#this entire episode was phenomenal

[sazernac]

The scene where Rhaenyra finds Luke and Arrax’s remains is so monumental because it’s the physical evidence of the devastation she feels. She needed to search the sea banks to see the horror of it all, not just hear about it from people who weren’t even there. Syrax’s pain is evident here too because Arrax emerged from one of the eggs she had laid, so the losses suffered by both dragon and rider are dually felt and serves to bond the two even more than they were already.

[lucreziagiovane]

Never presume that I will not act on my worst instincts.

[danielslaw]

PADDY CONSIDINE AND MATT SMITH AS KING VISERYS I TARGARYEN AND DAEMON TARGARYEN HOUSE OF THE DRAGON SEASON ONE EPISODE EIGHT.

[cerise-on-top]

Hank, Sanford and Deimos with a Reader who does Handcrafts

Gonna post my old MadCom stuff since people seem interested in it! I didn't write too much back then, but I'll post it anyway and hope for some MadCom requests as well! What the title says! Reader knits, crochets and embroiders in this! The format is different from how I usually write, but that's because I wrote this months ago, if not in 2022! I don't remember when, but it's been a while since I wrote this!

Hank

If you get his attention while doing one of your crafts, expect him to just stare at you for a while. He knows what knitting is, since you can use those needles to stab someone with enough force, but he never really cared much for any of it. So, seeing you do those small, but precise movements has him somewhat curious. If you beckon him closer to check out what you’re doing, he will approach you, taking your piece from your hands and gently examining it, before returning it to you.

While he won’t join you that often due to his occupation, Hank will lie down next to you from time to time, watching you work until he falls asleep eventually. Doing so next to you, especially when you’re knitting or doing embroidery, takes a lot of trust on his behalf, so it’s a rather rare occurrence, but it might happen. Still, sometimes even Nevada’s most wanted can’t resist getting some sleep in.

If you give him a scarf or anything of the likes it might seem like he doesn’t like it at first. As he only grunts in acknowledgement and doesn’t wear it, it might seem disheartening at first glance. But rest assured, he’s well aware that him wearing it would only get it covered in blood, and he wouldn’t want your creation, that you put so much love into, to get sullied like that. Hank does keep it somewhere hidden where only he can find it so that it won’t get stolen as well, he truly does treasure anything you give him.

Sanford

He has helped his mother crocheting every once in a while when he was young by holding her wool for her. Sanford always thought it to be really cool how you can make something so beautiful out of something as simple as wool and yarn. Much like he did when he was younger, he’ll hold your yarn for you, making it more comfortable to knit or crochet for you. Unlike Hank and Deimos, he will try to learn it as well. It seems relaxing, so why not? But by no means is he a master. Due to his strength, he will likely rip the yarn and wool apart from time to time and come to you for help.

In order to relax and unwind a bit, he’ll likely come to you and ask if you would like to practise your craft for and with him. Having you around in and of itself already makes Sanford happy, but just getting to spend time with you without having to worry about being killed by the enemy makes it all the better. If you let him, he will hold you close, lean into you, put you on his lap, anything you’re comfortable with.

Please give him a sweater. Because he’s never wearing a shirt he gets cold fairly easily. He’ll cherish it dearly and wear it whenever he can, and whenever he knows it won’t get ripped. Another thing he’d be very happy with would be a piece of embroidery. It reminds him of better times and gives him hope, especially when your piece of art is something pleasant and sweet to look at. Because of that, he will put it up somewhere in his room where he can always see it. Even if Deimos makes fun of him for it, he will simply lightly jab at the smoker, all the while smiling at it.

Deimos

He’ll lovingly call you a grandma for having hobbies like these. Even while doing embroidery, where you stab things thousands of times, he will snicker at you whenever he catches you doing any of these things. Though, he doesn’t mind that sort of thing at all since that means you’ll be sitting still for a while, meaning you’ll give him a chance to unwind with him. Deimos will wrap his arms around you, leaning onto you or just cuddle into you in general. No fighting, no getting hurt, just watching you do the same movements over and over again.

Despite possibly calling you boring, he does have great respect for your craft, since he can’t do any of it. It’s too tedious and he can’t sit around for long enough doing something like this. It’s simply not exciting enough. But the moment you give him his first sweater, he will think it’s the most awesome thing to ever exist. Proud as a peacock, he will flaunt and taunt his new piece of clothing, especially to Sanford and Hank, declaring just what a great lover he has.

Present him with a plushie and his mind will be blown. He always thought knitting and crocheting are just for woolly hats and sweaters and scarves and all. If he sees you made him a tiny grunt, he will simply lose it, run around the Status Quo base and show everyone what you’re capable of. It doesn’t even matter to him whether or not it looks good. Your hands are magical to him and absolutely everyone has to know just how cool and epic you are.

[hopeinthebox]

tagged by the fabulous @cordiallyfuturedwight and @jimin-gaon <33 here's the december list

apologies for being late again new year same me: @aprylynn @jiminsproof @pauls-mccharmly @thvinyl @visionsofgideontheninth @btsbs @kimchokejin @jihopesjoint @eoieopda @monismochi 💜 and anyone else who feels so inclined MWAH p.s. please do tag me anyway if you've already done it

[keepthetension]

least realistic thing about ep 5 is these two having their cute little moments in the market touching and sniffing all these flowers and having none of the flower sellers come and yell at them for not buying anything

[theromanticrationalist]

Young Sheldon Series Finale: 7x13 Funeral

So, I was delayed in watching the finale because I actually wanted to watch it with my own Dad, but AHHHHHHHHHHHHHHHHHHHH.

😭

Damn, damn, damn, DAMN DAAAAAAAAMN!! So, that Funeral episode hit and it hit hard. (Did they really HAVE TO HAVE AN OPEN CASKET FOR THE LOVE OF GOD...ughughughughugh) The writing for that episode was the crème de la crème, and I think is the cathartic thematic climax of this series. The final episode was necessary for transitioning between YS and TBBT, which brings both stories together, but as far as the story YS was telling, Funeral was the show's end. It isn't a perfect ending and it wasn't a pretty ending, and in fact is quite devastating in so many ways, but it is truthful to Sheldon's journey, and to the human experience.

When Sheldon got up in front of the church to say a few words, playing out the scenario as he wished he had done it, that was the moment. The whole episode is Sheldon processing his grief - imperfect and messy as he has literally no tools or precedent to fall back on - as he replays his father leaving that fateful day over and over, tweaking it each time to make it "better". With a young man with an eidetic memory and a compulsive need for his reality to be orderly (and the fact that he believes in the Many-Worlds Interpretation), this would make sense. He begins be utilizing Star Trek (Spock's death) to filter it and provide context, but that no longer proves sufficient to the crushing and terrible emotions of what he is experiencing. That was a tool he used for when he was a boy, but now he has been thrust into the world of manhood in absolutely the worst way possible. What is it that will speak truest to what he is going through than the bare naked truth?

"I've been thinking a lot about the last moments I had with my Dad. It was morning and he was leaving for work. He said "See y'all later." And I said nothing. I regret that. I could have said bye. Or asked him for a ride. Or told him that I loved him, but I didn't. I barely noticed that he left. So many times that I didn't notice my father, I hope he knew how much I loved him."

From the audience's perspective we have been watching Sheldon play the scenario many times through his mind, and to have the rug pulled out from under us at this moment of all moments, to see that this too was only just a scenario (played out by Sheldon Prime), is exactly what it is like living in this world, enduring this life - not just for Sheldon but for all of us. In one of my previous posts I mentioned how I loved Sheldon Cooper's story because of what he could teach us. This episode encapsulates it in total. He can teach us that you cannot quantify life, you can't organize it so that everything makes sense and plays out in a well-structured narrative and format, where every feeling is named and every event categorized. Life is myriad, so much richer and so much fuller and so much wilder than anything we can imagine or think up on our own. It is what makes it utterly terrifying and wretched, but it is also part of its beauty and purpose. Sheldon Cooper comes to realize this, but he is only able to have this deeper understanding after first living it. Sheldon Prime's concluding narration at the end of Funeral is Sheldon Cooper's story taken as a whole - past, present, future - the life in movement. Of course young Sheldon would not experience his father's death in its completeness. He is the midst of it. He is trying to survive it. So I love the realness of Sheldon's "imperfect" response to his father's death in the fact that he didn't respond to it. He quite literally did not process it, and instead ran away from it. It is painful, brutal, but truthful. Yet that was not the end of Sheldon Cooper's story, as we know, and I think that leaves us with hope, but it is a kind of hope that must be waited for with profound patience.

Although I myself have not gone through the loss of a parent like Sheldon has, I still have gone through devastating and traumatic life events, so I am very familiar with the inexplicable and violating nature of grief and loss. I am still processing that grief and loss, so these thoughts I am sharing with you all right now are pretty recent revelations, and quite literally me living them out in real time, so it might be a little messy...hehe.

However, I will end this by saying that none of these truths mean that life is arbitrary. It doesn't mean it makes life meaningless. Just because human endeavors cannot place life within a context that he himself can first create and then comprehend, doesn't mean that life doesn't have a context and that that context can't be understood. It just means that that context comes from a different Source, an external and eternal one (and I will say, by necessity, a paternal one, but that is a thought for another day!)

Fitting then that the episode, and Young Sheldon, should end with the recitation of the Lord's prayer:

“Our Father in heaven, hallowed be your name. Your kingdom come, your will be done, on earth as it is in heaven." | Matthew 6:9-10

[negativespace06]

THE MURDER DRONES FINALE WAS SO GOOD DUDE

[federfleisch]

The ending of season two episode two ("Grilled") is so good, the way Jesse's car hydraulics slow down then eventually stop as Tuco is dying then there's just silence until you hear Hector ring his bell. Chilling

[biblicalhorror]

Mad Men s1e9 "Shoot" really is That Bitch

[guardianspirits13]

And look. Netflix has cancelled a lot of beloved and well-received shows over the years. This is far from their first shameless cancellation.

But this one really feels like a tragedy in a way the rest really haven’t, for me.

If you have not seen it, this show has some of the tightest writing I have ever seen. It explores so many ideas and character arcs in the span of eight episodes, and there is not a dull moment to speak of. Every line feels intentionally crafted for the character it is assigned to, and the actors never fail to follow through.

Speaking of the actors, almost the entire main cast are in their breakout roles but you would never know it because they are phenomenal. Need I remind you that everyone’s favorite homosexual from hell (sorry, Cas) is played by George Rextrew, and is his first onscreen role beyond acting school. It’s easy to forget that considering how seamlessly he melts into such a nuanced and uniquely expressive character.

Steve Yockey, the director/writer/producer who made this show happen deserves accolades for his brilliant creative direction and an adaptation that took an under-the-radar comic property and made it into the show stopping narrative of cycles of violence and abuse and learning how to grow from your past and be loved as you are. In EIGHT EPISODES.

The cinematography is also stunning and combined with the sharp editing decisions make it just as visually impactful as it is narratively.

I have not enjoyed a show as thoroughly as this once perhaps since season one of Daredevil like, a hundred years ago. I’ve watched other shows, I’ve liked other shows, but none without a healthy dose of criticism. I struggle to find something bad to say about this show because it is just that good.

Now I’m not going to go into the fact that this show was unapologetically queer and that Netflix has a history of cancelling any show that features a gay character that isn’t either comic relief or has two lines. However, it is hard not to notice that the less divisive a show is, the more market appeal that it has, and Netflix definitely cares more about a majority audience of passive users with autopay subscriptions than they do a dedicated fanbase excited to have something to call their own.

To quote Bo Burnham, “Art is dead.”

[i-like-media]

I was wondering when they were going to play with the fact the Doctor is black now. 13 being faced with how people think of women was one of my favourite things in her era, so I was curious how they were going to treat his skin colour this season, if at all.

And honestly, Dot And Bubble exceeded all my expectations on the matter!

What a lot of episodes about racism and bigotry do is coddle the viewer. They make clear early on "this is an episode about RACISM and why it's WRONG!" As if you've never heard of the concept before and don't know it's bad. The episode will often portray racism in an extreme sense and show the viewer the main characters are above that.

What Dot And Bubble did, for the entire episode, was letting the viewer figure it out on their own. There was no coddling, only racism as it silently existed. A perfectly pastel and white community with not a single person of colour and the only visible outlier being a goth white kid. And in this world, the first thing the character we follow did, was to block a black guy with a face of disgust.

The title screen rolls and you're left to rationalise it. Surely it was because he was not in her contact list/saying all kinds of mind blowing stuff... Right? Except when Ruby enters her feed and talks about it, she actually replies back... With an eye roll, but she replies... and keeps talking... and listening.

The episode continues, still not a single POC besides the Doctor. They reveal this is an exclusive place for rich people, and eventually the character in question even admits she thought the Doctor was a different person because "I thought you looked the same".

What this episode also does well, is portraying a character we wish to see change and find a better life behind that change. We see Lindy struggle to navigate the world without her bubble, calling herself stupid, and we genuinely hope she DOES learn to be better, even as you slowly pick up on what's been going on sofar. You are left to hope she'll thank him and realise the error of her ways, and maybe find a new drive to think for herself.

And then she doesn't.

She stays in her bubble, doubling down on how she feels about the Doctor, how they're excited to be like their settler ancestors, and finally CLEARLY revealing to the viewers what's been off this whole time... and the scene asks: did YOU notice the signs? Did you see what went wrong along the way, or did you only notice just now when it's explicitly shown to you? And why do you think that is?

It challenges the perspective of the viewer and tells you to reflect on why you didn't see it coming, and that is so so powerful.

The Doctor's reaction to this scene..... 👌👌👌👌

His mouth is ajar, stunned beyond belief that after all he's done and all he can offer, the offer to literally save their lives, he is reduced to someone who's nothing more than the hue of his skin. He yells at them, telling them he doesn't care what they think of him because he's still the same doctor he's always been, and to still get rejected with a dirty look... Which hits extra hard when you remember how much the Doctor loves being himself. He LOVES being the Doctor again! And he walks with such a pep in his step, celebrating his existence and sharing it with all he meets... and then he tries to save some rich white kids from certain death.

His performance in that moment was literally phenomenal. It's a narrative that's so powerful and so creative in its execution, my jaw was still on the floor throughout the credits.

This episode is definitely up there as one of my favourites sofar

[asidian]

Dead Boy Detectives does a lot of things very, very well, but one thing I haven't seen touched on very much is set design. It is phenomenal, and the amount of detail that's gone into literally every scene is truly mind-blowing. I'm going to do a couple of posts breaking down the setting details in various locations I think, but I wanted to start with one that does an incredible amount of storytelling in the tiny understated details.

So let's talk about Charles' room from when he was still alive.

Some of the details are quite small, but I've circled and numbered them so that I can discuss them more easily.

First up, and this one doesn't have a number because it's the entire room, but. They have this boy down in the basement. In a cramped little space that looks like it's twice the size of a twin bed.

Then we come to all the little things that make it so much worse:

1: Charles' room is covered with band posters. If you look closely though, these aren't the kind of posters you'd buy in a store. These are the sorts of posters that they display at venues when a band is in town. Every one of them that's readable has locations/dates/sales info. These aren't someone buying Charles something of his own, to decorate his room with. This is Charles "My smile is pretty convincing" Rowland going to venues after the band has finished its run and asking for the posters to take home.

2: It's hard to tell from the angle, but it looks like he has a couple of model airplanes up on the ceiling. Okay, this one's kind of cute.

3: Again, hard to tell from the angle, but it looks like he has a shelf of sports trophies tucked away back there. This boy tries so damn hard.

4: A dart board. Huh. That's funny. Where are the darts?

5: Oh, here they are. They're outside the room! Like his asshole father! Stole his darts! And threw them at the door!!

6: Probably a boombox, presumably the one that he used to play the tape mentioned in the Devlin house episode. Notably, there are no tapes in sight. Did his father break his only tape?

7: The world's saddest bed, with a ratty old pillow and one (1) single sheet.

8: And as if we needed any more heartbreak in this scene, that's Charles' cricket bat there in the corner. His weapon of choice? The thing he picks up to defend Edwin, over and over, episode after episode, for the entire series? He's cowering practically on top of it while his father beats him. He didn't so much as touch it when it was himself that needed defending.

You're welcome. If I have to be heartbroken over set dressing, I'm dragging you all with me.

[avelera]

Absolutely wild to me how many Loki takes are sad because he’s “trapped” on his magical throne of phenomenal cosmic power

My dudes, we just had an entire episode watching Loki move through and stop time at will during an actual time explosion crisis

He’s now one of the most powerful beings that ever existed

And it’s magic

I don’t doubt for a second that when Mobius was like, “I’ll just wait here a moment longer,” it was because narratively you can literally just have Loki, actual god of time and chaos, pop up whenever he wants. They could be reunited in seconds.

Current era timeline is too busy with superhero disasters for Loki to get away for a bit? Idk man, have him travel back a billion years to a time when not much was happening and travel forward from there, leaving your present self to deal with the crises.

Like it’s time magic, guys, shit gets weird around causality really fast. By some measures he might be omnipotent or at least omniscient now. Loki can do whatever he wants in your fics or headcanons as far as I can tell.

[workingwhileidream]

Okay Burrow's End had me thinking some thoughts... So here are my favorite Dimension 20 moments that rotate like a rotisserie chicken in my brain (in no particular order other than the order I thought if them).

- Riz goes into the butthole of the Corn Ooze Monster (Fantasy High). The first absolutely insane shenanigans move anyone makes on D20, setting the tone the show will have forever.

- Raphaniel kills Queen Pamelia (Ravening War). I think I saw Brennan's soul leave his body briefly when he got that How Do You Want To Do This from Matt. Time was an absolute flat circle that day.

- Hank convinces Brennan to let him role savvy instead of sneak (Mentopolis). Hank is one of the most famous content creators, having him on the show was phenomenal to begin with. Then right out of the gate, he pulls this move in his first episode. And it just works. Hilarious, instantly iconic.

- Jet Dies (A Crown of Candy). When Lapin dies, it is shocking but I wasn't attached to him as a character. Lapin was a bit antagonistic and his death happens early in the season. On the other hand, Jet is instantly likeable. Emily and Siobhan are amazing as siblings, their performances this campaign are some of my favorites. I have siblings and I am very close to them, so this hit me like a ton of bricks.

- The entire epilogue of Burrow's End. "Are you pitching and Air Bud ending?" is one of the instant hall of fame quotes from this show. I started crying I was laughing so hard.

- Ylfa's bottleneck and the TPK (Neverafter). There are so many close calls for total party kills in Dimension 20 history, but this is where it finally happens and it's only 3 episodes in. I was on edge, expecting another TPK at any turn, for the rest of the campaign.

- 3 nat one initiative rolls for the battle that literally opens the season (A Starstruck Odyssey). The beginning of a new season is always full of excitement. This season was extra special, having everyone back in the dome after the pandemic and the season being based off Brennan's Mom's comics. The zoom energy is still in the air and I still think about this season opener a lot.

- Mother Timothy Goose breaks Snow White's concentration with a cantrip (Neverafter). Only Ally Beardsley could and we all damn well know it. Still didn't stop me from being so far in disbelief that all I could do is laugh.

- Hob's "You will never know another lonely day" speech to Rue (A Court of Fey and Flowers). I will still cry about this if I think about it for too long. Rue and Hob's romance is the heart of this season to me. I won't be over it ever.

- Gertrude convinces Nyruth to give the Questing Queens very powerful boons after the Queens tried to rob them only a few hours earlier (Dungeons and Drag Queens). The fact that this season exists drives a level of serotonin into my brain that is unimaginable. This is the definition of a big swing and when Bob rolls well, Brennan has no other choice than to honor it. This is one of the moments I have made a meme of. I cannot wait for season 2.

- Wuuvy shows up to the duel and she did not come to play (A Court of Fey and Flowers). Aabria has talked about how Wuuvy is one of her favorite NPCs and I feel the same. Wuuvy and Rue's relationship has such a great arc and this moment is so pivotal.

- Fabian's no good very bad day (Fantasy High Sophomore Year). An iconic moment in D20 history that was truly wild to watch live. For everything to go so fantastically bad for Fabian and Lou was unprecedented. There is a reason why people still talk about this moment to this day.

- Amathar survives being pushed off the castle (A Crown of Candy). Brennan tried to kill Lou so many times in this campaign. I really thought Brennan had gotten him with this one, my stomach sunk. But Lou pulls it out and Amathar lives once again.

- Pib plays "Smoke on the Water" (Neverafter). "I stepped out to play 'Smoke on the Water' " is also a hall of fame quote to me. This list could be all Pib moments if I'm being honest, he's my favorite Zac character. And the fact that Zac doesn't roll well makes this moment funnier to me.

- Buddy Bear gets planted with the All Blossom (Dungeons and Drag Queens). Jujubee and Brennan owe me a therapy session for this one. I sobbed. My cat is my baby and I will be ruined the day she leaves me, so I get it. I really do.

- "Eat your dice, Brennan" (Fantasy High Sophomore Year). A great bit made physically possible by Siobhan. I hope Siobhan gives him gummy dice or something like that so that Brennan can continue to eat his dice for Junior Year.

- Orange Top Hat Fairy (Neverafter). It's a horror season and the cast is doing bits about how hot a mini is the entire finale and the Adventuring Party that followed. I felt the stress and off the walls energy through the screen. The Smooth Criminal pin was the first piece of Dimension 20 merch I bought.

- Viola's epic takedown of Phoebe (Burrow's End). Watching Rashawn absolutely crush it her first time in the dome was amazing. I loved Viola from the jump, her arc was so satisfying and fun to watch. Also the idea of a tiny stoat kicking a gun just the right way to get it to fire is hilarious. No notes other than please have Rashawn come back on every season she possibly can.

- Evan Kelmp warns the Rosemont student not to duel him (Misfits and Magic). Brennan's deadpan warning matched with the reactions of the other players and Aabria really make this scene. An underrated Brennan moment for sure.

- Stacey Fakename turns out to be real (Mentopolis). This was such a good reoccurring bit, so to have Stacey be real at the end of the story was too funny. In a season of bits, tropes, and puns - this one has the most payoff to me and is definitely my favorite.

[spif-lol]

People can hate on Chibnall's era all they want and while it's not without it's problems I will always defend it if ONLY for it's interpretation of gender in the change from 12 to 13.

I remember being so excited for Jodie, but also so scared as to how they were going to handle her characterization as the Doctor. While Moffat did okay with Missy in the end, her original introduction was dripping with stereotypes and changes in personality which in universe boiled down to she's a girl now lol. Because of this I feared the introduction of a hyperfeminine Doctor, reinforcing sexist stereotypes that men and women are fundamentally different in some ineffable way. I feared jokes about boobs and hair, I feared a weak Doctor who had to be saved by male companions, I worried there would be a lack of personality entirely, with Chibnall trying to play it safe and make her just a blank slate. Or that she would be a rehash of an old Doctor but GIRLY with nothing really distinct to her personality beyond that.

I did not at all expect what we got. Even if the writing is in general lower standards than us fans had come to expect, Chibnall's handling of the Doctor's sudden gender change is phenomenal and I will explain why.

Top 13th Doctor gender moments:

It is so obvious that from the Doctor's point of view, she hasn't really changed. She still perceives herself the same way and finds it hard to adjust to a view of herself as a woman and often uses masculine words to describe herself out of habit. She doesn't dislike being a woman! She's just forgetful! Her regeneration is not special because of the gender change, that's just a quirk alongside the other changes every Doctor goes through when they regenerate

The way she still dresses in a distinctly Doctorish way, and leans towards flamboyant but practical masculine outfits like her suit in Spyfall in contrast to Yaz's more feminine presentation in the same situations. (Yaz isn't even that feminine either. But her dresses and blouses compared to the Doctor really stand out.)

I love how the Doctor's gender doesn't change anything about her, only how other's view her. And mostly people still treat her with respect and as an authority figure. I feel like chibnall struck a good balance between not acknowledging the gender change at all vs hitting us over the head with it. There are episodes where her being a woman is detrimental and she expresses annoyance, there are others where it causes confusion, and there's some where it opens her up to new experiences like the wedding party with Yaz's nan! But ultimately it doesn't make a difference in the Doctor's day to day

The introduction of the Fugitive Doctor as a previous regeneration but also as a female doctor with a distinct personality from thirteen! We got a multi doctor story with two badass female doctors years before it should have been possible! I hate the timeless child thing but the fugitive doctor is my beloved. Props to Chibnall for seeing the hate and people going oooh but the doctor has always been a man and responding by going nope she's been a woman before and a black woman too fuck you. actually iconic. #Season6B btw. if you even care

Idk i just think Jodie really captured the Doctor really well, while still having a unique twist on it and her portrayal really reads as a genderfluid alien in a feminine body. Like oh cool this is new but ultimately it dont matter she still the doctor