#they're for.... a future project... so to speak

[primrose19]

I haven't been quiet about my dislike (hatred, even) of the last two episodes of the show but I'll say it again

(I cannot speak for everyone, obviously, so these are just my personal feelings on the matter)

People tend to confuse "happy" with "satisfying" endings. Let's look at Lilia's episode. She died. Literally. Technically, that is a "sad" ending. But it wasn't, actually, because I did not feel sad. Quite the opposite, actually, I ADORED how her arc was concluded. I had happy tears. Her end truly felt like a beginning. My point is, I was expecting the same emotional impact from Agatha's end because there was no way this show would end any other way. Agatha was always going to die. But execution fucking matters. Hell, the hug in e4 had more emotional impact than the kiss. Do you know why? Because in the, supposedly, Agatha centered show, we got BARELY NOTHING regarding Agatha's backstory and we got EVEN LESS about Rio and Agatha's relationship. And I'm not even speaking from a shipper perspective. But Agatha's story has been so interwoven with Death, it feels like something fucking crucial to show. I don't disagree that there's a certain allure in leaving things unsaid and implied but when you want to have that sort of ending, it needs to have the emotional impact to back it up. The ending needs to fit the rest of the show (example: HTTYD 3, but we are not going to unravel that disaster here since it's neither the time nor the place for it).

And don't even get me started on the comic book lovers. "It's ending was comic book accurate so I'm happy!" Well, I'm not a comic book reader. This ending meant absolutely nothing to me the way it was shown. Which brings me back to my first point; execution fucking matters.

As for your "this is not the end of them" comment, I don't necessarily disagree. Originally, another thing that made me hate the ending was the fact that we got no resolution between the two. At least, no explicitly shown resolution. Now, I think maybe they left it open-ended on purpose, to maybe (hopefully) touch upon that in future projects. However, it truly does feel like the time for the backstory is over. I can't fully explain this feeling but the closest example I could give is spinoffs; you know how you get certain main characters and then this work gets a spinoff with a new set of protagonists but the old ones still make some appearances here and there? You get to know what they're up to in present time but you no longer get a full view of them. That's what this feels like.

Anyway, thank you for coming to my Ted talk

Honestly, I don't understand the people who are bitter about the way Agatha All Along ended. I thought it was freaking amazing.

Agatha and Rio got to be angry and in love and epically drawn to each other. And petty as all hell.

We got a kiss (and Rio's face those seconds before Agatha kissed her and she felt it coming). We got to see the wounds Agatha left in Death. We got to see a moment where Agatha essentially forgave Death (even if she wouldn't acknowledge it to Rio). We watched Rio cover her grave in the color that meant most to Agatha. We watched how Rio gave Agatha the time to love her son (because even if the older Agatha refused to see it - because it hurt too much - she would clearly have taken that gift a second time if she found herself back in that moment).

And it wasn't even the end of them, because if you don't think Rio is going to keep pursuing Agatha's soul now that she's floating around as a ghost instead of coming home to her, you're wrong (you're just... wrong).

It might not have been a "happy ending" but it was freaking glorious.

[mosspodge]

HELLO @okartichoke I AM HERE WITH MOSSY'S GUIDE ON HOW TO START SEWING: A VERY MESSY TUTORIAL

I am extremely self taught, so this is gonna be a lot of links and infodumping!!!! Hopefully this helps a even just a little bit :>

SO! I honestly got into sewing through youtube during covid, largely bc i wanted silly fun clothes! There are a loooot I could recommend to you out there, but I personally find that the more chaotic and learn-as-they-go people help me the best! Rachel Maksy and The Stitchery are, to me, some of the best to learn from! Which is honestly pretty funny since they tend to just fully wing it most of the time lol. While i could recommend excellent sewists like the amazing Bernadette Banner (who is actually the first sewing channel I watched!), I find that the more loosey goosey the process, the more i can learn, if that makes sense? I find it helpful to watch people trial-and-error their way through projects and show where they succeeded and failed since I get a better grasp on their process that way.

The best way to start sewing, in my humble opinion, is to grab whatever sewing machine you can get your hands on and play around with it! Read the manual, find a tutorial video on how to thread the machine, grab some scrap fabric and play around! You don't really need any special needles or feet (the little thing that holds the fabric down), unless you wanna get started sewing denim or velvet or something Speaking of which, learn about fabrics!!!!! I learned mostly by going to joanns, touching the fabrics, and looking at the content labels. Everything has different uses, and while two things might both be cotton, one could be knit while the other jersey (tshirt fabric). I like this video for learning the basics! Tbh this one took me a while. Usually patterns have recommendations for what fabrics to use, so that's always a good place to start!

Patterns. Ah my arch nemesis. Unless you decide to start drafting your own patterns (or get a mannequin and learn how to drape fabric), you're probably gonna need to use one. There's two major things i recommend for this: 1) Make sure there's a video tutorial online before buying, and 2) start with something you might actually use/wear. Pattern instructions are notoriously vague, but thankfully many wonderful people make video tutorials for them! And while you might be tempted to grab one of those beginner friendly patterns, they can sometimes be. real ugly and not well fitting. Also boring! Finding something you like will hold your attention better and make you actually wanna finish it!

Ok SO. getting into more of the cosplay sewing stuff. First things first my knowledge here is a bit more limited, unfortunately. Fortunately there are many wonderful people out there with tutorials!! So if you wanna learn more definitely look there!!! General tip for cosplays + more complex sewing: MAKE MOCK UPS PLEASE IT SUCKS BUT IT HELPS SO MUCH. Go find the ugliest fabric in the sale bin and buy a few yards, then use it whenever you wanna test patterns. It might be tempting to immediately start cutting and sewing the finished garment, but the truth is that patterns rarely fit perfectly well (especially if they're fitted/tighter on your body). Make an ugly, barebones version first with your bad fabric, take notes, and then start making the finished piece. It'll save you money and sanity.

As for cosplay youtubers, I heartily recommend Sarah Spaceman, since not only do her videos show her process, she also does segments teaching you more about sewing!! She tends to tackle more complex projects, and watching her take those on has helped me a lot :} For cosplay patterns etsy usually has quite a few! I like Indigo Patterns (they have a good array of loz patterns I need to buy) as well as Alice in Cosplay Land. Please note that I haven't bought from either, but both their etsy shops have wonderful reviews and I plan to buy from them in the future!

not gonna lie I am getting very sleepy so I'm gonna cut it off there for now! Hopefully my rambling helped lol. Feel free to ask me any questions or for any clarification!

[honeyspeeches]

bunch of kl thumbnails out of context to try out new brushes

[treasure-mimic]

So, let me try and put everything together here, because I really do think it needs to be talked about.

Today, Unity announced that it intends to apply a fee to use its software. Then it got worse.

For those not in the know, Unity is the most popular free to use video game development tool, offering a basic version for individuals who want to learn how to create games or create independently alongside paid versions for corporations or people who want more features. It's decent enough at this job, has issues but for the price point I can't complain, and is the idea entry point into creating in this medium, it's a very important piece of software.

But speaking of tools, the CEO is a massive one. When he was the COO of EA, he advocated for using, what out and out sounds like emotional manipulation to coerce players into microtransactions.

"A consumer gets engaged in a property, they might spend 10, 20, 30, 50 hours on the game and then when they're deep into the game they're well invested in it. We're not gouging, but we're charging and at that point in time the commitment can be pretty high."

He also called game developers who don't discuss monetization early in the planning stages of development, quote, "fucking idiots".

So that sets the stage for what might be one of the most bald-faced greediest moves I've seen from a corporation in a minute. Most at least have the sense of self-preservation to hide it.

A few hours ago, Unity posted this announcement on the official blog.

Effective January 1, 2024, we will introduce a new Unity Runtime Fee that’s based on game installs. We will also add cloud-based asset storage, Unity DevOps tools, and AI at runtime at no extra cost to Unity subscription plans this November. We are introducing a Unity Runtime Fee that is based upon each time a qualifying game is downloaded by an end user. We chose this because each time a game is downloaded, the Unity Runtime is also installed. Also we believe that an initial install-based fee allows creators to keep the ongoing financial gains from player engagement, unlike a revenue share.

Now there are a few red flags to note in this pitch immediately.

Unity is planning on charging a fee on all games which use its engine.

This is a flat fee per number of installs.

They are using an always online runtime function to determine whether a game is downloaded.

There is just so many things wrong with this that it's hard to know where to start, not helped by this FAQ which doubled down on a lot of the major issues people had.

I guess let's start with what people noticed first. Because it's using a system baked into the software itself, Unity would not be differentiating between a "purchase" and a "download". If someone uninstalls and reinstalls a game, that's two downloads. If someone gets a new computer or a new console and downloads a game already purchased from their account, that's two download. If someone pirates the game, the studio will be asked to pay for that download.

Q: How are you going to collect installs? A: We leverage our own proprietary data model. We believe it gives an accurate determination of the number of times the runtime is distributed for a given project. Q: Is software made in unity going to be calling home to unity whenever it's ran, even for enterprice licenses? A: We use a composite model for counting runtime installs that collects data from numerous sources. The Unity Runtime Fee will use data in compliance with GDPR and CCPA. The data being requested is aggregated and is being used for billing purposes. Q: If a user reinstalls/redownloads a game / changes their hardware, will that count as multiple installs? A: Yes. The creator will need to pay for all future installs. The reason is that Unity doesn’t receive end-player information, just aggregate data. Q: What's going to stop us being charged for pirated copies of our games? A: We do already have fraud detection practices in our Ads technology which is solving a similar problem, so we will leverage that know-how as a starting point. We recognize that users will have concerns about this and we will make available a process for them to submit their concerns to our fraud compliance team.

This is potentially related to a new system that will require Unity Personal developers to go online at least once every three days.

Starting in November, Unity Personal users will get a new sign-in and online user experience. Users will need to be signed into the Hub with their Unity ID and connect to the internet to use Unity. If the internet connection is lost, users can continue using Unity for up to 3 days while offline. More details to come, when this change takes effect.

It's unclear whether this requirement will be attached to any and all Unity games, though it would explain how they're theoretically able to track "the number of installs", and why the methodology for tracking these installs is so shit, as we'll discuss later.

Unity claims that it will only leverage this fee to games which surpass a certain threshold of downloads and yearly revenue.

Only games that meet the following thresholds qualify for the Unity Runtime Fee: Unity Personal and Unity Plus: Those that have made $200,000 USD or more in the last 12 months AND have at least 200,000 lifetime game installs. Unity Pro and Unity Enterprise: Those that have made $1,000,000 USD or more in the last 12 months AND have at least 1,000,000 lifetime game installs.

They don't say how they're going to collect information on a game's revenue, likely this is just to say that they're only interested in squeezing larger products (games like Genshin Impact and Honkai: Star Rail, Fate Grand Order, Among Us, and Fall Guys) and not every 2 dollar puzzle platformer that drops on Steam. But also, these larger products have the easiest time porting off of Unity and the most incentives to, meaning realistically those heaviest impacted are going to be the ones who just barely meet this threshold, most of them indie developers.

Aggro Crab Games, one of the first to properly break this story, points out that systems like the Xbox Game Pass, which is already pretty predatory towards smaller developers, will quickly inflate their "lifetime game installs" meaning even skimming the threshold of that 200k revenue, will be asked to pay a fee per install, not a percentage on said revenue.

[IMAGE DESCRIPTION: Hey Gamers!

Today, Unity (the engine we use to make our games) announced that they'll soon be taking a fee from developers for every copy of the game installed over a certain threshold - regardless of how that copy was obtained.

Guess who has a somewhat highly anticipated game coming to Xbox Game Pass in 2024? That's right, it's us and a lot of other developers.

That means Another Crab's Treasure will be free to install for the 25 million Game Pass subscribers. If a fraction of those users download our game, Unity could take a fee that puts an enormous dent in our income and threatens the sustainability of our business.

And that's before we even think about sales on other platforms, or pirated installs of our game, or even multiple installs by the same user!!!

This decision puts us and countless other studios in a position where we might not be able to justify using Unity for our future titles. If these changes aren't rolled back, we'll be heavily considering abandoning our wealth of Unity expertise we've accumulated over the years and starting from scratch in a new engine. Which is really something we'd rather not do.

On behalf of the dev community, we're calling on Unity to reverse the latest in a string of shortsighted decisions that seem to prioritize shareholders over their product's actual users.

I fucking hate it here.

-Aggro Crab - END DESCRIPTION]

That fee, by the way, is a flat fee. Not a percentage, not a royalty. This means that any games made in Unity expecting any kind of success are heavily incentivized to cost as much as possible.

[IMAGE DESCRIPTION: A table listing the various fees by number of Installs over the Install Threshold vs. version of Unity used, ranging from $0.01 to $0.20 per install. END DESCRIPTION]

Basic elementary school math tells us that if a game comes out for $1.99, they will be paying, at maximum, 10% of their revenue to Unity, whereas jacking the price up to $59.99 lowers that percentage to something closer to 0.3%. Obviously any company, especially any company in financial desperation, which a sudden anchor on all your revenue is going to create, is going to choose the latter.

Furthermore, and following the trend of "fuck anyone who doesn't ask for money", Unity helpfully defines what an install is on their main site.

While I'm looking at this page as it exists now, it currently says

The installation and initialization of a game or app on an end user’s device as well as distribution via streaming is considered an “install.” Games or apps with substantially similar content may be counted as one project, with installs then aggregated to calculate the Unity Runtime Fee.

However, I saw a screenshot saying something different, and utilizing the Wayback Machine we can see that this phrasing was changed at some point in the few hours since this announcement went up. Instead, it reads:

The installation and initialization of a game or app on an end user’s device as well as distribution via streaming or web browser is considered an “install.” Games or apps with substantially similar content may be counted as one project, with installs then aggregated to calculate the Unity Runtime Fee.

Screenshot for posterity:

That would mean web browser games made in Unity would count towards this install threshold. You could legitimately drive the count up simply by continuously refreshing the page. The FAQ, again, doubles down.

Q: Does this affect WebGL and streamed games? A: Games on all platforms are eligible for the fee but will only incur costs if both the install and revenue thresholds are crossed. Installs - which involves initialization of the runtime on a client device - are counted on all platforms the same way (WebGL and streaming included).

And, what I personally consider to be the most suspect claim in this entire debacle, they claim that "lifetime installs" includes installs prior to this change going into effect.

Will this fee apply to games using Unity Runtime that are already on the market on January 1, 2024? Yes, the fee applies to eligible games currently in market that continue to distribute the runtime. We look at a game's lifetime installs to determine eligibility for the runtime fee. Then we bill the runtime fee based on all new installs that occur after January 1, 2024.

Again, again, doubled down in the FAQ.

Q: Are these fees going to apply to games which have been out for years already? If you met the threshold 2 years ago, you'll start owing for any installs monthly from January, no? (in theory). It says they'll use previous installs to determine threshold eligibility & then you'll start owing them for the new ones. A: Yes, assuming the game is eligible and distributing the Unity Runtime then runtime fees will apply. We look at a game's lifetime installs to determine eligibility for the runtime fee. Then we bill the runtime fee based on all new installs that occur after January 1, 2024.

That would involve billing companies for using their software before telling them of the existence of a bill. Holding their actions to a contract that they performed before the contract existed!

Okay. I think that's everything. So far.

There is one thing that I want to mention before ending this post, unfortunately it's a little conspiratorial, but it's so hard to believe that anyone genuinely thought this was a good idea that it's stuck in my brain as a significant possibility.

A few days ago it was reported that Unity's CEO sold 2,000 shares of his own company.

On September 6, 2023, John Riccitiello, President and CEO of Unity Software Inc (NYSE:U), sold 2,000 shares of the company. This move is part of a larger trend for the insider, who over the past year has sold a total of 50,610 shares and purchased none.

I would not be surprised if this decision gets reversed tomorrow, that it was literally only made for the CEO to short his own goddamn company, because I would sooner believe that this whole thing is some idiotic attempt at committing fraud than a real monetization strategy, even knowing how unfathomably greedy these people can be.

So, with all that said, what do we do now?

Well, in all likelihood you won't need to do anything. As I said, some of the biggest names in the industry would be directly affected by this change, and you can bet your bottom dollar that they're not just going to take it lying down. After all, the only way to stop a greedy CEO is with a greedier CEO, right?

(I fucking hate it here.)

And that's not mentioning the indie devs who are already talking about abandoning the engine.

[Links display tweets from the lead developer of Among Us saying it'd be less costly to hire people to move the game off of Unity and Cult of the Lamb's official twitter saying the game won't be available after January 1st in response to the news.]

That being said, I'm still shaken by all this. The fact that Unity is openly willing to go back and punish its developers for ever having used the engine in the past makes me question my relationship to it.

The news has given rise to the visibility of free, open source alternative Godot, which, if you're interested, is likely a better option than Unity at this point. Mostly, though, I just hope we can get out of this whole, fucking, environment where creatives are treated as an endless mill of free profits that's going to be continuously ratcheted up and up to drive unsustainable infinite corporate growth that our entire economy is based on for some fuckin reason.

Anyways, that's that, I find having these big posts that break everything down to be helpful.

[usedpidemo]

Codependency (Ive Yujin)

On one side, there’s a mansion worthy portrait of you on the wall. On the other, wards and recognitions from numerous governing bodies with your name plastered in remembrance. The public knows more about the brand than the people behind it; that’s how business works. Unless your name happens to be Musk, Bezos, or Zuckerberg.

You’re nowhere near their level of wealth and influence—far from it—yet this entire building’s future rests on your shoulders. It’s not as easy as it looks.

You’ve always credited your guardian angel for keeping you from harm your entire life. It sounds religious, but from personal experience, it’s real. 

She’s guiding you from the secluded corner of your office.

—————

“And that’s how we’ll proceed with operations moving forward,” you say to the executives in the room—except they're not physically there. Their faces are projected on screen, joining from different countries, with some even joining from home. To be quite frank, you understand very little about your own presentation, and had your acting not been Oscar-worthy, there’s more that would appear absurd than believable. “Do we have any questions?”

For the most part, the top brass appear to be in unanimous agreement with everything that has been laid out. Not a single question, complaint, or rebuttal from anyone.

“Well done, officer. You seem to have a complete grasp and understanding of the situation,” says one of the chiefs, his ripe old age showing through his slow, strained tone. 

Another suit, much closer to your age—albeit barely (he’s in his mid-forties)—adds, “We expect an immediate turnaround, otherwise we may have to cut even more of our divisions off. Should this plan fail, we anticipate closure of even more of our departments, including yours.”

It’s not the most concerning thing you’ve heard this week, but it’s definitely up there–at least top three.

Nevertheless, you remain firm and bow to your superiors as you end the meeting. “Thank you sirs. We will do our best.”

As soon as the video call ends, you let out this deep sigh of relief that’s been repressed the entire time. Thank goodness you have an entire building floor and private office to yourself. 

“Well fuck me,” you mutter, seemingly speaking to the void, taking all the deep breaths you need, wiping the sweat across your head with some tissue. “Tell me I followed through on everything, right?”

“Yeah. Apart from mixing a few things, you mostly got it.” Yujin’s voice emerges from the far end of the room, covered in darkness, away from anyone’s view. The papers on your desk aren’t actually documents or paperwork. In reality, they’re pages of a manuscript with a few instructional, handwritten notes attached. It’s not even your own writing; they’re curated by none other than Yujin herself. “I’d say I wouldn’t have noticed, even if they were a little too obvious at times.”

“These conferences are fucking tiresome. Nauseating even,” you reply. Yujin opens up the blinds, and you stagger away from the immediate sunlight piercing through the room. Simply put, you just want to throw up after yapping all that incomprehensible jargon. “You know what—why don’t we switch places next time? I think you’d be better at this than me, like you already are with everything.”

An unusual comment for the director to make to his assistant, but it’s true. Yujin is so good in every department that it’s borderline farcical. She’s incredibly reliable to the point where you’ve basically deferred nearly every task to her, leaving you with the most boring parts of your job, which mostly comprises of company meetings and private calls. She’s a relatively new hire, having worked in your department for a little over a year, yet her rise up the ranks has been nothing short of absurd. 

“Please, let’s not get carried away,” she softly laughs, flashing a lovely smile you never grow tired of seeing—and you see her as soon as you walk into the building till you clock out.  “I’m fine with the research and paperwork. Regardless of what you want to believe, I think you sold it well.”

You slump back in your chair, somewhat bothered at just how unbothered Yujin is. How she’s able to take all your responsibilities that you should be doing, and without protest. One look at her features tells you all you need to know: that she’s happy to work for you. She could easily be in your position right now, putting you through this exact hell. She could be on that screen making those very threats on your job, in fact. Instead, she prefers to be your subordinate.

If that wasn’t enough of an example, she’s gathering the papers on your desk, putting them back together, good as new. Then she brings you a cup of water from the dispenser. She’s enumerating a list of other, just as unintelligible things that may or may not be important to your discussion earlier. Meanwhile, you’ve been sitting in that chair, your thoughts wandering aimlessly, thinking about anything that isn’t work. It’s almost noon, yet your mind just wants to check out for the rest of the day.

“Um—sir? You okay?” Yujin waves a hand right in your face, snapping you from your tired daze.

You tilt up to her gaze, eyes weary. “Yeah. I’m just—tired.”

“Do you want me to leave? I’ll go and sort out the upper management on your behalf if you’re not feeling well.”

“Don’t.” You rise from your seat, telling her, “I’ll take care of it. Go and have lunch,” as you point at your wristwatch, both hands closely pointed at the top.

“You sure? You should go have lunch too,” she replies, showing an alarming amount of concern that it’s almost comical. “Don’t worry about me.”

Shaking your head, you respond, flashing a light grin to reassure her, “I can talk to them at any time. T your break. I’ll call you when I need anything.” 

—————

Truth be told, you didn’t want to see her for the rest of the day, let alone seek her help. 

Yujin is only one call away. After all, she’s your assistant, down to working right outside your office. She’s working on whatever nonsense you’ve assigned her, showing no signs of slowing down. Meanwhile, you can barely call today productive; you’ve only completed two pages of a draft for next week’s presentation. In the time spent between slowly chopping away and stalking her from behind the door, her pretty profile a sight for sore eyes, she’s probably completed this week’s assignments and halfway through the next. She’s that efficient.

Hours pass, until the day finally ends at five. At exactly the top of the hour, she lets herself into your office, her pleasant attitude still in full bloom. “Already completed all the tasks for today. How about you?”

Yujin is not even trying to gloat—not in the slightest—yet it sounds like a punch to the gut. You can only slam your chin flat on the desk in despair, shooting a tired glare at her. She tries to muffle her chuckle, trying to keep herself professional, not realizing you’ve already seen through her facade.

“You want me to help you out? I don’t mind working an hour longer if you need it.” She’s peeking her head over the laptop display, examining for the proof of concept—or lack thereof. “Didn’t I tell you to leave this five plan strategy to me?”

This amount of confidence should leave you battered and deflated. And yet, there’s a sense of relief knowing Yujin will get the job done no matter what you ask of her. It’s enough to turn that frown into a faint, encouraging grin. 

“I guess so,” you tell her, putting down the screen. Getting up from your chair, you close the window blinds and block out the setting sun. “Maybe I’m just tired of deferring all my responsibilities to you, that’s all.”

Her smile looks innocent, demure even, it doesn’t make sense as to how irrevocably kind she is to you. As far as you know, your employees consider you as shrewd and as scummy as your superiors. Forget that you’ve been working here longer; they consider everyone that isn’t their fellow rank a corporate dirtbag who’d step over others the first opportunity they can. It’s a vicious cycle. To have someone like Yujin feels like an anomaly. 

“Don’t worry about it, that’s why I’m getting paid right?” she answers back, pressing her palms on your desk. “Just do what you can and I’ll handle the rest.”

You’re pouring an espresso into a cup, before offering the drink to her. “We should talk, Yujin,” you say, filling up a separate glass with your own. Your fourth shot. “You got a minute or two?” 

“Sure. I always have time for you.” Yujin sits up, taking the drink into her hand, crossing her leg. It’s nearly impossible to look anywhere else but on them. As if she couldn’t be any more perfect, in mind, character, and body. “Is there anything bothering you lately?”

Sitting across her with only a desk separating you, the words never come out. You’ve got plenty on your mind: the messy state of your department, the unreasonable expectations and demands of your superiors, the possibility of losing your job—and Yujin. She’s sitting right there, ready to hear you out, but you never find the conviction to confess your worries. The next few minutes are awkward silence, only broken by the occasional stir of teaspoon and the sip of coffee. It isn’t that she renders you speechless, though one would fairly assume as to why: she’s pleasant to look at, among other things. It also helps that her outfits have been getting skimpier over the past few weeks. Unsurprisingly, you let the flagrant violation of the dress code go unpunished. 

“Sir? Is everything okay?” Yujin leans her head forward, noticing that you’re lost in thought. She places her cup on the desk. “What’s wrong?”

Your eyebrows instinctively rise. That glimmer of hope you showed moments ago disappears. What’s left is despair. “I think we might be fucked, Yujin.”

“Fucked? What do you mean by that?”

“We’re fucked. Like, we could be out of a job fucked.”

“Explain?” Yujin cannot comprehend it—then again, anyone else would react the same way. “Didn’t we give the board a five step plan earlier today?”

“We did,” you reply, finally mustering the strength to meet her eyes. “But here’s the thing: we don’t have the financial or human capacity to execute the plan. At least, in the time they demanded.”

“And? We did the research and even the hypotheticals!” You’ve never heard Yujin raise her voice even once��until now. “What could go wrong exactly?”

“They think we can course correct years worth of bad financial decisions in just a few months. That’s the problem. Either way, we’re fucked.”

“I don’t believe you.” Yujin forcefully rises from her seat, threatening to flip the desk. If she only had the strength. “After all the time I spent working on it, you want to wave the white flag and give up?”

You don’t really know how to answer her. At least, in a way that’s remotely graceful and easy to understand. 

“I’m sorry, Yuj, but no matter what—”

“I’m trying—so fucking hard—” she huffs, her fist clenching, trembling violently— “to carry your fucking ass so that we could keep our livelihoods. And not just me or you, but also the hundreds working for us! I know you fucking hate their guts because they’ve said nothing but terrible things about you, and even if none of that is true because I know you better than anyone else in this fucking building, at least have the decency to salvage whatever’s left instead of being a fucking coward for once!”

Yujin doesn’t notice that she’s been outright screaming into your face. You’re taken aback, utterly in disbelief at what she just aired out. If she wasn’t kindness incarnate, she likely would have pulled you by the shirt and choked you till you passed out. She blinks. The realization hits, and she begins to crumble.

“Sorry” is the only thing she can say, in quiet mumbles, slowly falling back onto her chair. Her hands cover the lower half of her face, completely mortified. Her eyes are on the verge of tears before giving out and crying waterfalls. Eventually, she lowers her head out of shame.

Even before entrusting her with such a demanding assignment, you knew there was nothing other than divine intervention that could save your job. This wasn’t what you signed up for, and neither did Yujin. For the most part, this was only to save face. Your face. The board of directors didn’t have any objections after all, and were mostly agreeable with every step of the plan. Either that or their old age is catching up and they hardly understood a thing at all. Like you.

Nevertheless, it doesn’t excuse you from criticism. This is on you, and you should be held accountable. Instead of rightfully performing your part, you weighed down someone else with your burden. It’s the wake-up call you need.

Yujin shouldn’t feel guilty saying all of this and having to apologize. She’s crying on your desk, still softly apologizing between tears, “Sorry—I’m really sorry—” and your heart fucking drops. 

It’s a terrible feeling.

“Yuj, please stop crying,” you mutter, caressing her shoulder. Seeing her look so defeated brings you more distress than anything, including the thought of losing your job. “I should be the one apologizing for putting you through all this. You’re right—”

“I’m so sorry.” She’s still asking for forgiveness, your words mostly going unnoticed. “I just wanted to—”

“You’re right, Yuj. I’m a coward. I’ll admit, I honestly wanted to resign the moment they brought this up. If they couldn’t do a damn thing about it, how else would I know? Seeing you figure out a way made me realize just how much I depend on you to save my ass. I should be the one saying sorry, not you Goddammit, Yuj. What would I do without you, honestly—”

She tilts her head up, her sniffling and sobbing unceasing, resting her head on your chest. “I’m sorry. What I said is still out of pocket and I wasn’t in the position to say—”

“Shush, Yuj. Stop apologizing for being right,” you reply, brushing her hair. “Look. We’ll go forward with your plan. You can write up the whole thing and I’ll present it your way. I won’t muck up in front of the directors, okay? Don’t worry about it. I’m not gonna quit.”

“Really?” She lifts up her eyes, doe-looking and glimmering.

“Yeah. Might as well go down with a sinking ship, so please stop crying,” you say, smiling. “You made me feel like shit and I don’t like it.”

Yujin laughs. Heartily.

—————

Even though that should havd been enough to appease Yujin, in your eyes, it wasn’t. You had to make it up to her in other ways.

“This place serves really good food,” you tell Yujin, digesting the sights and scents of the relatively small eatery. Meanwhile, Yujin sits beside you, eating to heart’s content without a care. “I can see why you love it.”

“How’d you know this was my favorite place to drop by after work?” she asks, chomping down on the last stick of her barbecue. 

“I have my sources,” you tell her, playfully grinning, unwilling to admit that you’ve been watching from behind your car’s windows for some time now. 

“Don’t tell me it’s Wonyoung, boss.” Yujin pouts, flustered and embarrassed. “I swear to God, I can’t trust anything with—”

“It isn’t her, don’t worry,” you chuckle, amused at her red-faced look. 

“I really appreciate the offer,” she remarks, finishing the remaining half of her drink. “You shouldn’t have.”

“Hey, it’s the least I can do for my hardworking assistant,” you reply, gesturing to the lone cook for the bill. The charges go up to the hundreds, with most orders belonging to her. While she’s chomping away at the end of a large meal, you secretly foot it on her behalf. How she maintains her figure while consuming this much food, you’ll never know. And when she calls for the tab, she’s told that it has already been paid in full.

“Now you’re just being extra,” she says, facing you, looking insulted by the kind gesture, but in a playful way. Appreciative regardless. “I already told you we’ll pay for what we each ordered.”

Looking at the stack of empty plates on her side—when compared to yours—some part of you believes that to be false. You don’t even have to say anything for her to realize she’s not one to fulfill her own word either.

“Okay—I would have paid 25 percent.”

You can’t place any blame on her. She laughs—at herself. She’s so charming, a pleasure to watch, that you would let her slide, had this not been your intention right from the start.

“Stop.” 

You end up laughing with her too.

—————

“Seriously. Don’t lie, you promise you won’t just suddenly quit on us?” Yujin asks, staring at you as you walk toward your parked vehicles outside the eatery. “This feels like a way to soften the blow.”

Both of you stop right in front of your cars. “Not at all,” you tell her, staring directly into her eyes. “What else do I have to do to prove that I’m not quitting?”

“I don’t know, sir. I mean—you, suddenly asking me to eat out—” she rolls her eyes away, skeptical— “You’ve never done that.”

The cold nighttime air sweeps all over you. Chilly, you rub your arms together, partially regretting the decision to cover Yujin with your coat. She’s relatively unfazed, warm in your garment; even more surprisingly, it fits her perfectly like a glove. 

“I wouldn’t leave if it means I lose you, Yujin.”

It’s not the words you wanted to say. Every part of that sentence leaves your lips effortlessly. A little too effortless.It’s an unconfessed confession, waiting for the right moment to be spoken. Sure, she may interpret it as merely you being codependent on her when it comes to work, but there’s no way there isn’t some kind of other, deeper meaning behind them.

“Lose me? What does that mean?” She asks, even more curious. Of course, Yujin isn’t the brain of your operations for nothing. It isn’t surprising when she figures you out. “You like me, don’t you?”

Just like that, the tables have turned. You can’t deny your feelings any longer.

You gently nod. Perhaps the killing blow could be softer if you find closure, right here, right now.

She leans forward, both of you unable to do anything other than to stare into each other’s deep, longing eyes. The tension between you is the only source of heat in the midst of a cold, lonely night. 

By all accounts, the relationship between you and Yujin is strictly professional. Apart from a few trips abroad, you keep all conversations business related. Mind-numbing, confusing agency jargon. It’s a helpful practice in keeping your space; no matter how attractive she may look and saccharine she may sound, no amount of pleasantry can make company discussion remotely close to entertaining. You’d rather play with the blinds in your office. She’s doing her part too: clock in at nine, clock out at five on the dot. It’s a healthy routine. After hour talks between you are rare. It’s common practice to maintain a firm working relationship. It’s also just common sense. Good organization begins at the top.

Moments like these are strong reminders on why you avoid crossing that line. Yet you don’t stop—not when she’s the one making the first move. 

You kiss. Your lips stay a little longer than they should. The taste lingers. 

You find solace in each other's warmth, in a comforting embrace. She rests her head on your chest, her hands gripping into your shirt tightly. Deep down, you both recognize you’re on borrowed time. Whether through your promotion or your release, you won’t be together for much long. Countless hours spent together, so many occasions—the opportunities are being handed to you on a silver platter, only for you not to take the chance.

Not anymore. You won’t make the same mistake again.

—————

Driving her home was easy; finding your way into your room was half the battle. 

“It took us this long to share a room, huh?” Yujin huffs against your face, finding and capturing your lips even in an erratic, volatile environment. She’s pushing you against the wall, her palms having an iron grip on your cheeks, pulling you close and wildly kissing you. The entire trip up to your apartment floor has been nothing but shaky kisses and clothes slowly scattering from the elevator to your front door.

“We should have done this a long time ago,” you manage to mutter, holding her face away for a brief respite to answer, only to be forced back in once again. Any semblance of professionalism between you is abandoned for fiery, passionate lovemaking, future relationships be damned. 

The most surprising thing is how it isn’t as messy as it may look. See, despite the bite marks on your skin, the wrinkles in your clothes, and the rather loud, unceremonious manner you enter your apartment, you’re still in the process slowly unraveling. There’s a conscious effort to make sure neither side comes out completely in ruins. A silent agreement between you. 

Her hands lay claim to your shirt, threatening to tear you apart if you don’t do the same to her. She lifts her head when you quickly peel through her long skirt; you dive in and make it yours. The crack in her voice as she mewls tickles your ears just right. Slowly spreading her legs wide, pulling the panties down her well defined thighs. In response, she tugs at your shirt, popping a few buttons loose. It isn’t as easy as it looks to have Yujin pinned against the wall; she’s actively fighting, trying to seize back control. If she can’t have her way with you, at the very least she can rein you in. Only now do you realize the danger your little escapede.

With her slender legs wrapped around your waist, you can only do so much. Yujin can’t stop kissing you, leading your gaze to anywhere but her pretty, lust-ridden expressions. She wants this more than you do. Against your desires, you end up in the kitchen, propping her on the bar counter as lipstick covers your entire face. The brief respite when she catches her breath gives you ample time to unbutton the rest of your shirt before tossing it aside—something you don’t give her the decency to finish.

While she’s still staggering, lost in her own thoughts, you take her by the shoulder and leave a fresh mark on her neck. A distraction. More importantly, your fingers feel their way around the back of her dress, find the touch of metal—and yank. The zipper follows, the lengthy garment gradually coming undone, until Yujin pushes the rest of it off her shoulders and to the floor. Your eyes gleam like starlight as her bra reveals itself, taking countless mental snapshots at that moment. 

Not even her attempts to redirect your attention can pull you away. 

You push her down on the marble surface. The bar is big enough to fit you both. Joining her atop the counter, your gaze wanders down her divine figure—and you don’t know where to start. Everything about Yujin is designed to be as perfect as humanly possible. No one should be flawless.

“How can you be any more perfect, Yuj,” you mutter, eyes roaming everywhere, soaking in the immaculate sight before you. “How did I not want you any sooner?”

Yujin’s hand traces down your arm. “You could have just asked. My previous employers did. It was a regular part of the job for me.”

You’re shaking your head. Imagine that—an employer taking advantage of their employee offering themselves without any restraint. You would never—except you already did. Your previous assistant can vouch.

“Don’t feel sorry. I want this just as much as you do,” she adds, pulling you towards her face for a soft kiss, clearing all doubt. “Besides, you’re not that much different from any of them. Why stop now?”

“Not that different? Were they just as codependent on you as I am?”

Nodding in agreement, she laughs. 

“God fucking dammit.” 

You sigh. Yujin continues laughing. What a momentum killer. And the worst part is, it’s self-inflicted and completely avoidable. You should have just kept going, kept her speechless.

Still, it’s not the end of the world. You’re on top of Yujin; she has no intention of leaving you anytime soon. Most importantly, she’s unhooking her bra while you’re caught up in your feelings. “But—there’s one difference: I actually love working for you. I wouldn’t mind letting you use me.”

“You love working for me? Why?”

She’s biting her lip, grabbing you by the back of your head. “You’ll find out yourself. You know what to do.”

“What? How?” The word comes out panicked, desperate.

Yujin shakes her head, the smirk on her lips twisting, wicked. “You know how.”

At first, finding what she means proves to be a struggle. After all, Yujin’s not the mysterious type. She always tells you everything straight, condenses complex conversations into digestible servings for easy consumption. It’s not in her character. Yet, one look at what’s in front of you—her naked frame casually lying beneath yours, her hands running all over your bare self—the realization hits you like lightning, and you’re mentally punching yourself for being so dangerously oblivious.

You kiss her on the lips again. You can’t get enough. You’d happily stay in this position all night long. Except that isn’t what she wants. She wants you to go further. 

So you sink further and further down. The closer you get, the more she opens up. A sloppy trail follows your lips, from her chin, to her collarbones, to her chest and navel, and everything else in between. She’s soft to the touch, so flexible and malleable—every part of her, you make yours. Then you get to her core, her inner thighs spreading, and watch as it unravels before you, quivering, soaked, needy. You look into each other’s eyes, hers anticipating. There’s a craze behind your irises, as if some repressed need is crawling back to the surface. It’s slowly driving you wild.

Your name drips on the edge of Yujin’s mouth—a sign of impatience—before suddenly cracking at the point of impact. She rolls her head back, her voice reduced to an airy sigh as your tongue licks up her slit, her entrance, in a slow upward motion. It takes every ounce of your willpower not to devolve into a hungry, primal mess. Her thighs close in and clamp you down, suffocating you while you become more familiar with the sensation and taste of her dripping cunt. 

If only you could hear the full extent of her moans, turning a pitch higher with each passing swipe and slurp. You’re humming into her core, satiated and fulfilled with the taste of her slick in your mouth. Yujin’s hands stretch out for help, for stability as pleasure gradually overwhelms her. Propped underneath her thighs, your hands dig under to reach places that your tongue can’t. She grows erratics, restless, moved by your presence inside her.

“Fuck!” The profanity escapes her lips instinctually, like it’s always been a part of her. She’s writhing, jaw slack, her back arched over the bar, her hands now grasping on your hair, then on the edges again. On your side, the pressure her thighs bring leave you suffocating. It’s too much. You should be begging for your life; instead, you’re enjoying every minute, slowing your pace every now and then to savor the feeling. 

Despite her state, she’s caught you by the wrists. They do little in stopping your tongue from consuming every inch of her, and you end up pushing her forward. You grip her by her thighs and spread her wide. She can’t resist. Fresh air has never felt more soothing to the lungs. By the way you have her legs dangled up in the air, you’re threatening to pull a nerve. She’s screaming, crying out in desperation, 

Still, it doesn’t change the outcome. Yujin finally loses herself completely and comes undone. She cums—blasts jets of slick all over your face and mouth. The counter pools with the aftermath of her orgasm, and you lick it all up, sanitation be damned. 

When you finally emerge from the depths of her tight, drenched cunt, she remains a mess, stamina completely drained, body still trembling from her massive climax. You’d think after that, she would be incapacitated for the night, until—

“Wait.” Yujin deeply exhales, pulls you by the wrist. You aren’t exactly going anywhere. As if struck by lightning, she suddenly rises up. A shit-eating grin forms on her lips, as if the damage wasn’t enough to take her down. There’s a familiar look in her eyes—the gaze of a woman who needs more.

She flicks a sample of her slick from the spot on the counter and laps it up, still eying you with unceasing lust. You remember her words, the question to ponder: “You’re gonna tell me now?”

Yujin blankly stares. The question lingers for a little while. “Tell you what?” she replies, the tone convincing enough to feign innocence.

“Why you love working for me.”

She smiles again, a teasing look. “You’re halfway there.”

“What does that mean?” As you try not to overreact, your assistant turned one night stand tries to stifle her laughter. It almost goes unnoticed, until— “Yuj, you’re really getting on my nerves with all this vaguery bullshit going on.”

“It’s part of the fun, is it not? Do you want me to give it straight?”

“Yes! Like always!” 

Yujin leans close. One hand reaches for your pants, the other still attached to your wrist. She appears like she’s going for yet another kiss, when she stops right next to your ear and whispers, “I want you to fuck me. Use me,” before drawing herself away.

On the surface, the stare you give her looks cold. Deep in your mind, the words resonate and ring louder and louder. Four words. “Fuck me—” “Use me—” The arousal bubbles up, manifests on your cheeks. The next few minutes can go so many ways, more than you can imagine. In your eyes, she’s still your assistant, a friendly, dependable worker whom you consider a close acquaintance more than anything. 

The thing is: you’ve already gone far past the point of no return. Her gaze is enticing—demanding—you to keep going. 

There’s no stopping now.

Yujin casually follows you to your bedroom, hand in tow. The rest of your clothes lie discarded in the kitchen—boxers, pants, and all. Gone are the nerves and hesitations; the attitude you have towards her is different. “Lay down,” you command her, voice steely, and she obliges, the bed flopping with the slight crash of her lithe figure. You won’t ever grow tired of staring at her naked body, regardless of it’s position. 

She lays flat on her tummy, observing you rummage through your large closet of suits, pulling a red tie from one of the drawers. “Not the first time I’ve had something wrapped around my neck,” she remarks, raising a curious eyebrow, crooked smile unyielding. “Stylish, just like you.”

“I wasn’t asking for your input.” You’re never this stern towards Yujin. You toss the necktie on the mattress before joining her atop the bed. “Turn around.”

Like the good girl she is, she obliges. That’s Yujin for you; she’ll always follow everything you tell her, no questions asked. On her fours, her plump ass glides face up, in complete view. Another temptation, another part of her to claim as yours. Regardless, you’re in no hurry; you’ve got the rest of the night.

With your erect cock in hand, you line the tip against her sopping cunt. She winces, moans at the contact. “Oh, fuck—” she whines, lifting her head up, her nails pressed into the sheets. As inviting as the call of her tight, wet pussy is to you, you make an organized effort to resist the immediate lull to fuck her hard.

Even holding her figure with your other hand proves to be a nightmare. Her body enraptures you in hypnotic ways. The arch of her back, the curve of her ass, the hourglass frame—it’s a feast for the eyes. You could take your sweet time and worship every little part of Yujin and she wouldn’t mind, but in the midst of your blinding daze, she’s calling to you. Again.

“Are you just gonna admire me or are you gonna shove that big cock in me?” She faces you with a mischievous grin. “I don’t mind both.”

Suddenly, you remember your position in this relationship. You grab her by the throat, face her away again. “Quiet. I don’t want to hear any more from you unless you’re taking this fucking cock.”

Showing a little resistance, she tries daring you, “Then f—fuck!”

Her jaw goes wide, frozen in place, her voice abruptly cutting as you undercut her with your cock. You’re no better; pleasure sets your muscles ablaze as you thrust into her inviting cunt. It shows in the deep groan spilling from your mouth. Little by little, you plunge ever so deep until you feel yourself buried to the hilt. That’s when you finally let out this breath of relief—but not for long. 

Her pussy clenches hard. Her heat proves to be suffocating beyond measure. If you don’t act quickly, she could end you in seconds. 

“O-oh God—”

You slowly, painstakingly pull back before throttling your hips into her. Taking these short breaths, every little move you make is precarious. It’s not that she’s resisting you—far from it—but it’s you resisting the urge to cum so soon. Your mind tries to think of anything other than what’s right in front, but even that proves to be nearly impossible. The ripple of her ass, the slight wobble of her breasts, the twisting grip of your hand on her otherwise soft skin—

“So fucking tight. Holy fuck, Yuj—” You manage to mutter before you’re reduced to groans again. 

All you can focus on is keeping yourself together while you’re slowly crumbing away. You find a rhythm in the midst of the madness, pounding away at your assistant’s cunt, your senses overrun by pleasure and the satisfying sound of your skin slapping skin. Elsewhere, your hands can’t seem to find solace in just one area. They’re everywhere; from her hair, to her throat, to the arch of her ass, to her hips, the imprints stay new, eventually creating a patterned sequence that immediately breaks.

You’re fucking these strained cries and prasies out of Yujin’s sweet lips, and it’s quite the mouthful. ’More,’ ‘harder,’ ‘so good—’ until it reaches the point where her voice is so worn from your chokehold that she can only speak in high pitched mewls. Another cycle you wish would never end. 

Slowing your pace, you reach for the necktie, gently tying it around her neck while preventing your rhythm from disrupting. “You’re such a fucking perfect woman, you know that?” you mutter in her ear, kissing the helix and indulging in the scent of her perfume mixed with sex and sweat. “Perfect listener, perfect assistant, perfect body—”

Pulling yourself away from her, you yank the tie along—your makeshift leash. Her body tilts all the way up, a sharp screech suddenly filling the bedroom. You’re not sure if its from the pull or just her moan. Either way, you have her in your grasp. Brushing her hair aside, you mumble, “Actually, I don’t know how to use a tie like that. I just wanted to remember what it’s like to be the boss. Your boss.”

It should have sounded flat, like all your other attempts at being convincing. And yet, she leans her ear backward, trying to recapture your lips. Teasing a little, your lips make what’s considered the most minimal of contacts, before you push her to her fours. You don’t intend to pull on the tie again, but you’re still holding on to it like your most prized possession—and it may as well be Yujin. 

“Of course,” are her first words uttered in a while that aren’t some combination of profanity and praise. 

Grabbing her by the midsection, the rhythm of your thrusts quickens. You feel it. The imminent collapse. And it’s not just the bed quaking and creaking from your sex. She’s pleading now; ’So close,’ she tells you, begs you to let her cum all over your cock. In any other scenario, you’d acquiesce. Here, with all the authority, you’re going to assert your power a little.

“Say it. Say it and I’ll let you cum all over me,” you demand, your hand climbing up to her chest, grabbing at her breast, folding her up slightly that her grip on the sheets transfers to the headboard. “I wanted you so fucking bad for so long.”

“Anything for you. Just let me cum!” she cries out, on the verge of falling apart. Dangerously close.

“Tell me I’m yours.”

“I’m yours!”

“You know what I meant. Say it again.”

“I’m yours! I’m yours!”

Hearing her declare that she belongs to you with such conviction almost upends you too. You almost give in, but narrowaly escape thanks to your utter resolve. The smirk on your face is priceless.

“Perfect. Now cum.”

Just like that, her body reacts at the drop of your command, as if it was hardwired into her. Yujin goes numb—fidgeting, cumming all over your cock—as you continue to pound into her cunt. A single word echoes, going quieter with every incantation: ‘Fuck,’ she whines, caught reeling in her orgasm and catching every breath possible. 

Eventually, it comes to a standstill, the only thing left is for you to crash. Lucky for her, you’re not that far off. You’ve let go of the tie, holding onto her shoulders instead. So now it’s her opportunity to turn the tables on you again.

“Fucking give it to me—oh I need it now, oh God—” Yujin begs, barely keeping herself upright in the aftermath of her climax.

And you just crash down on her, slamming her deep into the sheets, turning her around as you fuck callously, clamping her neck, her moans ringing into your ear. She has a leg wrapped arond yours—as if you had any intention of pulling out. You’ve spent enough time away from her pretty face; now you want to watch her take all your load deep in her pussy.

Yujin’s mouth melds in the shape of a moan as the pressure finally overwhelms you. Burying yourself deep in her, you’re still pumping, fucking your cock as you blast thick load after thick load in her warm, creamy cunt. The sensation leaves you breathless, hanging onto her for dear life as you wait for the moment to pass. Though it may seem like a couple of minutes, the feeling lingers far longer than you can imagine. She milks you of all your worth, drawing every last drop from your throbbing cock until your body can’t move any longer.

Eventually, your bodies wind up together, limbs tangled, wrapped around each other in a warm embrace. The comfort you both needed after a long day.

—————

You gaze down at a tired Yujin. Hours ago, you were the one holding onto her; now she’s the clingy one, wrapping an arm over you. “I really need to know, Yuj.” 

She mumbles into your chest. “What is it?” You feel her soft lips leave lipstick marks on your skin.

You’re brushing away loose, dark strands of her hair to get a better look of her pristine, shiny face. “Why do you love working for me?”

After the passionate night you just had, you still have the gall to ask such a frivolous question. The answer should be obvious by now.

She looks up, smiling—a pleasant, friendly gleam, one you immediately recognize as soon as you walk through those office doors. “Because you’re the first boss I’ve ever worked for that isn’t a total asshole. Also, you’re good at everything.”

You raise an eyebrow and frown. “That’s not—”

“You know what I meant, boss.” The smiling turns into teasing. You realize, then you laugh.

You should be basking in the afterglow of sex, but daylight peeking through your curtain says otherwise. You’re so tired, you can’t move a muscle, let alone grab the phone from the living room to tell the time. All you know is that you should be at work by now, and so should Yujin.

The ring from your phone can be heard loud and clear, even a room and clothing pocket away. As you try to lift your head, Yujin meets you halfway, kissing you before laying you back down.

“Don’t worry about it. I’ll write up your leave of absence. Besides, I could use some time off too,” she says, inching her face close to yours.

The notion frightens you. Yujin, your most reliable assistant, never missing a day that isn’t considered a holiday, not by your side when you need her. 

And you need her now more than ever.

“Time off? When?”

“From now. Until you say we’re done.”

—————

(A/N: :bsadcorner:)

(Missing IVE's first proper world tour will always be one of my K-pop low points, even if I already watched and even shared an interaction with them. Goddammit, I can already expect the prices and perks for their next tour will be even more expensive than it already is. Sigh. Anyway, I hope they get their well deserved time off. Thank you for reading!)

[tainbocuailnge]

this is a final fantasy fourteen dawntrail post. it speaks incredibly for the desperation of the people of alexandria in its decline that they both couldn't bear to remember the dead and couldn't bear the thought of the dead no longer being remembered, and thus created this contradictory system where the dead are only remembered by something other than those to whom that memory is meaningful. so crushed by collective trauma and grief that they directed every effort to eradicating awareness of mortality altogether and it's resulted in a paradise where everyone is incredibly blasé about dying because the dead live forever in the cloud until they run out of spare souls and are completely paralyzed with fear of their own mortality.

but even more than desperation it speaks of a naive sincerity that the scientists and officials behind the project just actually genuinely built and maintained this giant memory database to preserve the deceased at increasingly large cost, rather than just lie that they totally did that to a populace who won't remember those deceased anyway. they're not harvesting souls to power the war effort while using a recreation of the beloved princess as puppet figurehead, they completely sincerely recreate the dead from their memories and simulate them living happily ever after, started by a sincere desire to not lose their beloved princess. living memory is an eternal theme park that actively goes out of its way to facilitate letting people who remember each other fondly meet again. it's the manifestation of a childish wish for a world where there are no partings, only reunions. it's a theme park rather than an actual city with a dmv and shit like amaurot was precisely Because it's a childish dream. it's fundamentally an artificial experience, but one which sole motive is to bring joy and relief from everyday sadness.

and sphene is the first and most prominent victim of that naive sincerity. she's the mascot of this theme park, and because she's the mascot in charge of providing this artificial but kind experience she can't ever break character. the people of alexandria couldn't bear the thought of her being forgotten, so they created a memory of her that would last forever, but they also couldn't bear to actually remember sphene, so she's a mascot instead of a person. she loves her people, and they love her, but none of them can possibly understand the weight that love puts on her shoulders. the sphene we meet is fundamentally trapped by other people's deeply limited understanding of her.

it's so so so important to her character that she's a small dainty feminine woman that exists to take care of everyone emotionally and be loved by them for being so nice and sweet and loving, and when she tries to arrange some kind of secure future she ends up with an abusive husband who ignores her wants and needs for his own ambitions, and she is fundamentally unable to act outside this highly gendered framework. sphene reads like the commonplace tragedy of the straight woman to me to the point where making her in lesbians with wuk lamat is like. I can certainly understand wanting to grant sphene the sense of liberation and comfort that many lesbians themselves feel at the realisation that they don't have to marry men, so far be it from me to say anyone is wrong to do so. but it's kinda ignoring part of what her deal is for the sake of that comfort I think.

not that lesbians have never ended up in abusive marriages with men but sphene very explicitly does not have other options, part of the tragedy is that you fundamentally cannot actually grant her that liberation and comfort. cahciua explicitly says there's no way to know what the real living sphene would have done because this sphene is a recreated memory of the beloved princess whose job is to sustain living memory. their darling sphene who will always listen to all their troubles and is always nice to them and will always take care of them. she's literally trapped by the role society assigned her, and that role is essentially to be their tradwife mother. the living sphene may have been into women, but the people who recorded her to create the sphene we meet never even considered the option.

do you guys know that tweet thread where OP describes going to a funeral for a woman they didn't know who'd died young of a heart attack, and the husband spent most of the eulogy talking about himself instead of his recently deceased wife, and by the end of the ceremony OP had learned nothing at all about what this woman was like beyond being a wife and mother? everyone fondly remembers the princess and queen of alexandria, but nobody remembers sphene. and just like all OP could still do for this woman was go to her casket and acknowledge that she too had been a full person in her own right before the stress of swallowing everything about herself killed her, all wuk lamat can really still do for sphene is think of her as the full person she must have been.

we're not told anything about what sphene was like as a leader, what her policies were, how she actually did her work, her vision for the future of her country before she died and was reconstructed. they only tell us everyone loved her so dearly because she was so kind to them. we're shown her dying moments and it's her using her airship to shield a civilian, so we can assume her love for her people was indeed true. but none of sphene's history that we're shown and nothing of how otis (who knew the living sphene) talks about her tells us anything about what she was like outside her role as beloved princess. her memories from after her "revival" are dissonant and corrupted and possibly not even real, and her policy of preserving living memory no matter what is a wish implanted in her by the people who reconstructed her. we don't even get to see what she looked like when alive. the only sphene the people know is the theme park mascot of living memory.

cahciua was exactly as erenville knew her and was true enough to herself to be able to turn against the system, so we're not given reason to believe any of the endless were tampered with. but sphene was already dead by the time they even tried to figure out how to preserve her memory, her actual soul and memories definitely long gone by the time the technology worked. we're explicitly told that nobody in everkeep really cared who or what sphene was as long as she adequately fulfilled this role of loving them all so much. she can't even tell you her favourite food, none of the people who labored so intensely and sincerely to bring her back bothered to write down even her most basic personal preferences when they reconstructed her. she has to deflect the question with "when I think of the people who make the food I can't pick just one" because the only preference she's allowed is loving all her people equally. she's completely thrown off that wuk lamat would even ask.

and it's precisely because she is remembered only as this kind loving woman who gave everything for her people that she is weak and powerless to actually do whatever it takes to keep them safe. she does not have the freedom to assert herself, let alone to be cruel or violent or take extreme actions. society does not give her that freedom, because she is a small dainty woman and (therefore) the only role allowed to her is to be their tradwife mother. so while her desire to protect her people is as real and true as it can be part of her plan to lobotomise herself in order to become someone capable of violence and cruelty also reads to me as that specific female frustration of wanting to destroy the sweet babygirl image of yourself by doing something extreme. like britney spears shaving her head. but in sphene's case destroying the babygirl image amounts to destroying herself completely, because the babygirl image of her is all that comprises her. and so when all is said and done the only fragment of sphene that is restored and lingers just a bit longer after that image is destroyed is the sphene that wuk lamat sincerely wanted to get to know.

[just-a-ghost00]

How will you meet your next lover?

Group 1

Cards : 2 of pentacles, Knight of pentacles, Temperance, page of cups, ace of swords, 4 of pentacles

This feels like a work setting or at least a work related meeting. You might not necessarily meet them directly at work but your occupation may lead you to meet this person. I feel like either one or both of you are in a transition when you meet. If not, a period of instability. It's like you're not really sure whether you want to keep going in the direction you're headed to. When you meet, I feel like the connection is instantly going really smoothly. You and this person may be chatting right away, exchanging ideas and tips. However, I feel like both of you are on the reserve. I don't see anyone being at the origin of your meeting with them. You will likely be surrounded by people but they will not come into play here. It's just you and your person interacting with each other. I feel like both of you are single when this happens. The transition phase may concern your respective studies or career. There might not be much going on upon first meeting. But you will instantly feel attracted to them, especially to their mind. In terms of timing, I'm picking up on a few years. A little pigy bank was depicted on the 4 of pentacles card. So I'm getting the message that in order to meet this person, you will have to save money. Or you will meet them at a point in your life when you or they need to save money for a project. Maybe you live at a distance from one another and when this person meets you, you or they are only there for a short period of time. Which would explain the transition thing. Think about a tourist visiting a country and making acquaintances with the locals.

Group 2

Cards : 4 of pentacles, 9 of swords, Queen of swords, Magician, 6 of swords, King of pentacles

I am getting a work setting from this group as well. You might have felt drawn to group 1 too. For this group, I'm picking up on a difficult phase in your career. Maybe you've reached a stalemate. You're working really hard to ensure your future and stability but somehow you're not seeing any progress. This may lead to you feeling anxious or even being depressed. I see that during this period of time, you're not entertaining any relationship. You feel very guarded and hurt and the last thing you need is for someone to come into your life and see you stuck in this mess. Yet, that's what happens. This person is also single and very career focused. You may meet them at a time of their life when they're travelling for learning purposes. This person has reached a stale mate in their career as well. And in order to overcome this phase, they have decided to make a move and find an opportunity to learn more and get more resources. This person decided to force their luck so to speak. "If I'm not going to be given the sucess that I seek, I'm going to create it on my own, no matter how hard that may be" was their mindset. Neither of you expected to meet each other. I don't know why I keep talking in past tense. This could be an indication that you may have met this person already. I get a vibe from you that both of you are very witty and cerebral people. This may be what got you to interact with each other in the first place. I'm picking up on different zodiac signs which could give us an indication as to who they are or when you met them. We have Gemini, Libra, Taurus and Scorpio. So that gives us a time frame from mid June to mid November. You may have met them during Summer.

Group 3

Cards : Hierophant, 5 of cups, The World, 10 of pentacles, King of cups, 10 of cups

For this group, the place of the meeting may vary. What triggers this meeting is a loss. It could be the loss of a partnership in any form (person, contract) or of an important belief system. In both cases, this really affected you on a spiritual and emotional level. When you start to overcome this loss and feel a bit more optimistic about life is when this person comes in. You may be travelling abroad or interacting with a lot of foreigners online. Your job or studies are going well. You may be travelling or enhancing your presence online in order to gain knowledge, notoriety or resources. The person you meet is very generous. Right off the bat, you will get a very good impression of this person. They will make you feel safe and cared for like no other. One way that you can recognize this person is by how sweet and kind they are. They will gift you many things out of the blue, for no other reason than to make you smile. They will give you compliments out of the blue, reassure you very frequently, encourage you every step you take. This person is a very good listener and a reliable support system. When you meet and start interacting, you may be living at a distance from each other and thus use social media to stay in touch. I'm picking up on fixed signs very strongly, especially Taurus and Scorpio. When you meet this person, you will notice that a lot of things in your life are improving. It will almost feel surreal. It's like this person has unlocked a cheat code that you weren't aware of and now all you ask for is in your hands. Lucky you!

[xoxoavenger]

Can I request wolverine x reader where both of them were madly in love with each other, but reader was unfortunately by one of the sentanails (mutant killing robots), absolutely wreaking him. Then, he went back in time and when he gets to the mansion, and meets past reader (let’s say she also have longevity like Logan) who doesn’t know him at this point and taken of guard. When he’s trying to convince Charles that he’s from the future and needs his help and Charles is being stubborn and gets a little heated, reader is trying to calm things down and try to get everyone on the same page

so sorry this took literally forever. it was partly bc of how busy I was and partly bc I was afraid to write it, having such a popular dofp fic already (literally my fic with the most notes ��)

Missing

pairing: Logan x Fem!Reader

word count: 2719

warnings: major character death (in the request but just in case), cannon typical violence and talk of violence

masterlist

Logan should have known this was coming.

His luck is shit. It always has been. For a hundred years now, he's felt like everything he touches goes to shit.

And then met Y/N.

She she wasn't shit. She was kind, smooth where he was rough, fitting him in all the right places. He was scared for awhile, afraid that it was too good to be true - her mutant ability being the projection of light. This power, the power of light, caused her to age slower. Charles had tried to explain it, multiple times in fact, but Logan was so lost every time that he just gave up eventually on trying to understand. All he knew was she aged slowly, just like he did, which means they could be together without him having the ever-present fear of watching her grow old.

He just never expected her to die.

He had known this was always a risk. She knew it too. And he also knew that they could have lived together, pretending like they weren't mutants, hoping from town to town, but she would never allow that. Him? He would have ran to that in a heartbeat, because he was selfish enough to want her to himself. To want to live, for the first time in two hundred years. He tried to fool himself, but how could he ever forget that he would always survive, while she simply didn't age as fast.

And that's how he should have known that everything was about to go downhill.

It happened in slow motion. But even then, it was 'unpreventable', as Charles would say. Logan knew the truth, though. It should have been him. He should have been the one to be hit with the laser. He should have been the one to have the hole inside him.

"No!" He screamed, running to her and sheathing his claws. He slides to catch her before she falls, but she's already dead in his arms. Her eyes are wide open, mouth paused in shock. Her body is limp, neck snapped back. And there's the four inch hole in her stomach, which he can see right through.

But he can't help but scream for her, calling her name. He shakes her, as if she's just asleep. As if he can fix this.

"Y/N," He cries softly, not moving as he's being pulled back. Suddenly he realizes his whole team is around him, trying to move him away from of his love. From his dead love. They're all screaming at him, and he knows that he's putting everyone in danger. But he can't let go of her. He can't bring himself to move. He closes his eyes, and then he lets out a guttural scream.

The next thing he remembers is being in a shelter, back against a wall and knees pulled against his chest. He blinks, realizing that he has no idea what happened after Y/N -

He doesn't want to think about that.

Everyone is under the shelter, talking and bandaging each other up. Logan wishes he couldn't heal, wishes he still had the marks on his body. But instead, he's left with just blood and and an empty chest.

"I can't send someone back that far. It would kill them." Kitty says, and hey, dying sounds exactly like what Logan wants right now.

"Send me." He speaks up, causing everyone to stop talking and turn to him.

"Your healing factor would help. As long as Kitty can keep you in the past that long." Charles says, and Logan remembers that his healing factor will keep him from dying. He thinks maybe he just hasn't tried hard enough to die. He's never wanted to more than he does right now.

"I can try." Kitty says with a nod. They all seem to know that if they don't do this, there is no future. They do this, or the Sentinels kill them all. They're at the end of the line. So they explain the plan, how Logan needs to get Charles and Erik on speaking terms again and stop the government from getting Mystic's blood. They think this will do the trick, that they may not be able to stop the downfall but they can stop the Sentinels. Logan realizes, then, that if he does this and it actually works, Y/N doesn't die. It reinvigorates him, starting his heart again.

They get into position, Logan laying on the makeshift table with conflicting emotions. He's mourning his lover, but he has some hope at least. He feels Kitty's hands by his head and before he knows it he's screaming, but it's not too long before he's in a bed, the bright sun beating down on him. He's with a girl - not Y/N, he didn't meet her until he met Charles, unfortunately - and he feels a little gross for it.

He gets into a fight immediately, and when his claws come out he realizes he doesn't have the metal that usually protects him. Shit. This stupid mission just keeps getting better and better. He gets shot, always a fun time, then starts the fight, just wanting to get it over with. He forgot how sensitive his stupid regular claws are, and he's tired of it by the time he makes it through the three guys. Now he needs to go to the mansion, which he has no idea what to find there.

~

He knocks on the door, sunglasses still on. It looks different, and not just because of the time, so he waits outside for a couple seconds for someone to answer the door. He can't even hear any kids running around, which is weird. He's so focused on this, he barely realizes someone answering the door.

"Hello, sir. We're closed, unfortunately, but I can give you directions to the nearest gas pump." She says with a smile. She's got a yellow shirt and jeans on, and Logan is pretty sure he doesn't know how to speak.

"Y/N?" He gets out, eyes clouding with tears. She looks taken aback, which shakes him up a little. He forgot that she wouldn't know who he was, of course.

"How do you know my name?" She asks, trying not to sound too skeptical. Her skin is glowing slightly, and Logan pulls his sunglasses off. It's all he can do not to cry,

"You're not gonna believe me." He chuckles, instantly feeling more at ease. How could he have forgotten that she would be here? He's never been more grateful for anything ever.

"Try me." She says, crossing her arms. He smirks and makes his way past her and into the mansion. "Hey! I didn't say you could come in!" She yells, and he looks around and his home, glad to see it standing.

"Where's the professor?" He asks, knowing it'd be easier to speak to Charles, who could read his mind.

"There is no professor. You must have the wrong place." Hank says as he walks down the stairs. Y/N turns and has a panicked look on her face, and Logan knows he needs to smooth this over.

"Listen, if you just let me talk to him, he'll know who I am. You won't believe me if I just tell you." He repeats, and Hank looks at Y/N before looking back at Logan, his face set.

"Like I said, there is no professor here. I think you should leave." Hank walks to be in front of Y/N, who looks conflicted.

"Who are you?" She asks, and Logan's heart skips a beat as he realizes that she's sticking up for him. She always said it was love at first sight, and maybe this is proof.

"I'm Logan." He says, and then he thinks about if he's actually going to tell them the next part. "And I'm from the future."

"Are you, now?" Charles is at the top of the stairs, and Logan startles when he sees that his friend doesn't have a wheelchair.

"Your legs," Logan starts, not sure what to say. He's caught off guard by a lot right now.

"Perceptive." Charlies says with a smirk as he walks down the stairs. Logan turns to Y/N, whose brows are furrowed.

"How did you know my name?" Y/N is still stuck on it, but it's almost like she's looking through him. She knows something is up.

"I'm from the future." He says, and the rest of the mutants in the room just stare at him. He looks at Charles, who is smirking. "You can read my mind. You know I'm telling the truth." At this, Charles' smile drops and his eyes squint.

"You have the wrong guy." His voice is low, and Logan shakes his head.

"No," Logan says, and Y/N tilts her head. It sounds crazy, someone from the future, but why would he lie? "I know who you are, Charles Xavier. So, read my mind, tell everyone I'm telling the truth, and can get on with what I came here to do." The room is silent as Logan and Charles stare at each other.

"I'm not that man anymore." Charles insists. Y/N knows he's not going to help, but she needs to know what this guy's deal is.

"What exactly is it you came here to do?" She asks, drawing his attention. He stares at her for a moment, making her a little concerned, but he looks lost and hurt, so she feels bad for him.

"In the future," Logan starts to get choked up, not able to look at any of them. He clears his throat, then continues. "The government was able to get Raven's blood. Because of you and Erik's feud. And they make these killers, called Sententials. Mutant killers." He can't look at them. Something happened, something bad. Clearly, if they're mutant killers, but this seems to be cutting Logan deep.

"How far in the future?" She asks, and it unsettles Logan. It's almost as if she knows, as if she's asking how long she has. He tries to remind himself that if he succeeds, she'll be okay. But will they still bet together if he changes the future? He has to hope. It's better for her to be alive, even if they aren't together. Everyone will be saved.

"Far." He answers, because he doesn't know how to tell her it's 50 years, doesn't want them to worry if they can't figure this out.

"How is this Erik and I's fault?" Charles asks, starting to get worked up. "If anything, it's solely his. I had nothing to do with this." He starts to leave, and Logan doesn't know what to do.

"You and Erik sent me from the future." Logan answers, causing everyone to pause. "You sent me because you need to work together."

"You're lying." Charles accuses.

"Well if you had your powers, you would know I'm not." Logan is starting to get worked up. This is harder than he thought it would be.

"I think you need to leave." Hank says, stepping forward. Y/N surprises them all by stepping forward as well.

"I think he's telling the truth." Y/N says, her gaze finally moving from Logan to Hank. "I think we should listen to him."

"Raven will die." Logan says, looking at Charles. "She's going to be experimented on and die. You can prevent this." Logan tries, hoping this will work. Charles glares at him, clearly not convinced.

"What about you?" Charles asks, lifting his chin. "What do you lose?"

"Did you miss the whole part about the mutant-killing machines?" Logan scoffs. Unbelievable, this young version of Charles. He'll take the old guy any day.

"No, no, no." Charles walks toward him, vacant look in his eyes somewhat clearing. "I may not be able to read minds anymore, but I know that you're in it for more than that."

"That's my business." Logan resists looking at Y/N, instead staring Charles down.

"And this is mine." Charles huffs. "I asked for your help years ago, and you told me to fuck off. I don't know what happens in the future, if you're telling the truth or not, but I do know that Erik will not be the one to stop it." He turns, and Logan knows he's losing him. He sighs, looking away from the small group.

"I lost Y/N." He says quietly. Somehow, the room goes even more silent as everyone stares at him.

"What?" She asks, barely able to breathe. He looks at her, face full of emotions she doesn't know how to decipher. She just met this man, but clearly he has known her for years.

"I found the school in 2000. You and Charles ran it, and I only stayed because of you. In my timeline, in 2023," He chokes up as the images of her flash through his mind. He wants to erase it, but it's there every time he closes his eyes. "The Sententials kill you. And they're going to kill all of us in the future, if you don't get your head out of your ass and make up with your boyfriend." Logan snaps the last part at Charles, who starts to get angry.

"Listen here-"

"Charles," Y/N starts, hand on his arm to stop him from walking even closer to Logan. She's glowing softly, emitting a calm, soothing light that even Logan can't help but admit makes his pulse slow. "Logan is giving us a chance to change the future. To save Raven."

"You're just saying that because you die." Charles lashes out, and that's how Logan knows he's not okay. He would never do that to her.

"We're all going to die!" Y/N yells. "Are you listening to him? You're probably dying in his timeline as we speak." She looks over to Logan, who is staring like she is the only person in the room.

"This is Erik's fault." Charles says, as if that made a difference.

"And it's going to be your fault if you don't listen to him." She softly speaks, and finally Charles sighs. Logan is grateful for Y/N; who knows how he would have convinced Charles without her.

"What do we have to do?"

~ When Logan wakes up, he's disoriented. The last thing he remembers he was being in the river, a rebar stuck through him and his brain shutting down from lack of oxygen. He can hear people outside his room, but what gets him to actually leave is the laugh that rings out through the hallway.

He sees her as soon as he opens his door, her smiling brighter than the sun. His heart pounds as he wonders if they're together - they didn't exactly get together in 1973, but she had helped him and believed in him when literally no one else had.

"Hey, baby," Y/N says when she catches his eyes, and he can't help the sound that escapes him. Her eyebrows raise as she realizes something is different. "What's going on?" She asks, leaving the group of people - mutants, kids, that had died, but are now here.

"Am I dead?" He asks, head reeling. She tilted her head with a small smile.

"What?" She asks, grabbing onto his arms gently. He doesn't have the same self control, however, and pulls her in. She sighs, and seems to understand. "You just got back."

"I thought I lost you." He admits, pulling back. "I at least thought we weren't going to be together." It's a hard thing for him to say out loud, but she just pulls him in for a kiss.

"James," She whispers as they pull apart, and he feels like no one has called him that in so long. She is the only one who is allowed to, the only one who won't get their throat ripped out for even thinking of uttering his real name. "There is nothing you could do to keep me away." She kisses him softly again, and he tries not to let the tears fall.

"I love you." He tells her, resting his forehead against hers.

"I love you too." She responds, giving one last peck before pulling back. "Now, I'm sure a lot has changed, so how about I catch you up on the last fifty years as we take a walk." She grabs his hand, and Logan swears he's never been happier.

//

tags: @avada-kedavra-bitch-187  @one-sweet-gubler

[echotunes]

Pac's talk about Arkanis

(disclaimer: I'm not fluent in Portuguese so I may have missed or misunderstood something but this is what I gathered)

It's going to be a "survival and RP" series - there's also going to be enigmas and mysteries, but it's also going to have regular Minecraft gameplay like building houses and such

The "first season" of the series will begin very soon ("not like, next week, but soon")

Pac wanted a studio for the series so he, Batista, Tayr, Himaru, and Guhzera made one - Boiss Studios. They've been working on the project for a couple of months now

They have a team of programmers, artists, and actors(!) for the server

There'll be new mods that we haven't seen in Minecraft yet, they're being made specifically for the series

It's going to be a completely original story

There's going to be 20 participants total! So far people who have been revealed (via Twitter here and here) are Meiaum, Bagi, GabePeixe, Guaxinim, Maethe, Choke, Matt, Felps, Pac, and Coreano.

Pac emphasised that "for now" there's only going to be people who speak Portuguese in the series, which made a lot of people in chat wonder if there's gonna be Portugal-Portuguese speakers there, but he didn't say anything else. He also trailed off mysteriously about the "for now" part

Pac said he'd be streaming basically every day. the people are doubtful of this but who knows

There will be "probably weekly" events, maybe some related to specific dates as well

Regarding the story: There's a city called Valigma and it has a mayor named J. The mayor has a Twitter account and "he's very suspicious honestly". He wants to recruit "experts" for their talents, for a purpose that is currently unknown

"What talent does Pac cubito have? I don't know, we'll have to find out."

(paraphrased) "If you're upset that your streamer isn't participating: Who knows, maybe there'll be an event in the future and they'll appear, who knows."

There'll be one central story but every member can create their own story as well

There won't be subtitles like there was with the Qlobal Translator in QSMP because that mod was made for QSMP specifically. Maybe other people will have the Twitch subtitle extension like Pac does, but there won't be anything in-game

It's a mainly stream-focused SMP, and people can make stream highlights if they want. Pac said there'd probably be things posted on his own clips channel

There'll be an official Arkanis Twitch channel that'll "go live sometimes"

"Is Pac on Arkanis going to be the same Pac cubito as in other universes? I don't know! It's possible!"

It's been a very cool thing for Pac to be part of the team working on it, he's very excited and hopes people will enjoy it

It's called Arkanis from Latin "arcanus" meaning "mysterious"

There might be a fanart museum like in QSMP

and then he ended stream. I may have missed or misheard something so if anyone else wants to add on feel free but that's the general gist I got!

[purplekiwis]

𝑲𝒊𝒔𝒔𝒂𝒃𝒍𝒆

Summary: While they're on opposite ends of the social spectrum, Y/N and Harry have been the closest of friends for years. But could it be that an all-night working session for a science project helps them break out of the friendzone?

Genre: Friends to Lovers | Nerd!Harry x Badgirl!Y/N

Warnings: SMUT | Self-Deprication | This is coming-of-age story. There's no mention of their age but both characters are in their last year of high school (just a heads up in case someone doesn't want to read because of that)

Wordcount: 10k

A/N: ok y'all, so i have made a mistake.

i was like 99% sure there was a request in my inbox asking for a blurb where harry was nerdy? i found it interesting so i started working on it... only to realize halfway into things that that was not in fact what was written in the request 😅

i figured i might as well post it anyways since i wrote it but yeah... i'm sorry, anon! i (now) know you wanted subby!harry, but all i have to give you is nerd!harry (don't worry, i made him a lil subby just for you 🤫)

also, before y'all flood my inbox with asks about the non finished fics (rightfully so) i hear you and i'm very, very sorry for the lack of updates. i had to take a break because i kept feeling like the texts i could come up with weren't good enough for the stories i wanted to tell. i still partly feel that way, but i'm hoping the lack of real harry content will inspire me to write more in the near future. thank you for reading my dumb little stories, i love you 💖

****************************************************************

Harry was never too fond of grocery shopping.

He really didn’t like the whole “put things inside the cart, remove things from the cart at the cashier, bag them, put them back into the cart, get them in the car, take them out of the car, bring them inside and put them away” process.

It was extremely inconvenient to him.

It was also very time-consuming, though Harry believed this particular belief of his was directly influenced by having to grocery shop with his grandparents every other day.

Naturally, they were slower than he was, so he'd just drag his feet behind them, push the cart and wait for them to ask him to grab something from the shelves that their aging pains no longer allowed them to reach.

That part was fine, what bore him the most was how easily they got sidetracked by trinkets that weren’t on the shopping list. Oh! And how they always managed to locate a random old person they knew from God knows where who engaged them in talks that appeared to stretch for hours.

Harry would try and make up reasons not to go with them sometimes, but he always felt a little guilty about it afterwards. After all, it was a very small favor for him to help his grandparents with their groceries, considering they had been the ones to provide him with a loving home after his parents failed to do so.

People always seemed to feel sorry for him when they found out he'd grown up without his “real parents” around, but he'd never had reasons to complain, really. Unlike his parents, Joe and Martha had always treated him nicely and made him feel genuinely loved.

They were a little overprotective at times, but like Y/N always said, that was probably because they watched too much TV.

Speaking of Y/N, Harry didn't hate grocery shopping with her so much. He even kind of enjoyed it as long as the space wasn't too crowded. That day it wasn’t, which he was extremely thankful for because it reduced the chances of them bumping into any familiar faces who might ask about his grandparents, or if the girl he was with was his girlfriend.

That’s another thing he detested about running into people his grandparents were friends with - they loved to pester him with indiscreet questions about his love life that made him go red-faced. It was even worse when he happened to be with Y/N during those times; fortunately, she was always a bit clueless about it. Harry guessed that the reason for that was that she was so comfortable with their friendship that she wasn't even aware of what was going on… even if she thought it a little odd that he kept introducing her as his neighbor even though they weren't neighbors anymore.

Despite the fact that they no longer lived next door to each other, Y/N was still a frequent visitor at Harry’s house. Ever since his family relocated to a different area of the city, it had become custom for her to spend the night whenever the two had group projects to do.

Their journey was always the same. As they got off the bus from school, they would head to the supermarket to stock up on frozen pizzas and late-night goodies to help them through the long hours they’d be spending working on their computers.

That day was no different. They'd just grabbed their pizzas, and were now wandering around the drinks aisle looking at the options.

“Do you think your grandma would notice if we hid one of these in your backpack?” Asked the ex-neighbor, Y/N. The smile on her face got him figuring she was up to no good… even before he noticed the bottle of whatever alcoholic beverage she was holding.

The idea startled him a little more than he'd like to admit. “Don’t start! And put it back before anyone sees you.”

The way his body jumped made Y/N laugh as she set the bottle back on its shelf. “Relax, okay? I was only messing with you... I knew you'd be too chicken to do it. But just so you know, they don't even ask for an ID most times.”

He replied to her with a headshake. “You're not as cool as you think just because you get drunk with your friends every once in a while.” She didn’t seem too pleased by his remark, but Harry figured that by now she ought to know he didn't mean most of what he said when he was annoyed. “You can get an iced tea… or a pepsi… or that weird-flavored soda you like.”

“Fine.”

Harry noticed that even after he allowed her to pick her favorite drink, Y/N still didn't seem particularly happy with him. She trailed behind him in silence while he pushed the cart around and didn't even appear to care when they walked past the shelf where her usual go-to snack was.

“Did you know that statistically, people who start drinking in their teens have a 5 times higher likelihood of becoming alcoholics than those who only start later?” Harry knew it probably wasn't the best conversation topic to get her to talk to him, but it was the only thing that came to his mind in the moment.

“Did you know that stating facts like that makes you look 1000 times more of a nerd than you already are?”

Harry snorted at her retort. “You didn't seem to mind me being a nerd when you asked me to work on the paper with you.”

“I do every paper with you, why should this be any different?”

He smirked at that. It was true. He and Y/N had attended every academic year together since they first met in elementary school, and they had managed to enroll in almost all of the same classes each time. They were currently in their senior year of high school, and their friendship was still pretty solid despite their different personalities and social interests.

Y/N was in the midst of a rebellious phase. In the beginning it all had been quite harmless, with her obsession with dyeing the ends of her hair crazy colors and pairing fishnets with knee socks. That somehow led her into starting to hang out with people Harry considered to be a little unnerving.

He wasn't sure what exactly made him annoyed about them... Maybe it was because he was a little resentful over having to “compete” for Y/N's attention and feared he would one day completely lose her to them, given that they were undoubtedly the cooler part of the equation. Perhaps part of it was also because those people reminded him of the kind who used to bully him for being a dork when he was younger. Thankfully, he wasn't being bullied as much anymore, but he still didn't have many friends.

He also barely interacted with girls, as one might expect. There were times he had crushes, but he was always afraid to talk to them, so things never really went anywhere. Thus, Y/N was really Harry's only female friend.

He confesses sometimes he was surprised she still wanted to hang out with him as much as she did. When she became popular, Harry naturally assumed she would ditch him for social status reasons, but that never happened, which was a big relief to him since he liked having her around.

They were both geeky, so they watched a lot of movies and played video games together... but when it came to other things, they were a little different. Y/N had a much better sense of style, was much more social, and enjoyed doing dumb things like smoking weed and getting drunk behind her parents’ backs.

Harry had never really understood the appeal of it. In fact, his lack of interest in participating in that stuff sometimes worried him a bit, but again... it wasn’t like he wasn’t curious.

There were a few times when he thought it would be cool if he could hang out with Y/N and her friends, go out drinking, dance, and maybe, just maybe, if he was very very lucky, even get to kiss someone on the mouth.

But then he always ended up reasoning that people like him weren't welcome at parties and that if he ever dared to step foot into one he'd probably end up being the butt of everyone’s jokes.

Even knowing so, he couldn't help fantasizing about it… especially the last part. Yes, Harry definitely thought about intimacy a lot more than he'd ever be willing to admit… and he also pondered a lot about how being practically invisible to girls sucked… and about how much he wished one would give him a chance.

He was aware of his issues, however. He knew he wasn’t exactly the hottest guy around. His haircut and clothing were out of style, mostly because he lacked the confidence to mess with his looks and follow the trends the way other people did. He’d buy new t-shirts sometimes; the only thing was that they almost always had gaming-related designs which obviously didn't do his style much good.

But it wasn’t all bad. Harry knew he had nice eyes… he just couldn't get the girls to come close enough to notice them. He figured the way he stared at the floor when he walked, along with the thick glasses he had been wearing since childhood had also taken part in preventing people from noticing how green his eyes were.

He thought Y/N had nice eyes as well, and he liked the way she accentuated them with make-up… even when her eyeliner turned out a little uneven or got smudgy because she forgot she had it on and rubbed her eyes with her fingers.

She'd been doing that a lot in the last hour they'd been working on their paper, which was making Harry feel a little bad.

Normally, by that time in the evening Y/N would already be working on her part, but as they'd started later than usual, she wasn't. Also, being the control freak he was, Harry always wanted to be the one in charge of the research portion of any papers they worked on. Leaving the final task of writing and flourishing to Y/N.

So the poor girl had been sitting next to him for hours, watching him go through articles on his laptop.

Harry could tell by the increased frequency of her yawns that her battery was running low, so he wasn't the least bit surprised when he heard her hesitantly ask, “Are you planning on staying up much longer? Aren’t you getting tired?”

“Um… not really. I found this really cool essay and want to make sure we gather all of their data.” He was so preoccupied with copying and pasting that he didn't even look away from the screen as he replied to the question. “It's a shame we don’t have any hot springs nearby... wouldn't it be cool if we could collect samples of these microbes and study them in the school lab?”

“Are you for real?” She looked at him like he was crazy as she let her back slide halfway down the bedframe. “Do you really find these stupid water microbes that interesting?”

“Not all of them, it’s just that I’d never considered that there could be some growing and thriving in actual boiling water… since, you know, that’s what’s supposed to kill them.” Due to the silence that followed, Harry realized that despite Y/N's efforts to keep him company, she was moments away from falling asleep. “Should I go get the air mattress to make your bed?”

“I can't sleep. I haven't done my part yet.”

“It's fine; we still have the entire day tomorrow to finish.”

“Don't bother with me if you’re focused on the paper. I just need to close my eyes for a bit, but I won’t fall asleep.” She promised, but Harry knew better than to believe her. “Do you mind if use your covers? Your room’s a bit chilly.”

“No, not at all.” He didn't mind it, in fact, he even found it a little exciting. Not in a pervy way, but it felt good to know that a good looking girl would be using his bed and leaving her girly scent on it. Harry tried not to dwell on those kinds of thoughts over Y/N too much, but of course he thought she was hot. He wasn’t that blind.

He hadn't always felt that way. For a long while Harry just thought of her as his best friend, but she'd grown into her curves in the last couple of years and he would be lying if he said his eyes and mind didn't occasionally wander. He felt a little bad about it, but it wasn't like he was ever going to do anything other than fantasize, so he supposed it was alright… as long as she didn’t catch on.

Truth be told, he’d always liked Y/N’s personality, but as of recently her looks and the way she dressed had also made her the type of girl he was attracted to on the outside. Yes, it was always the girls who wore alternative clothing and scowled a lot that caught his eye.

He was aware that his preference sounded extremely stereotypical coming from a shy loser like him, but it wasn’t like he could help what he was keen on.

“Is the entire chapter on Volcanic Islands really necessary?” She asked, leaning further into him so she could see the laptop screen despite being laid down.

“I'm not sure if it's necessary, but I thought we should at least mention these two islands since they keep coming up.” He could feel her sigh of defeat on his arm. “It’s already halfway done. I've already gotten all the info about Iceland… now all that's left is this tiny archipelago in Portugal.” With that, he rushed to type the final location on the Google search bar but was taken aback by Y/N's chuckling. “What are you laughing at?”

“Do you not know how to delete your browsing history?” She asked him, still laughing.

Harry's brows furrowed slightly, but he smiled along. “Huh, why? Seriously random that.”

“Random, really? I may only be half awake, but I can still see.”

“See what?”

“See Pornhub come up on your suggestions when you started typing Portugal.” Harry's face dropped instantly. Then, with a harsh slam, he shut his laptop lid. He could feel his entire body tensing up as a burning wave swept across his face, hotter than he'd ever felt before. “Harry, relax!” Y/N remarked when she saw him like that. She seemed rather worried about it as she clung to his arm and shook it. “Hey, look at me, this isn’t a bad thing. You don't have to-”

Before she could say anything else, Harry covered his face with his sheets and muttered, “Yes it is. It’s embarrassing.” Honestly, even that felt like a tame word to describe how he was feeling. This was, hands down, one of the most awkward circumstances he’d ever been in. He wasn't prepared to deal with it, so he chose to remain hidden and avoid further conversation.

He knew he'd have to come out at some point, but he couldn’t bear the thought of facing Y/N knowing that she knew he watched porn and wanked. It was making him feel all kinds of yucky, which was why he was a bit shocked by what happened right after.

Y/N ventured under the sheets after him, and eventually nestled into his side. The warmth felt nice, but being so close to her was weird. He liked it, but it also made him feel worse at the same time, given that she'd been the catalyst for his breakdown in the first place and all that. Plus, he still couldn't wrap his head around why she wanted to touch him when he felt so icky.

Despite the fact that they were right next to each other, it took a while for one of them to venture breaking the silence. By the time Harry tried, he had a dry mouth, so he had to swallow first. “I know it’s not your fault, but I'd honestly rather you hadn't said anything because knowing you saw is making me feel like shit.”

His faltering whispers seemed to stun Y/N a little, as if she'd already accepted that they wouldn't be talking for the rest of the night. “There's no need for you to feel that way… especially with me.” She returned his hushed words. “I wouldn't have said anything if I knew you'd get like this. I was just joking.”

“I know, but it still bothers me.” Harry was a little surprised by how at ease he felt speaking in quiet whispers while hiding under his covers. For some reason, talking to Y/N in this setting wasn’t as mortifying as he'd anticipated. “And just to be clear, I have no idea how that ended up in my suggestions. I always use incognito mode for that stuff.”

He couldn't see her, but he could feel her shrug. “You must have forgotten to open a new tab. It has happened to me before.”

“Oh. So. You watch it too?”

“Doesn't everybody, at least once in a while?”

“I don’t know… I suppose they must, yeah.” They both fell quiet for a bit, but not for longer than a few breaths as Harry felt the urge to clarify something. “I don't want you to think I'm a perv, though. I don't watch it all that often… not the kind of stuff that you’re probably thinking I watch, anyway.”

“What do you think I think you watch?”

“I don’t know, like… cringy, scripted porn… you know, the usual “oh no, I’m stuck!” stuff that shows up on the main page.”

“Um… I’ll be honest, you’ve always came across as more of a Hentai guy to me. And before you say anything, this isn't just me calling you a weeaboo. I've watched my share too and overall, I think it's much better than that other stuff you were talking about.”

“Yeah, fine... I'll admit that I like Hentai, but it’s not all I watch.” Harry wasn't sure why he felt so keen on sharing all of a sudden, but weirdly, he was kind of enjoying their conversation. He found the topic interesting, and he'd never had the chance to discuss it with anybody in person before so… it was fun. And, on top of that, Y/N was disclosing a bit too and he liked that he was getting to know this part of her as well. “Do you know what audio porn is?” She hummed and nodded yes. “Cool, so, there’s this category called ‘guided masturbation’ that’s basically just girls talking and like... telling you what to do. There’s no visual content really, but it has a very real feel to it that I like... almost as if you're on the phone with someone.”

“That's interesting, actually. I always thought that audio porn mostly for women, since, you know... everyone says men are visual creatures.” She shifted her weight slightly, turning towards him. “But you still find naked girls hot, right? the sight of them?”

“Well, of course. I’d be worried if that wasn’t the case.” Her question struck Harry a little, but he liked that she was acting curious and asking him things. “Honestly, I think the reason why I don't watch more regular porn is because I can't picture myself living out the fantasies. I don’t know, it’s weird to explain.”

“You can’t picture yourself in a sexy plumber costume ready to unclog a hot milf’s pipes?”

Harry snorted. “You're joking, but that's pretty much what it is.”

She hummed as she drew closer to him on the bed. This time her, placing her head into the crook of his arm. Her mouth was closer to Harry's ear in this position, although he wasn't aware of this until he heard, and felt, her whisper again. “Is that why you like to hear girls telling you what to do? because you're a bit unexperienced?”

Harry wasn't usually one to cuss, but shit. Hearing her whisper that somewhat snarky question so close to his ear struck a chord with him. It was freaking hot and kind of reminded him a bit of the audios he liked. Obviously, it wasn't as explicit, but it was better in many ways. A huge downside to the experience, however, was that it was extremely difficult to concentrate afterward. In fact, in the midst of his thoughts, Harry almost forgot to reply. “Um… I guess? I’m sorry, I kind of forgot what the question was.”

“No, it’s all good. I’m sure you must be getting tired.” With that, Y/N crawled out from under the covers. As she did so, her hand stumbled onto Harry’s toppled over laptop. “Oh, I didn’t even notice this was here. We should probably turn it off, right? Assuming you don't want to keep working after this.”

Harry also came out from hiding and sat up in a position similar to hers, with his legs partially covered by the covers. As his eyes re-acclimated to the brightness of the room, he massaged them a little. “Sure. I’ll just need a moment to, uh… make sure the file got saved properly, if that’s okay.”

Taking advantage of his temporary blindness, Y/N snatched his pillow from his side of the bed. She tucked it under herself and slid back under the sheets. “I've got a comfy bed right here so… feel free to take as much time as you need.”

He smiled at her antics as he readjusted the laptop over his legs and opened it. Turns out the file had been autosaved, but Harry still saved it once more before switching off his computer and setting it over his desk. “Yeah, that's fine. I don’t mind giving you my bed for the night and sleeping on the air mattress for a change.”

“Or you could spare yourself and sleep right there instead of worrying about which one of us will be sleeping on the floor.”

Her offer caused his eyebrows to rise, but he wasn't sure if that was a good thing to do. He liked the idea of it but was a little concerned about accidentally doing something embarrassing in the middle of the night. What if he made a toot? Or worse, had a wet dream? He hadn't had any recently, but one never knew when it might start happening again. In any case, he'd probably wake up with a stupid morning wood as usual, which was something that he could typically make go away before he got up when Y/N was around… but if she was going to sleep next to him, wasn’t there a chance she could tell? That prospect made him terrified. “Um… I'm not sure that I'm a good sleep partner; grandma says I used to move a lot in my sleep when I was small.”

“Oh. I don’t mind. I just don't feel like sleeping by myself tonight for some reason.” Y/N shrugged, leaving him unsure of what to say next. It was already difficult to say no when it wasn’t what he wanted to say, but it became nearly impossible when he looked at her and met her begging eyes.

Well then, if she was being so casual about it, he figured it must not be that common for people to do humiliating things in their sleep, contrary to what he had previously been led to believe by his insecurities. The other factor that was pushing him to say yes was that having to get up to grab the air mattress from the attic and make Y/N a bed sounded a little too demanding for how lazy he was feeling. His bed wasn't even tiny either, so they'd have plenty of room to spread out without troubling one another throughout the night. “Ok, alright. But don't grumble tomorrow about having trouble falling asleep because of me. This was entirely your idea.”  

“I don’t grumble.” He made sure to let her see his eyeroll before turning off the lights and getting into bed with a second pillow for himself. No one said anything for a bit, they were just adjusting their positions in search for the most comfortable one. Harry was still wide-awake, but he believed it wouldn't be long until Y/N fell asleep. She was already close to when they were working on the paper, so it shouldn't take long at all.

She proved him wrong, though, when she blurted out something after minutes of being quiet. “I have another question for you...”

“Oh. What’s that?”

Harry saw a shadow that he believed to be her head poking up from the pillow, propped on what should be her arm. Her voice sounded quite chirpy too, which meant he’d probably underestimated how awake and willing to chat his friend actually was. “Have you ever… like, kissed anyone?”

“That’s so random.” It was during times like these that Harry wished he could travel back in time. If he could go back and pretend to be asleep two seconds ago when Y/N asked if she could ask him a question, he wouldn’t even hesitate. Heck, he'd even pretend to snore if it meant not having to respond but alas, since Harry didn’t have any time travel abilities, that wasn’t an option. She knew he was awake and was anxiously awaiting his response. “You're quite random sometimes, Y/N...”

Her voice was hushed, yet a little taunting. “That’s not an answer.”

Harry sighed, realizing she wasn't going to let him off the hook until he participated in the discussion she wanted to have. “Alright, then… define kissing... does something like a peck qualify?”

“No, Harry. I'm talking about actual kissing. Tongue and all.”

“Oh um. I knew that, obviously.”

“And did you do it or not?”

“Yeah I, uh. I've kissed...” His words stumbled slightly. They didn't come out as cool or confident as he’d hoped, but he did try to make his statement sound plausible. “But it wasn’t with a lot of tongue... just like, a little bit.”

Y/N let out a snort at his unconvincing answer. “You’re a shit liar, but fine. I used to lie about it too when people asked me.” Rather than defending himself, Harry didn't say anything, which told his friend all she needed to know. “Is it something you think about, though? would you like to do it?”

“Well, yeah… of course I’d like to. Even some of the guys I hang out with have done it... and you’ve seen them.” Harry felt a bit mean making that remark about his friends' looks. Obviously, he wanted them to have someone who liked them, but that didn’t change the fact that none of them had much going in terms of physical appeal. “I'm not saying this to make you feel sorry for me. I know I’m the problem and that the reason why I haven’t kissed yet is because I’m not a kissable person. My only hope is that things will change once we start college. I don't know if I ever told you before, but I've been thinking about switching to contacts. I was also thinking it could be nice to exercise a bit just so clothes would fit me better. What do you think? It should help, right?”

Even in total darkness, Harry could tell that Y/N's eyebrows were deeply furrowed by her tone of voice. “Who was it that told you you weren't kissable?”

“Nobody needed to tell me. I see myself every time I look in the mirror. I dress like my grandpa and have a bit of a hunch like him too.”

“I think you're mistaking being unattractive for wearing clothes that aren’t particularly flattering. It's very different.” Harry knew she couldn't see it, but he was kissing his teeth at what she’d said. “If the reason why you want to make those changes is to feel better about yourself, then you have my full support… I do, however, have a feeling that’s not all it is, so I hope you realize that you don’t have to bend over backwards to be likable or kissable, or anything else. You already are all of those things exactly as you are.”

“I appreciate you sugarcoating things to make me feel better but if what you are saying were true, and I was fine the way I am, I wouldn't have this much trouble finding someone who saw that in me.” He sighed, a little annoyed by her efforts. “Don’t take this the wrong way, but it’s hard for me to believe you’ll ever understand what it feels like to be me. You’re like... the coolest, most kissable girl ever.”

There was a slight click, and suddenly the room got soaked in an orange light that caused Harry to squint despite his familiarity with it. His bedside table lamp was on, and Y/N was staring at him in awe. “You think I’m kissable?”

Crap. Had he really blurted it out that way? He couldn't recall the precise words he had used, but it seemed unlikely that Y/N was asking him that for no reason. She looked very taken aback by what she’d heard, and Harry, who still hadn't a clue how he’d managed to put his foot in it yet again, felt his face turn red and his tongue stutter once more. “Not in a weird way! Maybe I phrased it in a way that made it seem like I was being weird, but it was just a form of expression. Not that what I said isn’t true, but I would never say it like that. Even if I wanted to kiss you, which has never crossed my mind, really.”

“Hm.” Y/N’s gaze was drawn to her hands as he finished. Harry observed that she was picking at her nail polish, which was rather unusual for her unless she was nervous. “Is it really that ridiculous? I mean, if you wanted to, I wouldn't mind...”

His forehead wrinkled. “Why? Because you feel sorry for me?”

“No Harry, because I'd like to.”

“Me? You’d like to kiss me? Why?”

Y/N shrugged her shoulders. “I don’t know.” Her tone was a little hesitant, but she carried on. “Aff, okay… screw it. I might as well tell you since we’re talking about it. So, I, uh. I have a bit of a thing for you. I’ve had it for a while, but it was never serious… since well, I never really felt like there was a real possibility that it could be reciprocated. That’s why I didn’t tell you sooner, that and because I wasn't sure how things would turn out if you rejected me so… I figured it would be best not to say anything.” She shrugged once more, as a small smile formed on her lips. “You’ve also never mentioned having any crushes or being into anyone, so I thought maybe you weren't interested in that type of stuff much.”

“Yeah, right.” Harry rolled over in bed, facing away from her. It wasn’t unusual of Y/N to play practical jokes on him from time to time, but this one did not go over well with him. It seriously screwed with his self-esteem and since it was her, he could have easily been tricked into admitting something he'd end up regretting. “I know you’re taking the piss and I don't think it's funny, like, at all.”

“Why would I be taking the piss? Do you really think I'd joke about something like this? And look at me when I'm speaking to you!” She pulled on his shoulder, compelling him to lie onto his back so she could at least see his face.

Harry complied with her, but not without a groan. “I'm serious Y/N. If you’re trolling, this is your one chance to say so ‘cause If I find out later that you were doing this to see me make a fool of myself or to get me flustered, I'm going to get really, really angry at you.”

“I may play a lot of dumb jokes, but I don't play with people's feelings like that… let alone my friends' feelings. I'm dead serious, Harry. It's really not that hard to see it if you think a little.” She huffed, upset that he wasn’t taking her seriously. She'd guessed he’d act a little wary at first but hadn't expected him to think she was pulling a prank on him. How could he have missed that she had a thing for him anyway, with how touchy she was when they were alone together? With her acting so eager to be his first kiss? She'd been shit at hiding it for years. It was so clear. “Do you remember when we were kids... my parents took us to a fancy playground by a lake and... there was a girl there who had a Nintendo but wouldn't let me play with it, she would only let you, so I snatched it away?”

"Yeah, I remember.” As he replied, Harry was unable to stop himself from letting out small laugh at the memory. “And then you threw it in the water because you'd heard from someone that Nintendo’s were waterproof. Your parents got so mad, and she wouldn't stop crying. It was awful.”

“Yeah, that. Except, I never really thought that they were waterproof. I did it because she was nasty... and it made me upset that you’d left me to play on the slide alone.” Y/N admitted, also laughing and shaking her head a bit at her childish antics. “I didn't know back then what being jealous was, but I think about that day sometimes... it makes me feel embarrassed obviously, but it also makes me realize that I've always been really possessive of you. I think if you'd turn out to have many girlfriends I would have realized much sooner that my feelings for you weren't just friendly ones.”

“Wow. Was that really what that was?” Harry was stupefied and Y/N couldn't not giggle at his open mouthed reaction. “I’m sorry, it’s just… this whole thing is really confusing. My head is spinning a bit and... being completely honest, part of me still thinks that you’re joking but at the same time, you seem serious enough so I’m gonna choose to believe you. Even if I have no idea why you'd like me that way, other than maybe ‘cause I'm tall.

“The hair too. Don't forget your fluffy hair.” She added playfully. “No but, even though I like those things, they aren’t the reason why I like you. I just do. There’s no logical explanation for it.”

“Yeah, um. That makes sense. I mean, not really but I think I understand that feeling you were describing and… I can kind of relate to it too since I've kind of had a small crush too since last year… or well, I've realized last year... back when you were dating that Joshua guy. It made me jealous. I’ve always thought it was silly though, so I tried not to think about it too much.” Harry acknowledged, albeit doing it with more trepidation and delay than Y/N had. “I've had other crushes too, but they were on girls I never talked to so... they didn’t last too long.”

“Wait so… you’ve had a crush too? since that long?”

“I- uh.. I have. Yeah.”

“You must be really good at hiding your feelings then, because I never noticed anything that suggested that, much less that you were jealous. Trust me, if I had any inkling I would’ve had this conversation with you last year instead of doing what I did. I didn’t even like Joshua much… I just wanted to have someone.” She pursed her lips in a mournful smile before reaching out for Harry's hand. It wasn’t the first time that their hands had brushed, but this time something in Harry's chest was sparked by her touch, making him feel both ecstatic and stiff at the same time. “It's nice that you've had other crushes, though. I think I'd be more upset if I found out you'd been caught up on me all this time and I'd just been completely unaware of it. With that said, I don't want you thinking about other girls now. Only me.”

“Yeah, okay. Just you. I like how that sounds a lot.” Harry had no idea what had possessed him, but he felt compelled to bring her hand to his mouth and kiss it. His gesture made her giggle, but he got somewhat self-conscious afterwards. “Was that lame? Probably, right?”

“No, it was cute. I liked it.” She reciprocated by lifting his hand to her mouth and placing a kiss over his knuckles. “Is there anywhere else you’d like me to kiss?”

With a tentative smile, he gave her a direct glance before nodding. Y/N scooted a bit closer to him but as they got closer, Harry's body tightened a little. He couldn't take his eyes off her lips, yet the sight of the rosy, fluffy cushions was giving him pause. “I’m sorry if I’m not… uh… if I don’t know how to...”

She gave his cheek a comforting caress. “That’s fine, but are you okay? You’re shaking a bit.”

Harry laughed, feeling rather frustrated with himself. “Yeah, um… sorry about that. I'm just really nervous.”

“It can wait if you're not ready.” Y/N made a point of assuring him, even though she had a feeling that waiting wasn't what Harry wanted. He was just nervous, which was totally normal for someone who was about to get their first kiss. The most she could do was try to make him a bit calmer. “Is there anything specific that you're worried about?”

“No, I’m ready. It's just a bit overwhelming. This is all so alien to me… it’s a lot for my nervous system to handle.” Y/N couldn’t not frown a bit at how adorable he was as she listened. “I- I'm also a little in over my head, thinking I probably won’t be as good as the boys you've kissed before.”

“You don't have to worry about that, really. Trying stuff until you figure out what makes the other person melt is the most fun part.” She assured, before giving his hand another kiss. “We’ll learn that from one another, okay?”

Harry nodded. “Yeah, okay.”

Upon his approval, Y/N pulled herself closer and higher, until her face was barely above his. They both smiled as she rubbed her nose against his... once, twice, and then it happened. She dropped her head just enough for their lips to touch.

Her tenderness and Harry's stomach-bursting butterflies were in stark contrast, making for a bizarre, yet fascinating combination of sensations.

They weren't quite in time with one another's lips but their kiss was free flowing. And it felt flawless, akin to a Vivaldi concerto or a Michelangelo masterpiece. There was something alarming about it too, however. Suddenly, Harry could feel the relatively insignificant seed of love that Y/N had planted in his heart blossom into a giant sequoia tree. And he couldn't, for the life of him, fathom the possibility of having shared a moment as nice with anyone else.

He was truly loving whatever love spell she was casting on his body with her kissing, which is why he couldn't help but let out a low whimper when he felt their lips unglue from her pulling away. “Why did you- why did you stop?”

“Your glasses are getting in the way.” She explained as she carefully started pulling them off his face. “Here, much better.” As soon as she was done placing his glasses over the nightstand, she raised her leg and straddled him. Well, sort of. It was more of an embrace; except she was laying on top of him. “This is okay, right? Not too much pressure?”

“Mh-mm. Better. Thank you.” Harry's face was flushed, and he couldn't stop smiling as he stared at her. She was so pretty, and her body over his felt so cozy. It was still hard to believe he had kissed her, but the tingle on his lips confirmed it was real, despite how uncanny it all felt. “I like this a lot, being this close to you.”

“Me too.” She ran her fingertips across his blushing skin. “You're so cute like this. I should’ve kissed you way sooner. You seem to like it too, don't you?”

“Mh-mm. I really do.” Harry desperately wanted more kisses from her, but he was still a little too unsure of himself to initiate. Besides, he’d really liked when she took initiative earlier and led the way so that’s what he wanted to happen again. “I’d like to do it some more, if that’s okay...”

Y/N smiled at his request, but wasted no time before she leaned in to taste his lips again.

It was mostly just smooches that they were trading, but that didn’t keep her from taking a nibble here and there. Harry was very responsive to her nibbles, which she appreciated. She’d never been with a boy who got whimpery and breathy just from making out before, but she found it to be incredibly encouraging and arousing.

What made it extra hot was knowing he wasn't doing it on purpose because he knew girls liked stuff like that. It was just how his body was reacting to her. She was also well aware that her kisses had gotten him bricked up instantaneously. His warm stiffness was palpable between her thighs, despite being covered by his pajama bottoms.

If it had been any of the boys she’d kissed before, the erection would have freaked her out a bit, but as it was Harry she thought it was cute that he was so excited. He wasn't the only one feeling this way though. The damp panties she had on served as a casual reminder that she was getting quite excited as well.

Despite her wants, Y/N had been doing a great job of controlling herself… only that task became much more challenging when Harry started getting more comfortable, more intuitive, and by default, touchier. At some point in the course of their kissing, he’d started sliding his hands up her back and, on occasion, giving her hips a squeeze. He'd noticed she was pleased by this, so he worked up the nerve to lower his hands to her bum and squeeze her there too.

“Not feeling so shy anymore, are you?” Y/N playfully teased, to which Harry responded by smiling and hiding his face by pulling her in for a hug. It hadn't been her intention to rub up on him, but he’d drew her in so close that their bellies were flush together, so when she shifted next he felt it on his crotch… and moaned, all deep and throaty. They stared at each other, until Y/N turned her mouth to Harry's ear and asked, “Do you want this? want me to do it again?”

His nodding was quick. “Just don't go too fast, ‘cause uh... might feel too good.”

“Okay, got it.” She said, then held onto the pillow under Harry’s head, nails digging into fabric as she began to move slowly on top of him. Rolling her hips to press down on the bulge in his pants. The pressure on her clit was both a blessing and a curse. On the one hand, it was a relief to finally have a way to sooth some of the built-up tension, but on the other, it made her yearn for more friction.

She could feel his heavy, strained breathing against her skin. “Mm, it's too much, feels… too good. Ah-” He moaned again, once her fingers gripped at the roots of his hair.

“Shh, quiet.” Y/N covered his mouth and smiled. “I love your moans, but we have to keep it quiet.” She said, before removing her hand from his mouth and putting her lips in its place.

“I know, sorry.” Harry replied once she broke their kiss. “If I get loud again, you can repeat that hand thing if you want… it was hot.”

“Hmm, was it?” She returned her hand to his lips, but this time she allowed two fingers to go inside and prod into his mouth, that he was keeping slightly ajar for her. “That’s good, Harry. You're a natural at this, I think.” She had been straddling him with her body leaning over his, but she sat upright for a moment to appreciate how adorable he looked with her fingers in his mouth from farther away. As soon as he saw her eyes fixed on him, his lips encircled her fingers, and his tongue began to softly wriggle between them. “Mh-m... that's it. Just like that.”

As she started moving her hips again, Harry's hands shot to her waist, to hold her as she rutted against him. This gave her more balance, so she ramped up the pace, rubbing harder and faster to create the desired friction for her. The change caught up with Harry quickly, who began groan restlessly into her fingers in response. She pulled them off to let him speak. “S-slow... please go slower. If you don't, I'll-”

“Make a mess. I know. Give me your hands.” As per Y/N’s request, Harry slid his hands away from her waist and held them up between their bodies. Y/N took them, entwined their fingers together and then without warning, allowed her weight to fall forward, successfully pinning him to the bed. “I know you want to, but you're ashamed about doing it in your underwear. So, I was thinking… if I keep you like this and force it out of you, maybe you won't feel so bad about wanting it anymore. What do you say?”

“I just don't want to get you dirty, that's all. I thought I could keep it under control a little better, but I can't. It feels so much better than my hand.” Harry acknowledged, smiling shyly. “That sounds hot, though… the idea of you forcing it.”

“I know but don't worry about getting me dirty. I brought extra pjs.” She gave him a reassuring smile and squeezed his hands. “So…you want to do it, then? Since you think it’s hot…”

A delaying groan rumbled in his throat before his lips parted into a broad smile, the kind of smile you make when you’re on the verge of breaking into laugher. “I’m going be so embarrassed about this tomorrow, but yeah. I want to.”

Y/N shook her head at him, grinning. “Don't. I've always wanted to do this. It's a bit of a fantasy of mine, I guess.” She didn’t give him a chance to react to her confession, as she started rutting against his cock again. This time she wasn’t being gentle or avoiding any harsh friction. Her movements were quicker and jerkier than they had been before, and she tightened her hold on his hands as well. She had a hunch Harry liked the feeling of being held down and used, so that's what she was doing.

He was shivering beneath her, taking fast breaths through his mouth as he looked her in the eyes. The poor baby couldn’t stay quiet for the life of him, either. His whimpers and groans were unrelenting, so she was bound to muffle him once more.

His now-free hand joined hers over his mouth, but it didn’t linger there for long since he took hold of her wrist and started guiding it downward. “My neck,” He pleaded lowly, his voice trembling. “…want your hand on my neck.”

She gave him a devilish smirk before grabbing his throat. She only needed to hold him still; there was no need to squeeze or do anything else. “And I want your cum,” she told him, hoping that slipping in a few dirty words in combination with her movements would make him snap. “…want to get all wet from it.”

Harry’s legs jerked beneath her. “Close,” He warned, a little startled. “So, so close…” The fact that she could not only hear him but also feel his words on his throat as he spoke was incredibly arousing. “Please…” He pled sweetly, what triggered a sudden desire in Y/N's chest to be closer. She released her hold on his throat and hugged him tight as she drove her hips into his, rutting violently to make him orgasm.

It worked.

Between her thighs, Y/N could feel his warm juices seeping through the material of their pajamas. So she kept rutting, wanting to make sure she had extracted every last drop of them.

Harry returned her tight hug all the way through his climax, and he didn’t let go after either. They remained in that position for a while, holding each other close regardless of the slightly unpleasant wetness that was binding them together. “We should probably change right?” Y/N asked after a beat, despite her lack of want to wrest away from him.

“M-hm. I’m all gross and sticky.” Harry laughed. “I’m gonna need another shower in the morning, but for now, I think I'll just wipe it off and put on new boxers. I mean if you don't mind that I don't wear pants to bed…”

“No, I don't mind. I'm gonna take mine off too.”

“Oh. That's a great idea. Sounds perfect to me.” Harry playfully quipped, before he got out of bed and started opening drawers. “Also, um… I don't know how to ask without being weird, but could you close your eyes for a moment? so I can take care of myself real quick?” Y/N said yes and turned away to give him privacy while he cleaned himself and changed. She was a tiny bit surprised that he hadn't wanted to use the restroom for that, but she figured that since it was closer to his grandparents' bedroom at the end of the corridor, he probably didn't want to risk going and waking them up. “Okay… you can look now.”

When Y/N looked at him next, the first thing she noticed was that he had on a pair of tight, black boxers. The next thing she noticed was that Harry was looking at her legs, since, as he’d probably seen when he turned, she had also stripped off her pants in the interim, leaving just her grey panties on. “What?” He smiled in response to her curious gaze.

She wouldn’t bring it up, but she could see he had grown a little hard in his boxers just from seeing her sprawled in bed with no pants on. “Nothing, you’re cute.”

Harry snorted at that. “Thanks, but you're much cuter.” He wandered across the room to where the supermarket bags were. “Are you thirsty? Do you want water or a snack? ”

“Hmm, just water if that’s okay.”

Harry handed her the water bottle and sat down on the bed next to her while she drank from it. “You didn’t cum…” he pointed out after a moment of pause.

“Oh um… yeah. I didn’t. It’s okay though.” Y/N laughed, shrugged, and took another sip of her water.

“Hmm.” Harry hummed, before scooting a little closer to her. “It must be a bit of an unpleasant feeling, no? and hard to sleep like that.”

“It is a little until it goes away but nothing that I can't handle.”

“Hm.” He hummed again, before Y/N cocked her head to kiss his lips. She’d only meant to give him a peck, but Harry changed her plans when he leaned in to kiss her deeper. He seemed really eager to continue kissing and well, she wasn't about to say no to him. Especially when he went so far as to nibble on her lip, which he hadn’t done before. He was also getting handsy with her, and she loved it. He was touching her more and focusing on the spots he'd learned she liked.

“That,” She blurted, as she paused to catch her breath. “That feels really nice.”

“M-hm.” He murmured against her lips as he kissed her again. His hand continued to grab at her as they kissed, to the point where Y/N couldn’t take it anymore. She hadn’t meant to but ended up moving her knees apart out of desperation. Being so blatant almost made her feel ashamed, but she didn't because she felt Harry's palm wrap over her crotch. In response to his touch, she moaned into his mouth, and he moaned back, surprised at how her moisture had soaked through her panties. “Teach me.” He asked, softly. “I want to learn. I- um, want to make you go to sleep happy.”

“That’s so nice, Harry, really. I, um-” She smiled while wiping the tears forming in her eyes. “I’m already happy.” She didn’t know what was making her so overwhelmed with joy all of sudden. She’d always known Harry was boyfriend material, but it was still nice to see how much he gave thought to her needs and happiness. And she was happy. So, so happy to finally have him like this, all to herself. “Do you want me to show you how to touch?”

“Yes please. To make you feel good.”

“Okay.” She placed her hand on top of his. “Here,” she explained once she’d guided his fingers to the spot of her panties right above her clit. “Circular motions with your fingers feel really nice, so does pressure. You don't have to focus on just that spot though… the nicest feeling is when you rub there but also all over.” She glanced at him, then bit her lip and asked, “Wanna try?”

“Yeah, alright.” Harry responded, adjusting his position slightly so that Y/N could get more comfortable. They decided to have her sit between his legs, facing away from him since that would make it easier for her to lead him. Once they’d both settled, Harry began to touch her in the way she had showed him, moving his hand broadly enough to reach a little bit everywhere in between her legs. “Am I doing it right?”

“Mm-hmm, you're doing really good.” Y/N was still holding his hand while he touched her, and she was fascinated by the size difference between their hands. “Your hands are really big, which... makes it feel extra good.”

“Really? That’s nice. I'm definitely grateful for that.” He said while looking down as well. “Should I put more pressure, or is it okay as it is?”

“It’s fine but I wouldn’t mind a little more...” She could tell he was afraid of hurting her, and that’s why he was being so careful and gentle in his touching. She wasn’t planning on rushing him or constantly give him directions though, so instead she simply relaxed against his chest and let him probe at his own pace. Because, after all, even though he was playing safe, she was still thoroughly enjoying herself.

It took Harry a few minutes to figure out how much pressure and speed he should be using, but eventually he pressed and swirled his fingers around her sensitive nub in a way that felt just right. When Y/N’s breath faltered he glanced at her worriedly, what made her chuckle. “No, don't worry. You didn't hurt me. Keep going like that.”

Harry smiled at that. He’d had a feeling he was starting to get the hang of it due to the way Y/N’s breathing had become more erratic and she'd begun to quiver against him on occasion but hearing it from her mouth that he was doing a good job was much, much better. He was really looking forward to making her cum. She looked so good like this, flushed and a little out of breath. She'd been staring at his face a lot from over her shoulder in the last couple of minutes, biting her lip and letting out little gasps of pleasure to let him know he was making her feel good.

“Like that. Don’t stop.” Those quiet, whispered words snapped him out of his reverie. He knew what they meant, even before she told him, “I’m really, really close.”

He'd learnt from a meme he saw once that when girls said that, boys weren't meant to speed up or change what they were doing in the slightest. So he merely focused on adding a bit more pressure, since that was something he knew she liked, and trying to keep his hand's tempo.

Despite how hot he found it, Harry wasn't very comfortable with dirty talk, but seeing her like this and recalling the perfect, filthy words she'd said to him just before making him cum, he felt compelled to give it a shot. “I can feel how wet your panties are, it’s so hot.” He whispered into her hair. “I can smell it too and it makes me want to eat you so bad. I've never done it before, but I can't stop thinking about doing it to you.” Rather than trying to sound hot, he was simply stating facts about how she was making him feel, and somehow it was working. “I wanna make you cum like this first though. From rubbing it this way, like you taught me to.”

Harry's words, paired with the precise movements of his fingertips around her pussy got Y/N right at the edge. She trembled, clutched his wrist, and strained to keep her legs open.

“Please, please, please...” She started begging out loud right before the warm pleasure bubble on her belly popped, so Harry did the same thing she’d done to him and muffled her by putting his free hand over her mouth.

He hadn't anticipated being able to feel when a girl orgasmed, but he was. He could feel the strong pulse under his fingers as soon as Y/N started to cum, and it was one of the hottest things he’d ever experienced. He could also feel the damp spot on her panties becoming even wetter as he rubbed her through it and God, the smell… it was making his mouth water.

If she didn’t look so exhausted, Harry would have begged her to let him take off her panties and lick her clean, but those puffy, glossy eyes didn't permit his mind to stray any further. If there was one thing Harry understood about Y/N, it was how she looked just before falling asleep, and that was exactly how she was getting.

So he helped her into bed and laid down beside her, but his heart wouldn't let him fall asleep before he asked, “You’re staying for the entire weekend, right?” and his ears picked up a faint “M-hm” in return.

This was going to be the best weekend ever.

**

[arkhammaid]

— ˚₊‧⁺˖ THE LIGHTNING ON TRACK | THE STRATEGY CALL

fandom. formula one & mcu

about. in which the stark racing f1 team talks about the 2025 strategy and beyond

content warnings. written in 3rd person

word count. 1.4k words

notes. with this chapter i wanted to involve a bit of politics and 'realistically' explain why stark racing won't immediately win a wdc (because with the whole set up, it would be possible). f1 are politics and no matter how many drivers say cash is king, connections have sometimes more worth

"welcome, everyone. thank you for tuning in", greets tony with a big smile on his face, spreading his arms as if going in for a hug.

"as you can see, i'm not currently with any departement, i'm doing the finishing touches in my own lab back in new york... since i don't want to drag anyone here to the US for meetings, we will proceed like this until january next year."

"now, i know it will be annoying with dragging your equipement with you and it's also unsafe, since you know... data secrets bla bla- so, in the next few days, each stark racing employee will receive the so called 'tactical intelligence glasses', which you can see me wearing. it's voice activated and can only be used by the one who sets it up, which will be you!" while speaking, tony fiddles with a pencil in his hand and starts walking around in his lab, showcasting it to every viewer.

"to cut things short, you'll receive a tutorial on how to use these glasses and set them up once you receive them. if you ever lose them, don't worry, we can track them. destroying them is pretty hard, but please don't try to make it a challange... our plan is to use them not only during meetings but also during the race, to keep our data from the cameras. with netflix, paparazzi and other cameras from the news, it's easy to steal data that shouldn't be accessible."

"alright then", he ends his ramblings with a clap, "we're going over the interesting part now. let's talk strategy..."

y/n let's her father's voice wash over her, her own glasses perched on her nose and feeding her constant information. in front of her are two holograms, projected by the hologram table in the meeting room she's currently in. the standing figure of her father and the presentation he's currently rattling off, all of it in a glowing blue.

next to her sits kevin, her future teammate, exhausted from the long 24 season but still paying attention. the rest of the room is filled with their team, the race engineers and trainers- each of them having their own glasses on.

to outsiders it looks like they're clowns, but it's a common sight in stark industries. decades ahead of the general public, stark stands for the future. of course they're trying to push it to the outer world, selling hologrammic equipement to both the industry but also private customers, but it's a slow progress.

the marketing team of SI hopes with their public use of the glasses and other devices they'll attract more customers, leaving the age of apple and samsung behind and instead welcoming the age of holograms. powered by starkanium, the production of phones, tablets, computers- anything really, is much cheaper and enviroment friendly than what's currently dominating the market.

shaking her head, y/n focuses on the presentation again. of course she knows it by heart already, she helped writing it, brooding over the strategy with the team ever since the team got announced.

"... the plan is to finish between 5th-3rd on the construction championship. not higher, not lower. we don't want to place higher, because this is our testing season. we will be practically sandbagging from the beginning, not revealing our true power for 2026."

yes... the construction championship. it will bring in money, not that they would need it, but it will justify the expenses they're going to make during the season to prepare for their second one. y/n is under no illusion, if they want, they could go all out and snag at least p2, if not p1. maybe she would even get her world championship- only then for everyone to say she won because she's driving a stark machine and not because of her own skill.

it sounds arrogant, she knows. but y/n believes, no, she doesn't only believe, she knows, she is one of the best in the whole world. if she can go against her father in an iron man suit, who can be only piloted by less than ten people in the world... winning in an f1 car is nothing.

but they've already made enemies for not waiting until 2026 like audi, 'enemies', who have much more pull within the motorsport world than them, simply because they're already established. christian horner is one, followed by toto wolff, the iconic red racing team not far behind.

with they're entry, they didn't make friends on the paddock, so for their first season... they can't be too good. or else their future seasons will be ruined.

it's stupid, to think like this, to think so far ahead, to think of others, in a sport where winning is everything. but it's not. cash and connections influence everything you do, how far you succeed. they have plenty of money, but are practically poor in connections. heck, even haas is better established than them.

they won't be, not after they're done after their first season. they will show the world, what stark racing is truly made of. and y/n will prove, that a woman can win.

"-bought data packs from previous seasons, dating back a whole decade, from mercedes and aston martin. cost a pretty penny, but data is everything. not to mention, after the big leak that happend in the middle of the season, we managed to grab enough data on all teams to calculate 3523 outcomes to this season. points, standings, anything." kevin wheezes at the number, which is followed by several data sheets. he gapes at the calculations, which predict another world championship for max 2064 times. all from the data they managed to collect.

"insane, right?", y/n whispers to kevin, who turns his head to her. his wide eyes make her snicker.

"welcome to stark racing, mate. just you wait until JARVIS and FRIDAY start feeding in new numbers and information." a muttered 'holy shit' is the only answer she gets and y/n has to snicker again. toto wolff once said something about formula one being war planning... well, he should know that stark industries and it's most brilliant minds know everything about war. be it on the market, by income or an actual alien invasion.

"we want to achieve at least one win, be it in a proper race or sprint, three podiums per driver and at least two fastest laps. and it will be possible", her father continues, pointing at a hologram of their car. it spins lazily in a circle, showing off it's aeorodynamic curves.

"this car is faster than the rb19, goes on par with the rb20. we don't know the upgrades from red bull, but another year and we can pretty much predict their stats for 2026. newey is predictable, all his upgrades point towards the perfection of the car, he focuses on what to make better and not invent something completely new. and if he does, he takes ages to prove it's better than what they had before. newey is brilliant, but he's no stark." there it is again, the facts of their rivals, taken apart and put back together to summerize their data in a few simple words.

"so, our motto for this season is testing, collecting data and improving for the next season. we're sandbagging, we're restricting ourselves. so if we ever do bad... we all know we could do much better. the engineering team will send first comparisons between the SR-1 and SR-2 out next week, y/n has already tested both cars in the sim, so we will have some data to read off."

"so, with that, we're pretty much done. thank you everyone for listening, i know for some it's very early right now, so if you have to read over the spark notes- JARVIS has put a summary of the most important information together, you'll receive the mail right after this converence. thank you again and welcome to stark racing, everyone!" claps fill the room and y/n takes off her glasses. it's exhausting to play mindgames like this, to calculate the desired outcome, but it will all come together.

hopefully, with her as a world champion, with the bold stark name on her back.

taglist. @lilypadlover , @adorablezhui , @peqch-pie , @keyz-writes , @obsidianjewel , @aimixx , @themercyverse , @lem-hhn , @akiraquote , @kiiyoooo , @nichmeddar , @nothingfuninthislife , @minkyungseokie , @fionaschicken , @lyrasconstellation , @spideybv28 , @keii134 , @starssfall , @tpwkstiles, @fangirl-dot-com , @nichmeddar , @lady-laura-speaks , @nikfigueiredo , @hinamesgigantica , @brakingboundaries , @almostjollypizza , @yoremins , @raizelchrysanderoctavius , @celesteblack08 , @watermelon-sugars-things , @lighttsoutlewis , @radiantdanvers , @vellicora, @sterredem , @hiireadstuff , @jolixtreesunn , @mypage-myfandoms , @nelly187 @greeneyesandsunshine , @fulla02 , @welovediaaxx , @whyamireadingthis , @67-angelofthelordme-67 , @blueberry64857959 , @winchesterwife27 , @six-call , @skywalker1dream , @mellowarcadefun , @cherry-piee , @peterholland04 , @motorsportloverf1 , @renarots , @msbyjackal , @woozarts , @leclucklerc , @yl90

crossed off tags mean i can't tag you!

DO YOU WANT TO JOIN THE SERIES TAGLIST? please leave a comment on this post or send a non anonymous ask!

ARKHAM MAID 2024

[intervex]

What Pride Flags Mean, Part 1: Gender and Attraction

Welcome to the latest installment of my autistic hyperfixation on flags! I wanted to figure out a common language of Colour X means Thing Y. Like how pink is consistently used for feminine.

Having a common language for flag meanings matters because it improves cognitive accessibility of flags. ♿️💙

But I didn't want to be prescriptive about what colours should mean what. Just because I think Thing X should go with Colour Y doesn't mean everybody else would.

So this turned into a descriptive, empirical project. I gathered a data set of 2060 pride flag colour choices to figure out what are the most common colour-meaning combinations. Some of the results:

And here are the abstract modifiers: these are modifiers that were generally shared between the genders and the attractions. For example, black is used to indicate having no gender as well as having no attraction.

Click here for tables with okLCH values, hex values, definitions, and notes - I've put a more detailed write-up on my Wikimedia Commons userpage. (Mediawiki supports sortable tables and Tumblr does not.)

METHODS-AT-A-GLANCE

To make the figures above, I assembled a data set of pride flag colours. It contains 2060 colour choices from 624 pride flags, representing 1587 unique colours. Click here for a detailed description of how I gathered and tagged the pride flag colours and tagged them.

For each tag, I converted every colour to okLCH colour space and computed a median colour. OkLCH colour space is an alternative to RGB/hex and HSL/HSV. Unlike RGB/hex and HSL/HSV, okLCH is a perceptual colour space, meaning that it is actually based on human colour perception. 🌈

In okLCH space, a colour has three values:

- Lightness (0-100%): how light the colour is. 100% is pure white.

- Chroma (0-0.37+): how vibrant the colour is. 0 is monochromatic. 0.37 is currently the most vibrant things can get with current computer monitor technologies. But as computer monitor technologies improve to allow for even more vibrant colours, higher chroma values will be unlocked.

- Hue (0-360°): where on the colour wheel the colour goes - 0° is pink and 180° is teal, and colours are actually 180° opposite from their perceptual complements.

The important thing to know is that okLCH Hue is not the same Hue from HSV/HSL - the values are different! (HSL and HSV are a hot mess and do not align with human colour perception!)

You can learn more about okLCH through my little write up, which was heavily influenced by these helpful articles by Geoff Graham, Lea Verou, and Keith J Grant.

You can play with an okLCH colour picker and converter at oklch.com

🌈

MORE RESULTS: COLOUR DISTRIBUTIONS

Back when I started tagging my data, I divided my data into five main chunks: Gender qualities (e.g. masculine, androgynous), Attraction (e.g. platonic, sexual), Values (e.g. community, joy), Disability (e.g. Deaf, blind), and Other.

I'll talk about Disability and Values in future posts! But for an alternate view of the data, here are the full distributions of the colours that were placed in each tag.

They come in three parts: tags I created for Gender, tags for Attraction, and tags from Other. The abstract modifiers are spread between the first two, though their contents transcend Gender and Attraction.

Some distributions have a lot more variance within them than others. Generally speaking, major attraction types tended to have the least variance: sensual attraction is really consistently orange, platonic is really consistently yellow, etc.

Variance and size do not correlate. Many of the smaller tags are quite internally consistent. I don't have a ton of tags in "current gender" but they're all the same dark purple. Xenine/xenogender has a whole bunch of entries, and there's a really big spread from blue to yellow.

Some tags, like intersex as well as kink/fetish show there are a small number of different colours that are very consistently used. Whereas other tags like masculine show a very smooth range - in this case from cyan to purple.

Overall I'm pretty satisfied with how things wound up! 🥳 It makes sense to me that an umbrella term like xenogender would have a lot of variance. What honestly makes me happiest is just how many tags wound up 180 or 90 degrees from their opposites/complements. 🤩

Not everything lined up nicely (the opposite of drag is .... neuroqueer? awkward.) 🤨 Some things lined up in hilarious ways, like how initially I had the opposite of kink/fetish being Christian (amazing.)

But as a whole, there's a lot of structure and logic to where things landed! I hope this makes sense for other people and can help inform both flag making as well as flag interpreting (e.g. writing alt-text for existing flags). 🌈

I'm hoping to post the Disability and Values analyses in the coming days! If you want to learn more, my detailed notes along with tables etc are over on my Wikimedia Commons userspace. 💜

Everything here is Creative Commons Sharealike 4.0, which means you're free to reuse and build on my visualizations, tables, etc. Enjoy!

[annadiplosis]

A few months ago I posted a couple photos of my index cards, saying I still didn’t know how and where I’d keep them, and I’ve since developed an Archiving System that combines the cards with a digital spreadsheet and has taken more hours than I will ever admit.

So, since I don’t have a “notebook system” to speak of, I'd like to share the way I archive my journals / sketchbooks / whatever you wanna call them, because I’m very proud of it, and who knows, someone might find it helpful :)

WHY I NEED AN ARCHIVING SYSTEM

The reason I don’t have a notebook system is because I use my books for absolutely everything, from sketches to grocery lists and journaling. It is crucial to me to not have any restrictions or expectations when it comes to my books, and that’s how I’ve managed to fill 43 of them over the years.

But of course, when you’ve been using notebooks without a system for most of your life and you want to read a specific entry, you can easily spend a full hour flipping through a sea of paper until you stumble upon those notes on the Bubonic Plague you took in 2011 or whatever you were trying to find.

SO HERE’S WHAT I DO

When I finish a notebook, I try to determine what its most important contents are: stuff I might want to reference in the future (project ideas, meeting notes) or is very characteristic of a period in my life (friends' drawings, travel logs). Every single page contributes to making the notebook what it is and gives it a unique personality, but not all of them are gonna be keepers, and that's fine (I'd even say fundamental, at least in my case).

These are the extremely generic categories I sort my Chosen Entries into. It's similar to the dot system so many people use, just applied retroactively:

🟣 Study notes 🔵 Work 🟢 Personal 🟡 Projects 🔴 Misc

And here's where the real archiving begins. This info goes into:

1. THE INDEX CARDS

(I always write them in Catalan; this one's a mockup and most of these are not real entries)

A little piece of cardboard with the notebook number, its start and end dates, and most important contents. I keep each index card inside its corresponding notebook, either in its own backpocket or an adhesive one I stick there myself.

This way, whenever I want to take a quick look through the book, I get a general idea of its contents at first glance. Sometimes, just holding it in my hand and reading the index card brings me back to the time when I was keeping it, and that time-travel feeling gives me a rush like no other. I don't know if you can tell, but I'm crazy about my notebooks.

2. THE SPREADSHEET

Same as before, just a couple more pieces of info (number of months, physical description) added to a file with the rest of my notebooks' data. Again, these are not real entries for privacy and language reasons, but they're very similar to the kind of stuff I do keep. The spreadsheet helps me find specific entries with a simple ctrl+f, and it's also a bird's-eye view of my progress through the years as a notebook keeper. I can see when my interests shift, how long some of my most important projects took to come to fruition, and even similar types of entries that repeat every few years which I wasn't even aware of before putting it all together. Absolutely fascinating stuff.

I hope this was useful, or interesting at the very least! If you’re a notebook keeper trying to find their own archiving system, my main advice would be to start early so you don’t have to deal with almost two decades of material like I did :’)

If you have any questions, don't be afraid to ask.

Good luck 🖤

[timesomewhere]

in honour of the West End's next to normal closing today I've finally proof-read my 'things I noticed/general thoughts' post that's been sitting in my drafts since I saw it earlier this month. it's very long I'm very sorry.

Act One:

it was really fun watching this show in September given that there's two references to it in the first song

I adore the monologue about the pills that Dr. Fine gives during 'Who's Crazy'. it's rhythmic and funny yet also unnerving. It's such a quick and impactful way to summarise what Diana has been through for the past 16 years

Gabe does a 'one of your French girls' pose on the kitchen counter under the cabinets during 'My Psychopharmacologist and I'

Jamie Parker made direct eye contact with me during the last part of 'Who's Crazy' and it was one of the most intense experiences of my life

I might just be dense but I don't get the point of the neon sign that says 'Fine' which drops down during the Dr. Fine scene. Initially I thought that then one would drop down saying 'Madden' during his scenes to help people differentiate between the doctors but then it didn't so it just feels like a weird extra prop

speaking of random props, shout out to the iPad on the table in the opening scene which Gabe pretty much instantly takes away after telling Diana that she shouldn't obsess over tragic news stories and is then never seen again as far as I remember

Dan in the flashback scene being such an optimist about Diana's pregnancy and the future they're gonna have together... soul-crushing

Caissie Levy's 'I Miss The Mountains.' Holy Shit.

I love how Diana and Gabe are the only characters who sing on/stand on the table. it's as though it's this extra dimension of the house that only they have access to and it's a really neat and subtle way to show that they relate to each other in ways other characters don't

'It's Gonna Be Good' is so underrated. Jamie Parker's somewhat genuine optimism becoming optimism-through-gritted-teeth is incredibly acted

The way Jamie delivers the first line of 'He's Not Here' is devastating. the heaviness of that moment as you feel the audience around you realising what's just happened is something I'll remember forever

Gabe body-blocking Dan from Diana during 'I Am the One' is such good staging. People talk about how Jack Wolfe plays Gabe with a lot of layers and a lot of simultaneous contradiction and this song is one of the best examples of that. how Jack manages to project a character who is goading his father and protecting his mother at the same time is beyond me

also Jack has maybe half-an-inch on Jamie which obviously isn't something the actors control but it does makes Gabe seem just that bit more threatening when he's getting in Dan's face

for the first part of Superboy and the Invisible Girl when it's just Natalie singing, Gabe is actively laughing. He's totally unperturbed by her efforts to make herself seen to her mother. it's only when Diana replies, particularly when she says "you're our little pride and joy, our perfect plan" that you see his face drop and you see him trying to figure out a way to stop her from getting Diana's attention which then results in him kicking her off the melody in her own song

"I'll hurt you" being directed at Dan and "I'll heal you" being directed at Diana as Gabe gently touches her face gets me so bad. but the most painful part of 'I'm Alive' for me is when Gabe looks at Dan as he says "I'm the perfect stranger who knows you too well." that's the first time you realise that perhaps Gabe doesn't just impact Diana, and there's something much larger at play

Caissie and Jack W's voices harmonising on 'Catch Me I'm Falling' was one of my favourite parts of the whole show. Their voices are so magical together and their mother/son chemistry is incredible

The 'I Dreamed A Dance' into 'There's a World' sequence is one of the most tragically beautiful things I've ever witnessed. I went into the show knowing what Gabe was trying to achieve during 'There's A World' and yet Jack's voice is so beautifully haunting you totally forget you're supposed to root against Gabe in that moment

Jamie Parker's 'I've Been' is some of the best acting through song out there. Interestingly my friend and I had very different interpretation's of what Gabe's horrified reaction to the blood meant. I viewed it as him being upset about what he convinced Diana to do - he doesn't like seeing her hurt. Whereas my friend saw it as him being angry at himself that she didn't manage to follow through, meaning that he has failed to regain control over her life

'I'm no sociopath, I'm no Sylvia Plath. I ain't no Frances Farmer kind of find for you' is one of the best musical theatre lyrics of all time. I genuinely don't know why I Miss The Mountains is the 'big song' known from N2N over 'Didn't I See This Movie?', it's just so good

Natalie's 'She trusts you!' line is heartbreaking, I was basically watching that entire scene through my fingers because of how high the emotion was

Act Two:

'Pfizer's woman of the year' will in fact be peak comedy every time. Eleanor's delivery is *chef's kiss*

Gabe having just one line in 'Wish I Were Here', and that line being 'Wish I were here.' Yeah. I feel very normal about that.

Natalie's line of "Can I hide my stupid hunger, fake some confidence and cheer?" being pretty much exactly what Gabe has done throughout the entirety of act 1

"And you're not a scary rockstar anymore" got one of the biggest laughs at both of the shows I went to

Dan's desperation during 'Better Than Before.' He is simultaneously trying to cajole Diana into remembering and get Natalie to be more positive. This one song really highlights how he's being pulled in a million different directions while trying to hold it all together and Jamie portrays that so well

Aftershocks. Wow. The way the last word of each line echoes throughout the theatre is great sound design. I've been in exam halls louder than the audience during that song. Holding a room that captive as a silhouette is quite the feat Jack Wolfe you will always be famous

"I don't know where the fucking pieces go" as Diana pushes things off the table as if there's a real jigsaw there that she's rage quitting and choosing to give up on is such a nice detail

"Have you talked of your depression, your delusions and your son?" The gasp in the theatre both times was sickening

the response of "good' in reply to "name?" when technically that was part of his name as they are the "Goodmans". I don't really have a point here I just think it's neat

The 'It's Gonna Be Good" reprise was one of my favourite Dan/Diana moments. Caissie and Jamie are really pushing each other to their emotional limits and they handle it so well

The first "Why stay?" is so fragile as Diana sits against the kitchen island. Also interesting given that Dan and Gabe will also sit against there later when they are at their lowest point in the story. The idea of the characters crawling to the 'centre/heart' of the home when they are at their weakest

"This is one old game that I can play so well" is the line that has stuck the most with me throughout the show. Jack's delivery of it while striding across the kitchen table - seemingly totally invincible - is crazy.

how Caissie manages to deliver "you shrugged and said that no one really knows" with humour and desperation at the same time is amazing

When Gabe and Diana stand on the table and if they let go of one another they'll fall. yeahhhhh.....

Gabe's realisation that Diana isn't going to give up on getting better. Totally collapsing in on himself and beginning to cry. How you manage to feel bad for him after all the destruction he's caused is wild

Diana's "maybe I'm tired of the game" relating back to Gabe's "this is one old game that I can play so well"

the lyrics in 'Hey #3' clearly reflecting things Diana has done, Henry cutting Natalie off at "bleeding in the bathtub"

"I am the one who'll heal you" being said to Dan not Diana this time

"Why didn't you go with her?" is the most devastating line in the whole musical I said what I said. Jamie's delivery of it is heart wrenching

the drums and bass kicking in for the loud part of I Am The One as Gabe becomes desperate to be seen once again

Jack and Jamie's acting in this moment is so intense. there's a moment where it's genuinely feels as though only one of them can make it out of the interaction alive

Jack's emphasis on the word 'loved' in the line "I am the one who loved you" nearly killed me on the spot. how somebody can deliver a line so desperately while remaining pitch perfect is unfair

Natalie coming in to kiss Dan's head at the start of 'Light' like Gabe kisses Diana's in the first scene. I'm such a sucker for a gut punching

the "And are they real?" line about Diana's parent's from Henry gets such a loud reaction from the audience. Some people laugh immediately, some people clearly get shocked out of their sobs. so good

In conclusion, this is my favourite musical of all time and I'm going to be so annoying waiting for the pro-shot to come out

[houxe]

Regarding my SBI/DSMP Fics

TW: Abuse, Trauma, and Mentions of Suicide.

With all that has happened, I did want to come out here and make my stance clear. I will always stand with Shelby (Shubble) and all of the victims who are speaking out against Will Gold (Wilbur Soot). If you still support that bastard, unfollow me and leave my blog and whatever small community I made.

I've already stated this is my Discord channel, but I want to put it here too.

For me, c!Wilbur is so far removed from cc!Wilbur that I don't connect the two. The characters are vessels for my own characterizations and stories. It's a bit like writing Supernatural*, Twilight, or Hazbin Hotel fanfics. I don't support the guy, monetarily or otherwise, he does not interact with fanfics, I have plans to be very vocal that I'm on Shelby's side no matter what/make it clear that what Will did is wrong, and I don't use his real life events as plots in my stories. At least, I certainly don't try to. It's why I typically change traits about the characters. (I.e. Tommy is shorter, Phil is taller, Techno is bulky, and Wilbur always has golden/hazel eyes.)

I'm aware that it's a tad different because it's rp and not something like a full on book or an actor in a movie, but DSMP has also been over for over two years and the characterizations I make for SBI are not at all based on the CCs. Real life Techno isn't a literal terrorist, Phil ain't a father married to a goddess, Tommy is not a traumatized child soldier, and Wilbur isn't suicidal and blowing up countries.

I think I'll likely focus more on Techno, Tommy, and Phil for a while, but I'm not gonna let one dude ruin a fandom and things I've made for myself. Nothing I write is ever made for Wilbur, as I've seen people saying. Additionally, Wilbur was not the only writer. Technoblade, Philza, TommyInnit, and so many others made that story what it was. Not him.

However, if any CCs come forward saying they don't want their old characters interacting with his, I will respect that.

Though I do think there is a tendency to take real life events (i.e. Techno's cancer, LJ's music, Tommy's real life parents, etc.) and put them into fiction about DSMP. I, however, don't try to do that and have stated before that I don't feel comfortable doing so. The truth is that we have not gotten any genuine SBI content outside of DSMP for years. The dynamic in real life is very different from what was presented in the DSMP. Did personalities still bleed over? Yes, I'm not going to deny that, but I'm not going to act like they're exactly the same between character and person either. We've had that conversation like in 2021, it's why we have C! and CC!.

The rather sad truth is, SBI is what got me really into writing and it's a comfort for me that nothing can compare to. Obviously, I don't think it's appropriate to be writing certain types of stories right now or to be involving characters made by CCs outside of the DSMP. I think it's up to everyone else to decide on what they want to do, however, rushing it also isn't the way to go either. Give yourself time to heal and think it over first instead of throwing away something that gives you comfort and has not been associated with by the creators for over two years.

Anyways, fuck Will Gold. Fuck the fact that he hurt so many people, and fuck that he lied and manipulated his way around the damn internet. ESPECIALLY fuck the fact that he tried to diminish what he did and not take proper accountability.

Go and support Shelby so so much, she and everyone who spoke out really deserve it. I'm glad silence on these types of issues is not being normalized.

Here is a list of (American) resources for DV help:

TNLR

RAINN

WOAR

Love is respect

The Trevor project

Futures without violence

National domestic violence hotline

Resource on what DV and abuse looks like

*Changed it from Harry Potter to Supernatural because Harry Potter is a significantly worse and more problematic franchise, even just within the content of the books. It'd be better left in the dust. I've talked about it before, but it was the first thing that came to my mind at the time and was a poor comparison on my part, I'm truly sorry for that.

[thetarotwitch111]

✨Take a deep breath and close your eyes. This moment is all about you, so let go of any distractions and just focus on yourself. ✨

As you breathe in, ask your guides and the universe to bring you the message you need to hear right now and trust that whatever card you’re drawn to holds the wisdom meant for you.

When you’re ready, open your eyes and choose the card that speaks to your soul.

Ready?

Pile 1: The Phoenix

The Phoenix is your glow-up moment. This spirit animal is all about rising from the ashes, just like you do after a tough time. It’s the vibe of starting fresh, leaving behind what no longer serves you, and stepping into a brand-new version of yourself. Think of it as a fiery transformation—you're about to level up in a major way. Whatever challenges you've been facing, they're about to become the fuel for your comeback.

Financial advice: This is your moment to start fresh. If you’ve been stuck in a financial rut, now’s the time to think outside the box and try something new. Consider ways to reinvent your income streams or take on a new project that excites you. The energy of renewal is on your side—don’t be afraid to make bold moves.

Love life advice:

If you’re single: Let go of past heartbreaks and open yourself to new possibilities. This is a time of transformation in your love life, so embrace the change and be ready to meet someone who resonates with the new, empowered you.

If you’re in a relationship: If things have been stagnant, this is a great time to shake things up. Reignite the spark by doing something completely new together, whether it’s trying a new hobby or just talking about your shared dreams for the future.

Mantra for the Moment: I rise, renewed and empowered, ready to embrace my new path.

Tips from the witch: Embrace this transformation with open arms. Light a candle (preferably red or orange) to symbolize your rebirth. As it burns, visualize all the old energy being released, making space for new opportunities. Let go of what’s weighing you down, and don’t be afraid to reinvent yourself—you’re unstoppable!

Pile 2: Sea Serpent

The Sea Serpent is your reminder to go with the flow but also to trust in your inner wisdom. It's all about healing and emotional balance—like when you finally learn to let go of something you've been holding onto for too long. This card encourages you to dive deep into your emotions and embrace whatever comes up, knowing that it’s all part of your personal growth journey. It's like your inner ocean is guiding you toward emotional clarity and wholeness.

Financial advice: Take a moment to reflect on your financial situation. If things feel overwhelming, it’s okay to take a step back and reassess. Trust your instincts—they’ll guide you toward smarter decisions. Focus on long-term stability rather than quick fixes, and don’t be afraid to ask for advice if you need it.

Love life advice:

If you’re single: This is a time for healing and self-love. Focus on understanding your emotions and what you truly want in a partner. Once you’ve done that, you’ll naturally attract someone who aligns with your deeper needs.

If you’re in a relationship: Communication is key right now. Take time to talk about your feelings with your partner, especially if something’s been bothering you. Healing any emotional rifts will bring you closer together and create a stronger bond.

Mantra for the Moment: I flow with the currents of life, trusting my inner wisdom to guide me.

Tips from the witch: Take some time for self-care and reflection. Run a bath with sea salt or essential oils, and imagine the water washing away any emotional baggage. Listen to your intuition—it’s strong right now. You might also want to keep a journal nearby to jot down any insights or dreams; they’re likely to hold important messages for your path ahead.

Pile 3: The Horse

The Horse represents freedom, strength, and pure energy. It's that wild, adventurous part of you that's ready to break free and chase your dreams. This card is telling you that you've got what it takes to go the distance, whether it’s in work, relationships, or personal goals. Picture yourself running full speed ahead, wind in your hair, with nothing holding you back—you're unstoppable.

Financial Advice: The Horse is a symbol of energy and momentum, so it’s time to take charge of your financial goals. If there’s a project or opportunity you’ve been hesitant about, now’s the time to go for it. Trust that you have the strength and stamina to make it happen. Stay focused and don’t let anything slow you down.

Love Life Advice:

If you’re single: Be open to adventure in your love life. Try new things, meet new people, and don’t be afraid to take the first step. Your confidence and enthusiasm are magnetic right now—use that energy to attract the kind of relationship you want.

If you’re in a relationship: Give some excitement and spontaneity for your relationship. Plan a fun date or surprise your partner with something new. Keeping things fresh and adventurous will strengthen your connection and bring you closer together. Don’t forget to reinforce clear, honest communication with an open mind to avoid any misunderstandings.

Mantra for the Moment: I am free, powerful, and unstoppable in my pursuit of what sets my soul on fire.

Tips from the witch: Get outside and connect with nature, somewhere open where you can really feel that sense of freedom. Ground yourself by touching the earth, feeling the power of the horse within you. You can also keep a piece of hematite or black tourmaline with you to stay balanced as you move forward. Now’s the time to go after what you want with everything you’ve got.

💜 I hope this reading brought you some clarity and guidance. If it resonated with you, I’d love to hear about it!

💜And if you’re looking for something more personal, I also do individual readings—just reach out anytime.