#this art is not 'canon' in any way it's just here to look pretty

[cherrycoloredphoenix]

Day 6: Forbidden - Ai Chang, Jia Ziyin, and a life that can never be

-

To tie Ai Chang to him in that way would be like caging a nightingale, damming a mountain stream. It would be keeping all of that beauty and charm and clever mind to himself, dimming its brilliance for anyone else... And eventually, the nightingale would cease its song, and the stream would become foul and stagnant. Better to let things be as they were. But oh, how one could dream.

[selfcarecap]

Lip Gloss [A.D.]

Art Donaldson x reader (x Patrick Zweig)

summary: Art loves when you kiss him while wearing lip gloss and it gets all over his own lips. What he loves even more is when you get on your knees for him and he ends up with lip gloss stains all over another certain body part of his.

warnings: smut 18+ (oral m receiving, fingering f receiving, handjob, reader and Art have sex next to Patrick who is asleep but they have permission, submissive-ish!Art, a bit of voyeurism from Patrick – he doesn’t ask but for the sake of this fic we’re assuming consent bc it’s fictional, m masturbation, spitting, cum eating, pet names: good boy, baby, reader says Art is ‘wet like a girl’), feminine Art (so dare I say canon Art🙂‍↕️) or at least he likes lip gloss lol, Art and Patrick are college roommates – attraction heavily implied between all three of them but only Art and reader are in a relationship, this was supposed to just be a drabble lol there’s no plot just porn, also i’m kinda intimidated by the challengers fandom lol idk but anyway here's my first challengers fic sddslkh <3

word count: 3.4k | gorgeous divider by @dollywons

When you first start dating Art, you always apologise for wearing lipgloss when you’re kissing him. You always wipe it off his lips after a kiss, pulling your sleeves over your hands to get it off his mouth. You’ve heard that guys don’t like it, but you like wearing lipgloss and Art has never complained. 

When you get more comfortable around him, you don’t always wipe the gloss off his lips, letting him do it himself. But he only does it because he feels like it’s what he’s supposed to do. Guys aren’t supposed to like the feeling of lip gloss. He’s probably supposed to tell you it’s annoying and ask you to stop wearing lip gloss, at least when you’re with him. 

But he doesn’t want to control you, and he doesn’t want you to stop wearing lip gloss. He just wants you to stop apologising for it.

“You don’t have to say sorry,” he tells you every time with a smile, but you still do it. 

“I know it’s sticky. I won’t put any more on tonight, don’t worry.” Art stops himself from pouting at your words. 

And yes, Art once applied the lip gloss that you left on his nightstand. He was missing you and the lip gloss was the closest thing to you that he had. He ran into the bathroom when Patrick came home, wiping it off furiously before his best friend could see. 

He likes keeping a shirt of yours at his place so that he can smell you even when you’re not there, but what he likes even more is to apply your lip gloss. It’s just a thin layer, but it makes him feel like he’s been freshly kissed by you. There’s nothing wrong with that, and there’s definitely no reason he does it other than to feel closer to you. 

-

You’re getting ready for the birthday of a friend one night. You’ll be going to a bar for a bit, nothing big. But you’re doing your make-up on Art’s bed with him sitting behind you, hands on your hips. 

“You look so pretty.” 

He says those words for every step of your routine. He wants you to know how beautiful you are no matter how much or how little make-up you’re wearing, even if it’s cheesy. Art grins when you show him the finished look, and his eyes stay stuck on your glossy lips, tinted a dark pink, almost red colour. 

He knows you can’t resist it when he looks at you like that, he never can when it’s the other way around either, so you press a kiss to his lips. Art knows that you’ll be wiping the sticky gloss off as soon as the kiss is over, so he deepens it to keep the feeling of lip gloss on him, even though Patrick is sitting in the bed right next to you. 

Knowing him, he’s probably staring and enjoying it; Art wouldn’t be surprised if he heard the sound of Patrick’s phone camera going off. 

You smile against Art as you part your lips for him, trying but not quite managing to bring yourself to stop kissing him yet. You have to physically take Art’s chin between your fingers and push his face away from you to stop. And yet, you give in again immediately, peppering his face in kisses before you pull away for good. 

You give Patrick an apologetic smile, even though you both know he doesn’t mind you and Art making out next to him. By the time you look back at Art, he’s already wiping at the lip gloss stains all over his face. Your cheeks heat up when you realise how many marks you’ve made on him. You forgot you put on a darker and more pigmented lip gloss than normal. 

“Wait,” you giggle, pulling away Art’s hand that’s already trying to wipe the sticky gloss away, “I’ll bring you a wipe.” 

“Doesn’t he look pretty like that?” Patrick comments before you have a chance to get up. Art throws a pillow at him. 

You look between them, at Art’s face littered with shiny, sticky stains. His lips are especially dark and shiny, as if you just put some lip gloss right on there, albeit a bit messily. 

“Of course he’s pretty like this,” you say, not looking away from Art.

 “Then just leave him like that, he likes it.”

“I don’t,” Art defends much too fast, and Patrick laughs. Art reaches for his pillow to throw at Patrick but remembers he already did. He’s about to stand up to go to the bathroom and get a stupid wipe himself, but you grip his t-shirt and he sits back down. 

“It’s okay if you like it, baby. It’s hot that you do,” you try to whisper the last part, and pull him in by his t-shirt to kiss him again, “Let me clean you up, and I’ll put some lip gloss on you properly.” 

“Only cause you think it’s hot,” Art calls after you weakly. 

Patrick laughs again. 

“Shut up.”

Art shyly tries to catch a glimpse of his face in the mirror. 

You sit back down in front of him, gently cleaning his face. You hold out the lip gloss afterwards, placing a hand on his face to apply it, the wet pop sounding when you undo the lid. 

“Wait,” Art leans back abruptly, as if you’re about to hurt him, “I want it from your lips.” 

You huff, smiling at him. You apply some more lipgloss to your own lips, taking your boyfriend’s face to give him a kiss to his pursed lips. You apply more and kiss him again. You both smile at the oddly innocent kiss – pursed lips against pursed lips. 

You wipe away the excess over Art’s cupid’s bow, grinning at his shiny, sticky lips. 

“You look so pretty, baby,” you tell your boyfriend, and he blushes. 

“Show me,” Patrick says, leaning forward to see Art from the front. Art turns his head away from his best friend, red up to the tips of his ears now. 

“Show him, baby,” you coax, reaching out for his chin to turn his head. You know Patrick likes to make jokes, but not when his best friend is like this – eyes like those of a puppy, genuinely embarrassed. 

It doesn’t have to mean anything, but Art has made it such a big deal in his head that he can’t like having your lipgloss on his lips that Patrick knows he needs encouragement right now. Patrick moves to sit at the edge of the bed to look at Art better. “Look at you, Artie, all pretty. Looks almost as good as on your girlfriend.” 

You roll your eyes – you should’ve known he can’t be fully serious. 

“You have to leave now, you’re already late,” Art reminds you, and you let him press another kiss to your lips. You’ll have to clean up the mess he’s made on your mouth on the way, but you don’t mind. You watch him enjoy the feeling of the sticky gloss on his lips a few more seconds before he wipes his mouth with the back of his hand. 

You and Patrick share a look, rolling your eyes, and you blow a kiss to Art before you close the door.

 - 

You come back home early, before midnight. The birthday girl left to go see her boyfriend halfway through her own birthday party, so you’re back at Art and Patrick’s dorm. You’d be annoyed at your friend if you didn’t have your own boyfriend to go visit.

Patrick is already lightly snoring when Art opens the door for you – he’s in nothing but boxers – and you know what that means.  

Patrick has given you two permission to do whatever you want while he’s asleep, as long as you’re quiet. You’ve always wondered if it’s a tactic to secretly listen in on you and Art having sex, knowing that you would’ve otherwise never done it with him in the room. 

Art has a small light on next to his bed, and you join him on his mattress. A few leftover glitter particles sparkle on his lips, and you pull his face closer to yours. 

“Suits you so well, Artie. So pretty.” You swipe your finger over his bottom lip. He kisses it, stopping himself from smiling. He’s already looking at your lips, and you mentally pat yourself on the back for remembering to reapply your gloss just before you got here. 

You kiss him then, and Art licks into your mouth as if he’s been starved and waiting to eat you up since you left. You adjust your position to sit on top of him, and your knee grazes his lap. He’s already fully hard.

“Sorry.. couldn’ help myself. Pat fell asleep and I couldn’t stop thinking about you.”

“It’s okay, baby,” you grin, holding his jaw, “You want me to make it better? Want me to go down on you?”

Art nods distractedly, mumbling out, “please, baby. Need you”. Your thumb brushes the gloss on his lip, and Art opens his mouth. You pull your hand away before he can wrap his lips around your thumb, and you kiss him as a whine escapes his mouth, muffling his voice.

You press your lips against his until they’re coated in your shiny gloss, and then you slide a finger into his mouth. He sucks on it – pink, sparkly lips around your finger.

“You look so pretty. Should wear my lipgloss more often,” you tell him, and he turns his head away in fake-annoyance, your finger slipping out. You feel his hard cock against your leg again as he moves, and you pull at his chin to open his mouth.

Art moans as you messily push three of your fingers into his mouth to get them wet against his tongue. You pull them out and slide them down into the waistband of his boxers, and down the length of his cock.

You put your hand over his mouth before he has a chance to moan, and you nod towards Patrick. He’s asleep, his back to you, but it’s not going to take long for Art to wake him if he keeps being this loud.

You get up, and Art pulls his legs to the side of the bed as you sit down between them. He’s straining against his boxers, a tall tent pulling the fabric taut. You release Art’s cock, and it slaps against his abs. He’s glistening down his length from where you spread his spit on him, a small puddle of precum already at the tip. 

You giggle quietly, “So wet, baby. You’re wet like a girl.”

“Shut up,” he whispers back weakly, biting his lip to stop a smile from spreading over his face.

You kiss the wet tip, licking the precum, and begin to leave lip gloss stains all down his length.

“Feels so good, baby. You’re so good at this,” Art says not nearly quietly enough.

“Shh, baby. Don’t wanna wake Patrick up.”

Your boyfriend nods, but you don’t think he’s listening.

You take his dick into your mouth properly now, wet heat enveloping him as you take him deeper, and you look up to see how he bites his lip and lets nothing but a breath slip past his lips as he watches you.

“Good boy,” you whisper to him. He intertwines his fingers with yours by the side of his hip, and you look up to smile at him. You ignore how, when you look past Art for a split second, you can see Patrick clearly jerking his cock under the blanket, the movement of his arm making it obvious. 

You shake your head slightly, resisting the urge to roll your eyes at Art’s best friend, and you take your boyfriend deeper down your throat as your spit drips to his balls. Art looks down at you with such restraint on his face, it almost looks like he’s about to cry.

He manages not to make a sound when you suck his dick more eagerly, your lip gloss smeared over his cock as you jerk off what you can’t take past your lips. The only sound in the room is the wetness of your mouth and your spit around your boyfriend’s cock.

Art lets out a shaky breath as his abs contract, his hand squeezing yours, and you softly nod up at him, taking his cock as deep as you can. He whimpers pathetically when he spills his load down your throat, and you swallow it all as he keeps cumming and cumming in your mouth.

When you pull away, out of breath and with your lips wet, you take in the picture you created. Art’s cock is full of your lip gloss, his face shiny with a thin layer of sweat, his cheeks as red as the gloss you left on his lips earlier. You’re about to stand up and get a wipe to clean Art up, but he pulls his boxers back on.

He likes the glossy stains on his cock even more than the ones you leave on his lips. 

He pulls you up on the bed, lying you on your back. “Please can I go down on you?” he whispers, mouthing at your neck and down your chest, pulling your top down as much as the tight fabric allows, whining when he doesn’t get all the way down to your nipples.

As much as you want Art to eat your pussy, you won’t let him. He always gets messy and loud, moaning almost uncontrollably as he makes out with your wet pussy, and there is no way Patrick could pretend to sleep through that. 

If you thought Art was going to cry earlier from how good he felt, he reaches a new level of teariness now when you tell him no, eyes almost glassy.

“Tomorrow, okay? You can still use your fingers now.” Art looks at least somewhat assuaged at your offer, and lies down on his side next to you, unknowingly shielding you from Patrick. You don’t know if he came along with Art, or if he’s still jerking off, and that makes it even more exciting. 

You know Art would never cheat on you, but if you gave him permission to, and if he admitted his attraction, you’re sure he’d jump at the first opportunity to invite Patrick into bed with you two. You know Patrick feels the same. You like the thought of him listening in, making himself cum to the sound of his best friend and his girlfriend having sex.

“Here,” Art urges, holding a hand to your mouth, even though he knows you’ll be more than wet enough from giving him head. You spit into his open palm, and Art spits in too, the way he always does, liking the feeling of your combined warm wetness against his skin. 

Art reaches down your body and into your underwear, adding to the wetness. He rubs your clit in messy circles, kissing you even messier. You spread your legs for him more, but Art lets out a frustrated huff.

“Can I… want you naked,” he mumbles against your skin. Art watches with puppy eyes as you get up, taking off your tight top and grabbing your favourite oversized shirt of his instead, sliding off your trousers and panties only once you’ve put the shirt on.

“This is all you get.”

Art looks happy enough as you get back into bed with him, sliding a hand up your shirt now that he can comfortably get under the hem, and cups one of your tits.

“Can’t believe you’re mine,” Art says against your lips, hand moving back between your legs to play with your pussy, “So pretty.”

He circles your clit for a few moments before he pushes a finger inside while making out with you, remnants of his own cum still in your mouth, spit and gloss between you two as he continues to rub your clit.

“You’re the prettiest woman in the world,” he says, voice almost strained, and you realise he’s hard again, humping the mattress as well as he can while lying on his side, “Wish I was inside your pussy right now.”

You have to resist giving in to him – he’ll be insatiable the rest of the night if you let him fuck you even just for a few seconds – but you reach down to pull his cock free from his boxers, wrapping your hand around him.

“Can you focus if I’m doing this?” you ask pointedly, and Art nods eagerly.

“I’ll be good, I’ll be a good boy. I’ll make you cum,” he promises, slurring his words as your thumb swipes over the tip. But he’s not lying, he’s still fucking your pussy with his fingers. You’ve trained him well, so he knows what to do.

You can’t deny that you’re both getting loud now, if it’s not the moans you don’t quite manage to swallow down, then it’s the sound of your wet pussy and your slicked hand around Art’s cock.

You cum almost at the same time, Art rubbing your clit at just the right, albeit messy, intensity, and your thighs squeeze around his forearm when the orgasm flows through you, your own hand not stopping around Art’s cock. He’s breathing hard, reaching for the tissues on his headboard, but the tissue box topples over and falls against his shoulder and to the floor as he tries and fails to rip out a tissue.

“Here, I got you, baby,” you angle his cock to his abs, so that he won’t be spilling all over his own sheets, and you only have to jerk Art’s dick for a few more seconds before he’s shooting ropes of cum over his own skin. His abs glisten as his breath stutters, and he has to wrap his hand around yours to stop when he gets too sensitive.

“I love you so much,” Art huffs with a smile, and you kiss him briefly.

“I love you too.” You gather his cum off his abs, wiping it over your palm and holding it over his mouth. It drips and falls between Art’s parted lips. Art hums when you slip your fingers into his mouth, and he sucks the last drops of his load off them.

“Such a good boy,” you rub your thumb over his cheek, gazing at him in awe.

“I love you so much,” he tells you again, a soft smile on his face.

When you’re done and you look over, Patrick is back to quietly snoring, a freshly crumpled tissue by the side of his bed. You kiss Art before you can begin to smirk, and you briefly consider telling him. You decide it’s a conversation for another day. Art would definitely get hard again if he knew that Patrick was jerking off to you two doing it, and he’s already squeezed out two orgasms just now. You don’t need him that overstimulated tonight.

You remove your makeup and get one of the fresh pairs of panties Art bought for you to keep at his place. You walk back into the bedroom and find Art on his back, smiling at you all fucked out. 

You lie down with him, letting him cup one of your tits for comfort so that he can sleep better. You kiss his cheek and see that his lips are still shiny with glittery gloss. You decide not to offer to clean him up, now that you know he likes it like that. 

P.S. Thank you for reading <3 Reblog and comment for Art to come and kiss the gloss off your lips 🤭

[kiirschtein-archive]

⋆ 「 𝐛𝐞𝐢𝐧𝐠 𝐦𝐞𝐠𝐮𝐦𝐢’𝐬 (𝐚𝐝𝐨𝐩𝐭𝐢𝐯𝐞) 𝐦𝐨𝐦. 」 ⋆

feat. — toji fushiguro x f!reader, kid!megumi

word count. — 1.4k

content. — sfw, non-sorcerer au, established relationship (marriage), mostly just fluffy domestic stuff, reader is addressed as ‘mom/mama/mommy,’ toji’s kind of a bad parent but he’s working on it, brief mention of toji smoking (cigarettes), overprotective!toji, very minor suggestive themes (from toji 🙄 he’s a walking cw/tw)

notes. — idk. this has been incessantly on my brain pretty much from the moment i  woke up today, even to the point where i was writing half of this at  the laundromat lmao. mother’s day yesterday had me feeling some type of way, so here have some fun headcanons from a strange eldest daughter!!!! (i might end up doing a set of these for gojo x reader too 🤔)

⋆ 「 — he’s not your biological son, but you’ve been around since you started seeing toji when megumi was still a baby. but now, a few years later, you might as well be his real mother. you certainly act like it and feel like it, so toji gladly initiates the conversation about official adoption. it just makes sense. you eventually explain the situation to megumi as best as you can simply so that he doesn't grow up thinking he was lied to or anything of the sort, but as far as he's concerned, you're his mom whether it's by blood or not.

⋆ 「 — and oh, megumi’s a mama’s boy. i imagine he’s just a little bit of a healthier kid vs. canon given the better family situation, but he’s still always a bit of a grumpy baby, appreciating his autonomy and trying to be as self-sufficient and mature as he can be. but he’ll most certainly run to you when he needs help, is truly hurt, or just needing a bit of comfort. you’ve always treated him so softly and kindly with understanding, so he honestly feels more comfortable coming to you most of the time instead of his dad.

⋆ 「 — he likes the way you organize the bookshelf in his room or fold and sort his clothes in special little ways. he gets upset any time toji tries to put a book back in the wrong place or can’t figure out where his damn socks are. gumi will scowl and say, “that’s not where it goes.” or go deadpan and be like, “mom always keeps the socks in the bottom drawer.” disappointed that his father can’t even remember. toji just grumbles and says, “your mama’s gonna ruin you.”

⋆ 「 — has called you 'mom' basically since he was old enough, but don't let him fool you. megumi will drop the big boy act and come out with 'mama' or 'mommy' when something's wrong or he's really excited. he'll come to you with quiet tears and sniffles, a little ashamed that he's crying, but present to you a scraped elbow, "mama... it hurts." you clean up the scrape and explain to him the little medical details in a somewhat understandable way to help him focus on something besides the pain, and you tell him that it'll be okay, and that it's alright to cry. or on the flip-side, you and toji take him to the zoo, little gumi on his dad's shoulders, and he gasps and points excitedly, "look, mommy! look at the big elephant!" and it feels incredible to see him be so spirited.

⋆ 「 — along the lines of the art from this post and the thought i had about it earlier, just imagine that you're at some event (maybe like a birthday party or something), and toji's been hauling megumi around. they're both so over it at this point and are like 'please get me out of this' so as soon as toji walks past the obnoxious inflatable bouncy house, he smirks and just YEETS that kid inside without a second thought. after regaining his breath, megumi just looks at his father with the most EVIL little scowl as other kids bounce around him with smiles. by the look on that child's face you could've swore that his father had just done him the ultimate betrayal.

so gumi slides out and hurriedly makes his way over to where you're sitting off to the side, quietly climbing into your lap for a little bit of solace. he wiggles in close to your chest and you tuck him under your chin with a ‘come here, sweetpea,’ rocking slowly and humming something soft because he always seems to like it when you do.

toji comes over and you look at him through narrowed eyes. "kids are supposed to like shit like that," he says.

"you know he likes when things are more quiet," you respond, and toji rolls his eyes at how you seemingly spoil your son.

"just thought it might be good for him to try and get along with the other brats." toji tries to cover up the fact that he tossed his kid for the sheer personal enjoyment of it.

you huff in disbelief. "oh, like you get along so well with everyone?"

he scoffs and moves in behind you, leaning down to place a kiss on your neck. "i get along with you," he says almost suggestively.

you just keep stroking megumi's hair and give the top of his head a gentle kiss. "yeah, well not today," you say, shooting a smug, resolute smile towards your husband, ultimately taking his son's side.

⋆ 「 — outside of his alone time, megumi would honestly much rather be with you instead of other children. toji thinks it's probably unhealthy and you're inclined to agree, but you also don't want to force megumi into situations that will just make him miserable. so, when appropriate, you don't mind at all pacing around with him in your arms or have him walk next to you (maybe holding your hand if he’s not in a ‘big boy’ mood), teaching him about the things you see in the woods, the park, or even the museum. when toji's not away working, he'll join too because it admittedly makes his heart feel soft to watch you two together. it always has, because you've been doing this with megumi since he was a baby. it never gets old. if it wasn't already so difficult trying to figure out how to do things right by his son, he'd want you to give him even more babies.

⋆ 「 — megumi likes doing things with his dad sometimes too, though. toji tries his best to do it right and watch both his mouth and his temper. you like seeing them getting along, even if it's just quietly watching tv or a movie (probably a cartoon where toji gets kind of into and will ask the occasional question like "why does that one stupid chick keep doing that?" and megumi just shrugs like, "i dunno. she is pretty dumb.") or playing ball outside because gumi's starting to show some athleticism. but you have to remind toji that he can't always be so rough or competitive with games because megumi is literally a child.

⋆ 「 — toji can also be way too overprotective of you two at times. you'll be out and about and he'll just be wearing such an intimidating expression as he walks behind you both, on the lookout for anyone who might want to cause trouble or take the wrong sort of glance at his wife. he'll even snap at people for walking too close or like cutting in line or something petty, and you have to tell him stop acting like an attack dog and looking like the grim reaper because dear god you're literally just having lunch at the park. even at his age, megumi's just eating his ice cream and looking at his dad with his little baby deadpan expression and thinking "this man really needs to take a chill pill." other times he can be more relaxed, however, obviously confident in his ability to protect you. it depends on his mood. but that still doesn’t stop him from being embarrassing and going off on people in public if something happens.

⋆ 「 — you also know all of gumi’s favorite meals and snacks. it’s yet another one of those things where, if his dad does it wrong, megumi expresses a disappointment beyond his years. toji will be making and packing his son’s school lunch just as instructed by the notes you gave him, but it’s by no means as neat and meticulous as when you do it. toji’s got a cigarette hanging out of his mouth with furrowed, concentrating brows, his free hand shakily reaching for a cup of fresh coffee, and megumi’s standing there with his little backpack, criticizing his father the entire time. “mom doesn’t do it like that,” he says.

“well mom ain’t here right now. and it doesn’t matter how the sandwich is cut, is still tastes the damn same.”

gumi doesn’t even physically react, still wearing the same neutral expression, just waiting for his dad to hurry up. “mom says you shouldn’t smoke. and she also says not to use bad words.”

toji scoffs and then smirks. “well mommy uses all sorts of bad words you don’t even know about when her and daddy have play time.”

megumi’s already almost late for school and can barely feel his feet from how tight his dad tied his shoelaces. he also asks you later about “play time,” and you want to absolutely murder your husband over it.

[sim0nril3y]

Home

Pairing: Simon 'Ghost' Riley x Civilian!Reader Scenario: After an incident in your home you made the decision to move in together. Warnings: No mask Simon (It's my personal headcanon in his regular life he probably wouldn't wear it), very soft, talk of break-in, canon-typical swearing.

It was late evening, Simon had just gotten home himself from meeting with Price and Gaz, they met up and caught up on everything they’d missed in each other’s lives. He still couldn’t bring himself to speak about you in front of them, still wanting to keep you a secret, keep you safe from any parts of his life that could put you in danger. He’d kept quiet even when Price spoke about some pretty thing he’d been seeing and when Gaz brought up the posh bird he'd met at a wedding.

He'd asked for you to call when you got home from work, his phone buzzing as he entered his home caught his attention. Smiling, answering and bringing it up to his ear as he asked. “Get home alright-” The words died in his throat as he heard the sounds of your little hiccups and sobs. “What’s happened? Where are you?” As soon as Simon had entered his home, he’d walked straight back out of it in the direction of his car. “I’m on my way…”

The story was that your flat had been broken into whilst you’d been out at work. The place had been completely ransacked, anything valuable was gone, mostly everything else was trashed and destroyed. The lock on the door was completely busted now and ultimately you just felt vulnerable in your own space, it simply didn’t feel safe anymore.

The whole journey to your block of flats Simon was cursing himself. The one night that he didn’t come pick you up from work, the one night he was busy and focusing on himself you’d fucking needed him, you’d been sacred and alone and come back to your flat to find the door kicked open and worried that whoever had gotten in there might still be in there.

He took the stairs to the flat block two or three at a time, chasing up them to get to you. Everyone in the block seemed to be stirring from the police being on the scene, all out to watch this all unfold. You’d been standing outside of your flat allowing the police to look around the small space inside, searching for anything that might have been left behind in the wake of the chaos that had happened inside. Simon approached and wrapped his strong arms around your trembling form, pulling you into his chest and kissing your forehead as he muttered. “I’m here… I’m here…”

He calmed you. He coaxed you into his arms. He silently seethed about whatever little prick had let themselves into your home, your sanctuary and made their way off with your things, your personal items. Simon would hunt them down given the chance but now wasn’t the time to be raging, all his energy needed to be focused on you. “I know, babe. I know.” He muttered quietly, pulled into his arms, warm and safe in his embrace.

Soon enough the police were done, they advised strongly to stay elsewhere for the night, with a busted door and the place already targeted it was more vulnerable than ever. Simon was collecting some of your clothes into a bag whilst you wandered aimlessly around the rest of the small home, pausing for a long moment at your art supplies, kneeling down to inspect the canvas’. It hurt to see them trampled and discarded like this, just completely destroyed by some heartless thug.

“Y’okay?” The small voice of Simon came from behind you, glancing over your shoulder in his direction. You certainly didn’t look alright, you look so vulnerable, so betrayed in your own place. “I know…” He muttered gently, moving towards you to gently kneel down beside you and look at your canvas. “You’ll make better-”

You mentioned. “I’m too tired to do this.” And he understood, you’d just come home from work to find this horrific event had happened. It wasn’t fair and you didn’t need to process these emotions right now. No, right now, he just needed to get you someplace safe where you could rest your head for a few hours and deal with everything else in the morning.

Following that incident it didn’t take long for the two of you to come to the decision that moving in together would be for the best. Honestly, he thought he’d have a little more difficulty taking that step, but with all that had happened the idea of having you live under the same roof as him, having you around all the time, waking up together, simply knowing that you were safe filled him with this sense of relief and completion.

Everything was set into motion from then, you took to cancelling your tenancy on the flat and the process to move you into Simon’s home was put into effect. With all that was left in your flat it didn’t take much to box up all the remaining furniture and items, three or four trips back and forth from the flat to the house was all it took to move everything over. That was it settled; you were living together.

Simon was holding a box labelled ‘art supplies’ stepping past you to head upstairs. “You can just put it in the garage.” You suggested, after having most of your art destroyed the appeal to make anything new wasn’t inside of you, unsure if it was temporary or permanent you boxed your things away for now to deal with at a later time. “S’alright…” He mentioned, continuing to stomp upstairs. “I’ll put it in your art room.” He commented, now this was enough to make your brow furrow.

“What?” You then proceeded to chase upstairs behind him, following him into the spare room and coming to a stop to see Simon had kitted it out with all the supplies that had been destroyed in the break-in, even a new easel facing to look out the window into the beautiful back garden scenery. “This… is for me?”

It had been something that Simon had noticed that you’d been lacking expressing yourself creatively, usually he’d find you holed up creating something new, or working on an old piece… but since the break-in you’d been almost avoiding it. Placing down the box in his hands he replied. “Well, yeah… you don’t think it’s all for me, do ya?” He asked with a raised brow looking at you, a teasing tone to his voice which made you smile subtly. “Can’t put this stuff in the garage, anyway, got my weights down there.” He informed you with a non-committal shrug.

You watched him for a moment before rushing over and wrapping your arms around him, hugging onto him as tight as you could manage. Simon hugged your back, placing a hand on the back of your head and rubbing your back in a soothing way. “Thank you.” You mumbled into his throat. There was so much that you were thankful to him for but allowing you the space to find that creative side to yourself again was something you’d be eternally grateful to him for. “Thank you.”

“S’alright, babe.” Simon replied, kissing the top of your head and holding you securely in his arms. “You’re safe now.” He muttered, probably more to himself that even you. “You’re home.”

Masterlist | Ask | 20-01-2025

[greenorangevioletgrass]

tuesday in the park (a.d.)

pairing: divorced!art x reader

synopsis: your alone time at the park takes an interesting turn when a little girl breaks the quiet, but maybe... her dad is a good company.

warnings: language, smoking, mention of divorce, lily is an adorable lil oblivious cupid, sooo much tension tho, maybe smut in future parts? idk

notes: i am back and pathetic bitch boy art has officially given me a brainrot. this is also very self-indulgent and heavily based on my irl experience (except the fact that it's art, sadly) soooo... enjoy!

✨I do not have a taglist. Please follow @ficsbygreenorangevioletgrass and turn on the notification to get the latest update on my fics✨

City parks are fucking depressing. Especially the industrial type that’s square, and covered in concrete and has, like, four trees. They’re all well-manicured and hung with string lights, but there’s still barely enough greens to call it a park. And to add insult to injury, a Tiffany’s installation art currently sits at the head of the park—a giant diamond ring in a lush velvet box the size of a Range Rover. It’s gaudy as shit, and the massive Aston Martin billboard overhead is an assault to the eyes. You honestly have no idea why you’re sitting here.

Oh, right. It’s like 2PM on a Tuesday afternoon in some downtown office area, so there’s nobody else there. You can just sit and smoke and watch the water spout from the ground in pretty patterns. The steady rhythm of the fountain jets quiets the chaos in your mind.

Inhale. Exhale. As the fountain hisses and ceases, hisses and ceases…

And then suddenly… another pattern.

A pitter-patter. Like little footsteps. Quick moving, and then it stops. Right to your left.

You turn your head and see a little girl sitting right next to you. Her white sneakers look so small next to yours. She pushes a lock of dark ringlets off of her face as she watches the floor fountain in quiet curiosity and awe.

It takes you a moment to realize you still had a cigarette in your hand. You quickly stub it out as far from her as you can. “Uh… hello.” You frown at your own words, but how the fuck do you talk to kids in this situation?!

But the kid looks up and smiles at you politely. “Hello.” she nods and then returns her gaze to the water bursting in canon.

You’re even more confused. She doesn’t even seem deterred by sitting next to a stranger—willingly, at that. “Well, are you… are you alone?” 

“No. With my dad,” she answers, light as a feather.

“Oh, good. Good.” You sigh in relief and look around for any sign of a parent, adult, anyone looking for a missing child. “Where’s your—”

“Lily! There you are!” A man’s voice cuts through the dull noise of the city. You turn around to see him rushing over to the little girl, grimacing apologetically at you. “Sorry. I’m not a negligent father, I swear. I just… turned around and this little monkey’s run off.”

The little girl—Lily, apparently— giggles as her dad throws her a look, gentle but firm. “You said we could watch the water fountains, Daddy!”

“Yeah, but don’t run off like that…” He rolls his eyes, though you notice his sharp jaw twitching with a hidden smile.  And then, leaning into Lily’s ear but still loud enough within your earshot, “And you certainly weren’t supposed to invade this nice lady’s personal space—”

“It’s no trouble. I was just sitting here,” you quickly wave him off.

“Daddy, can I play over there?” Lily points at the streaming water at the center of the park.

The man pulls a face. “I don’t know, Lil—”

“Come on, Daddy…” 

“No way.”

“Just for five minutes. Please?” She bats her eyelashes, and you can immediately tell it’s her father’s Achilles heel. Because as much as you try to stay out of the conversation, you can hear the audible sigh coming from him, followed by,

“Fine. Five minutes, okay?”

The little girl bolts off to the fountains, tiny hands reaching out to the jet streams, testing out how strong it is. Figuring out the fountain pattern and stepping on each jet right as it shuts off, one foot after the other. It makes you wish it was socially acceptable for adults to do that, too. 

“You’re free to sit and watch her from here, if you want.”

He looks at you, like really looks at you for the first time. At your rolled-up button-down, the chain around your neck with a pendant he can’t see under your collar. But mostly at your kind eyes—weathered, witnessed, but somehow not judging.

He pushes his short blond hair out of his face the same way the little girl does, and the similarity almost makes you laugh… if you weren’t so worried about making a fool of yourself in front of this handsome man. “You sure? I… didn’t want to intrude.”

You shake your head softly and scoot over on the steps, allowing him just enough space to sit down.

He notices the stubbed cigarette between your forefinger and middle finger. “You got another one on you?”

It takes you a beat to realize what he’s talking about. “Oh!” You reach for your pack of Camel, and offer it to him, one cigarette stick already pushed out for easier access.

He takes it with a polite smile, but then pauses upon realizing he has no lighter either. “Um, do you mind if I borrow—”

You lean in as he puts it between his lips, one hand cupping the light from the breeze, and his heart stops at how close you are. Close enough to notice the gloss on your lips. Close enough to get a faint whiff of your floral perfume.

(And unbeknownst to him, your heart stutters a little, too, and you hope he doesn’t notice the way you fumble lighting your own cigarette.)

“Thanks, um…” he trails off. 

You tell him your name, and he repeats it almost thoughtfully. His tongue darts out to wet his lips, like he’s chasing the taste of your name as it leaves his mouth.

He nods. “I’m Art.”

He does look like it. The navy blue sweater hangs just right on his broad shoulders, understated but high-quality. The sleeves are rolled up to his elbows, showing a sleek black Piguet around his wrist. A simplicity to complement his refined features. His bone structure is cut like the gods, but the permanent frown etched between his brows, casting a shadow over his deep-set eyes, tells you that he is facing the troubles of man. And the awkward way he’s holding his cigarette makes him look like a boy. Of course, you can’t say any of that to him, so you settle with,

“Nice to meet you, Art.”

He can’t remember the last time somebody said that to him and meant it. And right now, sitting in this concrete park alone, he can see no pretense coming from you. No ass-kissing, no sizing-up, just a genuine kind gesture of a stranger. And it makes him so fucking relieved. 

“So what brings you out here?”

“Work, actually. A meeting,” Art replies somewhat vaguely. He’s not really keen on divulging the details of sponsorship and endorsement deals. Not when you don’t seem to know who he is. “Lily saw the park from the window and insisted we check it out when we’re done.”

“Ah, does she normally tag along with you to work meetings?” You ask with a playful glint, although the unspoken question of his whole situation is well heard. “She should. She looks like a great negotiator. Just saying.”

He chuckles. “Maybe she should. My, uh…” Art stops himself before he could say ‘wife’ because Tashi isn’t that anymore. Not his wife because they aren’t married anymore; not his coach either, because he doesn’t play tennis anymore. “Lily’s mom and I take turns every other week.”

And there it is. Your lips pull up into a soft line, not quite a smile but a gesture of understanding. “Must be tough.”

“Yeah. Yeah, it’s a lot of changes. But she’s doing okay, I think…” Art pauses, “I hope.”

You follow his gaze and look at Lily, who must be playing some kind of Indiana Jones fantasy scenario with the water fountains. Not an ounce of care in the world. “She looks like a tough kid.”

“She is.” Art smiles bittersweetly. “Anyway, you didn’t come here to listen to my sob story. What brings you to this park?”

The air that pulls both of you in releases, and you lean back on your elbows against the concrete. “Oh, I just finished work and I… needed some air.”

“What do you do?”

“I’m an interpreter.”

His eyebrows shoot up in interest. “Like the Nicole Kidman movie?”

“Exactly.” You point your half-cigarette at him, and share a tentative smile with him.

“Do you do, like… high-profile, UN-related assassination investigations, too?”

You chuckle, shaking your head. “It’s not nearly as cool in real life. Most of it’s pretty boring, like contract negotiations and focus group discussions…”

“But the stories you must’ve heard, right? Or do you just… zone out at some point?”

“Sometimes. Sometimes you end up shutting off your brain and go on autopilot.”

“But not today?”

You smile ruefully at him, and he knows the answer. You take a thoughtful puff of your cigarette. “It’s… a bit hard when they’re talking about… how they had to jump off of the ship and swim across the channel in the dead of night, because they would rather die in the open water—a couple of them did— than die working in the fishing vessel…”

“Fuck.”

“And I know it’s not really meant for me—they’re talking to my client sitting next to me. But when they look you in the eyes and speak to you…” you trail off, taking a long drag of your cigarette.

Art takes it as a cue for his cigarette, too, although he notices you tapping the ashes off one, two, three times. “Must be tough.”

You roll your eyes playfully at him for quoting your own words back to you. “Ah well, it pays the bills. Besides, I get to clock out at 2PM on a Tuesday and enjoy this…” you inhale through your teeth disdainfully, “beautiful, brutalist… Soviet-core park.”

He laughs, the real kind of laughter that throws his head back, and it warms your heart enough to laugh, too. “It’s bullshit, isn’t it?”

“It’s bullshit! And what the fuck is that horrendous giant ring doing here?” The two of you cackle over the installation art across the park. “And that billboard… it’s ridiculous.”

Art’s laughter dies down on his lips as he looks up at the billboard in question. The Aston Martin “Game Changers” campaign from last year. Fuck. Even when he’s completely separated from Tashi, her presence still looms over like a panopticon.

You turn to him with a smile still etched on your face, completely oblivious to the storm in his head. “What?”

But he looks ahead, too caught up in the hurricane to hear you. He just… looks up at the billboard, his face darkens.

Oh.

You feel silly for not putting two and two together—you’ve been staring at the billboard mindlessly for a good fifteen minutes, goddammit— so you tread very carefully. “That, uh… Lily’s mom?”

Art looks down on his lap, as if not daring to look at Tashi’s picture. Or at Lily, or at you. “Yeah.”

There’s no right word for it. There’s no coming back from this, nothing he can say can make this better, and he can’t help but kick himself for fucking up. What he is fucking up, he’s not entirely sure. But he’s not ready to end this conversation with you, not on such a weird note.

“I can’t imagine what it must be like…” because you can’t. Losing a spouse is hard enough, but to have it out there in the open…

“It’s tough,” he nods in confirmation, and you smile feebly at his attempt at a callback to your little inside joke. To the moment where things are fine, all things considered. 

If the air ebbed and flowed earlier, it must’ve just… froze now. You don’t even remember the cigarette in your hand until the ash falls onto your hand and you gasp at the sudden heat, putting it out on the ground.

“I’m sorry. I should get out of your hair—”

“Do you wanna get a drink some time?”

The question catches both of you off-guard, eyes blinking at each other in shock. He didn’t think he heard you right, and your mouth seems to work faster than the filter in your brain.

Your face runs hot, and you chuckle sheepishly. “Sorry. You probably don’t wanna hear that—”

“I do.” He’s not sure which question he’s answering. Maybe both? Definitely both.

“Oh! Um…”

And right in that moment, Lily comes padding over with squelching steps in her shoes, completely drenched but over the moon. “Daddy, Daddy, that was so much fun! Can we come back here? I see lights on the floor, and I think the fountain lights up at night!”

Art puts out his cigarette under his shoe, chuckling at his daughter,  “Baby, you’re soaked! Did you try to take a shower there or something?” immediately wringing water out of her hair.

“I’ll take a real shower when we get home.”

“Well, duh. But I don’t want you to catch a cold… come here.” He crosses his arm to grab the hem of his sweater and tug it over his head to put it on his daughter.

The girl looks thoroughly unamused as the clothing item falls halfway down her calves and the sleeves nearly touch the ground. “Daddy, this is ridiculous.”

You grin, and you can’t help but wonder how much of that sass came from Art. “Looks pretty chic to me.”

He nods at you, glad that you’re backing him up. “Thank you.” He then turns to Lily pointedly.

Lily half-smiles at you. “Thank you,” although she still isn’t quite convinced.

“I’m sorry, we really gotta go. But how do I, um…” he trails off. Gosh, he was hoping to do this out of Lily’s sight. Lily’s sight means Tashi’s sight, and he’s not ready for that talk just yet.

“Take my card.” You whip out a neat stainless steel case, and slides out a white-and-blue business card. Your name is printed in a sleek black font, right above ‘Interpreter’ in a smaller case. Your email and phone number follows.

His fingers brush against yours as he takes it, and he prays to God or whoever is up there that he doesn’t give anything away to you or Lily. Not a quirk, not a peep. Just two strangers connecting by chance.

“Thank you.” He nods evenly as he pockets the card, trying to contain the butterflies in his stomach—he’s always thought he was too old for that by now, but maybe… just maybe… “You have a nice day.”

“You, too.” You squint up at him under the sun, and then smile and wave at the little girl. “Bye, Lily.”

She waves at you as Art sweeps her up into his arms, and you don’t let yourself turn all the way around to watch them leave. Instead, with one final look at Art’s “Game Changers” billboard ad in the distance, you grab your pack of Camel and light another cigarette between your lips.

[ckret2]

please more evil ford please i stare with my puppy eyes for this i am obbsessed

Yeah all right, I've been working on some art. (For context, we're talking about this Evil Ford.)

Evil Ford is Evil as in "cheerfully works with Bill even after learning his full plot" and "is totally ready to conquer and/or destroy the world." But other than the shocking lack of basic ethics and the supervillain objective he's mostly the same guy—which means he still cares about his family. He's hoping to get them to join in on the world conquest plan.

Forty-odd years ago he went off to college promising someday he'd be a big shot scientist who changes the world and he'd make his family a fortune. If taking over reality doesn't qualify he doesn't know what does. The family can join him and his buddy Bill and rule the universe together. Pines Pines Pines Pines!

Unfortunately for him, the rest of the family still has normal moral compasses. And also they've met Bill.

Bill can't currently possess Ford due to Reasons; but even though he can't get in the driver's seat he still has permission to ride shotgun at any time. Ford talks to him pretty regularly. He HAS been caught doing this. Stan thinks he's just gone a little nutty from thirty years of isolation.

Naturally, since he was always on Bill's side, Ford's perception of events during Weirdmageddon is a bit different:

I finally made an official Evil Ford New Costume Character Design, check out his exciting totally different brand new look:

I decided that, since Ford is still basically the same person aside from his terrible life goals, he'd probably have the same fashion sense. And so... nothing changes except two tiny details lmao.

But he DOES have tattoos:

I traced a canon character model and took off its top to get a base to slap tattoos on, and then went dang... they gave him a big head and arms. He looks goofy. Anyway,

His forearms have less incriminating tattoos—just a birch tree and a sunrise. (The sunrise looks like the Journal 3 "The Muse Has Spoken" page.) The red text is the "triangulum entangulum" ritual; if anyone asks he'll go "it's uhh an ancient Sumerian poem about how great science is." It's not until he's topless that it's like "oh so he's a CULTIST cultist." The one exception is an unconcealed Eye of Providence on his right palm—but it's in an ink that's only visible in certain lighting. It's there so at any time he can point his hand at something and go "Bill are you seeing this BS?"

Of course, he still has the "hey now, you're an all star" neck tattoo. I didn't have room to draw it.

As you can see, he's made being Bill's right hand man a core part of his personality. Rather than spending 30 years scrabbling around the multiverse desperately searching for a way to destroy Bill, he spent 30 years chilling in the Quadrangle of Qonfusion as Bill's specialest favoritest Henchmaniac, and only scrabbling around the multiverse occasionally for fun & profit.

Here's a photo Bill & Ford took at a Nightmare Realm house party like fifteen years ago, three minutes before Bill started an argument and set the house on fire.

Most people have their wild party years in college, Ford has his in his 40s.

[drdrizzey]

Late Halloween drawing!!

The good old Creepypastas from the mid 2017s are what basically got me into drawing and art in general. I quite literally started off just to make fanarts of them and boy, I made so much. I know some of those characters are outdated now but I don't want anyone to feel offended from me drawing them, that's really just a really nostalgic Fanart for me with the classic found family dynamic we loved!! Then later on I really got into those slenderverse ARGs and especially marble hornets and again, I filled sketchbooks just with marble hornets comics and fanarts so thats also something lmao

I had a hard time choosing who to draw here arggh

My inner child heals a bit more every time I draw any Slenderverse and Creepypasta character or even my old Creepypasta ocs

Also I want to add a disclaimer that I do not ship Creepypasta characters with anyone and that to me, they always acted all like siblings to each other! (Saying that because I know some people are really sensitive about ship art in this peculiar fandom and I agree that's a tricky one, but for me they've always just been a big silly family in their spooky manor, having fun)

Here's some dynamics I love and loved picturing them with :

- sally is the cute little sister that nobody can say no to and she KNOWS it, she WILL make everyone play dress up with pink ribbons and no one can do anything about it

- Jeff is a really good big brother to her and really tries his best for that

- Masky is 100% the tired big brother having to care for all of his annoying siblings. Since he's a proxy, Slenderman especially asked him to keep an eye on them and to quote, "give them what they ask for and not letting them break stuff or argue too much" which leads him quite often to having to drive to MacDonalds at 3am, because one of them whined for it. He also pretends he hates it but in reality he really cares about them. Also headcanon, this is some alternative version of Tim/Masky from marble hornets because we'll, obviously this is supposed to be Masky and somehow some people literally dont know where he comes from and just twinkifies him (which is a jumpscare to me because tim is literally amazing, hello?but a lot of people seemed to not know where he came from, well go watch marble hornets if you havent its awesome (i'm looking at yall tma and mouthwashing fans, you WILL love it too)

- my HC for Toby is that the guy has a lot going on but he's also not a kid, i like seeing him in his twenties or so. And he loves ranting about really random stuff just to annoy pretty much anyone and especially Masky because he doesn't complain much, and if he does then Toby will just find it even funnier and follow him around, explaining to him like...I don't know random stuff like describing his whole feed of cat videos or something or internet drama

(also that's not a mischaracterization of them as characters it's just my version of them in the way my little autistic brain in sixth grade pictured them, which means very non canon inaccurate)

Here's the fun reference I used :

[ccrisntok]

Your Masterminds, Whit Young, and Ace Markey! (mm! whace au)

(Spoilers lol)

what normal fellas ahahahahaha (I have poured my entire soul into these two there is nothing left of me)

A basic summary of their relationship:

Whit has spent like, over a year manipulating Ace into being complacent in his plans. In his own eyes, Ace is a sorta-stupid lacky, who he's constantly love-bombing to keep obedient. Although, he is a bit glad for the company... it was sorta empty when Ace was "dead" and they couldn't really talk. And maybe Ace almost dying from his fake execution was a bit disturbing. But he's sure its nothing! (He fell in love with him like a moron.)

Ace has fully fallen in love with Whit. He's not happy about it, but it happened. As a result, he's basically ruined any semblance of his own morality, just so he doesn't lose Whit, or the affection he knows is mostly performative. He's more than happy to kill his fuck-face classmates, after a... bit of prodding, and honestly, he'd do anything Whit asked at this point, even die. He'll still complain about it, though.

i tried to be as original as humanly possible, but I'm def giving credit to @talkativeanonymous, @acethehorseishere, and @a-blog-for-kat all for inspiring these two in one way or another (esp. a-blog-for-kat lol).

anyway there's the art, here's the promised lore. warning for like a million words. I'm serious. It's 1,400 words. you can stop here i don't blame you.

also sorry for the odd looking bullet points, didn't realize you couldn't have gaps lol!

This au operates on a probably un-canon assumption that I pulled out of my ass. That is that Mai Akasaki is both a student in the class of 27, and that she is the "time loop" student. She is usually a part of the killing game, but she isn't this time, for reasons I'll explain in a sec.

This specific loop, Mai is attempting to dissuade the (usual) mastermind from wanting to start a killing game in the first place. That mastermind is Whit Young.

She goes about this by trying to curb Whit's main reason for his descent into despair, his resounding loneliness, by giving him championship. Charles hasn't softened up to the others in any regard yet. But that wasn't the main reason, unbenouced to Mai.

In this loop, and this loop alone, Mai sets Whit and Ace up to be friends. She hopes they can help each other, since they usually end up more or less alone in their school life.

Surprisingly, it works. They get along decently well, although a codependency starts to develop on Ace's side.

Around this time, Whit takes up an internship at XF Future, which Mai doesn't realize. He innocently wants to explore other job options, "Matchmaking" not really being a stable career forever.

Obviously FX Future isn't a normal Tech Company. Whit starts to change, in a barely noticeable fashion, the longer he works there.

Ace notices Whit's contacts start looking a lot more vibrant after Whit takes a couple weeks off school for a "company trip." He thinks it's... sort of pretty.

(Whit's time at XF Future showed him a side of humanity he didn't realize existed. Insane levels of greed, using the concepts of "ultimates" to guide a stupid pubic where the Government wanted them, generally a dystopia. It feeds into his existing detachment from humanity, until he hits a breaking point, setting his sights on ending the "Ultimates" concept by killing the newest class in the public eye, including himself.)

(XF Future develops a new sort of technology, prosthetic "eyes" that basically turn you into a living remote control, able to connect to an entire building if its connected via a computer system. Security cameras, doors, fucking air conditioning- everything.

(Whit offers himself as the test dummy, and it goes perfectly.)

Anyway, Mai decides to talk to Ace, since she's starting to realize he's becoming a bit... softer after hanging out with Whit so much? And hopes like, for once, he'll actually accept help for his mountain of problems.

He doesn't take this conversation very well.

Mai, with knowledge from dozens of loops, accidentally brings up an extremely traumatic event, simply mentioning the name "Tyler" once.

In a blinding mix of rage and horror at Mai's knowledge of the event, that Ace has literally never even spoken about in this timeline, Ace shoves her away from him.

She falls backwards, and splits her head on a desk, killing her instantly.

Ace, in a horrified frenzy, calls Whit, literally his only friend.

Whit shows up. Ace expects him to freak the fuck out, call the cops, or something like that... But he doesn't.

Whit simply tells him they were going to hide the body together, not even remotely caring about Mai's death.

yeah that's a little fucking weird, and its terrifying, but going to jail is scarier sooo Ace goes along with it!

After this, Whit wraps Ace into uncharacteristically cruel pranks against some of their classmates and others at Hopes Peak, oftentimes resulting in physical injury.

He acts like these are completely normal and funny, while Ace is both freaked out by it, and sort of enjoys enacting pain on people he didn't like.

Along the way, Whit notices Ace starting to fall for him. Horrible news for Ace, since Whit plays into those emotions by becoming much more physically and emotionally affectionate. Which he doesn't enjoy, like, at all... not a bit...

Whit convinces Ace to assist him in greater and greater acts of violence until Whit just straight up kills someone (not a classmate, a stranger.)

Ace is of course tied into everything way too deep to stop now, and after all this... he doesn't really want to. So he stays as Whit's accomplice for months, up until Whit's weirdo behavior arrives at the idea of the killing game. He references the "First Killing Game", which Ace had never heard of.

The idea is a bit intense for Ace, but at that point, he didn't have anything beyond Whit. If it took this to stay with him... He'd do it. Even if in the end, they both were going to die.

So they get to work!

Ace had been taking engineering classes at Hope's Peak in hopes of getting out of jockeying, and he'd helped his family build sheds and shit since he was a kid, so he focused on the construction and executions.

Whit wired the building an all-encompassing computer system he could control, as well as stealing "Mono-TV" from XF Future, a robot he can fully control to be the "host" of the game.

He also steals the "mind wiping" technology from XF Future. It's weirdly easy to steal stuff from this company, hm? It's almost like they aren't protecting it...

Whit also uses another piece of experimental biological technology... on Ace.

A screen connected to his brain, a lottt less invasive than Whit's eye surgery. It doesn't impact Ace mentally, it just gives him the ability to produce visible projections for easy construction, communicate with Whit remotely, (and give Whit a way to always know what Ace's condition.)

The screen is unclipped when the game starts, but the brain implant is still connected to Whit, so he can detect Ace's condition.

After kidnapping the class of 27 and wiping their memories... It all starts. A killing game, streamed live to the entire nation.

Whit and Ace start off as a part of the class, interacting with the others like normal, a pretty decent show. Things go roughly as planned, putting everyone in the positions Whit wanted them. Untilll... chapter 2.

Ace gets his ass jumped, and almost dies prematurely. This is fine, Whit privately makes sure the wounds properly cleaned, but it does fill Whit with an... ominous feeling.

Ace still kills Arei, a part of the plan, and gets "executed", so he can more easily upkeep the executions and such behind the scenes.

After the screen playing the fake execution turns off, Whit checks to make sure Ace didn't get injured in his running around... but can't detect anything.

At all.

Ace's heart wasn't beating.

He actually, seriously, had a fucking heart attack.

(Ace's heart attack was for a combination of reasons. Firstly, his heart was actually in pretty bad condition as a result of his eating disorder, something Whit had figured was "over" by now. It wasn't!)

(Second, in that moment, the idea that maybe, just maybe, Whit could have been double-crossing him came to Ace. What if Whit loaded the guns? What if Ace's use was done, and Whit was finally getting rid of him? It was terrifying because he could die, and terrifying because... It'd make sense. It was all that ever happened to him.)

So he had a heart attackkk lameeeeee

This makes Whit tweak the fuck out, internally. (lol pretend his spooky ass sprite happens AFTER the execution, not before. shh its all made up its all pretend)

After Levi gets taken to the infirmary, Whit drops Charles off at his room as quickly as he can, then fucking BOLTS IT to a hidden passageway in his room to the like... Mastermind area, with the execution chamber.

Whit manages to resuscitate Ace in time, barely. And even after that, he's in pretty bad condition. But he's conscious and mobile.

Whit gets him as comfortable as he can, and after spending the night, he sort of... has to leave. He does some tweaks to Ace's brain screen thing, creating a functional heart monitor that Ace (and he) can watch.

As often as he can, Whit sneaks off to the Mastermind area at night to make sure Ace doesn't fucking die in his sleep. But Ace gets... decently better quickly, and returns to his duties overseeing the killing game.

Whit still visits almost every night to make sure Ace wakes up, which he can't really explain to himself. Ace was... supposed to be disposable anyway. Why would it matter if he died?

Anyway yeah the rest of the game happens. No clue there.

In the end, Whit and Ace come out as masterminds (happy pride).

I have a comic planned for how the end goes, soooo... that's it!

holy fuck! my fingers! hi the whole 2 people who made it down this far... uh... did you like my lore.....? do you want me dead now for having you read 1,400 words of two evil homsexuals...? 😅 love you thank you im sorry.

[crazylittlejester]

i don’t know if this is something Jojo is doing on purpose, or if it was an intentional detail but i grabbed and ran away with it, or if I’ve just completely read far to into things and entered the realm of just making shit up, but Warriors and his little crooked smile are so GODDAMN important to me and I am shaking him like a squeak toy (gently)

(big yap/analysis under the cut)

disclaimer, i just have a lot of thoughts, probably way too many thoughts, and 97% of them are about Wars so I might be insane, and what you’re about to read provided you’ve stuck around so far might be the equivalent of your high school english teacher yelling with tears in their eyes about how the curtains were blue to “symbolize her sadness”. also my apologies for weird spelling mistakes or oddly misspelled words, i am dyslexic 💔 but with that being said:

Warriors to me comes off as someone who’s constantly acting larger than life. He masks a LOT in front of the chain, he acts overdramatic and a bit ridiculous on purpose, and to an extent he just is a bit ridiculous, but his reactions to things are sometimes blow way out of proportion or are just larger than life in a comedic way where it just seems like he’s doing it intentionally. He comes across as a very extroverted, talkative person, and he seems like he’d honestly be a bit loud too (whether that’s who is REALLY is or what he’s REALLY like is a yap for another post). His (physical) image and the way his character/personality is perceived by others both seem like things that are not his CORE values or the things that mean the most to him, but they do seem to be at least a LITTLE bit important to him just based on how he presents himself and the way he acts. And to an extent, the whole thing with him caring so much about his looks is canon in LU, with that one sketch of him and Legend where he’s looking at his eye in a reflection of a shield and Legend says “alright break it up you two” being the first thing that comes to mind (which is in the post “Mirror Shield”, click the name for the link)

To me, from what I’ve seen and from my perspective, there are very few times we see an actual genuine smile from Warriors, and when we do it tends to be in moments where he’s not in the spotlight, he’s not trying to command the center of attention, and/or the focus is NOT on him. It tends to be moments where he just seems genuinely happy or at peace, and those seem pretty rare. He smiles a LOT, but the majority of his smiles seem big and flashy and performative, and not that that means he’s not happy AT ALL in any of those moments, but those smiles seem a lot more controlled and closely managed because he’s aware of the attention on him and therefore thinking about how he’s perceived. (I’ve made some posts in the past and I’ll probably make others in the future about how I think Warriors puts on this “Captain” or “Hero of Hyrule” persona because of how an entire war was started because a sorceress found him beautiful, and how he feels like him being just him isn’t really good enough for that and how he feels like he needs to fit in and look/act/seem like the legendary heroes he’s being compared to. He’s created this idea of what he COULD be and that’s what he presents to others, fake it till you make it and all that, but thats another yap for another day)

However there are these little moments where we see him smile, and the same one side of his mouth is pretty consistently always just a little bit higher no matter which way his head is facing (here’s a few examples):

@/linkeduniverse, from the 2023 monthly art, “January- Cold Sunrise”

@/linkeduniverse, both from “Dawn pt. 2”

And the thing that really started this whole headcanon of mine that his REAL smile is crooked was this specific part of Dawn pt. 2 where Warriors sees that Twilight is gonna be find for the first time after most likely worrying about him and being up all night:

That middle panel, to me at least, is probably the most genuine expression of a positive emotion we’ve seen from him this entire time. No one’s focus is on him, no one’s really looking at him, he doesn’t have the pressure of being the center of attention on him, and honestly even if that WERE the case, the genuine relief that hit him once he was Twilight was gonna be okay probably would’ve been enough to get a genuine smile out of him anyways. But the second he walks into the room officially, he kinda, for lack of a better way to put it, announces his presence and starts “acting” again (also from Dawn pt 2):

And while that same one side of his mouth does seem a bit higher and not very straight, it’s definitely more even than it was just five seconds previously

Now, acknowledging there is an art style, and that I also just might be insane, but Warriors’s smiles for the most part (when they seem controlled) appear to be a Lot straighter and more even to me than when it’s a more genuine moment and he doesn’t seem like he’s “acting” so much (and just a note: it certainly isn’t EVERY time, but in general, in moments like these his smile seems consistently straighter unless he’s just flat out smirking. and im not saying it’s PERFECTLY straight either, just noticeably more even). When he’s being more dramatic or intentionally obnoxious or the attention is on him, it really does feel like his smile is more controlled: here are just a few examples, obviously this isn’t every single time he’s smiled in all of LU

@/linkeduniverse, from “Swords”

@/linkeduniverse, from “Shady Escape pt 2”

@/linkeduniverse, from “Divine Dark Reflections pt. 8”

@/linkeduniverse, both from “Magic Sword”

am i looking too far into a little thing? probably. am i insane? yeah. but i just really love the idea that when Warriors is truly, genuinely happy, the part of himself that he tries to hide, the sweet and caring person he hides underneath all the dramatics, that true self he’s probably kept hidden away since the start of the war who’s been buried under insecurity and hidden because of the fear that who he is just isnt ENOUGH peaks through, and that person comes out through his happiness in the form of his smile. and yeah it does probably mean nothing and Jojo might not have done any of this on purpose, but i’m crazy, and Warriors’s crooked little smile is so so important to me *insert image of a guy crying face down on the floor because unfortunately i’ve hit the image limit*

[not-freyja]

New Zelda Game!

Okay cool, cool cool cool cool, I am calm, I am so fucking calm. Looks like Nintendo is staying true to their word that Wild is not getting another game, so now the questions are, what Link is this, where are we in the Timeline, and what information about the game itself can we pick out of these crumbs?

Whose Zelda is it anyway?

So two options:

New boy.

Legend. It’s fucking Legend again sucks to suck bro

Case for new Link and Zelda:

Less messy for the Lore

That’s it, that is the only argument

Case for Leggy boy and Fable:

LA animation style! While it can be fun to bring back older styles of animation for nostalgia/artistic reasons, that seems like a poor choice for *LOZ* games, which are always on the edge of what a game can do. Moving “backwards,” so to speak, in any aspect, would be a disservice to the franchise. However, doing it to maintain consistency for a particular character, and to use the animation style to make sure the audience knows this is the same character from LA is a very simple but effective tactic.

The map! So that shot was so BOTW and so fun, but the view we got wasn’t just recognizable as “Hyrule,” is was, down to the relative heights on the mountain cliffs against each other, the map from ALTTP/ALBW. Nintendo has never repeated a map without it being the same Link. So! Checkmate motherfuckers.

The character designs. That… that was just Legend and Fable, come on. Look at the dress. Every Zelda has a slightly different costume design, and that was hers. Look at Link. Baby boy!

I want this. Let me have it.

Timeline positioning

Okay so if we assume that this is in fact Legend, the next question becomes, “When is it?” Leggy boy currently has 5 games that are canonically his. (Triforce Heroes could be a random other Link, so while we like to say 6 we can’t *prove it.*) So. Let’s break it down.

ALTTP: canonically his first game, can’t be before this one.

Oracles: canonically happen after ALTTP, and he is very much still a child in here.

LA: the game this one is artistically modeled after. Narratively this fits nicely right after Oracles, and in the canon timeline, fits between Oracles and ALBW, so I think a whole new game being crowbarred prior to this one would be… not great for the narrative.

ALBW: This is trickier. No canon time between LA and ALBW is given, it could be a week, it could be years. It is entirely possible that Echoes of Wisdom occurs prior to ALBW, which would make it a direct sequel to LA, which makes the art style make even more sense. It could also be after?

…hang on a fucking minute, lets get the fucking map.

Left, ALTTP. Right, ALBW

Basically the same map! Duh, it’s the same Hyrule. But. BUT. Bottom right, in the lake. Do you see that?!

ALTTP: no log bridge. ALBW: Log bridge. Now, let’s look at the pretty picture from the EOW trailer.

NO FUCKING LOG BRIDGE!

This is before ALBW. Therefore, the game order for The Hero of Legend is

ALTTP, OOS, OOA, LA, EOW, ALBW, TH(maybe)

*cue manic laughter*

Lore Implications

Ganon.

There being a Ganon at all actually has me pointing my finger at the Oracle games and screaming. The TL;DR in those is that there was a plot to resurrect Ganon, each game Twinrova gets closer, but Link stops them. Now, there were also supposed to be three of those games, which means that it is entirely possible that the third unseen Oracle plot—please Nintendo let Link and Farore hang out, I am on my knees barking like a dog—could have resulted in his resurrection. This is the only explanation I have that doesn’t break the Lore or involve Time Shenanigans.

Also, Link does KO the bitch in that opening scene in the trailer. His presence is either just that—a set-up plot point—or him and Link are currently duking it out in the hole. Fun!

Link and Zelda

Now this game is going to put their relationship in the front in the “I have to save them because I love them” way that we usually see from Link’s POV.

Getting it from Zelda’s POV is going to be very interesting. We might be getting a look into her head, into her feelings and thoughts about the whole ordeal of the Legend itself. I hope so. But also, this isn’t just Link and Zelda, this is *Fable and Legend* specifically. The two that were meant to be be siblings but the dialogue that established them as such was cut from the final version of ALTTP. So. This game has the possibility to do three things

Canonize the Prince Legend thing, like they were going to do in the nineties.

Not address the topic at all, leave it nebulous.

Zelink.

None of these are bad choices, but option two is definitely the safest. Both options one and three will cause an uproar from part of the fan base. I can already see the ship wars. Please don’t do this people. Please.

The Holes 🕳️

What are they? Where did they come from? Ganon’s Trident Where do they go? No actually, where do they go? The Dark World (doesn’t make sense in the Lore)? Lorule (that would be a choice)? The Twilight Realm (I am convinced that Lorule and the Twilight Realm are the same place actually and you cannot change my mind)? Some new never seen before parallel dimension? A non-place, like a gap between realities (sexiest option)? I have no idea!

Fun!

That fucking “Fairy”

Tri? Don’t trust it. Will not trust it. Never trust that a companion in a LOZ game is what they first appear to be. Who does Nintendo take me for? A fucking amateur?!

Anyway, I am about 40% convinced that’s Link. I have evidence, but it is circumstantial.

I AM HANDLING THIS NORMALLY.

[bogleech]

For me the most disappointing thing about Palworld is the designs being so boring and bland that you'll never have cause to review them. We deserve better from a creature collecting game, especially one making this much money!

Yeah here's the most opinion I can possibly muster on any of them:

DUMUD: it's a big fat shark-like mudskipper and that's a good concept, it just doesn't really have the charm of any Pokemon it shares anything in common with.

WUMPO: resembles the fur-wearing "werewolf" pokemon that got cut from the first or second generation, crossed with Tangrowth. One of the more okay designs because those are two good pokemon.

SIBELYX: this is supposed to be their Gardevoir I guess and I think it's an owl? Or is it a moth? Well it ends up one of the slightly cooler looking ones a little less obviously derivative of specific pokemon. Maybe they were also going for a Dimitrescue knockoff with the hat

CAWGNITO: an alright one because plague doctors just generally look cool. However the simple formula of plague doctor + actual bird would have been far too obvious and underwhelming as a Pokemon. There's no novelty or twist to this.

HANGYU: this is the one that's a ghostly noose canonically used to execute people. It's a funny little send-up of the darker pokemon pokedex entries, though the design is uninspired compared to object-based creatures in Pokemon, Digimon or any other monster franchise I can think of.

LOVANDER: this is one that fucks people, and they possibly borrowed the topography of Salazzle's official model. I want to think they did intend it to be freaky and unwholesome looking with the rubbery goblin hands, but I suspect they intended something actually sexy by furry monsterfucker standards and just weren't good at it. Yes I know that likely does not stop people from being into it anyway.

TEAFANT: I was going to say this is the only pal that looks better than its closest equivalent Pokemon, because they would be Cufant, and I gave Cufant a pretty negative review back in the day.

......But actually, now I kind of like Cufant. A lot, come to think of it! Teafant is cute and competent in the most paint-by-numbers possible way. It's what almost anyone would draw in ten seconds if asked to make a cute marketable teacup elephant pokemon. Cufant is an awkward, messy design but it is comparatively cute in a goofy, dorky way that's rare among the Pals, and more importantly, it is unique. I don't think they used AI to generate any Palworld models (the tech isn't there yet) but I can see why people assume they used AI just to get the initial ideas, because it's very easy to find people who have more a more creative eye for character design. I'd say even if not ESPECIALLY people with zero experience in art would have made the Pals look more interesting.

[qhazomb]

so some recent art by @we-cool-beans reminded me of this one "sharing a body" au i've thought about.

i've talked about my other one where it takes place post-canon, with the temporary body-sharing happening in order to save gordon from a life-threatening disease he developed (likely from all that radioactive raw sewage...), but this is one that takes place during canon.

(this is using my headcanon that benry's true form is just a big glowing cloud of rainbow cosmic energy containing a consciousness).

after gordon's hand gets chopped off, and then benry realizes humans cannot in fact regrow limbs, he's not exactly jazzed over the fact that he got gordon perma-fucked up. he's also not a big fan of the fact that he can't un-fuck him up. benry doesn't know how to make someone else's body regrow limbs, just the body that he's in!

....so then he gets the idea "oh i'll just pop into gordon's body to fix it, then."

so benry abandons his own body somewhere (not important, he can just make a new one later), and slips into gordon's when everybody's asleep. when he gets there, he originally intended on just fixing gordon's hand and then leaving, but holy shit this guy is a LOT more beat up than benry thought. this hev suit's kinda sucks at being armor, huh. there's new wounds that are looking pretty rough, and benry also notes evidence of old injuries that don't look like they healed the way they're supposed to. he's got a looooot of work to do.

when the science team all wake up, they're all extremely surprised to see that gordon is no longer down a hand. the others of course make light of it, but gordon himself is feeling a weird mix of relief and what the fuck over the fact that he just... regrew a limb. like a fucking lizard or something. the rest of the team try coming up with theories on why this happened- "Perhaps the hazardous materials you've been swimming in have given you mutant powers!" "Are you sure you're actually human?" "Maybe Black Mesa's been secretly experimenting on you without you knowing it."

gordon of course does not like any of these theories.

at one point gordon gets a cut on his hand, an sees that his blood is a LOT darker than it should be, which freaks him out further. and then, again, when that cut heals up pretty much right before his eyes, he's not sure if he should be thankful or freaking the fuck out over it.

gordon also doesn't like the fact that benry's been missing again for A While, which normally he'd be thankful for, but given the current circumstances, it's putting him extra on edge.

gordon finally finds out both why he has a hand again and where benry went when he has a big emotional outburst... that's accompanied by sweet voice.

"I didn't know you could use the Black Mesa Sweet Voice, Gordon!"

gordon insists that he can't, and his panic is rising as more coloured orbs spill from his mouth (which tommy comfirms means gordon is panicking. bubby makes a comment like "Yeah, we can tell.")

it's then that benry, who has been just been staying quiet the whole time, finally speaks up in gordon's mind. "hey, calm down maybe?"

obviously this just freaks gordon out even more, albiet in a different way.

when gordon says he can hear benry in his fucking head, there's definitely some jokes in there from the team about gordon hearing voices now/being haunted again, pff.

eventually benry's able to explain himself (the best he can, at least). he's in here because gordon couldn't heal that good on his own, and benry couldn't heal him without being in here. and he's staying here because gordon's weak lil baby human body is just SO easy to break, like damn, so benry's gotta stick around to make sure it stays put together. he's the maintenance man, now.

gordon of course HIGHLY objects to this, but it's not like he can force this weird cosmic energy being out of his body.

(and though he's not saying it out loud, he does appreciate how all his usual aches and pains have been completely gone ever since benry started this "maintenance" work.)

gordon does at least get benry to agree to get the fuck out of him once they're all out of black mesa, though.

and then through the rest of their journey, understandings happen, and bonding happens. i've imagined one point where gordon is feeling Overwhelmed with Emotions and having a bad time because of it, when benry tells him to just, sing it all out with sweet voice. gordon begrudingly does so, and then... actually does feel better afterwords. turns out sweet voice is a really good way to get Big Feelings out. huh.

now the thing that we-cool-bean's art specifically reminded me of, is when they get to xen. benry obviously isn't here to be the big bad final boss, thus the nihilanth is still kickin' around, and proving to be just as dangerous as xenrey. during the fight, benry gives gordon a lil power-up: RAINBOW DEATH MODE

(gordon doesn't get freaky shape-shifting like benry does when in RAINBOW DEATH MODE, he just gets glowy. there's extra orange in there as that's gordon's life energy colour signature!)

i picture gordon getting to land the final blow on the nihilanth, managing to get up on its head, prying open that noggin' to expose the crystal... but then being unsure what to do next.

benry yells in his mind "song of death at it!"

"How do I do that!?"

"just think about how much you wanna kill this guy and SING!"

the 'singing' that comes out of gordon's mouth sounds less like the angelic theramin notes benry sings, and more like death metal screaming, but hey it gets the job done all the same!

in the end, even after benry's vacated the freeman, it soon becomes aparent that gordon is... not entirely human anymore. having benry spend so much time hanging out within him, and then giving that RAINBOW DEATH MODE boost at the end fully cemented gordon's own connection to the cosmic ether, which is what sustains benry. now it's sustaining gordon, too.

...aaaand gordon's gonna need some lessons on how to keep from spitting out sweet voice when he gets a bit too emotional while in public :B

[toaarcan]

What is the Default Toa Form?

So, theory time.

It's a common fandom headcanon that the natural state of all Toa is the Toa Metru build. The reasons for this are varied (but if I'm honest seem mostly rooted in the fandom's love affair with the build that came to an end during the TTV Hagah Contest rather than any actual lore), but I personally disagree with this.

So I'm going to run through the various Toa builds in roughly chronological order (with one exception) and determine whether I think they're likely to be the true default form of a Toa.

1) Helryx

Well, right away, here's one that probably isn't.

Helryx is the oldest build lore-wise, newest IRL. She's also kind of a "Meta Build", aiming to look like a forerunner to the Toa Mata build we'll discuss shortly, not by directly evoking the way the Mata were styled (I would argue that a lot of the Mata's identifying hallmarks aren't present in her), but by being primarily composed of parts from 2001 and earlier.

However... this isn't what Helryx always looked like. Nor is the art that actually represents the canonised design.

The intent of the contest was to create Helryx as she appears in the present, after thousands of years of wear, tear and repair. In the text, she's referred to as disturbingly frail and alien-looking compared to what Takanuva expects a Toa to look like.

Even if she once looked like a default Toa, she doesn't now.

Orde, the only other known prototype Toa, never received a canon design (for what it's worth, I won't be putting a lot of weight on the DuckBricks Fanon Contest designs, since they're, well, fanon. So Bukkey's Orde won't be factored in here, besides me noting that he has a more Mata-esque body than Helryx does).

However, another popular headcanon is that Krakua represents another example of this generation of Toa, as Helryx would've been the basis for Krakua's transformation.

Perhaps this is what Helryx would've lookedd like when she was healthy and built?

Well, as much as I like that headcanon, and will continue to use it in fanon, probably not. Based on the evidence we have of Toa transformations, both in-story through Takanuva and the Toa Metru, the transformation is pretty much 1-to-1 with current forms. The Metru all get Lhikan's build exactly, except for specifically their height. Likewise, Takanuva's build is identical to Gali Nuva's, despite him not being a Toa Nuva. He didn't resemble base Gali, he resembled her current form.

If Krakua was transformed in Helryx's image, he'd likely be just as small, spindly, and hunched-over as she is.

For now, Krakua remains a weird outlier.

2) Mata

While not as common a choice as the Toa Metru build, the Mata build has also been suggested a few times as "Base Toa," largely because it's the original. It's relatively simple, and depicting any given Toa as a Mata build is easy enough and looks good.

(I honestly prefer it over the Metru build. It's easier to put proper hips, knees and elbows on a Mata than it is to un-fuck a Metru's shoulders and neck)

However, the Toa Mata are actually pretty much unique entities within the Matoran Universe, unlike any Toa before or after them. They are the only Toa who aren't transformed from Matoran or built by the Great Beings, instead being created by Artakha.

As a result of that unique method of creation, it's entirely reasonable to suggest that the Toa Mata look different to every other Toa in the world besides Takanuva, who was transformed in their image. They're the only canonical Toa whose bodies directly resemble the Great Spirit Robot itself, use these specific colour schemes, and have its specific design language in their construction.

3) Hagah/Mangai/Metru

By far the most popular contender for this title, but one I don't personally agree with.

We don't know whether the Toa Hagah were built or transformed, but we know they were assembled from across the Matoran universe and given new armour upon recruitment into Teridax's team, and we have no idea what they looked like before they were given this armour, beyond Bomonga presumably already having his huge limbs. Additionally, the Metru were all transformed based on Lhikan, so it's him I'll be focusing on mostly.

Lhikan was transformed and was trained at a Toa Fortress around 6000 years ago. We don't know what the other Mangai looked like (though they're popularly headcanoned as being Metru too, no canon look for them was ever settled).

However, my stance is that this design is not the default (Lhikan would've been transformed in someone's image), but rather a cultural one, a sort of 'uniform' armour style adopted by Toa during the height of their power, when the Toa Fortresses were active and Toa were commonly trained by other Toa. The image of a Toa would've become a consistent thing, and caused almost all transformed Toa to adopt it for a time, making it almost a new default, but not the original, until the Toa genocide and the subspecies becoming largely extinct caused things to diverge again.

This is, to be specific, not a counter-theory I'm proposing to the "Default Metru" theory in and of itself, but rather a part of a wider theory, explaining the commonality of the Metru build when I think that the last spot on our list is the real default.

And that leaves us with only one option.

4) Inika/Mahri/Cordak/Nuva 2.0/Glatorian

So yes, I think this is the default Toa build.

That might strike you as weird, considering that the Inika are only transformed at the beginning of the Ignition Arc, right before the end of the story in terms of the MU's timescale, and the Nuva adopt this design even later.

But let's consider a few points, shall we?

First off, the Toa Inika are the first and only Toa team we see who are transformed into their Toa forms, and do not have their appearance influenced by previous Toa. And while there's some weirdness with their heads and powers, their bodies seem pretty normal, and remain as such after their Inika weirdness is removed by the Ignika.

Secondly, we know the Great Beings made the Matoran based on the Agori, and the Toa based on the Glatorian. The first Matoran, the default form of a Matoran as it were, are the Av-Matoran, who use the same build as the Agori exactly. Should it not stand to reason that a default Toa uses the same build as the Glatorian?

Additionally, like the Glatorian, the Inika build and its derivatives have by far the most variation from individual to individual. True, we've never seen a Toa as weird as Strakk, but that doesn't mean that none existed.

Thirdly, there's one more character we haven't discussed thus far.

And this, then, is my smoking gun.

Lesovikk was a member of the first Toa Team, and one would assume based on that information that he's a purpose-built Toa. Well, he isn't. He's transformed. Given how rushed the Great Beings were at the end of the GSR project, I wager they found it easier to make a small number of Toa and then have them immediately transfer power to Matoran than it was to make thousands of Toa from the off.

Lesovikk may well be the first Toa transformed, and if he was, then his transformation would either be free of influence from anyone, or in the direct image of whomever transformed him, who could only be a default, purpose-built Toa.

"But wait!" I hear some of you typing already. "Lesovikk is a mutant, we have no idea what his true form looks like!"

Or do we?

Let's look at another character who was affected by Pit Mutagen in 2007, shall we?

This is Defilak, a Matoran of Mahri Nui. Like all the residents of Mahri Nui, he once lived on the Southern Continent, and later Voya Nui, after an ill-fated trip to Karzahni.

He used to be a weird little gremlin Matoran like his brethren from 2006, and transformed into the form above after being immersed in Pit Mutagen.

But here's the twist: Rather than simply mutating them directly from their twisted post-rebuild forms, the Mutagen actually reverted the Matoran of Mahri Nui to their original forms first, and only then started to mutate them.

This is Defilak's default form. This is what he always looked like, just with added weapons.

With that in mind, I think it's safe to say that Lesovikk is likely in the same boat: Reverted to his original form before the mutations started.

With the exception of the tube-like gill, I think it's more than probable that Lesovikk is mostly-normal still, and as such, is a very early Toa with a Mahri build.

With that in mind, I conclude that the default design for a Toa is a 2006-2009 build, with Helryx being the product of damage and repair, the Metru/Mangai/Hagah being a cultural design, the Mata being Artakha designs, and Krakua being a weird outlier.

[aziraphales-library]

Hello! Ive been absolutely obsessed with fics where Crowley is insanely powerful lately, but there’s not really a tag for that since BAMF Crowley is pretty general. Do yall have any recommendations? :)

Hi! We have a #powerful crowley tag, so check that out. Here are some more fics to add...

I Do Not Forgive You by Puerinrotis (M)

The most powerful thing in the world, in the whole cosmos, was love. The second most powerful thing in the cosmos was rage, pure and unadulterated, red and white and blinding, hot and seething rage. Crowley had plenty of both in him to do the impossible. “I’ve had enough of your games, Mother,” Crowley growled, dangerous. “You made the choice to turn one of your most powerful children into a demon and now it’s time that you paid the price for creating a monsssster.” The Supreme Archangel looked up to stare at him in horror as he raised hands drenched in silver blood upwards in a grand gesture and announced with a feverish glow in his golden eyes, “Hello, Aziraphale. It’s time for you to welcome your new God.”

Cast Thou Send Lightnings? by midnightdragons (G)

Cast thou send lightnings, that they may go, and say unto thee, Here we are? — Job 38:35 A brief argument between angel and demon spirals a bit out of control when Crowley's tendency to become struck by lightning when caught up in the throes of his smoking anger makes itself known.

The Art of Creation by Bookwormgal (T)

Once upon a time, long before humans set foot outside of Eden and long before his inelegant landing in a pool of boiling sulfur, Crowley had been an angel. An angel with a very different name and far less cynicism. And that angel was made to build Her creations. He built stars, nebulas, and other beautiful and complicated things far out there in the cosmos. He shaped fundamental elements and materials into new creations. He molded burning fires and sculpted dust into breath-taking patterns. He started bright and powerful reactions, serving as a catalyst to spark the birth of stars. He set various celestial objects spinning. He built. He took raw materials and built wonderous things with them. He built because that was the role that She made him for. In the end, was rebuilding that much different than building? And wasn't rebuilding fairly close to healing? When it was his angel's existence on the line, Crowley was willing to grab at any chance available. He would find a way to fix what had been damaged. He would find a way to save him.

But I would walk 500 miles by Augenblickgotter (T)

There's a conspiring of foes from both sides that forcefully kidnap Aziraphale. Crowley is in hot pursuit and will stop at nothing, finding some unlikely aid along the way, and bringing up his True Form when the time is needed. Some depictions of pain and violence, minor character deaths by Holy Water, and mild gore. Also mild claustrophobic and dingy descriptions of Hell. And the boys relationship can be flat out platonic asexual best of friends or downright dirty lovers. The story is up to you and is more about how far they would go for each other. ;) No, no monster sex in this one either (comb for my last fic if you need it). Just BAMF Crowley ready to walk 500 Miles through Heaven or Hell to save his Angel.

This Is Who You Are by Azeutrecia (M)

Post S2 finale. Canon-friendly. This is a story of two tricksters …who have strong feelings for each other that they’re terrible at expressing …who have a status imbalance …who aren’t who they thought they were …who both are dealing with multiple types of trauma …in a dystopian divine+occult world …that may be entangled in a conspiracy based on the power of names and stories

- Mod D

[vivi-blue]

IT IS FINALLY DONE!

God, this took me way too long...xD

After days of work I finally finished the challenge that I set for myself: Sending out props to a lot of artist here on tumblr that I really enjoy! (Actually there are way waaay more people, but I really had to set myself a limit, I'm sorry fellas ;w; I still love you!)

These people inspire me every day with their creative concepts, stories, humor and passion for art and give me the drive to continue drawing myself. With this little collection I wanted to say "thank you" for all that you do and create. You rock, guys!

(I really hope I didn't mess up any of the tags and I apologize if I might fu**ed up your designs/characters ;3; I know I'm not the best in proportions and all, but I really tried. <w<´´ Also I really hope Tumblr compresses the text by itself, so that you don't get smacked by this wall of text. I'm still a rookie on tumblr, so I don't know what to do ;w;)

Okay, heeere we go! THE TAGS!

@tv-tower / @uuberwachen - with PB aka Swap Pizzahead (I really love the idea of the au and adore the character designs. PB sure is one of my favorites -w- He is literally the most reasonable of them all XD)

@technically-a-kiwi - with Cosmic Peppino ( The design of Cosmic Peppino is simply beautiful and the idea that this chef has strong star powers and needs to take care of Cosmic Noises shenanigans is super funny to me XD )

@sirtotallynotatimetraveler - with Mel Sproutbloom / Sagebloom (I'm sorry, I wasn't sure which name is canon ;w;) ( I loooove Mel! He is such a gentle, colorful guy and looking at him makes me all happy <3 )

@alextydaisuda123 - with their version of Vigilante ( I can't repeat enough how much I adore their artstyle. I love Vigi's design the most. I don't know it's just...THAT'S Vigi for me, you know? Simply fitting, cool, but also stylish -w- )

@alice-the-demon - with Vittoria ( I was first thinking of drawing Archangel Peppino, since this guy is the softness itself, buuuut I have to admit that I love the lively and passionate personality of Vittoria. She is great -w- )

@misdreavusplush - with Eyelashes ( I can't help it. I saw that character and was in awe. How adorable can you be?? I was barely able to draw her eyes as pretty as they are xD <3 )

@creature-of-pizza - with Pepp ( Seriously, the idea to see a "Fake Peppino" with more cat dna is such a win for me. He is dynamic, sassy, derpy and so damn cool! >w< Also love how colorful their pictures are.)

@eskariolis-con-salsa - with Gnocchi (I was thinking about drawing their version of Fake Peppino first, but...*looks at picture* ...let's be honest, you can't get pass that little guy. ;w; He purifies my soul. Have some soap, little guy.)

@oddpizza - with Caramel Jam aka CJ (Such a creative and powerful character! I've seen so many artworks of them and I adore them. You need more joyful people like this ^^)

@pizza-tower-secrets - with Lycheecheechee ( A small, adorable bundle full of surprises and of course secrets! I love their drive and colorful design. Simply a delight! :3 )

@rhaytronik - with Red ( A dynamic and enjoyable character with their love for adventures! Not only a great character but also the Pizzasona of my best friend. Thanks to them I was brave enough to start a tumblr account myself. So thank you for being there for me <3 )

@cutechan555 - with Mage Gustavo (To be honest, I had a very hard time to pick a character here, since their account is full of stories and ideas. I chose mage Gustavo, since I love his design and story. I'm currently into "Delicious in Dungeon" and to imagine that he goes dungeon crawling with his bros to safe Peppino is such a cool idea XD)

@bigbeastcyruspt - with Trion (I have to be honest, at first I was very startled of Trion, since his design is very mighty and scary. I mean, it's his chase form after all. But the more I learned about him, the more I grew to like him. Very damn cool design! Also couldn't help to add dah baby ;w;)

@lunar-dal - with Pizza Cruise Peppino (Another au I simply adore! The design of the characters is colorful and bright, and to imagine Peppino as a singing gondolier brings me great joy. Also I'm a big fan of otter Brick ;w; )

@smalltimidbean - with Pea Pod, Sugar Snap Pea and Snow Pea (Believe me, I never before had such a hard time to pick ONE of so many wonderful Peppi clones! THAT was torture XD But in the end I guess I picked my favorite. Such a tired, but very cute one. Not to forget about the little ones <3 To draw a PT character with 4 fingers and 2 thumbs on one hand was quite a challenge lol )

@tinderboxofsillyideas - with Coffee Peppino (Probably one of the most adorable au versions of Peppino. Seriously, if I had the chance to get my coffee in his café, I totally would! Give that guy all the tips! <3 First thought of drawing their wizard Peppino version, but the adorable barista won lol)

@xbeih - with Metal Peppino (One of the first au's I started following. Seriously, how cool can one person be?? I mean, the whole au is amazing and I enjoy every person in it. But damn...Peppino takes the cake. ówo He is so badass, you can't imagine <w< Also I'm very sorry, it was my first time drawing a guitar and aaaaaaa )

.....*looks left and right* ...ok, we did it. Wow!

God, I'm exhausted now...XD

Well, thank you very much for reading and sorry for the wall of text ówq I can only recommend you to check these people out. They are all very talented and should be appreciated!

Have a pleasant morning / day / evening / night everyone. (Depending your timezone lul .w. )

See ya next time! Vivi out!~

[almostthursdayy]

Do you have any facts about L in Death Day? Or maybe stuff that's backstory-related?

I just wanna know more about your interpretation of him because you never miss + I love his DD design so very much :']

got really excited about this ask and ended up making a whole family tree + collage of memories from L’s childhood. . . whoops! ( i already know tumblr gonna chew and EAT these images so click for better quality lolol )

sphiel ( + alt arts ) about family tree 🌳 below the read more!

🌳 LAWLIET FAMILY TREE

first off, everyone’s wreath is based off their ethnicity. if someone has more than one ethnicity ( literally like 75% on the diagram ) their wreath is like some kind of mutant almagamation hybrid lovechild tree of the different kinds of trees.

>> also if they are dead, so is their wreath! and they’re also desaturated / greyed out. . . if they’re dead and crying, it means they were murdered.

>> and also each limb and each little leaf bush signifies something.

>> also i made a 4 minute long tiktok video speed explaining this you can click to see here lol

i’ll go L outwards for this, i hope you enjoy!!

🍰 LOVE ‘ L ‘ LAWLIET

european ( english oak ) , japanese ( japanese cedar ), ghanian ( cocoa tree ) , thai ( golden shower tree )

KOFI, biological mother: strong connection besides death. smarts came from her, she’s an intellectual lady who everyone always told him he looked just like her when she was alive.

VINCENT, biological father: also strong connection besides death. got his conviction and radicalism from him ( also he’s completely based on canon L’s looks ). L always thought he looked more like him than his mom.

WATARI, adoptive father: very strong connection, relies on this man for literally everything. very unorthodox father-son relationship, but L would call watari his father.

M, wife: oouughhhh he’s in love with her strange ways and peculiar looks. L’s type is interesting people, unpredictable folks who can pull the rug out from under him. . . M’s just that.

NEAR, biological daughter: his little princess, isn’t she beautiful? if near has a bad day, L’s having a bad day. currently he’s having the biggest ego trip right now because near wants to be just like him. and his selfish immature side kind of loves that he created his number 1 fan.

MELLO, adoptive son: that’s his boy, his interesting little guy that he totally doesn’t study the reaction of in every interaction they have. ( frankly most interactions L has he subconsciously treats as tests on the other ) but this kid interests him, so he’s very welcome to stick around and be his son, his little prince.

ROGER, father-in-law-figure: ‘ everytime we interact, i deduce you are a little less qualified for the job watari has given you. ‘

BRANCHES & LEAVES SIGNIFICANCE:

➡️➡️ watari & L’s connection line is bountiful on his side to show the benefits of he and watari’s relationship. there is a small branch at the base of the limb to resemble somebody else L had a somewhat similar relationship with once upon a time. but shes not pictured.

➡️➡️ his wreath is covered in flowers, cocoa pods, and leaves to symbolize that he should have a very long life ahead of him.

➡️➡️ the small branch shooting off L & M’s love line is to represent his effort to connect to mello.

💫 KOFI PÍÈSÍE ‘ PAPRIKA ‘ PEPRAH-LAWLIET

ghanian ( cocoa tree ) , thai ( golden shower tree )

VINCENT, husband: she loved this man to bits! oh just the absolute most! it was a storybook romance truly, too good for this earth- - no one got her quite like her do <3

L, biological son: her pretty little boy, she was gonna make sure he was safe and protected in this big scary world no matter what! couldn’t wait to see what her little smartie grew up to be.

BRANCHES & LEAVES SIGNIFICANCE:

➡️➡️ no leaves and her cocoa pods are rotty because she is very very dead. . . all of her branches represent family members she had, her connection to them is severed in some form or way.

🎨 VINCENT ‘ DO ‘ LAWLIET

european ( english oak ) , japanese ( japanese cedar )

KOFI, wife: his first muse, his eternal flame, good christ he loved her to to the point of dedicating everything to her. all his paintings revolved around her in some form of way. often by including the stars she was so fond of.

L, biological son: if vincent was the moon, kofi was the sun, L was all the little tinsy stars. his one in a billion little guy. like kofi, vincent was also steadfast in L being able to protect himself from the big scary world. he was so proud of the little man he was becoming.

BRANCHES & LEAVES SIGNIFICANCE:

➡️➡️ no leaves because he is very very dead. . . and not really any branches due to a complete lack of family besides wife & son.

➡️➡️ one spikey for each person he’s gravely pissed off. . . three spikes lead to kofi for those hateful individuals who also despise her just by marrying him. and two spikes lead to L for two absolutely hateful sons of bitches who loathe L aswell.

🗝️ QUILLISH ‘ WATARI ‘ WAMMY

european ( english oak )

L, adoptive son: ah yes, his little prodigy that really should get out of the house more. . . fortunately, there’s a solution to that. . . just making him go! which L doesn’t seem to whine and complain about like he did once he upon a time, years ago. seems his boy has finally grown into a man that understands, whether he likes it or not, engaging in more civilian experiences is a necessity for he and his family’s health.

➡️➡️ watari doesn’t see the care he still puts into L now as continuing his fatherly care. it’s strictly as his butler / righthand. . . watari does not take payment for this work though as he ‘ has all he could ever want already ‘.

ROGER, life-long friend / father-in-law-figure: watari believes wholeheartedly roger can run the orphanage they built from the ground together. it’s too much faith and belief, really. so much that it blinds him to seeing how much roger is NOT qualified for this.

M, daughter-in-law: changed so much since the day she walked into wammy’s. . . he’s watched her grow from a much farther distance than L. he’s happy with the progress she’s made in her health from the sickly little girl who needed the orphanages help. happy to be her butler and listening ear when need be.

NEAR & MELLO, adoptive grandchildren: oh these children are much easier to please than L was at his age. . . but maybe that’s just the years of experience of handling L speaking. want a toy? got it. new puzzle? right on the way. need to be driven to soccer practice? hop in the car.

➡️➡️ since near isn’t the ultimate sweet tooth like L, and mello only really likes chocolate worth sweets, watari very much so enjoys making them treats that leave the comfort zone of L’s sugar craving.

KOFI & VINCENT, adoptive son’s biological parents: he bets they were wonderful people.

BRANCHES & LEAVES SIGNIFICANCE:

➡️➡️ no leaves on his wreath to signify he is old as a fart. but his longest branches have leaves to indicate that those connections are strong and he does enjoy them!

➡️➡️ each branch signifies a person not shown in watari’s life. specifically the one connected to his wreath is for family no longer here. the ones all along his line ‘ connected ‘ to roger is representative of other colleagues and friends. and the branches on his connection line to L resemble other children watari had a bond with as a caregiver. though none of them were strong, or made it as far, as his relationship with his son, L.

🥀 MASATOSHI ‘ M ‘ MIYAKE

european ( english oak ) , japanese ( japanese cedar )

AKUMI, biological mother: M only knows her through journal entries akumi started to write at the beginning of her pregnancy, like a baby scrapbook! M treats that thing like her bible. . . akumi was very excited to be a mother. . . such a shame she died right at the start of what should’ve been their jounrey together, huh?

KINSHU, biological father: M also never got to meet him. he died before she was born trying to protect akumi & her. his death is what caused the stress that killed akumi. so it’s all just truly unfortunate.

ROGER, father-figure: spent the most time with her during her years at wammy’s out of any other caregiver. since she was ‘ the easiest kids to deal with ‘ ( something she wore with honor back then, now doesn’t like to be reminded about ). M had once hoped one day roger would adopt her like watari did with L, now she’s glad he didn’t. as he continues to fumble his interactions with her ‘ not so easy to handle ‘ children. . .

L, husband: the weird little freak that lives in the walls of her manor. he intrigues her with his obtuse behavior and strange existence. . . but no seriously she’s head over heels for this scratchy beast. loves how much he spoils her rotten

NEAR, biological daughter: her precious girl, named near because she’s so near and dear to her heart, her little smartie pants whose just so goddamn smart. works herself happily to the bone to ensure near’s receiving the best care all around.

MELLO, adoptive son: her precious boy, her marshmallow, her little angel who always has a reasoning for his every obtuse action in her eyes. same with mello, M’s working round the clock to give him the best life a kid like him can have.

GEVANNI, little-brother-figure: sees him once a year at christmas but it’s like no time has passed every single year. first kid she connected with after becoming a caregiver at wammy’s at 18. but really was more like his stern older sister than somebody responsible for his wellbeing ( he was already a late teen when they met. . . wammy’s really wasn’t given the time to undo all the shit he went through beforehand )

BRANCHES & LEAVES SIGNIFICANCE:

➡️➡️ the way i depicted the japanese cedar doesn’t really have branches or ‘ leaves ‘ like the others- - but each little flowery looking thing represents somebody from her past or another relationship she has that isn’t depicted. . .

➡️➡️ her and roger’s connection isn’t nearly as strong as L’s and watari’s, and the three flowers on her end / three leaves on his represents a ‘ three chances ‘ mentality with his behavior.

➡️➡️ her and gevanni’s connection line is weak and nontouching due to the sheer distance between them. as gevanni kicked bricks and moved to the U.S.A. basically the second after he turned 18. still, it’s there, they still care about eachother.

⌛️ AKUMI HATO

japanese ( japanese cedar )

KINSHU, lover: she had a thing for ghostly men who say cryptic shit. and that’s exactly the type of man kinshu was. her love for him ran hot. really, the world wasn’t ready for this kind of lover. and really, her entire world shattered into a million little pieces when he died. . .

M, biological daughter: oh her precious girl, she knows M was going to go on to do great things. and do very very well for herself. after all, she is her daughter, it’s practically fated she’ll take the world by storm.

BRANCHES & LEAVES SIGNIFICANCE:

➡️➡️ every dead flower was a family member akumi had that didn’t take M in after she died. fortunately, as akumi doesn’t like her other family anyhow!

🕊️ KINSHU MIYAKE

japanese ( japanese cedar )

AKUMI, lover: he would do anything for her, he’s kiss the dirty ground she walks on. he’d rob every bank, he’d capture two of every animal, a true yearner.

M, biological daughter: the little ruler of his life in the making. he couldn’t wait to meet her, no doubt he was never more excited for something in his life. . . shame he never got to meet her, but he wouldn’t take back what he sacrificed to keep her safe.

BRANCHES & LEAVES SIGNIFICANCE:

➡️➡️ like akumi, each dead flower is a relative that didn’t take M in. which he would also be glad about, as he hated his family also. . . too loud- - too stupid- - too barbaric.

🫚 ROGER RUVIE

european ( english oak )

WATARI, life-long friend / father-in-law-figure: what would life be without his best bud in it? literally have been friends since roger can remember. and has basically just followed watari’s close footsteps wherever he went. ‘ you want to open an orphanage in the rubble of ww2? okay! ‘ , ‘ you want me to work there and generally help / care for the children? okay! ‘ , ‘ you want to change the mission of the orphanage to give care to the most misfortunate kids in the world? okay! ‘ , ‘ you want to retire and leave this place full of deeply troubled children in my care because you trust me and believe i enjoy this line of work? okay! ‘. roger knows damn well he doesn’t like kids. . . but watari doesn’t gotta know that.

M, daughter-figure: she was so easy to handle when she was younger. why is she so difficult now??? why are her children. . . the way that they are. . .? roger can’t believe the girl he once knew happily spends her days wrangling these two little goblins. . . and why are they not biting her but keep trying to bite me??

L, son-in-law-figure: ‘ oh L, watari’s pride and joy. you’re probably why your children are so weird. ‘

NEAR & MELLO, grandchildren-figure: ‘ why won’t you hug me but will hug watari? ‘

GEVANNI, family-friend-figure: ‘ hey you! i remember you! you were a real piece of work back then! haha! ‘

BRANCHES & LEAVES SIGNIFICANCE:

➡️➡️ roger still has a lot of leaves on his wreath to signify he has a lot more life to live.

➡️➡️ same rules as watari’s, the little branches of his connecting line resemble children roger has had a similar relationship than what he has with M. but none of them have gone on as well / long as with M. >> the branches off his connection line to watari represents friends in similar vein. and both connectinng lines have leaves to symbolize the strength in them.

🌥️ ‘ NEAR ‘ RIVER MIYAKE-LAWLIET

european ( english oak ) , japanese ( japanese cedar ), ghanian ( cocoa tree ) , thai ( golden shower tree )

M, biological mother: oh, so this is where she got her brashness and attitude. near is glad this trait passed down, a lot less people try to tread on her when she’s got generational venom.

➡️➡️ near, whether she aware of it or not, puts a solid effort into what M says and asks of her. when often the words of others are sent into the shredder of near’s mind. this is because she loves this woman, that’s her momma, one of her only friends.

L, biological father: oh this is her idol right now! her own father has checked off every box on deserving near’s respect and admiration with flying colors! she wants to be just like him! she wants to do what he does and how he does it! she wants to be the next L!

MELLO, adoptive brother: she thinks he’s interesting, and looks up to him in her own unique way. he doesn’t know that though, and she ain’t gonna tell him.

➡️➡️ near enjoys shadowing mello’s activities, not very much so participating, but spectating. the cause and effect of what he does fascinates her.

WATARI, adoptive grandfather: ‘ yay the toy guy, thank you for the toy. yeah your gifts put me at ease enough that we can hug for a solid three seconds. ‘

ROGER, grandfather-figure: ‘ don’t touch me, don’t talk to me, you say nothing of value. don’t whine about it either, it’s your fault you are the way you are. ‘

GEVANNI, family-friend-figure: she thinks he’s very much so cool as fuck. he’s literally the alternative older cousin with the kickass car and laid back attitude. who, just like her, has interests outside of what would be deemed normal for who he is. . . basically, he’s everything she wishes she could be. but won’t be, because her brain just isn’t built to compute like his.

BRANCHES & LEAVES SIGNIFICANCE:

➡️➡️ not much to go off of because she’s just a teensy thing. . . but under the flags is the very first flower, pointed at gevanni. meant to symbolize the importance of their relationship to her that will last years to come.

🍫 MIHAEL ‘ MELLO ‘ LAWLIET

croatian ( slovanian oak ) , european ( english oak )

M, adoptive mother: his confidant, his protector. didn’t give up on him when everyone else did. he’s too little and damaged to really express that he’s grateful for her, but one day he will. for now, his continuous reliance on her will just have to be proof enough that he trusts her.

L, adoptive father: oh this guy is cool. . . THIS GUY IS FAMOUS!! mello wants to be the next L right now, but as a better and brighter successor, he wants to be the BEST! and he’ll do whatever it takes to win L’s affection and ensure this future is his!

NEAR, adoptive sister: ‘ augh! don’t you see i’m trying to become my own person? damnit! stop following me around!!! “ “ . . . oh no wait, don’t go, watch this totally epic prank i’m about to pull you’ve love it! “

LILLIE, biological aunt: heaven has to be real because his aunt really deserves it. he misses her the absolute most. . .

WATARI, adoptive grandfather: ‘ yay the guy that gives me chocolate even after i’ve been cut off for the day. sure i’ll let you hug me because of these positive experiences we’ve had. don’t expect a hug back though, i’m not a pansy. ‘

ROGER, grandfather-figure: ‘ M & L said i can bite you if you try to force me into a hug again. but i’m just gonna do it right now anyways because i don’t like the look on your face. ‘

BRANCHES & LEAVES SIGNIFICANCE:

➡️➡️ his wreath is growing little acorns to signify his growth since entering the family. that’s why there are so many around the knot that connects him to near, M & L.

➡️➡️ the connecting line to him and his aunt is force cut, but still there, and still strong. he already has two branches trying to grow towards her.

➡️➡️ the little branches jabbing into near’s wreath symbolizes how they don’t always get along that well. and they’re growing from mello’s side despite their spats being a two person effort because near’s very good at manipulating situations into looking like she’s just an unfortunate passerby. especially with mello who is still dealing with lots and lots of big emotions. . .

➡️➡️ two of the little acorns growing represents matt but i ain’t gonna tell you which:3c

📿 LILLIE KEEHL

croatian ( slovanian oak )

MELLO, biological nephew: oh her little buddy, it should’ve just been him and her from the very start. lillie’s every rotty little fiber is tensed not knowing if he’s safe from her horrid sister and wretched brother-in-law. . .

BRANCHES & LEAVES SIGNIFICANCE:

➡️➡️ what you should expect at this point. no leaves because she’s dead, branches symbolize family not shown. her branches reach in mello’s direction always.

💰STEPHEN ‘ GEVANNI ‘ LOUD

european ( english oak ) , japanese ( japanese cedar )

M, big-sister-figure: gevanni once rejected M’s proposal of joining the family. as he didn’t want family holding him back. still, despite his efforts to stay hidden in the darkest little crevices of the world, M manages to get him an invitation for christmas dinner every year. and he RSVP’s every single time.

L, brother-in-law-figure: ‘ god you’re strange. . . i can see why M likes you. ‘

NEAR & MELLO, niece-&-nephew-figure: ‘ hey kids, wanna hear about the time i broke into this super big important museum and stole a statue bust worth millions??? oh, just near? fine by me-! ‘

ROGER, grandfather-figure: ‘ every family’s gotta have a guy like you around, roger, it just ain’t the full experience without the weird grandpa. ‘

WATARI, grandfather-figure: ‘ you may be responsible for leaving roger in charge of wammy’s, and that might have been a crazy decision, but god do you make a good strawberry shortcake. ‘

BRANCHES & LEAVES SIGNIFICANCE:

➡️➡️ each little leafy tendril is a connection gevanni has. BUT NOT FAMILY! he doesn’t have any of that. . . he’s a lone wolf. . . an alpha male, if you will.

➡️➡️ still, the connection to M is there, and he is developing a strong connection with near, slowly.

🌳 yay, thank god, i’m done. this is so long, but i love it. and just like most asks i take every single chsnce to yap too much. . . but now you know about L’s entire family dynamics!! so yayy!!!!!

THESE are just little memories. . . L coming to wammy’s house, he and M’s first kiss, & that time he caught M crying and tried to comfort her despite being right shit at it. it’s the thought that counts, y’know <3