#this concept??? fantastic

[stealingyourbones]

I keep seeing the “Constantine is a soul whore” fanon interpretation. It’s fun and enjoyable to read but I do think it’s important to also know the canon and WHY he sold his soul.

he’s only sold his soul to three demons. All of which he did in rapid succession (same night) to trick them into curing his lung cancer because they didn’t want to deal with Satan being mad at them + causing a civil war in hell just because of this fuckers soul being claimed. The message more being that he’s the worlds best conman and less that he sells his soul all the time.

[victarin]

i fucking love people here you guys see this dinnerplate-faced daycare animatronic and go "what if they were detectives" and you make all this amazing astounding art and writing and concepts and designs like yeah . sure . im going to be normal abt this and im not going to think about the incredible levels of creativity involved im not gointg to think about how much i love seeing beginner artists using the dca as a way to learn new skills in art and character design Im not going to think about how much joy is in all those AUs and how much artists and writers put aspects of whatever they enjoy in those stupid ass clowns to make these incredible inspired stories and artworks absolutely Brimming with love for what they created &how much i love seeing people in the community huddling around those AUs and hyping them up and making More Art from those yeah im normal. whatever

[ashenwaves]

🌿Swamp Song🌿

I redrew this old one a little and gave it a more lively color. Now I like it better :)

[madeline-kahn]

JARVIS COCKER IN WES ANDERSON MOVIES

Fantastic Mr. Fox (2009)

The French Dispatch (2021)

Asteroid City (2023)

The Wonderful Story of Henry Sugar (2023)

[geekynerfherder]

'Jon Snow & Ghost' by Justin Sweet.

[ybatinga-multicolorida]

I'm totally enchanted with the Meadowlark universe created by @yaelokre so I decided to make myself and my friends in this universe :D

Sempre tivessemos apelidos de animais e tínhamos essa história de como seríamos na idade média, então só juntei os dois

Galinha - Ladra, uma nobre, cleptomaníaca

Cobra - Princesa fugitiva, não é boa em esconder isso

Avestruz - Barda, secretamente trabalha pra rainha

Vaca - Pirata, gosta de vacas

I wasn't sure if I wanted to post this drawing, so here goes nothing haha

Anyways, check the original work

[persephoneflouwers]

Wait i dont get the english breakfast thing sorry

Oh angel, that’s a super secret code meant to unlock even the gelid hearts of people like me.

English Colazione ♥️♥️

Or maybe he meant he’s having his English husband for breakfast. I don’t know, ask Louis 😭

——

Edit (only to have all the complete compilation in a single post):

Harry has a “colazione” (breakfast in Italian) tattoo on his thigh. @ialwaysknewyouwerepunk ‘s post described it after the AIW BTS.

Here’s Harry fonding because Louis mentions missing English Breakfast on tour. (Thanks @louansue for the gif addition! I’ll search for the video when I get home)

And this is Louis in 2023 :) curious how his having the first English breakfast of his US leg coincidentally when Harry’s tour ended just 6 days ago.

Very funny, very coincidental.

I swear, these two!

[suntails]

⚔️🐙

[therealtsk]

Alt!Taylor’s are the La Croix of wormfic. Mass produced, cheaply made, and only consumed because they’re just there when you’re thristy. Dragon send post

[theribbajack]

Continuing in my quest to raise awareness for the potential of Daggerfall!Sheogorath and my headcanon that red is his natural color. Feat. a Jyggalag concept.

[stealingyourbones]

Watching Loki. I’m on episode 4 and I’m trying to see what the hype was about

[616witch]

that's why i can do the impossible.

what if... reed richards transitioned?

[caeslxys]

Something I think is extremely interesting thematically when it comes to connecting what Downfall and the ideas it tackled to the overarching narrative of campaign three is that the things Downfall made a point to showcase of Aeor—Cassida, Hallis, the visual of an aeormaton proposing to her partner, the specific and intentional decision to shed light on a far from insignificant amount of the population being civilians or refugees—is that it plays in perfect parallel across from what is happening (and, really, has been happening) to the ruidusborn on Exandria in present.

Bear with me for a moment. Aeor is ultimately a city that was collectively punished for the decisions of its leadership. We could (and, judging by the amount of discourse around this particular topic already, probably will) argue about what the Gods’ motivation for all of this was—whether it be that they could not, in the end, bear to kill their siblings or that they were terrified at the prospect of mortality—for me it is a very healthy dose of both—but for this I am much more interested in the latter. They were scared. That, really, is the driving force behind both this arc and their role in c3 as a whole.

Why I point this out is: It is far more interesting to me, especially as we go back to Bells Hells this week, to dissect the Gods and their decisions not purely on sympathetic motivation alone but as beings in the highest seat of power in the highest social class in Exandria.

So, having established that the Gods (in relation to mortals) are more a higher social class than anything we could compare to our real life understanding of divinity and that Aeor was eviscerated largely because of their fear—what is the difference between those innocents in Aeor caught in the trappings of their autocratic government leadership and a divine war on the ground, and those of the ruidusborn being manipulated both by Ludinus and by the very thing that inspired such visceral fear in the Gods to start with. I would argue very little.

I think of Cassida, doing what she genuinely thought was right and good and would save people, her son, and the object of her worship—and how that did not matter enough to any of them to spare her because of the fear they held at the very concept of mortality. I think of Liliana and Imogen, one of which we know begged for the gods to help her or send her a sign for years on years, and how every single one of their largest struggles could have been avoided had the gods loved them, their supposed children, as much as they feared what they could be. I think of how the thing that did save Imogen, in the end, was a woman who herself existed in direct defiance of the gods will. I think of that young boy, sixteen years old, that Laudna exalted on Ruidus.

I think it’s completely fair to judge Aeor’s overall society as deeply corrupt—it was!—but its leadership and police force are not a reflection of every one of its citizens. Similarly, it is fair to judge the Ruby Vanguard as corrupt—it is!—but its multiple heads of leadership and even the god-eater further are not a reflection of every one of its members.

Notably, and what I think the Hells will latch onto, this did not matter to the Gods. It did not matter that Cassida was trying to help. She was still too much of a risk. Will it matter, what Imogen does? Will it matter, if that young boy is in the blast radius when they decide to take no further chances?

I’ve seen a lot of people say that the Hells will side with the gods and I don’t think I agree. Especially as Imogen has been scolded and villainized over and over for daring to try and save her mother—who herself has been seen by some as an irredeemable evil in spite of her drive being the exact same—her family—but when it’s the Gods it’s justified? When it’s the Gods, it’s sympathetic? Too sympathetic to criticize further than “they’re family”?

I obviously do not think the Gods should die or be eaten or what have you, and I certainly don’t agree with Ludinus (though I find him much more compelling than just a variation of hubris wizard), but when talking about the Gods in Aeor and in present it isn’t really at all about their motivation or their family. It can’t be. Too many people, including our active protagonists, lives have been effected for it to be as cut and dry as “they’re family”. These are your children. They are your family, too.

[witchiestwitch]

Arm-or for my necromancer Durge

[vertigoartgore]

The Fantastic Four in a row (or Connect Four) by Mike Del Mundo.

[gebo4482]

Fantastic Beasts: The Secrets of Dumbledore by Dan Baker