he hadn’t left yet. Maybe he was having his nightly smoke by his kineema before he left with the body. Maybe he heard the music kick on as he was leaving, and watched from the door. Or from the window,

But he listened. He heard my song. He decided to stop and hear it. He listened to Harry belt out his soul. And that really sticks with me, bug or not.

[bleue-flora]

i need ur opinion on angel cdream

I’ve literally had this for weeks and this is still all I got…

[kaprisvn]

Hi!

I'm a little confused about what Y/N works as. To me, they look like a manager, kind of, but they have a staff hat, so I assume that means they're a lower/general employee. Do they work with Sun and Moon directly or do they just see the boys often when they're working?

Sorry if this was asked before!

-An interested anon :))

P.S. you're art style is beautiful <3

You have activated my trap card, dear @chor-reblogs >:)

So, this is something I'm INCREDIBLY glad I got an ask for, as Y/N's role is very plot relevant to the catalyst event of the fic. (In a way...)

To start off, you're actually half-right on the manager idea! In Chasing Stars, every Pizza-Plex employee is meant to have a 'supervisor' for the first month or so - the person they can go to for help or clarification instead of bothering upper management with their plebeian pleas. This supervisor is also meant to give the employee under them their welcoming tour, along with their uniform. The supervisor is always the most experienced (via time there worked) in the same position (ex. food staff, custodian, P&S) as the person they're supervising, and don't actually have much authority over them.

This is how things usually go, HOWEVER, when Y/N was accepted into their role as General Staff, there wasn't anyone else currently in that position (the previous ones 'left' rather quickly. Hm.) This resulted in them not receiving a supervisor, along with a stark lack of instructions. Sucks for them I guess!

But what sucks even more is that shortly after being hired, ANOTHER general staff member joins the team, and since Y/N is technically the most experienced General Staff member... They become her supervisor.

Who is this mysterious girl? Why, Vanessa A. of course!

Vanessa's nickname for the reader in the fic is 'Boss', and despite Y/N trying to correct her that: A. They have have literally no jurisdiction over her and B. That they're just as clueless as she is, she insists upon the name. Even after she gets put on Security duty due to [SPOILER], she keeps term for Y/N. (Interspersed with a more fond nickname that I shall not disclose yet).

Vanessa and the readers relationship is a significant and complicated one that's going to change a lot throughout the fic. In fact, I'd call it the second most important relationship in terms of plot/themes, after the DCA. But overall, I'd say they're... 'good friends'.

As for the last part of your question - which yeesh, sorry for the yap session - the role of General Staff is to do whatever odd jobs are left over after everyone is assigned their work, but more importantly, they can be called on by any animatronic or other staff member that happens to need help with their job. You can basically summon them like your personal butler. Of course, Sun and Moon abuse this ability to the extreme, which means that Y/N ends up working with them very often. (I mean, the daycare just gets so busy and we're so understaffed!! You understand, don't you? And- we finish the work so quick with YOUR help that you may as well stick around awhile longer, right? Management won't care about a few missing minutes... or hours. We won't tell if you don't :) )

(PS. CS! Vanessa's personality is very inspired by @/naffeclipse, because by god I love her interpretation of the character so much.)

EDIT: I don't consider any of this to be a spoiler btw! You learn all of this within the first 2-3 chapters :3

[jackels-in-space]

Oh Lordy the AI “writer” is like “I spent 15 hours editing and getting rid of any OOC”

So…my fellow authors…how long would it take you to write and then edit it out 9k words?

[miraculouslbcnreactions]

The fandom can't make up its mind on what's supposed to be a joke and what's supposed to be serious because the show can't either half the time. It's a tonally disjointed mess that wants to have absurd over-the-top humor as well as a plot and moments of drama, romance, and angst that demand you see the characters as people and feel for what they're going through. Except you can't do that without also treating the dumb bullshit in a somewhat grounded way. Like, you're still dealing with the same characters. You can't just go "Oh, that? Let's ignore that!" the moment it's no longer convenient to you. You've opened this can of worms and now you have to sleep in it. So, every character flip-flops between two different versions of themselves depending on what the writers need in any particular scene.

This is not to say surreal humor can't be used right alongside characters you're supposed to empathize with, Teen Titans (not Go) did that and it worked. It's just that the absurdity can only come from the setting (Mad Mod, Mother Mae-Eye, pretty much anything Control Freak is in) or from designated joke characters (Date With Destiny). Teen Titans never had the main characters acting in clearly absurd ways as the butt of a joke unless those characters were brainwashed somehow, because the writers knew that would ruin any of the more grounded moments they wanted to write. The writers of Miraculous missed the memo on that one.

I don't disagree. A perfect example is Derision where the show takes all of the bad jokes about Marinette's crush and decides to take them seriously as if you can possible take them seriously without making Marinette come across as unhinged and dangerous. You can't, which brings us to the topic at hand: how do you even begin to understand these characters when the show is constantly making character-breaking choices?

My approach - and the approach I recommend others take if they're going to keep watching the show - is to focus on the characters' cores and reject anything canon does to violate those cores. I don't argue for this stance because I love the characters so much that I only want the good things to count. I take this stance because, if you don't, then the characters fall apart. There is no way to make them work as fully realized characters while embracing every choice canon has made. Miraculous has massive characterization issues that go well beyond the humor.

For example, Adrien has multiple moments of terrible behavior that are played in a serious manner such as the moment in the episode Frozer where he tries to start a fight with Ladybug in the middle of an akuma attack because she wouldn't accept a rose from him earlier:

Setup

Ladybug: I can't accept this rose from you. I told you already. I'm in love with someone else. Cat Noir: I know, M'lady. But if he weren't here, would things be different between us? Ladybug: Well, you know, I can't even begin to imagine him not being here. I'm sorry, Cat Noir. I really gotta get going, and you better do the same. (Swings her yo-yo to head back home; Cat Noir is sad, looking downwards, with one petal of the rose falling.)

Payoff

Ladyice: Cat Noir. We need to set up a trap for whoever turned the city into a giant ice rink. (throws yo-yo) Icecat: (bitterly) My feline instincts prefer to track and observe before I attack. You go your way, I'll go mine. Ladyice: Please don't tell me you're mad at me about the rose. Icecat: There may be a certain chill now between us. Ladyice: I get it, but we should really focus on saving Paris right now. Icecat: We don't always have to do everything together, after all. It's not like we're a couple. (skates away)

There's no way to argue this off as a bad joke. While Adrien has every right to feel hurt, those feelings don't excuse him acting like a pouting child in the middle of an akuma fight. It doesn't excuse him acting like this at any point! Ladybug is not a villain for telling him no. She wasn't even mean about it!

I clearly fully agree that Adrien looks awful and selfish here, but I'd still argue that it's not something that should be used to define Adrien's character if your goal is to tell the "ideal" version of Miraculous. "Ideal" being the version that canon seems to be going for based on the overall picture we can sort of make out if we back way, way, way up and look at the extremely abstract picture canon is clumsily painting.

Unless canon is going to do something monumentally stupid, Adrien is Marinette's endgame romantic interest. It's also clear that there is no plan to cut him from the team. He's going to be Chat Noir for the rest of his life or at least well into his adulthood. This means that he is supposed to be a good hero who deserves his miraculous just like he's supposed to be a charming and cute romantic lead. These are the two things I keep in mind when trying to shift through canon to figure out what writing choices I should fully embrace and what writing choices I have to either ignore or treat as true flaws that get an actual character arc. In my book, either approach is fine because most of the characters are deeply flawed at this point and you can't give them all arcs without bloating the story to nonsense levels.

My goal with this approach is never to say, "oh, that moment shouldn't count in terms of how people feel about the character." It's more, "that moment goes so hard against who this character is very clearly supposed to be that I can't take it into account if I want to tell the kind of story that Miraculous is trying (and clearly failing) to tell."

As an example, let's list off Adrien's worst behaviors. The things that make him look terrible:

He sucks at communicating his needs and feelings, leading to multiple moments where he gets mad at Ladybug for things she's totally unaware of

He has quit or considered quitting without warning multiple times and only one of those was because of something he did "wrong" (NYC Special)

He puts his feelings before the safety of Paris on multiple occasions, even going so far to purposely miss akuma fights to see what happens

He is incredibly pushy about his crush, often ignoring Ladybug's feelings on the topic by continuing to bring it up even after she asked him to stop

There have been multiple instances where he almost cataclysmed multiple people in a fit of anger

His love for Ladynette isn't strong enough to let him break free of things like akumas and nightmare dust even when he's looking her in the eyes making him a pretty crappy romantic lead

People will argue that some of this behavior makes sense for his character because of the abuse that canon has technically introduced, but that the writers seem blissfully unaware of. I don't disagree with that argument, but that doesn't change the fact that none of this is acceptable behavior for a hero and Adrien is a hero who keeps doing these things. A sad backstory doesn't give you the right to behave poorly without consequences.

At the same time, if I fully embrace these elements of canon, what I get is an Adrien salt fic where he loses his miraculous for good while Marinette finds her real true love or even just a non-salty fic where Adrien leaves for his own meatal health and gets replaced by someone who can handle being a hero right now. Canon's not writing either of those, so the only way to engage with these flaws while enjoying canon or aiming for the same end goals as canon is to say, "I guess this doesn't count" or "I guess I need to tone this way down and work through it via a character arc" or even "I guess that was just a bad joke maybe?"

That is the essence of what I mean when I call myself a writing salt, character sugar blog. It comes from looking at canon and seeing that there's simply no way to embrace the worst moments and the best at the same time. We're not dealing with a coherent plot and/or complex characters. We're dealing with a nonsense plot that will warp the characters to bizarre shapes to make random ideas work even if those idea go wildly against canon's end goals.

As an example, Glaciator and Frozer should not exist in the same universe or, at the very least, something should explain why Chat Noir randomly changed his stance on Ladybug's crush from acceptance to pushiness. As is, the pieces don't fit together. The behavior is too contradictory. Remember, this is how Glaciator ends:

Perhaps Ladybug will love me someday. I mean, like, I love her. I have to believe. In the meantime, her friendship is the best gift of all.

Where did this version of Adrien go? Why did he regress in Frozer? There's no in-universe reason. It happened because the writers weren't ready to let the love square date or grow close, but they also wanted the love square to cause drama, so Adrien ends up looking terrible just like Marinette ends up looking terrible when it's her turn to cause love square drama. Her terribleness takes a different flavor so it can be hard to realize that this is a systemic issue, but that's what it is. It's deeply frustrating, but it also clearly stems from cheap writing and not quality characterization.

This is also why my stance is that canon as a whole only supports my Doyalistic core-character analysis style of approach. The writing is too poor quality to do Watsonian analysis where you embrace the full picture and try to put it all together. The closest I'll get to Watsonian analysis is pointing out how much the writing botches a Watsonian take by showing you all the way the writing contradicts itself, twisting into a nonsense pretzel of frustration where the payoffs never satisfy! (See the season four rant for an example or anything where I talked about Chloe's supposed damnation arc.)

There are even characters where canon is such a total mess that you can Doyalistically argue for two separate takes! Gabriel is a perfect example. He is all over the place and his ending was so poorly handled that you can make strong arguments for writing him as a cold-hearted villain or a sympathetic villain without the end result feeling like it spits in the face of canon because both takes maintain his one core element: villain.

That's the big thing I keep in mind when I look at the characters and the lore and the plots and try to come up with versions that the average fan would like. I don't think that there's one true version of any of these things, but I do feel comfortable saying that there are versions that will very clearly only appeal to people who are salty about a specific thing that canon did poorly. That's not who I want to appeal to in my adaptions, so while I'm not going to argue that those takes have no backing in canon, I will argue that those takes are not supported by canon as a whole. Embracing them requires you to take the worst parts of canon at face value while ignoring what canon is clearly trying to do with the overall story.

I get the appeal of that, but it's not fun for me because that approach feels like rolling around in the mud with the pigs. I don't want to sink to canon's level! I want to have fun! That's why I talk about how to make canon into its best self, not its worst self. If you want its worst self, just go watch the actual show. I will be shocked it if disappoints you.

[gbirrd]

Final piece from the @batfam-big-bang ! This one accompanies "Inside and Out", a fic written by @princessjaqulinechess1031 which you can read here!

This one was honestly a nice change of pace from the tarot cards, hahah. It was nice to go for somrthing closer to my usual style whilst still testing out something a bit different and more painterly which I dont normally do haha

Dick Grayson stands in profile facing left, with one arm around a de-aged Damian Wayne-Al Ghul and the other cradling his head as he presses a kiss to the top of his head. Dick has messy hair and prominent eyebags, and is wearing a batman-themed baby carrier that the sleeping Damian is strapped into. The background is a simple cream colour and the image is painted in desaturated colours with an overlay the same shade as the background. The artist's signature reads "GBIRRD" in the bottom right corner.

[frownyalfred]

Words/phrases I often see from British/Australian writers while writing American characters (and some American alternatives because I know it’s tricky!):

Bugger (American: fuck/fucker)

Flat (American: apartment, “my place”)

Bloke (American: guy, asshole, dude)

Queue (American: line, checkout line)

Cuppa (American: cup of tea, hot tea)

Shite (American: bullshit, shit, crap)

Some of these are regional, like all of the various American words for the British “trolley” (American: shopping cart, buggy, cart, etc) but most of the above words are pretty ubiquitous.

[necrotic-nephilim]

there is not enough femslash in batcest circles. the girls deserve to be just as weird about each other as the boys are. if BruDick gets to be weird father/son/brothers/lovers/friends/rivals/soulmates then it is only fair that Babs/Cass get to be mother/daughter/sisters/lovers too. Something about that deep intrinsic but undefinable love that is born out of trauma, especially if you consider Cass not knowing what healthy love looks like in the first place. i think it's fun and deserves just as much fandom content.

besides that, you can get even more niche with rarepairs like Helena/Steph. Huntress/Spoiler: Blunt Trauma is already a fantastic comic and even though it's their only real canon interaction it has so much potential. very comparable to TimJay in how Helena tries to get Steph to understand her morals and the corruption you could play with it.

batman: huntress/spoiler: blunt trauma (1998)

that comic also highlights on how both Steph and Helena are outcasts of the Batfamily and don't have the approval of Bruce to be doing what they do in "his city". I think there's so much Potential in Helena taking Steph under her wing because Bruce won't let her in and it becomes a weird codependent toxic sapphic mess. I think the protectiveness Helena feels over Steph from the get-go is so clear and the way she wants to look out for Steph, wants to make sure Steph understands the real world? I love them. Helena should be allowed to steal Steph, actually. I think it'd be fun.

there are a lot of other possibilities too like Babs/Steph or even getting weird with Helena Bertinelli/Helena Wayne and the existential question of "is it selfcest or not." But these two specifically live in my head rent-free, especially Helena/Steph and one day I'll convince everyone else to ship it too.

[friszil]

i'm not much of a doorkeay shipper but every time i think about "anybody else" by dom fera as michael distortion and gerry my brain stops workingi'm like ndksodmrnwpalsnfne oh ogdo oh my ogooooood oh god oh ood please no

[perpetuallyfive]

the smell of blood on concrete [2/15]

Arcane, Vampire/Werewolf AU, Caitlyn/Vi

Summary:

One of the best things about becoming a monster is how much it changes up your pain tolerance. Vi can take even more hits than she used to, and it’s like she feels nothing at all — ever. Caitlyn can see the advantage in that, both financially and maybe some other ways too.

When you’re nearly immortal, you develop an eye for that kind of talent.

Or: werewolf Vi fights in the pits to finance finding her sister and vampire heiress Caitlyn wants to be the one holding the end of the leash.

Chapter Word Count: 5,653

Preview:

She stomps her feet to get the boots firmly set before kneeling down to tie up the laces. Peeking out at her new eye level, around the corner of the living room door, she spots the girl from earlier. Small, curious — she thinks that Ekko called her Isha?

“Hey, kid.” Vi finishes the last boot and fixes her steady gaze on the girl. “You know where they keep the car keys?”

It’s been a long time since she let herself really look a kid in the eye like this — not since—

“I’m driving.”

Vi recognizes the voice as belonging to the scar-faced big guy she met when she first arrived. “Ekko doesn’t trust me?” She tries to hide the annoyance as she stands back up, nowhere near this guy’s height.

He can probably still hear it in her voice. “He’s worried you’ll be too tired to drive back.”

“Or he’s worried I’ll get my ass kicked too much.” Vi tsks, crossing her arms. “That’s bullshit.”

Scar-face shrugs and reaches past her for the door. “It’s me or the train.” He gestures outside. “You coming?”

Vi’s starting to suspect this whole feeling like a fucking stray at Ekko’s house thing is going to become part of the routine. She’s not sure she’s going to be able to stand it.

“Sure,” she mumbles, shoulder checking him on the way past just for her own peace of mind. “Whatever.”

[yesimwriting]

thinking about finnick odair a lot these days

[stupidlittlespirit]

I got a few comments on the last chapter about not understanding Ford's accusation/Reader's confusion, and it makes me think that some of youse are not paying attention to the miscommunication tags........ You're supposed to be confused. That's pussy, babe!