#this duet was FIRE

[anotherrandompersonsstuff]

Alastor: "I guess Charlie can consider me as a father figu..."

Lucifer:

[hylianane]

The most homoerotically charged scene in the Death Note franchise is not the feet washing scene you guys, you freaks and fools, it’s this moment from the musical

[targaryenrealnessdarling]

A Duet of Fire and Fate

Part Two | Series Masterlist

Summary: the monotonous days of practice are starting to grate, but made more complicated by the pianist's lingering words | Word Count: 4.3k~ | Warnings: sexual tension 😘

“Aemond, darling, please…” Alicent pleaded behind the closed door of his bedroom, her worried, motherly voice muffled through the thick frame, “it's not the end of the world, love, okay?”

He'd been in the exact same spot for several hours, his knee bouncing irritably and impatiently. He closed his eyes, as if trying to put on the image of being completely calm. But his hands were clasped painfully, fingertips sore from practice, and he could barely hear his mother through the door anyway, with the large headphones pressed to his ears, with the uncomfortable sting of the cello raking into his brain.

His heart was racing with stress, playing the same bit of ‘Cello Concerto' over and over again, trying to find the part where Otto had incessantly pressured him to perfect it. Wrong timing. Wrong tune. Incorrect finger placement.

Each time he stumbled over the same tricky passage, his frustration mounted. The melody was supposed to soar, but all he could feel was the grinding pressure to not mess up, to not let Otto down, to not disappoint his mother who believed so fervently in his talent.

Where in others, he witnessed nurture in the form of pride, loving gestures and unconditional support. He could see no merit in it. Love to Aemond was tight and oppressive, and weighty on his shoulders.

The door to his room creaked open slightly, and his mother’s voice, muffled and distant through the noise-canceling headphones, attempted to break through the barrier of sound. "Aemond, dinner," she called, her tone gentle yet persistent.

He barely glanced up, giving a slight shake of his head. The outside world, even the simple call to dinner, felt like an unwelcome intrusion.

"Aemond, please," she tried again, her voice firmer now. A choice of tone usually reserved solely for Aegon. "You need to eat. You’ve been at this for hours.”

Aemond cradled his cello gently between his knees, the hum of the ensemble drifted in the air, each musician fine-tuned to perfection with scales and snippets of melodies to practice. But despite this, Aemond found his thoughts elsewhere, his memories blurring into his current reality, where a new challenge in the form of the pianist had emerged.

With every draw of his bow across the strings as if he were an artist gliding a paint-slick brush over canvas, Aemond found his concentration fragmenting. His thoughts were pulled back to the pianist’s effortless expression, her ability to blend technical mastery with palpable emotion. A stark contrast to his own methodical, disciplined approach.

She irked him. She intrigued him. Two feelings which should not hold hands in Aemond's black and white reality. Every single thing his musical education had deemed secondary, she challenged. In the brief moments where he could witness her artistry himself, her performances always lingered, whereas his own, for all its precision, rarely achieved.

“Focus, Aemond.”

Otto's chide was soft and yet audible to everyone. It echoed a long and tired reminder of years past. And he found himself unable to pull back the glare that his own grandfather shot first down the bridge of his nose.

Practice ended how it often had, disappointed and dejected. He could no longer think of her or the words she'd said in their last encounter without feeling the frustration thud in his heart. After all, could the skills she so easily spoke about even be learned?

He longed to see what she saw, how she felt when she played.

The route back to Aemond's apartment was mentally tiring, and the frustration that usually ebbed away with every step, somehow lingered, and permeated throughout his body. For some time, playing the cello had not been met with accomplishment, now more often than not, met with a long and exhausting sense that he could be better.

That is what Alys had said as well, a few weeks ago, when she'd packed up the rest of her things, still pink in the face from Aemond's lips and tongue having pleasured her between her thighs to completion. The difference between her attitude and her parting words almost gave him emotional whiplash.

“I can't be the one to distract you. Not when you need to focus. Not when you have the opportunity to be great.”

Her voice was firm. And there was no room for argument or rebuttal. When Alys said something had to be how it was, that was it. Aemond had watched silently, scrubbing a hand over his face at the closed door of his apartment. He wanted to argue that if Alys had in fact cared that she'd be distracting him, her lack of presence would be just that.

How often now had he been sinking between her thighs, just to think of something else?

He never thought himself a sex addict, and yet the idea of going so long without it, with the show yet months away, made him angry to think how affected he was by it. This was hypocrisy the likes of his brother, Aegon, would love to shove in his face, he just knew it.

The stone square that choked the Grand Sept was speckled with light through the trees, rustling in a manner some would have found comforting. Couples kissed near the fountain, artists drew for money, set up with a view of the Sept while onlookers watched with joy, and children tripped and squabbled through the various nooks that had once marked the spot of a great dynasty.

This was where he waited, taking in the view and the gentle, somewhat melancholic lull of people's lives go past him without a blink. It was an hour before he'd have to traverse back the way he came for his personal booking, to practice the pieces he so desperately wanted to perfect. 

During the day, his phone was off. Nothing was more important than what he deemed his life's work.

With a soft sigh, he sat on the wall, watching the square empty as afternoons drew in, his seeing eye following longingly at a brother and sister, who must have had the same age gap he and Aegon had, chasing one another on the cobbled path. Their squeals of glee and bright, happy faces stirred something heavy in his chest.

Had he ever felt as carefree as that. Had he ever felt like a child. Or had he been a grown man for so long.

His thoughts drifted to his own childhood. He would stand stiff and rigid at recitals, looking out to the expectant gaze of his mother, her burning pride gazing into him. There, there was no room for carefree joy akin to the brother sister chasing each other through the square. His childhood, if it could be called that, was dominated by routine and scales, not play and abandon.

He glances at the golden ticking hands of his watch and with a heaved sigh, lifts his cello case to trudge back along the cobblestones to the music school, feeling the familiar pull of responsibilities. Yet, something about the moment nagged at him, a sense of loss for experiences never had, for a childhood spent in service to a future that demanded everything.

With a heaved sigh and another trudge through the now darkened halls of his music college, Aemond pushed open the door, expecting a deep, sullen and wooden silence. Only to be greeted, or rather, whatever the negative version to being ‘greeted’ is, by the sound of the delicate, light twinkle of piano keys. 

He watched at first with a sense of both unease and interest as she played, her face partly hidden by the locks of hair that had fallen between her concentrated brows. He couldn’t even really see her playing, but could feel the sensitivity of her fingers on the black and white keys, the piece melancholic. 

Aemond willed the crease between his brows, attempting to feign disappointment between his awe. 

“You’re in the room I booked.”

Her eyes pierced the darkness between the opening of the grand piano, searing a memory into his mind through her vibrant gaze. At first, she seemed surprised at not being alone, and then her features settled, and he saw the wrinkles at the corner of one of them that made it clear that she smirked at seeing his annoyance.

She stood and closed the lid with a soft thud, pulling her bag over her shoulder, “yeah well unless you want to try moving a grand piano?” she smirks, raising one eyebrow as if daring him to reply.

Aemond exhaled sharply through his nose, setting his cello case against a nearby chair, conceding the point without words.

 “Didn’t think so,” she replied in a jokey manner, smiling down as she organised her sheet music into a neat satchel bag at her side.

While she wasn't looking, he found himself watching her, for no particular reason. There was something about the way she moved, the confidence she exuded even in the simplest of actions, that intrigued him. It wasn’t just curiosity about her attire or a superficial interest, he found himself wondering about the depth of her character, about the source of her fearless demeanour. If his stolen looks were not to see what she was wearing today, then perhaps to see if he could glimpse into her soul for just a moment, to see where she got her fucking audacity from. 

He sat to prepare his cello, running his middle finger over the bow strings, the density of them feeling somewhat satisfying against his calloused tips.

“You’re not going to lecture me about how I need to… ‘make love to my music’, or some shit like that?”

She chuckled softly, a sound that seemed to resonate a little too deeply within him. “What you do with your cello in your alone time is none of my business,” she quipped without looking up, her voice light yet laden with a hint of mischief.

“Hmm.”

The air between them was charged with an unspoken tension, a dance of mutual curiosity and veiled interest. As she packed up her things, Aemond found himself unwilling to break the moment, his usual reserve shaken by her presence. There was something about her, a boldness, an unapologetic embrace of her own talent and identity, that challenged him, that made him question his own guarded nature.

As she slung her bag over her shoulder, ready to leave, she paused, glancing back at Aemond who was methodically preparing his cello. A thought seemed to strike her, and her eyes lingered on him, curious and considering.

"Actually, do you mind if I stay a bit longer to listen?" she asked, her tone casual but with an underlying sincerity that caught Aemond off guard.

Aemond felt a mixture of apprehension and pride swell within him. He was used to accolades and audiences, but her request felt different, more personal, more significant. His initial instinct was to guard his practice, a time he usually kept private, a sacred space where he perfected his art away from prying eyes. Yet, something about her frank interest, devoid of any apparent ulterior motive, piqued his own curiosity about how she might perceive his music.

He was so taken off guard, as he was so often by her, that he forgot to say anything and simply nodded. He positioned his cello, settling it between his knees, his back straightening as he prepared to play. The invitation was extended on his terms, yet internally, he acknowledged a desire to impress her, to validate his approach and perhaps, to challenge her own musical opinions.

Her posture was relaxed, but attentive, as if she at least wanted to offer him the respect of knowing she was listening wholeheartedly. As Aemond drew the bow across the strings, the first notes resonated through the room, rich and precise. He chose a piece that showcased his technical prowess, a complex Bach suite that required meticulous control and deep concentration.

As he played, he found himself increasingly aware of her presence in the room. Each note was not just played for the sake of practice but as a demonstration of his skill and dedication to his craft. He watched her reaction out of the corner of his eye, her expressions subtle yet revealing. She seemed genuinely absorbed in the music, her earlier playful demeanour replaced by a focused seriousness that matched his own when he played.

The last draw of his bow brought those guarded walls back up again, the same ones that usually came tumbling down when he felt that in the throes of playing, feeling as if he was alone, were so easily crumbled. When the last note vibrated into silence, Aemond allowed himself a moment to gauge her reaction fully. She had leaned forward in her chair, as if she wanted to see his technique closer.

“You play with such precision,” she almost whispered, so quietly he strained to hear them. As if the words hadn’t been for him at all. 

He wasn’t certain how to place her review, negative or positive. And it aggravated him that even in her criticism, she was aggressively neutral. 

"Precision is crucial," he responded, his voice steady but his mind racing. He ached to say more, but alongside fearing he would appear defensive, he was unsure whether he wanted to invite criticism from her.

She paused, considering his question, her eyes locking with his. "Precision is your strength, no doubt," she began, her voice gaining confidence as she spoke. "But music, at least to me, also needs to breathe, to have a life of its own beyond the notes on the page. Your playing is impeccable, but it feels tightly controlled, almost constrained."

He quashed the rising irritation, or at least as much as he could, forcing himself to consider her words from a place of growth rather than confrontation. "So, you're suggesting I let go a little?" he asked, watching as she smiled at his confusion. 

“Maybe,” she said lightly, “allow it the freedom to surprise you. Control you. You might find you like it.”

He couldn’t help but dissect the slight flirtatiousness in her voice. And yet it was almost gentle, a stark contrast to the sharpness he was accustomed to in such discussions.

She broke the silence that seemed to bulge between them, “do you like it?”

His mother watched him eat, her gaze laden with a mix of pride and concern. The clink of cutlery filled the brief silences as she finally found the words.

"Do you enjoy it, Aemond?" she asked, her voice soft yet carrying weight. "The cello, I mean. Do you actually enjoy playing?"

Aemond paused, his fork suspended in mid-air. It was a question that had lingered at the edge of his consciousness, unvoiced and unanswered. Did he enjoy it, truly? Or had it become merely a vehicle for his ambition, a pathway that he had been set upon rather than one he had chosen?

"It sometimes feels like the only thing I know how to do," he admitted, and for someone so often so sure, his voice wavered. 

His mother’s hand reached across the table, her touch warm against his. "Music should be a source of joy, not just a pursuit of perfection," she reminded him gently. "It’s a gift, Aemond, meant to be cherished as much as honed."

Aemond paused, the question catching him off-guard. "Do I like what?" he asked, unsure if she was referring to her suggestion or something more implicit.

She bit back a small smile, and yet it still wormed its way onto her face, “losing control.”

Her question, laced with a hint of playfulness, hung in the air, and Aemond found himself momentarily lost for words. He was unaccustomed to such directness wrapped in…flirtation?

“Losing control?” he repeated, his mouth feeling a little dry. 

“Mmhm,” she hummed, “you hold the reins so tightly. Might be liberating to loosen…or even let go, once in a while?”

The atmosphere between them seemed to thicken, the words ‘losing control’ echoing not just through the room but through Aemond’s thoughts, disrupting his usual composure.

Aemond shifted slightly, the concept of loosening his grip, both metaphorically on his music and literally in his life, seemed to resonate deeper than he anticipated. "And you think that's something I need?" he asked, his voice lower, the hint of a challenge lacing his words.

She didn’t move an inch, but her presence seemed more pronounced. The subtle scent of her perfume mixed with the mustiness of the old practice room created a contrast that was oddly intoxicating. "Isn't it?" she countered softly, her gaze steady on his.

The air between them was palpable now, her every word pulling at something he usually kept well guarded. His heart beat a rhythm almost too pronounced, mirroring the tension that seemed to pulse through the space.

Clasping her bag closed, she stood, "Music is about feeling, about passion. It’s not just the notes, but the spaces between them, the breaths, the moments of surrender.”

Aemond’s response was caught in his throat as he absorbed her words, her proximity, the undeniable tension that seemed to dance around them like the very music she spoke of. How the hell did she do that?

She allowed herself a cheeky smile, one that reached her eyes so quickly that with those alone he would know she was amused, “maybe you should surrender to it sometimes.”

A part of him wanted to dismiss her words, to reinforce the walls he had built around his methods and beliefs. After all, she was the face of his competition, a symbol of the school he had been conditioned to outperform. Yet, the way she spoke about music, with such a raw, inviting passion, made it impossible to ignore the pull he felt towards her ideas, towards her. The rivalry was supposed to be clear-cut, a battle of schools and skills. But with her, it blurred into something messier, charged with an undercurrent of something he couldn’t quite name but felt all too powerfully.

It was a dangerous mix. 

To admit she affected him would mean opening a door he was adamant to firmly keep shut tight. One that could lead to complications. Not even in terms of the competition. But for his prized discipline. She watched his expression to her words closely, her eyes reflecting a glint of knowing. He desperately wanted to hate her for it. To remind her that she was no better than him simply because she wasn’t plagued with the need for perfection like he was. That she, beyond the walls of the music school she seemed to haunt, could leave her instrument within them. Whereas Aemond was forced to carry his cello on his shoulders, to support its heavy toll on him, and that every step he took, it took more. 

It seemed like she was going to say more, as her lips parted. But as quickly as they did, they closed softly again, and that enigmatic smile returned. 

Fuck her. 

When Aegon had been in his early twenties, he’d moaned and groaned on the sofa, his phone slobbed to one side, complaining that the girl he was currently texting was verbally edging him. Aemond had merely grimaced, finding his brother's frustration more amusing than relatable.

But now he felt that aggravation of it. The fact that she knew he was hanging on every word, and still chose not to say anything, to leave thoughts dangling in the charged air between them.

She gave him a final nod, a silent acknowledgment of the unspoken words and tensions that lingered, then turned and walked away. It was only when she was halfway down the hallway that the perfect response sprang to his mind, but by then it was too late. All he could do was watch her retreating form disappear into the dim, wooden corridor. 

In that moment, Aemond felt like a modern-day Eurydice, fading into the shadows, but with a twist, this time, Eurydice longed for Orpheus to look back. Aemond knew that if she turned, if she offered him one last look, it would mean stepping back into a narrative filled with complexities and perhaps inevitable loss. Yet, he craved that backward glance, a sign that their fleeting connection meant as much to her as it did to him, even if it meant returning to the shadows.

Aemond tried to refocus on his practice as he returned to the solitude of the music room. He played mechanically, his usual precision present but the soul of the music notably absent. The strings didn't sing; they just spoke in monotonous tones. With more than half of his allotted practice time remaining, he packed up his cello, and resisted the urge to hurl it across the room.

Driven by a need for something more tangible, more human than the cold wood and strings of his cello, Aemond left the practice room abruptly.

No more than 15 minutes later, he stood at the smirking figure of Alys Rivers, leaning against her door frame, arms crossed and wearing delicate lacy sleepwear, as if she could supernaturally anticipate that he would come to her.

Her eyes gleamed with a mix of amusement and satisfaction, seeing him slightly dishevelled, a rare break in his usually composed demeanour.

“I don't want to fucking hear it.” 

Alys, unfazed by his sharpness, raised an eyebrow and smiled wryly, stepping aside to let him in. Her reaction was more teasing than concerned, her amusement clear in her casual posture. 

"Where?" Aemond's voice was blunt, his usual grace undercut by a barely contained frustration.

"The bed," Alys responded with a flick of her head toward the bedroom, her smirk deepening as she watched him stride ahead.

As he passed her, she couldn't resist adding, "Need some instructions, or do you remember the way?"

Aemond didn't respond, his back to her as he moved into the bedroom. Alys followed at a leisurely pace, her demeanour confident, almost cocky. She leaned against the doorframe, watching as he shed his jacket with quick, jerky movements.

Alys pushed off from the doorframe and walked over to him, her steps deliberate. "Something's happened-," she said, reaching out to smooth the crease between his brows with her thumb, her touch light but insistent.

He caught her wrist, his grip firm. "I said I don't want to fucking hear it," he retorted, his voice low and strained.

Alys met his gaze, her expression partly unreadable. "Okay," she conceded, pulling her hand back gently. She gestured towards the bed. "Show me what you need.”

As Alys led him toward the bed, Aemond followed mechanically. His movements were automatic, driven by habit more than desire. Pulling her hips towards him and slinging her legs over his shoulders was like second nature at this point. Alys was warm beneath him, her body responding in all the familiar ways, her breaths, her touches, her sighs all scripted from past encounters. Yet, as Aemond moved with her, his mind was elsewhere, disengaged from the act. 

The room was silent except for the soft rustle of sheets and the muted sounds of their closeness, but inside Aemond, a storm was brewing. The physical motions were all correct, but the emotional undercurrents were misaligned, leaving him feeling even more isolated as they moved together. Alys seemed not to notice, or if she did, she chose not to address it, caught up perhaps in her own interpretation of their actions.

Afterward, as Alys settled beside him, her breathing even and content, Aemond lay awake, staring at the ceiling. She was close, yet he felt miles away, trapped in a cycle that provided physical release but no real solace.

Sensing his detachment, Alys’ voice broke through the silence, “you okay?”

Aemond didn't answer. Instead, he gently disentangled himself from her and slid off the bed. His movements were smooth but distant, as if he was pulling away from more than just the physical proximity, leaving the bedroom without so much of a backward glance at Alys, barely wounded from his dismissal, naked in bed. Alys watched him go, her expression resigned. She remained silent, making no move to follow him or press him further.

In the living room, Aemond walked straight to the mini-bar and poured himself a drink, his hands mechanically tilting the bottle, the familiar clink of ice soothing his frayed nerves. He took a deep sip, letting the liquid burn down his throat, hoping it would wash away the disquiet clinging to him.

As he turned, his gaze fell on the grand piano sitting under the low light in the corner of the room. It was an elegant piece, one that Alys had long forgotten, now sitting idly and out of tune. The dust gathered in its crevices spoke volumes of its neglect, a stark contrast to the careful maintenance of instruments at his own school.

The piano, much like himself tonight, felt abandoned, left to stand as a mere piece of furniture rather than the vibrant instrument it was intended to be. Compelled by a sudden urge, he approached it, his fingers running along the cool, smooth surface of its keys, each one silent and stiff from disuse. Aemond pressed a key tentatively, listening to the dull thud that echoed back, as if to taunt him. 

For a brief moment, he considered the task of tuning it, of bringing it back to life. It seemed a fitting metaphor for what he needed himself, a realignment, a correction of the discord that had crept into his own life and art.

As Aemond's fingers wandered across the piano keys, his thoughts meandered back to the pianist from the opposing school. She had described music as a living entity, one that breathed and moved, pulsating with the emotions of its player. This concept lingered in his mind as he contemplated the neglected piano before him. He wondered how she would react to such a forlorn instrument. Would she feel compelled to restore it, to draw breath back into its worn frame and let it sing once more? 

Just as he secretly hoped she might rekindle something within him, a spark long subdued under the weight of discipline and expectation.

General Taglist: @aemondsfavouritebastard @bellstwd @blackswxnn @blairfox04 @buckybarnesb-tch

@castellomargot @emmaisafictionwhore @hb8301 @jamespotterismydaddy @justbelljust

@minholy223 @mochi-rose @natty2017 @nenelysian @primonizzutto

@qyburnsghost @randomdragonfires @risefallrise @thelittleswanao3 @theoneeyedprince

[marmaladeinlemonade]

Event tickets in sky were never going to work anyway.

It's way too good to be true; a currency that cannot be transferred across events or into candles/hearts for the sole purpose of making event cosmetics easier to obtain, that is collected by participating in the event itself? Thats already fishy enough by tgc's standards.

Thatgamecompany has a habit of making short term solutions for long term problems because of the sheer amount of content they make yearly, leaving less room to optimize regular gameplay. ET has probably been the most apparent example of this. (MAAAAJOR YAP SESSION AHEAD!)

When event tickets were first released, I was ecstatic. I was already struggling to keep up with Days of Bloom and Mischief since I have taken many breaks from sky, but I couldn't begin to fathom how the prices may feel to a new player. I also hated picking and choosing between what items to buy simply because i didn't dedicate the past two weeks so candlerunning alone. Hopefully this new addition of ET would take off that load and i can enjoy the following events to it's fullest, and well, I did.

For the first year that is. These cosmetics that costed ET were damn near free for me. Yet, in the back of my head i always wondered what would happen the following year once these ET cosmetics came back, alongside the new ones that were to be released. Would they cost just as much ET as last year's items? Then collecting ET would only get more stressful and inflate its value. Would the past items go away? That is unfair to new players and pushes FOMO to get everything every year.

Maybe the total price could stay the same but older items depreciate each year as newer ones release, making the oldest ones the cheapest.

And to my great surprise as i look at beta logs for this year's days of summer, not a single item from the year before is under 90 candles! How could this possibly be fair to new players who are trying to enjoy sky for what it is and get items? I've seen some people argue that the player has the choice to not get all cosmetics, which is true, but I'd like to show you what thought process is implied with this system. Think:

"We know you don't fully know your way around sky's economy, or don't have the time to grind everyday, but for this year only these new items are free just by participating in the event! And if you don't, for any reason, the price of the items will be worth 3-6 hours of candlerunning on top of MORE cosmetics! But it's all up to you!"

This isn't to say us as a playerbase have zero autonomy, but i hope you can see how FOMO is enforced when you add a currency with zero value outside of an annual 2 week event that gives players a "now or never" mindset. This is great in the moment, it pushes people to participate! Yet, this ruthlessly punishes players who aren't available for any reason, even those who weren't aware of sky before joining.

Sky is still a new game. Event tickets were only introduced a year ago, but if tgc keeps going down this economic pattern then imagine the amount of cosmetics locked away from new players, or players who took breaks, because of this exponential increase in pricing!

This is a more subjective opinion- but let me be honest; these cosmetics are not worth their candle/heart prices.

I was lucky enough to get all the days of style and days of summer items from last year for ET and i barely wore them, i can only imagine ONE item from each event being rewearable. I didn't mind though because i knew the towel capes and silly glasses were nice starter items for moths, but it's not even moth friendly anymore?! In the past only items that were in high demand were priced outrageously like rhythm and lightseeker TS, and now I'm spending extra for a purple top hat that doesn't even match any of the other purples in this game☠️☠️ you're getting less bang for your buck with a 110 candle towel cape bro

And lastly, there are other issues I've seen in sky that i would say are parallel to this whole event ticket situation. The time gaps between seasons have grown significantly smaller, and each seasonal update has been saturated with glitches and disappointment. Season of the Nine-Colored Deer is another very apparent example of this for me. The castle and crescent lake is done beautifully and the quests are decent, but no one is returning to the area. The rest of the town is empty and awkward, and half the map is in a canyon where you spawn so it's already a good 2-3 minutes getting out of that area alone. The place is just rushed. Its inconvenient.

Ill be posting a poll right after this post, but me personally i would not mind having 3 seasons a year if it meant higher quality content and more breaks from events. More spirits that are well thought out, detailed seasonal quests that arent cleanups or scavenger hunts, less quantity but higher quality cosmetics and emotes, and elder appearances! It's clear that tgc has a more complex world design outside of Sky: cotl when we look at The Two Embers, but that the energy it takes to make it in game is placed elsewhere.

Thatgamecompany is pushing out more content than they ever have before and I think their work is starting to crumble under the weight.

If you made it here THANK YOU!!! you're a lifesaver, theres so much that i want to say and i really hope a lot of skids see this post so that we can get a cohesive discussion going❤️

[gleetournaments]

The Ultimate Duets Tournament Round 1 Match 8

//

[bird-inacage]

Call Me By Fire S3 | Jeff & Dan Ke's Piano Duet for "《你留下的爱》 The Love You Left Behind"

The bromance between these two is so wholesome, it's even cuter that they make such an unexpected pair. Fun fact for you all - the way Dan Ke's name is pronounced in Chinese sounds very similar to 'Egg Shell'.

[tha-wrecka-stow]

[sleepanonymous]

Volume Warning! This is a very low-quality recording and it is fairly loud.

I had reservations and anxiety about sharing this one because it's a duet (if you know you know), but also I don't think this came from YouTube like most of the other lost media. Even so, it's one of my favorite of Ves's old recordings.

@moonchild-in-blue and @tonguetyd this one's for you (because I'd do anything for my mutuals🖤)

[padfootagain]

Can someone tell me why I love stories with a character who thinks they don't deserve the other so much?!?!?!

I don't care if it's OOC, all of my characters are fucking insecure...

[gzeidraws]

Commission for GrayWaves_ of Azura and Shinon!

[fizziepopangel]

A Fizziepop Take: Let's talk about when they saw each other and Stolas’ new look at himself

I have so many fucking feelings about this new episode, so let’ts get into it right now before I explode!!! Because... Oh. My. God.

Warning, potential spoilers ahead!

The duet in the beginning had me screaming. The music was amazing and so much was said within this 2 minute 40 second musical snippet of the show. First of all, the fact that this is the first Stolitz duet we’ve gotten in the series is absolutely amazing because there’s usually so much emotion in the undertones of the Helluva Boss songs, and this one is no different. “When I See Him” definitely is one of the best songs we’ve gotten in the show so far, and I loved seeing the difference in Blitz and Stolas as they prepare to see each other again since it seems as though this is the first time our impish little lovebirds have really seen each other for quite some time. There’s nerves on both ends… But while both men are worried that the other getting tired of each other since they view themselves as unloveable, we see two very different methods of handling the anxiety that is surrounding their usual full moon meeting. Stolas, in his usual dramatic fashion ends up hiding in the fridge at one point as he wrestles with the weight of what he plans to do, while Blitz does what he does best and tries to ignore the heaviness of the situation that he knows will be there by essentially saying that if he focuses on the sex stuff enough, everything else will just fade into the background for the time being.

Now, sometime around the first time I started falling down the tumblr rabbit hole as a writer, I responded to a post about how toxic the Stolitz relationship is, because no matter how you spin it, Stolitz is pretty freaking toxic as they were before the most recent episode. As the person I responded to all that time ago pointed out, this contractual agreement they have revolving around the full moon is an abuse of power on Stolas’ part…. And , I believe, emotional manipulation on Blitz’s part. The full moon agreement binds the two men, but somewhere along the line, both men actually developed feelings for one another and the full moon agreement was, in a way, a formality that made it less taboo to be together since Blitz is a lower class demon in comparison to the Goetia prince, and it gave both men something to blame in the event that one of them didn’t want the other. While the entire thing was fucked and toxic and hauntingly unhealthy for the both of them, the agreement did benefit both Stolas and Blitz….  But, as I’ve mentioned in other posts, the events of Ozzie’s was a real turning point for the couple

Their date at Ozzie’s really changed everything because when the two are alone together, Blitz tends to feel more in control of things and he feels genuinely desirable and needed in a way… But after seeing the owl prince actually hide his face in embarrassment when attention is drawn to him being with the imp, that illusion of being on a somewhat even playing field in all of this shatters abruptly. In the same token, Stolas never realized just how badly their agreement affected the imp until he attempted to salvage the night at the end by inviting Blitz over to spend time with him only to have Blitz tell him that he wasn’t in the mood to have sex that night and he knows that that’s all Stolas really keeps him around for. Seeing Blitz in pain that way hurt Stolas in a way that he wasn’t prepared for because he knows what it’s like to feel as unloveable as Blitz seemed to feel in that moment, prompting him to try to give Blitz his freedom back in the hopes of starting a genuine relationship.

This brings us to Stolas’s gift to Blitz: an asmodian crystal.

We see Blitz putting forth a genuine effort with Stolas in a few scenes, leading Stolas to believe that Blitz would genuinely choose to be with him even if he broke the tether of IMP needing him in order to access the human world. And we as an audience see the glimpses of Blitz caring for the prince and even being excited to see him in the beginning of “Full Moon”, but Blitz doesn’t take well to change and I think he values the comfortability and structure of the routine that they’ve built in a way…. Stolas on the other hand is starting to realize the wrong in what he’s been doing to the other man and his already fractured self image is going from “I don’t really like myself” to “I’m a straight up monster”, and I think this way of thinking is going to stick after hearing Blitz break and snap at him about how everyone tends to treat imps like him (and himself) like they don’t matter in any sense, meaning he inadvertently admits that Stolas has made him feel that in some sense within their time together. After being in a loveless marriage with an abusive partner (I use this term very loosely for Stella), I think Stolas felt as though he sank down to her level with Blitz… Although Blitz says that in the heat of the moment as his volcano of unfelt feelings erupts, and he does try to apologize, I don’t think Stolas will forgive himself for that for a long time, and I don’t think that he’s going to stop seeing himself as a monster for even longer.

After “Full Moon”, I am a little worried for Stolitz… But if I’m honest, Stolas and Blitz actually remind me of Ian and Mickey from Shameless. I think Blitz and Stolas are destined to be endgame the same way I always felt Mickey and Ian were. I also think that with both men having time apart after this breakdown, they’ll have an easier time healing from the trauma that the full moon agreement has put them both through… At least I hope that’ll be the case, cause ya know, this is just a humble Fizziepop Take.

[etruatcaelum]

[ @livestosteal | arthur // cinder ]

“Why should I apologize for being a monster? Has anyone ever apologized for turning me into one?”

How pathetic.

Cinder didn’t know, or care, what had happened to sculpt this pompous, self-serving fool in the image of Atlas’ finest. She knew Watts had been one of the military’s top scientists before his disgrace, and that was enough: he’d made the choice to align himself as a cog in that machine, and proven too heartless even for them. Even still, he wore their trappings. The false niceties and lofty affect of the Atlas elite.

Maybe his hands hadn’t fashioned the collar she had worn, the monster in their gilded cage, but that his own self-interest had drawn him into Salem’s orbit did not absolve him of what he is. Just a man pleased to pull the blood-soaked levers of power until the day the monster he bowed to turned against him.

Her expression cooled. “What makes a man a monster is his choice,” she said, voice honeyed. Polite. “I don’t believe you have anyone to blame for you but yourself.”

[targaryenrealnessdarling]

🌹

Thank you anon! ♥️♥️

Here's the intro to chapter four of A Duet of Fire and Fate

It was the third day in a row Aemond had been unable to function in the morning without standing in the shower, forehead against the tiles, water lapping against his shoulders and eyebrows furrowed in concentration as he fisted his length to completion.

It wasn't always this hard to get off, was it?

[watcher0033]

*screaming in Death Note the Musical*

[nightrae13]

au where Koyuki never liked Natsuki ..??

yk I feel a little uneasy, feeling like I'm cheating on Kotaro (sorry if I found this and is sharing on their honeymoon lmao) and Ryou with this, but omg !!! This artist is sooo amazing. It feels like a legit HoneyWorks mv, and this masterpiece would make every KoyuHina shipper rejoice.

(I'm gonna ramble and philosophize next about canon and their respective partners for my own sanity because this mv is so good it's as if KoyuHina was endgame, so do as you please lol)

I still love how KoyuHina had a bittersweet ending that is so relatable for people like me. I'm so much like Hina in my experience, and perhaps as I accepted that I couldn't be with (any of) my Koyuki(s)- one is my first love with the same personality as him while the other is my senior at Church, I grew to appreciate her unconditional love, and Koyuki's genuine kindness towards her even without feelings of romantic love. Real thing is, not everyone who loves can be loved back because being loved back is just a bonus as it is unconditional. They'd probably end up with someone you never know who is totally random in your perspective, or you with someone you never expected would make you happy.

I mean, I'm not a kid who'd fight a work of love for a non-canon ship just because they are happily married or (as of 2024) has been liking someone else (aka "canon"). I am a non-canon shipper too, and I understand it so much. However, this is just my take in canon, and why I love that it went that way.

Anyway, fanon KoyuHina my beloved!!! The nods to previous songs and that Hanipre event is legit dedication. I love it sm!! They're like Duan Jiaxu x Sang Zhi from Hidden Love (or Jiaxu x Zhi are them, but endgame)!!