Our Feature Presentation: “Le Grand Mechant Renard Et Autres Contes”
Starring the voices of Guillaume Darnault, Damien Witecka, Kamel Abdessadok, Antoine Schoumsky, Celine Ronte, Violette Samama, Jules Bienvenu, Augustin Jahn Sani, Boris Rehlinger, Guillaume Bouchede, Magali Rosenzweig, Elise Noiraud, Jean-Loup Horwitz, Christophe Lemoine, Bernard Larmande, Michel Scotto Di Carlo, Yves Yan, Sylvie Genty, Thierry Jahn, Mathilde Nepveu, Camielle Nepveu, Christophe Groulx, Adam Groulx and Jean Sebastien Leblanc.
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I. Me. You?
The pocket opera festival Salzburg 2023 looks behind the scenes of self-portrayal.
And in the process spans a century that has seen it all. From Max Beckmann to Sophie Calle to the present TikTok-era. Transformed into sounds by Julia Míhaly, Oxana Omelchuk, Alvaro Carlevaro, Bernhard Gander, and Stephan Winkler. Musically conducted by Peter Rundel, staged by Thierry Bruehl, lit by Hubert Schwaiger. The oenm - Austrian Ensemble for New Music plays.
I like Max Beckmann, Sophie Calle and others
is the title of the tenth Salzburg Pocket Opera Festival 2023. Behind these two names, two differently famous artists come out, for whom the encirclement of an identity has become a life theme in different ways.
In Beckmann's case, it is about questioning one's own identity through self-portraits that are often broken, but at least unvarnished, revealing and exposing oneself, about looking in the mirror.
In the case of the French conceptual artist Sophie Calle, it is about the radical "exposure" of a person unknown to her, whose lost address book, found by her somewhere in Paris, she uses as the basis for tracking down the unsuspecting man at her mercy by questioning the addressees. This indiscreet documentation, which Sophie Calle interpreted as an art action and which was eventually published in the daily newspaper Liberation, caused a tangible scandal in the 1980s that still reverberates today.
Julia Mihály, Oxana Omelchuk, Alvaro Carlevaro, Bernhard Gander, and Stephan Winkler have been commissioned to deal with this thematic field. In an "irritable" and militantly highly sensitive present that oscillates in the contradiction between attentiveness and preservation of one's own identity and at the same time lustful media omnipresence of one's own meaning, the artistic director of the festival and stage director Thierry Bruehl, the musical director Peter Rundel and the dramaturge Hans-Peter Jahn hope for five highly different perspectives on the discrepancies between private being and staged appearance.
Klang21 will present the world premieres at the Salzburg Pocket Opera Festival on 18 November 2023 at SZENE Theater Salzburg.
Ich. Mich. Dich?
Das Taschenopernfestival Salzburg 2023 schaut hinter die Kulissen der Selbst-Darstellung. Und spannt dabei den Bogen über ein Jahrhundert, das es in sich hat. Von Max Beckmann über Sophie Calle bis in die TikTok-Gegenwart.
Ich mag Max Beckmann, Sophie Calle und andere
lautet der Titel für das zehnte Taschenopernfestival Salzburg 2023. Hinter diesen beiden Namen outen sich zwei unterschiedlich berühmte Künstler, denen die Einkreisung einer Identität auf unterschiedliche Weise zum Lebensthema geworden ist.
Bei Beckmann geht es um die Hinterfragung der eigenen Identität durch vielfach gebrochene, zumindest jedoch ungeschminkt sich selbst preisgebende und aufdeckende Selbstbildnisse, um den Blick in den Spiegel.
Bei der französischen Konzeptkünstlerin Sophie Calle um die radikale "Bloßstellung" eines ihr unbekannten Menschen, dessen verlorenes und von ihr irgendwo in Paris gefundenes Adressbuch sie zur Grundlage macht, dem ahnungslosen und ihr ausgelieferten Mann durch Befragungen der Adressaten auf die Spur zu kommen. Diese für Sophie Calle als Kunstaktion gedeutete und schließlich in der Tageszeitung Liberation veröffentlichte indiskrete Dokumentation sorgte in den 1980er Jahren für einen handfesten Skandal, der bis heute nachhallt.
Julia Mihály, Oxana Omelchuk, Alvaro Carlevaro, Bernhard Gander und Stephan Winkler sind beauftragt worden, sich mit diesem Themenfeld auseinanderzusetzen. In "reizbarer" und militant hochempfindsamer Gegenwart, die im Widerspruch zwischen Achtsamkeit und Wahrung eigener Identität und zugleich lustvoller medialer Omnipräsenz eigener Bedeutung pendelt, erhoffen sich der künstlerische Leiter des Festivals und Regisseur Thierry Bruehl, der musikalische Leiter Peter Rundel und der Dramaturg Hans-Peter Jahn fünf höchst unterschiedliche Perspektiven auf die Diskrepanzen zwischen privatem Sein und inszeniertem Schein.
Klang21 wird die Uraufführungen beim Taschenopernfestival Salzburg am 18. November 2023 im SZENE Theater Salzburg präsentieren.
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Bir Film Bir Kare #184 – Knockin' on Heaven's Door (1997)
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Celine、Givenchy 竟一直都讀錯?惡補 75 個名牌發音就不再尷尬!
讀錯品牌或設計師的名字,的確是頗難堪的事。無論你準備投身時尚行業,或者只是以購物為嗜好,能讀準拗口生僻的名稱,總會令人另眼相看。但別以為看起來很長的才有難度,平日我們常見的 Dolce & Gabbana、Celine、Louis Vuitton……以英語來發音其實也不太準確。雖說在這國際社會下這不是大問題,但學會它正宗的讀法,除了可以用來展示你對時尚的熱情,也是對品牌的一份尊重呢!以下是 《i-D》整理的 75 個品牌的正確讀法拼音,還附上教學影片,從今開始學起來吧!
A
Ahluwalia Studio: Ah-Loo-Wah-Lee-Ah Stu-Dee-Oh
Alyx: Ah-Leeks
Ann Demeulemeester: Ann De-Mule-Eh-Meester
ASAI: A-sigh
Azzedine Alaïa: Ah-Zeh-Deen Ah-Lie-Ah
B
Balenciaga: Bah-Len-See-Ah-Gah
Balmain: Bahl-Mah
Bottega Veneta: Bow-Tay-Guh Vah-Netta
C
Celine: Sell-Een
Chalayan: Cha-lie-on
Christian Louboutin: Christian Loo-Boo-Tan
Comme des Garçons: Com dey Gah-sohn
Courrèges: Koor-Ahj
Cottweiler: Cot-Why-Lah
CMMN SWDN: Com-on Swe-den
D
Dior: Dee-Or
Dolce & Gabbana: Dol-Chey and Gab-ana
Doublet: Doob-lay
Dries Van Noten: Drees van Know-Ten
E
Eckhaus Latta: Eck-house La-Ta
Erdem: Ur-dem
F
Fiorucci: Fee-Oh-Roo-Chi
G
Gareth Pugh: Gareth Pew
GmbH: Ge-Em-Be-Ha
Givenchy: Gee-Von-Shee
H
Haider Ackermann: Ay-Der Ak-Er-Man
Hermès: Er-Mez
Hyein Seo: Hyeah Suh
I
Issey Miyake: Iz-zah Mee-Yah-Key
J
Jacquemus: Jack-e-moo
Jean Paul Gaultier: Jon Paul Go-Tee-Ay
Junya Watanabe: Joon-Yah Wat-An-Ah-Bey
K
Koché: Kosh-Eh
L
Lanvin: Lahn-Vahn
Loewe: Loo-Eh-Vey
Louis Vuitton: Loo-Ee Vee-Ton
Ludovic de Saint Sernin: Loo-da-vic De San Ser-nan
M
Maje: Mahj
Maison Martin Margiela: May-Sohn Mart-in Mar-Jhell-Ah
Marques’Almeida: Mar-Kes Al-May-Da
Marine Serre: Ma-Reen Ser
Marta Jakubowski: Mar-ta Yuk-Ow-Bofski
Miu Miu: Mew-Mew
Moschino: Mos-Key-No
Mowalola: Moh-Wah-Lo-Lah
N
Noir Kei Ninomiya: No-wah Kay Nee-Nom-Ee-Yah
Nike: Nai-Kee
O
Ottolinger: Otto-Ling-Er
P
Paria Farzaneh: Pah-Re-Ah Far-Zen-Eh
Pihakapi: Pee-Ya-Kap-Ee
Prada: Pra-Da
Proenza Schouler: Pro-En-Zuh Skool-Er
Pyer Moss: Pee-air Moss
R
Ralph Lauren: Ralf Lor-En
Rochas: Row-Shahs
Rokh: Rock
Rodarte: Row-Dar-Tay
Roksanda Ilincic: Rok-sanda Ill-In-Chik
S
Sacai: Suh-Kai
Saint Laurent: San-Loh-Ron
Salvatore Ferragamo: Sal-Vah-Tor-Re Fer-Ra-Gah-Moh
Sies Marjan: See Mar-Jahn
Simone Rocha: See-Mone Ro-Sha
Sonia Rykiel: Sewn-Yah Ree-Key-El
Stüssy: Stoo-See
Sunnei: Sun-ee
Supriya Lele: Soo-Pree-Ya Lay-Lay
T
Thierry Mugler: Tea-Eh-Ree Moo-Gler
V
Vetements: Vet-Mohn
Versace: Versa-chay
Vionnet: Vee-Oh-Nay
W
Walter Van Beirendonck: Wal-Tur Van Bai-Ren-Donk
X
Xander Zhou: San-der Zoo
Y
Yohji Yamamoto: Yo-Gee Yam-Ah-Mo-Toe
Z
Zegna: Zen-Ya
延伸閱讀:
Kendall 膺本年最高收入模特,吸金力比前輩 Karlie Kloss 還高兩倍!
Google 2018 年度深圳玩樂排行榜出爐,這個聖誕假期就跟著玩!
年度時尚之最出爐:Google 搜尋榜的 2018 流行關鍵詞頭 4 位!
2018 年寫下歷史的 8 場時裝秀:你可以少看任何一場,就是不能錯過這些!
Follow us on Facebook: fb.com/POPBEE
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Top 5 Knockout Round games in MLS Cup Playoffs history
October 30, 201812:15PM EDT
It’s nearly time for the Audi 2018 MLS Cup Playoffs to lift off with the Knockout Round, a card of one-off ties leading to the Conference Semifinals that have provided several thrilling contests over the last seven years.
As such, we decided to count down the best Knockout Round barnburners from the bunch. Before we dive in, a quick shoutout to Seattle’s wild 3-2 win over the visiting LA Galaxy back in 2015 for just missing the cut. Both of those teams did land on the list for other famous Knockout Round victories.
No. 5: LA Galaxy 2, Vancouver 1, 2012
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When the Galaxy embarked on their journey toward becoming just the third club to stack MLS titles back-to-back by hosting a Vancouver side that had backed into the playoffs, advancement may have seemed like a mere formality.
It became clear it wouldn’t go that way when Darren Mattocks booted the Whitecaps ahead in just the third minute. Meanwhile, the Galaxy couldn’t find a way past Brad Knighton, who coolly denied David Beckham twice.
Midway through the second frame, the momentum swung when Josh Saunders made a big stop on Matt Watson to keep the visitors from pulling away. About a minute later, Mike Magee’s nifty volley had the game tied. A brief moment after that, Landon Donovan was fouled in the area before sending the Galaxy onward from the spot.
No. 4: Seattle 1, Sporting KC 0, 2016
After a miserable regular season (0 goals from 24 outings), Nelson Valdez suddenly turned playoff wizard as the Sounders started the march to their first MLS Cup triumph. Seattle were in form thanks to an 8-2-3 closing kick, but a Sporting KC team they hadn’t beaten in five series meetings made it a tense Knockout Round bout.
Stefan Frei had to turn Paulo Nagamura away twice in the early going, and he got some woodwork love when Graham Zusi rung the post in quick fashion. The Sounders goalkeeper kept the saves coming, and was able to breathe a sigh of relief when the flag caught Matt Besler a hair offside on 53 minutes.
Seattle would eventually win the day when Valdez nudged home a Joevin Jones cross for the lone goal. The forward would go on to score the winner in their Conference Semifinal starter and set up the Jordan Morris goal in Colorado that put them in that happily fateful championship match in Toronto.
No. 3: Atlanta United 0 (1), Columbus 0 (3), 2017
The expansion darlings had the raving multitudes out at Mercedes-Benz Stadium for the first playoff game in club history, expecting their brash league newcomers to score goals and venture off on a playoff odyssey. However, rude guests Columbus ended up spoiling the party.
Miguel Almiron nearly put Atlanta up early, only to leave the crowd slapping their foreheads by pinging the crossbar. Five Stripes co-star Josef Martinez followed suit by hitting the post on 72 minutes and a Hector Villalba laser was pushed away by Zack Steffen with mere seconds left in regulation.
The game then shifted, as Columbus caught the woodwork for their second time in the first extra session and saw Michael Parkhurst save Harrison Afful’s header early in the second. Steffen started penalty kicks by stopping Julian Gressel and Leandro Gonzalez Pirez, and when Jeff Larentowicz dinged the post in round four, last ditch Crew SC sub Adam Jahn was allowed to win the shootout with his first touch.
No. 2: New York Red Bulls 2, Sporting KC 1, 2014
It was anything but a whodunit when the Red Bulls bumped off defending champs Sporting KC in the Knockout Round. Four days after Bradley Wright-Phillips earned them this home playoff opener with the only two goals in a closing day win at Kansas City, the Big Apple hit man would strike again. And again.
For a good long while, it looked like the Red Bulls might never crack the visitors’ code. Tim Cahill and Wright-Phillips scuffed early chances, and Dax McCarty would later fail to nod into an open net. Worry lines became more pronounced around Red Bull Arena when Benny Feilhaber expertly teed up Dom Dwyer for a well-taken ice-breaker shortly after intermission.
The finally tide turned when Thierry Henry fed Wright-Phillips for the equalizer 13 minutes from time. The Englishman capped the comeback with a last-minute clincher, nodding home when he alone was wise to a strange bloop of a cross from Ambroise Oyongo.
No. 1: Portland 2 (7), Sporting KC 2 (6), 2015
This will forever be known as the double-post penalty miss game, but it was so much more than that. The teams traded blows in an all-time classic that would eventually set Portland on their way to an MLS Cup.
Try as they may, the Timbers – who entered the game scoreless in their last 388 minutes of play against Sporting – were repeatedly unable to grab the lead. Nagamura pitched in with an early line clearance, and Tim Melia squelched another pair of big opportunities. Portland finally got the saw buzzing when Rodney Wallace poked home in the 56th minute, but Kevin Ellis kissed in a Zusi cross three minutes from regulation time to level matters. In the first overtime period, Krisztian Nemeth put the visitors up with a dazzling strike. Unbowed, the Timbers knotted the game through Maxi Urruti in the 117th minute to force penalties.
Jon Kempin, who’d come into the game as an injury replacement for Melia late in regulation, started the shootout by denying Diego Valeri. A round later, Adam Kwarasey returned the favor by stopping Ellis’ try. It was the start of a trend; in all, a save or miss would give Sporting an edge four times, and each time they’d hand it right back with a failed conversion of their own.
After Kempin ate up a weak Alvas Powell kick in round nine, SKC rookie Saad Abdul-Salaam stepped up with their second shot at a winning penalty. His kick had Kwarasey beaten, but pinged one post and then the other before bouncing away harmlessly. Two rounds later, Kwarasey buried his try before stopping Kempin’s to send Providence Park into relieved raptures.
The Shootout
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Top 5 Knockout Round games in MLS Cup Playoffs history was originally published on 365 Football
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Hilfe! Undine geht
Taschenopernfestival Salzburg 2021
Premiere am 28.9.2021
weitere Vorstellungen am 30.9, 1. & 2.10.2021, 19 Uhr
in der SZENE Salzburg
Musikalische Leitung: Peter Rundel
Inszenierung: Thierry Bruehl
es spielt das Ensemble NAMES
Das Taschenopernfestival Salzburg präsentiert ab 28.09.21 seine neunte Ausgabe unter dem Titel „Hilfe! Undine geht“ - mit Musiktheater-Uraufführungen von Zeynep Gedizlioglu, Iris ter Schiphorst, Wolfgang Mitterer und Fabio Nieder. Musikalisch geleitet von Peter Rundel, inszeniert von Thierry Bruehl, dramaturgisch begleitet von Hans-Peter Jahn.
Den verbindenden thematischen Ausgangspunkt bilden zwei Erzählungen zum Mythos der Wasserfrau Undine, die nicht unterschiedlicher sein könnten: Die romantische Novelle „Undine“ von Friedrich da la Motte Fouqué und Ingeborg Bachmanns radikaler Gegenentwurf in der Prosa „Undine geht“. Die vier Kurzopern fügen sich in einem inszenatorisch durchgehenden und perspektivenreichen Abend zum Gesamtwerk.
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Taschenopernfestival 2019 “Salzburg liegt am Meer” mit...
Musikalische Leitung: Peter Rundel
Künstlerische Leitung/Regie: Thierry Bruehl
Bühne: Thierry Bruehl, Wolfgang Kahlhammer
Kostüm & Maske: Claudia Jung
Dramaturgie: Hans-Peter Jahn
Licht: Wolfgang Kahlhammer
Klangregie: Manuel Schönegger
Körpertraining: Ekke Hager
Es spielt das œnm . österreichisches Ensemble für Neue Musik
Bina Blumencron (Foto: Viola Gies)
Annika Boos (Foto: Thomas Radlwimmer)
Tehila Nini Goldstein (Foto: Thomas Radlwimmer)
Sachika Ito (Foto: Thomas Radlwimmer)
Andreas Jankowitsch (Foto: Thomas Radlwimmer)
Christian Sturm (Foto: Thomas Radlwimmer)
Eberhard Lorenz (Foto: Thomas Radlwimmer)
Bernhard Landauer (Foto: Thomas Radlwimmer)
Roland Essl (Foto: Thomas Radlwimmer)
Finnian Hipper, Hanna Holzner, Lisa Mooser, Philip Hammerschmid, Elena Wratschko (Foto: Thomas Radlwimmer)
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Salzburg liegt am Meer
Taschenopernfestival Salzburg 2019
Fünf neue Shakespeare-Opern
von Sara Glojnaric, Sarah Nemtsov, Gordon Kampe, Gerald Resch & Stephan Winkler
Musikalische Leitung: Peter Rundel
Regie: Thierry Bruehl
Bühne: Thierry Bruehl / Wolfgang Kahlhammer
Kostüme & Maske: Claudia Jung
Dramaturgie: Hans-Peter Jahn
Bewegungschor: Thomas Hupfer
Korrepetition: Petra Giacalone / Alexandra Helldorff
Körperarbeit: Ekke Hager
mit Bina Blumencron, Annika Boos, Tehila Nini Goldstein, Sachika Ito, Elena Wratschko, Finnian Hipper, Andreas Jankowitsch, Bernhard Landauer, Eberhard Lorenz, Christian Sturm, u.a.
es spielt das oenm . Österreichisches Ensemble für neue Musik:
Michaela Girardi, Peter Sigl, Aleksander Gabrys, Markus Sepperer, Christian Simeth, Katharina Teufel-Lieli, Rupert Struber, Adrian Pereyra, Alexander Bauer
Produktion: Klang21
in Kooperation mit oenm und SZENE Salzburg
*****
Premiere am 24. September 2019, 20 Uhr
weitere Aufführungen am 26., 27. & 28. September 2019
in der SZENE Salzburg, Anton-Neumayr-Platz 2
*****
Dank an unsere Förderer und Unterstützer
Stadt Salzburg, Land Salzburg, Bundeskanzleramt Kunstsektion & SKE - Austro Mechana
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Taschenopernfestival Salzburg zu Gast in NRW
“Infinity”. Constanze Passin, Sergey Mikhaylenko. Foto: Klang21/Thomas Radlwimmer
Taschenopernfestival Salzburg
im Theater und Konzerthaus Solingen
Mittwoch, 21. November 2018, 19.30 Uhr
Zeig mir dein Fleisch! Über den Wert des Körpers
Neuinszenierung. Eine Produktion von Klang21 in Kooperation mit dem Theater und Konzerthaus Solingen und dem Ensemble Musikfabrik.
Gerhard E. Winkler—Der Mann mit der Blume im Mund (Anamorph XI) (2016/2017) Kurzoper nach Pirandello für Bariton, Sprecher und Ensemble
Gerhard E. Winkler—Mundbogenrelikte (Anamorph XII) (2017) Choreographische Studien für Harfe mit Resonatoren und Hiphop-Performance
Stephan Winkler—Schweres tragend (2017)
Kleines Musiktheater für zwei Sänger, fünf Instrumentalisten und Elektronik
Birke Bertelsmeier—Gib mir Dein (2017)
Musiktheater für zwei Sänger, einen Darsteller, Chor und Ensemble nach einer Erzählung von Thomas Mann
Wen Liu—Painted Love (2017)
Musiktheater für Sopran, zwei Schauspieler, Chor und Ensemble
Thierry Bruehl, Regie & Bühne ∙ Hans-Peter Jahn, Dramaturgie Claudia Jung, Kostüme ∙ Ekke Hager, Körpertraining
Mit Anna-Maria Hefele, Sachika Ito, Michaela Mehring, Constanze Passin, Thomas Hupfer, Hans-Peter Jahn, Andreas Jankowitsch, Bernhard Landauer und der Musikschule Solingen - Philipp Eick-Kerssenbrock, Katharina Heibges, Josie Leis, Benjamin Rhode, Verena Celina Schulz & Anna-Sara Zalavari
Ensemble Musikfabrik
Clement Power, musikalische Leitung
Gefördert von Stadt Salzburg, Land Salzburg und Bundeskanzleramt Österreich sowie dem Ministerium für Kultur und Wissenschaft des Landes Nordrhein-Westfalen
www.musikfabrik.eu
www.theater-solingen.de
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Zeig mir dein Fleisch! Taschenopernfestival Salzburg von 23. bis 28.9.2017
Fünf Musiktheater-Uraufführungen und mehr ... im republic
Premiere am Samstag, 23.9., 20 Uhr
weitere Aufführungen
am 26., 27. und 28.9., jeweils 19.30 Uhr
Birke Bertelsmeier (Berlin) Gib mir Dein
Musiktheater für zwei Sänger, einen Darsteller und Ensemble
nach einer Erzählung von Thomas Mann
Wen Liu (Wien/San Diego) Painted Love
Musiktheater für Sopran, zwei Schauspieler und Ensemble
Gerhard E. Winkler (Salzburg) Der Mann mit der Blume im Mund (Anamorph XI)
Kurzoper nach Pirandello für Bariton, Sprecher und Ensemble
Gerhard E. Winkler (Salzburg) Mundbogenrelikte (Anamorph XII)
Choreographische Studien für Harfe mit Resonatoren und Hiphop-Performacne
Stephan Winkler (Berlin/Salzburg) Schweres tragend
Kleines Musiktheater auf einen Text von Max Goldt für zwei Sänger, fünf Instrumentalisten und Elektronik
Musikalische Leitung: Juan García Rodríguez
Regie & Bühne: Thierry Bruehl
Kostüme: Claudia Jung
Dramaturgie: Hans-Peter Jahn
Musikalische Einstudierung: Alexandra Helldorff
Körpertraining: Ekke Hager
Licht: Wolfgang Kahlhammer
Klangregie: Hannes Lichtenfels
es spielt das oenm - österreichisches Ensemble für neue Musik
mit Lukas Blaukovitsch, Mathis Bossert, Anna-Maria Hefele, Rafael Hofmann, Klaus-Nicola Holderbaum, Sachika Ito, Andreas Jankowitsch, Bernhard Landauer, Michaela Mehring, Christina Ortmeier, Constanze Passin, Paul Schrader, Ivan Vlatkovic, Elena Wratschko
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