#they're literally just his very prominent spine

[stormy-nights-are-best]

Hey WHAT if I made your turtles [shiny emoji] slightly more scientifically accurate [shiny emoji]?

I'll start with the Disaster Twins.

Alright, so Leo is a red-eared slider turtle. At first I was skeptical about his blue shell and horizontal marks, but then with some research, I found red-eared sliders aren't always just the most gorgeous green - I found this lil blue gal in the pic! - AND their stripes CAN have some wiggles that make horizontal lines (first pic tart has one on its shoulder). So I didn't have to change those!

I did give him some actual stripes and plastron marks (there is no red-eared slider without those, plus they can be blue too so it suits him) though.

And a long thin tail because I'm okay with Trans Leo (male slider have short thick tails like in pic 2)

It was hard to figure out which type of spiny softshell Donnie was at first, but I was being dumb. It's obviously the Northern.

I started this whole project to fix Leo and Donnie's markings and DANG IT THEY'RE NOT INACCURATE- Spiny softshell turtles can have purple marks just fine (I'm pissed) so I let him keep his cool tech markings and just fixed his plastron. Picture one is a softshell's plastron, in case you hadn't realized. I know I took a while.

And!! Spiny softshell turtles have U-shaped nostrils. That's very important.

The hands and feet I gave Donnie are a little different from all the others' because so are spiny softshell turtles'.

But I think it'd be comical if the guys still couldn't tell the difference between the twins without their color coDING

OH, YOU MUST HAVE NOTICED LEO'S PERFECTLY FINE AND RAPH DOESN'T HAVE A HOLE IN HIS SHELL! That's because those are gonna be all in that time gap between the end of S2 and the movie.

If you WANt scientifically accurate post-movie wounds though.... Here's Leo's.

[biceratops7]

Good omens leak talk under cut, literally just vivid descriptions, keep away unless you’ve seen it and it’s too late:

Ok I have literally been staring at that image periodically whenever I think about it for several days. Because I am normal and like things neurotypically. So here’s literally just a big list of observations no matter how minute. If you read this whole thing then the brain worms have made it to your prefrontal cortex.

Crowley has his glasses on (already explained my theory behind that)

Crowley is obviously the instigator but it’s unclear whether or not Azirphale is currently an active participant, or if he’s still processing. I’m leaning on still processing, but it’s hard to tell with the shadow on his brow obscuring his expression and not being able to see his hands

Speaking of that shadow, what the hell is up with the lighting in this scene?? It’s not bad except for making things in an already blurry still unclear, it’s just strange to have something softly back lit but also clearing having another additional light source else where. It’s an interesting choice because it can lead to inference of the circumstances here.

Second, related question: where the hell are they?? So let’s just take stock of everything BUT Azirphale and Crowley we see here. First of all it’s mostly in shadow, however there is a prominent light source behind Aziraphale, possibly close to him. The light we see on Crowley’s hair is likely from the doorway behind them.

Quick detour, the doorway is the brightest thing in the frame, creating a slight silhouette effect. Silhouettes are often used in film for moments that are a big deal but visually obvious. It shows weight through simplicity because you still know what’s happening and why it’s important with way less visual info than normal. We all IMMEDIATELY recognized what was happening and lost our shits even though it’s in shadow and currently obscured by giant text.

Ok so anyway this all leads me to believe they’re in a mostly dark room with one bright but not very far reaching light. I wanna say it’s almost fluorescent? Or an exposed lightbulb? It certainly doesn’t look warm like a lamp to me.

In addition I believe they’re inside a room to a larger building. The light coming from the door is almost certainly NOT day light. It’s purely white as if it’s a very well lit room or hall. There also is what I think looks like an exit sign near the top next to the doorway, or at least idk what else it could be. Because of that I don’t think this is anyone’s home or small shop.

I find this EXTREMELY interesting because the only prominent location we really see fit that vibe or description is the office building of heaven and hell. This season seems to be particularly highlighting that “neutral ground” between then, with the elevator showing up three times.

Now this one is just me trying to interpret literal blobs, but there either appears to be some sort of rounded extension to the top of the door way, or the walls are just thick. Make of that what you will

the room appears relatively spacious but mostly bare, almost like a holding place. But obviously with such a tight frame this can be hard to tell. I did take note of the fact that you can see some brown lines behind Aziraphale in the first frame, so there is clearly something there.

Alright enough waxing poetry about the damn walls, I know that they're probably standing up. Crowley might be in a position where he can twist into it from a sitting position, but with Aziraphale' shoulders so far forward and his back entirely angled to face Crowley, he'd either have to be straddling a chair or his lower spine is snapping like a glowstick.

Aziraphale is not being pushed against anything, he’s rocking backwards despite the force being applied to pull him forward, so in other words our boy Crowley’s REALLY shooting his shot, lmao

Aziraphale’s arms are confusing. They’re clearly not holding onto Crowley even out of frame, but they also don’t seem fully relaxed at his sides to me either.

WAIT, ok so the standing is still a strong contender, but they could also be sitting across from eachother at a small table. Crowley seems hunched over a bit more than is warranted for Aziraphale’s height, and Aziraphale’s arms could propped up at the elbows supporting his weight.

So damnit this adds a whole new layer to the location question

[noirapocalypto]

Hey there! First: Svlem looks cool as fuck! Second: any post yet about what his tattoos mean (or like why he got them)? I'm suuuuper curious to know 👀👀👀

Hi! Firstly, thank you so much!!! And thank you for inquiring about his tattoos, I haven't had the chance to talk about them yet!! I'll gladly answer this for you though! Heads up, big info dump incoming 😅@jaymber

So prior to his in-game tattoos, Salem was always intended to be my most heavily tattooed OC. Half of them were just random, just him having the "I like the design so I got them" mindset, while the other half are either symbolic to him or just tribute tattoos for important people (such as his dad). I slightly limited with my designs options so I couldn't get everything I wanted/see him having in-game, but for the most part, everything else seems accurate enough.

Salem is very interested (and practices, because why not? 😆) in the occult, so most of his tattoos have that aesthetic.

The symbols on his knuckles are alchemy symbols (pinky = sulfer, ring finger = mercury, middle = black sulfer, index = silver, thumb = arsenic). No real reason why I picked these for him, though the silver one could be a nod to an AU I have where he and Judah (another OC of mine, who's theme is silver) are unlikely friends.

He also has various sigils and 'ritualistic symbols' hidden within his sleeve. The more prominent one is the one on his back though, on his right shoulder. The moon phases on his spine is a nod to Salem's nocturnal lifestyle as well as his fondness for the moon in general.

The plastic fangs on his ass was done to show his humorous side. Salem has built up many, many thick walls around himself and refuses to connect with other people (trauma and mental illness play a big factor in this). However, once someone manages to break through those walls, they'll find someone that enjoys a good laugh and loves making people laugh too. So he thought it would be funny to get this specific tattoo on his ass for a laugh. The reason for it being plastic vampire fangs is an inside joke between himself and another friend's OC. It's probably one of my favorite tattoos of his and IC, it's probably one of his favorites too.😊It shows a bit of character development, him breaking down walls and finally bringing himself to connect with others.

The more 'deep' meaning tattoos are probably the raven on his shoulder and the hourglass on his back.

A while ago, I was answering one of those "what animal do you associate your OC with" questions and a raven is what I came up with for Salem. It just makes sense for him. Plus, I have a few supernatural AU's, where Salem can either shapeshift into a raven or project a spectral form of a raven that acts as his eyes and ears (I have A LOT of AU's lol). So in-character, this animal has a huge importance to him. They're his favorite and he has a lot of symbols, figurines, drawings, etc of this animal in his home. I really wanted to make sure he has at least one visible tattoo of this bird on him. He probably has more, but like I said, I was kinda limited design wise 😅

As for the hour glass, this is also a nod to one of my other supernatural AU's. In this story, Salem's cursed with immortality and no matter how hard he tries to 'check out', he can't physically die. He literally has all the time in the world and he hates it. It's an ironic curse for someone who so badly seeks death, much like his canon version.

The rest of his tattoos, are more than likely just things he thought looked cool, like his Medusa one (though I recently looked up the meaning of a Medusa tattoo, and it's often used as a symbol of protection, which I really like), his moths (those are for myself, since I just like moths) and various skull designs.

He does have one more IC tattoo and I sadly couldn't get in-game due to not finding a good design. Salem was very close to his father. loved him more than anyone, and it broke him when he passed. So he has a traditional heart tattoo with 'Dad' written on the banner. His dad was probably a fan of the more flash tattoo styles, so he drew and designed it himself in rememberance and as a tribute to his beloved father.

I think that about covers a majority of his bigger, more prominant pieces. 🤔I hope this all made sense too, I tend to ramble on and on about something LOL. If you have any other questions about him or his tattoos, feel free to ask!!

And once again, thank you so much for sending in this ask! It really means a lot to me and I appreciate the interest in my special boy! 💕💕💕

[notfeelingthyaster]

Imagine (Son of Hades! Percy; Godswapped! Big Three's kids) (7/8) or (12/13)

Blood of Olympus pt. 1 - The Aftermath

Hello! So there I go dividing more stuff - oh well, what did you expect? Before reading, make sure to check the masterpost - there's a lot before this.

Before anything, I want to apologize. A reader brought to my attention that I had not put on trigger warnings - a mistake that I corrected as soon as I could. I apologize if I accidentally triggered anyone. I'm sorry, I won't do that again. Check the masterpost for the warnings before proceeding and tell me if I forgot any. So, anyway. Good reading, enjoy!! :))

They're traveling to Athens. It's slower because the winds don't cooperate - but they have some time. They have to be there by August 30th, so ten days.

It's good, Annabeth thinks. It gives her time. Time to plan, to strategize. To hope a part of her best friend, the only remnant of her teenage years that is not dead or off serving the gods, is not still in the Pit.

She keeps herself occupied - between maps, research, and daily messages from Reyna and Malcolm, Annabeth has not a lot of time to ponder.

But when she does - and she does anyway, because Annabeth is a solver. Is what she does, she solves problems - but she has no idea how to fix her best friend.

Percy - Perseus, really, because this is him in full combat mode - has been awake for exactly a day and a half. Literally.

He doesn't sleep - mostly, he just patrols. It doesn't seem to affect him much. At least he is eating. Oh yes, the eating - he eats like the food is going to be taken from him at any second, and as much as he can.

She can't help but be scared - he has the same scar, at the same place. If Annabeth is a little affected by it, how is he dealing with the remainder of the son of Hermes?

Annabeth knows rationally that she can't blame him for not talking to anyone, for acting differently. But it hurts, that he won't confide in any of them, in her - not about what happened down there.

It's been a day and a half. He was in the Pit for more or less twenty days - and time in the Underworld is different. What if he was stuck there for years in his perspective? What did he see there?

These are questions that, unfortunately, only Perseus could answer. And he is deflecting. Well, at least he looks closer to crashing when they trade places at patrol - Annabeth will wait until he is ready, but she really hopes is soon.

Sometimes, when she is alone, she wishes none of this ever happened. If they were in power, maybe this wouldn't happen - it's not hubris, right? To see that they would be better than the gods?

The daughter of Athena is not alone in worrying. Most of the crew share different levels of concern - mostly prominent in Will, who saw all of Percy's scars and is torn between wanting to know how he got them, and never asking for fear of the answer.

Leo is surprised to notice that he is also very worried about the health aspect. He is not a person that generally focuses on humans - but this is different. He saw prosthetics before - Hephaestus cabin does a lot of them - and this kind of amputation? Very traumatic. People took a lot of time to adapt - Jake amputated his foot eight months ago and he is still having phantom limb pain and disassociating from it.

Okay that Perseus' new leg is a marvel of engineering that Leo's hands are itching to dismantle to see how it works - alas, Daedalus never left the blueprints of his fake body in Annabeth's laptop, he asked - but how did he deal with it in the middle of a wasteland?

Everything came full circle when the boy in question finally crashes - Nico is the first one to wake up with the screams. They aren't shrieks, nor words, just sheer screams of pure horror.

When he is out of his door, sword at hand, all the other cabins are opening too - Jason is the last to come down, being in the deck in patrol.

Perseus' door is cold. There's no other name for it - there's an aura of pure death around it, covering the entire hallway in a dreadful mood. It curls around Nico's spine - he can feel the shiver in his bones.

The one who opens it is Hazel, the one who seems least affected by the cold - it's so easy to forget that she was dead once. Perseus is immobile in the bed, his mouth open in the awful scream.

Before Will can stop him, Nico goes to wake Perseus up. He has no idea how to deal with the situation, but he cannot keep hearing this. Piper tries to hold his arm to stop him, but she is still sleep ridden.

The son of Zeus barely touches the other demigod - his fingers barely skimming Perseus' arm - and he is pinned to the wall, an ax he didn't even seem prepared to slash at him, with a tiger growling behind Perseus.

Nico suddenly feels like his true age. His whole body tires and sags, and he feels the drawn in his bones - it's only a few seconds, but it feels like an eternity. He wants to drop down - to rest and let his slumber carry his soul away.

He closes his eyes - expecting either the slash of the blade or the tiredness to take him away - but neither happens.

"STOP"

It's Piper. It works - more or less. Perseus doesn't immediately drop everything - the light just seems to return to his eyes. They are black still, but the vines of green are back, creeping towards his pupils.

"Oh. Oh shit. Shit shit shit. Nico. I... I... I'm s-sorry... Oh gods I'm so, so, so s-sorry I-... I didn't... I didn't t-think... I-... this, this wasn't s-su-su... supposed to happen! This wasn't supposed t-to c-come with me!"

Perseus worked himself into a frenzy. He is in a corner of his room now, his ax left behind, but the tiger firmly in front of his master. None of the others have noticed Nico's strength leaving him. The son of Zeus half thinks he imagined it.

"No... no. No. No, no, no. No touching. No touching. No. No touching."

Perseus is almost trembling, but he is not crying. Nico realizes that he saw Perseus cry only once - when Luke was spread on the floor of the Olympus, Annabeth's dagger buried to the hilt in his tight. He wonders if the hero ever cried for himself.

The son of Zeus - and most of their friends that took a step forward - put their hands up, take a step back. Perseus seems calmer.

They don't talk about it. Nico suspects something happened - he felt so tired. He felt eighty - his body decaying around him. But nobody mentioned it - and when they left Percy alone, it was like it was just a nightmare.

PTSD, Will called it. Anxiety after days of being hunted through hell - the trauma still fixed on his mind, the idea of being in danger every second of every day. Depending on the outcome of this war, they might all have it by the end of it, if they don't already.

But Nico knows there's more to it. He would pass it up as a figment of his imagination if Perseus touched anyone. But he doesn't - he avoids even looking at people for too long.

He tries to bring up the topic with Annabeth - the gloves, the sweaters back. She thinks that it's comfort, something to tether him into reality.

Nico doesn't believe that - he doesn't think she does either. He had his own struggles with anxiety for years, but he has no time for pushing. After that night, Perseus doesn't scream again - one has to wonder if he is even sleeping at all.

Nico wants to help. For once, correct something that he knows it's his mistake no matter how many times they deny it. It's how he finds himself in the third night hovering in Perseus' door.

This is not really a smart idea - because the other demigod notices and opens it, so tired - there are bags under his eyes, but the ax is held precariously in his hand.

"What is it, Nico?"

The correct answer would be "Sorry, didn't mean to bother you." But Nico's dumbass teenager mind stutters.

"I... I wanted to check on you. Are you okay? I... I just noticed that you seem kinda weird."

Percy is not angry or resentful - he doesn't even slam the door in his face as Nico would probably do. He is just tired, and that's a thousand times worse.

"Why... why do you care?"

"We are friends, aren't we?"

"Yeah, sure. Kind of." The "you never bothered before" goes unsaid.

It stings, but it's not a lie. Their past is turbulent - a lot of misunderstandings and mistakes on Nico's side, a lot of grudges and overreacting on Percy's. Still, they fought in a war together. They're still fighting.

"I care about you" He hopes Percy doesn't see the blatant subtext "Something happened - don't... d-don't shut me out. I did that when Bianca... died. Nothing good came out of that."

Perseus takes a deep breath - he looks exhausted to the bone. Maybe it wasn't such a good idea to mention Bianca. One of his hands tremble - Nico sees that no parts of his body touch the mechanical leg, ever.

"Something happened. I fell down into hell." He must see the flinch Nico gives, and breaths out "Sorry. That was harsh. It... it wasn't your fault. It's nobody's fault."

Something in his eyes tells Nico that he does blame someone - not him, but maybe Arachne. Or the gods. Or Annabeth. Or worse, himself.

Well, that couldn't stand.

"I know" He doesn't, but that's not the moment "But you need help. I can help."

Nico makes a move to touch Perseus' arm - it's a bad idea because his whole body flinches away.

"I don't. I don't want your help."

It's uncalled for, and it hurts on Nico's pride - of course, he wouldn't need Nico's help. What did Nico ever do to him? Was his touch so unwelcomed? Well, if he thinks he can do it alone, Nico should leave him to it.

"Sure, suit yourself. I won't bother again."

Perseus sighs again when the sixteen-year-old leaves. He doesn't want to hurt Nico - gods know that he should, dammit his weak spot for cute people that would drive a knife through his back - but they should leave him alone. He is fine. He'll be fine.

Hazel is also worried - mainly for the backlash of the coming back to the natural, living world. For her, it was weeks of adaptation - to air, breathing, the sun. And Perseus was in a worse place even.

Sometimes she wonders if the Tartarus shouldn't have been her weight to carry - if the Underworld shouldn't be her place. Hazel loves the surface - Nico, Leo, and Frank, and warmth - but there's a part of her that will forever be under a sad tree in the Fields of Asphodel.

Perseus is nothing but kind - he saved her. He saved all of them - not only from danger - but from themselves. And she is too chicken to help, after listening to her brother whine about his own experience.

Her only comfort comes when she is able to cuddle with Leo - Leo, her Leo, her soon-to-be Leo. While Frank is older and her crush for him never diminished, her own for Leo only grew.

That's why, when her patrol is ending on the fourth morning and Leo emerges from the belly of the ship, covered in grease and clutching an ash-covered wrench, talking under his breath about a thing or another, she goes khaki wacky and plants one on him.

Leo flays a little - Hazel is from the 40s. She thinks maybe this is being too forward - even if in Nova Roma, this isn't uncommon behavior. Girls are able to kiss boys - it's not being a sharecrop anymore.

The boy takes a deep breath - like he can't believe this small closed mouth smooch is happening and gives her a grin.

"Hi sugar, are you rationed?"

She laughs until her belly hurts, and they smooch again - no tongue, no open mouth. Leo blushes horribly - and it's easy to see under the grease.

When this war ends, it'll be she. And Leo. And Frank. Their lives are too short to spend pining and pondering - she sees her brother every day, and that's not what she wants.

After the war, there will be no wars. There will be no quests and no killing - just peace. Heroes get to have peace - like the original Jason. The gods are not ruining this for Hazel anymore. So she walks Leo to the front of the ship, so they can watch the sunrise together.

In the afternoon of their fourth day, they fight against a mixed group of monsters - and that's the day Piper actively begins to see the changes on Perseus.

She likes him a lot - he is an amazing friend - but he has no mercy. He annihilates two-thirds of the obstacle Gaea sent for them. It's a sight to see - because he is not close to the ground. There are no skeletons, no vines, no metal, no shadow under the sun of the middle of the day.

It's just him, his ax, and a skeleton tiger. Perseus doesn't even do it cleanly - there are blood, ichor, and dust smeared all across the floor and through his clothes. He twirls the blade around, and they don't even see him as he chops up monsters left and right.

Some try to flee - he doesn't let them. Something keeps them in the ship - and Piper would bet is Perseus, for he just keeps slaughtering them. She doesn't feel bad for them - this is war. They would kill the demigods, exactly like he is doing.

Piper is... curious. She wonders if he would rip the gods apart too - if they would bleed as much as some monsters, of if they would just turn into dust. If Perseus needs to cut them in pieces and scatter them on the Pit himself.

She isn't the only one - she sees the reluctant lust in Nico's and Jason's eyes, the sheer possibilities blooming in Annabeth's eyes. She sees fear mix with interest - Piper sees everything.

She doesn't think Perseus is well, or better. He isn't telling them shit for some reason after all. You don't go to hell and get on with life. Piper doesn't trust him to not turn on them - she knows him for about a month and a half now, a third of which he was in hell - but if he is going to destroy someone, is probably Gaea. Or the gods - she isn't bothered either way.

They are all dangerous. Reality-changing, world-ending dangerous. A skilled warrior? That doesn't scare Piper. Not anymore. Not in the middle of a war.

"Huh. Can you teach me?"

Perseus gives her a feral smile. Across his cheek, there's a streak of gold - for a second, Piper wonders if he is not a god himself.

Annabeth wonders if the gods will let them survive after the war. They got too powerful, too much. Sometimes, she looks at their eyes and sees they're more god then men. Their powers accumulate - evolve. Better.

Before, she was a sharp mind. Now Annabeth feels her godly blood spurning her further and further - no longer just mind, but the body. She sees attacks before they come - she is a goddess.

And she likes it. The power coursing through her veins - the ability to control. She then swears to herself they'll be that way - forever.

The following day, they stop by an island - Perseus feels a big gathering of ghosts. It's Odysseus' palace. They go in a group to investigate: Perseus himself, Hazel for her mist, Annabeth and Will. Nico would go - but he hasn't talked to Perseus for two days now, and is mostly sulking.

Annabeth - who is as cunning as Odysseus himself once was - asks Hazel to cloak her as a beggar. She asks around - but all suitors give vague answers. Even her wordplay cannot get a single phrase out of the ghosts.

Until Perseus puts her hands on a ghost - Eurymachus is his name - and the ghost is possessed - it tells them anything. Annabeth is clocking information from it - devouring with an avid look. Her grey eyes gleam in the blueish light of the spirits.

For Will, is almost otherworldly. It's Hades and Athena. It's more - it's Perseus Jackson and Annabeth Chase, controlling and pushing something they never did before.

They trade looks, and their glowing hands stay entwined long after the ghost tells them that Apollo no longer controls Delphi and that Nike is lost - running free.

Victory, Perseus thinks, Victory. A goddess so vain, that she thought the tides of war depend only on her - not on Tyche, or Bia, Enyo, and Ares. So many gods of war - so many superiors - and she thought herself capable of defying them - and the demigods. For a charioteer, Nike is quite a proud little goddess, isn't she?

So they have their next goal - finding the elusive arrogant dickhead - and following travel to Athens. With Victory on their side or not.

With the glowing phantom, their disguise is blown. Perseus himself was never proficient with ghosts - but he is very proficient with his Ax, and that cut spirits very well.

They fight - but Perseus is just so tired. He just wants them all to go away. With his powers fully restored, even if the earth doesn't obey him anymore, increasingly possessed by Gaea, the shadows should.

He is fond of his shadows - they are a comforting presence, so different from the corrupted ones of Tartarus. He revels in them - Perseus is their master. As he is master of the green ghostly fire, that seems to burn the spirits away.

He hopes sincerely that they don't even get the pleasure of the Fields of Punishment. He hopes they disappear forever in the void - Perseus has no time for petty enemies anymore in this long war which has absolutely nothing to do with them.

Will is hurt in the side - a gladius - but doesn't stay like that. As they climb back to the ship, his wound closes under the fiery light of the morning sun across his fingers - magic that was supposed to help only others, and never himself.

His father disappears, and Will is getting more power. He is not the only one - Perseus fear they'll become too much like their parents, that their powers will amplify their faults and take their humanity away - but is he even human anymore?

He looks at his "leg". It's not him - he is a cyborg. There's a dead piece of metal in him. Perseus could feel the vitality around him - their sheer youth, blazing like a light to burn all the empires. He could take it all for himself. He could kill them all, grind them to dust - they wouldn't even have time to fight him.

Perseus could take it all for himself - become immortal, a parasite latching unto others - how does that make him human? How is he any better than a flea?

They decide on a group to go to Olympia after lunch - Percy, Leo, Hazel, Nico. Four is a good number - a solid number, made of people who are non-competitive. The ones who loathe themselves - isn't this fun? Maybe they'll debate who is the worst.

They divide when they get to the island - Leo and Hazel go one way, the Nico and Percy go the other - Leo is the one to engineer it, but Percy wholeheartedly approves - it's tiring to coexist with a passive-aggressive Nico. He is done with this situation.

While the couple walks, Nico and Percy stand in awkward silence, side by side. Eventually, Percy sighs - he doesn't want to cave, but they have bigger problems to work on, and he kinda misses Nico's sarcasm.

"I'm sorry."

"For what?"

"For being harsh with you."

"No, you aren't."

"I am!"

"Will you let me help you? Will you let anyone help you?"

"I don't need help. I'm better."

"Then let me touch your hand."

"Go on."

"With no gloves."

"What? Why? No!"

"See? You aren't better!"

"We're in the middle of a war. I was in Tartarus a week ago."

"Promise me then. Promise me that after the war, you'll get help."

"Nico..."

"Promise me Percy. And don't... don't break this one."

It's the lowest of low blows, but Percy's acquiesces. They start talking - stiltedly. Percy still doesn't touch him. Then Nico sprouts something he'll later regret (or maybe not): Calypso is again locked up.

Nico sees now - before, when Perseus was mad, the earth trembled. With no earth to answer to him, the shadows curled around his ankles and his covered fingertips - rounding behind his ear and on the curve of his smirk.

The son of Zeus is not a fearful person - but that doesn't make him afraid. It makes him remember why he is so infatuated with Perseus - he is not only a hero - he is more. He is a rebel and a challenge - Perseus only follows his own rules. It's a bravery Nico lacks, and one that attracts him like a moth to a fire.

Perseus just asks him to repeat, and then hums when he does, stuttering over his stupid blush. It's mercy that the demigod is not looking in his direction.

"Fret not, Nico. Let Calypso enjoy her vacation. The beaches are really pretty this time of the year."

It's scary - there's no one in Percy's voice. It's like the demigod is on the brick of a really bad meltdown - but they both know they don't have time for it now. So Perseus breathes in - once, twice.

Calypso will be free, and he is not even using his winning wish for it - he already used one once. She did nothing wrong, they are the oathbreakers. Perseus should know better than to trust any oath in a river that they never put a finger on.

So he lies back on the rock. If they survive - when, because he didn't go to hell to die because of Tartarus' less impressive sister - she'll be free. And well prized for this stunt.

Leo and Hazel get back accompanied by Tempest, who, again, appears always following some big revelation - maybe the venti also serves Hazel's new mistress.

The group heads towards the ruins which are roughly twenty kilometers wide. They decide to walk through them, looking for something to pop up - the earth doesn't answer to Perseus, but that doesn't mean that he can't feel the power on it. Eventually, they head toward the Temple of Zeus where an old Nike statue used to stand.

Leo provokes the goddess to come forth by hurling insults at the Nike brand - it's his specialty, sassing up gods. Perseus is more of a shade kind of guy if he can say so himself.

The goddess' Roman and Greek side, Nike and Victoria, are at war with each other trying to decide which side will be victorious. It's ridiculous.

The goddess challenges the four to a fight to the death, with the Romans and Greeks against each other. But there are no Romans and Greeks here. Nico and Perseus lived on both sides - and even if Hazel is Roman-inclined and Leo didn't have time to meet Nova Roma, it doesn't change anything. They wouldn't fight each other.

The time to fight is long gone - they should be rallying against Gaea. But Nike is too proud to admit to a tie - to both sides of herself to have peace.

She demands them to fight in an arena and gives them four minutes to be present. To make sure that they get there she sends four metal statues after them. But instead of fighting each other, they will fight the goddess.

Nike can try and influence their minds - but in the end, with her so weak, battling against herself, it's no match for four strong-willed demigods. Perseus is so tired of gods with petty struggles in the middle of something so much bigger.

The goddess-es fight for him and Nico - what side should they be. They trade verbal blows - Senatus, Praetor, Titan War are all used as arguments.

Funny isn't it? She wasn't on his side a month ago. Perseus fell - into the depths of the abysm - and while he won - again, and again, and again - it wasn't truly a divine victory.

It was not her victory. The merit is his, only his. She didn't sweep down in her great golden wings to save him, did her? Nor will she help with a war to save herself and her family. So why should she exist at all? Why should Perseus abstain from draining her and...

Perseus clenches his fists - he can't, he won't kill Victory. That's not him. He is not a murderer. That's just the remnants of the Pit in his good-for-nothing mind.

She is horrible - but if she dies, she'll end up in Tartarus. And not even her colossal hubris deserves that.

So, they subdue her - her powers aren't enough to stop the four of them, not when Percy alone and twelve defeated her superior - Ares himself. And, when defeated, Nike concedes her blessing for the upcoming war - they just won Victory.

It's a good omen - but she does advise them that one of them shall die - and that they would need the Physician's Cure.

When they go back to the board, Annabeth and Will start researching - both of them know the name, but can't link it to anything else. They find it in the Infirmary Archives - some that Will brought for light reading. It's not very hopeful, since none of them are brewers, but Hazel is a magic user and Will is a healer - they can do this.

Daedalus laptop holds the answers to the formula: Pylosian Mint, Makhai, and the Curse of Delos. They would also need Asclepius himself - but seeing that he was condemned to Tartarus and probably still there, it's more probable they'll do this themselves.

Frank, Jason, and Annabeth go to the port of Pylos looking for the poison - obvious options for the small mission nearby water.

They walk for a while. Annabeth notices a weird tension between Frank and Jason - Frank is giving Jason pointed looks, while Jason gives Frank worried ones - that has been that way for a few days now.

She couldn't possibly know that was about not only Jason's obvious crush on Perseus - which Frank is pushing the blonde to act on - but about Frank's own feelings.

Yesterday morning, while Frank was coming to take his shift on the patrol, he saw Hazel and Leo kissing. And the worst part is that he is not only sad but longing.

He is not jealous. He wants that - he wants all. Is too much and he doesn't deserve it - Frank feels so small, compared to the demigods he is traveling with. And with such... disgusting desires. The son of Mars only feels guilty - he has to erase this from his mind.

Eventually, Annabeth helps Frank to force an old soldier ghost to give them answers - she tells them they need to go to Nestor's Cave and gives them the directions.

Frank goes in and talks to a man who hands him a bottle. The son of Mars explains that his cousins, other descendants of Pluto, have been living there for generations.

They dinner together - Jason is not very welcomed. Most people there still remember the last war - and aren't all that fond of the progeny of Poseidon and Zeus - but as they are close to the sea, at least they're civil.

Some of them recount fondly about their own days at Nova Roma - they are all clear-sighted mortals, even if the godly blood is too diluted in their veins, but these are the ones that have it closer - great-grandkids of minor gods attracted to the old blood.

There's even a daughter of a minor river deity - and a pair of twins that are direct descendants of Juventa, in her travels to visit Hercules. It's an overall paradise, in the middle of a war.

Annabeth misses her dad. And Thalia. And Luke. She misses having a family - she wonders if this war will turn her unrecognizable - or else if it already did. If they are too godly for the mortal world - if they shouldn't take their rightful place.

As a parting gift, the cousins gave Frank the small vile of poison - it's the Pylosian Mint, the first piece to their puzzle. Before leaving, they tell the trio about a chained god, in Sparta.

They go back to the ship - in the mess hall, Frank muses that the chained god might be Ares because the Spartans believed that if they chained him up the spirit of war would never leave them.

Hazel disagrees - she thinks it might be Aphrodite Areia - Sparta was the first place where the goddess was worshiped, and if the Romans have aspects, wouldn't the greeks too? It's quickly shot down - Dyonisus said they were reborn - their aspects changing with their cult, if they weren't worshipped at the same time.

Perseus thinks he heard once that Aphrodite Ourania, Aphrodite Areia, and Aphrodite Pandemos were worshipped at the same time - but doesn't mention it. It doesn't seem important - he might be wrong.

Piper herself argues that it might be one of their sons - Anteros, Himeros, Phobos, Deimos, Harmonia, Pothos, or Eros - for which Jason, Nico, and Frank flinch - they wouldn't want to meet the divine couple's offspring again.

Other possibilities are the Erotes - which seems to make Piper happy, for one of them is Hermaphroditus theyself - or one of Ares or Aphrodite other children - too many to list here.

Anyway, they set course to Sparta - for the happiness of Annabeth and the general tiredness of the group. It is like an RPG play - Nico muses - they have a ton of mini-quests. It's tiring, and it's boring - flicking like bees after something or other for a bigger purpose that never seems to come.

They go to sleep, and Piper has a vision: it's her, Annabeth, and Hazel, running through the ruins of a temple - the temple of Phobos, her half brother. There's blood on the blonde's forehead - and Piper looks like she did before.

She doesn't want to go there. It's fear - she understands it - but that's one fear she is not keen on facing. Her old short hair, the boy clothes, the adam's apple, the stubble.

But they need this - someone might die. Someone will need this. So damn her half-brother. Her mother promised her, that when this ends she'll be herself like she always wanted.

So she goes and tells the group - no one is really happy to send them to somewhere they might get hurt - especially because the last time Annabeth went on a mission on the Underground, shit happened - but the daughter of Athena starts to list all of their mistakes and they have no real say in what the girls do, so off they go, into Sparta.

The six boys stay behind - but no one is slacking. Will ropes Frank into helping to research for anything they might have on the Physician's Cure; Leo finally convinces Perseus to have a look at his leg - even if just to see how much time before Perseus has to go to the Phlegethon to get more fuel; and Nico and Jason are stuck in patrol together.

Which is no good - they haven't really talked since the Cupid episode, and the last few days, the worry about Perseus and the small missions clouded everyone's personal turmoils. But now that the son of Hades is somehow adapting, they have time.

And time is a dangerous thing. Before the two weren't alone in the ship - there was always one on the mission, one otherwise occupied. Leo - and probably Frank and Piper - have been running interference.

Jason had no courage to approach Perseus, as Nico did. Nico knows that - it's in the way that Perseus treats Jason, just like he does Frank - pretending that the Pit never happened.

It's impossible to do this with Leo, who looks at his leg and his medical history and see far more than the others. Or Annabeth, Will, and Hazel, who he is closer to. Or Piper, who just seems to know everything. And Nico, who confronted him face to face.

Jason, however, only knows him one-sided - Perseus doesn't know him. They are friends, and before all this happened, they seemed to spend more and more time together. But they aren't close - the camaraderie didn't have enough time to develop into the trust.

That's why is so weird - he knows what the blonde is going through - the wish to be closer, to be able to at least help in any indirect way, but unable to gleam more about the situation. The information didn't come so easy in real life as it does in dreams.

They don't talk anymore, him and Jason. They just sit in silence or walk around their rounds in opposite directions. Eventually, the son of the sea god can't help it.

"How is he?"

Nico has the urge to answer "Wouldn't you like to know?", but that's petty and unnecessary. Jason isn't a bad person. It's just too easy to love Perseus sometimes.

"Better, I think. After the war, he'll be."

It's more for their sake than the truth. They try to talk again, stilted and trivial. Nico feels awkward - he misses their natural friendship. It won't stop because of a mutual crush - but they need to work for it.

So he settles for this trying. It's bad, and it's mostly both of them skirting around topics, their upbringings making it difficult - both have the emotional development of teaspoons. But they're trying, and it's okay.

Meanwhile, the girls are descending the Temple of Phobos, which is under a blazing hill. Hazel goes in front - manipulating the mist to stop the fire and looking for traps - and Piper and Annabeth follow the hike, talking quietly to fulfill the silence.

"What are you hoping to do, after this?"

"I don't know. Spend time with my dad. Fight for trans rights. Learn how to use more weapons. You?"

"I want to reshape the world - to build something. Maybe a city for the greeks. Maybe go into politics - Nova Roma looked directly out of my dreams."

"I do like politics - I'm more on the activist side, though."

"I was all for the Nobel Woman Initiative last year - there were two of my half-sisters there. You know, I did think it would be cool for schools to take this more seriously - I did my freshman year the same school as Percy, and like, barely any girls at the honor roll - even though most PA classes were brimming with them."

"I'm guessing traditional boarding school - I went to a lot of those, y'know. I was finishing my sophomore year before this mess, taking three AP classes. Stretched out like hell."

"I was taking five - because crazy over-achievers Perseus and Rachel took four, and I couldn't decide on the options. I was overworking for a while, but I did manage better than them - I think Rachel was high every time we visited her on the St. Claire's Academy, but maybe it was just the sheer amount of coffee and Redbull."

They keep on talking. It's the first time Annabeth talks to the daughter of Aphrodite and doesn't think she is an airhead. Piper is a conversationalist - exactly the type of friend she lacks, someone that can keep up with her streams of random thoughts.

Maybe they could have a girl's night with Rachel when they go back to camp. Maybe invite Hazel, and even Reyna too - Annabeth has never had one of those, stereotypical girly things. But maybe it could be cool.

It serves as a good distraction - the longer they stay on the temple, the worse it gets. Annabeth feels crawling in her skin and a sucking - a sucking that she remembers coming from the Pit, taking her in like if she was trash.

Hazel feels cold - her skin flickers. Some moments, she can't touch anymore. It's like being dead again - the rustle of the leaves in the trees of the Asphodel Fields ring in her ears as she walks through the marble halls.

For Piper, it's her nightmare vision all over again. It's like she never came out, never took the estrogen. There are mirrors everywhere she looks - there's no escaping the image that she hates the most - Piper, the boy.

It's not that "Piper, the boy" is ugly. He is just not her - that's not her body, that's not her face, that's not her. Her gender dysphoria is rising high in the back of her mind.

They keep going into the temple anyway - it's not easy to find the "chained god". They find instead Mimas - the giant supposed to kill Hephaestus, and, apparently, Ares - now that his stupid brother Damasen is dead.

Annabeth can't connect the dots yet, but the way the giant talks about Damasen helping an enemy - in the end, it all ties up to Perseus. What doesn't, these days? She is just so frustrated about the lack of information - and her new powers of extracting stuff won't work on a giant, she's pretty sure.

The titan is the opposite of Hephaestus - where the man is silent and intelligent, he is brute force and loud voices. He remembers them of Ares - Hazel even notices that he shares features with Mars Ultor.

To fight a god meant to fight intelligence, they must be emotional - Aphrodite would be excellent for this quest. But Hazel herself takes the lead - her magic is not mind-based - while Piper follows her routine of never being where is expected of her.

But none of the three are in their best shape - fear, the mental manipulation, drains more of them than the actual physical effort. Hazel is able to drive her broadsword across the god's shoulder - but the backlash of him shaking her off throws her towards the wall.

Annabeth - the strongest of the two remainings, physically at least - hoist the younger girl over her shoulders and starts to run. Around here, there's a faint grey-ish light - her mother's blessing shining through her skin.

He nearly strikes the vulnerable Annabeth with her extra weight, managing to hit her in the thigh. Piper, however, is quicker - love always is - and stabs him in the calf.

"You think that would hurt me? Silly little thing, just like your mother - I fought against two gods in the last war - you are nothing, little gallus puella!"

Piper doesn't get Latin, but she knows enough to think that's a trans-related insult. This is not her first rodeo - not even in her old boy's body - but it stills fill her with rage she cannot name.

"You should be more worried about how the makhai will castrate you, instead of caring about what's inside my shorts!"

The giant laughs - but there are doubts in his voice. The makhai hasn't been seen in centuries - but it all connects. It's not Ares or his children - it's the spirits of war that the Spartans thought to be pieces of Ares himself.

Piper takes advantage of his distraction and charges at him with her blade, causing the giant to stumble backward into a wall and destabilize the temple.

"You're worst than that godling that was manipulating my weak, useless brothers - that one lost a leg. I wonder how many limbs I can chop off you before offering you to Mother Gaea."

That is enough to incite Annabeth's rage. She puts Hazel carefully on the floor and attacks He barely managed to deflect her attack, and as he reaches out to grab the prone girl in the ground, Piper slices off Mimas' arm and hair off.

While Piper is keeping Mimas occupied, Annabeth released the makhai from the statue of Ares. The makhai follow the girls - they couldn't forget the smell of Aphrodite Areia and Pallas Athena, not even in a thousand years. They swarm Mimas, and as he staggers off-balance, both of them deliver the final blow by stabbing the giant in his gut.

Mimas topples face-first into the nearest doorway and disintegrated into ash when the stone face of Phobos falls onto him.

The god appears only to deliver the final blow, but doesn't help at all. He just laughs at their predicament and leaves them to find their way off this maze of terrors.

It trembles over them. Hazel is still unconscious - there's a trickle of blood running through the side of her face. Something is slowing down Annabeth - she shivers every time they take a step. So it comes to Piper to try and guide them through the falling building.

She is still a boy - and she hates it - but maybe it's just an illusion, and when they get out of here, she'll get her two-year estrogen body back.

Piper guides them out, with the makhai in tow. It doesn't feel like a victory - not when, even though she crossed the border of the hill, she keeps her boy's body.

Climbing back on the ship, she hides herself in her room. She - he, because that's a he body, and a he person, and she is not a he but when she looks in the mirror, he looks back.

Piper works herself into a panic attack alone in her room - and it's actually Annabeth that comes to check on her.

"Tell me five things you can see, Piper"

Annabeth's golden tresses. A blue sweater that is probably Percy's and got mixed in the laundry. One of Leo's screws that are everywhere he goes. A crown of flowers Katie Bell did for her. Malcolm's favorite book sitting at her nightstand.

"Good. Four things you can touch."

A calloused hand beneath hers. The soft jeans Annabeth is using. The cold hardwood floors. The wall against her back.

"You're doing amazing. Now three things you can hear."

The ship's engine rumbling beneath them. Annabeth's voice. Nico's brooding rock music coming from his room.

"Almost done. Two things you can smell."

Annabeth's lavender cologne mixed with the grime and sweat of their taxing day. The salty smell of the ocean.

"One thing you can taste."

Her mouth on Annabeth's. It's Piper who starts it - she is just so overwhelmed by Annabeth's everything, still worked up about the anxiety attack she just had, and they are so close.

The daughter of Athena is surprised and pushes back - she sits side by side with Piper, holding her wrist so she can't flee.

"Piper, I... I didn't mean to pass the... wrong... signs. I don't like girls. And boy body or not, you're still a girl."

It's the best and the worst let down of Piper's life. She nods - she is the daughter of Aphrodite. She should've known better. Annabeth is in love with Perseus - for years now.

"We can still be friends, right?"

Piper nods - Annabeth thinks it's ironic. It's the same interaction she had with Perseus - and she knows that, deep down, being friends is not enough, how much this rejection is just as bad as any other.

But she wants to keep Piper in her life. Is unfair - but there's something guiltily pleasurable about having someone that likes you, to know that you're not undesirable.

It's selfish, but Annabeth never claimed to be altruistic.

Up in the deck, Frank and Jason are receiving news of Reyna. She says she and Malcolm were attacked by Lycaon and his pack - and that Malcolm had a vision about Orion, the giant meant to oppose the twin gods, heading towards the Hunters and the Amazons.

With Apollo and Artemis missing, it comes to them to help. Jason thinks they could try and help if they cross paths, but that they should inform them by IM and go on their way - they have little time to dawdle, even if they're using Malcolm's mother transport company to carry the giant statue.

They are able to rest for the remainder of the day - it's more or less eighteen hours before Reyna sends the next message - they met the hunters and the Amazon in the Lisbon's Harbor and fought Orion, but no god came to give him the final blow.

So Reyna and Hylla had to run - the statue was already shipped off to America, and nymphs were helping them to get to the Long Island Bay within the next two days. Malcolm wasn't so lucky.

Orion smashed Malcolm against a boulder, breaking his arm and a leg. As they fled, Malcolm told them to leave him behind - he would stall the giant for a little while.

With most Amazons and Hunters out of commission or dead, they had no other choice. The last thing Reyna saw was Orion raising Malcolm above his head, and the sickening crunch of it breaking against the sea rocks.

Will is the one on patrol - and the one who has to relay the news to Annabeth. He doesn't want to wake her, but it's her right to know - so he goes and wakes Perseus too, to help deliver the blow.

"Annie, I... We... We have bad news."

Annabeth screams - that was her big brother, almost her father. He taught her how to hold a shield and how to swim - he was her only family left on Camp.

It's unfair. That shouldn't be his battles anymore - he is twenty! She screams and she throws a statue of her mother - and that damned coin - into the wall. Then Annabeth sobs on Perseus' shirt.

"It's her fault Percy, all her fault if she didn't send us in this goose chase if she didn't choose Malcolm..."

Will solves to tell the others in the morning - it's late, and most of them had little to no sleep. He goes back on deck, but there's a storm brewing in the ocean - and it's not a natural one. It's some kind of deity - and that's not a good moment.

He goes to Perseus - he is still awake, asleep Annabeth with tear tracks in her cheeks and scrapped knuckles in his arms, and tells him about the situation - Will is not that good of a fighter.

"I'll deal with it. Stay with her. I'll be back shortly."

Will should be alarmed - with Perseus more recent behavior, the way he always hated the gods' trivial troubles, should he really be sending him upstairs, with an ax, a tiger, and a mad expression into his eyes? Maybe not, but he won't stop it. The deity chooses their own fate - even Will is done with their willful moods, compromising a much more important journey in their own name.

Let whoever it is burn - The son of Apollo covers the sleeping girl's ears softly. She doesn't need this kind of stress now.

The storm stops, but the screams in the deck don't - they are like music to his ears.