#they're still great but i don't think they thought this season through very well
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azaharinflames · 2 months ago
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I still don´t get what they thought they would achieve with Brad but it seems to never have crossed their minds that people would actually NOT care for the character. It is wild how much screentime he got, in a mid-season finale no less, and this public ass kissing of cast and the official account after he left is so weird. Nobody piled hate on the character or the actor they just were not interested, so why the need for this outpouring of support all of the sudden?
When the next character making eyes at either Buck or Eddie comes around and this lot decides to stay silent again we will all have our answer without a shadow of a doubt. That they hang the LI out to dry because they are scared shitless of Buddie backlash, but will jump into action for the next bit part player who just wasn´t as popular as they thought he would be.
I really started to dislike them, not gonna lie. I like Tommy, I like bucktommy but I will cheer on who ever comes next for Buck or Eddie just out of spite now. Because whoever plays them will be treated like shit by the fandom and will get no help from the mean girls clique that is the 911 production
Hi, Nonnie! Thanks for the ask. I see what you're saying, and overall I have to agree.
Here is my take. I try to play devil's advocate and give grace as much as possible. But earlier today I went on Twitter, and I saw a hate tweet (disclaimer: I've blocked hundreds of BD accounts by now, and I have blocked many, many words to not find a new one, but a BT account I follow had quoted it, so I saw it). In it, they were essentially laughing and having a party at the goodbye comments Callum had received, because that 'confirms' for them that the cast hates Lou. That they knew before, but now it's confirmed.
And the thing is... I've said it before, Lou is not a defenseless little boy. He's a grown man that, in my opinion, has a great head on his shoulders and knows very well what he's doing. And he's a busy man. So I honestly don't think he gives two craps about some losers on Twitter claiming his co-workers hate him - he knows better (he knows what happened), and he's the one with a career in acting and loving fans, so. Does he deserve the harassment? Hell, no. But I don't think he cares if some loser claims the cast hates him.
However. This behavior is only enabling hate. Not addressing the hate the LIs go through and the harassment the actors receive isn't just 'ignoring the hate so it goes away'. Ignoring that behavior and then showing support for other guest stars tells the deranged fans that they are good to go. That their bullying and hate is allowed, justified.
Is that the truth? Well, no. But it is what has happened. Because all the people being this hateful and sending harassment or death threats fully believe the show has their backs because nothing has told them otherwise.
Is it the intention of the show? No.
Is it still what they're accomplishing by their lack of response? Yes.
I don't overall dislike the cast as people because I don't know them. But the representation of themselves they're giving right now,? Not exactly a fan of that.
Also, as for Brad... I just have to laugh. They fully thought the Facebook moms would fall deep in love with him, and didn't take into account their hearts were already taken by Tommy, and that they'd be heartbroken enough for Tommy to not care for a character that doesn't have nearly the same charisma or depth.
Anyway. Thanks for letting me rant, lmao.
My inbox is always open for venting, ranting, and to discuss any topics <3
Take care!
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s0fter-sin · 1 month ago
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one of my favourite aspects of supernatural that you very rarely see in paranormal shows is that sam and dean are already versed in the world they live in. there’s no sudden discovery of ghosts and demons and now they have to learn about them along with the audience; they are born into it and already know all about it. it allows the audience to follow their personal story instead of also trying to figure out this new world and its rules
the first season is full of knowledge we never see them learn; “w*ndigoes are in the minnesota woods or- or northern michigan. i’ve never even heard of one this far west.” […] “great. well then this [his gun] is useless.” (1x02), “you don’t break a curse. you get the hell out of its way.” (1x08), d: “it’s a god. a pagan god, anyway.” […] “the annual cycle of its killings? and the fact that the victims are always a man and a woman. like some kind of fertility right.” […] s: “the last meal. given to sacrificial victims. d: “yeah, i’m thinking a ritual sacrifice to appease some pagan god.” (1x11)
almost every episode in the first season is a monster they’ve faced before that they then explain to the audience in a way that should feel patronising; like it’s the same speech given over and over again but instead, the audience almost feels included in the knowledge. it’s stated with such an innate confidence and comfort in said knowledge that it feels like we already knew it too; “spirits and demons don't have to unlock doors. if they want inside, they just go through the walls.” […] “the claws, the speed that it moves; could be a skinwalker, maybe a black dog.” (1x02), “it's biblical numerology. you know noah's ark, it rained for forty days. the number means death.” (1x04), “no no no, not the reaper, a reaper. there's reaper lore in pretty much every culture on earth, it goes by 100 different names.” […] “you said it yourself that the clock stopped, right? reapers stop time. and you can only see 'em when they're coming at you which is why i could see it and you couldn't.” (1x12)
they already know and, at least in the first season, already have what they need to kill whatever they’re hunting; already know to salt and burn bones for spirits, fire for a w*ndigo, exorcisms for demons, a silver bullet to the heart for shapeshifters. there’s only three times in the entire first season that they run into something new to them; 1x14 when sam gets his first vision that leads him to another psychic, 1x16 when dean calls caleb for help on the sigil he put together and he tells him about daevas, and 1x20 when they find out vampires are real- and they only don’t know that bc john thought they were hunted to extinction and not worth mentioning
(there’s also technically two half instances if you count one of them knowing something the other doesn’t - sam figuring out the tulpa in 1x17 and dean already knowing about the shtriga in 1x18 - but those still rely on sam and dean having prior knowledge)
even when they’re uncertain about facing something, it’s not bc they don’t know what it is; it’s precisely bc they know what it is and acknowledge that it’ll be a difficult hunt (“i don't know, man. this isn't our normal gig. i mean, demons, they don't want anything, just death and destruction for its own sake. this is big. and i wish dad was here.” 1x04)
so much of the tension in paranormal shows typically comes from the main character(s) not knowing what is happening to them/the people around them and having to find out how to resolve it. supernatural is unique in that it operates more like a police procedural. the tension comes from solving the clues and identifying patterns to figure out who (what) the killer is and intercepting before they can take another victim
it’s such a different tone to go for when compared to other shows that came both before, during, and after its run. it sets sam and dean on even footing with each other since they both have the same knowledge going in, and it puts them in a place of authority usually reserved for an outside character
the shows i compare spn to most is charmed, buffy and teen wolf; every main character in those shows are brought into the paranormal world knowing nothing, putting them on the same level as the audience, and they have their mc interact with others already knowledgeable about that world in order to overcome their problem/monster of the week. the audience organically learns about this new world as the characters learn about it. it’s a sound writing strategy that prevents “as we already know”-style exposition but something that complicates it is if your world building isn’t unique or intriguing enough, this slow introduction can become boring
we’ve seen shows like these before; sitting through the same tropes of characters learning to use their powers, struggling with no longer feeling normal/relating to the regular world around them, and not knowing how much they can trust the people already involved in this new world gets repetitive. all three shows eventually reach the same level of comfort with their new world that spn starts with but if the characters aren’t enough to draw you in, you can end up dropping it before they reach that point (and often, before the overarching plot can really kick in and evolve the show beyond the villain of the week format)
it’s the superhero origin movie in tv format; dragged out and overplayed. dropping the audience into an established world of course comes with its own problems but you also have the benefit of pre-existing established character dynamics that let the audience slot in like they’ve always been there instead of just getting to know all the characters while the characters also get to know each other
sam and dean already knowing about the supernatural lets the audience immediately get to the core of the story; the conflict between sam and dean, the search for their father, and the mystery of what killed their mother
#i could go on forever theres literally so many examples#dean figuring the ‘two dark doubles’ is a shapeshifter sam figuring out the changing ghost is a tulpa#also peak how many of these examples come from dean despite them pushing so hard for sam to be the one knowing hunting theory#this format is why i cant stand watching the first season of charmed despite loving it so much#i just cant be bothered watching them have the same struggle ive seen a hundred times play out again#different genre but sons of anarchy does this well too; all the characters are already in the club life and already have inner conflict#spn having such a natural introduction makes me so glad they didnt go with the original plan of sam not knowing about hunting#that wouldve been Painful#watching spn so young has really shaped my view of media bc i legit cant stand things with a learning curve#give me an established world damnit#lord of the rings never stops to explain what a dwarf is! you just go with it! and it rules!#dean is just as theoretical and lore savvy as sam and id go as far to say he actually knows more#instead of trying to do this bullshit brains v brawn divide they shouldve done new tech vs analogue#sams laptop is famous and he also knows how to hack thing where the second dean doesnt know something he defaults to books#have dean be the one where if its written down he can find it almost like a proto bobby#they even kind of support that by him being the one to find the phoenix in s6 when they go through all their books#but this was 2005 and characters could only be so conplex and theyd already decided dean needed to be the hot one and sams the nerd one#side note how many of these metas am i going to write on this rewatch? tbd#side side note included all the quotes and episode numbers makes me feel so academic#coming out of my cage and ive been doing just fine.txt#carry on my wayward son#talk meta to me#meta#supernatural meta#spn#supernatural#dean winchester#sam winchester#save post
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ouchmyghostskin · 5 months ago
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Season 2 predictions regarding payneland:
I've been having thoughts since seeing the cameo where George said that there was a deleted scene post confession/ pre Crystal saying goodbye, where Edwin encouraged Charles to be honest with her about how he feels (which is kinda insane character development compared to episode one??? But good for him). Granted , they deleted it and we don't know why, but I'm going to assume it was for space/time etc. Originally I wasn't really sure if Edwin had picked up on the open-endedness of Charles saying that they had forever to figure it out, though I suspected he hadn't, but I thought that if he *had* that he would most likely wait. But now I think that Edwin probably saw that as "I don't reciprocate but don't worry we'll figure everything out". So I think the likelihood that Edwin might pursue something with someone else in season 2 is a definite possibility. Fully accepting Charles "rejection" and consciously deciding to address his loneliness and desire for romantic/sexual connection, despite his feelings for Charles. And....I suspect it's going to be the cat king. And I suspect that Charles is going to be caught between his interest in Crystal and insane jealousy about Edwin, and it's going to be the catalyst for him realizing that his jealousy is romantic in nature.
There is always the possibility payneland isn't endgame but I'm an optimist 👌
Now for some personal thoughts about the above that has some mildly negative feelings about catwin so if you would rather not read you can scroll now. 👍. Yay for curating your fandom experience!
So I'll be honest, there isn't even a small part of me that ships catwin. I thought the plot line was interesting, and I think the cat king is an interesting character that functions very well as a catalyst. I don't *hate* it and I have absolutely zero negative thoughts about people who enjoy it, just to be clear about that. Ship whatever you want, it's all paper dolls in a sandbox to me. For me personally though, I found the dynamic coercive enough to put me off it entirely as a ship. (For some people that's fun to explore, or ignore, in ships for a wide variety of reasons that I have zero desire to police, so again, I'm not criticizing catwin shippers). Secondarily , I actually don't ship characters all that often, but when I do Im pretty OTP about it, so that's contributing. But if that's the direction they're going in , it makes sense for them to continue with the cat king since it's established that Edwin is attracted to him, and has appeared to forgive him for manipulating him in season 1. So....I'll not be thrilled to see catwin content in season 2? But I can grimace through it if it's not endgame. Also...I've seen whispers that indicate some parts of fandom don't enjoy the jealousy plotline specifically bc they feel jealousy is harmful? I get it if it just doesn't interest you or brings up bad memories, but emotions don't harm others. Being angry or jealous is an almost unavoidable part of the human experience. Only your behavior motivated by those emotions can harm people. So ...I'm ALL for Charles continuing to grapple with emotions like jealousy and anger and coming to terms with realizing they don't make him an abusive person. Even if he handles it imperfectly that's still an interesting flaw, and there's an extremely large sliding scale of behavior between "that's something to work on but you are a great person" and actually harmful/abusive. Yay nuance!
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miraculouslbcnreactions · 2 months ago
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I know you’ve said in the past that you don’t think switching marinette and adrien’s kwamis would solve anything writing-wise, but do you think having the kwamis switch personalities would do the trick? marinette still has ladybug/creation, but with plagg’s personality, and adrien still has black cat/destruction, but with tikki’s personality. thoughts?
No, I don't think that this would fix anything because it's approaching the problem as if the issue is some flaw in the show's base setup. As if you have to make major changes for Miraculous to work. My stance has always been that the base setup is totally fine. The problem is the execution. In fact, I think that the current kwami personalities are a great choice, the problem is that they're not being used well.
Marinette has a pretty strong personality. She knows what she wants, but has a tendency to get caught up in her own head and a tendency to make snap judgments. Those tendencies make her occasionally fail to consider alternate paths or points of view. That means that what she needs most is someone who will make her consider those alternatives. Someone who will be direct, talk her out of mental spirals, and keep her focused. A voice of reason, if you will. Tikki is perfectly suited to that role. She is not the kind of kwami to sit passively by. Plagg, on the other hand, would just encourage Marinette along the path of glorious chaos or let her do whatever she wants so long as he gets his cheese. While I think that could be genuinely fun to watch, it's not really benefiting Marinette much and this ask appears to be treating the Kwamis as potential mentors, so I will, too.
Adrien is a little more complex. Given his rather depressing home life, I can see why someone would want to pair him with loving Tikki over more-detached Plagg, but I'll explain why I think that Plagg is the better fit IF you actually let him mentor.
Adrien is a passive follower. He never fights for himself and he bows to authority at the drop of a hat. While those traits are arguably strengths for his role on the battlefield, they're not great for him in his day-to-day life. There's nothing wrong with being more passive and more of a follower, but he needs to learn that he can make his own choices, too. The best way to do that is to give him the kind of mentor who doesn't just hand him the answers. Someone a little chaotic whose style is subtle pushes and not just handing him a possible path to take because Adrien would absolutely just take the suggested path. Plagg is perfectly suited to taking on this style of mentorship and it is a crime that the show never let him shine.
Example scenario: Adrien feeling left out in season four. (Note the following is a very rough draft)
Adrien: I feel like Ladybug doesn't need me anymore. She keeps calling in other heroes! Tikki: You need to talk to Ladybug and tell her how you feel! Ask her when she's free to meet up! Adrien: Okay, what should I say? Tikki: Tells him what to say.
This is solid advice, but Tikki is just handing Adrien an answer. He's probably not going to learn from this and may even flub up his talk with Ladybug without Tikki walking him through it because he's just doing what he's told and not coming to this path on his own. Contrast this to Plagg in his ultimate form (by which I mean mentor Plagg, not eldritch horror Plagg):
Adrien: I feel like Ladybug doesn't need me anymore. She keeps calling in other heroes! Plagg: And you're left watching from the sidelines every time? Adrien: No, not always. Plagg: So she's sharing the cheese now? Giving you slices instead of the whole wheel? Adrien: yeah, I guess. Plagg: why? Adrien: what do you mean why? Plagg: why'd she start sharing? Adrien: I don't know. Plagg: Huh. Too bad. If only there was a way you could find out. I guess it will remain a mystery. Adrien: (annoyed) Ladybug knows! Plagg: And? Adrien: And... I guess I could ask her? Plagg: I mean, if you started sharing my cheese, I'd be demanding answers! Adrien: I'd never share your cheese! Plagg: You promise? Never? Not even if you were starving? Adrien: Well, I mean, I guess I might if it was an emergency or something, but I wouldn't share it without a good reason! Plagg: And Ladybug's different? Adrien: What do you mean? Plagg: She does things without a good reason? Adrien: Of course not! She's brilliant! She always has a plan! Plagg: Interesting. Might want to keep that in mind for your little talk. Adrien: (after a thoughtful pause) So you think I should talk to her? Plagg: Is there another way for you to find out what's going on? Adrien: No. Plagg: Then why are you bothering me? Sounds like you only have one option!
Note that Plagg never gives Adrien a clear answer here. He just asks questions in a bored manner and lets Adrien think things through. He's guiding Adrien to a specific answer, but making Adrien really think about it, better prepping him for the coming talk. This mentorship style would drive Marinette crazy, but I think it would do wonders for Adrien! The difference is that, in this situation, Marinette probably already knows what she needs to do and is just avoiding it while Adrien genuinely needs help realizing that he can speak up. This doesn't mean that Adrien should never get direct, clear advice, I just wouldn't make that the standard as it's not helping him with his passivity.
All of this is a big part of why I love Plagg so much. That little cheese gremlin is just brimming with potential and it saddens me greatly that canon will never give it to us. They gave him the perfect personality, they just missed the fine details of how that personality should function as a mentor.
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pinkkop · 10 days ago
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Best BLs of 2024
To my surprise, it appears that we've entered 2025, so before I give myself over to the new year I wanted to share my 15 favourite BLs of 2024 in no particular order. Here we go!!!
🇹🇼 The On1y One
This show came complete out of left field and absolutely blew me away! The slow burn was just so delicious which I actually think is a pretty hard thing to do but with acting this good and a great production quality, it did not ever get too slow or too boring. I just wish they would get a second season because, as I've talked about before, I'm convinced the creators intended for this to be just the first season. I'm still holding out hope for a second season but I do worry that since we haven't heard anything concrete yet that we might not get one.
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🇰🇷 The Time of Fever
I already knew this was going to be good since I loved these two in Unintentional Love Story. This is actually very similar to The On1e One and did it just as well but with a slightly different approach. The yearning was palpable in the best way possible!
It's such a pity that it seems like the Korean BL market is struggling right now but this show was no disappointment. Would love a sequel to Unintentional Love Story now because I need to see these two finally get their shit together.
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🇹🇼 Unknown
Taiwan does gray area stories so well and this was a perfect example. It was so delicious to witness Yuan just love and yearn for Qian and just get stronger and stronger in the conviction that he was made for loving Qian. I'm also just weak for a character who doesn't think much of themselves and don't believe they deserve to be loved like their romantic interest wants to and then for them to finally cave to the persistence of their romantic partner. Could watch a trillion of those types of pairings and this show was a really good take on the trope.
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🇰🇷 Love for Love's Sake
This was an odd one but I really liked the concept. The acting, plot and production was really good and I liked how this added something fresh. It's a similar type of pairing as Unknown so again this was right up my alley. One of these days I should look at all my favourite shows and see how often this dynamic pops up because I bet it's a lot. 
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🇹🇭 Cherry Magic th
Is this the same type of pairing as both Unknown and Love For Love's Sake?!  You bet it is!!!
Tay and New were just so good in this. I loved that they're both actual dorks but Karan is just better at hiding it so Ashi believed Karan was better than him. In reality they were just the same and perfect for each other. Also I just absolutely love this version of Karan because, as I said before, he' was's such a dork and hearing his inner thoughts through Ashi's powers was such a highlight of this show. Favourite scene was in the bus when Ashi leaned on Karan's shoulder and you just heard Karan's internal screaming. Such a mood!! It just made Karan so much more down to earth and I think Ashi and Karan are one of the few BL pairings where I can imagine them being together for the rest of their lives because they'd be both best friends and lovers.
I did struggle with the Pai character because she was such a good female character and representation of the struggles a lot of woman have. I so badly wanted her to stay single and happy on her own and it felt unnecessary to pair her with Rock. Even more so because her Japanese counter part was actually asexual so I would have loved for Pai to have a similar story line.
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🇯🇵 25 Ji, Akasaka de
Just so much pining!!! And another character feeling unworthy of their romantic interest but I feel like this was slightly different, more in an idolizing way and Japan does that really well. 
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🇨🇳 Blue Canvas of Youthful Days
This was such a raw feeling show and s big surprise coming out of China. It felt real and raw without feeling like it was low quality. I loved both pairings so much and maybe I'm a masochist but I loved having my heart broken every week.
It didn't quite stick the landing but honestly, with it being China, I'm not surprised the ending got muddled and famously I don't mind when a show doesn't stick it's landing (See my love of HIStory3: Make Our Days Count). It's still worth watching so much and I will definitely watch it again myself. 
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🇹🇭 Every You, Every Me
I already enjoyed Top and Mick in their segment of My Universe so I was very excited for this one. This was also a nice surprise because I was just expecting another anthology show but the way they connected the couples was really clever. The ending was a little weak but again here, I didn't think it really hurt the show too much, it just meant this is a good show that could have been even more amazing.
I feel like Top and Mick really proved themselves in this and I really hope that we get more of them. They're a rare pairing that don't visually have a clear top/bottom dynamic while also being good enough actors to be able to both pull of playing both roles.
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🇹🇭 I Saw You in My Dream
This was a cute little show and I was happily surprised that they pulled off the more ambitious concept of the prophetic dreams. Both couples were really great and I had such a good time watching along. 
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🇨🇳 Meet You at the Blossom
Finally a Wuxia BL from China, by the help of Thailand and Taiwan. This was all I wanted it to be and I can't wait to see how these actors do going forward with them being Chinese and all. I hope we get more Wuxia BLs because this was soooo much fun. I loved both main and secondary characters and pairings and the plot was just the right amount of unhinged.
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🇹🇭 We Are
I was worried about this show having so many couples and episodes but I loved how they intertwined and balanced the pairings and gave us a show which was engaging and interesting all the way through.
I love me some found family and all the pairings were great in their own ways. I did particularly love Peem and Phum. It's the hurt character with walls so high all over again (adds another tally to the count). To be honest PhumPeem are still rotating in my mind to this day which I think is a testament to how well this show was executed.
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🇹🇭 Spare Me Your Mercy
This was such an engaging watch and it was so cool to get another BL which was really a romance second and another genre first. The crime and mystery of this show was really great and the production quality fit really well. I talked in this post about it struggling with only having 8 episodes which I wholeheartedly think is most of the reason why this show is just good and not absolutely amazing. 
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🇯🇵 Takara no Vidro
Another little gem of a show with characters who are perfect for each other but don't believe they're worthy of the other person. Japan does this really well so this was a success. 
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🇹🇭 Pit Babe
This was a wild ride with a wild plot and concept but it committed to the bit and made me really invested in the characters and made it easy to get on board with the ABO dynamic of this show and what it meant for the plot.  
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🇰🇷 Love in the Big City
This was a top tier QL! It's one of those BLs that are really more about the realities of being queer than the romance which is when a ton of people pop out of the woodwoork to debate whether this is a BL or Queer Media™ as if the latter is inherently better than the first, which is a ridiculous sentiment. Sure, if you don't want to call this a BL because the focus is much more on the realities of being Queer in South Korea then I'm not going to burn you at the stake but don't make this out to be better than BL as a whole. BL is Queer Media and not inherently worse or better than other queer media, especially the kind that don't focus on romance. Anyways, a small tangent.
This show is great and well worth a watch. I don't know if I'll ever watch it again personally because it just left me feeling so raw and too seen. 
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warpcoreweirdness · 5 months ago
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just finished season 2 of Lower Decks and i'm SO glad i tried this show again
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i actually started the show a while ago, but the constant easter eggs put me off.
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(i still don't know how non-Trekkie viewers are meant to get the jokes where the punchline is "reference!! 😂", but lots of people enjoy it so ymmv).
i stopped a few minutes into episode 2 after Rutherford agrees to quit his job as an engineer so he can watch the Trivoli pulsar with Tendi.
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i honestly thought it was going to be a storyline about a guy giving up a job he loves and making his boss angry so that he can spend time with a female friend he has a crush on, because that's the plotline i've been conditioned to expect from tv. i wasn't feeling excited about the show, so i put it on pause.
but if i'd watched for about two more seconds before noping out for a few months, i would've seen this:
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when i started watching again, i realised that the episodes never bog themselves down in drawn-out, uncomfortable storyline or character staples - they're actually incredibly well-written, tightly paced, and tell their stories in just the right amount of time. Rutherford wants to be Tendi's friend (at least for now), his boss Billups is really supportive, and Tendi brings a PADD into the Jefferies tube so they can both do what they enjoy, separately but together.
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another great part about that scene with Rutherford and his boss is something that Lower Decks does a lot, which is make jokes that actually rely on subverting audience expectations. a big example - and a way of referencing other parts of the Star Trek franchise that does work for me - is when the creators gently poke fun at or subvert common story beats, emotional arcs, or dramatic moments from other parts of Trek.
like when Rutherford loses his memory and Tendi is excited to get to know him again, rather than devastated that he doesn't remember her.
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or when they save themselves from being smooshed by Dooplers by dramatically ejecting the warp core of their tiny model starship.
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or when Tendi goes on an arc of significant personal development over the course of one (1) whole episode.
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they're general enough that even people who haven't seen other Star Trek shows (or movies) can still recognise and appreciate them.
beyond this, the show also has great moments where they (lovingly) cast a light on some of the flaws and foibles in the franchise, often in subtle or comedic ways.
like showing people in beep chairs living their best lives (in contrast to TOS and SNW's view of the beep chair as a tragic, doomsday fate for Pike).
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or using Tendi to comment on Trek's depiction of Orions specifically as all pirates and slavers, and alien cultures more generally as monocultures.
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or even just acknowledging that Trek shows mostly focus on the bridge crew doing heroic first contact-esque adventures, when that can't be all there is to Starfleet.
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heck, they even have Rutherford go on a journey of acceptance and self-discovery after a permanent memory wipe (in contrast to Uhura in TOS, where it's never mentioned again).
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another reason i really appreciate the show is that the creators have taken the time to think through what a more inclusive future could look like, in ways that are noticeably lacking or absent in many other Trek shows:
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beyond exploring diversity through explicit identity representation (which is still very important), it does this through its world building as well.
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i love this communal sonic shower scene for what it says about gender and body politics in Trek. in the future, why would we still separate bathrooms and changing rooms by gender? and why would we have the same views and expectations around bodies that we (by "we" i mean Western countries) do now?
this short scene dismantles the idea that nudity is inherently sexual, that gender is binary and biological, that some genders can't be trusted around other genders while naked, and that heterosexuality is the default (and when you bring dozens of alien species into the mix, why wouldn't we have more and newer ways of thinking about gender?). it even has a little mention that Boimler prefers not to shower with others, leaving space for people to act however feels most comfortable for them.
it's such a little thing, but after years spent (lovingly) yelling at the screen during TNG, TOS, DS9, etc saying, "why are they assuming everyone is straight? WHY would people be this sexist?", i noticed it immediately and appreciated it immensely.
(this isn't related to the storytelling, but i also have to say - the animation in Lower Decks is so pretty???):
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this isn't a perfect show, but it's funny, has fantastic storytelling, and it loves the source material without worshipping it. (which is not something i expected to say, given how it started).
plus i love these characters SO MUCH.
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so far, so very good 🤞.
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(image descriptions in alt text)
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pretty-little-mind33 · 14 days ago
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Hi lovey!
I hope that you are doing swell and had a wonderful Christmas and holiday season! First off I just wanted to say how much comfort and joy your fics bring me. I’ll often refer back to them whenever I’m overwhelmed or anxious about life (trying to catch my breath as I write this currently haha) and that got me thinking about how the different characters would react to a reader who is anxious or struggles with anxiety attacks? Like how sweet and understanding James would be or how Dave would try to be comforting but might be a little awkward and not know how to handle it at first 😂 And I fully believe that Tan has had his fair share of anxiety before and knows the best way to calm the reader down. Anyways, I’d love to hear your thoughts about how you think they’d react because you truly write them the best I’ve ever seen 💛
hi babes!!
thank you for the sweet words, i'm so happy to hear my fics make you feel comforted when you're feeling anxious!
i think James would be such a sweetheart to an anxious!reader. he definitely knows all the tricks that make you feel better (and he'd use them immediately, like he just suddenly has a warm tea in his hand or a bath ready), and he's GREAT at giving comfort hugs if you need one 🥺 he'd def the best boyfriend for an anxious!reader because he is so thoughtful and attentive!
Dave would try his best, but as you said, he'd be very nervous to mess anything up so he might just end up just stressing you out more without even meaning to (i think Pietro would fit into this category as well). So, i think they would try and give you space, while still be there for you if you really need someone. like they'd shut up and just hold you, because them talking and rambling and freaking out because they hate seeing you like this, only makes things worse 😪 they don't mean it, they're trying their best!
i agree with you that Tan is definitely as anxious as an anxious!reader. his anxiety just manifests as anger and a temper. so i think in the beginning, if you start to express your anxiety, he would be very impatient because it would trigger his own anxiety and he hasn't quite figured out how to deal with his own, never mind yours. However, when he sees that his impatience only drives you into a panic, he'll calm himself down (he's great at solving his problems for your benefit, not for his, yk?) once he's calmed down, he'll talk to you and try and solve what's wrong. he'll apologize and his voice will be soothing and he'll promise to figure this out together. Tan will realize that talking you through your anxiety, actually helps with his own so it's a win win!!
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hermitscratch · 10 months ago
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imp n skizz + 27... the besties. did you know skizz irl sometimes kisses impulse n the cheek. to annoy him
Send me a pairing + a number! || Accepting
27. A platonic kiss, Impulse/Skizz, 873 words
This may have been the greatest day of Impulse's life.
The exhilaration of starting anew had hit him full force. The space between seasons had been spent dreaming up builds of grandeur, and he was finally able to see what he was working with. Better still, he had a partner in crime to share his vision with. Providing Bdubs his first clock was a point of pride, and Bdubs had accepted it with promises of a great future ahead of them.
He'd made momentous progress. Maybe not on the scale of Doc and his villager operation, but the humble underground iron farm he and Tango constructed would serve them well. The land that would become a sprawling cyberpunk city was sectioned off. His strip mine was fruitful, piles of diamonds to be fashioned into armor and equipment as needed. Everything was coming up Impulse.
When the day was over, the rest was well-earned. The Mountaineers, as Scar had named them, reconvened to share dinner around the fire. He took the chance to wash up in the river- a water well would be a tomorrow project, once he had a place to lay his head that was more permanent than the blocked off mouth of his cave- and laid down for a good night's sleep.
...Any minute then.
Impulse rolled onto his back and sighed. It didn't feel right, and Impulse knew what was missing.
This may have been the greatest day of Impulse's life, because Skizz was there.
Skizz was there, and so much as thinking his name made the thread connecting them hum. Before Skizz was a hermit, when Impulse had been summoned and made the decision to stay, it was easy to ignore. The proximity now, though, made it impossible. His very soul knew its other half was near, and Impulse longed.
Skizz hadn't wanted to be coddled. He was determined to stand on his own two feet in this server of building gods and redstone masters. It was with full support that Impulse had agreed to let Skizz forge his own way, neighbors instead of roommates.
...But surely Skizz wouldn't mind a late-night visit, right?
Impulse relit the torches by his bedside. He didn't change, just throwing on his shoes. On his way to the door, he wondered if it would be worth taking his wings out. It would make the trip incredibly short, at the cost of nearly guaranteeing he'd spend all night at Skizz's. He wouldn't mind, but if Skizz did...
"Aaah!" A yell made Impulse jump as he opened the door, snapping him out of his thoughts. An equally startled Skizz stood in the doorway, a hand on his chest as he settled down. "You scared the dookie right outta me, dude," He said, heaving a breath, "Don't you know it's like, dumb o'clock in the morning? Nice jammies though," Skizz snickered.
Impulse snorted. Skizz was wearing a matching set. "These old things? Aw, they're nothin'," Skizz barks a laugh, and Impulse chuckles with him, a line of tension leaving his shoulders, "I know it's dumb o'clock in the morning, what're you doing at my front door?"
"Well I- y'know, I was in the neighborhood," Skizz started, wings held around his shoulders like a mantle, "And I'm thinkin' to myself, I think, y'know... I'm really feelin' it! And if I'm feelin' it, my best buddy over here, Mr. Impy Dimpy Dippledop, well, he's gotta be feelin' it too, right? Am I right? I bet I'm right," Skizz poked at Impulse's cheek.
Impulse huffed fondly, lightly smacking Skizz's hand away. Nobody could manage to be longwinded and straightforward like Skizz could. "I might've been on my way to yours for the same reason," Impulse admitted.
"Good thing I beat you then," Skizz cackled, "I don't have a bed yet!"
"Skizz!" Impulse laughed, "That's the first thing you do!"
"I was excited, okay? Some stuff fell through the cracks!" It only made Skizz laugh harder, "Are you gonna invite me in or not!"
"Okay, okay," Impulse placated once their laughter calmed into the occasional giggle. He stepped away from the doorway and gestured Skizz to follow him inside, "Come on in, make yourself at home. Don't forget to shut the door behind you."
Impulse heard the door close. The place was basic, really, meant for function over form. A double-wide bed, some chests for storage, and the simple wall that separated the space from the outside. There was a joke on the tip of Impulse's tongue, something about excusing a mess that wasn't there, but it's forgotten the moment he feels arms around him.
Arms, and then wings, warm and white and all-encompassing like a blanket settled around his very soul. If Impulse looked behind himself, he was sure Skizz's halo would be showing. In turn, Impulse's horns grew. Dark scales climbed up his arms where he held Skizz's arms across his chest, and his tail found purchase around Skizz's leg.
Skizz squeezed him in a hug, lowering his head to leave a kiss in Impulse's hair before burying his face in it with a content sigh that made Impulse want to melt into bed and never get up again.
"Yeah," Skizz mumbled, soft and tired, "This is home."
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ladytesla · 11 months ago
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Cowboy Halsin
I saw @aerynwrites musing about how Halsin would be as a cowboy or rancher. I thought I'd throw in my two cents, since I live on a farm myself.
There's more to it than just seeing Halsin speaking softly to horses, as awesome a sight as that would be. There's more to living out in the country than horses, believe me. This kind of morphed into Country Halsin and not Cowboy Halsin, but I hope y'all like it anyway. Let's go through a day in the life, shall we?
Halsin would probably be up before dawn, kissing your cheek before getting out of bed as carefully as possible, trying not to wake you. You have your own goals to accomplish today, he wants to let you wake up on your own.
Besides, he loves the stillness just before the sun rises. The nocturnal creatures are seeking their nests and burrows, the diurnal ones have yet to wake. This solitary commune with nature is one of the highlights of his day, listening to the wind in the leaves, the crickets and the frogs. It is a very referent time of morning that seems to stretch for ages and at the same time end far too soon.
As he reaches the barn, the day officially begins. Animals need to be fed. Mostly they graze in the pasture, but some need special treatment. An old swaybacked mare needs a little something extra to keep her weight up. Maybe there's a colt who managed to hurt himself somehow, and the wound needs to be tended to. Maybe it's cold outside, so he throws out alfalfa with the hay. Alfalfa is also called 'hot hay' because it raises an animal's body temperature, which is a great trick for winter.
He speaks to the horses as he works, maybe fondly berating the colt for being so clumsy in his excitement, or encouraging the mare to eat everything he's set out for her, smoothing a large hand down her side and smiling to himself when he feels her ribs much more faintly than he used to. One of the horses who is usually waiting in the mornings isn't there... that's a bit odd. He'll turn up eventually. The chickens milling around outside have heard his voice and know The One Who Feeds Them has arrived, so they peek around and wander into the barn themselves, waiting very impatiently. The goats in another small paddock nearby are just as impatient. They start yelling and bleating as if they're starving to death and He Is A Cruel And Unjust Father And They Are Going To Scream.
He likes hearing the chickens chatter as he scatters out feed for them. They don't have anything of real importance to say, but they never stop talking. Mostly it's "Food! Food! Food! Bug? Food! Scratch. Peck. Scratch. Bug!" in a dozen warbling little voices. He brought a bag of veggie scraps from last night's dinner with him to throw to the goats, which stops them yelling. "I don't think the neighbors heard you yet," he would say dryly as he throws hay to them as well. Sometimes they headbutt each other for access to the best morsels, and while he wants to prevent this to keep anyone from getting injured, he knows it's in their nature. He keeps an eye on the smallest and oldest, however, making sure they get their fair share. The twin kids born last week toddle after their mother like baby ducks. It seems like she has enough milk for both of them, though he still has powdered formula and bottles from the last kidding season, just in case they're needed once more.
Now that everyone's been fed, it's time to walk the fences, looking for that missing horse in the process. A lesser known but very important job when it comes to country life. Any breaks could not only let animals out, but predators in. He'd keep an eye out for signs of predators nearby. He hasn't seen any today, but he heard coyotes crying out in the darkness the night before. By this time of morning, though, he has company. You've made your appearance, bleary-eyed and handing him an insulated cup of coffee. You're already on your second.
The fog from earlier hasn't been burned off completely by the sun yet. It's a quiet time for the two of you to walk the property lines together. Halsin is a bit concerned about that horse. He hasn't shown up yet. Soon, though, he sees a silhouette in the last bits of fog, and sighs with relief. The horse isn't lying down from illness, he's just... trapped. The two of you look at this big strong chestnut gelding, eyes rolling and sides heaving, barricaded in the corner of the pasture because... there's a rabbit in the way. A fat little gray-brown bunny, nibbling delicately at the grass without a care in the world. Truly a terrifying sight to behold.
"Arthur we've spoken about this," Halsin sighs as he walks closer to the horse. "Rabbits can't hurt you. They eat plants, and they're tiny. Look!"
Still, Arthur isn't convinced. Halsin soothes him, stroking his nose and smiling to himself at the absurdity of it.
"My heart," he glances to you, "please convince our visitor to release Arthur."
You smile as you shuffle closer to the rabbit, gently shooing it back through the fence. Now that Arthur is out of mortal peril, he happily walks off towards the barn.
"They're majestic creatures," Halsin admits, "but sometimes..." He shakes his head, then keeps walking the fence. "Come on, my love... we're only halfway."
~~~
A round bale is delivered around lunchtime. The thing is as tall as you and just as wide and weighs an ungodly amount. But it needs to go out into the pasture somehow. Moving a round bale is a two-person job. Your job is to hold the gate open and keep the curious horses at bay... and to watch as Halsin, sleeves rolled up and muscles bulging, easily rolls it into the paddock as though it weighs nothing. He barely has time to set the feeder ring around it before the horses are nosing greedily at the fresh hay.
"I wish I could help more," you say as you close the gate.
"You help plenty," he replies, wiping sweat from his forehead. "Besides..." There's a faint glint of mischief in his eyes. "I've flattered myself into thinking you like to watch."
You grin and say he's being ridiculous, but you both know the truth.
~~~
As active a man as he is, Halsin isn't content to spend the heat of the day indoors. There are still so many things to be done. Bird feeders to fill. Eggs to collect from the chickens. The vegetable garden to water and weed. Water troughs to top up. Finally, there's a little time to take a break. Sometimes you have other things on your schedule, but today you decide to join him. The two of you find a shady spot under a tree and settle in with a book, some whittling, perhaps a snack, and you let yourselves get lost in nature. The afternoon sounds are different from the early morning ones. There are no crickets or frogs, no reverent stillness. Now there are raucous little songbirds fighting over birdseed, the chatter of a squirrel, the crow of the rooster, maybe even the far-off braying of a neighbor's donkey a quarter mile away. The windchimes you hung from the back porch. And underneath it all, the wind humming in the trees. Halsin leans back against the rough bark of the tree, closes his eyes, and feels the undercurrent of life running through all things. You can't help but admire the sheer expression of peace and happiness on his face, and set your little diversions aside to lean your head on his shoulder. His arm instictively wraps around you to pull you closer against him, and you enjoy simply existing as part of nature for a while.
~~~
The sun is about to set, casting mile-long shadows and lighting up the fields like gold. It's nearing time to go inside and help make dinner. But first the old mare and the colt need to be tended to once more. Another helping of special feed for the mare, sequestering her in her stall so that she can eat in peace without a certain someone (whose name may or may not be Arthur} attempting to share. The colt's wound is healing nicely, and Halsin digs in his pocket for a cookie in exchange for the colt standing still enough to be treated. He tosses another cookie to Arthur who protests that he too needs special food because he is a special boy.
He comes inside to clean up and help with dinner. He'll need to go back out in an hour or so to let the mare out of her stall, but in the meantime he's happy to be in your company as you maneuver around each other in the kitchen. If you're cooking, it may be a bit difficult with those big arms around you from behind. The two of you have been busy all day, and now that you're done with your work, he has decided to make things a little difficult.
"Love, please, I need to get to the spice cabinet." "I can reach it just fine. Tell me what you need."
"Halsin, I can't work with you right behind me like this!" "I fail to see how this is a problem, my heart. I'm having a wonderful time."
Halsin is normally a mild-mannered type, but his sense of humor sneaks out in sly ways from time to time. At least he hasn't broken out the horrible puns yet. And you have to admit, it's nice to be able to feel his deep voice resonate against your back.
Halsin is ready to sleep when it's time for bed (as long as you are too, of course. He's always up for 'extracurricular activities' if the mood is right). "We did well today, my heart," he says quietly in the darkness, pulling you close. "Pleasant dreams." He can hear the faint sounds of frogs and crickets outside your window, and that coupled with your soft breathing is enough to lull him into a deep sleep.
Was it a long day full of hard work? Yes.
Would he trade away any of it? Never.
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userautumn · 2 months ago
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You are always 100% right and valid btw. Because like buck and Tommy are broken up, but you also have several interviews released today where Ryan calls Buck and Eddie “brothers” and where Oliver explicitly says Eddie is straight so they will most likely continue to be just friends. So if it wasn’t for Buddie, what was the point in throwing away a relationship the audience was actually behind??
Yeah, this has always been my problem with the idea of Buck and Tommy breaking up and, now that it's happened, I can finally unload all my thoughts.
Listen, my Buddie mutuals are very assured that Buck and Eddie will get together and have this lush and beautiful arc where they settle into a relationship and feel out the kinks in their dynamic and really blend together, and I respect that. I would love to see that happen. But I don't have that same confidence. Don't get me wrong, I DO think Buck and Eddie will probably get together, I just don't think it's going to happen until the last episode of the last season in a way that's more reminiscent of Johnlock "canon" (for those who did not watch BBC Sherlock: John and Sherlock continued to live together and raise John's daughter, but this was revealed in a montage without ever actually seeing them get together, or confirm that they were in a romantic relationship) than anything.
Why? Well, because it's easier to tease your audience than it is to follow through.
Don't get me wrong, I don't think Tim is teasing the fandom in a malicious way, and—if nothing else—I know he is very aware of what these boys and the implication of their relationship means to people. 9-1-1 has always handled their relationship with a particular gravitas, and I don't see that changing now. But Tim has been writing Buck and Eddie for years. He knows what gets people going, he knows what this fandom likes to see, and what they'll read into. So why would he rush into making them "endgame," especially if he knows he already wants to take them in that direction? He has no incentive to make it happen Right Now because everyone will lap up what he puts out anyway.
And I get it, because I do love Buck and Eddie's relationship. I love the way they interact with each other and, yes, I will lap up any scene between them. But that's the part I find so draining too. I'm going to be honest, I've never liked a "will-they-won't-they" couple. As a personal preference, I've always liked to have a clear vision of a story's trajectory when I go into it. That's how I write, and that's what I gravitate toward in fiction. So the idea of going through any number of love interests until Buck and Eddie are "ready for each other" (so sick of that phrase. sob.) is literally... exhausting to me, and not in a fun way. Because this is a loop that could theoretically continue on, and on, and on, until whenever the powers that be decide enough is enough.
Sure, Eddie is happy and free now. Great. But he still doesn't know he's Queer. What happens when he does realize that? Does he need to date a guy first in order to be "ready" for Buck? Similarly (because their romantic arcs always run parallel to each other), when Buck fucks and sucks his way through Los Angeles, does he stumble upon a hot girl/guy and date her/him until Eddie's "ready" for him? How many times, exactly, am I going to sit through another love interest until they're on the same page after, by my count, three false starts? You know?
I'm obviously along for the ride. Always have been, always will be, and I fought too hard over the summer to maintain my love for these boys and their relationship to let it waste away now. But I desperately, desperately need Tim to give me something substantial that CLEARLY, and EXPLICITLY indicates IMMEDIATE strides toward ROMANTIC Buddie Canon. And I mean crystal clear. Not "building a thousand words of meta off a single line/moment" clear. Not "this look probably definitely means Eddie was thinking about ripping Buck's clothes off" clear. I mean, I want it so damn clear, a sixty-five year old grandpa with cataracts can see it.
Otherwise I'm just going to get really annoyed.
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fillingthescrapbook · 1 month ago
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Let's Talk About Misfits and Magic Season 2
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I love Aabria Iyengar's mind. I love the way she creates a story that is many levels of profound--but, still, at its core: is about being good, doing good, and hoping for goodness in a world that's wrapped up in different shades of bad.
Around midway through this season of Misfits and Magic, I stopped sharing my thoughts. Not because I didn't have thought to share. It's mostly because I have complicated feelings with this show. I have not made it a secret that I didn't really care for the first season. Nor the holiday special. And I really didn't like how fans of Dimension 20 were so divided about this title because of its connection to a franchise we don't want to like anymore. Because of many reasons. This season did turn things around for me--but the feelings didn't become simple just because I liked the world and the characters more now.
When I write my reaction posts, I make a list of observations. Thoughts and reactions that I then try to turn into a coherent essay. It's really hard to do that with this season. I feel like I was working through my own history and connection with fantasy, of how I became enamored with the genre, alongside the magical misfits journeying from island to island encountering the many forms of magic. Magic that were tied down, bound, and made simple--but is allowed to be messy and unwieldly again. And, now, after the finale: magic that's allowed to be simple again, but not because it was distilled--but because it's been given a new definition. A more apt definition.
I fell in love with Danielle Radford while watching Mentopolis (and, aside: I love that Danielle remembered 57 as Alex Song-Xia's favorite number). But it's this season of Misfits and Magic that really gave her a spotlight of what she can do. Maybe only a sliver of what she can do. But from what was shared with us? Danielle is an emotional powerhouse. Episode after episode, she hits us with emotional beats that network or streaming television shows would kill for.
Then there's Lou Wilson. This may not be a well-shared opinion, but I feel like Misfits and Magic has Lou at his most reserved. And it's not a bad thing. He's letting the other players go buck wild, and he's the one who's grounding everything down. And we really see the importance of a straight man with Lou's performance. Because some of the most emotionally-charged moments of this season wouldn't have been as powerful had it not been for Lou's reactions.
Erika Ishii has always embraced the goblin-gargoyle characterization they've been given. I think that's most true with their Misfits and Magic character. And while K/Dream/Etsy Bit.ly Spider is never one of my favorite Erika characters--they still managed to make the character so engaging that you can't help but be pulled into their orbit…and want what's best for them.
And then we get to Brennan Lee Mulligan. For the man who doesn't get to play a lot of TTRPG because he's almost always behind the DM's screen--it's really refreshing to see him go balls-out with every decision his character makes. I, ultimately, still ended up not an Evan Kelmp fan after the finale--but there truly is something magnetic in the way Brennan plays him that you want to root for Evan. From afar.
That said-- I am still very against the Sam-Evan 'ship. Now more than ever. During the scene where Brennan and Danielle were trying to vocalize what happens now to their characters' relationship, and the situation and feelings that lead into this development…it kind of put into words my discomfort with them becoming a couple.
Evan is, ultimately, a broken person. Sam is too, but in a different way. Evan sees Sam as the person who brought some good into his life, and I feel like that's doing a lot of heavy-lifting in what he's feeling for her. And I really don't think that's fair to Sam.
Do the two actors have great chemistry? Yes! They're just describing scenes together and we can feel the romantic tension between the two characters! But that's not enough for me. I want someone better for Sam. But that's a discussion for, maybe, another season of Misfits and Magic. Maybe.
If there's anything I've learned with Season 2--it's that Aabria, Lou, Erika, Danielle, and Brennan are GOATs. And if they feel the need to revisit this world, we're going to get something truly magical.
I'm glad I gave this title another try. I guess I have to thank the haters who prodded the petty side of me into watching this live and not just taking a break from actual play for a bit.
That said… I really do hope that Aabria's next game on Dimension 20 isn't a sequel. Because I can't wait to see what new system Aabria is going to introduce next.
(Also, just to add: the editing of Dimension 20 is getting better and better--and it was never a slouch to begin with. And: Carlos Luna as Tabby in the last two episodes was very much missed. Aabria is great--but there's a certain mischievous sweetness in the way Carlos voiced Tabby that was just pure magic. Now, cut the feed!)
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batsplat · 6 months ago
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speaking of smallville now that was certainly a show. how many seasons did you manage and when is it best to stop? I am currently at s2 and already I would kill every other character for lex, wyd it’s only gonna get worse 😭
lmaooo okay so I got to. six. which actually kinda kills me because I swear I poured my heart and my soul into that stupid show, it drove me insane it left me a lesser person and I BARELY GOT HALFWAY
my basic analysis of the default journey with that show that I'm going to pretend is universal is like. it hooks you with something compelling in s1 and you still have enough naive faith to give it benefit of doubt that the writers actually know what they're doing, because you just wanted to have a bit of fun but, hey, these characters are actually more interesting than you expected!! then in s2 you're starting to get doubts but you're already kinda too deep. then s3 breaks your sanity and makes you scream and at this point you just see how far this shit goes. then s4 is.... mid..... but is also in a way the last remotely palpable season? and then at some point in s5 you're just like. wow I don't even enjoy the hate watching any more. and s6 is. yeah. eventually there was one storyline that is so insanely uncomfortable that it's just. enough. enough!
[mild spoilers to follow]
if s2 drives you insane on lex grounds then!! boy!! s3!! the thing about s3 from lex's pov is that. okay it's extremely angsty and does increasingly radicalise you... I have to say I started this show in a very innocent jokey 'oh ho ho I heard they have some good superman/lex luthor queerbait in that noughties show!!' and was ready to be a lex fan like. as a bit. and y'know my readiness to adopt morally dubious characters is pretty high anyway. but the first few seasons made me go?? okay but he genuinely isn't even the villain?? like I'm not even saying this for the bit, he LITERALLY is not the bad guy in this story?? guys??? and then by the end of season 3 I had been completely radicalised to the 'Actually Lex Luthor Should Turn Evil And Kill All Of You People And I Will Cheer Him On' stance. but what really, really, really kills me is that after all that, they still manage to bungle his transition to evil. like, they ignore all the very obvious reasons for why lex would turn evil after all that, and just come up with completely new ones? that have fuck all to do with this character you've been writing up to that point?
and the worst bit. the WORST bit. is that after all that, he literally does not even have fun being evil. like, you know that season one episode where he's being mind controlled and does his gay little swagger. this scene, yeah:
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first of all, again, they ended up erasing lex's canonical motivation for turning evil, which is being so queer-coded he might as well be wearing a sign with slurs around his neck while he's stuck in a small town in fucking kansas. like "you think I don't see the way your parents look at me? the way half the town looks at me?" okay, great, love how this entire arc is eventually concluded by having the show say the entire town including clark's small-minded parents were 100% right to be suspicious of him, that there was something fundamentally defect with him basically from birth and he was always going to turn out to be evil. I feel like you definitely thought through the implications of what you wrote here!
but never mind all that, my actual point is that lex is having fun here!! this is one of several episodes where they're 'foreshadowing' lex turning evil by 'having a paranormal reason to make lex evil for a few minutes' (some subtle writing, this), and he's generally having a lot of fun with it!! he's leaning into the camp of it all!! he's freed from all his nasty and completely unnecessary inhibitions like 'not killing everyone in smallville' which. good. and he's just having a great time. and then he becomes a villain and he's literally just miserable all the time!! it sucks!! like omg if you're going to butcher his writing and ruin the character then at LEAST let him have some fucking fun?? at least let him experience joy at his own depravity or whatever? like he doesn't even get to do any fun villain monologues at clark, he's literally just sad clark isn't his friend any more while clark is giving him the homophobic dog slur. and then also about twice a season something paranormal happens to clark and he physically assaults lex to the point where he like, almost kills him, and then after that everyone pretends it didn't happen and clark never apologises and continues to burst into his room demanding answers. like omg?? lex, they hate you anyway, can you please just attempt to shoot clark?? also, obviously the turn to villainy should have been in large part motivated by lex finding out clark's secret and going?? the fuck is wrong with you for not just SAYING this?? (plus finding out everything clark did to lex in season three to keep his secret like it's genuinely so fucked up #lmao) but. I hate to break bad news to you about where we're at with the whole 'does lex know clark's secret yet' situation at the point where I gave up. genuinely what is the point of all this building and perfectly interesting character work if you're NEVER gonna deliver
but quite possibly an even worse sin of the later seasons that genuinely broke my brain was the treatment of lex's father. like, not to give the game away too much here, but the show's philosophical stance on rotten apples ends up being.... well. it's interesting which characters this show feels is worthy of redemption!! also interesting when they retcon several seasons of writing for the show that already very much set up why a character would actually perfectly legitimately go insane and instead settle for 'well his father sure did know there was always something wrong with him'!! watching some season 3 and season 5 episodes back to back would leave your face scarred from the amount of whiplash in the writing. the whole thing's kinda incompetent and dumb but is also like?? actively a little bit evil when you really think about the implications of what they're writing here
anyway. it's a brave stance on superman to go 'okay but what is being a superhero really about if not a whole whole lot of gaslighting'. and I do love the clark stalking room!! but the problem is, they could've played the clark/lex dynamic in a kinda tragic 'wow clark really has been so blinded by his parents that he's gonna end up destroying his relationship to lex because he just can't be honest with him and lex really needed one person in his corner who actually trusted him but clark wasn't the right person to provide that' way. they could've played it in a sort of fun 'yeah this is kinda fucked up and weird and toxic how they simply cannot stop doing dubious shit to each other' way where you just kinda roll with how terrible the whole thing is. but they don't go for either of those!! they're so stuck with treating clark's parents as the moral centre of the universe, with their "marriage is SACRED, clark" schtick and all that (yeah, there's an episode where clark gets lectured about the importance of the bond of marriage, this is a thing that happens) that they're blatantly unaware of what story they're telling but ALSO just refuse to lean into the batshit insane elements and just have!! fun!! and it's one of those things where you really do feel like an idiot for even thinking about this stupid fucking show so!! much!! but I swear, I swear they had a dynamic that hit like crazy in season one... also some of the fic out there for them is CRAZY like it kinda does make it all worth it but still!! still!! this shit infuriates me!!
anyway, here are some bonkers plot bits I remember happening in this show for you to enjoy if you continue in this endeavour:
the lex luthor slut shaming episode
clark kent slut shaming lex luthor, which is conceptually funny anyway but becomes funnier if you just read it as clark being unable to figure out he is actually just subliminally attracted to his friend. like, okay, clark being disappointed at lex for sleeping with thirteen different women, I see you
like. multiple lesbian lana moments. she's constantly getting herself in lesbian situations. and I get this is some kinda weird fanservice-y shit from the showrunners but, sue me, I thought lesbian vampire lana was cute
which is a thing that happens
they get spike from btvs to tell clark vampires aren't real, which is the one funny thing they wrote in about a season
the native american stuff is always deeply uncomfortable but it becomes even weirder when they invent some native american prophecy *deep sigh* to explain how lex was always evil
clark steals a car from lex several episodes after committing like, one of the most obscene acts of betrayal it is possible to commit against a friend (lex is unaware of this and possibly never finds out? I think the writers maybe forgot about this.) and lex is just like. it's fine <3 I know friends sometimes have to do crazy shit for other friends!! you're my friend, right?? and clark goes... yeah. sure
I vaguely remember lex buying stuff the american football high school team at some point and showing up to the lockers to give a speech and it's just?? this is right after the friendship break up and it's basically lex talking right at clark and he's talking about the importance of fresh starts and it is so fucking funny
the one episode where lana is in paris. they had built up to this for ages as like a whole thing where lana finally frees herself from that miserable town and all the people in it (don't ask how the 'lana knowing clark's secret' situation develops. it doesn't) and then she's there for. one episode
martha kent tells clark how they can't harbour illegal immigrants at one stage?? she eventually changes her mind I think but what even was that all about
the papa kent goes into politics arc. shoot me
lex becomes like. possessed by zod. which somehow manages to make everyone involved more dull
silver kryptonite makes clark paranoid, which ends up being pretty funny because he genuinely talks the exact same way
lex thinks clark can throw him across the room because he's been hypnotised
lex starts capturing various clark super powered friends and delivers these gay villain monologues to them (like genuinely, in one of them he's got shirtless aquaman strapped to a gurney and he's like, leaning over him, teasing him with a glass of water) and they're some of the best bits of the show
clark discovers the clark stalking room, which I will say was very funny
chloe basically saying lex always sends clark these massive gifts as a way of keeping his affections which?? clearly true but I thought we were keeping that the subtext
clark gatecrashes lex's wedding high on red kryptonite
one of lex's old bullies gets killed by like, a statue falling from the top of the building they're standing next to and stabbing the guy and then some of the blood splashes on lex and he's just like ?? bleh. fantastic scene
and THEN there's several scenes with his father where lex is like 'well that sure was a nice shirt :(' and lex's father is berating him for his lack of humanity. or something
there's an episode where lex is split into good lex and evil lex and it's genuinely the only worthwhile thing the show did that season. like the writing is still kinda incoherent but, crucially. it sure is fun
the spirit of lex's mum tells him she thinks he sucks
worst show in existence. I'll never forget it
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melbatron5000 · 8 months ago
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Missing scenes?
Please, go insane with me. Again.
I'm still digging through the chiastic structure looking for Clues, and BOY HOWDY am I finding them.
Number one, I'm pretty certain I found TWO middle points.
There's one spot where the current show as it is meets up and extends out from. And another spot that isn't, but which I think is the True Middle. And I'll tell you what, I came at it a little bass-ackwards, and somehow accidentally wound up with the True Middle before I came across what I've been calling the Fool's Middle.
Okay. Great. Yay me. When I first found the Fool's Middle, I thought it must be the True Middle, and I'd been messing up this whole while. Except, I've been finding some very clear matches in some odd spots to the "right" of the middle, if we lay the story out in a left-to-right order. That shouldn't be. Chiastic structure is a mirror. Matches should be on opposite sides of the middle. But my assumed middle is working out MUCH better than the middle that actually falls in the center.
What the what.
Unless we're missing scenes.
Which brings me to find number two.
Several people have suggested that the scenes might be out of order, given the vehemence that Crowley shouts this at the demons before they attack the ball. I thought so too, and I figured the chiastic structure breakdown would show me what order they belong in.
Well, almost.
As I busily sorted through looking for mirror parallels, I started to notice that there's one chunk that has no real matches on the other side of the middle. Not the Fool's Middle, and not the True Middle. No real echoes, either.
The Resurrectionists minisode.
The present-day scenes that are interspersed with the Resurrectionists flashbacks have parallels. Just not any moments from the actual flashbacks themselves.
I figured I must just be blind, and decided to comb through that particular bit more thoroughly.
Here's the first thing I found:
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Note 138: "We do a miracle so no one knows it's him, now no one knows it's him. Nice one, us." Hand-written note: "It's definitely Gabriel."
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Note 134: Crowley brings Aziraphale to see the Gabriel statue in the 1700s. (1827, I know. They're notes, bear with me.) Hand-written note: "It's definitely Gabriel." "We do a miracle so no one knows it's him."
Okay, awesome, so there ARE mirror parallels in the Resurrectionists minisode. When Aziraphale says "it's definitely Gabriel" mirrors when no one knows it's Gabriel. Cool. No missing scenes. Yeah?
Oh, no. Not so freaking fast. Here's the next thing I found:
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Note 160: Wee Morag is shot. (By the grave gun.) Hand-written note: "You are out of order!"
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Note 161: "YOU ARE OUT OF ORDER!" Hand-written note: this is pretty much where the mirror of the Resurrectionists minisode should go.
Yeah. You'd think Wee Morag getting shot would have a solid mirror, right? But it doesn't. Unless you count Crowley yelling about demons -- or something -- being out of order. Hmmmm . . .
Okay, let's keep digging.
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Note 171: Crowley vanishes down a hole. Handwritten note: Something's wrong -- like a hangover.
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Note 170: Something's wrong, go to my friend. Hand-written note: Crowley vanishes down the hole to Hell.
Hot damn. Here we go.
Believe me when I felt a little bit like Aziraphale reading that his cocoa doth grow cold. A tad like Crowley was yelling right at me. At least, for a moment.
I can't find any other mirrors for Resurrectionists. I've looked. I'm not seeing anything.
Crowley can tell something isn't right. Something else is meant to be happening now, not a demon attack. And to him, it feels like a hangover -- that laudanum hangover, that ended in him getting sucked to Hell.
In the book, we learn that Crowley has a fine time trying to describe helicopters to Leonardo Da Vinci. In the Resurrectionists minisode, he tells Mr. Dalrymple he might want to wash his hands.
I don't think Crowley can see the future. In season 1, when Aziraphale asks him how the end of the world is going to go, he says rather irritably that he's never done it before, it's not like they let you go round again until you get it right. I don't think Crowley knows precisely what's wrong or what's meant to be happening when he feels that hangover mirror -- but his talent is time, and through that sense, he can tell whatever's happening isn't right.
Thus why he demands of the demons -- what are you doing here? What are any of you doing here? And then tells them, you are OUT OF ORDER!
The demon attack has plenty of parallels, it is supposed to happen -- but it's not meant to happen just yet. It's too soon. We need the Resurrectionist parallels first. Once we have those, the Fool's Middle falls away, and the True Middle takes its rightful place.
Now, my big question: WHAT HAPPENED TO THE MISSING SCENES?
I'm NOT a fan of "The Magic Trick You Didn't See" theory. I don't think the Metatron has Dicky Bird to do with re-writing the Book of Life, which, by the way, we have no evidence of one way or the other even functioning as described. We have three different characters tell us two different things about it, and we never see it in action. Also, the only things that are missing and that has Crowley out-of-sorts are the Resurrectionist parallels. We're missing a couple of scenes that should match those. Just a few things. But important things, I should think.
Who took them? What events now suddenly didn't happen? And why were they taken?
Listen to me, I'm so wrapped up in this I'm writing like this is just fact. These are my thoughts. The chiastic structure has yielded some awesome stuff, stuff I think is really true. Is this true? Do I have this right? I don't know, and I've certainly been wrong about stuff before. But I do think I'm on to something here.
Also, now that I think of it for a moment, those are maybe not the right questions. DID someone take the missing scenes? Or did time jump forward past them? If time did just skip ahead -- hello, book shop clock -- why did it do that? And why can Crowley tell it did it this time, but isn't concerned about the other times? We all know about the book shop clock jumping ahead during the kiss scene, but the damn thing jumps ahead almost every time it's in a shot. Always ahead, though, never back. There are a lot of references to time, so I think it's important somehow.
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starreyblueberry · 3 months ago
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Hey! How are you doing? I hope you're doing well!
I have a few thoughts on my mind about Timmy, man I miss him so much! I know we have the original series to watch but still. (So sorry that it’s long one!)
I would imagine that Timmy would turn out to be a great man with a good job, a lovely husband and father to his family.
I think maybe his job would be a lawyer, writer or a job that helps children with problems of their own like social worker or something.
About his wife...
I'm not quite sure about Trixie because I have mix feelings about her. She seems to not care about Timmy at all. I know they're still kids and we have no idea what happened as they grow up after the original series (not counting Season 9 and 10 as I heard both don't exist anymore in FOP New Wish.) | don't know if I really like her or she's right for Timmy.
Maybe Tootie would get over her obsession at least I hope so. I know she went through so much thanks to her older sister, which I'm disappointed in their parents for not doing anything due to many reasons, they may have been good people but not good parents.
Anyway, due to Timmy's future daughter from Channel Chasers, they looked similar so it's most likely that it has to be Tootie. If that's really her then I would hope she grow up and more mature, she will not be afraid of her sister, Vicky!
Kind of hope Vicky won't find out that that she has niece and nephew if they never told her…
Tootie or Timmy meeting a new lovely woman that is rightfully for him that cares and love him very much. I don't mind having Tootie, I would love to see her, all I hope she no longer afraid of her sister!
I'm not sure how it works with twins from Channel Chasers' ending like how it does make sense. I find it hard to tell because that ending takes place in 20 years later but FOP New Series takes place into 20 years later as well. Cosmo and Wanda were seen with twins but in the canon they're Hazel's. Poof/ Peri wasn't planned/added until Season 6 of the original. Channel Chasers episode came from Season 4. Twins can't be 10 years old because it seems like Timmy had them at 20 years old. It wouldn't make sense.
It would make more sense if the twins, Tammy and Tommy were younger than Hazel and Dev like 5 years old or younger, but I'm not sure if they will become canon to FOP New Wish. It would be interesting if they do. I don't know about the names Tommy and Tammy. If they become canon and are 5-6 years old, it would be interesting to see their personalities being opposite, like one twin is more calm and chill during other one is more cheerful and funny. That one of them or both are into the mystery and adventures.
I kind of hope that they will have their clothes different designs and not look exactly same as 10 years old Timmy and 10 years old Tootie.
Or maybe they would be toddlers.
About Timmy's parents…
Do you think Timmy stay in contact with them? I wouldn't be surprised if he no longer wants to do with them due to reasons and that they don't know anything about Timmy's children. It's not like Timmy wants to keep them secret, his parents can be, well... them.
I wouldn’t be surprised if his parents have not changed much.
Timmy and his family would no longer live in Dimmsdale City because of well.... We saw how they are... yikes, poor Timmy.
Do you think Timmy still friends with AJ and Chester? I'm not sure if they're still friends or something. I mean AJ has the business of his own and is such busy. Still can't believe he became fairy hunting- (Big YIKES for Fairy World!)
We have no clue about Chester but hopefully we will see him. :'D
I'm not sure if we will see ALL characters to return, cause that's too much and some only appear a few times, some appeared once. Timmy’s grandparents, Crocker’s mother and some probably are dead.
I'm not quite sure about Chimson Chin and Dark Laser because they were wishes along with Imaginary Grey, right? I got feeling that probably they all got erased along with the rest of Timmy's wishes and are no longer exists because Timmy is no longer a Godchild as we saw in Timmy’s secret Wish, how when a Godchild lost their fairy/ies, their wishes has vanished.
But seriously, poor Chimson Chin, Dark Laser and his dear little dog. :(
I know Peri and Irep are still around but I believe probably Fairy Council has a way with them, well with Peri, that they're different from the rest of wishes. Probably there’s a reason why Peri has his own special wand.
I would like to see Peri’s reaction when he sees Crocker, I mean he saw Vicky and thought she wasn’t real! :’D
Anyway, I can tell it’s going to be hard seeing Timmy with no memories of his fairy family and magic. I know we have to deal with it. We can do it! We just have to see what they’re planning with him. I would like to see Jorgen, how he deals with seeing Timmy to go with the final goodbye, after everything he had done for Fairy World. How many times he had saved them from the dangerous situations especially with Darkness.
(I loved that Wishology episodes-)
I’m bet it was very difficult for Wanda, Cosmo and Peri to say goodbye to Timmy. It was really hard for Peri to understand what’s going on cause he was 7 years old.
Hopefully Hazel doesn’t have to deal with some huge challenge adventures herself like how Timmy did, not counting the final season of FOP because it was kind of easy and she had a lot of helps from her brother, friends and her wishes.
I don’t know if you know but there was a theory that Timmy still remember them due to his memory not getting wiped away by Jorgen was because of Love. The Love is more powerful than magic that can’t be done. Kind of interesting but also I would think that if his memories really wiped, maybe his memories didn’t got wiped away, they just blocked out and are blurry, then returned years later. If his memories got wiped away then his feelings of love cannot be gone, still there, deep inside. He probably went to have some therapy. I saw one theory that his favorite colors are green, pink and purple that made him feel special and happy, which is interesting.
Memories or not, I think Timmy would feel uncomfortable and unsure about AJ’s business like AJ telling him some stories which doesn’t make sense. Timmy would say something like:
“But AJ, what if there’s good ones?.. I mean if they’re real.”
Or something like that. He probably wouldn’t be wondering why Crocker was at Galax Institute as he wouldn’t want to know why as we know why how crazy Crocker is…
It would be cool if Timmy and his family became the next neighbors of Wells’ and Cosmo and Wanda’s.
My apologies if anything that doesn’t make sense-
SORRY IT TOOK ME A BIT TO RESPOND TO UR ASK!! Anyway GIRL UR IDEAS?? 10/10!! ok so there's so much to cover so very sorry if I don' get to it all! I love the idea that Timmy is skeptical of AJ and his whole business, AJ did start it when he was 10, so Timmy would have his fairys DURING the creation of this company. He must have been lowkey terrified LOL. Ive seen the theory that Timmys memory couldn't be fully erased due to love, and tbh I really want that to be true. Out of all theories, Its one of my favorite ones! Hazel is def gonna have a lot of an easier time compared to Timmy, as Timmy kinda delt with all the universe-ending stuff of his time. Hazel has a lot more support, especially as more people know about her fairys in the finale and she dosnet have to worry about hiding them all the time! DONT GET ME STARTED ON JORGEN AND TIMMY.. IN MY MIND TIMMY HOLDS A SPECIAL PLACE IN JORGENS HEART AND NO ONE CAN EVER ERASE THAT... LIKE HE IS A STICKLER FOR THE RULES AND HE WILL ABIDE TO THEM BUT HE ALSO SEES THAT STUPID ASS PINK HAT AND SMILES SOMETIMES sorry if I didn't go over everything u said!! Ive had this in the drafts for a while but I love ur thoughts :3 also I hope he went no contact with his shit ass parents :D
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sleepymccoy · 13 days ago
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2024 fics
I didn't realise how many I'd posted this year! I'd've thought it was two lol. So, have a list. They're all spones <3
An Intimacy, A Surprise
This follows a FWB relationship that morphs into proper dating and then marriage. Very TOS compliant. Skips along through time with each chapter being one scene that either moves the plot forward, or that I just wanted to write. The chapters end when they kiss, but I still managed to sneak some sex scenes in (sometimes they argue instead of kissing lol)
A long, complicated path
This is a direct follow on from the previous fic. That one ends with Bones following Spock to the aos universe, so then I was like, well, how would the aos guys handle that. Well, I think one person commented asking that and I was like... oh no now I have to think about it and write it! And the answer is by weaponising a marraige certificate that has their names, and then falling for each other. My main memory in writing this one is that I was finishing my masters in the same month and this was a total stress relief fic that I can barely recall lol. I should read it some time, it's probably quite good
Nice and Vague
Very short a cute fic to get me writing. Established married spones with Spock using McCoy to further his diplomatic work. Ends with long distance phone sex fade to black
Two Thirds of a Whole
I completely forgot this fic exists, but now that I've reread the summary omg I spent so much energy on it. This was in response to a lot of people on tumblr who talk about Bones like he's third wheel that doesn't really matter to Spock and Kirk, which rankles me. So I wrote Bones going to a parallel universe where he never joined the Enterprise. I think the main point of the fic kinda got away from me halfway through tho and it really just ends up being a spones fic, with parallel Spock hitting on him, then Bones going back home and hitting on his Spock. But yeah, I think if I did this again I'd pay more attention to the Bones is important message
Oh Commander Mine
This one is all fun. Intended to be a dubcon fic, but I ended up shying from that a little. There's still some dubconny elements, so read the tags and feel free to ask me specifics if you're concerned but wanna try reading. Bones has to be Spock's vulcan sex slave, and he kinda gets into it in a way he didn't expect. They get together afterwards, with some bad communication skills, but overall it's a healthy sorta ending. It was me trying to write my kinks without shame, but unfortunately I did pull my punches a bit. Maybe I'll write my kinks properly in 2025!
On that, writing aims in 2025
I'm iffy on the trying my kinks again really, but I do have a vague nugget of an idea so if that fills out in a way I find interesting I will. I think writing dubcon is really hard to do honestly without the story getting overwhelmed with shame, which I don't feel about my kinks! So, it's hard to write a solid, genuine story that actually reflects what I wanna read. Commander Mine is a pretty good approximation really
I really wanna redo An Even Number of Souls. It's a great premise but I wrote myself into a bit of a corner and didn't know where to go so it's sitting there unfinished. But I think the story is really strong and I wanna do it. I've restructured and rewritten some scenes, so it's got a good chance. Just need to get the buzz for it again and really settle back into it. Unfortunately for Souls, tis the season of plot bunnies for me rn and I keep having new ideas that are so fun to write instead
I won't have too much trouble writing and posting the odd fic here and there. I've got three active wips rn, one is Spock getting bullied, one is mcspirk, one is a christmas fic I'm probably gonna let stay unfinished tbh. However, I am keen to write some more og fiction than I have been lately. I've got some great stuff in the works!!
I've got a poly story about a cyborg, a doctor, and an engineer. It's kind of about ownership of your own body. It's also about being trans. It's about showing the difference between aromantic and asexual people. It's mostly about writing insanely kinky sex, though. Cyborg guy is gonna get a bluetooth connected detachable dick eventually!
Also got a great story that's always on my mind, it's got two swapping povs. The world is very catholic, set far in the future. One of the povs is a plumber on a spaceship who start to secretly fuck a priest (secret gay style, secret cos it's catholic). The other is a cop on an asteroid investigating the murder of an important church guy. She loses her job around halfway, which is when you realise the priest the plumber is fucking is definitely the murderer. She then jumps in a lil ship with some guy willing to give her the lift, to try and arrest the murderer and get her job back, but instead is just stuck in a tin can with a hot guy (who turns out to be trans) and wants to fuck him (but she has to drop her bigotry before she can)(cos he's trans and has a vagina, theres literally no other barrier for her). At that point the plumber's pov picks up the murder mystery story. So it's kinda like there's two stories, one romance and one murder investigation, and they swap half way who is living which. The characters are very fucked up and fun to write. The murder, btw, is morally okay imo. The gays get a happy ending. Not sure the cop will, we'll see if she's willing to let go of her expectations in the second half of the book. I've written like 2/3s of the first half already!
Anyway that's me on my stories. I'm procrastinating writing the Spock getting bullied story rn by posting this post! So maybe feel free to ask me questions and I can respond instead of writing lol
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moomoorare · 3 months ago
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Okay guesses for what the next season will be called are always hilarious. I gotta take a shot at it too.
Here's my guesses:
- Spare life
Each session you can give your best buddy an extra life, but you'll lose all saturation so you better have food. It's a very secretive series where it's revealed all the hearts were either given to Pearl, who asks them so nicely. To Jimmy the most pathetic guy in the series who BEGS for them. Or Scar, who scams them out of their pockets with a new mechanic called "Trick Track Truck", at least that's what he calls it.
The mechanic is actually useful because the one who gains the most will be brought back to life to fight with the last remaining player.
Jimmy still loses but comes second to last. Gem wins because I want her to.
- One life
Hate this title, great because it confuses people even more with the numbering scheme. Anyways it's actually a murder mystery dinner they all have to solve. They can't really solve anything because they keep killing each other. That doesn't matter because actually they have like 15 lives, also there's a bomb. No one wins. Kidding!!! Skizz wins cus he was the one faking being shot at the murder mystery party he sat up.
-False Life.
Because I want False to be added. That's it. 🥰
-Cub Life
Or Cub. Who's a literal bear that stalks them and makes increasingly crazy ass machines to fuck with them. Also they're all A/B/O coded.
- Zombie Life
Everyone has to run from Cleo who gets massive w's and can kill them all with a stick. They actually start a cult or church for her, ran by Scar, Bdubs and Etho. Grian too bc he's always into that shit. And Gem and Pearl, because I'd like that. Cleo wins again because the others all kill themselves. Also she accidentally kills Bdubs at the start of the season after he says Yuri time for the fifth time she hangs out with the Girrlss.
-One Life for Life
the one who survives the longest has gotta then live through the season like an hardcore world, alone. It sounds sad, but actually all the dead are haunting them. Weait, oh yeah that's sad. Anyways, they win a jackpot of one million netherite scarps and nothing else. So they can say they're rich.
- Grian Life
they all look like Grian, there's two squads of either fish and bird, but they all look like him. Absolutely useless information that changes nothing.
Tagnames are not shown, theyre all numbered Grian1 through Grian17. Grian isn't even number Grian1.
They have one life. The point isn't even surviving because actually you can respawn. It's kinda like Among Us. There's an impostor and that'll be mumbo. He still loses.
- Dumb ways to die-Life
completely breaks the way it's been titled for years and they all gotta find the stupidest fucking ways to die. If you die to a creeper or fall damage you gain a life. You start with three. Goofiest ass wins this season. Fuck lore-heads.
-Run for your Life
they give /op to one player. They all don't know who. It changes each session, three times. The goal is for the all powerful god to die at least one time, but it has to be at someone else's hand, since they can't naturally die, it's a new mechanic. They can absolutely fuck with people but cannot directly kill them.
- Fuck Life
they all um. no. Well they say "fuuuck life!!!" And immediately try to die faster than anyone else to have the saddest ending. First to die is Jimmy. Poor Jimmy. Somehow he's brought back to life. He still dies right after.
That's just my thoughts after having woken up at 4 pm and going to bed at 5 am. Yeuh
...
So what do you think it'll be? What are your ideas for the next season?
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