#this can be about whatever you want tho

[oneguardian15]

is it just me or is there SERIOUSLY just something about forearms? and hands?? and collar bones??? And Shoulders!! and NECKS!!! AND BACKS!!!!

[inkskinned]

we were sitting on the floor and i was cutting out tiny pictures to make a collage for a friend's birthday. you were on your phone and you laughed about something, and i was still in love with you then, so i asked what had you giggling.

"sorry. i was just..." you took a moment and went back to texting. "i was telling someone about how you're afraid of the dark."

i'm afraid of the dark because something bad happened. "oh." i felt a little slinky of shame crawl down my throat.

you glanced up, and maybe it showed on my face, because you rolled your eyes and held the phone to the side casually so i could see the group chat. "what? was it a secret?"

i looked down to the scissors in my hand. "i just..." no, it's not a secret. it just felt like something private, something serious. saying why would you tell someone that just feels like an accusation. it's unfair. i honestly am not even ashamed of it, it's just a fact about my person that i don't usually share.

what a strange experience. is this a human thing or a generational thing? for our grandparents: did they need to worry about how quickly someone can just... share your personal information? again, i didn't even really have a true objection. what could i say? i want any person in my life to feel they can be honest with their friends. it's not like i said don't tell anyone this.

i cut out another letter to complete the rainbow happy birthday, started hunting for the exclamation mark. i heard you sigh dramatically.

"don't make a big deal about this," you said.

this entire conversation was a pattern for us, and this was when we got to my least favorite part of the pattern. i would get my feelings hurt in some oblique not-technically-terrible way, and then it would be making a big deal about something. you'd get frustrated for me for being soft, but i was born soft. you knew i was soft when you pierced me. it's one of the things that made controlling me so easy.

"i'm not," i felt my voice crack. the question came without my wanting. "why are you guys talking about me?" and why are you saying that thing? why not like - i'm telling them how you're generous and kind and pretty.

you let out this low, tragic groan. "oh my god." you tossed the phone away from your body. "there, see? i just won't talk to them if you don't like it."

the rest of the hour went the way it always went, between us: i said i don't actually mind if you talk to your friends but -, you found a way to call my minor expression of discomfort "being dramatic." you got upset that i had been offended. i ended up apologizing, even though i hadn't actually done anything.

afterwards, you picked up the phone again. after texting for a little bit, you snorted. "okay," you said, "but it is kind of funny you're afraid of the dark. i mean, when you think about it."

[moghedien]

Minthara says “in Her name” when you first meet her and she’s following the Absolute but when you recruit her and she expresses that she no longer follows any god, but she still has an intact paladin oath, and she says “in your name” occasionally because she’s no longer Lolth’s paladin or the Absolute’s paladin, she’s your paladin

[xxplastic-cubexx]

graph

bonus:

[faunandfloraas]

[prythianpages]

cas def gives off “wear whatever you want, I know how to fight” vibes

[silusvesuius]

nnnnnnnnnnnnno maa'am

[yuwuta]

yuuta exhibits such previously abandoned, recently adopted dog behavior. incredibly anxious all the time, even though nobody’s out to get him or leave him behind. waits for you to return home or from school or from work excitedly, just to see you when you walk through the door. follows you around senselessly, hovering in your space just for the sake of companionship. initiates affection in prodding ways—starts off next to you, then a hand on your thigh, then deems it safe to lay all the way down, then slowly pushes his head into your lap. gets up whenever you need to get up, and resumes his position as soon as you’re ready. brings you gifts as a sign that he’s thinking of you, and maybe because he likes the affection it brings out in you, maybe because he likes the gentle affirming touches of a hand in his hair or a pinch to his cheek. rests his head on your stomach or his chin on your shoulder when he’s sleepy, stays there, immobile, and will not move unless absolutely necessary. sometimes he gets surprised when he hears you calling for him, there’s a moment of disbelief as he thinks “me? really? you need me?” but it’s very quickly overshadowed by this compulsive need to show up, to please, to do anything for you, which is why he always answers when you call. he doesn’t realize that he has puppygod eyes, especially when he’s excited or confused, but he does and it’s incredible endearing. very reluctant to share your space or attention after a while, considers that to be sacred and he won’t risk being let go or lost again, so as a safety precaution, he keeps himself right by you, waits for you always. 

[instantpansies]

life is hard for us oz fans who are only meh about wicked. have half a meme.

[moeblob]

Happy Birthday to Ferdinand von Aegir!

I actually made 33 emotes, affectionately known as Aegirglyphics to some, for my own personal use on discord. However, I figure why not share some of them! They're free to use for discord servers/icons/pfps or whatever. However, my only request is Do NOT use them as subscriber emotes on Twitch. You can make them free follower emotes but you are not to make them locked behind a paywall.

[ink-the-artist]

u been hit with the scambaiting craze too huh? I really like kitboga's vids, would recommend!

yessss i luv this animation someone made of one of his calls

[vacuously-true]

If I made a post shittalking mountain and coastal regions the way some of y'all bitch about plains and prairies I would get eviscerated. I don't like that shit but I know it's important to some people so I keep my thoughts to myself. If you don't have anything nice to say about the cornfields, don't say anything at all. :)

[leonardalphachurch]

it is funny seeing ppl be like “what joe said temple isn’t gay?” bc like. like joe is SUCH a straight man and like on some level i do respect him saying that he doesn’t want to write a gay super villain trope like i get that i understand that i respect that but. he did. like he did write that. he made temple a camp overdramatic freak who turned evil over the obsession with the death of another man who’s fighting for people who were marginalized by the system like. like his backstory parallels church and tex’s. come on now joe. this queer got coded.

[pyrosomatic-metamorphosis]

rough art tips to learn and then break at your leisure.

the distance between your eyes is roughly one eye. the corners of your mouth dont extend past the middle of each eye. ears are roughly in the middle of the tip of the nose and the eyebrow. the eyes are in the very centre of the head. the neck is just a Little slimmer than the width of the head (varies with fat distribution, but fat tends to build up under the chin). hair is easier to draw when you plot out the hairline and then where it parts. leaving appropriate distance on the side of the face (cheekbone area and back to ear) contributes to making characters look more realistic/hot as hell. i dont know specific tips for that so use reference. an amazing reference/study site is lineofaction.com . if you think of the face in planes it makes it easier to construct (look up tutorials). if you draw a spiral like a tornado it can help you figure out awkward perspective for extended limbs (look up foreshortening coil technique). tangent lines are when two lines intersect and cause visual confusion (when it looks like a line that defines an arm is part of the line that defines a building, for example) and avoiding them makes your art way easier to comprehend. quick trick to good composition: choose a focal point (where you want your viewer to focus), detail that area the most, and make sure various elements of the piece are pointing to that focal point. you can use colours to contrast hue, saturation, and brightness and make certain elements of your drawing stand out. drawing in greyscale can help you figure out values. using black in a piece isn't illegal but you should know what you're doing when you do use it- it desaturates a piece and if used as a shading colour can desaturate and dull whatever youre shading too. if you use almost-black lineart and then add black to darken the very darkest areas it will do a lot to add some nice depth. the tip of your thumb ends just above the start of your index finger- your thumb also has two knuckles and all your other fingers have three. if you see an artist doing something you like (the way they draw noses or eyes or hair or anything else) you can try to copy that and see if you want to incorporate it in your style <- this is ENCOURAGED and how a lot of us learned and developed our styles. there are ways to add wrinkles to faces and bodies without making the character look a million years old, you just have to keep experimenting with it. The smile wrinkles around your muzzle dont connect to your mouth or to your nose; there should be a small space in between smile or nose and the wrinkle line. eyes when viewed in profile are like < aka a little triangle shape. think of the pupil like a disk and apply foreshortening to it (it looks like a line when seen from the side instead of a full round dot). subtle gradients can add a LOT to a piece. texture can also add a LOT. look up Tommy Arnold's work (his murderbot pieces are some of my FAVOURITE) and zoom in. find those random little circles he added and try to figure out why he added them there. light bounces. there's lots of way light bounces. sometimes it even spreads through the skin. i do not know these light tricks yet but i want you to know that they exist. draw a circle to indicate hand placement, draw a straight line between that circle and the shoulder, and then (normally at a right angle) draw a straight line on top of that line to find the placement of the elbow. elbows are normally placed Just above the hip when standing and your arm is at rest. there are no bad colour combos if you're brave enough about it, just fuck with the saturation and brightness until it works. keep playing. try new things. add your own tips to this post if you want or even expand on some ive mentioned here. good luck go ham etc

[itachanta]

Okay, so, I was in bed looking for Tristamp fanart, and I came across a comment online that said Meryl's voice reaching Vash in chapter 12 was cheap, and it happened only because she is "the girl". My mind went immediately ballistic so hard i almost fell to the floor. Like, did we watch the same show at all? (screaming in a fit of rage)

Here i'm going (rolls up sleeves) beware spoilers. (and sorry for my broken english)

Meryl was the start of the show. She was our eyes, the narrator, the witness, and the rope that first tied the main group together (pun intended).

She started following Vash out of curiosity, then by admiration, her beliefs, and a big determination to help him and learn more about him, through danger, even not knowing how to fight or even lift a pistol.

Vash, despite loving humans, was, at the same time, distant to them and closed off. Almost every time, sooner or later, he ended up bringing some form of misery, hurt or loss to the humans around him, or they ended up betraying him. That's why he was called the "humanoid typhoon". We have Jenora Rock as an example. After the downfall with Knives, even Rosa, who seemed to know him for a long time, blamed him and tossed him out of her life. (I'm not roasting Rosa, i understand it's easy to put the blame on others when you suffer a great loss).

Meryl, witnessed all of this, and still followed him.

Meryl, who learned what Vash really is, and saw his markings, and even though she was surprised, she still smiled to him the next day.

Meryl, who was kidnapped to trap Vash into coming to July, and was told the truth about plants and humanity, but still didn't bail.

Meryl, who lost her mentor because of her decision to follow Vash, and didn't blame him, at all.

Meryl, who ran straight to try to save him, even though it was very dangerous and she could have ended up dead.

In the moment Vash was totally robbed of his bodily autonomy, his will, and basically, he was being violated, a tiny human, who followed him around through danger, challenged his views but never blamed him, smiled to him, wasn't afraid of him and supported him, was there, calling his name, calling for him to come back. A tiny human who believed in him, along with Luida, Brad and Rem.

This was specially noticeable when Vash was running, following Rem's voice. We can hear her say to him,"Thank you for protecting my dreams and my hopes", this, refering to her ideals about plants and humans coming together, wanting to create a bridge between them with their help, as she said to the twins when they were kids. And JUST RIGHT AFTER THIS, when he is looking down with sorrow and closes his eyes, Rem's voice calling his name mixes with Meryl's, and with that final push, he opens his eyes with a changed look, this time hearing only Meryl, and he gets out. THIS DETAIL GUYS. THE EYES. THE VOICES. LOOK AT THE GIFS.

THE CHANGE IN HIS EYES?????

Just imagine, after everything he went through, after being psychologically tortured by Knives, what was for him to hear Meryl CALLING HIS NAME and trying to save him. WAITING FOR HIM in a very dangerous place when she could have just, you know, escaped. His hopes in humanity, Rem's values and love lessons, compressed in this small tiny koala person. How can you even think, her voice reaching him, was FREAKING CHEAP OR DIDN'T DO ANYTHING? ASDJLAJKDASHDASKDLASDBASKD (dramatically sharpening a knife)

[xxplastic-cubexx]

obsessed with how the literal second charles first dies in the classic comics magneto finally comes back for the first time in like twenty issues