#this feels so significant to me

[beeribas]

Wait wait wait, you mean to tell me that tomorrow night is the full moon, it's the last supermoon of the year, it is exactly ten days before the mini moon is set to leave orbit, it is exactly in the middle of the month, and it is the night before Hekate's night?

[bereft-of-frogs]

There’s that post that’s like ‘everyone should get into a tiny niche fandom at least once’ fully agree, that was really fun -- but I would like to add that everyone should get into a fandom where their opinions run counter to major fanon because it really teaches you about sticking to your guns and trusting your interpretation of the text without having to rely on peer validation

because WHAT are people talking about sometimes

[hinamie]

off on an adventure ! this au turns 1 week old today

jjk atla!au with @philosophiums

pose ref [x]

[egophiliac]

another one that I'm not super happy with, but continuing to mess with it isn't going to help! so here he is! 🦇 there was a lot I was trying to get across in this one, so uhhhhh hopefully it reads.

we're almost out of unique magics now...just Ace (and maybe Grim?) left!

[poorly-drawn-mdzs]

Sorry for not having a Year of the Dragon MDZS artwork; Unfortunately, I can only picture Dragon LWJ in this particular flavour.

[liauditore]

how many belts and buckles does she need someone save me.

[twig-tea]

What I'm left with after episodes 1 & 2 of Love in the Big City is a visceral reminder of the yawning loneliness of isolation that comes from otherness, finding a kindred spirit, and then the betrayal and heartbreak at knowing you're no longer each other's most important person, and how society expects that to happen but somehow you (I) got blindsided by it anyway.

This show is beautiful, bitingly funny, and quietly devastating. And it is so, so gay. The way Young describes the relief of returning to the loud music and lights and packed dancefloor of the club is the same feeling that washed over me watching this show; even with these sad themes around the loneliness of our 20s , the familiarity is ironically a warm and comforting reminder that we're not alone.

[shimmershy]

Buttercups and Golden Flowers

[merlins-strawberriesandroses]

The thing no one ever considers while writing up character analyses about Merlin is that. he must have been sooooooo sleepy.

[reksink]

Miscellaneous Rain World Pens 💚

[uncanny-tranny]

The thing that gets me about history and humanity is that you never know what is immortalized, and the things that will be immortalized are things you would never think.

I saw a person sharing a new tattoo, and it was one of Onfim's drawings. A boy who lived so long ago he is barely a blip now, but his drawings meant so much to people that somebody is now permanently marked in their skin with one of those drawings. Do you ever look at the things you make and just sit there and wonder if this is the thing that future people look at? Do you ever look at your art, your writing, your schoolwork, or anything that is yours and just wonder who will find it, who will fall in love with a piece of your humanity and become overwhelmed with emotion over? It's not unlikely. It's not totally unlikely that somebody will find a piece of you in the distant future and devoid of any other context of who you were will still love you because you were here. You were here, and you are still here, even hundreds or thousands of years later. Treat yourself with the same love that so many have for dear Onfim.

[werewolfsmile]

Just watched The Big Bang Job again today and I rambled about this in an earlier post reblog but it deserves its own post..

The way Eliot dresses makes so much more sense after meeting Moreau and his goons. He rejects all notions of being anything like those well dressed men in their suits again. So blank and uniform, just another soldier in Moreau's private army.

That's why his shirt is always untucked, sleeves rolled up, collar unbuttoned. Not to mention the hair - the biggest rebellion is his hair. A constant reminder of who he is now that stays the same, no matter what he wears.

And it just makes me think how this is such a good representation of the identity crisis he went through (and let's be real, is still going through).

Eliot used to be one of those men. He had his hair short, wore the tailored suits and carried the guns. He didn't accessorise. He suppressed every aspect of an individual personality in order to fit the role that Moreau had for him.

Sure, we're not blatantly told all of those things in the show, but we can infer, simply from looking at Moreau's goons and how they're presented.

Seeing Eliot surrounded by those goons in the pool scene is more than just showing us the threat to Eliot and Hardison - and also the threat that Eliot and his reputation present. It's about showing us the demons of his past, the nightmare that he doesn't want to go back to. Eliot had alluded to his past before but it's been nebulous. Now, we finally see that past take shape and it's hideous.

But Eliot didn't stay like that. He got out - he got free - and he has been reclaiming pieces of himself ever since. Until, finally, he's the evolving Eliot that we know and love. He prefers to dress casual and relaxed, with strong reminders of his roots throughout. He keeps his hair long and loose - not military regulation, not 'professional' as far as male standards go, not even convenient for fighting. It's all a way of stealing himself back, and making sure the differences between who he was then and now are stark and vivid.

I could keep rambling but this is already twice as long as I intended. Just ... Eliot Spencer. He still doesn't view himself as a better man, never mind a redeemable man, but he is. When compared to those goons, his transformation is clear as day.

[shima-draws]

THAT right there, ladies and gentlemen, is a LOVE CONFESSION

[hinamie]

fire nation festival wear aka a blatant excuse for me to push atla clothing design conventions to the absolute Limit

jjk atla!au with @philosophiums

[bonefall]

It's so funny that your idea is that DOVE should be the one mad because of course they make Ivy throw a hissy fit about their circumstances being different. Girl, your daughter chose to make a valiant sacrifice. Her kid's death was entirely preventable

To be clear; I'm unsure if they're going to give Ivypool another hissy fit. I only read that there is apparently going to be a scene where Dovewing and Ivypool (and also Icewing) bond over having dead kids.

And, I don't really like the idea of that, on its face. Even if this scene is written to be a very straightforward, positive moment of understanding between all of them, I feel like Dovewing's situation is so different from the two of them that I'd find it interesting if she was kind of offended by the comparison.

ESPECIALLY if it was Ivypool making an attempt to connect with Dovewing over this, y'know? Assuming she's totally being good intentioned here, legitimately trying to connect with her estranged sister over what she thinks is a similarity.

Bottom line is, Bristlefrost laid down her life to end tyranny. Beetlewhisker was an adult who chose to take the offer of demon training, and died standing up to Brokenstar. Rowankit was a baby, sick and in pain for days at his mother's belly while his father and older sister raced for a cure, as a parcel of lifesaving medicine sat untouched in the next territory over.

If anything, I'd prefer an Ivypool hissy fit, because I'd like to see her be framed as unreasonable, OR show how bereavement is causing her to lapse into old, bad behaviors. I strongly hope the narrative will examine the differences here (ESPECIALLY if this SE's theme is grief) instead of having the three of them "connect" in an uncomplicated way.

[poorly-drawn-mdzs]

While you were fighting in the war, I was falling in a pit.

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