I have Tighe/Cass and Trinne/Lann ficlets to type up and then maybe, maybe the muses will free me to work on OWaP xD
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LSTR-S2301 and the maintenance tunnel ARAR are best friends to me even though that Elster was only on sierpinski for a seemingly brief time, they’re bros who fuck around on the clock during work. I think Elster was probably more willing to put extra time in however she’s also very “okay you’ve given me a list of tasks I did them. They’re done and done well. That’s it, my time now.” Whereas I see Ara being more of a slacker (very valid of her) or at the very least just a bare minimum type of gal when it comes to work.
Idk I tend to imagine them fucking off in the middle of shifts to go find weird lonely corners of sierpinski to hang out in. They don’t even talk half the time but they love it.
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Hey hey hey mate! ‘S been a while but I’ve just kinda scrolled through your art tag from the last three years (TIME MOVING REAL!?) and it’s crazy to see how much you’ve done in that time XD! Real fond of your splatoon ocs (manta and Ray was it?) and that one love letter fanart you made (BLEW MY MIND!? THE LYRICS FIT THEM SO WELL!! I WAS IN AWE) X) really do love spending time on this app n’ yappin, makes me wish I spend more than like five minutes a week here ,, BUT gonna do my bestest to see what you’ve been up to/ going to get up to 💚 - Z (ALSO DO YOU HAVE A LIIKR A TAG FOR YOUR OC WORLD CUZ I SAW A FEW POSTS MENTION IT BUT I COULDNT FIND IT RAAARGHHH I would love to see it I am so sorry for yelling byebyebeybeye)
HII Z
Im literally at work rn crying at your kind words 🫶🫶🫶
It really is crazy it’s been so long 😭 I feel like I’ve improved in my art but stayed the same at the same time hehe
Thank you for loving my boys! I created them with my homie from high school and they consume my brain,,They’re just goofy little guys who fight and love each other :) Ray is dating Callie (gross🙄(affectionate)) and manta is dating Dove hehe
Thank you for saying so!!! About the letter fanart guehrhe I killed myself doing that last year on the midst of art fight 💀💀
A lot of my OC stuff is in my head and scattered across sites eughejehe I could ramble about them but it wouldn’t be coherent ! The story changes every 2 months jdhddndh
Oughhh i loveghsj themmm just some more silly guys
Anywho thank you for saying all that I really appreciate it and our friendship although we don’t talk as much anymore 🫶🫶🫶
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1 AM and the servers asleep so i’m just gonna post my thoughts on here but i think it’s rlly so important and poignant how sho extends an olive branch to his father after everything that happened, when he absolutely would’ve been justified in spitting in toichiro’s face and walking out of his life forever (similarly to what toichiro did to him, metaphorically at least). and that decision that he makes is one that cements how mature and understanding sho is despite his antics and attitude.
like, he’s a kid, and he’s a kid that experienced massive amounts of abuse and trauma in his formative years. we will truly never know how he was raised whilst working in claw, but seeing how pretty much everyone else was manipulated, brainwashed, and tortured into reaching their full potential—the assumption can be made that it wasn’t easy. and sho’s father is Directly responsible for that, meaning he’s Directly responsible for any mistreatment or neglect sho faced even if it wasn’t done by him directly. and any kid at his age with all that baggage probably wouldn’t want to keep their dad around, after everything has finally been resolved. but sho doesn’t do that; he reminds toichiro that he’s still gotta hear an earful from his ex wife, and sho is ensuring that this won’t be the end. he is offering his father a kindness that that man never gave to him. and that’s like. Astounding for a kid his age
i think it’s really easy for people to place sho firmly in the trope of like silly, goofy kid with an insane side; but sho has one of the most level heads out of the esper teens. it’s kind of like he got a lot of that emotional turbulence out of the way beforehand, and now is just centering his focus on this one goal. of course, that doesn’t mean he doesn’t do stupid shit based on bad trains of thought (the whole concept of him trying to resist the narrative only to become more ingrained in it is like. right there. also the hero trope shit y’all have seen the essay posts i’m not reiterating). but sho is a lot more sure of what he’s doing and what he wants than ritsu, mob, or teru.
also it’s just like. the fact that he gives his father a second chance really drives home the message of the entire series. that people can make mistakes, but those mistakes do not have to define their whole existence if they’re willing to own up to them and change. sho is extending himself in much the same way mob extended himself to toichiro hours earlier, only this time there’s the weight of this probably not being the first time sho has given his father a second chance and yet he Still does it. and toichiro realizing that he could’ve squandered that chance during confession arc is SO GOOD like you see how sho is conflicted and hurt bc he’s essentially being let down once again, and so toichiro walks back. he won’t let his son’s trust be given in vain
the suzukis rival the kageyamas in terms of like. accurate familial representation. like if you eliminate all of the psychic terrorism bullshit, this is a broken family—further broken by a messy divorce—trying to navigate life post-everything. there is no expectation for sho to forgive his father (he doesn’t do that at any point and That Is Important), and there’s no expectation for him to do anything with his father At All. toichiro understands that he is deserving of no one’s kindness.
yet sho does it anyway. he does it because he wants to and because he cares. and that’s far more than toichiro could’ve ever asked for
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Thinking about the quest Family Matter (where you and Varric go to confront Bartrand after he left you for dead in the Deep Roads) and it ended up really fleshing out my Hawke’s relationship to Varric.
They’ve never gotten along — Varric has tried, but Marian is just so… brash and violent and rude. She’s a riot to unleash on some other poor suckers, he’ll give her that, but they’re not friends.
The one thing they’ve agreed on is this — Bartrand needs to pay for what he did to them. Varric isn’t too proud to admit that he’s daydreamed about setting that feral Fereldan loose on his traitorous brother and enjoying the bloodbath she’s sure to cause. So when he finally gets a lead on Bartrand, of course he lets her in on it. They make plans to go to his house and make him fucking pay.
It’s only mildly annoying that she brought Choir Boy with her — it’s like he’s glued to her hip, Varric never sees one without the other lately. But, whatever. The main thing on his mind is Bartrand.
Except… they find him. And it’s horrible. Bartrand’s gone insane, driven mad by whatever it was they found in the Deep Roads, he’s committed atrocities. Killing him seems like the obvious choice — now more than ever — but when Varric turns to Marian, expectant, she… shakes her head.
And spares him.
Spares him! The man who betrayed them, the man she’s wanted to kill for years! Varric just knows it’s Choir Boy’s fault — he keeps preaching about forgiveness and kindness and all that sanctimonious shit, and somehow he’s worked his rhetoric into Marian’s head.
Now she won’t even do the one thing he counted on her doing while he was waiting to get his revenge on his brother. Instead, she takes the fucking bastard to a clinic, Sebastian (and Fenris, though Varric isn’t surprised; he always goes along with whatever Marian does) following quietly behind her. Leaving Varric outside Bartrand’s old estate, his fury settling into his bones and leaving him exhausted.
It’s the incident that firmly establishes Varric and Hawke as rivals.
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