#this dude is an asshole

[ratbugs]

they say they love insects but they hate wasps and mosquitoes

[teaboot]

dawg it’s not a great look for you as a security guard to joke about a blind guy being a criminal just cuz he was @ the wrong door

I mean that isn't what happened but I get what you mean, if I had been doing that then it would have been a pretty shitty move

My intended focus what the response to my response- the immediate recognition of a personal error? Cause like. I answer the wrong email thread constantly at work, to the point that my coworkers have a very distinct tone when broaching it to me

The only reason I even mentioned his disability was because it was relevant to the context- its kinda hard to mistake an emergency door from a main door unless you can't read the sign, you know?

So to be clear, I was laughing at a man with a disability, but not cause of his disability, or the error he made BECAUSE of his disability, but just. Like. The delivery of his exasperation. Like... "Ah,fuck". A mood I can appreciate. You know

And I COULD have changed details of the story so that it happened with someone who DIDNT have a disability- pretended it was dark or something, or that it was a stranger wandering into the wrong area from inside- but that felt kinda shitty? To erase that there was a guy who was disabled who made a relatable mistake in public?

Like I could totally be wrong here, please correct me if I am, but I felt like avoiding any social contact or association with people posessing physical disabilities would be worse in the long run, so I just. Wrote what happened how it happened

[mmelolabelle]

Armand is someone who has been has been trained (in brothels, by Marius, and by 500+ years worth of life experience) to adapt himself to what the people around him want. Throughout seasons 1-2, different people get very different versions of Armand, depending on who they are and who’s retelling the story at the time.

It’s the primary way Armand protects himself, whether he’s a teenage sex slave or the oldest, strongest person in the room. It’s how he controls people. Fundamentally, it’s the only way Armand knows to make people love him (an approximation of love at least). Worse, it’s the only way Armand knows how to love — by twisting and contorting himself into whatever form he thinks his current obsession wants or needs him to be. He even does it to his victims for crying out loud.

And then here’s Daniel, who is constantly seeking authenticity and truth. Who’s bullshit detector is never “off”. Who cannot tolerate any kind of masquerade, manipulation or lie – no matter how kind or well intentioned. Not out of any moral or ethical objection, but because Daniel simply cannot leave things well enough alone once something attracts his attention. He has to know. He has to see where it goes and how it ends.

“It’s my job, I’m built this way”

“It’s in your nature, Mr Molloy. Couldn’t get out the door without lobbing one more bomb.”

Daniel knew something was off about “Rashid” from the beginning, so he began to pick the situation in Dubai apart until Armand revealed himself. And then he kept going until he completely destroyed the narrative Armand had spent 77 years constructing.

Daniel deliberately and systematically pulled “Armand, Amadeo, Arun” apart and laid him bare with nothing but but a laptop, some free time, a near-suicidal disregard for his own personal safety and a mouth that just wouldn’t quit.

There’s power in being seen, in being known, ugly parts and all. What would it feel like, to be completely exposed like that for the first time in centuries?

So yeah it makes sense to me that Armand, who puts on all these acts and artifices to draw people in, but which only serve to ensure they’re kept at a distance, would turn his big sad orange eyes on the person who blew them all to smithereens and be all “…I wanna do this forever, actually.”

[anyfire]

jeff sadecki loves to be like Ugh my bitch wife has been so paranoid and high strung ever since she killed the guy she thought was blackmailing her friends over the stuff they did during the 19 months they spent stranded in the canadian wilderness. Something that has nothing to do with me at all

[byakuya-transgaymi]

No one can look me in my eyes and tell me Byakuya is straight.

[my-voice-my-resistance]

[lelianasbong]

all the complaints about taash being a big meanie mean person!! :((( are giving me sera and vivienne flashbacks. yet one of the most common criticisms is that the companions in veilguard are too nice to each other and that it's more fun when your party's full of messy bitches dragging each other? which is it

[clockworkreapers]

they need a break....

[foggygloves]

happy 7/9 !!

closeups vvv

[madi-sue005]

Qifrey getting ready to commit war crimes at the end of Chapter 67

[thegh0st-of-ingrid]

While reading Nevermore I feel like that one best friend that sees their bestie's man and how he treats them and goes: "FUCKING LEAVE HIM! HE'S JUST A MAN, HIT HIM WITH YOUR CAR!" when it comes to Ada and Will.

Those two are such meansexuals

[gibbledible]

miguel o’hara and lego spiderman you will always be famous

[telesodalite]

Never getting over Fulcrum being a project manager...

Idk why, but something about that is so funny to me. Not just because the title of "project manager" is inherently kinda funny for a Decepticon, but also because-

1. It's vague sounding and hard to explain irl because it technically exists in multiple fields, like healthcare or manufacturing, which surely translates into canon in some way.

2. In canon, it's simultaneously a really mundane, innocuous sounding job, yet it's also a super morally awful position to reside over depending on the context. (*cough* forced colonization and cyberforming *cough*)

And 3. It solidifies the fact that behind all the surface level militaristic work we get with both the Decepticons and Autobots, there's also Cons and Bots with "normal" jobs in both factions.

Like, sure yeah we get scientists and doctors, engineers and programmers, but usually in big important or warfront positions. (For plot reasons, understandably.) But it's also really funny and interesting to think of those that worked background positions, or minor jobs.

Like an Autobot working in their equivalent of an HR department, or a Decepticon who runs one of their outpost's or starship's kitchens.

Just all the pre-war jobs that didn't just disappear with the war, but instead evolved to exist within the factions.

It's particularly funny with the Decepticons though, because it could be a super mundane job or situation, but because it's them, it has to have an air of ~e v i l~ to it, either legitimately and/or merely for the vibes, like Tarn's "performance reviews".

[bitchapalooza]

Gosha: I found true happiness with the woman of my dreams. We're starting a family together which was first thought impossible.

Yahya: But what about ME!? Me! Me! Me!

[riftdancing]

I sat with my anger long enough...

until it told me its real name was grief.

I'm not a whole person...

and I don't think I ever will be.

Parts of me died in the house I grew up in...

and I visit them in my dreams.

When you aren't fed love on a silver spoon...

you learn to lick it off knives.

[rocketbirdie]

Arrrghh. People are finishing up Rebirth and looking up the different localizations, and the inevitable wave of hate for the English version is starting to gain traction again just like with Remake. I guess I just get super defensive about it because I have worked on large translation projects before, and it's not as straightforward as players seem to think.

It's not like the good ol' days of "This Guy Are Sick." They don't write the JPN script first, and then just send it out for translation anymore. Nowadays the different language scripts are all written simultaneously, with the teams working back and forth together, to check over each ofher's work and make sure that no one sentence is under- or overshooting a goal. Like it or not— everything is checked over and approved.

There's a lot more being translated than just words. There's so much to take into account— tone of voice, the cultural context, the lip sync and corresponding length of each line (which isn't allowed to run over by more than 0.2 seconds which is CRAZY). It's a messy process and it's a lot of goddamn work.

And then there's the audience, too. Different languages' audiences are often going to have wildly different interpretations of a character. A really good example from FFVII would be Yuffie. In the JPN version of the OG, Yuffie is written to be a confident girl who's dead serious about her ninja training. The ENG translation didn't do that justice... she instead comes off as a silly annoying kid pretending to be a ninja. Remake's DLC was testing the waters to see if they could write Yuffie in a way that's still faithful to both of the strikingly different regional perceptions of her character. And they nailed it.

The same thing happened with Cloud, and continues to influence the way he's written in the Re-trilogy. It's much more subtle than with Yuffie, but it's still noticeable, and I think it's why a lot of people get up in arms about his dialogue.

Cloud has always been written as having a stark disconnect between his tone of voice and his choice of words. It's just that the two major languages get it swapped! JPN Cloud has a harsh, mean tone, but his choice of words is polite and easygoing. On the other hand, ENG Cloud says a LOT of nasty shit out loud, but his true feelings are betrayed by his soft voice and gentle body language.

The difference goes unnoticed by the average player who isn't so invested to give a damn. But if you're actively searching for "bad translations" to get mad at, then you'll find them where one version's Cloud comes off a bit too strong. It's only natural that English Cloud is the one that pisses people off more often— after all, he's literally saying stupid shit to to piss other characters off constantly. His character is so convincing that players want to reach into their screens and wring his neck, and I think that's glorious.

But that's why it upsets me to see people turn that frustration at the localization teams. They didn't "ruin" a character's dialogue— they were just barely able to make something work, all things considered. Character, line length, culture, story context, facial animations, voice acting, for MULTIPLE languages, like... holy shit. It's a miracle that most of it is really really good, and that the bad is only a little bit bad.

Idk where this rant is going. Just... c'mon people. Have some respect for such an insanely complicated art form.