#this drawing is the one I posted a while back of orange background will !!!

[gmaybe666]

loneliness

this summer has been a lot of loneliness for me, what better way to channel it into a drawing of will in that scene yanno …

[ fun fact: drew this from memory on an app on my phone :3]

[immortalmsmoon]

Naruto General Headcanons

A/N: i have quite a bit of requests but i have no motivation to write person 5 I'm so sorryyyyy it might be a while before i post them. if you have any other requests though please make sure to send something in!

Cast Line Up- Naruto, Sasuke, Sakura, and Kakashi

Naruto~

This kid has SO MUCH energy, but at a certain point in the evening he crashes so hard. Like you cannot get him to do ANYTHING because he's half asleep. 

Has broken his arm twice. The first time when he was like 6 he fell off a tree while he was climbing it. The second time he was splashing paint on the great faces and as he was coming down he hit his hand on the ground too hard. 

When he can’t sleep he sits on the roof of his apartment complex and stays there for a while, usually until the sun rises. 

Likes to paint his nails frequently, usually bright colours, a big fan of bright oranges and greens.

Never has chapped lips. No matter how dry out it is he just never gets them.

After the chunin exams he holds a deep adoration for Neji, because he was able to change his point of view and become better and stronger, and Naruto finds it really impressive. 

Sasuke~

Likes to draw, while he was in the academy he often found himself doodling on his work. If someone ever approached him about it he would deny them and tell them they were seeing things. 

Sometimes when he feels really alone, he likes to turn on his TV for background noise and deep cleans/rearranges his bedroom. He does this usually once a month.

Can play guitar, and does sometimes. It reminds him a lot of his family, specifically Itachi, so he usually keeps it locked in the back of his closet. 

A very avid reader. Has tons and tons of books.

Loves to stargaze. Spends a lot of nights, especially rough ones when he feels alone, watching the stars, usually in a tree or clearing. 

After he left the village, for the first few months he actually missed being there, and missed Naruto and Sakura’s theatrics. He got over himself pretty quickly though. 

Sakura~

VERY good at makeup, but because she's a ninja she rarely gets a chance to do it, because she usually sweats it off. 

Used to wish her hair was blonde because Ino has blonde hair, and she was incredibly popular. 

Very very flexible. 

Also has a very large sweet tooth, and will take most sweet food over savoury or sour food. Can also handle spice VERY well. 

Her legs are stronger than her arms, and she tends to use them more in training and combat. One of her favourite people to train with is Tenten.

Kakashi~

Hates ramen. Cannot stand it. It's been like that since he was a kid, and honestly he's not sure why, he just really cannot stand it. 

Has very nice hands. They are usually fairly soft because he hates how his hands feel when they're dry. 

Once tried to read a book that wasn’t Make Out Paradise and couldn’t even get past the second chapter. 

Very lazy. His ideal day is staying inside his house in a comfy robe and soft slippers reading the day away.

Insomniac, and very good at hiding it. His bags aren’t obvious, and if they are he covers them up with makeup.

Hates being fussed over, but secretly likes to fuss over other people. He can’t really help it, he’s just lost so many people that he has to fuss over the people he loves.

[hwaflms]

𐙚˙⋆.˚ nct 127 as 1d songs!

‧₊˚ 💭 ✩彡 , , 0.69k, fluff + slight suggestive + slight angst, just lil snippets of you and 127 with one direction songs, not my usual writing style, TELL ME UR FAV 1D TRACKS

♡ taeil . . . last first kiss

rainy days, soft smiles and soft kisses, nicknames, casual dates, putting away groceries, taking photos of things to show each other later, promises, painting dates, secret handshakes, prolonged stares, drawing each other, approving photos to post, kisses on the top of your head, karaoke nights, trying street food together, song recommendations, deep questions, laughing over some soju, denial and hesitation, splashing each other with wet hands

♡ taeyong . . . little things

LONG showers, buying clothes for you, matching jewellery, folders in your galleries for each other, perfume, long talks over tea, words of affirmation, flowers, crying in front of each other, wine nights, slow dancing, sending you reminders to eat, falling asleep over call, learning ukulele together, staying-in days, holding hands 99.99999% of the time, corny jokes, bike rides, playing video games, cutting fruit for each other, naps while it's raining outside

♡ johnny . . . she's not afraid

secret movie dates, drive-thru mcdonald’s, tight dresses, tousled hair, long video calls, subtle lock screens, orange-scented soap, sneaking out at night, drunken confessions, the two of you together in the background of every photo, watching scary shows, kissing in the dark, running, texting while in the same room, lying in his arms, windy nights, knowing each others favourite songs, screenshots, hushed whispers, road trips, dancing in the kitchen

♡ yuta . . . perfect

parties at 1 am, hailing taxis, long sloppy kisses, tucking hair behind each others ears, red bull cans, blasting music in the car, ice cream runs, eye contact, skinny dipping, cheap hotels, playing pool, texting late at night, beach walks, wind blowing in your face, meeting in secret, italian restaurants, thin cigarettes, messy sheets and hair, windows all the way down, knowing smiles, wearing his shirt at home, soft gasps, motel pools, cherry lip balm, getting tattoos together, getting kicked out of parties

♡ doyoung . . . half a heart

soft sweaters, missed calls, buying his detergent, matching rings, soft wispy clouds, two different kinds of juices in your fridge, puddles, picnic dates, mixed up socks, never deleting photos, the first text after an argument, books with notes in them, walks by the river, watching a show together, conversations in the dark, spontaneous coffee meet-ups, naming plants, museum visits, drives in the rain, saving memes about each other, empty lockets

♡ jaehyun . . . no control

stargazing, drinking on rooftops, meeting at parties, red cups, pool nights, lipstick stains, the smell of his perfume, oversized clothing, driving fast when the roads are empty, voice messages, morning kisses, private playlists, tinted taxis, looking for each other in a room, holding your hair back, strong coffee, silk pillowcases, clothes on the floor, selfies on each others phones, muffled moans, drunk tattoos, pinching his cheeks

♡ jungwoo . . . 18

amusement park dates, walks at night, letters on beige paper, photo booth pictures, ugly keychains, playing on the seesaw when the playgrounds empty, passing notes, keeping said notes, bracelets, having each other as your lock screen, messy beds, lists of baby names, knowing each other's favourite songs, extra toothbrushes, shampoo bottles, yearbook cutouts, shoebox filled with letters and trinkets, holding pinkies, random texts throughout the day, talking to his mom on the phone, long calls

♡ mark . . . i want to write you a song

pure innocent love, cafe dates, warm hugs, board games and hot chocolate, writing songs for you, sharing clothes, pecks while smiling, cookie recipes, said cookies ending up burnt, karaoke nights, acoustic guitars, writing desks, cheek kisses, grocery shopping, badly taken polaroids, long walks, late night conversations, photo albums, beanies when it's cold, holding hands under the table, wearing his glasses, breakfast in bed, bouquets, scarfs, walks along the sand

♡ haechan . . . temporary fix

stolen glances, smokey rooms, making out in the back of a taxi, moonlight, hair flying in the wind, playing footsie under the table, jealousy, talking on the phone late at night, eyes meeting across the room, drunken kisses, sitting on his lap, lots of 'are you awake?' texts, vodka sours, mirrored lense sunglasses, dyeing each other's hair, locking doors, lips on your neck, avoiding questions, stupid contact names, waking up in his clothes, empty wine bottles, bright sunsets, 10+ tiktoks and memes every morning, voice notes of him singing

[lachencha]

Dreaming of You: Mouthwashing Anya x Reader

erm…this is like my first time posting on Tumblr in a while…hope you guys like it >.<

no warnings, if there’s a warning i should add, please let me know >.<

i also posted this on ao3

please enjoy!

Late at night when all the world is sleeping, I stay up and think of you.

It's a cool autumn night, the wind outside whistling through the trees, accompanied by the leaves dancing through the air. Usually, you'd be excited about fall, it's your favorite season of the year, no more heatwaves, no more swarms of bugs, and you love watching the orange leaves drifting gracefully on the ground. But how can you enjoy the fall when your girlfriend is away? You've grown so accustomed to spending your evenings cuddled up on the couch, sipping hot chocolate while watching the reality shows Anya insists on watching. So used to snuggle up to Anya, her warmth helping you bear through the chilly nights. So used to dozing off in minutes, your eyelids growing heavier with each gentle strokes of her fingers on your hair. But now, without her, you find falling asleep a lot harder, a lot lonelier, and you find yourself trapped with your own gloom.

And I wish on a star, that somewhere you are, thinking of me too.

You gaze out your window, and look up at the sky. It's not easy to see the stars with the city lights, but some manage to shine through. You wonder which one Anya is near, wonder if she's eating well, wonder if she's studying the nursing books the same way she does here. But most importantly, you wonder if the time is weighing on her as much as it is on you. Does her heart ache the same way as yours? It's not her first trip, but you can never grow accustomed to the months without her, without hearing her voice, without her kisses, without her embraces. It never gets easier, and each trips feels harder than the last. You chuckle to yourself, realizing that Anya left you like a spoiled child, leaving you accustomed to her kisses and affection, leaving you wanting more and more, but now that she's away, you're left alone feeling bitter. All that's left for you is to throw a tantrum.

You sigh, pulling the blanket closer to your chin, drawing your knees to your chest, trying to block out the emptiness that fills the room. The wind outside continues to whistle, the trees' rustling almost soothing. Your eyes flutter shut, heavy from the weight of longing, and before you know it, the familiar warmth of Anya's embrace seems to envelop you.

You're on the couch again, just like every other night, the TV softly playing in the background as you lean against her. Her fingers are stroking gently through your hair, and you sigh, your body easing with every stroke. You feel safe, warm, at peace. You're watching the same reality show, and Anya is watching intently like she always does, her eyes glued to the screen. She's here. She's not on that damn spaceship millions of miles away. She's here with you.

But then you open your eyes... and the room is empty. The cold air rushes in, and the only sound is the rustling of the leaves outside.

You blink, the world around you slipping in and out of focus, the line between dream and reality blurring as you begin to wake up. The stars outside the window seem closer now, brighter, and you wonder if Anya is looking at the same ones. You imagine her voice, soft and familiar, calling your name. It was a dream, you know it was, but it felt so real—her presence, her warmth, her touch. The ache of missing her is sharp, but in this moment, it's comforting, like a memory you don't want to let go of.

And a small, steady hope rises in your chest.

She'll be back soon.

You whisper the words to yourself, it's a quiet promise, a soft reassurance. It's not the same as holding her in your arms, but it's something to hold onto—a reminder that the distance between you is only temporary. You know that when she does come back, things will feel right again, like they always do. And though you may have to bear the loneliness for a little while longer, it won't last forever.

You close your eyes again, letting the thought of her warmth fill you, pulling the blanket tighter around you. For now, it's enough. Just knowing she'll be back soon.

And when she does, the autumn nights will feel like home again.

Cause I'm dreaming of you tonight.

[breakfastatmiles]

Your art is wonderful!!!

A constant inspiration to my own creativity and art work. Could you explain some of your art style to me? I’m interested in looking at a bunch of different ones to try and finally find one for me.

Goodnight!!🌙

Thank you so much! That means the world to me! I’d be happy to share some of my process with you 😄

Keep in mind I’m completely self-taught, so this is just the process of how I make my drawings and not any sort of professional advice 😅 apologies for the long post ahead 😪

Starting with the basics, my biggest influences are Jin Kim and Ami Thompson. Both are amazing character designers and I really admire their stylization and expressions. Whenever I feel stuck on something, I always go back to their drawings for inspiration.

I typically start in Procreate with a canvas size of 3300px x 4200px or 11” x 14” with a DPI of 300.

I put my reference in the corner of the canvas (in this case it’s a screenshot from the movie She’s the Man) and I start my rough sketch (emphasis on rough). Sketching is probably the longest part in my drawing process because I’m focusing on expression, composition, proportions, etc. This usually has about two to three passes before I move on.

Then I lower the opacity of the sketch and clean it up with some lineart on a new layer. Lineart doesn’t play a huge part in my style, but I still like to play around with line weight. Since I knew this was going to be a fully rendered piece, I didn’t spend much time on lines that I knew were going to be removed later in the process.

Underneath all of that, I use the skin tone and color the base of the character. I make sure that I color ever so slightly past the lineart, for reasons that will be important later. This part can be tedious, especially because I use a textured brush, so there are a lot of gaps that I fill in later.

Then using new layers with clipping masks, I start the flat colors. Nothing too crazy here.

I’ve made color palettes for characters and backgrounds that I typically draw, so this way it speeds up the process and maintains style consistency. If I need a color that I don’t normally use, I���ll just play around with the colors until I find something that fits well with everything else.

Next, on a multiply layer, I add some basic shading (with the skin tone color) and blush (with an orange-pink color). I also move onto the background. Some are more complex than others. If I’m going for a more cinematic look, I’ll fill the background in with some basic shapes and blur it slightly. Thankfully the background was pretty simple in this reference.

I start checking proportions now that everything has basic colors. Then I duplicate my lineart layer and change it to a pinkish-red and put it on multiply mode and turn down the opacity. This is why the base color layer needs to line up with the lineart, otherwise there’d just be gaps underneath. Instead of erasing my black lineart layer, I put a mask on it and just keep the eyes and eyebrows.

Then I start working on the shading and hair, which is an entire process in itself. Maybe I’ll make a tutorial on that one day 😅

I also use some vivid light and soft light layers and put in some subtle colors for extra pizzazz.



Then I add a hard light layer to the eyes for that glossy look and on a normal layer add some white details just to make some things pop more (like the nose, lips, eyes, sometimes hair, etc.)

I did make an eye tutorial a while back, but my process is still the same!

Lastly, I spend a lot of time playing with different blending modes (multiply, add, soft light, vivid light layers) and really focus on the lighting. I used to focus on adding a lot more details and make the coloring more realistic, but I found that the more simplistic coloring was easier for me to do and fit my style better. Sometimes I still tend to go too far with the details and realize that it looks better when I tone it down a bit.

That’s pretty much it! Let me know if you have any questions! Hope this helps. Have fun making art!

[fruitkingfrog]

[ID: A full page drawing of Orion holding Lightray, Orion’s hands are under his legs and Lightray is playing with Orion’s hair, they are looking into eachothers eyes and smiling. Behind them is a rainbow Mother box inspired circuit pattern, with seventeen alternate universe versions of them in the various borders and fifteen much smaller alternate universe versions of them over the borders. The word "Multiverse" is framed in dots on the frame on the left. End ID]

late 2021 Lightrion week day 6 - Alternate Universe! &

New Gods November 2023 - Week 4, Day 4: Alternate Realities!

once upon a time it was said that only one version of the New Gods exist across all Earths, but its rarely reflected after that. Most of these AUs are canon, some after 1/2 canon (featuring only one of the duo), and some are my own ideas :D This december is going on three years since I got into New Gods!

 commission info & ko-fi links available on my pinned post♥! 

♥ reblogs appreciated! do not repost/edit/etc

Closeups, detailed IDs under cut:

[ID: Box one: Orion and Lightray from DC, depicted as anthro cartoon dogs from the neck up. There is a purple background with black kirby krackle behind them.

Box two: Thorion and Bald’r with their foreheads pressed together, smiling and looking into eachothers eyes. Their hands are clasped in front of Bald’rs shoulder. Thorion has shoulderlength blond hair and wing-like ears on his helmet, which exposes his face. Bald’r has black hair, and wears a blue cape over his armour.

Box three: Lightray as a Blue Lantern holding off an attack from Orion as a Red Lantern. Orion is snarling, striking at Lightray with claws and spitting red acid. Lightray is smiling at him, reaching out one arm and holding Orion’s wrist in the other. Blue and Red kirby krackle surround each of them.

Box four: Two anthropomorphic dinosaurs, one is red, blue, and yellow with a spiky back and saber-teeth, he is wearing a helmet. The second is a white and yellow pterodactyl with a red and black symbol painted on his chest.

Box five: Two mech suits, Orion’s slightly in front of Lightray’s. Orion’s has his helmet, a pink face, blue collar, and red shoulders. Lightray’s behind him has his gold headpiece and flames coming from the top. Orion and Lightray sit side by side on the shoulder of Orion’s mech, faced away from viewer. Lightray is reaching over to Orion’s thigh and they are watching a sunset together.

Box six: Hunter and Neon Black, two men closely resembling Orion and Lightray, but with thicker armour and darker clothes. Hunter is turned away but looking over his shoulder, while Neon Black is pressed into his chest and smiling.

Box seven: Orion and Lightray based on the style of Mike Mignola, Lightray is thin and wearing a white top with a gold V mark, and long gold gloves that reach up his arms. Orion has a low cut red shirt and blue shoulderpads. He and Lightray are smiling at eachother.

Box eight: Future State Orion with a matching Lightray, their heads are pressed together and they're holding eachother's faces and smiling. Orion has pink skin and flaming hair, Lightray is similar, both have gold headpieces resembling their usual counterparts.

Box nine: The top of two mock-Simpsons style figures, one with a red/black bowlcut and one with orange hair and a silver headpiece with a "v" on it, meant to be Obrian and Flightrisk from Radioactive Man.

Box ten: Lightray faced away from the viewer, glaring at Orion, who is lacking a helmet and has long, wild hair. Orion has a darker outfit based on his Gods and Monsters uniform, with a silver harness. Barda is next to him in an outfit similar to her regular one, she looks concerned and is reaching to pull Orion back. Behind them are buildings from New Genesis.

Box eleven: Orion's death scene from Gods and Monsters, Lightray is holding Orion back while Highfather's staff kills him.

Box twelve: Orion standing with his hand by his hip, Lightray is flying by his side and smiling with his hands raised, drawn in a Jack Kirby inspired style.

Box thirteen: Young Justice Orion looking back at Lightray, who is smiling at him.

Box fourteen: A sketchy drawing of Lightray and Orion, using unused New 52 designs. Lightay has goggles and red gloves, Orion's helmet has more pieces to it and his top is sleeveless.

Box fifteen: Highfather Orion from The Dark Side leaning into a kiss from Lightray, who is playing with his hair.

Box sixteen: Batman Beyond Lightray looking worried at Orion, who is faced away from the camera. Lightray has his eye injury and bandage, Orion is maskless.

Box seventeen: New 52 Orion and Lightray relaxing on the grass. Lightray is pressed into Orion's side with a knee over his stomach. They're smiling at eachother.

Final image: Several small figures, showing Lightray and Orion together as they appear in Scribblenauts, New 52, Source of Freedom, The Dark Side, Mike Mignola, Lantern corps, DC Mech, and Dark Multiverse. Lightray from Superman/Batman: Generations and Earth-51, and Orion as his 80's costume, Kenner Super Powers, two Lego forms, and his clone from The Great Darkness saga.

END ID]

1: Orihound and Lightstray from the New Dogs (Earth C-Minus). Inspired by the art in their first/only appearance Captain Carrot and the Final Ark #3, by Scott Shaw, Scott Koblish, Tom Luth, and Drew Moore.

2: Thorion and Bald’r the Lightbringer of the New Asgods (Amalgam Earth). Inspired by the art . 

3: Lightray and Orion as members of the Lantern corps, designed by me. In this universe, an Apokolips-raised Orion loses all sense of control when given the red ring and decimates the population of Apokolips, then turns on Atrocitus for manipulating his mind. Seeing a threat to all Lantern Corps, Lightray of New Genesis volunteers to defeat Orion and retrieve his ring. Lightray’s design is based on his formal wear from volume 3, Orion’s is based on his rebirth uniform. OK i dont know if they can work out in this one honestly i just thought it’d be cool, theoretically 

4. Lightraydactyl and Orionodon, designed by me. The JL fighting Darkseid instead of Orion is a pet peeve of mine, but Jurassic League didnt even leave room for the New Gods to exist. i love the dinosaurs comic though Lightray was pretty straightforward, Orion’s design took inspiration from Darklyoseid’s canon design by Juan Gedeon, a sabertooth tiger (for Tigra), and Orion’s main universe costume for the colours.

5. Orion and Lightray Mechs. DC Mech killed Orion off in issue one boooooo! but it did mean i didnt have to design my own for his (Lightray's is mine though). This was inspired by one of the covers for Pacific Rim, because I will be thinking about a pacrim AU for them forever now.

6. Hunter and Neon Black. These guys aren’t actually LR and Orion, just two random inmates disguised as evil versions of them iirc, but I liked Neon Black’s design.

7. Orion and Lightray, Mike Mignola’s scrapped 1990′s New Gods animated film designs.

8: Orion and Lightray from Future State: Green Lantern, Lightray was designed by me.

9: O’Brian and Flightrisk of the New Guards from Radioactive Man.

10. Orion and Lightray (and Barda) from a personal AU of mine, using designs inspired by the Gods and Monsters film.

11. Just the Gods and Monsters death scene, to break things up.

12. Orion and Lightray inspired by Jack Kirby’s art.

13. Young Justice.

14. Scrapped New 52 Lightray and Jim Lee’s unused Orion design.

15. DCAU/Batman Beyond

16. Superman: The Dark Side. I was going to make Lightray transparent at first, like ambiguously a hallucination or a ghost or something but i didnt like how it looked all that much.

17. New 52 - I sometimes like to imagine these guys are from like a Pocket dimension modeled after the Fourth World, where everyone is shallow and awful like n52 canon/fandom perception.

18. Minis - Scribblenauts, Lightray's older appearance in Superman/Batman: Generations (he has an earlier appearance similar to his main universe suit, but with a yellow tone), New 52, Source of Freedom Orion plus the miscoloured Lightray that appears twice, The Dark Side, Earth-51 Lightray, 1977 Orion, Mignola again, Kenner Super Powers Orion, Lantern Corps AU, Orion effigy from The Great Darkness Saga, both Lego Orions, original illustration colours, DC mech, and Dark Multiverse: Flashpoint.

a few months ago i got to finish with this very long term project :D thank you to everyone who encouraged me with kind words while working on this :D The final Lightrion week pic is finished and ready to post whenever i get around to it.

[nrwynter]

I haven't done one of these in forever! I think the last one I did was... four years ago? I thought it would be fun to make one again with my improved art skills and show the work that was put into this piece.

The final piece was one of three idea prompts I submitted for the zine. I was already sketching out thumbnails while I was waiting for approval, but I did draw for one of the rejected prompts as well. (Unfortunately I don't have access to them at this time but I'll add at a later date).

Once the weapon prompt was approved, I got started on a rough sketch. (The sketches were drawn cleaner than what I would normally do to make sure it was readable haha). The toughest part of the piece was its composition. Scattering the weapons was hard because I needed to make sure everything looked balanced and focus was placed on the master sword.

What ended up working for me was I managed to grab as many weapon models from the game as I could find, threw them into Blender, and arranged them until it looked good. A bonus of doing this was having good references for both the piece and the individual weapons themselves (which came in handy when I had to draw some of the detailing). The models were also size accurate so that helped a ton too. I did have to upscale the smaller weapons so they'd be more visible on the cover.

Some of the weapon placement was deliberate, others were put there to fill in space or for another reason. The majority of the characters wielded some variation of a sword so I sprinkled in different weapons and other things to break up the repetition. That includes stuff like the Fierce Deity Mask and Toon Zelda's helmet. The more sillier weapons like Tingle's balloon and King Daphnes' sail were placed in the back so they wouldn't clash too much with the other weapons.

I'll talk about some of the more of the symbolic stuff further down the post.

I also drew an alternative version of this piece with Link being in the center instead of the master sword.

Fun fact: at one point I did consider including Ganon since he's technically playable, but realized he doesn't have a weapon. This would have meant I would also had to include the big Cucco from the cucco mode so neither were ever conceptualized.

I intentionally left the art's tone ambiguous just in case the mod team had something in mind. I did picture it having a dawn color scheme though, and the mods wanted the cover to have a peaceful/hopeful vibe so that worked out. I did however add some sunset choices in my color concepts for more options. The four I made also had sepia versions to fit with the aesthetics of the game.

8 was the one the mods chose. However, I did end up slightly adding 6's colors into it to make the sky pop. This ended up being the finalized color concept.

(It looks a little fuzzy because I ended up layering 8 and 6 on top of each other and I didn't position them correctly fghj).

When I do illustrations I start with the background first so I can use its colors for the foreground and midground. I normally don't draw clouds this big and up close so I had to be pretty delicate with how I rendered it. I'm glad I only had to do one side and just duplicate it to the other. Also I made the oranges in the sky and clouds subdued.

After the background was done, I tried rendering the ground and it was a disaster. This was early on in the rendering phase, but what was meant to be dirt started to look like sand. I tried to see if adding textures would help but it made the problem worse. I ended up taking a break from the ground and moved on to the weapons.

Next was the most grueling part of the piece: linearting. I am not kidding when I say doing the lineart took three whole days. I was also juggling with my other illustration I was working on for the zine so the timeline ended up stretching to a week. I'm a detail-oriented person and stuff like this isn't usually that bad for me but this one was pretty rough. The sweat and tears paid off, I think!

After lineart was done, I went back to render the ground again. It was becoming more polished and included more small rock formations, but the dirt-looking-like-sand bit wasn't improved. I opted to add grass instead since that would be easier to render. That was probably the right call because I think that helped with the desired tone for the cover.

I flipped-flopped between working on the grass and the weapons. This screenshot was when I had added the shading, textures, and some highlights. Oh, and I slightly tweaked the sky a bit.

With the grass and rendering done comes my favorite part: color editing. Started throwing overlays, soft lights, what have you on everything and used color balance to level out the colors. Also added light reflection on the ground for some of the weapons.

Something was missing from the illustration and I had no idea what it was. A friend had suggested particle effects and that did the trick! Everything was set and done and I submitted my illustration. When I saw the cover with the title for the first time, I noticed that the illustration was made a bit brighter than what I originally had (likely so the title stuck out better). I actually really liked that change and edited my own copy of my illustration accordingly.

With that said, now I want to talk about some of the more subtle details in this piece. You guys probably noticed these already, but I want to talk about them anyway! I mentioned deliberate weapon placements some ways up so let me go over that first.

Ghirahim's sword, Zelda's rapier, and the master sword are placed in sort of a triangular way meant to represent the triforce (although I think I messed up on the distance between them). I originally wanted Ganondorf's swords being in Ghirahim's spot but I was worried about contrast issues with the swords' darker color scheme and battling attention away from the master sword. I think the idea still works considering Ghirahim is Demise's sword (and Demise is like the Ganondorf of that game). Though Ganondorf's current placement can be viewed as him being a looming threat, for Hyrule Warriors and other Zelda titles.

I have Lana's tome and Cia's scepter close together to symbolize them being two sides of the same coin. Toon Link and Toon Zelda's were placed on opposite sides of the piece but slightly facing each other. Toon Link's and Tetra's are also diagonal from each other, both also representing a type of connection to each other. It's a similar deal with both forms of Midna's weapons as well as Yuga and Ravio. Speaking of Ravio, his weapon is the only one partially buried, sort of peaking over at the master sword to reflect his cowardice natureand being Link's Lorule opposite (at least the Link from a Linked Between Worlds). A similar idea with Fi is that she is somewhat of a silhouette behind the master sword to reflect her growth in Skyward Sword. (I know technically Fi is represented twice here, but her "weapon" in Hyrule Warriors is a different blade so that's why).

Like I said before not all weapons have symbolic placements like this, but a number of them do.

One more weapon detail I wanted to point out is on the master sword. I had this planned from the very beginning but I intentionally draped Link's scarf over the master sword so that the triforce of courage on the blade is the only one visible. I also intentionally highlighted the engraving to make it more prominent.

In the background, the sky is shaped in a way to resemble the Hyrulean royal crest. With the gap in between the clouds looking like the wings, the Master sword acting as the body, and the three visible stars as the triforce (but I messed that up slightly). Only thing I didn't include was the feet of the crest. It's not an exact 1-to-1, but here's an outline for a better visual:

On the topic of stars, there are 29 in total to represent all 29 characters. The brightest star above the master sword is meant to represent Link, but the other 28 are scattered around. Some are more visible than others so it may be hard to spot them all, but they're there.

Saving this last detail because it doesn't really have anything to do with Zelda and more to do with my art. I have always wanted to do this with my work for a while but haven't implemented it until now so I wanted to bring it attention.

From now on, all of my illustrations will have a hidden little angler fish blended into the scenery. I got the inspiration from Adventure Time's snail that appears in almost every episode incorporated somewhere and thought I could do something similar with my art. I'll show you guys where I placed this one, but you'll have to find the next ones on your own.

Not the clearest, but I promise in the future it'll be better drawn (and in case you're wondering, yes there are also little anglerfish in the other zine illustration too!). I just thought this would be a fun way people can interact with my art (and also act as an additional signature).

And that's it! If you have read all of my rambles, thank you!

[sprout-senior]

this is. so fucking stupid

i put way too much effort into this

edit: picture formatting

transcription/image ID and more under the cut

[panel one: Error is looking at blue, who is in the foreground about to eat a brownie with a very wide open mouth, with horror. his hands are on either side of his head.]

Error: oh no! Blue’s gonna eat that WEED BROWNIE!

[panel two: Error eats the brownie, accompanied by the word CHOMP. Blue watches with surprise.]

[panel three: Blue is grinning, while Error looks very distressed, holding his hands in front of him.]

Blue: wow Error! did you just eat my forever weed brownie? [the words forever weed brownie are in green.]

Error: it was the only way to-

[Error cuts himself off, and the next panel displays him looking like a photorealistic skeleton, a vast contrast from the extremely round and simplistic style of the previous panels.]

Error: w h a t [the word what, spaced out for dramatic effect]

[end comic transcription]

anyway yeah i’m getting back into traditional art at least for the time being since i can’t find my damn stylus. this is the first page in my new sketchbook

[image ID: a sketchbook page, featuring several doodles. in the top left, there is a cute bunny man holding up a peace sign, winking, and smiling with his mouth open. he is on a neon orange background, drawn with purple ballpoint pen, with the caption “WAOW!”. next to this, in the top right, is a simplistic drawing of a lavender bush, colored with bright purple and green markers. below the bunny man are three small doodles of various expressions. one looks concerned and a little disgusted, captioned “yeesh”. the second is a somewhat curious looking one with its eyes popping out of its head, captioned “idk”. the third and final expression is a top down view of a face with very large sparkling eyes, captioned “forced to eat cement at age six”. the bottom half of the page features the comic transcribed above, with numbers and arrows clarifying the order of events. end sketchbook page transcription]

one final block of text to round out the post: i’m doing image descriptions/transcriptions now! i gave up on alt text a while ago, because it was such a pain to format and difficult to work with for me, and i forgot that i have free will and can type that information in the actual post. please let me know how i did! accessibility is important to me, so if my descriptions are lacking in any way or could stand to be improved, i would so so appreciate it if you could tell me what to do to improve! thanks!

[journey-to-the-attic]

3rd anni req 5: beel, asmo / photos

ao3 link

note: this one's short n sweet! takes place post-jtta ^^

∎ ∎ ∎ ∎ ∎

“Ahhhhhhhhhhh!!”

“Huh? What?” Beel jerks upright as Asmo barrels into the kitchen - his spoon clatters to the table in mild panic. “Did something happen?”

“Look at this!” Asmo wails, practically slamming an orange-cased D.D.D. on the table. “You were hiding these this whole time?!”

“Huh?” Beel seems to have already forgotten that he lent it to him. “What?”

Asmo rubs his eyes furiously, sniffs, then asks, “You didn’t even notice?”

“Notice what?” He asks cluelessly, then finally looks down at the screen. “...oh…”

IK’s eyes - very, very close to the camera - stare back up at him. Like an inquisitive sort of little bird.

He pushes away his bowl with one hand and pulls his phone towards himself with the other. He’s cradling it like something precious, wearing the sort of softly awed face you’d use for a baby animal.

Asmo isn’t sure whether or not to laugh. Beel hasn’t even realised there’s more than one picture yet.

He lets him remember to swipe in his own time. Silently, he watches him skim through IK’s little impromptu photoshoot - none of it quite taken seriously, but earnest all the same.

Beel stops on Asmo’s favourite - the one where her face is behind a glass of water, so that it warps in funny places. Maybe it’s because the warping obscures it somewhat, but this is the only one where IK’s wearing a full grin. The other smiles are sweet, but small and a little awkward - this one, for lack of a better word, is just plain joyous.

Asmo takes a look at Beel’s face. He doesn’t feel as silly for bursting into tears now.

Beel has exactly two pre-existing albums - Asmo knows this because he was snooping through them before he spotted the selfies - one for food (dishes he wants to try, promotional restaurant posters, and everything in between), and one for family.

This one is a little more curated than the food album; given his lack of photography ambition, most of Beel’s gallery is filled by courtesy of his brothers messing around, so he’s more selective about which ones to commit to memory. Asmo watches Beel select the entire block of sneaky selfies, and saves them next to a magazine-worthy shot of Belphie staring out into the horizon.

He gets it. He’s feeling sentimental, too.

Beel is quiet for a little while longer. Finally, he says, voice perhaps a touch thicker than usual, “When did she have time to do that?”

Asmo had thought the same thing - which is why he’s already checked the timestamps. It seems IK was making a game of it for a little while, because the pictures come in bursts over a period of about a week. There are twenty-two in total.

Beel doesn’t seem to expect an answer. In fact, he’s already moved on. “I should show Belphie…”

He’s looking at the photo where Belphie’s tousled hair is just about visible in the background - IK’s done her absolute best to capture his sleep-contorted face. Based on the odd angle - and the blurring - she dropped the phone on him immediately after taking the picture.

He scrolls through the whole set one more time, then says affectionately, “I don’t think IK thought I’d find these.

He’s pointed out a certain quirk to her smiles. Asmo nods fondly; yes, that’s definitely the look of an IK who thinks she’s getting away with something. She does the same thing when she thinks Satan hasn’t noticed her drawing lines on his arm during study sessions.

“Gosh, I feel crazy,” Asmo sighs, then abruptly face-plants forward onto the table. “They’re just pictures, but I feel like I’ve just watched her win an award or something.”

“Is that what it is?”

“Maybe? Like, oh, that’s our girl, you know?”

“It’s…” Beel doesn’t finish the thought before moving onto the next. “...hmm. Do you think that’s what having kids is?”

“Having—” Asmo chokes on nothing in particular. “Huh? I’m too young to be a parent! That’s totally not the same thing.”

Beel doesn’t look convinced. “I’ll ask Lucifer.”

“That doesn’t count. He’s old.” He clears his throat and relaxes again. “...it’s a different thing. I don’t think there’s a name for it… I just think it means family.”

Beel smiles. “I think so, too.”

[whirligig-girl]

Star Patrol rocket Piccard-5 encounters an artifact of the incredibly powerful White Marble Civilization. circa 2169, colorized & shipgirlified.

Commission for @foxgirlchorix, based on a render by Holly for @torchship-rpg

This is some of my best rendering work ever! These commissions do have a knack for putting me out of my comfort zone enough to continue developing my technical skills and style.

Image ID: Digital art of two ship girls in a black and blue nebula background. One girl is a very large solid white marble statue with a naked feminine form, pitted and cratered with meteoric impacts, drifting belly-down though space. Instead of a face, her head has a large hole which glows yellow-orange, with a white marble sphere held in space outside of it. A green tractor beam is being emitted towards the second girl, a Torchship named Piccard-5. She is a silver girl with her body resembling a star patrol jumpsuit. Warp drive rings circle her waist like a hula hoop. She is wearing a spherical ball helmet. She is wearing white rocket boots. She has glowing red-orange radiator panels as wings on her back. The white marble sphere's tractor beam is slowly disassembling her into individual hull sections, disconnecting her radiator wings, removing her boots to reveal the rocket propellant inside her legs, and taking her body apart. Piccard-5 is reacting with a worried or confused expression. End Image ID.

Artist's notes and concept sketches in the read more:

When this render was posted Levana immediately had the idea to make it one of a series she was planning on commissioning me for, of shipgirls based on Torchship's Star Patrol (and alien) rockets. So we quickly brainstormed how it would go down and what she could afford price-wise.

When I do big commissions with new characters where I'm creating the design without an existing OC reference, I charge extra for character design. That doesn't just go to waste! Here's the concept art page:

The White Marble shipgirl is inspired by the Eerie and Enigmatic Empty Vessels by @murmurlilies, which Levana really likes--if you look at her blog you might see one of those posts reblogged multiple times. I wanted to pay homage to the eerie and enigmatic empty vessels without directly ripping them off! The first sketch on the upper left is imagining the girl poses by breaking her arms into segments and moving them around, but that never looked quite right to me. The second is basically just a direct study of the empty vessels (with a ball head). The third is after a little more refinement--I liked the cute hair on the empty vessels so I wanted to keep the head mostly intact, and I found a way of keeping the silhouette of the jagged angular hips on the empty vessels but in a very different way! Meteoric impact damage, just like on the original Torchship render. I also used an edited version of one of the Empty Vessels drawings for the thumbnail sketch in the lower right out of laziness.

There's also a sketch of what Piccard-5 looks like when she's not being disassembled. Piccard-5 has a rounded main hull, so it looks much more like a regular space suit helmet than the frustum-shaped helmet on the Newton-2 shipgirl I sketched a while back. The Newton-2 shipgirl had heat radiators as wing shapes on her boots, but making them actual wings on her back makes the disassembly image all the more unsettling.

I changed the hairstyle on the white marble girl when I drew the main drawing because I wanted to evoke like, greco-roman marble statues, and so a curlier/braided look worked better than the cute pixie cut of the empty vessels. I'm really happy with how the final product looks. I knew I wasn't gonna be able to half-ass it with the rendering, you know, just a little shading along the edge; this required a lot of careful thought and it was a lot of fun to do! Especially where the craters interact with the terminator (line between light and dark), just like on the Moon, which I have a lot of experience sketching (see below--the following sketches were made while looking through telescopes at the Moon at night)

Here's a WIP of just the line-art:

and with the basic shading done on the marblegirl

I started with like, a cel-shaded look (?), and then went in and softened the edges, then went over it again to fix the craters. I also added the marble texture to the unshaded base layer.

For the Piccard-5 girl, I spent a lot of time trying to get the pose right. I wanted it to be a little stiff, she's in a suspension beam after all, but not too stiff? And I had to decide like, what pieces should be detached, and where should they be going. In the render, hull pieces are often displaced towards the side, but when doing that to a humanoid, it ruined the pose too much, so i avoided doing too much weird stuff to the torso and kept the disassembled pieces largely to one axis. The cross sections are hollow because they're ship decks. She's a spaceship, not a robot girl. The warp ring was suspiciously untouched by the dissassembly beam in the original render, but i had the marble girl pull a few pieces off of it in my drawing.

Probably the one thing that isn't based on something happening in the render is the belt. Like, rockets don't have belts, cosmonauts do! So that was a fun little touch.

[thetacticalspider]

aight so i listened to a podfic (read by giveemhellkidd) of "the science of sleep" (written by chimneythunder) while cleaning my closet a few months ago and basically it rewired my brain chemistry enough that i drew TWO seperate posters for it...and will probably draw another as my art abilities continue to grow and develop. the first one posted here was finished literally this morning and the second one a few weeks ago (idk when exactly). i couldn't find tumblr blogs for either the author or narrator but i hope fate intervenes and they see this anyway. their creation has impacted me so.

image descriptions in alt and under the cut

[image number one shows a colorful drawing of a poster, done mostly in marker. "the science of" is written in large yellow letters at the top of the paper, and "sleep is written in even bigger letters at the bottom. Behind the letters, there's a zig-zigging silvery line bisecting the page. on the left side, the background is blue, showing mikey way in the back wearing a grey shirt and a red bandana. he's got light skin, small rectangular glasses, straight brown hair falling into his face, and is smiling. to the right and a little bit further down the page is gerard, with light skin and dark hair falling into his face, which is partially hidden behind a sketchbook with blue colored sketches on one page. he's also smiling. even further down the page and to the left is ray, who has slightly darker skin and a curly golden brown afro. he's smiling and is wearing a black misfits shirt. the other side of the jagged line has an orange background and the aforementioned people are mirrored on this side, only as the danger days versions of themselves. mikey has his red kobra kid bomber jacket on and is pointing his red ray gun down and to the left. his hair is bleached and he has black sunglasses on. gerard has the yellow party poison mask, dyed red hair and blue bomber jacket. his bright yellow ray gun is being pointed above his head. ray is in side profile, facing towards the center of the page with his blue ray gun being held parallel to his face, both hands on the hilt, pointing it up. he's wearing his black jet star jacket, but it's partially obscured by two grey rectangles made to look like strips of tape, with red words on them reading "a novel by chimney thunder." this is right above the final E and P of "sleep." finally, at the very front of the page, his comparitively giant face bisected by the big jagged line, is frank! he has light skin and black hair and his eyes are closed. on the left side of the line, his whole closed eye can be seen and his eyebrow, which has a piercing in it, since his hair is cut very short. his ear is right in front of ray. on the right side of the jagged line, his hair is long and falling into his face, covering his eye. we can just see the side of his nose and bits of his cheek. finally a tagline is written on the poster. on the left side is written "good morning frank..." and on the right side "have you taken your medication today." finally, the signature "tactical spider" is written across gerard's head on the left side]

[image number two is pretty much exactly the same as the first one, only this one is mostly done in colored pencil and therefore the colors are bit lighter and less blended. the orange background on the right side is an ombre that gets lighter as it goes down. instead of being grey, mikey's shirt on the left side is black and is meant to have duct tape on it, on which it reads "arts and crafts." the bottom of frank's nose can be seen on the left side and we can see a small nose ring. also, there are two small slashes through his left eyebrow. the red words above the word sleep have no background and are much harder to read, though if you can read them you'll see they say "based on the novel by chimney thunder." finally, the "tactical spider" signature is written along gerards arm on the right side. end id]

[bread--quest]

[ID: A digital drawing of four personifications of different U.S. cities, carrying trains from their respective metro systems like pets. They are all feminine-presenting and drawn against a textured gray background. NYC is a person with light brown skin, dark brown hair with pink streaks in two low ponytails, and pink eyes, wearing a red jacket with pink sleeves over a shirt, pants, and shoes. Philly is a person with dark brown skin, a loose orange afro, and orange eyes, wearing a dark green jacket over a bright blue shirt, dark blue pants, and boots. Boston is a person with light skin, short straight reddish-brown hair, and dark blue eyes, wearing a gray hoodie, blue faded jeans, shoes, and a green beanie. They have a knee brace on one leg. Chicago is a person with dark brown skin and long, straight, dark red hair that fades into gray and seems to dissolve into smoke at the ends, wearing a black shirt.

NYC stands calmly holding their phone with a NY subway train next to their feet. The train is drawn like a creature, with its front windows squinted like angry eyes and an open mouth, displaying pointy teeth. It appears to be growling angrily. Philly is flinching away, holding a frightened looking SEPTA train protectively. Philly, alarmed and angry, yells "Get your dog, bitch!" NYC, looking bored, replies "It don't bite." Philly, speech bubble spiky with outrage, yells "Yes it do!!"

Boston stands holding a Dunkin' cup with one hand and pointing at an MBTA train (Green Line) with the other, glaring at it and saying "Bad transit system." The train hisses, unrepentant. 

Chicago is happily scratching an L (elevated) train under the chin, saying "Good transit system!" Good is underlined for emphasis. End ID.]

got the idea to draw this while on the SEPTA train back from winter break, finally finished it today. was wobbling on posting it, but then amtrak started posting about city shipping and i figured it was a Sign, so

anyway. if cities were girls transit systems would be their little pet bastard creatures. you agree. reblog

[powdermelonkeg]

Tears of the Kingdom: The Final Analysis

Part 7

Part 6 here

In the next shot, we have Link and Teba's son, Tulin, jumping on some kind of trampoline to get height.

Fortunately for us, we've seen that trampoline before, so we know exactly what this is.

Link and Tulin are disembarking from their ship ride into a set of new ruins.

Link waits for the ship alone, though, so Tulin either had to tag along after ("Wait for me, I can help!") or he gets on the ship first and helps steer it down.

The architecture here looks almost too smooth to be Zonai. Red paint and triangular markings also hint towards something else, even though the ship itself has a Zonai figurehead.

Then these ruins down here are darker than the rest, with some kind of orange glow.

On the jump up, we can see much more of them; they seem to be their own separate platform set to the dropoff point.

This, however, looks to be the same material as the spot they're closest to. At the very least, the dropoff isn't isolated.

Then this has the same shape, but darker material. Are the ruins being corrupted?

A ship departs in the background, dark with red sails, just like we saw on the ship boarding scene.

And down here, we see the glowing spiral of a generator shrine.

Moving higher, we can see the full structures. The two identical ones are pillars, there's a flat platform towards the back, and a tall structure that almost looks like it's been built on, like a lookout post.

Next, Link draws a carriage of passengers.

The pieces are stuck together with Ultrahand. However, they're also very specific shapes rather than something improvized; this carriage likely broke down at the side of the road, and Link can stop and offer to help.

A Rock Octorok shoots a fireball at Link

Which he then catches with Recall midair

And sends hurtling back.

While it's being sent back, the Octorok moves, meaning that even if you stop something, time doesn't slow down to allow you to do so. If you manage to catch an arrow, you'll still be in the line of fire as you're figuring out how to shoot it back.

There's also a mineshaft entrance back here.

When Recall completes and color comes back, it turns bright blue inside. Two things come to mind, right off the bat.

First, Twilight Princess's Goron Mines. We know from the terrain that this is Eldin, and the mines here had magnetic ore inside that could be clung to with iron boots.

Then the Timeshift Stones from Skyward Sword, which turn blue when struck and extend a time field around them.

However, there are arguments against both these reads, too; for magnet ore, we'd have to ask what purpose it has. In Twilight Princess, it served as a game mechanic to allow unique traversal. In Tears of the Kingdom, we don't have any iron boots-style item we can use. On top of that, we have the Ascend power.

Which would make any kind of stick-to-walls-to-get-new-places redundant, if not completely useless.

On the side of Timeshift stones, while they are blue when active, they're usually a deep purple.

So if the mines were Timeshift, they would need to be active, and we would be able to see some kind of terrain shift around them.

However, I did find one more thing that matches the blue glow.

In Skyward Sword, there's a minigame called "Thrill Digger," in which Link plays a game of bomb flower minesweeper. On the walls of this minigame, though, you can find rupee ore, which you can shoot for extra rupees.

The blue in here could easily be a vein of blue rupee ore.

The colors look about right for it, the final cut rupee just has a more polished, vibrant look to it.

Up next, Link has a rocket in the Faron region.

It appears to be Fused to some kind of shield, and it carries the Zonai colors. The strange ring around the shield makes me think it's the Zonai equivalent of a Sheikah Guardian Shield.

He flies up with it, and we get a better view of what the rocket is attached to

The shield itself is round, very much Zonai colored, and about the size of a pot lid. The field it gives off fluctuates like it's expending energy, so it may have a limited charge.

Out of image space again, see you in part 8!

Edit: Part 9!

[koco-coko]

OC Info Post: Bonnabel de Saint-Germain

(This is most certainly my most self-indulgent and somehow also my most thought-out OC. Enjoy my unadulterated silliness)

@drewadoodle hi here's the mansion baby (apparently i have one for the castle trio too except that one's fully an adult so if I post her I can tag you in that one too if ya want)

General:

Full name: Bonnabel de Saint-Germain

Nickname: Bonnie, Bon-Bon (Arthur specific), Bell (Theo and Vincent specific)

Birthday: November 8th

Likes: Outdoors, Pastries, Mousette, Reading

Dislikes: Sour Flavors, Math, Rules

Background: A mysterious infant showed up on Le Comte de Saint-Germain’s doorstep one night during a banquet with the residents, and she’s been called his daughter ever since. All she came with was a homemade birth certificate, a stuffed toy of a pastel blue bat, and a wax-sealed letter. The contents of said letter are only known to Comte and Leonardo and he has refused to share it with anyone else, even Bonnie herself. A strange injection Bonnabel took as a newborn has made it so that they are unable to detect what kind of vampire she is, though Comte doesn’t seem too concerned about that fact…

Through the Ages

(aka the main differences between Bonnabel’s different ages without getting into deep spoilers because I’m writing a fic with her hehe.) (Bonnabel is almost always portrayed in the Childhood stage. Sometimes teenage [mostly with castle trio])

Childhood– Bonnabel, wild and carefree. Don’t even try to make her sit still– she’ll bite your hands with dull, stubby fangs until you let her go. The biggest nuisance and agent of chaos the house has seen in a while. Temper tantrums and dramatic outbursts are common, and as a vampire, she’s really yet to understand her strength. Still… There is something endearing about her reckless abandon and pure fascination with life. She’s sweet and kind all the same, she just has her moments.

Teenage years– Outdoor play time has turned into calm walks through the garden and snack time is now tea time. Although Bonnabel’s matured since being in single digits, everyone can tell something about her is just… off. Maybe it’s the way she’s shy about everything, how reclusive she’s become, how utterly captivated she is by space, or perhaps the way she’s withdrawn from everything other than her studies. Her self-image couldn’t be worse (how could she ever compare to the greats of history she lived amongst, really?), and she’s really been pestering Comte about her past as of late.

Adulthood– Bonnabel, after many, many challenges, trial and errors, heartbreaks, and betrayal, has finally grown into her own skin. Well, sort of. She’s gained back some of the excitement she had when she was a little girl, but it’s been distilled into a fine wit and humor. Now, she simply does as she pleases, whether that be studying something to the point of burning into her brain to simply staying in all day and catching up on some novels. She’s a vampire! She’s got all the time in the world to get things right.

Physical:

Eye color: A pale orange, with slight hints of crimson in her pupils. It’s not very noticeable from far away but in the right sunlight it’s a bit more 

Hair color- Sandy blonde, like Vincent’s hair. Just a bit more colorful than that.

Disabilities- Undiagnosed because of the century, but most certainly has ADHD and dyscalculia (unable to some basic math)

Height- Childhood: 4’1, Teenage: 5’0, Adulthood: 5’11

(i dont have any drawings so um yeah i just used to ikevamp doll haha)

Relationships:

I’ll be splitting the characters into archetypes– how Bonnabel sees each of the residents as a family unit, then going a bit more in-depth.

Brothers– Arthur, Vincent, Theo, Isaac, Napoleon, Jean

– Napoleon: The big brother. No matter how Bonnabel’s feeling, whether she wants to play or vent to him, he’ll make time available. Bonnabel likes hiding and cuddling into his cape and constantly pesters him to teach her fencing. Instead, he’ll teach her how to cook pastries (it’s not like Jean or Vincent are going to do it). 

– Arthur: He’s the one Bonnabel goes to if she wants to get away with something or is bored out of her mind. He’s the fun brother and almost lets her get away with anything. Especially when it comes to teasing Isaac. He’ll also sneak her chocolates from time to time. She loves playing detective with him and likes to act out scenes from books with him. Plus, Vic and Bonnie are utterly enamored with each other, so it’s always a good time with Arthur.

– Vincent and Theo: How could they not feel like her big brothers? Vincent is the only person Bonnie is nice to no matter her mood and he’ll let her watch him paint if she’s ever interested. They tried finger-painting when she was little, but she tried to eat the paint and it’s been banned for the time being.

Theo, on the other hand… It’s a bit more tenuous. Bonnabel didn’t understand being called a mutt or pup was a sign of affection at first, but the two clicked once the misunderstanding was cleared up. As a little girl, Bonnabel drew a picture of all three of them holding hands with both Vincent and Theo titled ‘big brothers’ and that might be the closest Theo was to ever crying in front of his brother. He now has it framed in his room.

– Isaac, Mozart, and Jean: All in the same boat- didn’t get along at first, but later on they became close. Mozart’s relationship with loud and wild Bonnabel is… strange, but he does seem to be able to talk sense in her. She only recently got unbanned from the music room. Mozart’s bedroom is still off limits. Isaac was wary of her (especially because she liked Arthur so much), but they get along once she’s older and quieter. Sometimes they stargaze together. Jean has always been kind to her, but never got too close. Well, until Bonnabel insisted they study reading together and now it’s not uncommon to see them reading fairy tales together. Jean has promised to teach Bonnabel fencing one day, too, behind Comte’s back. 

Weird Uncles– Dazai and William

Dazai: Dazai is a nutcase, but in a fun way! He’s always speaking in riddles, but at least he’s not boring, right? She doesn’t interact with him that much, but when she does, she’s surprised by the words of wisdom she receives. She also has joined forces with him to absolutely torment Isaac, except she’s the one who has to apologize and learn a lesson. He’s fun, just weird.

William: Bonnabel doesn’t see him often. When she does, Puck is close behind and the girl and rabbit become inseparable. Bonnabel is utterly infatuated with Puck and gives him all of her attention, booping his cute little nose at every chance. The one bad thing about seeing Will is, well… tiny little Bonnabel can’t understand him at all. Vincent or Comte have to translate for her if they ever visit the villa because she’s too shy to ask him to speak simpler.

Parents– Leonardo and Comte

Comte: Dearest papa! It’s his life mission to make sure Bonnabel never has to know a day of pain or fear. Sure, perhaps the idea of raising her without the same pressures of nobility and vampirism that he did is a selfish wish, but she’s smiling everyday in the mansion. He has to be doing something right, right? Comte was Bonnabel’s whole world as a little girl. Going into her teenage years, their relationship becomes strained, much to Comte’s confusion and sorrow. (And yes, the pun in Bonnabel's name was intentional, even if he tries to deny it).

Leonardo: Babbo! Whenever there’s a Comte level matter but Bonnabel’s worried he’ll be mad at her, she goes to Leonardo. While hugging Comte smells like fine wine and perfumes, Leonardo smells like book pages and cigars. Both scents have become safe places for her. They take naps together a lot. Especially when Bonnabel is upset. Sometimes she’ll find him sleeping on the floor and join him because she’s bored, using his chest as a pillow. A lot of Bonnabel’s toys and even her bed are made by him.

Auntie and ‘Mama–’ MC/Mitsuki and Sebastian

– When Bonnabel was learning how to talk, she called Sebastian ‘Mama’ and it kind of stuck. Nowadays, she just calls him Sebby (he’s not the biggest fan, but nothing he’d really want to complain about), but sometimes they still joke about that name despite Bonnabel having zero recollection of it. Unfortunately, Bonnabel almost never listens to what Sebastian has to say unless he flicks her forehead. 

Mitsuki was called Auntie from the start. Bonnabel respects her a lot and will mostly listen to her authority, so she is definitely more of an aunt than a sister to her. This is also due to Mitsuki having to help Comte in certain aspects of raising her, such as bathtime and the likes. A part of their strong connection simply is the fact they’re the only women in the mansion.

BONUS! Castle Trio (met at Teenage Stage)

Charles-Henri: After a bit of apprehension, they get along pretty well. Whenever Bonnabel starts stressing out, Charles will pop up and distract her with games, food, or something else. He also tends to encourage any of her fixations no matter what, when, how and why.

Faust: Bonnabel is completely creeped out by him, but… He seems to know her somehow. Sort of like an uncle you haven’t seen in years but keep telling you things they remember. Bonnabel thinks he might know about her birth parents, but she's too shy and nervous to ask him. He’s… polite, at least. Doesn’t seem to try and bother her very much, but he still gives odd vibes. She does not want to be alone in a room with him.

Vlad: Oh… him. Yeah. It’s weird. On one hand, they have a shared trauma they can bond over, and on the other, he’s trying to hurt her family. Sure, he saved her from certain death that one time, but his dream has become so twisted she can’t help but distrust him. Still, it’s not as if they don’t get along. Actually, they have a lot more in common than one might think. 

[giddlygoat]

some of my thoughts on drawing, learning the accordion, and how they apply to each other.

i have been drawing my whole life. the last time i can remember feeling genuinely ashamed of my artistic skills was when i was probably 12. at some point i was able to look at my art and realize it wasn’t anywhere near perfect, and i became okay with that. nowadays, i have no anxiety about posting my art or leaving a piece with flaws, because i like my style and i’m comfortable enough in my skills and the knowledge that there will always be room for improvement to allow myself to simply enjoy what i create.

i have always been fascinated by the accordion. around age 11 i started considering learning to play it. by 13 i saw one at an antique store and seriously considering buying it for a long time, but did not. as the years go on i find that artistic burnout is becoming more of a frequent issue with me, and i often find myself desperately wishing i had a gratifying way of expressing myself other than drawing.

i’m always humming, and doing the mouth trumpet, and clicking and clapping out tunes all day. singing and scatting are some of my favorite pastimes. i can do all this but it’s not the same as playing an instrument. i feel like it can never quite extend past my fingertips; like i’m cranking out all this energy and excitement but it can’t go anywhere. it’s like not being able to get past the sketch when you have a whole painting inside you.

about three months ago, i finally picked up the accordion. i don’t know how to read music. my understanding of the technical side of music is pathetic, although i have a good natural sense for it, and now, a good teacher. i am scared.

i have all the usual beginner issues: my hands don’t know where to go, i’m not used to the weight of the instrument, and it feels alien in a way, just to name a few.

there’s another problem, too. i’m good at drawing.

everywhere i go, i see things i want to paint. i’m taking pictures of the pickled jalapeños and carrots at work because i want to study how they interact with the opaque black plastic container, all little dynamic shapes of green and orange swimming in vinegar. i’m watching a cat stretch and yawn on the concrete and lay down in a sunbeam that looks too heavenly to be real - it gives me an idea for a sketch.

i look at the arms of the man loading hay bales with me, and try to commit to memory how the muscles move under the skin, what foot he puts his weight on, how he wipes his forehead and shifts his weight. it makes me want to draw pages of people doing mundane things, studying how weight and action and stylization works together to create something satisfying and alive. i want to do the beauty of the universe justice.

when i open procreate to draw, i am not thinking of anything. my hands know where to go, i don’t even have to look at the buttons or tools to know what i’m doing, and all these complicated layers interacting with each other and their applied effects and backgrounds etc come like second nature to me now.

the first day i used procreate, i was so overwhelmed, i was afraid to touch anything.

the first day i held an accordion, it was the same.

my problem is that i know how to look at art and examine why techniques work or not, and i don’t quite have those skills when it comes to music. sure, i can slap beautiful harmony onto any song, but heck if i know what notes they are. i couldn’t tell you what key the song is in or what defines a measure.

and i realized that while now i am looking through this frosted glass trying to make out the basic shapes behind it, one day, i will be able to peel back the mystery and truly understand not only how this instrument functions, but how music flows, too. because i see art in everything. i understand the weight of people and objects and how they would interact in a cartoon. the colors of a blooming cactus in my yard become lemony saturated in the early light and pale and dusty in the late evening. i can see the line of action in characters and better understand the composition behind paintings, and why it works.

it’s my hope, that as time spent with my accordion goes on, i will start to see music in everything, too. there’s nothing i want more than to understand it and speak its language as i do with art. i want to someday pick up my accordion and make up a melody as i would sketch out a doodle. this is the kind of stuff i think about all day.

[rhyme-thinks-stuff]

I saw that you also like Aquaria! It's one of my favorite games.

For one, I loved your posts about the game. They made me very happy! It's also incredible for me that there are also people who like the game. I had known it for a long time, yet I did not really know the name until I rediscovered it around this year and played it by myself. It was also one of the first videogames I ever got to see. I watched one of my relatives play it back then with the footage still engraved into my head until I finally found the game again.

Your drawing of Naija's forms was so pretty and it captured them so well. Now, I wondered what your favorite form/s from all of them are? I really like her armor of the Dark- something sea-dog-like soldiers (I forgot the name, darkonites?) with the blue cape. I play with it all the time because she matches with Li's dark blue suit!

Oh thank you very much!! The upside about liking something not a lot of people know about, is it feels special to find other people who do. i get pretty excited whenever i find another person who knows about Aquaria :D

I think the armor is called "Kronite armor", if I remember correctly? It's pretty cool looking, I like wearing it when going through dangerous areas ^^

It's hard to pick a favorite form since I quite like all of them, maybe the Nature Form? I really like the leaf cape and how Naija's fin ears look in that form, she's very pretty. (I also really like the Beast Form, I think it's very cool)

One of my favorite outfits is the Jellyfish outfit, I really like its design, particularly the cape! Unfortunately it's pretty hard to get & quite late in the game T-T

I also really like Naija's default outfit, it ends up being the one I wear most while doing story progression cause it feels the most "canon" to me. I like the blue-pink gradient on her cape, and how the orange/gold parts of it help her stand out against blue backgrounds.