#this character has changed me so much as a person

[femboycatofmystery]

I made so many bad decisions that eventually I was just wading through the Consequences Of My Actions constantly and ok yeah I may currently have just switched from "wading through" to "running away from" but also I am trying to not make the stampede behind me, ok, us, from getting larger

I still stand by everything I said but I must grudgingly admit that the part where I made a pact with a demon was off sides and yes he still technically owns me but maybe I can become good enough that I start to gross him out?

Character who was doing heinous acts mostly to prove how cool they were to The Extremely Wrong Crowd suddenly realizes that the hero is BETTER AT COOL FLIPS N SHIT THAN THEY ARE and go from following them around like a lovesick puppy to aggressively angry at how "easy" this comes to them to oh wait that WAS the wrong crowd for me to be taking orders from, that makes total sense, ok but show me the knife thing again, I cannot figure out the knife thing and it is KILLING ME

The Bully has a profoundly difficult time figuring out that the real problem is their parents, to the point where the narrative is beating them over the head with it, repeatedly, until eventually it's like they're literally dressed up in their dad's Evil Outfit about to Evil Plan again and then they have a personal revelation that is SO EMBARASSING because of how long it took that they nearly implode from pure uncut cringe

Literally only not a hero of the story because there's one tiny thing that they don't know that virtually everyone else does BUT nobody knows that knowing that would change anything, until it does, at which point there's a very loud WHY THE FUCK DIDN'T YOU TELL ME THIS scene followed by a face-turn that gives everyone else so much whiplash that a whole new conflict spiral of the narrative erupts *just* over people not believing the character has changed.

some random redemption arcs that aren’t just ‘zuko, but a little to the left’

I’m evil but all my evil friends betrayed me and I’ve decided that the best revenge is to ruin their evil plans. Yes, this means I’m a “good guy” or whatever. No, I don’t like it any more than you do.

I was evil but all my evil friends betrayed me and now I’m going to latch onto the first person who shows me kindness. If that happens to be the protagonist, I am totally fine with realigning my morality to match theirs.

I never wanted to do what I did, and now the biggest obstacle to me switching sides is convincing me that I’m not a living weapon.

Well as long as you’re imprisoning me in this magic amulet I might as well give you pointers on your technique. I mean come on if you all die I might be stuck here for millennia! It’s not because I like you and don’t want you to die. Nuh uh.

Look, I legit thought that being evil was going to be my best option to get this important thing done, but, uh, that didn’t pan out. Help?

[literaryvein-reblogs]

Hello! Love love love your blog so much, especially the poetry part! I wish all the best for you, this blog has changed my whole writing system

Would love to see a few words on the birth/origin of great things, if possible. Thank you, and take care <3<3

Birth – The coming into existence of something; origin, beginning.

Origin – That from which anything originates, or is derived; source of being or existence; starting point.

Ancestry – The origin, background, or historical development of something.

Beginning – That in which anything has its rise, or in which its origin is embodied; origin, source, fount.

Extraction – Of things: Origin, source. Obsolete.

Fontal – A source or origin of something. Obsolete.

Headspring – The chief source of something; the quarter from which something originates.

Heartspring – (Chiefly poetic and literary) the spring or source of a person's innermost feelings, thoughts, etc. (chiefly in plural).

Naissance – Origin, birth. Obsolete.

Nativity – The creation, beginning, or origin of something.

Parentage – The source or origin of something.

Primordial – A primeval, original, or fundamental thing; a beginning or origin; a first principle.

Principium – Beginning, commencement; origin, source; first principle, element; fundamental truth. Now rare.

Principle – That from which something originates or is derived; a source, an origin; the root (of a word, etc.). Now chiefly Philosophy and Theology.

Progenerator – The source or original from which something is derived; a forebear or progenitor.

Quelle – A literary source; the source from which a concept, piece of information, etc., derives.

Racine – A root cause, a source.

Radix – Source, origin; that in which anything originates. Rare.

Rist – A source, an origin. Obsolete.

Root – That from which something grows or is derived; a source, origin, or cause.

Source – The chief or prime cause of something of a non-material or abstract character; the quarter whence something of this kind originates.

Sourdre – Source.

Spawn – The source or origin of something.

Springer – A source, an origin. Obsolete.

Upstart – Upspring, origin. Obsolete. Rare.

Wellhead – A primary source or origin of something.

Wellspring – A source or origin providing a constant or abundant supply of something.

More: Notes & References ⚜ Word Lists

I'm not sure I fully understood what you meant by "great things" though. Let me know if I got it wrong, I could make you another list!

But this is so lovely to hear, thank you for your kind words & take care as well <3

[vaguely-concerned]

the things it adds to both of the characters involved that lucanis used to have a thing for viago could not have been more tailor made to be for me. literally the ideal thing to come out of this game for me personally and specifically and spiritually. I mean I'm teia x viago trash until the day I die and nothing will ever change this (and with the best will in the world and even the power of lucanis' big beautiful soulful eyes, that would never have worked out even if viago DID somehow understand he was being propositioned. which I'm not convinced he did. the mutual 'so. snakes are pretty cool huh. and. knives. also' awkward energy without someone of teia's charisma and people skills involved to mitigate it... it would have been dire), but on so many levels I find it so incredibly charming for what it says about them both that the (one-sided) attraction was there once.

what's more, it means the man about whom this legendary paragraph was written:

Viago was not a typical Antivan. He liked facts—checklists, numbers, precise measurements. Heart palpitations, clammy hands, tight pants—Viago did not like these things. In fact, he would go so far as to say he hated them. Mild curiosity was his favorite mood.

has got some of the hottest coolest deadliest people in thedas down so catastrophically bad it's got them acting unwise. teia had to wait a UST-drenched decade for him to be ready to take his fucking gloves off for her. and she did!! the tetchiest most neurotic least approachable little vetinari knockoff of a man you ever saw has game for days and days and lives rent free in heads for years. in eight little talons viago consistently feels so inadequate up against dante and it's like. man I'm shaking you by the lapels you have what he'll never have. the ability to bewitch body and soul with your terrible personality and long thin legs. do not waste the gift you've been given go get her she's waiting!!!

(lucanis is really good at reading people, so I wonder if maybe he saw through all of that to some of the steadiness and incredible capacity for warmth and tenderness in specific interpersonal relationships you see viago have with teia when he finally opens up enough, and maybe that was part of it. either way it's so perfect that both he and teia have regarded viago with this affectionate intrigued amusement. lucanis still seems pretty fond of him in a 'viago continues to be exactly himself no matter what else happens or goes wrong. comforting universal constant' sort of way, he brings him up quite a lot in party banter.)

you've seen lucanis' game in this day and age, arguably or at least hopefully older and wiser -- can you imagine how catastrophically bad it must have been back when he presumably handed viago, most paranoid man in thedas all years running, a knife like this expressed everything it needed to. people give him so much shit for the cake moment being his big romantic lock-in, but considering where we started that is GROWTH and I for one am so proud of him fhsdkjaf.

also I wonder at what point vis-a-vis that whole Situation teia and viago met for the first time, leading us to ask... just how much was it a matter of lucanis simply being ignored out of a lack of interest on viago's part (tbf, not entirely unlikely). how much was it lucanis truly not managing to make himself understood. (all but certainly. literally how would one understand that. I think it says some sweet things about rook and lucanis' dynamic that they -- somehow -- DO pick up what he's putting down in a similar scenario presumably b/c they know him pretty well by then haha.) how much was it viago interpreting the romantic move as a death threat from one of the most dangerous people alive and freaking out. (1000% and indubitably.) and how much was it andarateia steal-your-girl cantori turning up and thus setting off whatever spectacular, volatile, awesome-in-the-original-sense chemical reaction between the substances of her and viago's souls that goes on to this day and makes everything else kind of a side note at best. a gentle mix of several of these things, perhaps. ...god I love all these characters so much

[almayver]

Dome decided to share a bit of the PP Bible!!! (All the text is thanks to google translate, sorry) (This is LONG)

Part I - What is the Bible? This is what Phi O taught Dome. It is a tool that helps the team see the overall picture of the project. Sometimes, just the script may not be enough for the team to see the picture or see the direction of the work that Dome will direct. So this was created. It will consist of many things, from mood & tone, color scheme, cinematography style, etc., which are quite detailed. For example, the color scheme, Dome has to divide it. In the actual film and the promotional work or graphic work, they must have different colors. This is due to communication reasons and the chosen direction. But the main thing is mostly personal preference.

PART II 📒 Storytelling - To make it easier for the team to understand the 12 episodes of ON SALE within 10 minutes during the first meeting (if we read the script ourselves, it would take at least a day or two), Dome summarized the whole story for the team to see.

📒 Genre - What type of movie is Haunted House? Phi O forced us to choose only 3 types. At that time, Dome chose Heartwarming Spooky Comedy. At first, he used the word Scary, but Phi O said, "Isn't it that scary?" Let's change the word. — The main reason for dividing the movie types clearly was so that the team could understand each other that, "Hey, Phi, this movie actually has many more genres than that." So we had to divide the percentages. When writing a script or working on different parts and feeling confused about the mood and tone, try to look back at this pie chart so that you can find the right path. The actual result was not exactly the same. Drama 5% like this, is that right? 5555

📒 Logline - The synopsis or you can call it a plot. In the Thai film industry, it is used in a confusing way in each place. The assignment that Dome gave himself was How to tell it concisely, to make it understandable. After reading it, I felt like I wanted to watch this movie. I can tell the type of movie completely in one logline.

📒 Archetype - Brother O asked me to summarize the haunted house in 3 concrete ways, which must tell the story of the movie as much as possible and also have some abstract meanings hidden in it. Dome ended up summarizing 3 things. The first is Haunted House, which I argued with Brother O again about what kind of haunted house you have, a real haunted house or a haunted house in an amusement park. Well, it must be a haunted house in an amusement park. It meets the comedy requirement more. — The next is Bro, Homie. When our main characters are Home and Peach, it is a relationship between men who are not romantically in love like a couple. But that's it. When it is done, it becomes a male friendship that is suspicious until it ends up like that. I blame Brother Taynew too. 5555 Just kidding. — The last one is Dinner Table because it feels like a concrete, warm Asian style.

📒 Story Arc - The act of the movie. How many acts will this movie have that clearly divide the proportions of where the story is going now? And where will it end? Dome divides it into 4 main lines — the first line is Outer, what is the story, which property, what ghosts did you encounter? — The next line is Inner, going into a bit more detail, adding in the character's feelings, what is the main mission of the episode, what is the end result of the episode? — The last two lines are a summary of the act of the film, what is the Theme and which direction is the film taking the audience?

PART III 📒 Character - Who are our 4 main characters? What do they do? What kind of people are they? Dome has summarized them briefly and clearly. Plus, as a nerd (pretending to be smart), I happened to read The Eight Characters of Comedy by Scott Sedita. The summary is that he teaches how to write 8 types of comedy characters. No matter what situation or equation you put in, if there are characters like this together, there should be some comedy. If you are a nerd, try reading it. Dome has used this until it became a muscle for the 7 years since he started this career.

📒 Chemistry - Once we saw the images of the 4 main characters, let's summarize the chemical equation of this ghostbusting gang a bit. Use the principles of MBTI and Cognitive Function to make it easier to understand. This slide was used since the pilot was filmed because Dome and the actors did not have the opportunity to workshop before filming. At that time, I showed it to P'Ten, New, Muk, and Jan so that they could understand each other immediately in the limited time.

📒 Costume - Make a rough guide for the costume team to see that How does Dome see the characters dress? What kind of look do they wear? Do they wear accessories? What are their personal items? What color do they like to wear? When the costumers see it, they can develop it further. On the costume side, they will continue to make something called a Costume book, which is a costume bible specifically. It goes into great detail. For example, today Home will wear this outfit and this color because Home feels this way right now. It is consistent with the story in this episode. And there is also an overview of each EP. Do they go together? — The real Costume book takes many days to make, choosing the details of each outfit and each episode. And there are many outfits that were not used in the story because there was no place to put them. What a shame, lol.

All of these are just examples from the 4 main characters. We haven’t included supporting characters, guest characters, and ghosts in the story. So, multiply the three topics above. How many more characters are there? How many more pages do we need to make? (Bragging again)

PART IV 📒 Episode bible - If you have read this far, everyone should understand the benefits of making a bible. Each episode needs to make a separate bible for each episode. That means you have to go back and do it from PART I to PART III for each episode. It is not strange that there are more than a hundred slides. In conclusion, the team that criticizes is tired. 5555 Just kidding.

Apart from the Direction bible, other teams also have their own separate bibles, such as the Ghost bible, which is a bible that is purely about ghosts in the story. For example, who the ghosts are, what they look like, what is the cause of death? — The Food bible is a bible of all the food in the story, what menus are there, how to cook the food, etc. — Each team makes their own bible in detail so that everyone can understand and see the same picture as much as possible. This doesn't even mention the Cinematography, Art Direction, Location, Extra characters, etc. There are so many more. It is so detailed. Just thinking about it makes me discouraged. 5555

That's all for bragging. Anyway, thank you very much to everyone who read up to this point 🥳

PS. Recorded on NOV 14, 2024. If any knowledge is wrong, I'll be honest. It's Dome's knowledge and understanding at this time. If it causes anyone any inconvenience, I apologize. 🙏🏽

[snapdrag0n]

Everybody saying martin and yes. Yes. Of course I agree. Duh. It's also kind of the curse of being a VERY complex, VERY famous fictional character who also goes through a lot of change during the story and whose character arc includes him being misread and misunderstood by others.

But it's still frustrating because it's so obvious. Tma does a great job at depicting how people's perception of Martin is VERY wrong. People SAY things about him and afterwards, Martin SHOWS you that assumption was completely off - sometimes immediately after! Jon assumes Martin is incapable? Mere episodes later Martin has worked so hard that he got locked in his house for 13 days and still, the first thing he does as he's freed is make a statement. Jon starts recognizing his ability to be "almost cunning" soon after -- he's seeing the real Martin.

In s2-3 Tim is convinced all Martin wants is an idyllic reality where everyone is happy and nothing bad ever happens. Tim assumes Martin wants an escape, when the ENTIRETY of s3 is Martin being nearly the only one to actually face what is happening -- HE's making the statements and researching them on his own, not Tim, as bad as it makes him feel. And when Elias tells him his devotion is to a person who treats him quite badly his answer is "yeah, I know". Because he DOES. People keep assuming Martin doesn't stand up for himself, but it's the opposite -- Martin knows EXACTLY when someone is mistreating him and manipulating him, and he usually uses that. Why else would he have been so strongly considered for the Web? Elias's first idea was to destroy Martin's image of Jon -- but he can't, because Martin ALREADY knows. That's when he hits way closer, to his parents and his mother, the one topic that's actually still a sore subject for him. And yet, after all that, he immediately gets up and gets back to business, his plan having succeeded. He gets back to work. Martin's ability to manipulate a situation to his advantage is CONSISTENTLY shown and NOBODY SEEMS TO SEE IT both in the show and outside of it.

And s4 oh s4. To me it's peak Martin season because everything he's been trying to push against becomes too strong for him -- and still he perseveres and proves everyone wrong. Here, the concept of him knowing he's being manipulated and using it to his benefit is central to his arc and consistent until the end -- everytime you think Peter might have finally gotten him, Martin reminds you he knows EXACTLY who he's working with, and beats him, even when the Lonely has nearly completely got him (then there's Jon pulling him out, and him finally, finally getting back all that love he's given, all that caring. But that's another story. I love jmart)

And s5 has a lot of him, and I could go on and on, but I'll just say this. You probably don't realize just how much Martin manipulates the situations he's in so that what he wants can happen, and it's not obvious in s5, but he's actually doing it with his relationship with Jon -- not in a bad, actually manipulative way, mostly, but in the way you would if you saw your partner go through what Jon went through, become what Jon has become. Martin pushes Jon to get out of his guilty mindset. Martin convinces Jon to get out and try to make it better. If you still don't see it: do you realize that in the finale, despite Jon betraying everything they'd organized, what happens is STILL what Martin wanted?

It might be unfair to call it manipulation: it's not. Martin, at his core, loves immensely, and that's something any fan sees. What many people don't truly understand is HOW Martin loves: he doesn't love carelessly and selflessly (except in the very beginning, maybe). Martin loves very, very carefully. He adores and loves and takes CARE of it. He's stubborn, hard, and resolute in the face of it. He will not sit and take it. He will love actively and he will fight for it.

Worst pain

[batfambrainrotbeloved]

More DSB headcanons (because I wanna)

- Cardinal is either surprisingly docile or incredibly violent with criminals/rogues/villains. No in between

- Tim will just mail random shit to people he doesn't like (rats to Ra's, roaches to Lex, a card that tells the Joker to "fuck off and die in an alley")

- He has run into Lady Shiva at some point and has surprised her with the fact that he knows some of her moves (idk if you know but he trained with Lady Shiva for a little bit in canon)

- His accent switches on occasion to something totally random

- He gets weirdly calm during rogue attacks, and it freaks the Batfam out because "how the fuck can this bratty rich kid do this so well???"

- Not specifically DSB but he plays Project Sekai because it helps with hand eye coordination

-🎭☕

(no this is definitely not because I saw the post that you had 11 asks and I wanna change that)

OHH Love these- and thank you for filling my ask box, always appreciated <333 ____________________

True! Though Cardinal doesn't actually deal with rouges as often (the bats are always quick to cover that front and they try not to cross work paths unless nessicary, aka why the riddler fight was so far "from the usual") They are the silent hand behind the scene, and the ocassional "ghost of christmas future" like with Arthur.

The most "docile" Cardinal is, is towards Catwoman where they will pop in on her mid robbery, just stare for a sec- and then dip. And the most agressive probably with Black Mask/Joker (which yall will see eventually :) ______________________

Not something I considered before, and id say Tim has definently fucked with old foes for the hell of it- BUT he does specifically avoid anything close to the leauge, The last thing he wants is to be on Ra's radar on top of all the other bs he deals with.

But mailing bananna cream pies with small explosives to a joker hideout?? Yes. ________________________

YES- I actually touched on this a little bit (the training not the meeting) but I do think they've run into eachother. But that Shiva, unlike most of the other villains/antagonistic characters- seeing behind the mask? She was interested- but left it alone

MUCH to Tims utter relief. __________________________

Yes. Elaboration not needed, though I will say he rarely slips up when hes "in the zone" but relaxed?? You best believe he's suddenly french ________________________________

Actually? Kind of normal for Gotham- I find it wild that growing up in a city with like a 40000% higher than natioal adv crime rate, that you ARENT in some way numb to it all.

Its less common in the elite because well, they have money to stay away from it all. But its not TOO out there- its just that "Huh guess Timothy is one of us more than we thought??- wild" _____________________________

Tim is like me in the sense of "cant-play-games-alone" or else painfully aware of every milisecond ticking by that you arent being "productive" (exception being minecraft)

But game night @ Obis?? You best believe that Alan is a GOD at beat saber, and show him Project Sekai??? Hes going to make it a personal challenge ____________________________

[vigilskeep]

give me the Sol good & bad endings in detail pretty pls 💖

sol as a character is defined by the crows and the blight, so here’s a spread of what i might have to work with

some bad sol endings:

crow version: the Widow Dellamorte. sol commits to being first talon lucanis’ right hand, but fail to protect him when the rest of the crows go to war with the ascending dominance of the dellamorte-de riva-cantori block. desperate to cling to whatever they have left of him, they allow themself to be possessed by spite—a fuller meld than spite/lucanis ever was, more in the anders/justice style—and become a vengeful winged monstrosity effectively haunting the dellamorte villa. black veil over golden heavy armour. for now, they still recognise their friends

blight version: the blight finally catches up. sol was intensely careful about fighting the blight right up until the final days, where there was nothing for it but to cut blindly into blight cysts. obviously it’s awful and pointless for them to suddenly die after all that, which is why i think we should at least explore the possibility. for awful and pointless drama. the ending they were kind of hoping for, just when they no longer want it??

alternate blight version: okay this isn’t an ending per se but i still think ghilan’nain should have gotten to turn them into a sick crow-themed blight monster at some point, as a special treat. this can also be a neutral or good ending depending on how much of themself they retain and how much of a monsterfucker lucanis is. sorry for saying that

some neutral-ish sol endings:

crow version: the First Talon’s Executioner. this is the version where sol goes back to the crows and it’s essentially business as usual. i can’t imagine this as good, but with their renewed appreciation for what they have and the lifetime of focus and activity ahead in order to just keep their heads above water, it could be survivable. and lucanis is there. but then i think about how permanently damning the step is where you start raising the next generation for it and i feel a bit sick

blight version: warden sol! sol finally gets up the nerve to cut ties with the crows, making the necessary choice for themself even if it means losing the people they love most. they take the joining and build what life they can alongside davrin, evka, and antoine, slaying darkspawn and finding a new path for the wardens following the tracks of a changing blight. it’s ugly and terrifying and hard, full of horror they never get used to, that will still be making their skin crawl until the day it kills them and drags them down, far from the comforts of home. but as a life, it is, at least, theirs to choose

some good sol endings:

crow version: a newly re-energised sol takes their place at lucanis’s side but considers things in ways they never could have before. why does going back to the crows have to mean they’re locked in place? they aren’t the underdog just clawing for survival that they once were, and they don’t have to act like it. they can do better! they have viago and teia and lucanis and people listen to them. if the dread wolf can change, can’t the crows? through a certain connection via the wardens, they make a contact who has very interesting ideas on the crows’ future

blight version: sol accepts they can’t stay with the crows, does a whole tear-stained confession to a shocked and distraught lucanis, and walks away. they settle into helping davrin, evka, and antoine against the changing blight. nobody actually requires them to take the joining because, hey, they’ve already gotten rid of more than enough archdemons for one person (showoff), and sometimes it is actually helpful for them to do their crow thing as the combatant the darkspawn can’t sense coming. maybe a year or two later, the world’s most miserable first talon (“they don’t even let me do my own assassinations anymore!”) quits his job, thoroughly disappoints his grandmother, thrills his demon, hands all his power to teia, and shows up somewhat nervously with as many antivan delicacies as he fears forgiveness will require

[deepfriedrhys]

im going bonkers.

this scene in the beginning of episode 2 makes me AAHHGGGHA HAHAHH.

caitlyn is one of those characters many might end up misreading, someone swallowed entirely by guilt, loss and grief that it's all translated into anger. caitlyn had always wanted to help zaun and its people in season one, she was a giving and kind character. this was evident in scenes where she sold her gun and helped vi's injuries, hugged one of the characters in zaun that was affected majorly by shimmer, she was KIND and wanted CHANGE FOR THE BETTER. this in season two was flipped on its head, everything she tried to accomplish was shattered, and she lost those dear to her and suffers from intense amounts of stress and anger. her mother died at the hands of jinx, whenever she sees something go wrong; for her it always leads back to jinx. she blew her mother up, she killed enforcers and attacked piltover. all of these things lead to her being blown over that point of reason. she wanted retribution, peace, and to fight for the "good of everyone", but her ideals have been completely blinded through grief. she sees the oppressed now as the oppressors, the people who were hurt being the source of her own pain. as a woman with power, influence and privilege she turns the people of zaun into victims of her grief.

something that really hurt me throughout this episode was that Caitlyns mother, Cassandra Kiramman, was someone who also always saw for peace with zaun. she saw them as the people they are, the oppressed, and wanted genuine change. why else would she dedicate herself to ventilating their air? saving hundreds of zaunites from disease and death? this act from Cassandra did so much good for them, but Caitlyn overlooked it as she immediately saw it as a way to gain some sort of upper hand. Cassandra obviously isn't a great person, the council is full of aristocratic snobs who have no care for those "below them", but what she believed was that "The Undercity deserves to breathe." that's enough to make her different from the rest.

By poisoning the "enemy," she could find the one who devastated her. She did not see this as the horrible act it was and only saw it as "I can use this to get to Jinx." this change, from someone kindhearted and filled with starry dreams of change, desperate to make a difference to the oppressed and to take action against the chem barons; to someone weaponising her own mother's creation as a weapon of war. using her privilege to do the wrongs she was so fond of criticizing.

she is completely blinded, i will never agree with her actions as she progresses, but the caitlyn we all know and love is still there somewhere, I know it, and she will come to wraps with that as this next act unfolds. she will no doubt be manipulated by ambessa to do what she will believe is right, but soon she will be able to see through the blindfold ambessa has wrapped around her head and see the pain that is around her. how she is making the world suffer, because of her grief. The person she was is still within her. The only people she has surrounded herself with now are those who are confident that what she is being manipulated to do is the right choice. But she's thrown away her only good conscious, vi. I love her. She is so complicated and troubled, and she needs to see the light behind the clouds. I need her, too. To you, Caitlyn! and to the wreck, you'll do to my heart in this season.

[hxhhasmysoul]

idk, it feels like there should be nuance here.

there is a difference between the subtitles saying something completely different and subtitles being kinda a summary that gives you the gist of what's being said.

i can get why there would be some regulations about the subtitles being actually misleading and giving a completely different message than what's being said.

but this:

character in a movie: buddy, i'm gonna tell you what i've got to do netflix subtitles: i'll say what i must do

idk why this is illegal in the usa, it feels completely insane to me as a linguist who has some idea how reading and reading comprehension works...

subtitles are not a transcript.

they are meant to be read alongside the playing film. they can't be too long because they can't hang on the screen for too long and there are limitations to how much a person can reasonably read and comprehend in that short amount of time. especially if the characters are speaking fast and the subtitles will quickly change to be synced with the speakers as best as possible.

i know that when you're streaming you can pause the video and read the text and then unpause. but you can't do it in the cinema or on tv. and not everyone wants to do that even on streaming, they want to enjoy the video at the pace it's supposed to have.

when i was translating foreign films and shows and timing subtitles, we had very strict character limits and time limits as to how many seconds the words can be on the screen. it was always a compromise between getting as much of the message across and being as faithful to what was being said as possible.

the example i cited above is a perfect example of that. the person doing the subtitles trimmed the fat. the gist is practically the same but the ease of reading the second one and grasping the message is incomparably greater. if this was part of a longer exchange and if the people were speaking fast, the condensing this is the kind thing to do.

and please no one bring up people who can't hear or have limited hearing. because of the history of ablelism most societies have, many (not all of course) such people can't read that well and for many if not most the written language is a foreign language compared to their native sign language, at least where i live. and from what i heard my shitty country isn't really an exception when it comes to this. so no, if such people want to enjoy the video that doesn't have sign language translation and just subtitles, shorter and simpler subtitles are actually more inclusive for them.

i'm not saying transcripts shouldn't be made available for everything, it might be beneficial even if they were available. but they serve a completely different purpose to subtitles.

netflix subtitles are great for when you want to read a caption with like 50% resemblance to what's being spoken

[cpvnksabm]

hey RTC fandom, i wanted to talk about disability erasure in RTC, and how the fandom (and potential future productions) can do better than canon has done so far!

What is disability erasure?

Disability erasure is, basically, finding ways to avoid acknowledging or depicting disability because of how it makes people uncomfortable. One example of this, and the most common thing that pops up in discussions of RTC, is taking a character that is canonically disabled or usually depicted as disabled, and depicting them without that disability.

When this happens in general, it is a problem because it deprives disabled people of a chance to see themselves represented in media. In theatre, it also often means that an abled actor gets a role that could have gone to a disabled actor - and this is already a problem even when the character is being depicted as disabled on-stage, due to ableism in the hiring/audition process.

We already have few enough disabled characters as it is - we don't need any less. Ricky is an important character to me and to many other disabled people. That's why I, like most of the fandom, do not support the 2022 script changes that made Ricky able-bodied and replaced his physical disability with a psychological trauma.

I won't discuss the script changes much here. Many other people, including Yannick himself, have already explained it better than I can. But suffice to say I think the new script is incredibly, inherently ableist.

But that's not the only example of disability erasure in RTC.

Disability erasure doesn't just mean taking a disabled character and making them completely abled. In fact, many people have correctly pointed out that Ricky still has a disability in the new scripts, because being unable to talk due to psychological trauma is a disability. And this is true, but it doesn't change the deliberate erasure of Ricky's physical disability.

Because all disabilities are different, it's possible to erase a character's disability even without making them fully abled. If a character has one disability, and you remove it to give them another - that's still erasure! Disability rep is not all interchangeable, and it does matter what disability or broadly what type of disability a character has.

I hope most of the fandom can understand that, for example, it would be a problem to make Noel bisexual. Even though bisexuality is still part of the queer community, it's erasure to do that for Noel - because he isn't just generic queer representation, he's specifically gay! And the same sort of principle applies to Ricky, because he isn't just generic disability representation - he is specifically a person with a degenerative disease, and a mobility aid user who cannot speak.

With the canon info that we have on Ricky's disability, based on the 2016 script, here are some examples of things that might not be making him fully abled but are still erasure:

Depicting Ricky not needing mobility aids, even if he can't talk

Depicting Ricky talking out loud, even if he still needs mobility aids

Depicting Ricky being a person who cannot speak & needs mobility aids, but having this be due to two unrelated disabilities that affect his speech & legs only (for example nonverbal autism & arthritis in his legs). Ricky canonically has a rare degenerative disease that affects both his speech and his mobility; it is very likely (all but stated outright in canon) that this is a neuromuscular disease which affects his whole body.

Removing the fact that Ricky has a degenerative disease specifically, and explaining his symptoms with a disability that will stay at the same severity throughout his life, when he canonically has a degenerative disease that he outright says will lead to an early death (even if this makes you sad to think about, which is 100% valid and understandable, it is not appropriate to erase outright)

But what about in the afterlife? What if Karnak allows Ricky to remove his disability or specific parts of it?

Pretty much every production of RTC involves Ricky, upon death, gaining some abilities that he didn't have in life. In most productions he discards his mobility aids, though there are some where he keeps them during most of the musical and only throws them aside for choreography, and some where he keeps them throughout choreography. To my knowledge every production of RTC also has him talking out loud after his death. This is all pretty easily explained by some sort of afterlife magic, or by Karnak actively choosing to remove (parts of) Ricky's disability.

And I'm sorry to say that it's still erasure.

I'm not saying this because I want to file RTC away as bad rep. I love RTC, and I love Ricky! I think Ricky is extremely valuable disability representation for so many reasons, and I also think there are some things that it could have done better.

I think having Ricky as an explicitly disabled character who becomes able-bodied due to magic later on is much, much better representation than simply writing his disability out of the canon entirely. It's a different level of erasure, because it still acknowledges him as a disabled character, and still acknowledges that as part of his backstory.

But using magic as a way to remove disability is lazy. It's a quick way to avoid having to depict a character as disabled for the entire length of a musical. And that means that the disabled fans who see ourselves in Ricky, don't get to see a character depicted as disabled or using mobility aids on-stage for the whole length of the musical.

Now, I understand that whenever you're making fanworks for a flawed piece of media (and every piece of media will have some flaws), there's a balance between being canon compliant and improving on canon. I don't think fans should be instantly labeled as ableist, or canceled, for writing canon compliant fic where Ricky's disability is erased in some way in the afterlife. I don't think it carries the same harm or weight - for one, it doesn't have the same reach as actual musical productions do, and on top of that, disabled people in the RTC fandom are already aware of the flawed parts of RTC's disability rep & we tend to be prepared for this when we go into the fandom.

I do think people should consider making Ricky disabled in the afterlife in fanworks. Many other parts of canon are changed in fanworks, so this one can be too!

And more importantly than that, I think more RTC productions (on the off chance anyone involved in a production of RTC is reading this post) should work to continue depicting Ricky as disabled on-stage throughout the whole musical. As I've said before, to my knowledge, there isn't an existing production of RTC that doesn't engage in some level of disability erasure, and that's something I'd like to see change one day.

But wait, if Ricky still couldn't speak out loud in the afterlife, wouldn't that mean cutting his song?

Actually, no!

I get this response a lot when I bring up the disability erasure inherent in Ricky consistently regaining his ability to talk upon death. I understand the concern - I think it would be awful if a production simply cut SABM in order to avoid depicting Ricky talking/singing out loud, and that doing so would also be a form of erasure in the sense that it would inevitably involve minimizing Ricky's character and removing parts of what made RTC such valuable disability rep in the first place (especially so if some of ricky's speaking lines, such as his post-SABM speech, are also cut with SABM).

But the fact is that you simply don't have to cut Ricky's song for this to work. There are real people who have performed in musicals without speaking/singing out loud, and still had major roles!

One way of doing this is with an interpreter. Ricky's actor would perform SABM in sign language, and another performer would sing the song as he signs it. It's important to note that when this is done, Ricky is still the main performer and still the focus of the song, and the interpreter is just that - an interpreter.

This method has been done in musical theatre before. One example is Joshua Castille, a Deaf actor, playing Quasimodo (an originally deaf character) in the 5th Avenue Theatre production of The Hunchback of Notre Dame. He performs in ASL, with singer E.J Cardona acting as the voice of Quasimodo. There are some clips online if you'd like to look it up!

There's another idea that I've thought of myself, though I don't know of any examples or if it'd been done. If Ricky was depicted using an AAC device on-stage, that would mean he talks using a synthesised (text-to-speech) voice. And we already have the technology to create singing with synthesised voices - it's called Vocaloid!

Of course, real world AAC devices generally can't sing, and programming a song into a vocaloid inherently takes a lot of time - you couldn't do it on the spot. But the whole premise of a musical is people singing on the spot when they wouldn't normally be able to! In RTC specifically it's explained as Karnak's doing, but pretty much every musical involves characters perfectly singing in contexts where they couldn't have possibly memorised/rehearsed the lyrics, harmonies or choreography in advance. I don't think it's that out-there to stretch this to Ricky singing using a vocaloid-like voice in a context where he couldn't have possibly programmed it into his device in advance.

I don't think these are the only ways it can be done, either - they're just some obvious examples. I just wanted to make it clear that it is possible to depict Ricky as a nonspeaking character throughout the musical, and this wouldn't have to involve cutting his song or removing his singing roles. I'd really like to see productions start to come up with creative ways of doing this!

Conclusion/TL;DR

Disability erasure is a problem in all existing RTC productions to varying degrees, and it's a problem in the fandom as well. Disability erasure isn't just taking a disabled character and making them fully abled - many cases of disability erasure in RTC involve Ricky still having a disability, but it's still erasure if aspects of the disability he canonically has are erased.

Contrary to popular belief, Ricky's inability to speak being erased in the afterlife is not just a necessary evil of the musical genre. Nonspeaking characters can be represented in musicals, and this wouldn't have to involve cutting his song!

Thanks for reading!

[sunny-knight]

Oh right. The other one.

CW: Undertale rant/analysis

Ive played Undertale- hundreds of times. and lately ive reflected on how the game is supposed to make you feel IN THE MOMENT- since ive kinda forgotten a lot of that. Because of the aforementioned ✨“hundreds of times”✨

Everything ofc still feels just as captivating, but nothings surprising because im not playing it from the perspective of someone who has absolutely no idea whats going to happen next. Sometimes I overlook and forget how the little details are supposed to make you feel/think about the characters. Like how Undyne is implied to be an abusive boss. After you get to know her, then replay, you hear how Papyrus talks about her at first, and see their interaction as you enter Waterfall, and you completely understand!

But BEFORE- youre like “oooohhh she’s threatening him-“

On this topic, I rewatched some playthroughs, and saw their first reactions to geno papyrus death, and I realized. that this room placement. IS SO COOL!!!!

Normally its like- yep! I just befriended/beat papyrus, time to continue on my way- oo hi sans! sure, ill go to Grillbys with you! Even on replays, you’re not really excepting him in any room hes in, im just like “oh yep, theres the man.”

But when you kill Papyrus for the first time, usually on a geno route. That same thing kicks in. You’re not predicting him to be there cause youre focused on the room youre in currently, but when you GET THERE youre like “oh yeah and thats where Sans is” but he’s NOT THERE and you stop for a millisecond and go “oh, no yeah, that makes sense.”

…the silence doesn’t help either.

Its worse that he’s all over the underground too, not just in the start of Waterfall. Even not seeing him in front of the mtt resort is just a slap in the face 😭

If youve gotten to the phase of killing people on purpose to see what will happen, youve also gotten to the phase of KNOWING theres gonna be consequences, so Sans not being there shoudnt hit as hard as it does BUT IT DOES (at least for me)

The typical reactions to Monster death in general that you cant avoid are Undyne and Sans’ speeches, and neutral run phonecalls. DIALOGUE. things that appear because of what you did. But with Sans its not what he does or says (up until the judgment hall) its what he doesn’t do.

He doesn’t bother to show up, to say anything to you because what is there to say??? Ignoring how personal it is for a sec- Sans knows this isnt your first time playing, but doesn’t comment on it (much). Right now he still believes the anomaly just wants to be happy, so gives the benefit of the doubt.

That is until you kill the dude that is impossible to kill on accident, or argue in self defense.

Now Sans knows the anomaly just wants to know what will happen. Doesn’t care if its bad or not, they’re just curious, so theres no point.

STILL he wants them to reset and do something ELSE so he halfway pleads with them in the judgment hall to rethink what they’ve done. The fact that he asks an answerable question feels important to me, like hes searching for something, ANY reason. But maybe hes trying to make you see that- there was no reason. Youre DUMB and you should RESET because- WHAT WAS THE POINT OF THIS????

What I also find really powerful even on replays, is the silence after he drops lines like this. Especially the judgment hall question. Sometimes I do sit there and soak in the silence like- “jesus. Yeah, why DID i do that?”

My main point of this entire thing is, I LOVE this game, I LOVE Papyrus and his impact on the game even when he isnt there, and I wish I could play it for the first time again, and fall in love with it all over again, but alas, hitting myself with a rock to screw up my memory only works 17% of the time,

so im happy enough sticking with changing my perspective, and taking a moment to remember what it felt like to accidentally kill toriel and realize your actions have consequences, to beat Undyne the Undying, to hug Asriel, to hear that Undertale was getting a “sequel”, and to hear that dreaded line, “Then why did you kill my brother.” all for the first time again.

[saintberceuse]

To me the worst thing about the Rosie thing is how it eliminates all of Alastor's characterization.

Who even is he then? What's his personality really?

All of it was just him being forced to do something he doesn't care about or understand the point of.

He evidently is not as "well mannered" or "patient" as he acts (he's told to contain his rage and stop his radio show).

I would be okay with it if it weren't for the fact that he's probably the character with the most screen time in season 1. I would like to get more of his real personality, but we already have wasted so much time on him. At this point he just isn't as compelling as other characters that will be getting more depth (like Lute and Sera). And all he really is is someone that likes radio shows and killing constantly for the fun of it.

What role does he even serve now in the story? He has no motivation or insight into bigger things (Rosie does - Alastor was just following her orders without knowing what's it all for). He has no real connection or relationship with any of the main cast. He isn't likely to want to change or be redeemed. He apparently doesn't believe in redemption and thinks the hotel is pointless and just wants to be a feared over lord again.

[hunter-rodrigez]

That's also why I liked 'Snake' in MGSV. Many people didn't like that snake because they turned him from a one liner spouting charming weirdo into a broody and borderline mute protagonist.

But to me, he didn't seem like your typical broody action hero but much more like he's just... incredibly tired. The kind of tired no amount of sleep will fix.

The way his personality completely changed also didn't feel out of character or unjustified. It felt like all the horrific shit he witnessed just flat out broke him.

Shit like Paz literally exploding right in front of him. Shit like losing his arm, 9 years of his life, most of his comrades and pretty much everything he worked for... and then waking up with a huge chunk of metal stuck in his brain on top of everything else.

And that's just the stuff that happened before MGSV's story even starts and he's thrown right back into unimaginable horrors the second it does start.

I mean, as soon as he wakes up some fire demon who rides a flaming Pegasus and throws FUCKING BLUE WHALES, tries to kill him. Like come one, give the guy a break.

Of course he's a broken husk of the man he once was, so traumatized he has detailed and lifelike hallucinations of peole he lost. Who wouldn't break after all the shit he's been through?

Let's just ignore how 'the big twist' at the end basically threw all of this out the window...

Habe you ever had a "did we even play the same game?" moment with someone?

My favorite game ever used to be Metal Gear Solid 4, it’s still up there in my top favorites, and this time at a party I met a guy that said he didn’t like MGS4 because he felt like it ruined Snake as a character and that it misrepresented him. I asked if he could elaborate and his response was that they took this Rambo dude, this super manly war hero and emasculated him into a weak old man.

I need you to understand that Solid Snake was without exaggeration fundamental in my growth as a person: I am from a latino country, grew up in what’s widely considered the wrong side of the tracks in the middle of nowhere, being macho, manly, tough was incredibly important to me, because that’s how it was in there, and Snake (plus “The Knight In Rusty Armor” by Robert Fisher) basically made me question all of what I’d grown up thinking up until then, because Snake isn’t a badass because grrr manly beef jerky I kill and swear, he is this incredibly solemn guy who hates what he can do, but is the only one that can do it, and if he doesn’t do it, then nuclear war happens, or worse. There’s a whole angle of expectation as a narrative arc in regards to Snake: Meryl expected a glorious, boisterous war hero, Otacon expected a grizzled, badass action hero, Liquid expected Himself But Better In Every Way, Ocelot expected a tool and nothing else, Naomi expected a callous and cold killer… And they were all wrong, he is, ultimately, an exhausted man that cannot stop no matter how much he wants to stop, because if he does, the world might likely go up in literal flames.

So to hear this self-proclaimed superfan of Snake say this just made me skip anger and go all the way to pity. In-universe, those in the know of Snake worship him as an actual God of War, and it’s a common thing that gets addressed in-universe: The whole point of MGS2 is that Raiden could never have won if he tried to be Snake, because you don’t want to be Snake. Snake hates being Snake. Snake isn’t manly because he beat a tank on foot one on one, Snake is admirable because he does the right thing, even if he’s breaking down molecule by molecule as he goes and he wants nothing more than to fuck off and raise dogs in the arctic, but keeps on going anyways because he can do something about it. The most important message he imparts on Raiden and Meryl is Don’t Be Me; Create A World Where Snake Doesn’t Need To Exist.

I felt pity because if you feel like MGS4 misrepresented Snake, then you really and explicitly are exactly the kind of fodder PMC nobody that feeds the proxy wars in MGS4. I think only by skipping every cutscene you can come out thinking that way. The only thing super about him was ficial.

[xlatrina]

(Pt. II.1) Friends to Lovers HCs w/Homicipher x GN!Reader

Tags: Platonic + Romantic HCs, Friends to Lovers trope for basically every LI, Likely OOC for some LIs*, Mini Scenarios (so HCs are kinda plot-driven), *Multi-Part Series, entirely SFW

Also, changing tenses in some cases + not proofread again... sorry!

*Some of the LIs are likely written OOC (Out Of Character) mainly due to a lack of substantial in-game appearances (at least in my opinion!). 

*Split into multiple parts because I’ve come to realize that these HCs are muuucccchhh too long 😅 BUT!! I’m too lazy to shorten them sooo… YEAH lol

Part I (Big 🙆‍♂️)

Part II (Mr. Chopped 🪓)

Part III (Mr. Crawling 👣)

$$$

Mr. Chopped (First Half/Second Half)

For someone who’s just a head, he gets around!

When you decided to help him out back in that weird room, Mr. Chopped was so elated.

Yes, yes!! Finally, some help!!

He’s been stuck in that room for like… three hours.

Which isn’t that bad, it definitely could’ve been worse, but like… still.

Anywho, point is —he decided from that moment forward that the two of you are friends!

Good friends, at that.

He tells Mr. Silvair this all the time.

“Mystery person help! They help me! They friendly!” He’ll grin from ear to ear, his cheeks squeezing into his eyes.

And Mr. Silvair will just chuckle and say something along the lines of, “Mystery person good? How interesting.”

Mr. Chopped has volunteered you to be one of his closest buddies.

Which means you are now basically his caretaker LMAO

Or at least whenever Mr. Silvair is unavailable somehow.

“Could you carry? Can you help me?”

This’ll become a common request from Mr. Chopped.

Eventually, it goes from asking to demanding.

“You take me! Go there! Yes, yes! That way! Is ok. This place I know good!”

He says that, but you’ve circled the same set of halls like… three times.

It can get a little weary sometimes being Mr. Chopped’s defacto caretaker, but he tries to keep your mood light with his silly banter.

Even though he’s been in the Apartments longer than you, it seems he hasn’t been there as long as others.

He more or less explains this to you over time.

On one of your many adventures through the halls of the apartment complex, the both of you came across a door that led into a stairwell.

It was odd because it kind of just… appeared.

You’ve definitely walked down this hall quite a few times now (no thanks to Mr. Chopped’s fluctuating sense of direction).

When you propose going through the stairwell, Mr. Chopped purses his lips tightly and falls silent for a long time.

Just as you get ready to ask again, he huffs, blowing some loose strands away from his face.

“That way want to go?” He asks. But before you can respond, he follows up with, “That ok. If there to go you want, that ok. But I not know that place…”

Ah…

Well! If nothing else, you can’t say Mr. Chopped isn’t adventurous!

Being friends with Mr. Chopped means you get to see all of his cute little expressions.

He always has an exaggerated reaction to everything!

Walking through the stairwell, for example, one of the lights flickered, and just as it went completely black for a second, there was a quiet whisper. When the lights came back on, the whisper bounced through the area, lifting up toward wherever the stairs led to…

When that happened, Mr. Chopped immediately asked, “What you say? I not hear good.”

“I didn’t say anything,” you said. Mr. Chopped seems confused by your response, and to the best of your ability, you repeat yourself in his language. 

“You say you not make sound?” He asks sharply, his voice thundering through the stairwell.

You jump in surprise, jostling him (much to his mild annoyance and discomfort).

“No, no make sound,” You said. “Do you make sound?”

“No! No make sound!” Mr. Chopped yells. Small tears gather in the corners of his eyes, and he squeezes them shut as a deep frown seeps into his face.

“Leave here together! Me scared! This place not safe!”

Safe to say you booked the both of you out of there as soon as you could.

It isn’t too long after that, though, that the two of you finally find yourself in the familiar hall leading to the basement. There, you two find Mr. Silvair just as he’s about to enter the room, and noticing your approaching figure at the top of the stairs, Mr. Silvair smiles warmly.

He lets you and Mr. Chopped in first, and it’s then that you both begin to tell Mr. Silvair about y’all’s odd experience.

Though, Mr. Chopped did more of the talking…

So much more of the talking, lol.

At some point, you and Mr. Silvair find yourselves sitting on the couch, and Mr. Chopped nestles into the space between you two.

He just continues to babble on and on and on about the somewhat scary adventure you both had, and you and Mr. Silvair patiently listen.

Sometimes, you wonder who can yap more —Mr. Chopped or Mr. Crawling?

That being said, Mr. Chopped likely develops feelings for you after just being in your presence for long enough.

He greatly appreciates you helping him maneuver through the Apartments, and he knows Mr. Silvair appreciates your help, too.

These days, Mr. Chopped finds himself talking with both Mr. Silvair and you!

And soon, there are many moments more when Mr. Chopped finds himself talking with you alone.

You’re just so fun to talk to, he feels like he can talk to you about anything!

Continue? -> Second Half

[Part I (Mr. Big 🙆‍♂️) | Part II (Mr. Chopped 🪓, First Half/Second Half), Part III (Mr. Crawling 👣)]

[ramblinscramblin]

May I request scout and demo (and maybe heavy if you want) with a ftm reader??? It can be any scenario NSFW, sfw idc. I'm hungry and I need food 😭 (you don't gotta do this btw just a little thought ♥️)

-‼️

→With a FTM reader!

Genre: slice of life, fluff! Male reader!

Characters: Scout, Demo, Heavy

Of COURSE I will write this. Relationship left pretty ambiguous. Hope you enjoy! Thank you again for the ask!

Scout

Scout definitely doesn’t realize without you spelling it out for him, no matter how “feminine” you may present.

Asks A LOT of questions, borders on invasive, but is just genuinely pretty confused and intrigued about it.

“So… wait, you were born a chick, but now you’re a guy? How’s dat work?”

“Scout, we have been over this. Literally ten times,” you say, exasperated.

After the initial long and honestly exhausting conversation, the two of you feel closer for it. He’s secretly sentimental as hell, so he appreciates you telling him so much, like it genuinely makes him feel so trusted.

When you come out to him, the support is not instant, as he tends to show these kinds of things in really covert ways, he doesn’t want anyone knowing he has a big heart.

But the second someone says something out of line that is when his support is the most apparent. Always corrects someone when they misgender you, but if they continue after he corrects them? Buddy, it’s over.

You tell scout you appreciate it, but you can stand up for yourself. He’s not really having it though, too hot headed to let it go.

Genuinely forgets your trans at time.

“Why don’t you ever use the urinals? S’weird,” the commented once as you left the bathroom together.

“Scout.”

“What?” He blinked at you dumbly for a few seconds, before realization dawns on him “oh shit! Dats right, sorry.”

He’s trying his best.

Demoman

Demo is part of team “not really my business so it doesn’t affect me”

As in it doesn’t really affect the way that he feels about you, or the way he treats you.

Doesn’t ask any questions unless it’s clear to him it’s something you’d like to talk about.

Depending on closeness he may even feel confident in making some jokes about it. Only if you find them funny though, absolutely wouldn’t do it if made you upset/uncomfortable.

Is big into giving you male experiences that you may have missed out on, mostly cliché and stereotypical things, some of which you have probably definitely done before.

“Demo, I think we’re a little too old to be playing trains right now,” you say, holding a train in your hand.

“Fine then, I’ll just clean it up then,” Demo said with a huff.

You stop him “well… I didn’t say that.”

Let’s you speak for yourself in most settings, but if you ever express your discomfort in a situation he won’t hesitate to remove you from it/remove the person causing this discomfort.

Doesn’t make a huge scene, will take the blame for you saying it’s him who’s got a problem.

Demo supports you when you need it, encourages you through your medical transition if you choose to do so/if you haven’t already.

Alternatively, reassures you that you’re not less of a man for not having surgeries or using HRT if you choose not to.

I honestly believe that Demo has been around a lot of queer people, he’s the world’s best trans ally.

Heavy

Heavy, like Scout has a lot of questions when you come out. Isn’t nearly as invasive and holds back anything that he thinks may make you uncomfortable.

It doesn’t change how he views you, thinks of you as man no matter what.

Really appreciates that he’s someone you trust enough to tell, even if he doesn’t fully get it, he understands that it can be a nerve wracking thing to talk about.

Recommends medic if you want to have any surgeries done, respectfully you decline. Fearing for the rest of your organs well being.

Heavy does a lot of reading to ensure he gets things right, but only brings up your transness if you do.

Loves hearing about your trans experience if you tell him about it, will listen intently taking mental notes.

Doesn’t feel the need to protect you, you’re a grown man who handled himself perfectly fine without him. But, like Demo, if he feels you getting a little out of your depth all he really has to do is come stand behind you.

Gender affirming nicknames, always. I feel like Heavy is big into nicknames some of his favorite for you is “big man” “guy” “handsome” if he’s feeling bold.

“How is the big man today,” he asked coming up to you one day.

You chuckle a little bit “it really should be me asking you that.”

Being with Heavy is a testosterone booster, just enjoy being masculine together.

OOOOO I LOVED WRITING THIS SO MUCH. I may revisit this idea later and add more of the mercs, for now I have more asks to get to! Thanks so much for the ask! (*ﾟ▽ﾟ*)

[the-archivists-plus-one]

YIIIIPPPPEEEEE!!! I love getting tagged in these things!!! Thanks buddy :)

Favorite Color: Purple. But also red. And blue LOOK IT’S HARD. Purple will always be my number one but red and blue BATTLE to try and overtake it sometimes. Oh shit wait my favorite colors are the bisexual lighting haha that’s hilarious

Last Song: Ok so idk what all this last.fm stuff is about???? But the last song I listened to on Spotify was What’s Up Danger. Yes it’s because of the Spiderverse movie, shush. Before that it was Perfect System by Oingo Boingo and I find that hilarious

Currently Reading: Do AO3 fics count for this? Because I’m not currently reading an actual book lol. If so, the one I will nominate for this is an Inanimate Insanity fic I’m not even close to finishing (BECAUSE 71 CHAPTERS?? HELLO???) called The Neighbor Next Door! It’s pretty well written and I love the way the author characterizes everyone

Currently Watching: Uhhhhhhhh not really anything particularly in the moment I’d say. I did recently watch an object show called ONE though so that was cool. Had to cope with the ending even though I watched it all in one day LMAO. Oh. And I’ve been invested in all the new Inanimate Insanity episodes. Eagerly awaiting episode 18

Currently Craving: Mmmm ice cream. Not even any in particular I just.. Ice creamm. I’m a basic bitch though, just give me a bowl of vanilla ice cream and I will be vvery happy. I also very much like sherbert. I also wish I could have honey pecan ice cream without the pecans..

Coffee or Tea?: Coffee I guess because I’ve drank more of it tbh. I love drinking flavored iced coffees dude. Caffeine doesn’t really have an effect on me from what I’ve seen though, so I’m kinda just drinking for the sweet flavor at that point lol. It’s just that the only tea I’ve ever drank was like.. once when I was sick, so it was disgusting but I powered through, and one that tasted like chapstick. So.

Hobby to Try: I don’t think I’ll ever get around to actually ever doing it but I’ve always thought it’d be cool to learn how to sew stuff. Idk I just think it’d be pretty rad to be able to fix things up, and make your own clothes should you have the fabric, pattern, and time on your hands. But idk. I already do my drawing and singing and acting and writing and baking soooo

Current AU: I don’t have an AU that I personally have made really currently, but I do have a couple that I spin around in my head like a microwave. So for ONE, or HFJONE as the fandom calls it for tagging purposes, I love the “Everyone gets sent back, but now Liam has to bring and keep Airy with him on earth to stop him from making another season of 1” sort of AU. For Inanimate Insanity, I’m a big fan of @bear-boi-5 ‘s Demented Mephone AU!!! It’s very interesting, and I just love to look at how a character and the trauma they go through can change them as a person, and that’s what it’s full of!! For Gravity Falls, Feral Ford AU is a guilty pleasure of mine. I also love the (very small) Time Dilation AU too though.

Tagging: I’m just gonna tag whoever!! Feel free to not do it!! @themathwhizard @thatofabeavers @adams3rdwifeee @slightlybritish @ho-ho-homosxual

Get to Know Me (tagged by @slingbees)

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rules: tag 9 people you want to get to know better and catch up with

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Favorite Color(s): ORANGE!!!!! but also yellow!

Last Song:

Currently Reading: them Guardians of Ga'hoole books because when I was in the hospital I read one of them.

Currently Watching: I'm going through Red Vs Blue with some friends.

Currently Craving: this peach monster right beside me. don't tempt me.

Coffee or Tea: I haven't been drinking much of either recently, but coffee.

Hobby to Try: Start animating at home.

Current AU: I guess I've been thinking about that Simpsons comic where Smithers gets cloned, fucking hilarious they just start killing each other. Other than that, I don't know.

TAGGING:@sleepypuddding @funkyjunkyfangz @beeframennoodles100 @danklemckspankle @potatoqueensays @notevenhodgepodge @butchbarneygumble @lorogy662 @calpalsworld anyone else too!