#they're very good

[makshu]

Kamaitachi songs that I think fit JSHK characters

Hello there! I thought about making this post because many of this artist's songs remind me of JSHK

–> Well, but who is Kamaitachi you ask me? Kamaitachi is a Brazilian singer and composer who writes songs on a variety of themes, the most common being romantic and horror themes. His musical style is varied, with indie, rock, blues, pop, jazz and others in his composition.

–> In addition, Kamaitachi created his own universe in his songs, having connected songs telling a story such as 'Bob', 'O Sono de Emily' and 'Sr. Sono'. The name Kamaitachi is inspired by Japanese folklore, where "Kama" means cuts and "Itachi" means weasel, representing the sweet and sour crowd.

Well, now that you know him, let's get to the songs and characters! :)

Hanako-kun with 'O Fantasma'

'O Fantasma' translates to 'The Ghost', this song reminds me of Hanako not only because of the name, but also because of the ghostly and melancholic melody. The song demonstrates an internal struggle and a search for redemption. In the song, the lyrical self wants to remove a part of himself, which would be the "ghost", a part that haunts him. The part that reminds me most of Hanako is this one:

I was never an angel

I didn't even have wings to fly away

From what afflicts me

But I was once a demon

And I had to die

To learn how to live as a human being

The theme in general fits very well with Hanako, besides at the end of the song the lyrical self apologizes to someone dear to him for everything that happened. Promising to change and to no longer let the "rays of the past" haunt his life and everyone else's. Remembering Hanako with Yashiro or even with Tsukasa.

Tsukasa Yugi with 'O Sono de Emily'

'O Sono de Emily' translates to 'The Sleep of Emily'. The song features themes of friendship, fear and a plan beyond the tangible, featuring the lyrical self as a little boy named Bob who tries to reach out and befriend a girl named Emily. It's also shown that they are "shadows" and that Bob wants to keep Emily with him. This song reminds me a lot of Tsukasa's relationship with the entity, both in the old and new timelines. Unfortunately, I can't really develop the similarities since we don't know much about how exactly the entity works. However, we do know that Tsukasa makes friends with the entity. The song has a more intense and somewhat sinister melody, as if it were on another plane, and Bob's lines are kinda unsettling.

The song fits very well with Tsukasa's aura, as it presents a very powerful childlike entity that conveys fear of the unknown, just like Tsukasa in all its versions.

Nene Yashiro with 'Alice' (tw: drugs)

'Alice' alludes to the character Alice from "Alice in Wonderland" bringing a dark meaning that has been used several times, that Alice was under the influence of illicit substances and hallucinating everything she saw. Supernatural things are not things that people normally see, you shouldn't see things that don't exist, but Yashiro does. It wouldn't be so absurd, if we put it into reality, to imagine that Yashiro would be under the effect of something. The song brings up the theme of drug addiction and its terrible consequences, and yet, Nene, who truly sees supernaturals, has also had consequences (mostly psychological). And let's be honest, to an outsider, Yashiro really does seem to be hallucinating.

Tsukasa Yugi with 'O Treco'

'O Treco' translates to 'The Thing'. the song presents a dark and enigmatic narrative, where the lyrical self describes the unexpected and disturbing visit of a mysterious man.

I had to put him back on the list since this song really suits him as a mysterious antagonist (and there are many edits of him with this song).

Tsukasa is an enigmatic and unpredictable figure, always appearing out of nowhere and giving many jumpscares to the characters. However, most of the time he actually has an "invitation" when he appears, which is a deep wish made by a supernatural. I think the song suits him very well, especially in this new reality, where he's a bizarre and disturbing child entity, presenting the unknown and danger in the face of those who face him.

Hanako-kun and Aoi Akane with 'Às Cegas no Monte'

'Às Cegas no Monte' translates to 'Blind On the Hill' and the song brings a reflection on the journey of life and the relentless search for happiness. This song reminds me of them in the "To The Far Shore" arc due to the literal meaning of the song since we follow a "train" throughout the song. Throughout the lyrics, it's possible to observe many similarities, such as a train that runs without stopping, something that reminds us of dawn and the desire to still want to be happy even if "it's not the time to be happy."

In its meaning, the song presents the search for happiness, which is something that both Hanako and Aoi seek, even if it's almost impossible to achieve, and it's also about the journey of life, or in this case, the journey that has ended. The song has a calm melody, but it manages to bring a weight to certain phrases and this vibe reminds me of the two of them at the beginning of this arc, a heavy atmosphere but they still try to avoid it by talking about what their lives were like.

Hanako-kun and Nene Yashiro with 'Carnaval'

'Carnaval' which translates to 'Carnival' is about longing and desire, intertwined with the hope of reunion. The song features a lyrical self who misses the other person and who always asks if his partner is okay, indicating that perhaps they haven't seen each other for a while. And in the chorus, the song uses a metaphor, saying that the kiss of this person reminds him of Carnival (a typical Brazilian party) because of all the excitement and effervescence that this party brings.

This all brings out the essence of Hananene, this concern for each other, the occasional separations and the desire. And also all the little moments apart where count the minutes until they meet again. The song features an upbeat instrumental that creates a good vibe and brings a feeling of happiness, especially when you think about your loved one. A really good match with these two.

Hanako-kun and Nene Yashiro with "O Sol e a Lua"

'O Sol e a Lua' translates to 'The Sun and the Moon' the song addresses, in a poetic and figurative way, the relationship between the celestial bodies Sun and Moon, presenting the feeling of revealing oneself and mutual protection. Demonstrating love and how both are important to maintain life. In addition to the music having references to other spatial aspects.

I know that the sun and moon are concepts mainly attributed to the twins in JSHK, but considering romantic dynamics, Hanako and Yashiro fit perfectly into "sun and moon". Hanako is the moon being the most mysterious and serious side of the relationship and Yashiro is the sun being the most cheerful and lively part of the relationship.

I put them back on the list because this song is very hananene coded and I don't know how to explain it other than just saying "it suits them".

—

Well that's it for now, I hope you enjoyed this list and if you give the songs a chance I'll be happy too! Kamaitachi is a very plural and unique artist, and I really appreciate his work.

Thanks for reading ^^

[rabbitsonthemoon]

You've got me reading the Animorph books, Tumblr. I hope you're satisfied. I hope you're happy. I hope you're moisturized and hydrated. You lil' shits. (affectionate)

[tiefighter]

so I dropped a massive bomb on my dnd players on the weekend, and I've set it up over the last few years. Like, when i started this campaign, there was a giant rent to the feywild in the plane and nobody could figure out why, or how it was getting stronger. And I dropped hints that one particular person knew, but being able to explain it and have it be like, tied into the characters in a really intimate way was just so fucking satisfying and it upset EVERYONE and I'm delighted by it the end

[swinging-stars-from-satellites]

you can eat multiple homemade pastries for dessert. but watch out

[johnsspacesuittight]

honestly idk what it is but Taskmaster NZ has a comedic energy that is unbeatable, like don't get me wrong og taskmaster is fantastic, but something about the vibes of nz gives it a slight edge imo

[urisk-factor]

I'm at a point in my life that I genuinely can't tell if the old people who stare at me with disgusted looks on their face are doing it because:

A) I have very short hair and that's apparently unacceptable in a young person

B) I am holding a toy bunny as an adult

C) I use a walking stick despite appearing fine at a first glance

D) (I'm just realizing this now after making most of the post) I wear dark sunglasses all the time because my eyes are so sensitive to light they're the only thing stopping my eyes from hurting from all the light

It's quite possibly a combination

[beyonddarkness]

Blood Oath

Asking the question: "Could Morgoth afford/risk turning Sauron against him by imprisoning him?"

(an extension of Sauron Unchained)

Thanks to @liveinfarbe for asking THE QUESTION that started this train of thought last February, and to @lassieposting for adding EVEN MORE yesterday (as I happened to be finishing up this post).

[rambleonaud]

HELL

YES.

I used to love this assortment when I could eat it and I can!! Again!!

[honoka-is-god]

Here's a great compilation of Emitsun Fight Club moments!

[konigceo]

my male friends (i have one) are my lifeline (he brings food and i eat it)

[worstloki]

your ao3 bookmarks single-handedly brought me into frostiron world btw

noooooo don't go to frostiron go read the 3 total blackfrost fics out there instead

[orcbardneeul]

Question do you have voice claims for your ocs?

On the most part, no. I'm not really good with remembering celebrity voices like that and being able to assign them to OCs. But if you (or anyone else) have any ideas I'd love to hear them.

The one exception to this, is Gar'ret, who I imagine sounds like Dhar Mann (or even more specifically, Jarvis Johnson's impression of Dhar Mann) Just the gravelly voice and slightly stilted way of enunciating every word just seems to work really well imo.

[boost-creep]

living for the spicymancer actiranger patreon posts lately

[ravendruid]

Check below for banana-cinnamon muffins 🤤

This is how I fight bad brain :c

[glitter-stained]

Random goon: Hey boss, were you the one to pick that name as an alias? And why this one?

Red Hood : I used to have another name, before... A long time ago. But that person is dead now. I get to choose for myself now, they can't take that from me. I won't let them.

Goon: Huh.

***

Random Goon: Say boss, why do you never take off your shirt in front of us?

Red Hood: Well uh, I actually have that really fucked scar on my chest and I'm not comfortable with...

Random Goon: Don't worry boss, we get it, you don't have to explain yourself to us.

***

Red Hood, high on some toxin: God, I wish my family...

Random Goon (on boss-sitting duty): why not try reaching out to them?

Red Hood: They would never accept me as I am now... They wouldn't agree with my so-called "life choices". Besides, they don't miss me, they miss the person they think I used to be... I wasn't even a man when I last saw them.

Random Goon: Damn boss, that sucks.

***

And then the goons throw the Red Hood a party on trans visibility day and Jason is so confused he straight up cries.

[ajaxgb]

Okay no I need to talk about the book version of Howl's Moving Castle. I love the movie but the book has such a different vibe and you, yes you, should read it.

Movie Howl is a soulful and quiet. Book Howl is a drama queen and Causing Problems and has a long string of jilted exes and couldn't shut up if you paid him.

Sophie and Howl drive each other up the wall at the beginning and it's really funny. Sophie and Howl are (despite themselves) very much in love by the end and they still drive each other up the wall and it's even funnier.

In the movie, Howl has been ordered by the king to participate in The War, and Howl is avoiding it because he is a brave conscientious objector. In the book, Howl has been ordered by the king to rescue his lost brother from the Witch of the Wastes, and Howl is avoiding it by any means necessary because he is a cowardly weasel who wants to stay as far from the Witch as possible.

In the movie, the Witch cursed Sophie because she was jealous about Howl speaking to Sophie for five minutes. In the book, the Witch cursed Sophie because Sophie had been doing surprisingly powerful magic for years without knowing it and it was actually starting to cut into the Witch's plans. (Sophie does not discover any of this until nearly the end of the book, but the reader can start to pick it up much earlier and the way Sophie's magic works is pretty darn cool.)

In the movie, there's a rumor that Howl eats the hearts of maidens, but this is implied to be nothing but nasty fearmongering. In the book, there's a rumor that Howl eats the hearts of maidens because Howl started the rumor so people would stop asking him to do wizard junk all the time.

The book lightly parodies a couple of tropes from Western fairy tales. In particular Sophie has internalized that, as the eldest of three sisters, her "destiny" is to fail so that her younger sisters will look cooler when they succeed, which is why she's so resigned to the hat shop at the beginning. (Sidebar: Sophie's sisters come up much more in the book and they're great.) There's also a really funny bit where Sophie attempts to operate a pair of seven-league boots.

In the movie, the fourth and final location that the magic door connects to is some sort of black void / mindscape / time portal dealy. In the book the fourth location is Wales, in the UK, on Earth, so that Howl can visit his family, because from Howl's perspective this is an isekai story.