#they're on a boat

[bugstung]

Couffaine family and Rose redesigns

[risibledeer]

baked beans. u don't know how abnormal i am about them.

bonus boat boys. etho's hair is very tasty.

[coquelicoq]

god. i forgot that wei wuxian appointed jiang cheng specifically as his backup. on purpose. he told wen ning, if lan zhan and i don't come out, go get jiang cheng. the guy who just harassed me into unconsciousness and insulted lan zhan and hates your guts. he's the guy i trust to save my ass when i get into a bad situation. hello???

[demigods-posts]

no but imagine percy who inherited his mom's beachwave brown, shoulder length hair as a kid. and all of his classmates and teachers thinking he's a girl and referring to him as such. and he doesn't correct them because he thinks it means they find him pretty. and he likes feeling pretty like his mom. then gabe makes him cut his hair in the second grade. and finds he likes the short hair and feeling handsome too. but he also really misses feeling pretty sometimes. and it isn't until after gabe mysteriously dissapears that he grows it out again and reconciles switching between both.

[hanshenrykcd]

"That's not what happened."

[sprinklesharkie]

etho: ohp someone put a ren stamp in

martyn: that was me

[soup-mother]

desperately need to forcibly beat the terra nullius out of how people on this website talk about Australia. you fucking cannot be saying shit like "oh everyone lives on the coast because it's the only habitable bit" in full seriousness.

doubly so for how everyone acts like indigenous tasmanians don't exist anymore. even fucking UNESCO said that shit for like 40 years and only got rid of it recently.

[paperultra]

the liminal space.

Pairing: OPLA!Roronoa Zoro x Reader Word Count: 1,575 words Warnings: Swearing, mentions of alcohol use [A/N: written with the cooper!reader from mise en rose in mind. i don't know where in the timeline this occurs, though. lol.]

cingulomania (noun): a strong desire to hold a person in your arms

Living in close quarters can really change how you see a person.

Roronoa Zoro, for instance, had always struck you as rather aloof, having traveled alone for some time before you joined him, and unused to physical affection. He never gave any indication that he was one to enjoy it, and he never sought it out from anyone. That certainly wasn’t odd. You respected his tendency towards personal space, subsequently believing that it extended to his sleeping habits as well.

So when you wake up, hardly able to breathe underneath the hulking mass of a snoring swordsman, you are more surprised than anything.

“Zoro,” you wheeze, patting his back with the hand that isn’t crushed between his chest and yours. Nothing happens, so you swat harder. “Zoro. You’re crushing me.”

His arms squeeze around you as he stirs, inhaling sharply next to your ear. You stop moving as he lifts his head and opens his eyes just wide enough to register you beneath him.

He pauses.

Good morning, sunshine is what you want to say in a cheeky tone. You want to prove that you’re unaffected by the warmth of his body pressing yours into the mattress, the sensation of his breath across your cheekbone and the way his gaze transitions from something bleary into something sharp.

The greeting refuses to leave your mouth. All you can do is blink.

The next thing you know, Zoro’s rolling off of you and out of bed with nary an apology, mumbling something about going to the bathroom.

You hum distantly in response and stare up at the ceiling as he shuffles to the door. Once he closes it behind him, you reach up and fold your hands over your eyes, cheeks hot.

Great.

—

It all started because you and Zoro could only afford a single bed at the inn.

(You use the term “afford” loosely here. The truth of the matter is that you grossly underestimated how much a room would cost, and the owner of the one place willing to lend you a room for half the usual rate demanded physical labor to make up for the rest. Given that Zoro would be spending most of his time hunting down a bounty, the majority of the unpaid labor fell on your shoulders.)

(But you digress.)

The room is small and bare, which is fine, because you and Zoro don’t have much between the two of you anyway. The only problem is that there is only one bed. Zoro had expressed no qualms about sharing so long as you didn’t disturb his sleep, and you had readily agreed, not wanting either of you to sleep on the floor.

After the first morning, you’re not sure if that was a lapse of judgement on your part or not.

Zoro doesn’t mention it at all before he leaves for the day, and you don’t, either. However, when he comes back in the middle of the night and you’re already in bed, squinting and shielding yourself from the bright hallway light as he takes his slippers off and walks in, he sits on the carpet just a few feet away from your side.

“What are you doing?” you ask as he proceeds to lay down.

“Sleeping.”

He closes his eyes and folds his arms behind his head. You frown.

“Why aren’t you sleeping up here?” No answer. You lift your head from your pillow, indignant. “Hey, don’t ignore me! I know you’re still awake.”

“I’ve had a long day,” he grumbles, “so I’d like some quiet so I can sleep. Thanks.”

You huff.

The thought that Zoro might actually be just as embarrassed flits briefly through your mind, but you extinguish it just as quickly. He’s never seemed like the kind of guy to be self-conscious about those kinds of things. A more likely reason is that he’s decided that he wants his own separate space after all and can’t be bothered to kick you off the bed.

So, you kick yourself off instead.

“What are you doing?” The phrase now comes from Zoro as you throw the covers off and grab your pillow, kneeling on the ground beside him. His eyes open and his brow furrows.

“Take the bed. I feel guilty.”

“I don’t want the bed.”

“Everybody wants the bed.” You lie down on the carpet and cross your arms over your chest, stubborn. “I’ve already slept in it. Now it’s your turn.”

“You’re an idiot,” Zoro says.

Neither of you budge.

The next morning, you decide that the first morning was in fact not a fluke, as you awake with your face smushed against his chest and the smell of steel in your nose once again. He’s not on top of you, at least, but the way he clutches you while you’re lying on your side, one ankle hooked over yours, is somehow ten times more mortifying. You wake him up in the midst of untangling yourself and pretend like nothing happened.

Who’s the idiot now? (The answer is both of you. Both of you are idiots.)

—

The third night, you and Zoro flop onto the hard mattress with twin groans, heads spinning and feeling overall miserable.

“That was the shittiest booze I’ve ever had,” Zoro slurs next to you, face down in his pillow.

“But you got a lead, right?” you mumble.

“Yeah …”

You had been there in the bar when he’d gotten that lead, but you can’t remember what it was for the life of you. Another inn? Another bar? Ugh, you’re never drinking there again.

“I’m cold.”

There are blankets on the bed. Unfortunately, getting underneath them would require a lot of moving, and you are physically incapable of exerting yourself that much right now.

You shiver and turn onto your side to curl up. You’ll fall asleep at some point, anyway.

Zoro murmurs your name.

“Hm,” you groan, eyes screwed shut.

He doesn’t say anything in reply. But you hear the mattress squeak, the bedsheets rustle as he shifts closer, and your breath catches when the small distance between you closes. He does not wrap his arms around you, no, but your knees touch, and the heat from his skin melds into yours. You hear his breathing slow to a crawl.

Through your drunken haze breaks through a sudden need to draw him into you, to tuck your face into his neck and keep it there forever. You want – you want. But you’re exhausted, and your head aches, so you find yourself slipping into a deep slumber instead.

He’s already gone when you wake up.

—

A suspiciously lumpy gunnysack in the corner of the room catches your eye once you enter, hand over your mouth to stifle a yawn.

“What’s in the bag?”

“Eight million beri,” Zoro says from his seat on the bed. Cleaning supplies for his swords are strewn around him, and he sheathes the Wado Ichimonji as you close the door. “I ran into another bounty on the way back.”

“Eight mill –” You clear your throat. “Wow. That was pretty lucky.” Eight million beri. Sometimes you wonder if you’ll ever get used to how much bounty hunters can make. (God, that would’ve been more than enough to pay for the room.) “We’re heading out to a marine base tomorrow morning, then?”

“That’s the plan.”

He puts away his supplies, setting them and his swords against the wall near his pillow before standing up to pull down the sheets on his side. You turn off the bedside lamp and do the same, crawling in with a sigh.

The two of you simply lie side-by-side until you decide to break the silence with your big mouth again.

“Am I a burden to you?” you ask.

“No.” The plainness of Zoro’s tone is a small comfort, you suppose. “Why are you asking?”

“Well …” You already regret bringing this topic up as you trail off, biting your bottom lip. “I feel like I haven’t really done much. I mean, I help with navigating and searching crowds and stuff, and I’ve been getting better at fighting, but I can’t help you, you know?” You fiddle with your fingers. “You don’t actually need me.”

There’s a gap between you and Zoro that you’ll likely never be able to close. You had always known that, and so had Zoro; in fact, he had told you at the start that going with him was a bad idea, given your inexperience in bounty hunting and traveling in general. And although you’d like to think that your ability to read a map and fix things convinced him of your usefulness, there are times when you think Zoro regrets bringing you along. Like now.

Zoro grunts, turning to lay on his back. His shoulder nearly lands on your hands, and you draw them to yourself as you wait for his answer.

It is brief and straightforward.

“I’m not forcing you to go with me,” he says. “And if you were a burden, I would’ve told you a long time ago.”

“Oh.”

It is brief and straightforward, and yet, there’s a strange lump in your throat. You swallow it and nod, even though he cannot see you do so.

Nothing more is said. However, as the night goes on, you reach out, and you find him, and Zoro finds you, and the space between your arms fills up with warmth and an unspoken promise. And you sleep very well.

[blicketdabest33]

i love the comparison between what QSMP did to Philza and what Double Life & ESMP 2 has done to Joel

like

Philza: I am a STRAIGHT MAN in a PLATONIC relationship with Missa. PLATONIC husbands. *hides aggressively gay rp away* I kissed him.. BECAUSE of the CHALLENGE. TOTALLY didn't mean anything. Nope, my character is NOT simping.

Kristin: This is my husband Philza, and that's Philza's husband Missa, and that's Phil's boyfriend Fit, and that's his other boyfriend Etoiles

vs

Joel: Hey BABE *blows kiss at Jimmy* Oh hi Sausage, i'm here to drop off OUR CHILD *pats Hermes on the head* EEFOOOOOOOO WHY ARE YOU SOOOO OBSESSED WITH MEEE??? *neck kisses intensify*

Lizzie: ... babe, calm down please

[chase00f]

is considering jacking off to be a sport one of the COVID symptoms

Art creds:

wp_38_mayonezx (on Twitter)

vv3spa (on Twitter)

karonnnnn02 (here on tumblr)

[applepixls]

boat boys crumbs from tango's stream today (at 1:03:44 in his vod on youtube, 1:08:27 on twitch vod)

[bakudekublogblog]

I THOUGHT PEOPLE WERE FUCKING EXAGGERATING WHEN THEY SAID HEROES RISING WAS THE BAKUDEKU MOVIE BUT. NO IT. IT WAS JUST A WHOLE MOVIE??? OF BAKUDEKU??? THE WHOLE FUCKING THING?? HOW THE FUCK DOES ANYONE COME OUT OF THIS THINKING THEY'RE NOT GONNA BE HERO PARTNERS AT THE END OF THIS SERIES WHAT IS ///HAPPENING/// this must have been fucking DEVESTATING for the antis holy SHIT

[finncakes]

mothafuckin' tanks bitch!!!! 💥👊💥

redraw of photo under the cut

[david-tennant-in-chairs]

When the furniture abuser becomes the furniture

[rainbow-string-tied-me-to-you]

Joel and Etho having a similar brain cell and immediately speed bridging while in slow motion lmao

[borgialucrezia]

"For the good of those who see in us, the defense of our beloved people, whom we love above all else and whose love we reciprocate, requires us to use our children as instruments and bargaining tools to obtain the necessary ends." — Rodrigo Borgia (Lucrezia Giovane, directed by Luciano Ercoli)