#they're still everything to me

[quicklings]

i like unexpected contrasts, like for instance in a court of fey and flowers it's not that andhera finds some representation of light to his dark but instead there's someone who makes things, physical and corporeal and stores warmth in them while andhera's mom doesn't even have a body she could hug them with.

[northstarscowboyhat]

Outlaws in the Wild East ⋆｡°✩

(AKA, The Habanero origin comic!)

[commsroom]

peace and (relative) quiet 🌌 (by @kalidels)

[plutonious]

throwing my hat into the twin dragons ring

[tenojan-in-tevinter]

Honestly there's no one I'd rather be on a forced saving-the-world road trip with than the origins gang. Sorry kotor companions sorry bg3 companions but no one does it like the origins gang. They are a family they are insane they are not to be fucked with they never would have been friends if they were given a choice in the matter. The perfect road trip squad.

They consist of the best dog in thedas, the worlds most royal himbo, a demi-god shapeshifting witch, a bisexual assassin nun, a bisexual assassin orphan, a powerful spell-slinging grandma living on borrowed time (who is bffs with a spirit), a giant spy man who doesn't know how to function by himself, the worlds grossest dwarf, and a giant statue that has a life goal to kill all birds.

[licorishh]

no way she's alive ?? yea those mental health breaks because social media makes people suck are wild huh

[chronologically-challenged]

Siffrin: Hey, Stardust, any ideas for this loop?

@chipper-smol This is how I picture the start of 80% of their conversations going after awhile in role reversal au.

[just-null]

HELLO HANTENGU NATION (5 people)

I'VE MADE AN [unofficial] HEIGHT CHART FOR MYSELF

Hantengu: 5"5 (166cm) Sekido: 5"9 (175cm) Karaku: 5"9 (175cm) Urogi: 5"9 (175cm) Aizetsu: 5"9 (174cm) Zohakuten: 5"3 (160cm) Urami: 8"5 (257cm)

[little aftermath under the cut]

they're so annoying. peace is nonexistent... they're the best ever.

[sysig]

For Requestober

Papyrus and Sans cozily hugging each other in soft clothes😭😭😭

(well this is literally first time I did this hope didn't do anything wrong)

Day 10 - Sleepy snoozey skeletons

[rjshope]

Namseok through the years for @raplinenthusiasts ✨

+bonus:

[starlingfawn]

delete me

repeat me

let's try this again

@jumalanpelko fanart !!!!! suncat!!!!! i hope she is still recognizable after so much rendering w random colors!!

[secriden]

Just going to cry again (see: my previous post about the parallels between the storage room scene and the abandoned factory scene) about parallels and juxtapositions in the store room scene vs the one in Styles bedroom:

Both these scenes have such a tone of desperation and are characterised by an overflowing of emotions, but in drastically opposite directions.

(Note, some of what I say in this post directly relates to concepts and themes I talked about here, so it may not wholly make sense without that context.)

The scene in the storeroom is filled with frustrated desire. Fadel kisses Style because he wants Style's body and also wants to take his frustrations at Style out on his body. He doesn't need to look Style in the eye (and in fact very intentionally only does so only in small snatches) because this isn't about a connection as much as it is about a release. Fadel's kisses come fast, hard, and are intended to bruise more than to adore.

But episode 5's scene is filled with much more quiet and tender sort of desire. Style is kissing Fadel so much more slowly and purposefully. He keeps looking back at Fadel, checking in to see how he feels and whether Fadel is enjoying it. Everything Style wanted in Episode 3, he now gives to Fadel here, pours the secrets of his knowing and choosing Fadel anyway into the way he presses his lips onto Fadel's skin. His kisses linger, they carry a weight but are somehow infinitely gentle still; Style's kisses contain a purpose that Fadel's kisses couldn't in Episode 3 because in all honesty they were relative strangers back then.

There's also the way there's such a ferocity and carelessness in the way Fadel starts the encounter in episode 3 that is juxtaposed beautifully by the slow, tender, almost hesitant way Style slides his lips onto Fadel's. Both of them are in such different headspaces, between these episodes and its especially evident in the way they care so much more about the other person's comfort and how intentionally they showed that to the audience.

There's hunger present in both scenes but what this hunger is focused on is so drastically different. In the storeroom, they're both mainly focused on a physical release; its primal and visceral but lacked emotional resonance. Fadel gives Style what he knows Style wants (that hint of danger, with the hand on his neck), but its not because he really cares about what Style wants on anything more than a physical level. In Style's bedroom, however, Fadel is drunk (intentionally and by his own design) and desperate to open himself up to Style on an emotional level. Meanwhile, Style wants that desperately too, but knows that Fadel shouldn't because of his own terrible secret. So this kiss is what they both will allow themselves - an honesty and a hunger for this deeper connection they can only share in act but not in words.

In the storeroom, Style wants Fadel to want more than his body but knows (or thinks) he can't push for it yet, so he remains passive, lets Fadel do whatever he wants, lets him turn and shove and place Style how he wants because at this point, this is all Fadel will give him. Here, Style is passive in spite of what he wants. But in the bedroom, Fadel is passive because it's what he wants; he wants to let Style do whatever he desires to and with Fadel's body. He wants to lay himself as bare as he possibly can, which is only physical, and so he does.

And because the encounter in Episode 3 lacked that emotional connection, the focus is merely their respective releases. There's a sense of two people trying to find pleasure and 'finish' while remaining emotionally disconnected despite actively having sex with each other. Because in some ways, they didn't really need each other in that moment to get there (there's actually a lot of truth in what Fadel says about it being easier to just jerk off alone). In sharp contrast, the scene in Episode 5 isn't focused on the destination but on the journey. Style is taking his time and Fadel is letting him - Style is choosing to worship Fadel's body, with his fingers, with his lips, to respond to his vulnerability with gentleness and tenderness and adoration. The goal has stopped being about finding a release, it's about allowing both these men to revel in the giving and receiving of pleasure.

The point of these scenes is to show to us the ways in which Fadel and Style have grown to care for and, dare I say it, love each other in ways that are so purposefully portrayed by showing the nature of their physical connection. Because the ways in which these scenes are the same and yet so wholly different showcases how their touches are now no longer merely tied to their senses any longer, but also to their hearts as well.

[hivemindscape]

im a big fan of esper powers slipping loose in harmless ways when they're happy

[arthursfuckinghat]

"Have you ever robbed a stagecoach?"

"Nooo.. never.."

[tridentkickflipper123]

this is what we are, and we will not be changed you can look for unseen order, you're gonna find that chaos reigns we will not be saved

[mortalscience]