#thinking...maybe an animation....to convey.......
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hanamukes · 15 hours ago
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Uika in Ave Mujica episode 4
For episodes 1-3 of the Ave Mujica anime, I felt like while there was definitely stuff going on with Uika that's worth unpacking, the scenes were straightforward enough in what they wished to convey that I didn't feel like they warranted explanation. Episode 4 has completely turned my view of this character on its head though. It feels as if her every word and action in this episode completely contradicts what we knew of her prior. What is going on with her?
I wanted to talk about her in a longform post, so here I am. This is maybe half analysis, half just me rambling my thoughts on what's happening on screen.
DISCLAIMER: If you're not familiar with the way I discuss this character, let me make it clear now that I absolutely love her! This post is essentially a love poem dedicated to how fantastic I think her writing is. That said my tone here might come off a bit sharp, because of how contradictory she is (which I say as a compliment) and how I want to grab her by the scruff and shake her until she tells me what's going on inside that head of hers. Just wanted to mention something before anyone gets the impression I'm criticizing her or the writing when I'm doing nothing of the sort.
Her first moment happens and immediately a lot stands out to me
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First: the models in this anime fall under two specifications, girls who always have a blush programmed in and girls who don't. For instance, Sakiko has one so she's always blushing no matter her mood. Uika doesn't. But throughout this entire episode, she does. Why? Why is she so... eerily happy, in a way we have never seen her before?
Secondly, what is her aim here? Sakiko expressed her discomfort with everyone's attitudes, and rather than just being "Sakiko's second voice" as she has been up until now (take the episode 3 fight as an example), she's taking everyone else's side. Her actions are already in total contradiction with the Uika we've seen up until now, who didn't care about anything except easing Sakiko's feelings
Then this happens. Uika is basically in la-la land daydreaming about having her destiny tied to Sakiko's forever (especially because Nyamu points out that sounds like something Sakiko would say), yet she's ignoring her beloved who sits on the other side of the table
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Uika, do you really love Mujica as it is when Sakiko's expressing to you directly that she's unhappy?
Ironically, when she does acknowledge Sakiko directly, it only leads to further frustration for Sakiko
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Because she's focusing on the wrong thing. She's more worried about Sakiko's exhaustion from writing songs (which is something she can physically see, thus easily pick up on) rather than Sakiko's concerns with the band (which is something she'd have to actually stop to think about). It really feels like she doesn't understand Sakiko at all. How much does she actually stop to think about her feelings? How surface leveled, rose-colored lens does she view her?
Her actions here scream, "well, so long as I get to stay with Sakiko, I don't actually care if she's happy," regardless of if that's her intent. Sometimes your inner feelings aren't enough, Uika. Sakiko is actively looking miserable in front of you and what are you doing about it?
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Are you really just going to leave without saying anything to her? You express concern when halfway out the door, yet when face to face with Sakiko, you act like nothing is wrong?
Again, yes, Sakiko is exhausted, but that's not all there is to it Uika. And she hasn't exactly been subtle about what she's worried about!
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Mortis keeps the focus of the conversation to Sakiko having to write all the scripts (thus prompting Uika to point out that she's been pulling all-nighters and maybe that's the problem), but I quite like this line, as there's a lot to unpack here
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前はそういうの絶対見せなかったのに
The translation gets the idea across fine to be clear, but in Japanese, there's an emphasis on the "never" part. It feels unthinkable to Uika that Sakiko would perhaps lash out, or show her exhaustion to the others. Kind of putting a mental pin in this because that's not the impression we, the viewers, have seen from prior episodes (Sakiko in this episode was acting incredibly in line with what we've seen of her already in this anime), so I wonder where Uika got this idea from. It makes you wonder just what Uika's impression of "normal" or "prior" Sakiko is
This line is genuinely sweet of her, if not a bit ironic because Uika's already absolutely overworking herself for Sakiko, which Sakiko pointed out in episode 1 (a lot of the officially published interviews have been pointing this out over and over too, just as a side note). They really want to ease each other's burdens...
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Yeah, we're not even being subtle about Uika having to "borrow" ways to cheer people up anymore
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I actually noticed this about her even back in It's MyGO. When Uika comforted Tomori in episode 10, it was eerily close to what Sakiko did in episode 3. Tomori even associated Uika's actions as being reminiscent of Sakiko's behavior. I had no evidence about Uika copying what Sakiko did then (I don't... think? know? that Uika saw Sakiko's meeting with Tomori and thus could copy it), but now? There's evidence that perhaps her acts of generosity are in fact just things she's imitating from others. If you're curious about the It's MyGO example of this, I highly recommend watching this for yourself
Oh, I'll also mention that in my pre-anime analysis post for Uika, I mentioned she probably doesn't "shine" at all as an idol without Mana, and she more or less just confirmed that for us
Again there's a lot to unpack with this part
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Hoo boy. Let's go back an episode. In episode 3, Uika was feeling insecure about the fact Sakiko "knew" Mutsumi "very well since they were kids." She looked visibly bothered by it before changing the topic. So hearing from "Mutsumi" herself that "Actually, you're the one closest to Sakiko, not me" must be making her day. Mortis is actively using Uika's affection for Sakiko against her (well, for the sake of the band, but she's still manipulating (for lack of a better word) her regardless). It's a bit harrowing when you realize that Uika's happy that her "competition" for being close with Sakiko is dead, despite her not realizing Mutsumi more or less is dead at this point...
Moving on to the scene in her apartment, my only addition here is... well, it sure is something how the only things she said to Sakiko were what Mortis told her to say. She has no lines here that weren't just parroting advice. Is that really all you have to say to your beloved?
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This is an interesting comment from her
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Because there's a couple ways you could interpret this. Is Uika referring to the "stiff" expression, or the close proximity? We know for Sumimi, she views herself as having a "terrible expression" (when Mana's not around to change her energy), but it's also not lost on me that it could also be referring to "my image of Sumimi [where we take photos together in close proximity]"
Sakiko's reaction to this is what makes it so meaningful to me
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Nyamu and the photographers are saying "this doesn't look like Mujica at all, but that's a good thing," which Sakiko is obviously displeased about. Why would going against Mujica's worldview be a good thing? And yet... even Uika, who founded the band with her and who writes all their songs, is saying she likes the photo. Once again, Uika is completely disregarding Sakiko's feelings despite how close she is to her. Physically, they're almost close enough to brush shoulders, but emotionally, I don't think Sakiko's ever felt further from her. The betrayal in her face and voice feels so obvious, yet Uika's still in la-la land like she was earlier in the episode and doesn't acknowledge it at all... we really can put ourselves in Sakiko's shoes throughout the whole episode, because truly, what is going through Uika's head?
Uika doing sweet gestures for Sakiko. This is the character I recognize!
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It's not lost on me that 1. she has two umbrellas like she does in her apartment, and 2. there's this almost eerie focus on Uika making coffee for people. I say this because the opening itself has a shot of her mugs, there's that weirdly placed clip of coffee dripping in episode 2 (it's also in one of the trailers), the donut scene in episode 3, and now this. I'll be interested in seeing why this is so important to her
I do wish we had gotten to see the conversation Uika and Sakiko had here. Sakiko has a habit of brushing Uika off, but she was finally able to open up to her about something. They finally talked together amidst all of this miscommunication and not understanding one another, but we didn't get to see it... (which may be a sign they didn't really talk about much, but hey, I like my Uisaki crumbs where I can get them)
Thank you for the confirmation that Uika would be the first victim in a slasher film. Moving on
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I love the way this comment is framed. If Sakiko left the band, who would be most hurt? Sakiko or Uika?
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Uh oh. She's having her words used against her
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What she said in episode 3 was honestly a bit careless* (she said it in front of Sakiko, who famously broke up Crychic by leaving it)... but she did have a point. She just wanted to articulate that Ave Mujica should be the 5 of them, and that surely they have a strong enough bond that if one of them left, they wouldn't be able to carry on and just "find a replacement," right? She's our kindhearted front of the band who loves everyone equally, right?
Well
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(To clarify the translation, it's not super clear whether Uika said this directly to her, or if Mortis just hit the nail on the head)
Oops! Now that's an awkward position to be in, especially in front of Sakiko herself! Zero denial either...
(*I'll just tack this thought on here, but there's potential Uika's "Please don't hate me" line from the trailer could be because she feels guilt for having said the "if one member quits it's over" line (and thus bringing about the downfall of the band))
Last thing for this episode...
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Same, Mortis. What? Why does she have no fight in her? Why doesn't she care? Why is she not saying anything? Are her feelings of guilt, embarrassment and self-hatred actually overpowering her drive to be with Sakiko? Is it over for her, now that the cat's out of the bag regarding the fact she only ever cared about the band to be with Sakiko?
I noticed she acted like a kicked puppy in episode 3 as well. When someone points out how selfish she actually is, she loses all her edge and goes quiet. She wants to escape the situation. She can't fight against what's true about her (the ugliness in her heart), after all, lest she drives herself into a corner as a hypocrite even more than she already has. But her reactions are fascinating to me, because you'd think the front of the band, and someone who swore her life to Sakiko out of profound love for her, would put up more of a fight to keep the band together so she can stay with her. She's not doing damage control at all, she's just taking the hits and all the impact that comes with it. Maybe it's some form of self harm...
(I'm also incredibly curious to know what Sakiko thought of all of this, but maybe that was the least of her concerns...)
Anyway, we'll see what happens next week. I wonder if and when we'll get closure on why she's been so apathetic to Sakiko, despite her claimed devotion for her. I get the impression Sakiko will be moving out (next episode?), so we'll have to see how she reacts to that...
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calamarispiderart · 5 months ago
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vague soul concept might do something w it later might not
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serpentface · 7 months ago
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Do you conlang? I was wondering if you had naming languages (or possibly even more developed ones) for pulling the words you use. I tried to search your blog but didn't find anything, wouldn't be surprised if the feature is just busted tho. Your worldbuilding is wonderful and I particularly enjoy the anthropological and linguistic elements.
Ok the thing is I had kind of decided I was not going to do any conlanging because I don't feel like I'm equipped to do a good job of it, like was fully like "I'm just going to do JUST enough that it doesn't fail an immediate sniff test and is more thoughtful than just keysmashing and putting in vowels". And then have kinda been conlanging anyway (though not to a very deep and serious extent. I maybe have like....an above average comprehension of how language construction works via willingness to research, but that's not saying much, also I can never remember the meanings of most linguistic terms like 'frictives' or etc off the top of my head. I'm just kinda raw dogging it with a vague conceptualization of what these things mean)
I do at least have a naming language for Wardi (and more basic rules for other established languages) but the rudimentary forms of it were devised with methods much shakier and less linguistically viable than even the most basic naming language schemes, and I only went back over it LONG after I had already made a bunch of words so there's some inconsistencies with consonant presence and usage. (This can at least be justified because it IS a language that would have a lot of loanwords and would be heavily influenced by other language groups- Burri being by far the most significant, Highland-Finnic and Yuroma-Lowlands also being large contributors)
The 'method' I used was:
-Skip basic construction elements and fully move into devising necessary name words, with at least a Vibe of what consonants are going to be common and how pronunciation works -Identify some roots out of the established words and their meanings. Establish an ongoing glossary of known roots/words. -Construct new words based in root words, or as obvious extensions/variants of established words. -Get really involved in how the literal meanings of some words might not translate properly to english, mostly use this to produce a glossary of in-universe slang. -Realize that I probably should have at least some very basic internal consistency at this point. -Google search tutorials on writing a naming language. -Reverse engineer a naming language out of established words, and ascribe all remaining inconsistencies to being loanwords or just the mysteries of life or whatever.
I do at least have some strongly established pronunciation rules and a sense of broad regional dialect/accents.
-'ai' words are almost always pronounced with a long 'aye' sound.
-There is no 'Z' or 'X' sound, a Wardi speaker pronouncing 'zebra' would go for 'tsee-brah', and would attempt 'xylophone' as 'ssye-lohp-hon'
-'V' sounds are nearly absent and occur only in loanwords, and tend to be pronounced with a 'W' sound. 'Virsum' is a Highland word (pronounced 'veer-soom') denoting ancestry, a Wardi speaker would go 'weer-sum'.
-'Ch' spellings almost always imply a soft 'chuh' sound when appearing after an E, I, or O (pelatoche= pel-ah-toh-chey), but a hard 'kh' sound after an A or U (odomache= oh-doh-mah-khe). When at the start of a word, it's usually a soft 'ch' unless followed by an 'i' sound (chin (dog) is pronounced with a hard K 'khiin', cholem (salt) is pronounced with a soft Ch 'cho-lehm')
-Western Wardin has strong Burri cultural and linguistic influence, and a distinct accent- one of the most pronounced differences is use of the ñ sound in 'nn' words. The western city of Ephennos is pronounced 'ey-fey-nyos' by most residents, the southeastern city of Erubinnos is pronounced 'eh-roo-been-nos' by most residents. Palo's surname 'Apolynnon' is pronounced 'A-puh-lee-nyon' in the Burri and western Wardi dialects (which is the 'proper' pronunciation, given that it's a Kos name), but will generally be spoken as 'Ah-poh-leen-non' in the south and east.
-R's are rolled in Highland-Finnic words. Rolling R's is common in far northern rural Wardi dialects but no others. Most urban Wardi speakers consider rolling R's sort of a hick thing, and often think it sounds stupid or at least uneducated. (Brakul's name should be pronounced with a brief rolled 'r', short 'ah' and long 'uul', but is generally being pronounced by his south-southeastern compatriots with a long unrolled 'Brah' sound).
Anyway not really a sturdy construction that will hold up to the scrutiny of someone well equipped for linguistics but not pure bullshit either.
#I actually did just make a post about this on my sideblog LOL I think in spite of my deciding not to conlang this is going to go full#full conlanging at some point#The main issue is that the narrative/dialogue is being written as an english 'translation' (IE the characters are speaking in their actual#tongues and it's being translated to english with accurate meaning but non-literal treatment)#Which you might say like 'Uh Yeah No Shit' but I think approaching it with that mindset at the forefront does have a different effect than#just fully writing in english. Like there's some mindfulness to what they actually might be saying and what literal meanings should be#retained to form a better understanding of the culture and what should be 'translated' non-literally but with accurate meaning#(And what should be not translated at all)#But yeah there's very little motivation for conlanging besides Pure Fun because VERY few Wardi words beyond animal/people/place names#will make it into the actual text. Like the only things I leave 'untranslated' are very key or untranslatable concepts that will be#better understood through implication than attempts to convey the meaning in english#Like the epithet 'ganmachen' is used to compliment positive traits associated with the ox zodiac sign or affectionately tease#negative ones. This idea can be established pretty naturally without exposition dumps because the zodiac signs are of cultural#importance and will come up frequently. The meaning can get across to the reader pretty well if properly set up.#So like leaving it as 'ganmachen' you can get 'oh this is an affectionate reference to an auspicious zodiac sign' but translating#it as the actual meaning of 'ox-faced' is inevitably going to come across as 'you look like a cow' regardless of any zodiac angle#^(pretty much retyped tags from other post)#Another aspect is there's a few characters that have Wardi as a second language and some of whom don't have a solid grasp on it#And I want to convey this in dialogue (which is being written in english) but I don't want it to just be like. Random '''broken''' english#like I want there to be an internal consistency to what parts of the language they have difficulties with (which then has implications for#how each language's grammar/conjugation/etc works). Like Brakul is fairly fluent in Wardi at the time of the story but still struggles#with some of the conjugation (which is inflectional in Wardi) especially future/preterite tense. So he'll sometimes just use the#verb unconjugated or inappropriately in present tense. Though this doesn't come across as starkly in text because it's#written in english. Like his future tense Wardi is depicted as like 'I am to talk with him later' instead of 'I'll talk with him later'#Which sounds unnatural but not like fully incorrect#But it would sound much more Off in Wardi. Spanish might be a better example like it would be like him approaching it with#'Voy a hablar con él más tarde' or maybe 'Hablo con él más tarde' instead of 'Hablaré con él más tarde'#(I THINK. I'm not a fluent spanish speaker sorry if the latter has anything wrong with it too)
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puppppppppy · 1 year ago
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for like 3 weeks i was wondering why i was sleeping so much and felt listless. and just now I managed to email 3 people and responded to a month old message in the span of an hour because I got back to TAKING MY FUCKIN MEDS..........
#MOTHER FFFFUCKER#to be fair. my doc said I could stop taking them while im on break since i wouldnt need to be constantly pumped on stimulants#im not sure if it was a side effect but i managed to take like 3 different naps in one day and STILL managed to sleep thru the whole night#at least 2 days into my break. the weird thing is i didnt feel more or less rested afterwards. but mentally i think im in a good place rn#to really put the level of awakeness im at rn i feel weirdly confident i could start one piece. also bc of that sick new opening it BANGS#the song is really good and im in love with the animation style. did some digging and it seems one of the lead animators is masato mori#but i could be wrong. it seems he also did some work on mp100 which could explain a lot lol.. he uses smear frames really well to convey#consistent movement and fluidity!!! someone else might have done color design but it works really really well esp with odas style!!#just love the overall vibe and aesthetic and id really love to study it and incorporate a bit of it into my art.. especially the thick#outlines which i think helps to separate characters and objects on screen. though i have to say the style is definitely more suited to#animation bc of the simpleness and smears. maybe that will help me explore shapes and perspective when i draw... i wanna get better#at drawing poses and angles but i have a hard time wrapping my head around space and using perspective guide lines NGHHHH#i wonder if it has to do with my dogshit ability to judge distance. not depth perception but like. judge how far smth is in metres etc#im also wearing an N95 for the first couple weeks back bc of the wave. absolutely NO BODY is wearing a mask its so fucking over#where im sitting ive heard 5 different people coughing probably not into their elbows!!! and im just. head in my fucking hands#there was a kid sitting a couple seats away in class coughing as he pleases and i wanted to grab him in a chokehold so badly. PLEASEE#ive been annoying my family by asking them to mask up and reminding them to bring masks when they go out and showing them news articles#but at least its working bc we ordered some KN95s and my mom is at least taking me seriously so. please dont be afraid to speak up abt your#health. take care of yourself and others however u can!! wear that mask indoors at your maskless friends house!!! stay home when u can!!#im wearing a surgical mask at home too bc my parents have '''a dry throat cough''' and they are so bad at coughing into their sleeves#also im pretty sure dry throat isnt transmissible bc my brother started coughing too so.. i also tested negative but they havent tested yet#im also not a doctor but i have to keep reminding ppl whenever i can that covid and flu work differently. covid is new and too recent to#have nearly as much research done on it. it seems its also compounding so instead of building immunity it weakens the body and spreads to#to other systems which might explain brain fog and muscle weakness. i remember someone early in the pandemic got infected and it messed up#their smell/taste receptors so bad that they cant eat most foods and that stays in the front of my mind when i think abt covid. christ#yapping
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secondpersonpoetry · 19 days ago
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hi!!!!! haven’t been able to get any coherent thoughts down yet but i just wanted to let you know i Have been rotating your post in my mind…….was thinking about it in the back of multiple ubers today…..rain pattering against the window…………like, oh my goodness! YOUR MIND!!!!!!!!!!!! wishing you well. hope you have a safe, healthy, and happy new year!! 💗
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"enough music", dorianne laux
#have been trying for SO long to find you the rain on the windows poem i wanted. needless to say i did not succeed.#but! dorianne laux does evoke the kind of emotion the backseat in the rain conveyed to me#and it is very much a poem about not having the things to say so. fitting.#liv in the replies#happy new year to you too!!!!! thank you <3#also on a side note. for my brain.#maybe it's what we don't say that saves us#UNHINGED line thank you. i don't have the narratives presently but my god they're there.#thinking about journeymen and long road trips and that one chris driedger article about driving up and down all the time#and YES OK FINE I WILL TAG IT#the caterpillar and the chrysalis#the chrysalis and the caterpillar#maybe one of these days i should figure out which tag is the proper one and condense it but today is not that day.#it is purely i think for the sake of the 'we stopped once or twice' (trades) the journey metaphorical but you were always on the same road#the same path/end together. seeing the same lines out the window. a long drive (love) talked enough listened enough enough music#(unrelatedly to that but to the view where did i put all my roadkill poems because also: the blur out the window.)#enough music who's the fuckass locker room dj two old men with their audiobooks lmao (enough! maybe one listening by force & not by choice)#and the enough repetition makes me think of the other poem that goes enough seen enough had enough kiss the dumb animal ->#ltir retirement 'the cry of the body—and you always want to give it what it wants. but i must say no—enough / with more tenderness'#how you know when to quit. the cry of the body/heart never to stop with a) when you can no longer make a fist but b) the one i had#about pain & motion & only finding out when you stop re: fibulas i think & dance. the ache of no motion the heart against its own best time
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emmavakarian-theirin · 21 days ago
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god the amount of art i would pump out if i stopped letting lineart talk me out of it i would be unstoppable
#this is a rant @ me and not to sound like i'm bragging when i say what i'm about to say#but i swear to god it takes more time/effort for me to do a cartoonish drawing than a photo realistic-ish drawing and i hate it#because sometimes i just want to do a simple drawing that's just lineart. maybe SOME shading.#but i fuss so much on how the lines should look and where to add more/less lines and what kind of thickness and blah blaaah#i have SO many art ideas i want to bring to life i stress myself out about it#i know that sounds so stupid#like yes just do art! do it bad! it's better than nothing!#but it's... deflating. especially when i literally have an art degree like#5 years of art school and i was barely taught anything about line art#'oh well that's in animation so you'd want to do a degree in television' ???#and those few times lineart was relevant was when there was a naked person in front of us when you're told to just replicate what you see#but we rarely had any variety between models and when i'm in that setting drawing someone my mind is just#~oh god naked person don't stare but i must don't think about it but it needs to be right oh god naked person i'm uncomfortable -+#like it was just overwhelming stress of getting it right rather than actually learning anything#which honestly sums up my art school experience overall#but it also doesn't help when you hate your own body so much and the idea of someone trying to draw you is just humiliating#(like at one point we had to partner up with someone and both paint their portrait AND model their head with clay#and i nearly had a breakdown and refused and asked if i could use someone at home instead#bc I've got plenty of scars and deformities and my face isn't symmetrical and i knew that was either going to be overlooked or exaggerated#and when it's the other way around i try my best to pay attention to detail but it's becoming this debilitating anxiety#of doing exactly that back. and it's made me paranoid to do anatomy related stuff) ANYWAY#it would have been good if people weren't ALWAYS naked and they helped us narrow down how different fabrics work on bodies and stuff#and to help us convey that through LINEART instead of needing to do whole ass paintings and detailed sketches and stuff#[SpongeBob voice] WHAT I LEARNED IN ART SCHOOL IS--- 😬#anyway if any fellow artists have any tips they'd be willing to share i would very happily listen#like i've got my drive back to draw things again which in itself is nice but man#it would be nice to not lose steam 5 minutes after anything i start drawing because i freak myself out#okay rant over if anyone's still here thank you for your patience and interest#me ranting
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rhymer · 10 months ago
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is it controversial to say i don't enjoy the jastblue translation for dmmd. it's giving DRAMAtical Murder If It Was Written By Viziepop, i'm sorry......
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imaginepostingonsideblogs · 11 months ago
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my contribution btw
#waving my hands about madly#the vibes are there even if the text cant quite get them through#cascarab/pr1cada/grandpa duo is all about. like. the idea of being constantly on edge and constantly at risk#relationships where at least one person in the party has asked the other to kill them#and the other has (largely) obliged#something about the dangers of how thats how little it takes#something about animals finding one another#cascarab/bugboy is like. nothing can convey that. but#its something about leaving and its something about how you cope#something about relationships snapping in half#and leaving you with the remains#and what you do and what you think#with all this grief you have nowhere to put down#because theyre not dead; theyre doing /well/. theyre doing better than you. they deserve better than you.#how are you supposed to deal with that?#and cicadas so right its also about branding to me#but its about branding because its about what you have left once everythings over#be that a brand or a fraying bracelet or a broken nose#and what the hell you do with that. do you hate it? resent it? treasure it?#its all youve got left of someone who loved you. maybe that makes you feel worse about it. but its all youve got.#get rid of it. heal it. hide it. whatever. the person you love still isnt coming back.#this is probably also wildly incorrect (i did as much research on the topic as i could in like two minutes)#(which is not much)#so im sure theres something ive missed or forgotten or got wrong#and for that i am sorry#please correct me about it and i totally wont take this as a chance to sneakily learn more about yalls ocs (lies x3c)#cascarab#someone's grandpa duo#it feels weird only tagging two but i dont have enough tags left to tag them all noooooooo
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solcarow · 1 year ago
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orv adaption announcements …………..
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#good goddddddd im gonna be Such a hater about them i can feel it in my bones o(~<#i could handle a shitty live action bc im sure thats what han sooyoung would have wanted but . a Shitty Animated Show ?#i dont think my heart could take it …..#but i really really hope that wont b the case bc they can do some great stuff with it#IVE SAID THIS BEFORE BUT !!!! IMAGINE THE SOUNDTRACK ………. YOU COULD GO CRAZY WITH LEITMOTIFS… ..#imo orv isnt a story that needs visuals but it could work so well with audio ……….#translating the image of bleeding stories into whispers oughhghhgh#i wonder how adaptions could approach the ambiguity between lines spoken by kim dokja and the 4th wall ……….#it’s something that’s pretty hard to convey with audio so maybe they’ll keep it silent in the audiovisual adaptions#maybe with keyboard sounds …….. oooh thatd be so cool#but i feel like the voice the reader gives the 4th wall adds another layer to it does that make sense#pretty tricky to figure out how to translate the 4th wall outside of a medium with just text#solar-talks#god i hope they do something interesting with the starstream filter on dokja bc ill b honest i didnt like how when the webtoon got to#jihye’s scene in dark castle they just smacked sparkles on him and left it at that#ok i reread it in case i got it wrong but unfortunately . yeah . those arent eyebags you gotta make him look NORMALLER fuck offff !!!!!!!!!#i know they would never do this but it would be so fucking sick if they just moved around the features of kdj’s face ever so slightly to#give him some uncanny valley vibes#i want it so bad for the live action but i know they dont see my vision orz#they dont have to end up being Exactly how i’d imagine them im just begging the adaptions to make the best use of a different medium#put some Thought into it even ..
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chaoticfvckingdisaster · 7 months ago
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No normal way to say you want someone to scroll through the pinterest boards you put your blood sweat and tears into making for your own characters. Like I need you to understand my love for this little guy. What do you mean a picture of a tree doesn't convey his thoughts and ambitions. It does to me
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waywardsalt · 9 months ago
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on my knees gripping my head hnngggg i thought abt bellumbeck too hard
tag ramblings are fun and on brand but i have too many disorganized thoughts and tags are limiting.
anyways thinking too hard abt him is an extremely good and fun thing but i cannot draw the way i wish and can't really put my thoughts into fic form so this is very much going to be a fun ramble.
bellumbeck drives me insane we all know this. he showed up in my dream last night as of writing this sentence so he is on my mind, which is surprising bc fictional stuff doesn't usually show up coherently in my dreams but there it was.
it's so incredibly fun to think about bellumbeck. he's such a black sheep of a loz final boss, there really isnt another loz final boss like him in concept or even in 1:1 tone imo. it's so fun to take bellumbeck incredibly darkly seriously.
to be fair bellumbeck is kind of objectively a fairly dark and disturbing final boss on a conceptual level, and it's not really out of nowhere since phantom hourglass has at least a little darkness running through it even if the general tone of the game doesn't really acknowledge or take advantage of it. but if you think about it hard enough even without getting into post-game speculation in regards to what happens with linebeck, bellumbeck is kind of a dark boss and it's great. full on screen demonic possession of a major character with most of the cast incapacitated and link isolated with no escape on the ruins of the ghost ship that started everything and facing a boss that is constantly facing him and both someone he's been with the whole adventure and also the creature that's captured his friends and killed who knows how many people.
it's so oooouuuugghhhh it's so much fun to think about bellumbeck even though it's such a short encounter. it's so... the mystery around bellum, the way linebeck is built up throughout the game and saves link directly before getting possessed, the fucking on-screen vaguely violent possession (i am forever obsessed with the way bellum grabs and tugs on his arms), the way ciela is captured early into the fight, too, the first companion character you meet and, if you had her equipped, it leaves you without a fairy that follows your cursor around for the first time all game, it's very... congrats you and your friends are at rock bottom! good luck getting everyone out of there alive!!!!
of course it's not quite that because this game is geared a bit more towards younger players, but still keeps those streaks of darkness and complexity just simply because they're inevitable parts of this story and it's characters. bellumbeck. i'm talking about bellumbeck. what a soulsborne-ass final boss, huh?
there's only so much a ds game can do in terms of boss animations, but i think a lot about more complicated movements and animations for bellumbeck, so, so much character can be communicated through a boss's animations. in my mind, i enjoy bellumbeck movements with an emphasis on puppet-like flourishes and mannerisms, and an emphasis on weight with how he fights. these two go very well together, and its something i love imagining.
with the latter, an emphasis on weight, would ideally focus on the sword (and im a fan of it being this huge greatsword, reading berserk got me around to liking it because you can do that really well) and how it has to be used one-handed, with bellumbeck leveraging his own weight against it and taking advantage of momentum to use it especially effectively to turn link into a little green and red smear on the wood. attacks blending into each other as he builds up momentum, and using that weight primarily against link, who is a small opponent who relies on rolling around and can’t really stack up at all in terms of brute force.
i imagine this kind of physicality and movement would lend itself very well to bellumbeck also having more puppet-like movements, being a little too tugged-along by his attacks but still retaining his footing, his free arm being just a little too limp a little too often, and his leaning away from his sword side, likely with the intention to properly balance himself out, looks off with how his head lolls unnaturally to that side. the puppetry effect lessens as the fight wears on and bellum gets the hang of the body he’s using, but never actually goes away since he’s not looking to act properly human anyways.
just like... movement flourishes and details that could add a whole lot to the overall experience of bellumbeck that i think about often.
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anothermonikan · 11 months ago
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Me: Literally just trying to draw anything, anything at all
The irreversible impact these two fuckers had on my art:
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icewindandboringhorror · 2 years ago
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youtube
this is not the exact one I watched but I saw one of these "dish scape" things at someone's house who actually has TV (like they pay for dish/cable instead of just watching stuff online) and I think they're meant to be relaxing atmospheric stuff that you mostly ignore, but I sat there for 35 minutes watching absolutely engrossed.. further proof that I genuinely think my brain is incapable of experiencing boredom lol..
#IT'S BECAUSE there's so many little details that like you can spend minutes just scanning every corner of the image and taking it all in and#you keep finding new things! like 'oh I didn't know that blade of grass moved!' or 'I didnt see that bucket before!'. And then on top of#so many details - some things genuinely do change. The one I saw was a Beach house scene and sometimes a bird would fly by or ONE TIME kite#came out of nowhere. a sandcastle built and unbuilt itself. there's a firepit and it comes on when the sky changes from day to afternoon!!#this is like watching a sports game to me. I need weird detail oriented friends who will sit for 20 minutes staring at a barely moving pict#ure & cheer and clap with me when a seagull flies across the screen ghgj.. THERE HE IS!!!! etc!! and there's just so much to think about!!#Like how the images are layered or animated and the choices that were made (like I think the sunrise and sunset sky background images for t#e beachouse are just the same picture flipped and recolored) and trying to predict what's going to happen next (will the lights in the hous#turn off for night time? will another bird show up??) etc! I even got up at one point to walk close to the screen and get a better view of#hese paintings that were visible through the beachhouse windows. and then thinking about building a similar home in the sims! OR ALSO THIS#WOULD BE SUCH A COOL medium I think to tell a story! Like you upload a video to youtube that is framed just as a completely average moving#screensaver ambiance type of thing. It's like 7 hours long and mostly loops the same still image. However. over time at certain points you#can see some thing happen like watching characters interact through the windows. animals or people walk across the screen. certain elements#in the environment morph or change. etc. In such a way that an entire like plot is conveyed. maybe like fantasy mystery sort of thing. I WI#SH I could do this style of art / had friends who could or had money to pay somebody to. I would LOVE to collaborate on a weird surreal#It's Just Your Average Slowly Looping Moving Screensaver Video I Promise' type story.. jjhhgHH.. Or even just making one of these set in so#me of my fantasy world environments. not as a secret thing with easter eggs that tell a story but just literally an image like this tha#moves over time and etc. HHRRGRGHhhhhGG.. ANYWay!! I had to actually turn it off not because I was bored but because it was distracting me#. which is funny since again. I think for most people it's meant to be a 'just leave it on in the background' type of thing that's bland an#neutral . But it was just making me think too much ghjgh.. This is why I can't go to amusement parks or nightclubs bars or concerts like..#a moving screensaver image is too overstimulating to my brain. Could you imagine me going to an environment just full of sensory informatio#like loud noises poeple talking flashing lights etc. etc. ? hghghb... Visiting a grocery store at a slightly busy hour is like my upper lim#it... Anyway.. everything is just so interesting to me. Even if I was locked in a room alone I would have plenty to think about & amu#se myself. I am also a hater definitely like I'm a very analytical person who is critical of society and systems & everything that exists#and even generally am just very opionated and have distinct preferences - so just because everything is INTERESTING does not mean I LIKE or#enjoy everything or never get tired of/annoyed by situations or ideas or etc. But it's more just like.. I literally dont think I could ever#be bored because of the way my brain works and also I approach life with elements of childlike whimsy and constant obsessive curiosity and#attention to detail. so as much as I am an analytical bore I also love everything and the world is fascinating at all times. lol.. duality#of man. if you get it then you get it. ANYWAY.. wanted to ramble abt it. I don't like the above video as much as the one I actually saw but#I couldn't find the beach one online.. BUt.. aaHH! best viewed whilst talking to yourself narrating/cheering! ALSO I want to make one!!!
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cloudbends · 3 months ago
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finally watched look back. emotionally overloaded over how beautiful it was.
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smallhatlogan · 4 months ago
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i just want to figure out how we ended up where we did for "this is what cute animals look like"
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this stuff is so unsettling have you guys looked at real animals recently
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snekdood · 8 months ago
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so much of my past art is such a love letter to humanity and yet they keep betraying me and wonder why I hate them so much now
#was it all perfect? no. but it was still better than anyone will give me credit for 😒#maybe humans never even deserved my love.#its really sad to see my love for humans visually decline in my art as I draw them less and less#but like. what can ya do. I can't love a species that hurts me.#i hate feeling so jaded against humans but I just... cant bring myself to feel anything else at this point#I tried again and again and again to give the benefit of the doubt. to give second chances. to see if maybe I've just been wrong#and interacting with the wrong people- it just doesnt seem to matter. I'm not human and thats why I can't fit in.#I have more in common with the animals around me- more understanding between them and i- than I ever do any human.#animals are so much easier to understand. they're so much clearer on what they want or feel... humans just lie and manipulate#and talk behind your back and whole slew of other bs. they can never just fucking be direct.#I honestly think talking is a huge part of the problem- words are too easily misunderstood or people can use them to lie or things#are too complicated to convey with thoughts or whatever#but body language and expression and actions dont lie#i hate how easy it is for me to hate humans and how hard it is for me to love them. but how am I supposed to love something that#hardly if ever shows genuine love and caring for me? I keep trying and nothing is ever changing#i try so hard to be nice and compassionate towards humans in spite of everything they've put me through bc I see ppl always say#that you shouldnt give up or that you should take a chance or whatever but dawg. i'm tired. I cant emotionally handle taking more chances#when I just keep getting burned.#i just want to live alone in the woods forever.
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