#they're all an integral part of something

[thresholdbb]

Trek characters are still sometimes plagued with self doubt, and time and again they're shown they have inherent worth

[humanmorph]

"They found each other in the wreckage of optimism, and it took them a decade to decide that hope was not enough to save the Golden Branch from itself. It was in a library, not an armoury, where the Apostolosian became the sword and shield of Integrity, a Divine who’d lost its Candidate. Some climb into their Divines, others deploy them across the battlefield, or fight under the blanket of their shadows. But Integrity demands intimacy. It digs into the flesh of the willing, all metal and promises and penetralia, desperate to create an unbreakable unity. It is afraid, and wounded, and it cannot know the power it gives without seeing it first in the reflection of a Candidate's eyes: the loft, the velocity, the violence. And for the first time in centuries, Integrity doesn’t fear its Candidate. It moves with confidence, in muscle and ambition. It believes in Sokrates Nikon Artemisios." (COUNTER/Weight 22: A Broken Branch)

Great episode to get to after recent palisade happenings. I obviously remember the "Integrity demands intimacy" but there's so much other great stuff here.... "They found each other in the wreckage of optimism" is just incredible.

Edit: Noting the wording of " [...] the Apostolosian became the sword and shield of Integrity" because Integrity literally is both those things - they are the armor Sokrates wears and the weapon they wield - but it positions them here both as a protector of Integrity and someone Integrity acts through (divines & candidates!).

And I love that this gives Integrity pre-Sokrates interiority I had honestly completely forgotten about. "For the first time in centuries, Integrity doesn't fear it's candidate" A divine afraid(!) of what it can do together with it's candidate, the power it gives. And then what Austin describes in pal29 comes to mind, which is like, "if there was a time when Integrity was like, you know, 'Finally someone has come to help me get out of this situation.' That is not what's happening here." It's interesting because that phrasing of if not the current but a past state("that time has come and gone ")... it still sounds like fear a little bit. And that obviously isn't the case anymore (I don't feel like typing out this Austin quote but he said something about the notion of immortality & change that made me real happy. I love that shit) & I'm curious to learn more about this hopefully.

I love Integrity & while I don't think of it as "the good one", it's fate is important to me because is still one of the sickest divines (which is really saying a lot with like, Perennial and Motion et al. around).

[tanadrin]

who was it that pointed out that gender-affirming care for cis people is a thing? like, cis people deserve to feel happy and comfortable in whatever mode of gender expression makes them happiest, too, and a lot of what we take as mere vanity is, for some (even many people) gendered self-expression

in general i think ppl are way too shitty about the things--even or especially wearing makeup, using medications to stay skinny, or getting plastic surgery--that they see as shallow or vain. like, it’s all well and good to try to interrogate and if possible dismantle beauty standards society imposes on us from without, and one should not feel obliged to conform to others’ standards for beauty, but also 1) people are allowed to do whatever they want with their bodies, 2) it’s super shitty to give them flack for it, 3) some people decide that they’re happier changing something about themselves rather than trying to get the whole entire rest of society to shift on something, and you know what? i sympathize with that.

it’s like giving someone shit for having a job or investing savings because capitalism is fucked up. maybe capitalism is fucked up, but opting out until it gets fixed is not a very good option for most people!

[serabellyms]

Alisa habitually "flexes" her biotics periodically. It's a natural reflex she learned as both a coping mechanism and just something she does for fun. "Flexing" them includes sending an impulse down her nervous system that creates the visual biotic effect (i.e. glowing blue) without actually generating a strong mass effect field. This provides her with the reminder that she is in control (of her nervous system/her body) and grounds her in the process. It also calms her down.

She will often do this when she is nervous or upset to refocus herself. She may just do it on one limb (usually her hand or arm) unless she's incredibly nervous. This is also showcased in her using her biotics for small things, such as reaching something from across the room, stirring a cup of coffee (even if she's perfectly capable of manually stirring it), or other small tasks. She practices this way to maintain fine-tuned control over her biotics as well.

NSFW addition under the cut:

She will also do this during sex, often involuntarily. She can limit it to her hands, which can often create a tingling sensation that her partner can feel when her skin is touched (as the mass effect field is just over her skin, touching her will cause it to affect them). It's part of the reason she's strayed away from intimacy in casual forms, as people are often... fearful of biotics, and she doesn't want that involuntary reaction to cause issues (as it could be "weird" to the average person). This is also why she's more comfortable if her partner is also a biotic, as they will understand what is happening. If her partner is also a biotic, she will be quite happy if they reciprocate the sensation, as she finds it to be a unique form of intimacy.

[mymarifae]

why don't you like blade :(

oh i don't dislike him! i just don't care. totally different thing

everything i've seen of him in game so far PLUS alllllllll those leaks hasn't been enough. like. as of Right Now there's nothing for me to latch onto and pick at. the whole "dan heng's past life's ex-husband/fiance" may be enough for some people but i just do not gaf 😭 i need. to see quite a bit more of him before i can even start getting into the territory of actual like/dislike

[chronicbitchsyndrome]

i have been in community with profoundly developmentally disabled peers and peers with brain damage my whole life, bc i had a childhood diagnosis. i have also been leftist my whole life; my mother was a marxist and raised me that way, and while their politics were absolute dogshit, they were lefty dogshit.

my entire life, i have seen leftist educators throw mentally disabled people away as "lost causes" because they couldn't engage with the material the way it was being presented. leftist outreach and education does, genuinely, have a massive lack of accessible material. to be blunt, people are not interested in retrofitting their leftist outreach to be accessible to people who learn best through episodes of sesame street.

as in, i have repeatedly faced outright laughter and cruelty over the idea that this could be a priority. or even something that we consider doing at all.

"people who are that mentally disabled don't need to know about these things," the kindest interpretation goes. ("people who are that mentally disabled don't interact with the world, anyway, they're all in institutions or monitored 24/7 by their parents," the uncharitable underlying assumptions go. "they wouldn't be a worker who needs a union. or a library attendee. or a member of the community garden. or a volunteer at the food bank. or or or")

the people i have seen this hurt the worst, over and over again, are profoundly mentally disabled people of color whose lack of access to accessible antiracist education is causing real danger in their lives. institutionalized disabled people of color who have learned racist ideology and behaviors from white authority, whether they were adopted by white families or incarcerated in care institutions run by white staff. who are treated lower than garbage by leftist educators, who view them as "lost causes," as unworthy of time and effort and attention, as deserving of their abuses because they... what... internalized the abuses that make up every aspect of their lives since birth?

i see people saying things in this conversation like "disability isn't an excuse for racism or transphobia or whatever, people have the obligation to improve themselves." oh, believe me, i have seen again and again how many privileged disabled people utilize their disabilities to punch down on others, try to escape accountability for their punching down by citing disability. but individual weaponization of identity is just that: weaponization of identity.

the power structures at play are what they are. it is a noble and admirable goal to want leftist outreach and education to be more accessible to all. if that is truly your goal, you must eventually reckon with the existence of people who do, actually, really need it presented in a picture book. or an episode of bluey. or a conversation where you only use examples of people they know in real life, using things that happened to them personally. the existence of people who cannot grasp forms of abstract reasoning, who need information presented as rules, or as guidelines, or as categories. the idea that yes, fully grown adults who need daniel tiger to explain racism to them are human beings who not only deserve access to that very thing, but who also deserve to be a part of leftist spaces and benefit from leftist organizing. are people for whom it might be INTEGRAL they get to be a part of leftism. are victims of racism themselves and suffering without access to antiracist spaces and community and support.

and you will need to reckon with the abject cruelty of your peers who laugh and mock the very idea of this. you need to reckon with the fact that a lot of people you respect, a lot of leftists doing genuinely good work, will respond to this by making fun of the people you're serving, even outright telling you their violent fantasies about these people. that is the experience of organizing in leftist spaces for profoundly disabled people. that is why so many of us burn out so fast. there IS a structural problem with mentally disabled people being seen as disposable and not a part of community. and it is EXTREMELY present in leftist organizing and outreach efforts.

[thats-a-lot-of-cortisol]

2 & 3 from section 1 for peri and 7 from whichever section has a more interesting #7 for diodore -moss

oooh these are fun ones!

2. Describe their tent set-up (outside and inside) (Peri)

I think Peri's tent is constructed similarly to Gale and Astarion's (boxy, fabric walls, little covered area outside). Deep blue fabric w/ golden astronomical embroidery, mostly the sort of thing you see on star maps. Little golden tassles around the edges of the tarp (?) and the doorframe. He'd have a small, circular, dark wood side table short enough that you can use it sitting on the ground, and a dark blue pillow next to it; there would be some parchment and a bronze miniature astrolabe on the table. The inside would be just. full to the brim with the gaudiest night-sky-themed pillows you've ever seen. No bedroll, no palette, just a nest that would put those cube pits in trampoline parks to shame. There would be two bird perches for his familiar Medani: one taller one next to his tent and one shorter one under the overhang. The shorter one would have a crow-sized bow-tie hanging from it. Rugs on rugs on the outside area ofc. 3. What would their character quest be titled? Why? (Peri)

This is a hard one! His tav ending involves taking over the Waterdeep arm of the Harpers, so I think his arc would have something to do with that. He'd be pretty bitter about being dropped into another near-apocalyptic mess when dealing with the last one a few years prior was supposed to be a one-time thing. Something-something ptsd in a world that doesn't have the words for that yet, something-something 'once a hero always a hero', something-something the weight of responsibility...he's a planeswalker so I think part of it would be whether he decides to stay on Toril long-term and directly help rebuild the Waterdeep Harpers or if he continues to run travel around afterwards, so maybe The Far Traveller/The Far Walker?

Harpson/Fae-son are also potential options. "Fae-son" nods to him being a changeling without it being super obvious (like Astarion's "The Pale Elf"). It would also mimic his backstory reveals from RoT ("oh he's not 'from here' so, like, the Feywild" -> "OH he's not from here"). 7. Describe their arc. How would a player help resolve it? What choices can be made? Can your Tav be turned down a dark path, or pulled to a lighter one? (Diodore)

Buckle up because we're in for a long one here. I've thought about Dora's story arc a lot because she's the first of my tavs that I truly made for the game while having full control over her backstory, etc. (versus Corentin, who had their arc baked into the story as a durge). Dora's a paladin of Corellon (oath of ancients) and her story arc as a companion would have to do with whether or not she should accept capital-r-Redemption, the process by which a drow can be truly "freed" from Lolth and rejoin the ranks of the rest of elven society. It involves all of the Redeemed drow's memories being erased and them being reincarnated as a surface elf. The implication seems to be that without that, regardless of a drow's actions, they'd be thrown back to Lolth when they die? Or at least that their eternal fate is unknown (which is the way I prefer to think of it for. personal reasons). Under normal circumstances, Dora would be a long way from Redemption being presented to her at all (she's not even 200 yet and has only been on the surface for a couple decades), but like with the other gods' Chosen among the companions, near-apocalyptic circumstances tend to speed up those sorts of things.

Of course, you'd have the themes of faith & relationship with deity when they're all unequivocally real and are also mostly all assholes; maintaining or breaking generational cycles; facing the unknown; morality when none of your choices are "good" (and how that interacts with morality vs self preservation); power vs freedom; identity outside of the people who made you; etc. The choice would first be presented to her sometime in late Act I/early Act II, likely the first long rest after the group resurfaces from the Underdark and you've probably gotten some of her backstory already. I have no idea how Larian would have characterized Corellon, but he's considered one of the more benevolent/open-minded deities iirc, which could be interesting to see contrasted with Mystra, Vlaa'kith, and Shar. How much that open-mindedness would extend to a drow, even one who has been a faithful follower even before she escaped to the Surface (and who inherited that faith from her father), is unclear. At the beginning of the game she would be leaning towards accepting Redemption, despite her own misgivings about whether or not she would still be her in that case.

Her final decision (at the ending pier scene) would depend on the relationship she has with the PC and the other companions. Her best ending, imo, would be her not accepting Redemption but continuing to be a force for good. If she has a good relationship with the PC, she would have something to lose. I think seeing the House of Mourning would affect her too. After all, the thing Corellon is offering to her as a way to find peace is the same thing the Sharrans are using as a way to manipulate and control others.

She's viscerally aware of how she was socialized and very actively chooses "good", so pushing her towards a darker path would be incredibly difficult but not impossible. If you side with the goblins she'll leave immediately, and turn on you if she's in your party when you attack the grove. But if you decide to try and control the cult in Act II, depending on your over-all actions before then and how you've interacted with her, you could disillusion her to the point of convincing her to break her oath. That path would entail convincing her that controlling the cult is actually the best idea. I'm sure there would be other times that her oath could break that wouldn't necessarily lock her into an "evil" path, especially with how Oathbreakers are handled in the game. Knocking out Minthara instead of killing her outright and letting Auntie Ethel go in Act I instead of killing her are two things that come to mind.

If she doesn't choose Redemption she would be at the epilogue party, of course. I'm a bit undecided on what would happen if she does choose Redemption. She may not be there at all, w/ Jaheira, Halsin, Minthara, and/or Astarion mentioning running into her in her new, reincarnated state. Or she would be there, confused, and mention how the PC seems familiar in a way she can't quite place. In that case, she would ask them how they know each other and mention something about feeling a twinge of grief looking at everyone, but that she doesn't know why she feels that way. It would be up to the PC how much they tell her (if they tell her anything at all).

[psalmsofpsychosis]

me seeing all the "X meets Y" "MCU meets boku no hero academia" "paris hilton meets gotham" "deadpool meets the roman empire" scenarios for fics and stories and published TV scripts and going "are you going to integrate those in a chemical fusion until they're a seamless substance with no parts sticking out like a sore thumb or...??"

[apas-95]

Did you know that NASA engineers considered the failure rate of some critical shuttle parts to be about 1 in 100 (significantly greater than what NASA upper-management considered the failure rate to be, and what was considered at all acceptable by the certification process)?

Do you know that NASA engineers currently have no idea how many rocket launches the next mission in the Artemis program (in 2 years!) is meant to involve, because the mission plan relies on SpaceX being contracted to deliver a supply of cryogenic fuel to the crewed Orion (™ Lockheed-Martin) capsule in orbit - a procedure that 1: has never been attempted before on any spacecraft, let alone the Orion™ capsule, not even in uncrewed technology demonstration flights; and 2: would require an as-of-yet unknown number of SpaceX 'Starship' launches, because said vehicle does not actually exist at time of writing?

Did you know they're planning on using this 'starship' as the crewed lander? A design for a lunar ascent vehicle, that is, that does not use hypergolic fuel, that relies on a swing-out crane as the only entry and egress point? During the original moon landings, the LEM had so many redundant methods to make sure it got astronauts off the surface of the moon, that in the most absurd, extreme case, where every single mechanism fails, there's a procedure trained into the astronauts to climb around the outside of the capsule, take a pair of bolt-cutters from the equipment box, physically cut the couplings holding the capsule to the lander stage, and take off to get home. Artemis' proposed lander, on the other hand, is planned to be a vehicle whose design didn't even include heatshields until it was realised it would obviously need heatshields, which are ceramic tiles bolted after-the-fact directly through the steel hull, because SpaceX had decided to mass-produce the original-design hull sections all at once for all the 'starships' first, before doing any integrated testing.

We're seeing the exact attitude that led to the shuttle disasters not being prevented now expressing itself in (and even through) the Artemis program, a project pushed harder and faster through the gates than it should be, by a government (and NASA administration thereby) desperate to advance the eponymous Artemis Accords (that goes unsigned by China, Russia, and much of the world) and reneg on all previous space charters that onsidered ownership, commercial exploitation, and military usage of space forbidden. Something bad is going to happen, and it's going to happen for the sake of SpaceX and the military-industrial complex at large.

[emeraldspiral]

So another interesting thing about Jane Eyre is its take on relationship inequality.

Like, Jane is 18 at the beginning of the story and Rochester is said to be something like 35-38. And it's not casually brushed aside like that was normal back in the day. It wasn't. Concerns about the age gap are raised within the text. But the story emphasizes that Jane feels comfortable accepting Rochester's proposal, despite the age difference, the class difference, and him being her boss, because Jane feels that Rochester regards her as an equal. When they converse, Jane doesn't feel any tension, like she has to impress him or try to read his mind and say whatever he wants to hear. She feels that he respects her and values her thoughts and isn't compelled to use his power against her if she says something to displease him. Around the midpoint of the story, Jane believes that Rochester is going to marry another woman, and resolves to leave because she's heartbroken, believing that because she is poor and plain Rochester can't possibly be as hurt by their parting as she is, and he'll forget her and move on long before she does. But it turns out to be the opposite. After finding out about Bertha, Rochester begs Jane to stay and insists he'll be miserable forever without her, while Jane, still thinking she's too poor and plain to ever attract someone like him again, resists all temptation and leaves him. And she does this specifically because she feels that if she were to compromise her morals and self-respect to be Mr. Rochester's mistress, then he would lose respect for her and the relationship would fall apart. It was only by maintaining her integrity that the relationship could stay in-tact when the reconciled at the end.

St. John Rivers on the other hand, I don't think is given a definite age, but I think he's intended to be a much younger man, probably in his early 20s. He is poor and without relations aside from his sisters or any other connections, just as Jane. Jane finds out they're actually cousins at the same time she learns she's come into a vast fortune that was willed to her rather than the Rivers, but decides to share her fortune equally with them. So she arguably had more social capital, even though she made an effort to put St. John on equal footing with her, because the money was hers by right and she could've presumably cut him off at any time, just as easily as Rochester could've terminated Jane from her job.

And yet, Jane's relationship with St. John is vastly more unequal than her relationship with Rochester. Even though Jane practically worshiped Rochester but only cares for St. John as a brother and is acutely aware of his faults, she still finds herself desperately craving his approval in a way she never did with Rochester. And St. John is willing to exploit that intentionally. He asks her to do things she doesn't want to and make sacrifices for him just because he knows she'll do anything to please him, and that's why he thinks she's the perfect wife for him. Where Rochester tries to explain himself and persuade Jane not to leave him by addressing her concerns, St. John basically tries to command Jane to marry him and refuses to accept her "no" as final. He withholds affection from Jane as a tactic to get her to compromise in order to reconcile with him when he's the one who should be apologizing to her and considering her needs and not just his own. Jane knows that she can't ever be happy with him because he doesn't respect her and his lack of respect only makes her want to seek his approval, which he is all too happy to exploit for his own benefit.

But Jane ultimately stays firm and rejects St. John's proposal of a loveless marriage, just as she rejected Rochester's proposal of an unlawful marriage, because both situations were doomed to fail if she didn't put her own self-respect first.

So this novel from 1847 was really saying that power dynamics aren't pure black and white. Age and class and wealth and status can be a factor in making a relationship unequal, but you can also be equal on pretty much all social axis and still have inequality in a relationship. What's really important is that there's mutual respect.

[ceilidhtransing]

I've cropped out the username because I have absolutely no desire to start drama or make a personal “callout” or have people go harass someone or anything like that (and if you take this kind of thing as an opportunity to go and be horrible to another Tumblr user then that is terrible and you should stop), but wow, I have never seen such a clanging example of amatonormativity. I don't think OP necessarily meant it this way, I don't think they meant any harm, I don't think they're consciously arophobic or something - it's far more likely that they're simply unfamiliar with aspec issues, and I always prefer to assume good faith - but I want to talk about this post anyway because it provides a really good and explicit example of the way society just sort of... asserts the centrality of romantic attraction and entirely forgets aromantic people exist.

I do want to first say that I actually agree with the initial point this post is making. Romance as a genre is unfairly derided as some kind of “lesser” form of art, and this derision very frequently comes with generous helpings of misogyny. I totally agree that romance is not at all an unintellectual or superficial thing to write about, and it's bad that it gets treated that way and that readers and writers of romance get so often mocked and condemned. Romance is a totally valid genre and enjoying it doesn't make you vain or stupid or superficial.

HOWEVER. As an aromantic person I find the rest of the post just... I don't know, it's just so perfect as a probably unwitting expression of baked-in cultural amatonormativity. It's brilliant. It's so funny to me. I can almost do a line-by-line breakdown of the way it so completely forgets the existence of aromantic people. In fact, let's do that.

It is so fundamental to us. The issue here should be pretty obvious. The assumption that romance is some integral part of The Human Experience and that it's fundamental to All People is pretty much amatonormativity 101. It reinforces the idea that people who don't experience romantic attraction are “lacking”, forever sitting apart from The Human Experience, and possibly in some way not quite fully human, since we don't experience the thing that is apparently so fundamental to humans.

To want to love and be loved. The post seems to be incorrectly equating “romance” with “loving and being loved”, when in fact there are many people who don't experience romantic attraction yet absolutely love and want to be loved. (And of course loveless aros, aplatonic people, various folks who don't “want to love and be loved” also exist, and it's important to emphasise that this desire, just like romantic attraction, is also not necessarily integral to all people.) “Love” is not automatically “romantic love”, but this post seems to imply that romance is the only, or default, form in which love can exist.

If you don't think every great work of literature. philosophy. metaphysics. was ultimately about romance. I don't think you were paying enough attention. OK this is the line that elevated this post from “sigh, more casual amatonormativity to scroll past” to “I just have to respond to this”. Where to even begin with this assertion. This is a level of “assuming romance is central to everything humans ever do and ever create” that I've almost never encountered before. It feels like a manifestation of the tendency for alloromantic people to declare that, because romance is very central for them, it is thus central to Everything. And I'm homing in on “romance” because the post doesn't say “ultimately about love” - which would still be a reach, but less of a reach - it specifically says “ultimately about romance”. As an aromantic person who is an academic at heart and highly educated in the humanities and social sciences, the idea that my ability to understand literature and philosophy and metaphysics is somehow greatly hampered by the fact that I don't experience or relate to romantic attraction is just... what??? This idea is really very funny to me but also genuinely pretty insulting, even though I'm sure it wasn't meant that way. Not only does it feel like the summation of every patronising “oh, you couldn't possibly understand” directed to aromantic adults who are, in fact, entirely capable of understanding, but it also flattens the incredible breadth of human intellectual experience into “being about romance”. I sometimes find myself wishing that alloromantic people would peak outside the bubble of amatonormativity and realise that actually, there is an enormous swathe of human experience and intellect and creativity and expression that has nothing at all to do with romantic attraction and romantic relationships. And no, stating that, I don't know, the Book of Job is not actually about romance has nothing to do with our society's misogynistic denigration of romance as a genre; it has everything to do with the fact that the Book of Job is not actually about romance. (And if you aren't familiar with Job or for some reason don't consider it a “great work of literature”, replace with whatever other example you can think of; there are many.) It's insulting to imply that aro-spec and/or ace-spec people are somehow less able to participate in art and literature and philosophy etc because we might bring a perspective that doesn't include romance or sex at all and we're just not capable of understanding that Actually Romance And/Or Sex Is Central To Everything. It's genuinely absurd to argue that all the pinnacles of human intellectual achievement really, at their core, come back to romance, and it speaks to our very blinkered society's tendency to declare things like “everything is really about sex” or “everything is really about romance” or “everything is really about breakups” or whatever and then look at aro-spec and ace-spec people like we're aliens and go “but like... how do you even live?” Newsflash, there is so much more to life than romance and love and sex. You can live an entire, very fulfilling, very meaningful, very thoughtful life without these things being at all relevant to you. That's not to dismiss those things as minor or unimportant - they are indeed very central to a lot of people's lives, and they're not “dumb” or “shallow” or whatever - but they're not central to everyone's lives, and they're hardly The Only Things In The World.

And if your response is something along the lines of “well OK there's a tiny minority of people who don't engage with romance and/or sex, or relate to it in the same way most people do, but that doesn't mean that romance isn't still at the core of humanity, or that all the most important things don't still have romance at their heart”, imagine telling a woman that “well, you can focus on a career if you want, but what's really fundamental to being a woman is being a wife and mother - in fact, motherhood is the most important thing in the world, it's fundamental to women, it's what all women's literature is about”. Or, hell, telling a person of any gender that “parenthood” is the central pillar of all of humanity and that every great work of art ever produced is ultimately about parenthood and obviously parenthood is fundamental to everyone's being - forgetting that actually some people will never be parents, and implying that their childlessness makes them less able to understand The Human Experience. That might give you some small idea of what it's like to be an aspec person and be repeatedly told that feelings you don't experience and relationships you don't have and attractions you don't relate to and acts you don't engage in are somehow Fundamental To Humanity and are what lie at The Core Of Everything: how excluding that is, how alienating that is, how oppressively stifling that is.

Feeling that love and/or romance and/or sex are very important to your own life is totally valid, but I wish alloromantics and allosexuals could be more capable of opening their minds and imagining and empathising with an existence for which these things aren't central. Our lives aren't lesser, or emptier, or sadder, or shallower for lack of romance or sex. Our experiences are part of The Human Experience. Our perspectives on art and life and relationships and philosophy and humanity and everything else are just as valid. We are just as capable of profundity, of creativity, of insight - because romance and sex aren't “at the core” of any of these things. We are here, and we're tired of being forgotten, ignored, sidelined, dismissed, erased, talked over, talked past. It would be great if society at large actually remembered we exist once in a while, and that our lives are just as beautiful and important as anyone else's.

[felassan]

New today from IGN: 'Dragon Age: The Veilguard's Devs Reveal New Info About Each of the Companions (and Solas and Varric, Too)'

It turns out The Veilguard really is the friends we made along the way.

Intro:

"Friendships, romantic relationships, and everything in between have always been an integral part of not just the Dragon Age series, but of BioWare in general. From Mass Effect’s Garrus Vakarian to Dragon Age’s Varric Tethras, the characters – and how they get along with the player – are inseparable from titles from the studio. But, perhaps more than any other BioWare game, Dragon Age: The Veilguard is leaning in heavily on this idea, as it’s already easy to see from the marketing material. For one, the name changed from Dragon Age: Dreadwolf back in June, with BioWare general manager Gary McKay telling us at the time that it was out of a desire to shift the focus to a “really deep and compelling group of companions.” That would be followed by a first official trailer at Summer Game Fest that put the focus squarely on seven new companions that will be tagging along with the player character, Rook, in The Veilguard. With all that in mind, it’s little surprise to hear game director Corinne Busche talk about how these companions aren’t just central to the story of The Veilguard, but the gameplay and combat as well. “Building a relationship with companions has always been a staple of Dragon Age, but this time around, that relationship translates into how well you work together as a team,” Busche tells IGN. “It is how you're actually going to level up your companions, by getting to know them better. That's how you're going to unlock skill points. So when you look at all of the various abilities the companions have, there's inherent combos and synergies and roles that they'll have on the battlefield.” She uses the example of Neve, the mysterious detective mage who has a wildly useful special ability to slow time in combat. “But if I really get the opportunity to know her,” Busche explains, “whether it's platonic or romantic, I'm going to help be able to shape her skills and augment those abilities that work really well with my own personal build, so our sense of teamwork really deepens.” During our time with the game, IGN got to see some of this in action; unsurprisingly, Dragon Age: The Veilguard has an approval/disapproval system, with pop-up text on the side of the screen indicating whether or not a companion liked what Rook just did or said. But something new in this Dragon Age: even just completing a quest with a companion in your party increases your “bond” with them, whether they agree with how you handled things or not. Your relationship, Busche says, isn’t necessarily about “how much they like you, but how well you get to know them.” “This is about a found family,” Busche tells us. “That is, they have the same goals, different complications in their life, but they're all giving everything they have to defend Thedas. You're going to get to know them really well. You're going to develop trust, understanding. That doesn't mean you're always going to agree.” But, we’ll have plenty more to say about the game systems and combat later. With Busche, we had the opportunity to really dive into the seven companions at the center of The Veilguard and what they’re all about. Here’s what she had to say about each one:"

"DAVRIN Busche: “When we were thinking about Davrin, how we were going to develop him as a character, we had to think about, 'How is he going to show up on the battlefield?' And it was unique because he has this, I guess you could say, companion of his own, the griffon Assan. That makes him, as a companion, very unique, because Assan shows up on the battlefield. So we had to think about how that integrates into his abilities, where Davrin as a Grey Warden is capable on his own, but also, when does he call upon Assan and what does that look like? What happens if you're indoors?... And indeed, when you're doing some of Davrin's content, just seeing Assan gliding through the environments, you really get a sense that they care and they're protective about each other. “…When we think about Davrin and his being the representative of the Grey Wardens within the team of The Veilguard, it was an opportunity for us to really go back to some of those roots that we know our fans, our players, deeply care about. Dragon Age: Origins, of course, was so Grey Warden-forward. We want to evoke those memories, those connections that our players have. And I absolutely love when you're journeying with Davrin, not only his aesthetic, how he carries himself as a Warden, but how he interacts with his fellow Wardens. The little wrinkle of, 'Hey, there actually are some griffons remaining in Thedas,' how he learns as a Warden to train and interact with these griffons that, to our knowledge, haven't existed for quite some time, it's a learning experience on a lost art of the Grey Wardens that is really unique to Davrin's character.”"

"HARDING Busche: “To talk about Harding as a companion, I guess I'd have to go back to Inquisition. Of course, Harding showed up. She was your scout on the field. There was a light romance with her, and I think one of the things that the team didn't quite expect is how much Harding would catch on in Inquisition. Players fell in love with her, and we heard them. They wanted a deeper romance, they wanted more engagement with Harding. So for the team, I felt like it was kind of a no-brainer for us to bring back Harding, and we also wanted to reestablish that connection to the Inquisition in the world of Thedas, which occurred 10 years ago, the events of Inquisition. “Harding serves as our proxy back to those events, and you get to learn about what's happened with the Inquisition since, so she presents some really lovely opportunities for us. I will say, personality-wise and her role on the battlefield, she is among my favorites. When you see her leap into the air, unleashing these devastating attacks with her bow and arrow, I just can't get enough of her.”"

"TAASH Busche: “Taash, in the creation of their arc, is one of our more complex characters. It's a journey along their arc that is about introspection. 'Where do I belong in the world? What are my boundaries? What do I fight for? How do I become at peace with who I am?' So I love the juxtaposition, actually, between Taash's personal journey and this imposing literal dragon slayer, that sort of hard exterior and really gentle interior. It makes Taash a really special companion for me.” (When asked which companion had the steamiest romance): “I'll just speak for me personally, but at the culmination of the romance arcs, I'd have to say Taash. When I got to that scene and saw the finished version of that cinematic, I was hollering. Hollering.”"

"EMMRICH Busche: “The thing about Emmrich that is going to surprise our fans the most is his relationship with necromancy. I really love that we kind of turned the idea of a necromancer on its head here, where you think of them as these conjurers of evil, the certain malice when you hear the term 'necromancer,' but it couldn't be farther from the truth for Emmrich. There is a reverence about the dead. He has a unique relationship with death. You get to explore how he ended up in the Mourn Watch. Death has shaped this character in all aspects of his life, and we frequently refer to him as our gentleman necromancer. I think his proper, kind nature stems from that respect that he's learned about this cycle of life and death throughout his life. “Manfred is like a son to Emmrich. He very much has an affinity for this wisp, this life force that he's given a second chance through this skeletal body, and in many ways, it's the story of a parent raising a child. Emmrich, he needs to teach Manfred and help him along to develop as a character of their own, things like learning new skills, how to assist The Veilguard. Some of our most charming moments are in dealing with Manfred, and I must say I absolutely love the interactions. They just have me rolling whenever Manfred steals the show. “…In my last playthrough, I romanced Emmrich. What I also loved is as I'm synergizing with him as we're doing combos, just having him refer to me as ‘my dear’ on the battlefield. ‘Well done, my dear!’ It just fills me with joy every time.”"

"LUCANIS Busche: “The character that went through the most changes [throughout development] without a doubt was Lucanis. Lucanis is very complex. He's an assassin. He is very skilled in the art of death. The Antivan Crows, they pursue these contracts with a certain level of dispassion, but also, Lucanis is a romantic, and he's dealing with some internal struggles. He's been through a lot of trauma. He's relearning how to trust. And all of those elements come together with a richness, but it creates a lot of complexity in how we tell that story. So I'd say Lucanis is the first one that comes to my mind in terms of the thought that's gone into it, where we've had to make adjustments to really cover all facets of his character.”"

"NEVE Busche: “Neve is our confident noir detective. I love to bring her onto the battlefield because she's just so incredibly capable. She's our ice mage, so really big on controlling the battlefield, and that's actually a good metaphor to her arc. She wants to fight for change. She wants to fight for a better Minrathous, and she's going to use all the tools at her disposal to try and reshape Minrathous into a better place for all. She's very much a Shadow Dragon. This is among the mantra of the Shadow Dragons. They operate from the shadows, fighting for a better Minrathous. So as this accomplished ice mage, she's fierce. She's not going to shy away from any challenge, whether it's taking down darkspawn or dealing with the Magisterium in Minrathous.”"

"BELLARA Busche: “Oh, my dear, sweet Bellara. I relate to Bellara a lot. She is joyous. She's been through a lot, but she remains curious, optimistic. She's kind of a geek. She really likes her fiction. She fangirls over Neve a little bit. She's just so relatable, and I think that's what our players will find and fall in love with when they get to meet Bellara, is just how much you'll recognize some of those patterns and sensibilities that she holds, but don't let it fool you. She is also a Veil Jumper. She's very comfortable in elven ruins. I frequently bring her with me in my party. I like to play rogue. I like to play the Veil Jumper, or the Veil Ranger. Bellara's a fantastic companion to set up that spec with electric vulnerabilities, so I love her both on and off the battlefield.”"

Bonus rounds:

"SOLAS Okay okay, so Solas isn’t technically one of your core companions who will travel with you, but given his place in the Dragon Age story, we still had to ask about his relationship with Rook. Here’s what Busche had to say: Busche: “Rook's relationship with Solas is a complicated one. Everyone has seen, at this point, the gameplay reveal and the opening moments of the game, so you'll know things got shaken up pretty radically for Solas already. He's trapped. He's basically communicating with you as an advisor, and I absolutely love that idea of, ‘He's your lifeline right now, but can you trust him?’ And those touch points with him, ‘Do I take his advice or not? Can he be trusted? Is he going to betray me?’ All the while giving you this information that you absolutely need in order to be successful. “It creates an interesting stage for us, where, I think our fans will agree, Solas is very complicated. He firmly believes he's doing the right thing, and some of our fans will agree that he's trying to do the right thing. Others will not, and this creates a stage for you, the player, where you get to lean into those tendencies of your own as you're taking advice from Solas throughout parts of the game. I think those really interesting debates about, ‘Was he ever redeemable? Can he be trusted? Was he wrong all along?’ You're really going to be able to dive in deep on that.”"

"VARRIC Varric, while a part of Dragon Age: The Veilguard and a series mainstay, isn’t part of your core companions either. But, as fans can see in the trailers, he’s still very much in The Veilguard, so we asked Dragon Age creative director John Epler about how he’s changed since we last saw him in Inquisition: Epler: “Since the events of Dragon Age: Inquisition, he has spent the time, just briefly, obviously, [serving as] Viscount of Kirkwall. I mean, anybody who knows much about Varric knows how well a job where he sits around and tells people what to do is going to sit with him. He has been participating in the hunt for Solas. And I think for Varric in particular, that's a very difficult thing for him to do because Solas is his friend. Solas is somebody that he grew close to over the events of Inquisition. They adventure together, they work together. “And now knowing who Solas really is, that eats at Varric. Because Varric always sees, Varric believes he can always make somebody do the right thing. Varric believes he is the most convincing, charismatic, because he cares about people. And he has this belief that as long as I get a chance to talk to Solas, I'm going to be able to turn him. But as he's seeing what Solas' ritual is doing to the world around him, as he experienced in the comics, Dragon Age: The Missing, that eats at him a little bit. That's challenging his world view of him as always being the best judge of people, being able to see that somebody is able to be redeemed. And he's starting to question a little bit, ‘am I right or am I being a fool by believing in Solas?’ ”"

[source]

[thefudge]

Advice for writing smut???

gonna do bullet-points of things i tend to live by when it comes to smut (this is just my opinion):

don't switch styles: the way you write the smut has to be consistent with the way you write the rest of the story, so if your story is more comedic or romcom-y in nature, the way you write the smut should have those stylings. i personally find it very jarring when authors decide to break the format for the smut, almost like the story has to stop for the sex intermission; if you're writing a horror story, the smut must be informed and influenced by that genre, and if you are breaking genre for the smut portion, tell us why you're suddenly switching gears (it has to be an aesthetic choice you're making on purpose). likewise, if your style in that story is more lyrical, the smut has to be somewhat lyrical too, or if your story is more cormac mccarthy-esque-cut-and-dry, the smut can't suddenly involve an effluvia of purple, sappy prose. integrating the smut in the story and treating it like any other part of the story is key to me. too often i've seen ppl switch to this anonymous pornified style when they get to the smut

which brings me to specificity. i'll talk about het sex, since that's what i tend to write most: not all men are going to be fingering or eating pussy the same way, not all dicks are big and they shouldn't be, not all women immediately get excited by fingering, not everyone moans the same way or makes the same sounds. you're writing about particular characters so it has to be particular to them. i know this is very old advice, but i think it bears repeating

there isn't an exact formula or sequence you have to follow, there aren't precise steps, you don't have to go "well, first he has to kiss down her neck, then reach the boob area, then play with the nipples, then put the nipple in his mouth, then slowly go down on her, then prepare her for entering her etc. etc. etc." this can get boring and repetitive and you start thinking of your characters as these mechanical dolls who have to fuck for your audience. and that can be a vibe too, if you do it on purpose. but sometimes you can get stuck in a porn routine (and ofc, having only the guy show initiative can also get boring)

in order to break that, insert some character moments. what are the characters thinking during this? sometimes they might be thinking of something completely unrelated on the surface, but which has a thematic relevance that can make the scene hotter. likewise, maybe they're doing smth that seems unsexy on the surface, but which, within the context of the story might be really hot. sex doesn't just involve, well, sex, but so much weirdness and humanity and creativity. two bodies (usually) are trying to do this really awkward thing together and they might have a lot of baggage and history to inform it. there's a lot you can do with that.

don't make it glossy and clean, where everyone smells of strawberry shampoo and there is never anything out of sync. the most boring smut tends to be the kind where no one makes any mistakes and everything is super efficient. i imagine it feels like using an industrial pump to milk various farm animals.

and you know what? you can make that hot too. you CAN write a kind of robotic efficient smut and make it really interesting based on the context. let's say you're writing a 1984 AU fic where ppl are forced into intimacy only to procreate and their sex drive is diminished. you can play with that premise and lean into the dehumanizing industrialization of sex, but you have to mean it, aka your narratorial voice must be conscious of these factors.

if you're writing dubcon, make the dubious part present, make sure you draw out the ambivalence and ambiguity. if you're writing noncon, the character whose consent is being violated has to be transformed by this in some way. it can be forced pleasure, for instance, but not only. it has to be a journey for them too, some kind of spiritual pit, or a form of access to terrible knowledge. i know this is a personal thing, but noncon doesn't work for me if the character being noncon'd is just sort of *there*, suffering passively. i think that sort of dead passivity can be done very well too, but the narratorial voice has to persuade me.

that being said, don't be afraid of fear in consensual sex. terror and vulnerability are a part of consensual sex too, imo, and again, depending on the story and the characters, there's a lot you can explore there

i personally find it really hot when the narratorial voice starts discussing some of the ideas that the story wants to convey during the smut. so like, you can characterize person A and outline their worldview and their plans while they're ramming person B, and the thinking & fucking are thus entwined. idk, i dig that

speaking of which, smut can convey world-building details and social/philosophical ideas, not just emotions and character beats

not all smut has to end with mutual orgasm or even one-sided orgasm, it depends what you want to do or where you want to go. again, you don't have to follow a sequence. plus, it's fun (and hot) to write about frustration and failure too.

if you want to mix up the descriptions, resort to the story & characters. you'll find it's easier to describe someone fondling a boob in a new or at least interesting way if you're thinking about that particular character in that particular story, and not just Man X from planet porn (sorry to be snarky, but mainstream erotica is soooo guilty of this)

screaming & really intense reactions are cool but they have to match the characters and the situations

sometimes, it's hotter if an effect is mild or negated, if the usual outcome doesn't happen; mix up the order of events, toy with the usual reactions. it's not about being original, it's about finding out what works for your characters. writing about sex is, in a way, a performance of it, an attempt to go through the sexual motions, to find out what works and doesn't, to engage with the erotics of text (roland barthes entered the chat)

if you are bored by your own smut, that's a problem. i know we all talk about how hard we find writing smut, and IT IS hard, and sometimes it's not enjoyable, because writing itself is often not enjoyable, but even when it's painful and annoying, it gives you that little intellectual kick like "huh, i'm creating this and making these people do this, and ohh look, i can maybe put this unnamable thing into words". but if you become bored, that's a sign you have to look at the language & characters and figure out what's not working for you

last thing i'll underline: pay attention to your narratorial voice. in this ordeal, you are the seducer. not the characters. you have to seduce us with words and context. your voice matters the most. you can persuade us of anything. but you have to be confident in your weirdness and particularity. this is your bedroom (so to speak), so invite us in.

[serabellyms]

@smokedanced asked:

🤥 LYING - are they good liars? do they have tells to show they're lying? 💐 BOUQUET - create a bouquet for them! what do those flowers mean? are any of the flowers their particular favourite?

🤥 LYING - are they good liars? do they have tells to show they're lying?

I like to think that Alisa is a good liar... in a sense. I think she's careful specifically not to lie, but she may not always tell the full truth when she does. This way, she's not really lying, but rather withholding information or not saying everything that needs to be said.

💐 BOUQUET - create a bouquet for them! what do those flowers mean? are any of the flowers their particular favourite?

Alstromeria, calla lilies, dahlias, and celosias. All of these flowers are bold and kind of represent boldness; Alisa has a very bold personality, even though she's often idealistic. Alstromerias are definitely one of her favourites though, especially the multicoloured ones.

[stupidlittlespirit]

Just For Tonight (Valentines Special)

Rating: NSFW, mdni Type: Longform Tags: Fake dating, no use of pronouns for reader, messy kissing, pretending to be in a relationship, making out, Reigen being a cheapskate, flirting, riding, fingering, PIV sex, glasses!reigen Word count: 9630 My other works: here on tumblr and here on Ao3!

There's a nice new sushi place in town. It's a shame they're only offering discounts for couples....

“Valentine's day is a total scam,” declares Reigen, feet kicked up on his desk and lounging in his desk chair. “It’s so lame.”

It’s 5PM on a Wednesday afternoon and work is drawing steadily to a close. You’re filing the last few pieces of paperwork for today, tidying up your things before you head home for the evening, and all you’ve done is ask if any of your colleagues are doing something nice tonight for the lauded day.

In his typical fashion, however, Reigen has seized the opportunity to launch into a pointless spiel about his one-sided beef with made-up events and how much he doesn’t buy into them.

“It’s a capitalistic concept invented to sell cheap, poor quality products marked up by like, five hundred percent, to dumb idiots that are so blinded by love that they’ll part with cash hand over fist just to prove how much they allegedly care about someone,” Reigen yaps away. “Don’t people care about the integrity of love? People should show how they feel every day, not just when society tells them they have to. It’s a dumb holiday. It’s stupid. Totally ridiculous.”

“I heard that fancy new sushi place is doing half off for couples,” says Ekubo, floating aimlessly past your head.

“Half off?” says Reigen without missing a beat. “For real?”

You roll your eyes from behind your laptop and click it shut. Trust him to only care when he can save a few Yen.

“Yeah,” Ekubo yawns. “I was gonna go down there and haunt a few couples. Y’know, spoil their day or whatever.”

“Nice,” you snort, wafting the spirit away from your face. “That doesn’t scream bitter at all.”

Ekubo grins. “Gotta make entertainment somehow, honey. You have no idea how boring it is to be dead.”

It’s hard to look disapproving when you’re laughing but you shoot him a look anyway.

Reigen snatches his feet off of the desk and sits up straight, his chair creaking with the abrupt motion. He taps away on his PC, lightning fast, and makes a sound of interest. “Holy shit,” he says. “Looks like you’re right. Half off food and drink.”

Ekubo ignores him and turns his attention to you. “Any plans?”

You shake your head. While you’d rather not give him the satisfaction, you partly agree with Reigen. The holiday is a made up scam; almost every restaurant and bar in the city ups its prices under the guise of special dinners and intimate drinks, filling their windows with hearts and flowers and corny banners about love.

Being single on Valentine’s is even worse. No one wants to go out alone and the commiseration prize for being so is a condescending offering of dating events and pathetic ‘self love’ bullshit. It's unbearably sad and you'd rather drink a bottle of wine alone in the bath than be seen to engage in any of that shit.

Still, the thought of spending it with someone you have feelings for is, in theory, very attractive. It's just a shame the only person you want is sat two meters away and very much not interested in doing anything of the sort.

Bottle of wine in the bath it is, you think.

Once everything is packed up, you wish them both good nights and make your excuses to leave. Reigen lets you go without even looking up from his laptop and you decide that tonight, more than one bottle might be needed.

♡

At six thirty, just as you pour your first glass, your phone buzzes on the coffee table. You pick it up and flip it open, hoping this isn't going to be a late night call to come in to work even earlier tomorrow morning.

[Reigen] - are you free?

You stare at the message and another one comes in straight afterwards.

[Reigen] - obviously you are.

That’s a little hurtful but it’s not like he’s wrong. Why? you message back.

Three dots show up as he types, then they disappear, then return, and after a few minutes another message buzzes through.

[Reigen] - Emergency, meet me ASAP.

He pings through an address in the City and briefly, you're worried that he might be in trouble. The office diary hadn't listed any out of hours clients for tonight and it would be unlike Reigen to take a job that he couldn't handle alone; Serizawa is at night school this week to cram for exams and Mob is busy with his friends, so nothing is due to come up.

Another text comes through.

[Reigen] - and wear something nice.

You have absolutely no idea what he means by that, however if Reigen says it's an emergency then you'll never forgive yourself if you leave him high and dry. The last thing you want is for him to get hurt.

Must be a posh client, you think. Last minute demands for your presence are usually related to a high paying job, so it isn’t beyond the realm of possibility that he needs you to butter up a stuffy customer and show off some leg to make a sale. It wouldn’t be the first time and you usually get a good commission for your troubles. It’s easy money.

Sighing, you screw the cap back on your wine bottle and down the half-full glass in record speed.

It’s better than moping about alone.

♡

You make it there in thirty minutes, give or take. The short notice gives you just enough time to make yourself presentable, pick out an outfit and make it into the city, yet by some stroke of luck you manage to catch the last train into central.

The address isn’t far from the office and with a brisk pace, you make it in good time. It’s busy out here tonight. It’s hardly unexpected. You’re in the food district on a major holiday, throngs of people are wandering through here at the best of times.

What is, however, is the sight that greets you when you arrive at the map’s marked location.

Reigen is standing outside a dimly lit restaurant, browsing his phone in one hand and clutching a lush looking bouquet of roses in the other. You almost walk right past him, he's unrecognisable without his usual suit and tie; he's dressed in navy slacks and a perfectly white dress shirt, silver glasses on the end of his nose and hair styled nicely. He looks good.

“Reigen?” You ask, approaching him warily.

At the sound of his name, he glances up from his phone briefly to see who’s asking and double takes. He looks a little surprised to see you and you have to admit that you feel similarly.

“Oh,” he says, looking you up and down. “You made it.”

“Where’s the emergency?” You frown, looking past him to search for awaiting clients.

Reigen clears his throat and jerks his thumb over his shoulder, towards the restaurant. “Here.”

There are no concerned looking people waiting around behind him. In fact, the entire place looks to be filled with couples who are anything but. You glance between him and the shop front again, and wait for him to expand on why you’re here.

Reigen stares back at you for a moment and then proffers the bouquet. “Here,” he says, a little flushed in the face. “You like flowers, right?”

You stare at him, clearly confused, but you take them from him all the same. They’re roses, deep red and freshly cut, tied together in layers of pink paper that rival the colour on his cheeks. You have to admit, they're lovely.

“What are these for?” You ask, laughing. “Where are the clients? You said there was an emergency.”

Reigen looks slightly guilty and you realise, after a moment, that there isn’t any client. No one needs your help and there doesn't appear to be any spirit floating around to cause bother. Now that you think about it, the front of this place seems vaguely familiar and when you look again, you realise he’s totally played you.

“This is that fucking sushi place, isn’t it?” you sigh, shifting the flowers into the crook of your arm. If what Ekubo had said is true, it’s not like you’re going to get to take advantage of the discount he so desperately wants. “Reigen, we're not exactly….” You gesture between you both and the words that go unsaid are obvious: ‘a couple’.

“Look, they’re doing fifty percent off the whole menu!” Reigen launches into his reasoning and you can tell he’s practised it. “It’s just for tonight, and we don’t have to do anything except look like we are, right? They won't know any different!” He pouts slightly for good measure and you hate that it works so well on you. It always does. “Plus, they sell that swanky shrimp shit and I really wanna try it…. Please?”

The flowers suddenly make sense.

“Are you asking me to date you for the night?” You ask, raising an eyebrow. The concept is hardly unappealing. Reigen is cute and you’d be lying if you said you hadn’t thought about it. Well, thinking about it and dreaming about it are two very different things and the little candle you hold for him has only been getting bigger over time.

You’ve kept it quiet for the most part; the only person in the office that has any vague idea is Ekubo. He’s perceptive enough to have caught you looking when no one else is and although he's sworn to keep it a secret, you suppose if he isn't around then you can get away with playing things off as pretending.

He shrugs, unabashed in his request.

“Ugh,” is all you say and it's the vague confirmation he needs.

Reigen grins.

He drags you into the restaurant, hand wrapped around your wrist, and announces to the waiter that's taking stock of the visitors that he's booked a table for two. The waiter looks from Reigen, to you, to where he's holding you tightly by your arm.

“Tonight's dinner is for couple's, sir….” He says, looking unconvinced.

Reigen wilts slightly, letting go out of you and gesturing towards the flowers in your arms. “Uh,” he clears his throat. “We are.”

The waiter regards you both with suspicion and Reigen visibly prepares himself to argue with the guy. If you're honest, you'd really rather not cause a scene in an establishment like this by allowing him to fight with the first member of staff he comes into contact with.

The restaurant is clearly not made for people like the two of you: it's modern and luxurious, filled with mahogany and crystalline chandeliers, and all the staff look like they've smelled something unsavoury. It's clearly an upper-class joint.

Still, you think it might be nice to take advantage of an opportunity like this and you don't really want to spend tonight by yourself. Besides, you'll never hear the end of it if this gets screwed up and frankly, pretending to be on a date with him is probably as close to the real thing as you're going to get.

Reigen opens his mouth and you take his hand before he can get himself in trouble, slipping his arm around your waist and leaning into his side. He stiffens, looking at you in surprise, but you ignore him in favour of giving the waiter your best loving smile and lean into him.

Reigen smells like musky aftershave and something that’s distinctly him, and it makes your mouth water. “He's just shy,” you laugh, laying it on thick. “Of course we're a couple.”

It's important that you sell the idea first, Reigen had told you after you'd floundered a sales pitch once. Convince them even a little bit and the rest of it sells itself.

The advice is sound enough and you decide that the situation calls for a little more manipulation in order to close the sale and get the fucking stupid shrimp your boss wants. If nothing else, this'll teach him a lesson for tricking you into things. You press a chaste, but decent, kiss to the corner of his mouth and shoot the waiter a look that you hope conveys how much a couple in love would definitely do something like that.

You can feel your body warm up and you will yourself to stay relaxed, hoping your face doesn’t show how silly you really feel.

Reigen isn’t doing as good a job at running with things and he laughs, a little manic and high pitched. He mumbles something about you being right and gingerly squeezes your waist.

The waiter sighs and gestures for you to follow, apparently adequately persuaded.

When you risk a glance at Reigen, he's alarmingly red and slightly sweaty. All of the argumentative energy has left his sails and he seems rooted to the spot, unable to meet your eyes.

It's more than a little entertaining. You slip out of his half embrace and take his hand, having to drag him along in the wake of the waiter when it becomes clear that he’s forgotten how to move independently. “This better be the best fucking sushi I've ever had,” you warn him, but it's hard not to smile when he almost trips over his own feet on the way to the table.

♡

The meal is otherworldly.

It's a testament to how the other half live. You've never had seafood like this before and knowing you probably won't have it again seems to make it all the sweeter. Everything is ten times better than the usual places you go.

Reigen lets you order whatever you want, provided it’s on the discount menu, obviously, and he even shares some of his fancy shrimp with you. Not much, but some.

The atmosphere is nice, too. Admittedly it's very romantic, candle lit and dark, and you suppose that is rather the point of it all. The lights stay low, the music is soft, and even the sushi arrives arranged into cute little hearts.

Your company is even better. Reigen has taken you out to eat before but usually he drags you to a cheap ramen place on the way home from work, and he always makes for entertaining companionship. This, though, is new. You've never actually gone out with him for a proper dinner and the entire time you sit across from him, you can't stop the way your stomach flutters at the thought of spending time like this together. It's silly, really.

It's not like this is a real date, after all. You don’t want to push the boat too far. There’s no sign that he actually feels any way about you beyond needing your compliance for his plan and you don’t want to make an idiot of yourself by getting too into it all.

You're halfway through sharing a round of nigiri when you realise Reigen is holding your hand. You're not sure how you missed him do it to begin with. After you'd sat down to eat, Reigen had been quick to keep himself to himself. The rosy tint to his face had stayed for a long time after your little over the top display and you had assumed he’d been too embarrassed to try something similar again.

Except halfway through dinner, you realise that his fingers are laced with yours as he laughs about a comment Mob had made the day before and he seems completely oblivious to the way his thumb is stroking over your knuckles.

You don't intend to mention it. It feels nice and you can't deny how enjoyable it is to play pretend like this with him, except he must catch your line of sight because he hums into his water glass, starting like it's also the first time he's noticed it, and starts to untangle himself.

“Shit,” he mumbles. “Sorry, I didn't-”

“I don't mind,” you say immediately. You're not sure what makes you blurt it out, but you tighten your grip to prevent him from backing off and surprisingly he gives in with no resistance.

He glances up at you, taken aback, and you try to clarify your meaning with only the tiniest of white lies. “The waiter already thinks we're making it up,” you say hurriedly. “We should probably keep it up until we leave, right? I’m not getting stuck with the full bill.”

Reigen raises his brows, seemingly astounded that you're not horrified by the concept of holding his hand, and he nods quickly to hide the expression. “Good idea,” he says, tangling his fingers with yours again. “Just for a bit longer.”

The hand holding lasts for more than just a bit. Even when you eat, neither of you let go of one another and no one mentions it. Sushi is easy to eat with one hand anyway, so it’s unobtrusive and easily forgotten. In fact, it’s oddly natural.

As the evening ticks on, you both relax enough that you start to forget that you’re supposed to be acting like you’re totally in love. It’s easy to get on with Reigen. You’ve always played off of each other well and this doesn’t feel any different to how you always behave around each other.

Beyond the handholding and the way his knees bump against yours under the table, you could be anywhere with him right now and you’re not sure you’d notice the change.

You’re not sure if that makes you feel better or worse about the situation.

The menu extends to several good wines and some specialty cocktails too, and in spite of the fact that you’re both scheduled to work tomorrow, you’re not shy about indulging. A single glass for you becomes another and even Reigen takes a risk on a second cocktail once he realises they’re serving something with citrus and fizz in it.

By the end of dinner you’re both getting on for being tipsy. Reigen begs off halfway through, a lightweight as usual, and relinquishes his for you to finish instead. It's probably for the best. His face is turning a pretty pink as he leans forward on the table, the alcohol bleeding into his system nicely, and dinner has been far too nice to puke up on the way home.

The alcohol settles in quickly and as mixing drinks tends to do, it goes to your head. You're not quite drunk, but you're not stone cold sober either. You think it might be why you stop paying attention to whatever Reigen is saying and start to let your thoughts wander a bit.

He's busy explaining a job from a few weeks ago, one that according to Mob had been fairly dicey, yet as you polish off the remainder of your glass, you’re not really listening to him brag about how he’d definitely been the one to save the day anymore.

You’re far too busy admiring the view to care about his stories. The fine wine feels like it cushions your mind in velvet, warming you up from the inside out and blurring everything around you except from him.

The chatter of the restaurant has faded away and the intimate lighting makes it feel like it’s just the two of you in here, trading stories and laughing with each other.

Reigen talks with his hands a lot, especially when he's had a drink, and while he expresses how close he’d come to death for the fifth time that day, he rocks your joined hands back and forth in time with his free one.

Reigen has nice hands: they’re wide and square, strong from all of his massages, with thick, long fingers you can’t help but imagine in places entirely unsuited to a public restaurant.

You’re enjoying a mental movie of said fingers on your body when he waves his hand in front of your face. Obviously you’re not doing a good enough job at showing him the attention he so craves.

“You're drunk,” he says, amused at your embarrassed look.

“No, I'm not,” you protest weakly. The stupid smile on your face belays your dishonesty and Reigen is clearly entertained. He blatantly doesn't believe you and you hide a laugh behind your hand. “Anyway, if I am, it's your fault.”

Reigen pretends to look aghast at the suggestion. “I'm your boss, I'd never get my employee drunk,” he scoffs.

“You don't remember having to scrape me off the floor of that bar at the Christmas party last year?” That one had been a particularly messy night out, even for you. You’re still all banned from the place for being idiots.

He smirks and you can see he's recalling it in real time. “That was your fault, not mine.”

“No way, you practically plied me with alcohol,” you say, laughing. “Very irresponsible of you.”

“Shut up,” Reigen grins and nods to the bouquet that’s propped up on the chair beside you. “I’m a great boss! I got you flowers, didn’t I?”

“Only so I’d date you under duress!” You say.

“I mean, sure, but also because you never get anything for Valentine’s.”

You stare at him, totally caught off guard by the confession. For what it's worth, Reigen looks even more surprised that he's said it. “I…. How did you-”

“Uh,” Reigen rubs the back of his neck, avoiding your gaze. “I… heard you talking to Serizawa about it last week.”

You can barely remember the conversation yourself. Serizawa had been talking about seeing flower arranging classes at his school and you'd made a comment whilst Reigen had been in the other room making tea, off the cuff and totally meaningless, about how you'd never gotten them before, not even for Valentine's day. It hadn't been said for any reason other than conversation, but it had been true. Up until now, anyway.

“Reigen, I-” You don't know if you should be over the moon that he cares so much or humiliated that the object of your affection knows about your shitty dating history. “Thank you.” You say finally, giving his hand a squeeze. “I think that's the nicest thing someone has done for me for a long time.”

Reigen shrugs it off like it's nothing and you're reminded of how much you really, really fucking like this guy. He's so sweet and kind and thoughtful, and no matter how frustrating he can be, he makes up for it so easily that you can never hold it against him.

Your head swims and ridiculously, your eyes start to burn a little.

You’d really rather not cry in front of him and very graciously, Reigen pretends not to notice. Instead, he reaches for the desert menu and this time, he tells you to pick whatever you like.

♡

For the last stretch of the night, the two of you share mochi and a couple more cocktails. The wine is a little heavy for dessert and Reigen talks you into splitting drinks so neither of you get completely wasted.

You're using them and his accidental confession over your flowers as an excuse to show a little more affection than you ought to, and he doesn't give the impression that it's a problem for him. He does start a little when you press your ankle to his under the table at one point, but at your apology and attempt to move it back, he catches your foot between his and holds it there without comment.

The casual touch becomes a subtle form of footsie without either of you consciously meaning it to and by the time dinner is done, you're sitting with your legs slotted together. Despite the fact you've let go of each other's hands to eat, everything feels much more intimate than it had at the start of tonight.

On the last few pieces of mochi, Reigen pauses his chewing. “You've got-” He gestures to his lower lip and you realise he's signifying that there's something on your mouth. “S'not much.”

Your hand flies up to seek out whatever he's talking about and you're mortified momentarily, expecting something obvious and gross clinging to your teeth, but your fingers come away clean with only a little powdered sugar on the tips.

“Oh,” you say, with a relieved laugh. “I guess I've had worse on them.” It isn't supposed to sound suggestive and the hidden meaning bypasses you until Reigen opens his smart mouth.

“Yeah,” he mutters, smirking to himself. “I bet.”

His comment comes out of nowhere and you almost choke on air, blindsided by the double entendre.

Reigen realises you've heard him and he turns so red you're sure he could light the entire way home. He panics a little, holding his hands up and starting to stammer out an apology until he realises you're laughing.

It's more than a little funny and you really don't don't mind. In fact, you suddenly wonder how far you can get him to take things. If he's making jokes like that, you're intrigued to see if you can coax out a different side to him. Just because he's your boss, that doesn't mean you both have to be uptight and on your best behaviour all of the time.

And anyway, it's all in good fun tonight. Couples are supposed to flirt, aren't they?

“Are you trying to push my buttons?” You ask, sucking the sugar from your fingertips and smiling over at him.

Reigen's eyes follow the motion and he clears his throat. “No, I-” He glances up at you, eyes searching yours, and you can almost hear the bell go off in his head when he realises he's safe to mess around a little.

A slow grin begins to bloom on his face and, slipping comfortably back into a playful attitude that you always enjoy being around, he shrugs. Reigen sits forward to lean on the table and props his chin up on his fist. “What are you gonna do if I am?” he asks, smirking. “Report me?”

You mirror him, leaning on the table too, and feint innocence. “No idea,” you say, layering on the helplessness. “Maybe. Maybe I’ll have to call HR and tell them my superior is bullying me….”

“Oh yeah?” Reigen's grin grows, cocky and lopsided. “Unfortunately,” he says, taking your hand again without acknowledging it. “I run that department too.”

Biting your lip to hold back a laugh, you duck your head and take the bait he's so clearly dangling in front of you. “Then I have a complaint to make about my boss….”

“Your boss?” Reigen says, tilting his head and pretending to recall who you might mean. He's extraordinarily good at committing to the bit. “Oh, you mean that really good looking, powerful psychic guy?”

“Uh huh,” you laugh softly and you run your toes up his ankle under the table. “Super powerful, very handsome.”

Reigen's eyes dart down toward where you're touching him, unseen, and he clears his throat again. “Handsome, huh?” He says, playing it as cool as he can. “How handsome are we talking?”

“Oh,” You smirk, shrugging one shoulder. It's hard not to break into giggles, not least because he's so cute when he thinks he's being subtle about fishing for compliments. “Enough that I don't mind him pushing a few of those buttons, I suppose.”

You know you're supposed to be joking around. All of this is a joke, a game, and yet…. The way he's allowing your touch, letting you do it back to him, it's impossible not to keep pushing.

Reigen's brow twitches and he grins. “And what if he pushed them harder?”

“I don't think I'd say no,” you sigh happily. “I like my buttons pushed pretty hard.”

“Careful,” Reigen warns playfully. “I heard he's bad news.”

You laugh under your breath. “He's not that bad once you get to know him.”

“You think so?” Reigen asks, eyes searching yours. Nonchalant, he takes your hand again and turns it over until your palm is facing upwards so he can draw slow circles on the soft skin

The sensation makes you shiver. Distractedly, you chew on your lower lip and nod. “Don't tell him, but I think he secretly likes being nicer than he gives himself credit for….”

Transfixed by your mouth, Reigen bites down on a grin. “How do you know what he likes in secret?” he says quietly. “I bet you've never even asked….”

“D'you think he'd tell me?” You say, toeing off your shoe to push your foot past his trouser leg and curl it around his calf. It's risky and stupid, and you can't even play it off as part of tonight's front, but Reigen doesn't seem to mind at all. “If I did.”

Something has changed in his gaze and all of a sudden, it doesn't feel like you're acting the part anymore. The two of you are very, very close together now and the air feels charged, like it's full of static that's pulling you towards him. He's only a few inches away from your face and you can smell the sweet scent of lemon on his breath.

Reigen is still trying to play it cool, working hard to maintain his composure as though he isn't sweating nervously. “Maybe if you show him yours, he'll show you his.”

“Yeah?” The din of the restaurant is distant and muted, like your head is full of cotton wool, and all you can concentrate on is the way he keeps licking his lips.

Reigen meets your eyes again and there's a tiny glimmer of hopeful interest in them. He doesn't appear to be joking anymore. “Go ahead,” he mutters. “Run it by me first.”

You're practically touching noses by now, leant across the table in each other's space, and if you were to tilt your head only a tiny bit, to pull on his hand, to drag him down onto you, you think you might be able to finally get the real kiss you've been dreaming of since you-

“Are you ready for the bill?”

A voice cuts through the woolly atmosphere, loud and abrasive, and both of you almost fall off of your chairs in sheer surprise, jerking away and righting yourselves in your chairs. You whip your foot back, Reigen stops touching your hand, and the intimate air abruptly feels broken and ruined.

“Apologies,” says the waiter, not looking very sorry at all. “But we do need the table.”

You can barely look up at the guy, face burning hot. It feels like you’ve been caught in the broom closet with your boss, doing something far worse than winding each other up, and Reigen seems just as embarrassed. Awkwardly, he takes the small, folded piece of paper from the waiter and reaches into his back pocket for his card.

♡

Reigen pays the whole bill and when you attempt to offer your half, he looks at you like you're insane. Typically, you split the bill with him whenever you go out to eat. He's a cheap bastard and you know better than to expect anything less, but he refuses your offer the second you hold out your own card.

He doesn't even complain about it, either, apparently just happy to have achieved his goal of qualifying for the discount he's been aiming for all night.

Once everything is settled, Reigen calls a cab for you both to share and the whole time you wait for it, you stand arm in arm with him, grinning like idiots and laughing together about cheating the system.

The taxi arrives quickly and in it, you sit closer to him than necessary, warm and toasty against his side.

The journey is quiet to begin with. You're sated and full, and still a little tipsy, so the silence isn't unpleasant. Slumped down in your seat, hiding your face from him, you can't stop turning over the memories of the dinner. He'd been so close to you, so within kissing distance, and you're too nervous to say anything about it in case he laughs you off.

What if he was just playing along? you think silently. What if I'm reading into it? The thought is nauseating. Perhaps you've sold the idea of dating him a bit too hard….

At your side, Reigen clears his throat softly and you shift so that you can see him properly. He’s sitting so close to you that your head is practically on his shoulder, and he looks down at you with a small, soft smile.

“Thanks,” he says quietly. “For coming. And for, y'know, going along with it. I hope it wasn't too weird.”

“I had a lot of fun, Reigen.” You laugh quietly. “Thank you. It was totally worth it.”

Reigen snorts. “I think we sold it pretty well, too,” he says. “Especially, y’know, on the way in.”

Oh, you think. The kiss.

“Sorry,” you duck your head and laugh, awkward. “I didn’t think he was gonna let us in and, well, you told me to make it work, so….”

He doesn't say anything and risking a look back up, you see that Reigen is watching you closely again, just as he had in the restaurant. Reigen smiles slightly, so warm and soft that your stomach feels like it might climb up your throat, and he looks down at your mouth again.

“Maybe I need to call HR,” he says with a half-laugh. “Kissing a subordinate is probably against some kinda law or something.”

There’s a playfulness in tone, like he's joking and simultaneously trying to see what your reaction to such a comment will be.

You decide to test the water. “Depends on whether the subordinate is into it, I guess….”

Reigen smirks, teasing, and a little bit relieved that you're not backing off. “I dunno, they didn’t get the chance to tell me.”

You realise he’s talking about the conversation you’d had before you had been so rudely interrupted, and your nerves flutter. Tonight has been full of flirting and teasing, and if you're still playing stupid games, you suppose you might as well go all in and see what happens.

You're both tipsy enough that you can play it off if he doesn't go for it. “Well,” you say, biting your lip. “I guess I'm pretty partial to a redhead. Especially if they’re in charge of me.”

“Yeah?” he says quietly, smile growing.

“And men with big mouths that they can't keep shut, too,” you smirk, glancing down at his.

“Noted,” he chuckles, his breath ghosting over your face. “Anything else you like?”

You look back up at his smug expression and decide you can't let him get too ahead of himself. “And swallowing.”

Reigen makes a funny noise, strangled and hoarse, and closes his eyes for a moment. “Fuck,” he murmurs. You can see his throat bob up and down as he tries to compose himself, and when he finally opens them again, he looks like he's struggling to keep it together. A blush crawls up his throat and the look in his eyes is so hungry it makes your knees go weak.

“Fuck HR,” Reigen says, and then sways forward slightly with the motion of the car and, leaning the rest of the way into your space, he ducks his head and kisses you.

Your eyes flutter shut and he cradles the side of your face, turning your head so he can get you exactly where he wants you.

It’s soft and nervous at first, like he's still not sure if he's making the right move and he pulls away almost as soon as he makes contact, only to return without hesitation for a second and a third at your insistent sounds. The chaste kisses become deeper as he lingers, slow and unhurried, and you can taste the sweetness from your desserts and drinks.

It’s so unbelievably fucking perfect.

You press your tongue against his and he gives a low groan, his hand finding your thigh to pull you closer. The kisses keep coming, his fingers trail upwards, crawling closer and closer to your lap, and you drag your teeth over his lower lip when he pulls away to breathe.

Reigen looks like he's had more than just a couple of cocktails to drink now; his face is redder than ever, his gaze glassy, and he's panting against your mouth like he's run a mile. You press another kiss to the corner of his lips and you shift in your seat, encouraging his hand to explore even higher.

He does as he’s asked, thick fingers slipping up between your legs and he leans down again to keep kissing you while he teases you through the fabric of your clothes.

You sigh into his mouth. His touch doesn’t feel like it’s anywhere near enough, the sensation dulled by your stupid fucking outfit, and you try to press up into him to seek out more.

Reigen laughs at your desperation, mumbling a stupid comment about being needy, and you bite his lip again in warning. “Careful,” You whisper, reaching over to palm him through his slacks with a smirk. “Don’t get smart.”

Reigen chokes out a grunt and his hips buck up of their own accord. He’s already hard, tenting his slacks, and you're not about to let him think he's in charge of the show. “HR won’t be happy if they find out I didn’t get my way,” you tut, rubbing his cock up and down slowly. “Then you will be in trouble.... And we don't want that, do we?”

Reigen hisses, eyes dark and pupils blown wide. He stares you down, challenging your gaze, and he smirks at your unwillingness to let him get away with being an asshole. He goes to kiss you again, surging forward, and then the taxi driver clears his throat very loudly.

You're yanked back into your surroundings. The car is parked up outside your apartment, engine running, and the driver is watching you in the mirror. He doesn't look very impressed. “You kids mind taking this somewhere else?”

You cover your mouth with your hand to stop yourself from laughing and grab your bouquet of flowers, flinging open the door while Reigen grabs whatever cash he has in pocket and flings it into the driver's tray.

He scrambles out of the car, darts around the back and grabs you by the hand, dragging you away and ignoring the guy's shouts of how much he's overpaid.

You only live on the first floor. Your apartment is small and simple, so much so that it hardly qualifies as much more than a shoebox with a kitchen attached, and you have to shuffle around in the hallway in order to let Reigen get inside.

He passes down the hall and makes his way into the main room, and once you’ve locked the front door you go after him. He's hovering about in the tiny living area, hands in his pockets as he inspects your room, and you drop the flowers on your coffee table whilst he’s busy.

This is the first time he’s been in here. On a proper night out, you tend to crash at his if you can’t make it home; it’s marginally bigger than yours and the cab is cheaper, which means his place always wins out. It’s a new experience to have him in your space like this.

“This is nice,” Reigen says awkwardly, gesturing to the apartment at large. “Cozy.” He seems a little stiff, unsure what to do now that he’s here.

You snort, coming to stand in front of him. “What are you, an estate agent?” You put your hands on his chest and guide him backwards until his legs hit the edge of your bed, and he falls back with a soft thump!

Willing and able, Reigen makes room for you between his legs. He pushes himself up on his elbows and looks on as you begin to undress. Your movements are slow and deliberate, never once looking away from him, and you can see his breathing pick up in pace.

He’s hypnotised by every move you make. You shed your clothes until you're in just your underwear, exposed to him, and climb carefully into his lap. You take off his glasses and lean over to deposit them on the bedside table before going back to him.

Reigen's hands come up to hold your waist and he boosts himself upward to restart his feverish kisses. He's ungainly and needy, licking and biting his way back into your mouth while you start to strip him of his dress shirt. You make quick work of the buttons, slipping them out with deft fingers and peeling the fabric away.

You tug at the back of his shirt until it slips free of his slacks, hands wandering over his lower back as you explore his soft skin. Much to your delight, the muddy freckles on his face continue down his shoulders, cascading onto his upper arms and spattering the pale skin like paintbrush flecks.

Reigen's body is slight. Narrow and slim, yet soft at the edges. He isn't very muscular; you know he runs on the weekends and you suppose he stays reasonably fit in order to chase after the others at work, so there's a subtle hint of strength hidden underneath the puppy fat of his stomach.

It's more attractive than it has any right to be.

Without breaking away from his kisses, you slip your hands down his chest and work your fingers under his belt until you reach the buckle, blindly undoing it with practiced skill.

The metal gives way and you slide the leather from the pin quickly to give yourself easier access. You're about to do the same to the buttons when he pulls away from you panting hard and clinging to your hips.

You try to chase his mouth, still pressing open mouthed kisses there while he tries to speak.

“Wait, wait,” Reigen says, voice hoarse. “Hang on.”

“Are you alright?” You ask, leaning back to make sure he's okay.

Reigen looks bashful, eyes searching yours. He goes to say something and then stops himself, visibly nervous about whatever he intends to say. "I…" He sighs, closing his eyes to steel himself. Whatever is wrong, it’s enough for him to reconsider what he's doing.

He doesn't move you off of him, but he suddenly looks like he wants to hide away somewhere. His flirty confidence from earlier is gone, replaced with the same shyness he'd shown when you had kissed him at the restaurant.

You take his face in his hands and force him to look up at you again. “Reigen, what is it? If you're uncomfortable, we can-”

“No!” He shakes his head, wrapping his arms around your middle to keep you still. “It's not that, I just…. I'm-” Reigen groans, not out of pleasure but embarrassment, and he buries his face in your shoulder. “I haven't really…. Done this. Before”

“What, fuck an employee?” you say, laughing quietly. “It's alright, I was just kidding about making a complaint, I-”

“No, I mean this,” he mumbles into your shoulder. “Sex.”

You push at his chest until he has to sit up, revealing his cherry red face. He's uncharacteristically out of his depth and you're confused as to what he's saying . “You mean, like, it's been a while?” You ask.

Reigen grimaces, shaking his head. “Like, ever.”

“What?” You don't mean for the shock to show so obviously. He’s clearly already struggling and you gaping down at him like he’s mad won’t help the situation, however the idea that he’s never had sex before is utterly insane to you.

“I’m sorry,” Reigen apologises, avoiding meeting your eyes. He shuffles like he means to get up, jostling you about. “I didn’t wanna say anything, I know it’s stupid I can just go-”

“Reigen, stop,“ you put your hands on his shoulders and he stills, nervously glancing up at you through his lashes. He looks like he expects you to laugh at him, to kick him out now that you know his secret. “Why didn’t you say anything?”

“I didn’t think it’d be a good topic over dinner,” Reigen huffs, rolling his eyes. “It’s embarrassing, obviously.” He’s very obviously humiliated by his admission and it makes your chest ache to see him so uncharacteristically vulnerable.

His point is valid enough; tonight was supposed to be fake, it’s not like there had been any need for him to tell you anything of the sort. Still, you feel a little bad for pushing him so much now. Admittedly it’s a surprise. He always seems to know what to say and being able to talk the talk usually gets you pretty far when it comes to sex, but the more you think about it, the more it starts to make sense.

All throughout dinner, he’d been happy to shoot the shit with you when he’d thought it was just a game, however the moment you’d done anything that even bordered on actual affection, he’d been decidedly less confident. Even in the car, his touches were hesitant and his kisses were unskilled.

You run a hand up his chest to soothe him, watching his tense shoulders relax. “Idiot,” you say, fond. “I don’t care.”

Reigen raises his eyebrows. “You don’t?”

“Not even a little bit,” you smile, leaning down to kiss him again.

Reigen doesn’t stop you. He breathes out heavily through his nose, gradually beginning to calm down, and you decide that things will have to go a little differently than you’d originally intended. “Tell me if you want me to stop, okay?” You murmur.

He nods quickly and you trail kisses from the side of his mouth down to his jaw line, open mouthed and hot, and he tips his head back with a groan. His skin tastes slightly salty, probably from sweating so much around you, and you drag your teeth over his pulse point.

Reigen sighs happily. He squeezes your hips, grabbing them gently and digging his blunt nails into the skin.

You slip out of your bra and toss it across the room. You stop bothering his neck in order to sit up, and you guide his hands up from your hips to caress your chest.

His big hands grope at you, squeezing experimentally as he explores the new sights, enjoying himself immensely. It makes you keen under his touch and he grins, his bravery growing at your enjoyment.

You unbutton his slacks whilst he's busy touching you up and slip a hand into them to palm at him through his underwear. Reigen grunts and presses his hips up into you, seeking friction to rut against, and you push down to meet him.

He gasps at the contact, his hold on your hips tightening, and before he can get carried away with dry humping you, you tug at his slacks and force him to stop. “Take these off,” you instruct, climbing off of his lap to give him room.

Reigen scrambles to shove off his trousers, kicking them away with his underwear and shuffling back into place, lightning fast. His eagerness is horribly endearing and it makes you grin. You slip out of your underwear and push him back against the pillows. “Lay back,” you smile.

Reigen does as he's told and with him flat on his back, you can finally see him as exactly as you've imagined. A trail of deep red hair leads down to a small patch that surrounds his thick cock, well kept and neat.

His thighs are curved nicely, long legs stretching down to hang off of your bed, and they show far more evidence of his exercise than his upper body. Regardless, he's gorgeous from head to toe. It drives you insane and you drink in the view for a second.

Reigen begins to look a little self-conscious at your attention. He squirms under your scrutiny and you're quick to settle his fear, straddling his waist and kissing him again until he forgets all about his worry.

You trade touches with him, hands roaming over one another as you make out for a while and Reigen's bravery begins to grow. He's encouraged by your soft sighs and casual exploration of his own body, and quite bravely he walks his fingers down from your hip to your bare pussy.

Your breath catches and you look down to him, giving him the silent go ahead.

Reigen bites his lower lip. He looks excited and shy all at the same time. Very carefully, he runs his fingers along the soft folds of you and studies your face to see how you react to his touches.

You gasp and tilt your body towards him, opening your legs to give him better access to you. His fingertips meet wetness and he makes a soft sound, both interested and surprised, and he trails them through your arousal.

Reigen is so busy investigating the feeling that he seems to forget that you're attached to the other end. He toys with your pussy, listening to you gasp and moan, grinning to himself greedily.

“Reigen,” you whine, reaching down to cover his hand with your own. “Put your fucking fingers in me before I-!”

He does as you ask, pushing one into your cunt and silencing your command. You moan loudly and push down onto his hand, desperately seeking more.

“Should I just….” Reigen looks a little awkward, unsure how to proceed, and with your hand that holds his wrist, you guide his finger in and out slowly.

“Keep doing that,” you sigh. “That's perfect.” The motion makes you shudder and you grab at his shoulder with your other hand. Reigen works his hand up and down, slow and steady as though he has all the time in the world.

You’re so wet that he hardly has to wait to add a second finger and you encourage him along to keep him calm.

Reigen appears to be enjoying the praise you give. His cock is hard against your hip, precum smearing against the skin when you shift, and he rocks into you in time with his fingers.

As he moves his digits within you, you lean back to take hold of his cock, squeezing him gently. Reigen practically mewls when you do so, cock twitching in your grip.

You bring your hand back to spit in it and gently, you coat his cock until it's wet enough to glide your hand along smoothly, starting to stroke him.

Reigen gasps and bucks upward into your hold, desperate for more as he grips the sheets with his free hand. He adds another finger into you carefully, watching your face with barely concealed awe. His fingers inside you burn in the best way, and Reigen's digits curl perfectly to hit your sweetest spot, making you cry out.

He pauses for a second, frightened he might have done something wrong, and you shake your head at his silent query. “Don’t stop,” you say, breathless.

Reigen nods and moves in time with you for a minute, unable to look away from where you sit above him. His hand speeds up as yours does and within minutes, Reigen is falling apart under your touch.

Worried he'll get carried away, you lift up off of his hand and guide his fingers out. At first, he protests with an annoyed grunt, trying to snatch you back down, and you shove him back by his chest, grinning.

Reigen looks confused until you shift backward to hover over his cock and he catches on quickly.

“Ready?” You ask, making sure he's okay.

Reigen nods quickly and takes hold of your waist. “Fuck, yes, please.”

You can't help but tease him a little, rubbing the head of his erection over your cunt for a moment and watching how easily he works himself up with unrestrained glee.

He goes to say something smart and you seize the chance to catch him off guard. You ease your weight down onto him until finally, you're completely filled by him. It feels so good you cry out and pitch forward, bracing your hands on his chest.

Reigen chokes out a moan, grip on your waist tightening, and he screws his eyes shut. He tenses for a moment, trying to calm himself before he can manage to go on. As much as you'd like to let loose, you force yourself to be patient. If he's never done this before then you can't ride him too hard to begin with. He'll come in five seconds flat and you're desperate to feel him for as long as possible.

“Relax,” you coo, covering his hands with your own. “Look at me.”

Reigen manages to open his eyes and you smile, reassuring. “Take a deep breath, don't panic.” You say, running your thumbs over his hands. “You're doing so well.”

Reigen blushes and manages a sheepish smile, breathing in and out slowly.

After a long minute, Reigen nods for you to go on, and you lift yourself up and down slowly, thighs straining as you move. He watches you in disbelief for a second, like he's committing the sight of you to memory, and a big grin crawls onto his face. “Fuck,” he gasps. “You're so fucking hot.”

The compliment is unexpected and you feel your face warm up. Having his fingers in you feels like nothing in comparison to the way he's looking at you right now, hungry for more and leering at the sight of you on his cock.

You can't stop yourself from smiling and you roll your hips forward, slow to begin with. Each move has you both moaning and sighing, encouraging each other to give more and more until you're not sure who's fucking who anymore.

Reigen's eyes roll back when you speed up, eyes fluttering to stay open. His fingers are digging into your skin and the thrill of being bruised by him runs straight to your pussy.

The room fills with only tiny moans and sounds of fucking; No smart come backs, no more faking, just pure pleasure and excitement.

With a good pace set, you run your fingers over your clit, sighing happily as you circle your touch. It feels so good that you can't even focus on keeping rhythm, your hips stuttering a little.

Reigen seizes the moment to take charge of the moment instead of letting you control the movements, and he fucks up into you. His confidence is unexpected so you barely have time to process what happens, falling forward and leaning on his chest for support. His gaze moves from your face to where your tits bounce, and back up again. He meets your eyes and the sight of one another is enough to make both of you laugh.

He sits up a bit and presses your foreheads together, kissing you over and over, messy and uncoordinated as he gets closer. You both make soft little sounds, panting into each others space like you're desperate for air, and as your fingers work furiously over your clit, you begin to feel a coil build in your stomach; you're so close you feel like you might explode, and you cry out when Reigen snaps his hips particularly hard.

It's enough to force you over the edge and you tighten around him, body shuddering as your climax hits you. You moan his name loudly as the waves wash over you and the sensation is obviously too much for Reigen, because he buries his face in your neck and makes the most obscene noise you've ever heard.

It's somewhere between a sob and a moan, but his voice breaks halfway through and he bites down hard on your neck to stifle himself.

You can feel him cum inside you, cock twitching, and you collapse forward onto him the second he's done. Both of you go limp, lying pressed up against each other as you try to catch your breath again. Neither of you move for a while and it isn’t until you feel your thighs begin to cramp that you decide you’re going to have to get off. You lift up off of him carefully and you both groan at the loss as he slips out from you, cum trailing after his soft cock, and you flop beside him on the bed.

Reigen looks thoroughly fucked. His hair is astray and his mouth is red, lips bitten and slightly swollen from all the attention you’ve given them throughout tonight. You know you probably don’t look much better, but you’re so exhausted you can’t bring yourself to care.

You shuffle up into his side and Reigen tucks an arm under you, pulling you in close. Your eyes are growing heavy against your will and Reigen drags your leg up over his hips to make you more comfortable.

He draws circles on your skin with his thumb, breathing slowing to a normal pace. The silence is comfortable and calming, and you’re almost drifting off by the time you manage to speak again.

“You okay?" you whisper, peering up at him.

Reigen hums, a ghost of a smile on his face. “Yeah,” he says, sounding entertained. “Very.”

You laugh quietly to yourself at his smug face and snuggle closer to his side. He squeezes your upper arm gently and presses a soft kiss to your forehead.

"Are you?” He asks.

“Definitely,” you sigh happily and close your eyes. “I think we went above and beyond to convince that place tonight, don’t you?”

Reigen smiles into your hair. “Eh, maybe we should go out a few more times. Just to make sure.”

You grin into the crook of his neck. “Sure, if you’re paying.”

Reigen chuckles and gives your ass a gentle slap. “Only if you show me how much you really like swallowing.”

“Deal.”

[hightowered]

and you know i gotta say. the vast majority of the people losing their shit this weekend made it very clear that they do not understand the difference between "artists who want a measure of comfort in their lives" and "the billionaires actually being targeted by phrases like eat the rich." that is such a weird thing to be so proud to announce to the whole entire internet.

it's also extremely weird to behave as though any individual is entitled to an artist's work for free. or that the audience should be the final say in determining what an artist creates. there is a major difference between the betrayal of an artist who produces art and then banks on their social capital to engage in harmful, violent, bigoted behavior (like jk rowling) and the "betrayal" of an artist who decides that they should be or need to be compensated for their work. the latter isn't actually a betrayal at all. it's just a shift.

the thing is that the watcher boys didn't invent capitalism, they didn't invent the streaming model, they didn't invent youtube or patreon. they aren't getting 100% of the money from either. their merch doesn't magically appear as if made by elves while they sleep. their videos don't happen out of nowhere and without incurring bills. they have a business which employs people, and sure, you can say they employ too many people, but do they actually? a bunch of randos on the internet don't actually know that. they don't know these job titles, or how necessary it is to have everyone there. it's pure speculation. the entire company exists within a system they did not invent and are trying to stay afloat in said system while a bunch of assholes on the internet berate them for not acquiescing to their every whim at the expense of their artistic integrity, their ability to compensate their staff fairly, and their ability to keep making art.

and jumping from "i want to continue enjoying this artist's work for free" to "i think people should be fired and the remaining employees should be given greater responsibilities and more tasks to complete" is wild to me. there's nothing leftist in that and so trying to leverage leftist jargon to prove some sort of moral superiority is fucking wild, it's disingenuous, and it's sketchy as hell. you're allowed to be disappointed. you're not magically exempt from being told you're being an asshole if you decide your disappointment entitles you to take part in asshole behavior.

"but we don't want something heavily produced and we don't want these shows" then don't watch! that's it! don't watch! you are not being held hostage and forced to engage with this content. you have the choice not to. throwing a tantrum and launching racist vitriol at steven lim and demanding he step down as CEO shows a level of entitlement and childishness that, frankly, i wish they could have ignored, but they're both kinder & more patient than i am.

anyway congratulations to watcher on their new streaming service and their gorgeous new website, congratulations to the boys on a new step in their careers and on achieving something they've made clear they've wanted for ages, thank you to the boys for all their hard work and for sharing their creativity with us. thank you too for taking such a big and genuinely brave step to no longer be beholden to major corporations and advertisers so you can make the art you want to make. thank you to steven lim for taking so many steps back to keep the company running and for doing your best in a shit economy and while being targeted by this kind of nastiness online. and thank you to the entire team at @wearewatcher for continuing to do amazing work despite being treated like shit by the fan community at large on the internet while you're trying to make a living and create art. you all deserve better than you've been shown of late and i hate that such an exciting moment got overshadowed by so many temper tantrums.

because the whole fucking point, the dream, is getting to make the art that matters to them, without being held back. i'm sorry y'all don't want the heavily produced and high quality shit but your preferences as a member of an audience are not the law by which artists should abide. they are artists and they are free to, and deserve to, make the art they want to make.