#they're alive and everything is fine
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2b--frank · 2 months ago
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also some quick halloween costume party yaoi which i initially doodled for a friend :)
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sevikasenby · 2 months ago
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crazy how the show ended here
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loomize · 9 months ago
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Might quit drawing anything else and only draw the happy ending of Death Note that I consider canon in my head
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booasaur · 1 year ago
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Vigil - 2x06
#vigiledit#bbc vigil#amy silva#kirsten longacre#suranne jones#rose leslie#vigil spoilers#vigil 2x06#amy x kirsten#femslash related stuff#okay so I hadn't been feeling well saturday night so when the eps dropped I literally just watched the last scene on iplayer#just to make sure nobody freaking died#and it was amy saying I'm coming home on the phone#and given the ''come home''/''I can't'' moment in the trailer I thought amy was legit gonna stay in wudyan these whole last 3 eps#which I didn't love the idea of I truly wanted an amy/kirsten reunion but I was like oh maybe rose leslie's pregnancy interfered#as long as they're both alive and we got that lovely scene in ep 2 it's fine#so this was all a COMPLETE surprise even more than usual#I made it a twist to my own self#and then it was like the perfect hurt/comfort scene you'd want for an action detective couple like this!#amy so focused on the job and then dropping everything to rush to kirsten's side#sitting there all night and that classic waking up in the chair next to the hospital bed scene#and they even had their cake and ate it too by having amy *choose* kirsten over the job#only for kirsten to then push her back to it#and going from this soppy soft teary version of amy to a pissed off black suit badass#because they'd hurt her girl#such a good couple to build a series like this around#lol amy really didn't want to leave!#she's just sitting and gazing at kirsten#man those years ago kirsten would never have imagined getting to see amy like this and meaning so much to her
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nymphaeya · 1 year ago
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Why yes I'm completely normal about Joel being Grian's go-to guy for hearts. Yes I'm also fine with the fact that Joel admits he would help Grian with anything. Oh? Jimmy got assigned Grian as the person he was going to guide? Ehhh... nothing to think about, I'm neutral
After all, it's only "For the Bad Boys".
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brionysea · 28 days ago
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if stranger things 5 comes out and they're like 'omg! the upside down has been a product of someone's dark and twisted mind this whole time! it's... WILL!' I'll immediately lose interest
#manifestation theory#I really hope not#like I don't. hate will. he's fine. but he's so easily likable that it doesn't feel rewarding to like him?#mike wheeler's been a menace this whole time so I had to put in work to figure him out#and they literally said 'getting to mike is the key' which would make sense if by understanding mike you understand everything#in the show where no one knows what's going on and also no one knows what mike wheeler is thinking ever. unrelated ofc#he isn't important look away. don't look at him#like why would they! make him the bad guy! if they're not going to MAKE HIM THE BAD GUY!!!!!#I'd say it makes too much sense not to do it but I'm always saying that and then these stupid shows do stupid things anyway#because. listen. if one of them is the heart and one of them has to die for the upside down to be permanently defeated#and that person is will#there's no conflict there. everyone loves will. because he's designed to be likable and for you to want him alive#but MIKE? mike's flawed. he's frustrating. he's a bad friend and a worse boyfriend. he's very obnoxiously a teenage boy#if it's mike the audience would need to be reminded that this is a Child‚ and no matter how much you personally dislike them#wanting children to die because you think they're useless and annoying and etc. IS NOT NORMAL#THAT'S NOT NORMAL! ESPECIALLY WHEN MIKE ALREADY THINKS THAT ABOUT HIMSELF!#mike being the heart gives the 'maybe we should just kill him' side of the trolley problem weight#think about it. really think about it. if they decide that mike has to die to keep everyone safe‚ what's going to happen?#the adults won't agree. hopper won't do it. he talked about killing mike before but he won't ACTUALLY let any of these kids die#maybe mike jumps off a cliff again but he needed the pressure of dustin's immediate safety and a countdown to make himself do it last time#what I think is more likely? nancy. she has guns in her bedroom (there's a 6 year old in the house I know where I keep my guns; her SISTER)#she hates the upside down for taking barb and making her feel like this; she wants to finish what they started - she wants to kill it.#if mike has to die‚ then nancy has to kill her own brother. because he can't do it himself and his big sister can do anything#does that sound right to you? this being the first time they agree and connect and are on the same page? is any of this right?
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bywandandsword · 2 months ago
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I'm putting together my costume for tomorrow as the ghost of a mad lighthouse keeper, and I put it on to see which sweater works best, and I realized that without the ghost makeup I'm basically cosplaying a miniature Peter Lukas
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yellow-leaf-clover · 10 months ago
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don't you kinda find it odd how boss monster souls have somewhat similar traits to human souls? being able to persist for at least for a little bit after death? i am guessing if you already know the big shot by now, you are most likely returning to stay with martlet or something? how does flowey feel about that?
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(As a note, the Big Shot ask isn't canon since as far as they know they haven't fought any of the final bosses yet. Minus that though this ask is all canon)
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keeps-ache · 1 year ago
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i hate you ı loʌǝ ʎon
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dimiclaudeblaigan · 1 year ago
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I love this scene because even after everything, the first thing Naesala does when he gets into the room is react in panic about Reyson and Leanne being unconscious. In that short moment, he just reacted on the instinct that he's always cared about them, despite how shaky things had gotten with Reyson a few years ago and how he was forced to do the things he did (including with the Laguz Alliance in RD).
If he was thinking logically and had a moment to process the situation, he might've stood back and pretended to care less than he actually did, as is usual for him. In this case he didn't hesitate to react and ran to them as soon as he walked in, because it was a knee jerk reaction.
If he sat back and thought about it, he would've known Tibarn was going to start making threats and trying to pick a fight, but his genuine desires overcame logic for just a second long enough for him fear for Reyson and Leanne. As long as the two of them are alive and well, he can continue putting on that mask and faking his way through it. If there's any chance they're in life threatening danger, he'll change course to make sure they're safe (such as refusing to fight Reyson when he was in service to the Crimean army, even at his own expense).
Since Naesala wasn't aware how badly the herons were being affected by the medallion, he wasn't aware in advance that they were in any danger. He doesn't know what happened here, so he walks in and suddenly sees them unconscious on the floor. For all he knew, it could've been life threatening - hence his instant response that didn't wait for his brain to register that he's supposed to be playing the bad guy. I think the only reason he could calm down and conclude it wasn't is because nobody else was panicking/grieving with the implication of a possible death.
(And fwiw, yes, he did have to technically sell Reyson to Oliver in PoR. If he didn't abide by something the senate wanted, Oliver could just make up some story to Lekain to get him to trigger the Blood Pact. Naesala knew he was being a snake to get the whole thing to happen, but he did technically have to go through with it the moment anyone from the senate wanted something from him)
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warrior-of-luna · 2 years ago
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No one can convince me Cassandra wouldn't wander close enough to the kitchen to hear the fight, girl was flying all around the castle. If there was any logic in the game then there would be a very pissed-off Cass storming into the kitchen and turning Ethan into puzzle pieces. You can't convince me she wouldn't hear it and she wouldn't go absolutely mad feral at a man thing that dared to lay a finger on her sis
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running-in-the-dark · 10 months ago
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I may already have decided that we're getting a third cat, later this year or maybe next year.
I really want a kitten 😭 our two boys were already six months old when we finally got them, and I really missed that earlier time. we had a bunch of kittens when I was younger but we never had any toys for our cats or anything, so I'd like to experience that properly. and my husband never had cats before, so he's never been around kittens.
I don't know, it's probably stupid, but I don't think we'll want more cats when our boys are gone (though hopefully it'll be many years before that happens), so it would make sense to get another cat while they're still young.
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florida3exclamationpoints · 2 years ago
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I can't believe I get paid less than the sales associates ahahajhahahahahah
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im genuinely panicking over this i need to calm down
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tiredassmage · 2 years ago
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Return of the King, the Old Guard’s back together, the boys are back in town, etc etc etc, I’M SO FUCKIN FRAGILE Rishi class quests my beloved. Dad’s back dad’s back dad’s back
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slytherinslut0 · 28 days ago
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SLYTHERINSLUT0’S RIDDLEMAS
dec 10th. tom riddle — oral sex, experienced!tom.
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RIDDLEMAS MASTERLIST. I 2024
summary: your ex couldn’t make you orgasm, so you were certain you were broken. tom shows you just how wrong you are.
warnings: 18+, SMUTTT MDNI, tom riddle can eat me aliv—sorry who tf said that?, tom riddle is such a realist; he sees a problem and he finds a solution, tom is a munch, praise kink, oral f!receiving, experienced tom, hufflepuff!reader.
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Months pass, and your project remains the only thing Tom ever prioritizes when it's you asking.
Progress is slow—slow because you're usually far too busy talking to actually focus—yet, he always stays. He listens, even when the things you say should bore him, even when they mean nothing at all. He sits there—giving you hardly the barest scraps of himself in return as you fill the space between you with everything that crosses your mind.
Things he'd never waste a second hearing from anyone else.
And tonight, to no-one's surprise, you're doing it again—rambling on about nothing and everything all at once. You've got this way of talking—weaving tangents into something almost poetic, and usually, he lets it fade into the background as he works. You're saying something about the differences between the seasons, or maybe it's just some other kind of sentimental nonsense—at this point, he's not entirely sure.
It's easy to tune out. He tells himself he's not really listening.
Until—
"Actually, I guess I should clarify that—it's all hypothetical. I don't date," he doesn't know what you said before this, but he's certainly intrigued by it now. "And really, it has nothing to do with like, self esteem or anything, I'm just broken. Best to save someone the trouble."
That stops him cold. It's not so much the declaration that you don't date—he could have guessed that himself—but more so the way you've just called yourself broken.
It's not a word he's ever heard you use before.
"What do you mean, broken?" He asks, the question coming out far more blunt than he probably intended.
It just seems so out of character for you—you've always been an optimist, far too annoyingly positive to speak of anything this way. He blinks when you freeze, and blinks again when a moment of self consciousness seems to pass over your face—and he notes how that's a first for you, too.
"Broken...as in, uh, not normal," your eyes flit down to your lap, tracing the wood beneath where you're seated on the floor in his dorm. "My ex made that very clear in his assessment of me."
The mention of an ex is something he'd been anticipating—you're in your twenties, after all—but it's the idea that your ex is the source of you calling yourself broken, that he can't quite swallow.
"You're 'broken' because of one ex?" He says, and he can't stop how derisive and skeptical his voice sounds. He doesn't care to try. "I'm not following."
"I'm what you'd call, damaged goods, I think," you murmur, and there's an almost self-deprecating smirk on your face. He can't help but think how he's never seen that look on you, either. "I've got a slew of unhealthy baggage that comes along with me. You know, childhood traumas, abandonment issues, daddy issues—"
He snorts at that—daddy issues—and your head snaps up, smirk deepening despite yourself.
"Don't snort at my daddy issues," you huff, and there's a familiar annoyance in your voice that puts him at ease. "They're valid and real."
"I'm not denying their validity," he counters, his own smirk beginning to surface. "But daddy issues? Come on. You're not some tired cliché ripped out of a teenage romance novel. I refuse to accept your declaration of brokenness until you give me factual reasoning."
You laugh at that—alive and genuine—and for a moment, he's reminded of why he even tolerates you in his space at all.
"Fine," you cross your arms over your chest. "What do you want to know then?"
He makes a low, contemplative sound at that—because there's a million questions that come to mind with the words damaged goods—and after a moment, he settles on the one that falls out first.
"What is it, precisely, that makes you broken?"
You sigh, a bit theatrically—he knows you're just putting on a show and he wants to laugh at you for it—but he reigns that in, for now, while you figure out how you're going to respond to that.
The truth is, you don't know how to tell him the real reason you're broken—the part that has nothing to do with the laundry list of emotional baggage you could rattle off with ease. It's something...different.
Something more physical.
"I don't know, okay?" You're getting defensive. You're not sure why but you are. "Just—forget I said anything. We have this assignment to—"
"You dodging the question tells me it's more than just psychological," he cuts you off, leaning back into the couch. The way he's looking at you makes it clear—there's no way he's letting this go. "You getting defensive tells me you're embarrassed by it."
You sigh again, leaning back on your palms to mirror his body language, though it doesn't feel half as natural on you as it does on him.
"And you, being an insufferable arse, is telling me I never should have mentioned it in the first place."
His smirk at that makes you want to glare at him.
"Stop dodging," he says. "You brought it up. You don't get to take it back."
It's a challenge—the gleam in his eyes is practically screaming so. You're not sure why the sight of it makes something low in your stomach clench, and you're even less sure of why you want to tell him something like this—something you haven't told anyone else—not friends, certainly not family.
Whatever the reasoning, you can feel yourself relent.
"Maybe," you pause, the look on his face makes you second guess yourself. "...maybe I don't want to tell you because I'm afraid you'll look at me differently." You glance down at your lap, fingers twitching against the yellow pleats of your skirt before finally meeting his eyes again. "And I kind of like the way you look at me now."
Something like curiosity passes over his expression at that—but it's quickly hidden by the type of skepticism that tells you he still doesn't believe you're being serious.
"You're overthinking it," he replies, unmoving. "Whatever it is you think you're going to tell me, I'm not going to look at you differently. You're still you—no filter, unabashedly verbal—"
"Too verbal. Too positive, too loud," you finish his sentence for him—because you know that's how he thinks of you. "Too annoyingly optimistic. Far too hufflepuff for your cold snake skin. I know."
"Exactly," he says, tongue running over his bottom lip in attempt to quell his smirk. "So I reiterate. There's nothing you could tell me that would change that."
"Fine," you relent, giving in begrudgingly because you know there's no other option. "But don't say I didn't warn you."
He just lifts a hand at that, as if to say; whatever you think it is, I can handle it. The action makes you suck a breath into your lungs, trapping it there.
"You're right," you say after a long exhale. "I have a slew of psychological bullshit that would take the span of a year for me to fully go over in one sitting—but, I'm fine with it. That's...that's not the thing that made me call myself broken."
He says nothing, just makes a motion with his eyes for you to keep going.
"It's, uhm...physical." You whisper, and your brain is moving too much and too fast and you're not even completely sure how to say it without sounding insane. "And...I don't know, I just...I can't orgasm. No matter what. I just can't—it's frustrating and embarrassing and it's the reason my ex ended things."
There's a silence that follows, and he knows if it were anyone else, they'd probably find a way to comfort you. Reassure you. Tom, however, isn't anyone else—
"You're joking," he says, and his tone is incredulous again.
A self-depreciating laugh leaves your lips involuntarily, the sound of it making you almost want to cringe.
"Would it be less embarrassing if I was?"
He's still just watching you, dissecting your words as if waiting for you to crack a smile and confess this was all some stupid joke—and the vulnerability of it aches like a stab to the gut.
"This is the reason you think you're broken?" Is what he goes with when he finally realizes you're being serious. "Because you haven’t orgasmed?"
The bluntness of it makes you flush, makes you wish you could sink into the floor. "I know it's not normal, okay—"
"It's not an abnormality, either," he asserts, with casualty. "You might just have a disconnect."
You blink, caught off guard—not just by his choice of words, but by how matter-of-fact he sounds, like this isn't the mortifying confession it feels like.
"A disconnect?"
"A disconnect," he repeats, looking you over, something clinical slipping into his eyes. "Between mind and body. And considering how loud your thoughts are—"
"Hey—" you snap, suddenly feeling a bit indignant, but he just continues on.
"—it's not surprising that you can't get out of your own head."
You open your mouth to argue, to tell him he's not a therapist, so what the hell does he know? But the certainty in his expression makes you pause. He doesn't look patronizing or condescending, just...assured. Like he knows exactly what he's talking about.
You hesitate, lips parting, a protest forming on your tongue. Before you can say anything, though, he raises a hand to stop you.
"Come here," he says, standing up from the couch.
You blink, trying to decipher what the hell he's implying—because if anything, the last thing that's going to make you less paranoid about intimacy is proximity.
"What?"
He just looks at you, making a motion with two fingers, beckoning you to stand.
"Don't ask questions. Just come here."
It's an order, and it makes your spine tingle in a way that's definitely not comfortable—but you get up from the floor, and move closer to him anyway, closing the distance between you with only a few steps until you're close enough to him that you can practically feel the heat that seems to come off him in waves.
It's weird—he's suddenly too much all at once—you're so much more aware of him being in front of you than you think you've ever been before and it does not help that he's just looking at you—as if studying you—blinking only once as he raises those same two fingers to your neck, resting them against the pulse point at your throat.
Your entire body tenses. His touch is far more gentle than you ever imagined it being, something disarming that makes your pulse beat faster against his fingers as a result—and because this is Tom, with all his smug and certainty—he gives you a look that tells you he can feel it before he slides his fingers up to rest on your forehead.
You scowl at the motion, but he clicks his tongue, the sound as condescending as it is amused.
"I told you, you're an overthinker." He murmurs, eyes dipping to your lips. "Too much noise."
You want to refute that—mostly because you're not overthinking, you can't be—he's just so unequivocally overwhelming—
"I'm not—"
You start, but he moves his fingers from your forehead and places them against your lips—
"Quiet." He scolds, and that makes something low in your stomach clench. "Your body knows what to do. You're just letting your thoughts get in the way."
You long to protest again, just for the sake of defiance—but then his fingers are against your collarbone, and that motion in your stomach becomes a bit more of a squirm—
"Your body is trying to tell you something," he whispers, watching each little hitch in your breath. "But you're too busy talking over it to hear what it's saying."
You realize—with a sort of horror that's laced with something a little more uncomfortable—that he's right. Your body is trying to say something. It's communicating through the unsteady force of your breaths, through the clench of your fists against your skirt—
Of course, he notices. He's noticing far too much.
"Relax," he murmurs, and now he's trailing those same two fingers in an unhurried path down your shoulder. You suddenly regret every decision that led to you wearing a T-shirt. "I'm not going to bite you."
Something about the way he says it makes you wish he wasn't quite so convincing—the familiar banter you long for gone with the sharp exhale that comes out of your mouth as his fingers encircle your wrist—
"Your pulse is racing," he says casually, far too casually for how much effort it's taking you not to scream. "Does that seem broken to you?"
Gods—you want to respond—you really, really do— but your thoughts flatline when you realize his touch has shifted. He's no longer just holding your wrist; he's guiding your hands to rest against his chest, and—
"There you go," he whispers, and the tone of it tells you he knows exactly what it is he's doing to you. "See? Your body's doing exactly what it's meant to do. You—" his fingers trail up your arms, and his voice gets lower. "—are not broken."
You swallow hard, acutely aware of your hands on his chest and the way your palms are clammy against the fabric of his shirt. He's shifting you now, deliberately crowding you, and it's only when you feel the edge of the couch press against the back of your calves that you realize—perhaps a second too late—exactly what it is he's doing.
You stumble back onto the leather, and he follows—crushing his lips to yours.
You gasp, startled, because despite everything you truly hadn't seen this coming. The kiss is messy, clumsy, and his hand finds the nape of your neck, tugging at your hair with just enough force to make it sting. And inevitably, when you gasp again, he takes it as an invitation to work his tongue into your mouth, other hand slipping under your shirt—trailing up your stomach.
You're trembling now, and he makes a low sound at the realization. Your brain is racing to catch up, and the irony of this isn't lost on you—he'd just claimed you weren't broken, but he might as well be destroying you himself.
He parts from your lips only to trail his own across your jaw—
"You're shaking," he murmurs with a smirk against your throat—as if he's taking immense pleasure in the fact—you hate how smug it makes him sound. "Do you want me to stop?"
You want to tell him he's being a bastard, but then his lips press to that spot on your neck—the one that makes your breath hitch and your pulse stutter—and you find yourself whimpering at the sensation.
"No," you breathe, and you'd be embarrassed by the pleading tone in your voice if you weren't so lost in the moment. "Don't stop."
He makes another low, satisfied noise at that.
"Good," he whispers. "No thinking. Just feel."
You swallow—throat dry. It's unfair how easily he's dismantling you with nothing but his mouth and hands. Unfair how he's leaving you breathless and unraveling while somehow making you feel seen in a way you can't explain, even with your eyes shut.
"Tom," you find yourself whimpering, and you aren't even sure what you're asking for—you just know you want more as his lips trail lower—as his fingers work to tug down your skirt. "Gods."
"Shh. Feel me," he murmurs, almost possessively, his lips brushing lower, grazing over your stomach, then your pelvis. "Let your body do the talking."
You've got your hands tangled in his hair before you even know what you're doing, and you hate the fact that you're pretty sure you'd melt into a puddle if he weren't holding you together.
"I feel you," you whimper as he kisses lower. "You're all I feel."
He makes another low sound at that, and you just know it's the response of ‘yeah, that’s right’—but then he's between your legs, panties shifted out of the way, and the first sweep of his tongue against your clit makes all coherent thought shift to static.
"Oh! God," you gasp, the word barely escaping before dissolving into a whimper when he does something with his tongue that makes your vision blur. "Tom—oh, fuck."
He just makes that smug, satisfied noise against you again before his tongue swirls over your clit and you find yourself almost cursing whatever deity made him so good at this, because it's not fair how quickly he reduced you to a whimpering, shaking mess beneath him and—
"Don't stop," you find yourself babbling, digging your nails into his scalp and knowing you look like a goddamn wreck as he makes a meal out of you—tongue lapping up your slick and swirling your clit before sealing his lips around it and forcing your back off the leather beneath it. "Please, don't stop, please—"
It's all you can manage to say. Your thighs are shaking now, and you're sure he's got you dripping all over his face with how soaked you are. He knows you're falling apart and he just keeps going— your brain ceasing function in favour of just focusing on how fucking close you are—how close you are to something you've never felt before in your life—and you're not even sure what you're begging for anymore but it's incoherent and loud—
"I need—" you whimper, your hands tightening in his hair, pulling just enough to make him groan against you. You don't know what you're asking for, but you know he has it. "I need—I need—“
"Let go," he murmurs against you, the roughness in it vibrating up into your belly. "I dare you."
There's still a little bit of you functioning on autopilot, just enough to tell you that when he murmurs those words—vibrations rattling up your cunt and into your chest—you're completely done for.
It’s merely a few seconds later that your high reaches its peak and he just keeps lapping as you shake apart beneath him with an intensity you've never felt before in your life—orgasm shredding you apart at the seams. Your thighs clamp around his face, your eyes squeezed shut, ears ringing so loud you barely register his low, muttered praises: "good girl," "so good," "there you go."
You’re fairly positive your legs will never be able to support you again when you finally come back down, feeling entirely like jelly as he pulls back, tongue flicking over his lips to clean off whatever's left of you.
And without thinking, you grab him and pull him up, crashing your lips against his in a messy, desperate kiss. He tastes like you, like him, like something you can't quite describe—and it makes everything feel intense and unbearably real all at once.
He gives you a moment, as if letting you recover, just languidly kissing you back—and you have to be honest with yourself and admit that this kind of makes you want to scream.
"A disconnect," he smirks against your mouth, the tone still smug. You manage a weak smack to his shoulder, though it does nothing to wipe the satisfaction off his face. "Still sure you're broken?"
You hate that he's right. Hate that he's managed to pull a reaction from you that you didn't think was possible. But as you sit there, shaky and spent, you know you can't deny the truth: no, you're not broken.
"Not broken." You whisper back. "You will be though, if you don't stop smirking at me like that."
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