#yeah i want to rework a lot of stuff but also. who care >:)
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i hate you ı loʌǝ ʎon
#art#my art#artists on tumblr#digital art#oc#tw blood#impaling#pink space#yeah i want to rework a lot of stuff but also. who care >:)#//the shading was hard hsfhvhs#i think that's obvious hh#/did a lace border because i Caaaaaaaaaaaaaaaaaaaaaaaaaaan this is a free worldddd#/the framing Sucks and i am aware of this. but again i must iterate: Who Careeee#i am particularly proud of the general hand areas and aura's clothes. they look nice :>#/and don't ask about her ponytail i decided to whisk it into oblivion because i just wanted her main head shape lol#bonjour hair! bye !!! [it flings away and vanishes]#//actually this might look perfectly fine because every time i flip it the other way i think 'oh this looks so much better what the heck'#so :3#//anyway. they're best friends and they hate each others guts but they don't remember who the other is and wish the other was dead but they#gave everything for each other but it didn't matter and now that they're alive was it really worth it#anyway! tune in later at an unspecified time to see me standing in a cornfield about it
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Hi, I'm the anon who said about table sex. I made some criticism which you took the wrong way, your friends butted in and said nasty stuff to me, and I said nasty stuff back. It just escalated out of control.
If you were more humble then maybe you would see I was merely offering feedback. I did point out the good qualities of your fic.
Someone then took my anon identity and roleplayed as me on someone's blog saying I rode my ex on my parents coffee table. It's actually not me. The table incident I spoke about involved my husband and the dining table. Without going into detail, it was awkward, uncomfortable and impossible. People who say otherwise are lying. Unless you try it then you don't know. RL is not like fanfic.
I am feeling very lonely and low just now, enough to contemplate what the point of existence. Then I see your ridiculous table sex challenge and I am crying. You just keep making a fool out of me. You're obviously not a popular blog so you're now milking your five seconds of fame at my expense just to get attention. This is even worse when people hated on me for saying blood and cheese needed to happen and they deserved it. And I stand by that. Daemon did what he had to do.
I am still really upset not that you care. I felt guilty at upsetting you but not now. You're rude arrogant and vain. Your friends reblog your fic with out reading. That's why no comment nearly or reviews. Your story sounds like a turtle tried to write it and then gave up. You probably use AI. Your a bad writer and an even worse person. Your beta should be locked up in English jail they are the worst betas I have ever seen. You're a huge turd and I absolutely despise you. Never speak to me again Percy
Okay so, I had to take a minute to sit down and think about my response. This is actually going to be my last response because we're at the point where nothing productive is going to come of this
I did acknowledge your criticism in the first anon you sent to me. Is that fic perfect? No. As I said, I'm probably going to rework that fic. But a lot of your points were just... Not valid? One of them was but the rest were obviously to try and hurt my feelings
And you truly expect me to believe someone just took your anon identity? Like sure, yeah, they could have. But I doubt it. It sounds like a cop out
Also, love how you try to act like you're the victim but then add that last paragraph. Bestie, it's giving "I didn't really mean what I said"
And yk what? It's not arrogant and vain if I can back it up. Tbh if you genuinely think I'm that way you have not been paying attention and/or haven't ever actually bothered to talk to me
Also you're the one that came back! If you don't want to speak to me, quit coming into my house!
But
To get serious for a minute. You do not know me, and I do not know you. To put your mental health on a stranger is irresponsible, especially when you make it sound like you're going to hurt yourself. I am not responsible for what you do. You are responsible for your own actions, not me. If you are truly suicidal or wanting to hurt yourself, please. Get off the internet and find a professional to talk to. I'm not saying that to be funny. I am saying that as genuine life advice
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Quick disclaimer, this is not an attack on anyone. I’ve had problems in the past over misunderstandings on this issue as well as my own overreactions. I am making this post purely to get my thoughts out there and prevent potential similar issues with different people in the future.
I feel like it’s necessary to get this out there before I potentially get known enough in the community for people to be asking me questions relating to it.
So I don’t like Steve shipping. You can do it if you want, I’m sick of caring about it, but please do not purposely bring it to my attention (as in directly sending me stuff relating to it, such as questions on if I support a ship, ship art, etc)
I have several reasons, which I will list. If you don’t want to know them, then just skip the rest of this post. Again, these are my own thoughts, take them with a grain of salt.
So for starters, it feels kinda weird to me. Like depending on how you look at it, you could say these guys are all related.
It was established in steve saga that creating a Steve involves removing parts of yourself. So all Steve Saga Steves are all just pieces of one guy (Origin Steve), so you could say any ship with them is selfcest
SCU characters all stem from one generation, and the way they reproduce, that being that their energy is released into the air and eventually builds up enough to condense into a new steve, means they are genetic copies of one another, meaning it could also be viewed as selfcest.
On top of that, these ships typically result in people sexualizing the characters or even writing pretty inappropriate stories involving them, which is something that Sabre/Elan himself has said he’s pretty uncomfortable with.
Even ignoring all of that, a lot of the pairs are just insanely toxic or make little to no sense from a story standpoint. Like the pairings go against the characterization to a point where they may as well just be OC’s. For example, (this is not targeted, just the easiest one for me to explain) nightmare x rainbow. Nightmare is a mass murderer who genocided the species into near extinction. Rainbow was born with the soul purpose of defeating him and has experienced Nightmare murdering several of his friends and even some people he considered family as well as dealing with nightmare trying to kill him directly. Plus, nightmare and rainbow first met when rainbow was at most a few weeks old, like the age gap is egregious.
My point is, it’s insanely out of character for these two to be paired under the circumstances of the original story, and that bothers me because my brain is basically hardwired for lore stuff. And a lot of others erase what I think are more interesting character relationships. Like we need more platonic friends, sibling bonds, mentor/mentee bonds, and stuff like that.
Oh also the ships that involve Sabre since the character is literally just the real guy if the events were non-fictional, which feels wrong because shipping real people in general is kinda weird. Idk that’s just me.
So yeah that’s my reasons for not liking Steve ships. Please do not take this personally, I am simply explaining myself and only myself. If you yourself are a shipper, please understand that this is entirely my opinion and leave it at that.
Please do not send hate to the people who do this, I’m sick of being in shipping drama.
Hopefully gonna go back to my ss rework soon so keep an eye out for that.
And, as always, have a good day/night
#favremysabre#steve saga#minecraft#steves#steve saga origins#twisted rainbow#rainbow quest#steve legends
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Hey Holly😬😬😬
So I wanted to ask have you ever come across things like copying stuff and ideas from one book?? I mean if you read a book or you get inspired from a particular scene/dialog that you re-write it but you still get called out because of that??? Do you get bothered by that?? I mean there is this😅 bunch of teenage indian authors on wattpad that every now and then starts blaming and fighting that they copied their stuff,book name,dialogues. What do you think of this??
You probably have seen the viral orange peel theory that is going viral on insta/tiktok. I was talking about that😅😅
heyaaa !!
i've seen a lot of discourse around the concept of copying / plagiarism recently and I do have some thoughts on it.
i assume you mean if i get bothered when i see people have clearly taken inspiration from my work?
i keep my feet firmly out of the fanfic reading space for a variety of reasons and one of those reasons is because i've seen how easy it is to pick up inspiration and sprinkle it into your own work without even realising—not maliciously, or ill-intentioned at all, but undeniable with retrospect.
i don't ever want to find myself in the position of having spent hours writing something only for it to be reduced to nothing because of innocent mistakes (as I've seen happen with other writers) so yeah, i don't read within the fanfic space (which is also why im terrible with recs haha).
NOW in regards to people taking inspiration from my stuff, i'm well aware that it happens. I first noticed it happened with you up? and its never really stopped.
there's a handful of stories i've seen on wattpad from people i know read my work, who write in a very similar way to me. things like plot, narrative voice, character arcs, relationships, even the way i doodle at the start of my chapters—if it can be lifted and reworked, it has, and im sure only seen the tip of the iceberg.
similarly, i've also seen big writers write scenes in their stories with an almost identical play by play to some of my scenes, but i have no way of knowing if they've read my work—but it has made me go back and check the dates of my uploads to make sure i have my 'well actually...' response ready incase any of their fans try and come for me hahaha.
i've had extensive conversations with my writer friends about this and my general thoughts are: i don't care.
i could go on a big old rant about it all, but i know my opinion is a bit odd considering i'm a writer.
writing is a deeply personal craft, but it's also something that we learn and develop through time. if people are inspired by my work, then it must mean I'm doing something right. in time, they'll develop their own style. I encourage them to continue writing until they find their own voice.
history and literature is full of reworking and retellings. Shakespeare was notorious for it!
I'm not gonna get pressed if someone is so moved by my work to the point they wanna create their own version. I'll be honoured to be a part of their creative process. of course there is a limit to this—I know there's at least one story on wattpad floating around with a similar dynamic to BD with origami being used as a crux for fears, which does make me raise my brows a little bit, but at the end of the day, I'm the one who chose to upload my fanfic for free on a website that is known to not be exactly the most original of places.
someone else writing a similar concept to mine doesn't take away from the value of my work. if anything, it just proves that my writing has had an impact.
so yeah if you ever see someone and think huh this reads a lot like hollys work, or anything like that, just leave it be. don't run people off of a site, or force them to stop doing a hobby that likely causes them joy, for my sake.
it's funny because a few people have actually asked me to write an orange peel theory fic haha. we, as writers, don't own concepts and we also write about the same seven men. there will be inevitable overlap. it's all just pixels, at the end of the day.
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ok more singing
fuck it. i was singing in the previous post and i really like singing! i come from a vocalist background but i've had issues feeling comfortable with my tenor/alto range. i'm transfem (hi i'm the transgender tag) and was afraid of submitting to a competition bc a "real girl isn't singing". i literally moved out of texas because of the state of things there. so i shelved it in 2023, didn't submit to multiverse vistas, and very cautiously picked it up in 2024. so when i revisited everything all at once, i comm'd moon jelly. while i could maybe hit the notes with a bit of straining, her voice is more comfortably in the range of herta's voice. but i wanted to share an older version of eaao where i'm singing. aeonsim26/27 feels more intimate and i had always wanted to publish this song with my voice. but i think moon jelly still did a great job at helping the song shape up as far as cadence (i gave it a very odd cadence on purpose but i didn't fit as well in later versions) and giving body to the lyrics. i didn't like her version at first but genuinely her work added so much in the late drafting phase that i changed the key last minute and just went to town having fun with the instrumental. but yeah here's a few from the many revisions as i won't be able to look at them too closely in the video i'm making.
the original, the classic with me. yes, there was a cut drop! the original motif was started out of the piano after the drop.
taking that motif, this is part of the rework/revisit from 2024. i absolutely adore this version. you can see the song starting to shape up and it's probably my favorite. it feels very pretty patterns influenced towards the end. i was listening to a lot of pretty patterns at the time and he's a general influence on my work, so that would make sense. awesome artist, who also submitted to the competition with "70047" and got (third place user vote?). it was kinda crazy hearing he was submitting an entry when i was in my last week of work on this. go check out the entry!
second? key change from the original. this one has me singing again. didn't spend a ton of time with tuning because i was going for a very loose feel and had to hurry and believe it or not i wrote the majority of the lyrics on my phone in 20 min before bed after agreeing with mj on a comm price. i don't get how my brain works!
first presentable demo with moon jelly as the featured vocalist. this is just a bit after i started laying out her takes. i unfortunately ran out of time on the competition and wasn't able to rework her takes into something more clean with less distortion. so the vocals are basically an mp3! there was some miscommunication and life stuff and i still feel really bad about that! but i think she couldn't care less in the end. idk. i'm awkward and particular about my artistic vision. qwq
the final key change before the competition version. i think i'd call this a bit of a radio edit. i forgot to unmute the metronome track ugg. i love how mellow it is, but i ultimately wanted to go for a higher energy for the competition.
but yeah it was a lot of fun working on this and i hope to make other cool story projects and especially ones where i sing! i may revisit this song at another point to make some additional versions, but other than my video breaking down the prod, i will try and not make this song the only thing i talk about. final song link for anyone who may have come from the tags instead of my following.
#musician#transgender#indie music#multiverse vistas#hsr#honkai star rail#work in progress#opera rock#progressive rock#SoundCloud
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HGCZ live reactiony stuff pt 1
I have never done a live reaction thing before so I am probably going to do this very wrong, but here goes nothing.
This post covers the first two stories in the zine, will react to more later. <3
Even before I get to the actual content, omg that warnings page. It is a thing of beauty. Trigger warnings for a lot of things people don't often warn for, with a link to see which stories contain what, and graphics and explanations of each one. 10/10 would be warned again.
The nitpicky part of me went "that's not how mutations work" for the intro to Hermitopia, and was quickly silenced by the part that was going "ooooh but it's cool sounding so who cares." It means we get a world that's in upheaval from these changes instead of one that's adapted to them already, and storylines where people used to be "normal" and changed into something cooler different.
"TCG" as Threat Control Group, lol.
"The First Battle The Most Epic and Heartwrenching and Harrowing Battle of the Turn of the Century": immediately Joel and Lizzie have an awesome dynamic. I haven't read a lot of stories with them, but this Joel as the guy who's kind of being pulled along for the ride while Lizzie is super into the whole hero/villain/story thing is pretty cool.
"Give me all your catsh" I love how HotGuy is like. Reworking the story, and how Lizzie is here for it. Also Lizzie wanting all the cats >>>>> Lizzie wanting all the cash.
HotGuy and Lizzie Gal treating the whole thing like a D&D encounter, love it.
"I can also talk to cats!" (Joel holding up a sign that says "The cats don't talk back") This humor is amazing I love it.
Lizzie scrawling "You're no fun at all" after HotGuy zips her lips. XD
J: "Silencing women? That's kind of problematic of you, Average Guy --" HG: "YOU KNOW WHAT JOEL ISN'T HERE ACTUALLY IT'S JUST LIZZE" lol.
(Gah the nook app displays the pages wonderfully when it decides to load them without a huge freaking pause wtf are you doing I have this downloaded there should not be lag)
... I have a feeling that Lizzie Will Remember That.
Scar getting completely sidetracked because he needs a good catchphrase lol.
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The stat thing is so cute. "Spice tolerance: 0. Love of Jellie: off the chart."
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Meet Cute:
oh hey I recognize this artstyle XD
Okay so I haven't actually ever given a reaction to DDVAU so a lot of the reactions I'm having to the art here apply to both this story and DDVAU but it still works okay D= Anyway - I love the art style, it is my jam. I especially love the design of Cute Guy's face, and I'm glad they kept that from DDVAU and carried it over here. The shadows from the wings/magic/whatever it is creating a mask-like thing around the eyes is a really cool effect. Also amused that HotGuy's boob window has stayed. It's just so him. XD
HotGuy I know those wings and uh yeah pretty sure not a villain (though Cut Guy could definitely pull off being one). Of course Scar HotGuy shoots first and asks questions later, lol.
Cute Guy being 110% done is <3
That shot of Cute Guy pointing the arrow at him is like. Very close to the pose I drew once for Grian taunting/flirting with Scar, and even though I know Cute Guy doesn't intend it I'm just. I can unsee it as flirting.
Cute Guy wearing pink converse sneakers is something I did not know I needed in my life. XD
"What just happened?" Scar HotGuy, if I know anything about HotGuy & Cute Guy AUs, you just fell in love at first sight. XD (Don't actually know if that's the case but lol I'm going with it)
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Pausing for now, will read/react to more later.
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Wilson’s Dad energy
Something I don’t think Wilson Higgsbury gets credit for, is while it’s questionable wether or not he should be put in charge of the kids he does care about them and supports them in a way he wishes he could have been supported as a kid.
Also, as a pleasant surprise, Wilson loves children in general, a trait not usually given to the scientist character. This is evident in his quotes on the children and their stuff, I have been wanting to compile as many as I could in a post for a while. The game has rapidly evolved, especially Don’t Starve together so if I miss any let me know.
Let’s start with Wendy and Abigail
Abigail is considered a mob since she is a ghost, but she counts especially with the miss information that gets spread around about how Wilson dos not like her which isn’t true, far from it. I mean yeah, Wilson constantly quotes OTHER ghosts about how much he does not like them, but not his ghost child, or any other ghost child interestingly
Pipspook- “Awww, does someone have a little boo-boo?”
It sounds condescending in text, but from Wilson it sounds genuinely nice, especially since his other quotes on random ghost consist of “you got a lotta nerve existing!!” Each character has an observation quote on Abigail, and each one is either scared, sad, or in Willow’s case just curious, but what is Wilson “that offends me as a scientist” Higgsbury’s impression?
Abigail- “Aww, she has a cute little bow”
That’s a flower Wilson. But it doesn’t make his first impression of Abigail any less endearing, and he has more enduring quotes about both sisters in the Wendy rework, or more he has dos not always understand but try’s to be supportive Dad energy quotes like the Sisturn.
Honestly, I didn’t think the game would take Wendy in a Green Witch direction but I am here for it. A lot of people think that the ashes you use for the urn are Abbeys but it’s kinda part of the “spell” for lack of a better word. It’s similar to the mini shrines Japanese families keep in their house of their loved ones when they pass but with a magic twist, the ashes are for protection and the flowers are offerings.
When the Sisturn is full of flowers it raises the sanity of every survivor near it. Technically, that good calming aura is actually Abby herself calming the others with her presence. That’s why characters like Wickerbottom are shocked at the presence they feel, it’s Abby.
Wilson isn’t fazed by the Sisturn, or freaked out by it, and shows his support in true Dad fashion
Sisturn (empty)- “Some flowers would liven it up a bit”
Sisturn (some flowers)- “A few more should do the trick”
Sisturn (full)- “What a brilliant boo-quet!”
The first pun kinda made me roll my eyes but the last one was really cute. He treats the Sisturn like it’s a normal thing to have, him and Webber are the only two not acting brand new, and contributes to gathering flowers for it like the rest of the characters but doesn’t think it’s weird or even a big deal. It’s when the Sisturn is full that they feel Abby’s presence and people start going “woah, what!?” But Wilson exclaims “what a brilliant boo—quet!” To feeling Abby’s calming presence and I think that’s beautiful.
In the rework, Wendy is interested in plants, and in the constant becomes a full blown green witch with her ghostly elixirs for Abby. Wilson, who has a distaste for magic still shows support for the elixir’s and they are technically science the same way Wilson uses science, with the line between magic and science being razor thin.
All Ghostly Elixirs- “Ah yes. Vary science-y”
Not really high praise, but Wilson being a man who speaks without thought and is actually choosing his words carefully here, shows him caring about the person listening to him. He knows this is something she cares about, he doesn’t have to understand it to support it. Also is it just me, or did Wilson name these potions?
Revenant Restorative, Spectral Cure-All, Unyielding Draught, Distilled Vengeance, Nightshade Nostrum, and Vigor Mortis
I know everything is a pun in this game, but Vigor Mortis definitely sounds like something he would come up with.
Side note on Wendy- Wendy speaks in deadpan and has a dry sense of humor like Maxwell, but she isn’t needlessly mean either and she is actually really attached to the other survivors (love is found in the trauma bond). As a matter of fact a lot of her quotes is her expressing fear of them leaving her. She shows signs of abandonment issues, and that’s not surprising, the sudden death of an immediate family member can sometimes cause the child to feel abandoned, even when they know it wasn’t their choice to go. She has some interesting quotes on the ghost forms of the survivors.
Wendy to Wilson: That was a bad experiment Wilson….I’ll get a heart
Wendy to Willow: Say hi to Abigail while I go get you a heart Willow
Wendy to Maxwell: should I give you a heart? Hmm..
Wendy to Webber: A heart could bring back my friend
Wendy to Wortox: did you lose a game Wortox?
These are all in good humor and fondness but she has a bit more interesting quotes for a few of the other ghosts players
Wendy to Wolfgang: Everyone leaves…
Wendy to Wickerbottom: everyone that leaves takes a piece of my heart
Wendy to Wigfrid: Don’t go Wigfrid…take my heart..
Wendy to Wes: you won’t leave us if we give you a heart, right?
At first I thought maybe she liked them a bit better since she shows a fear of losing them and maybe wasn’t that close with Wilson or Willow. But then realized that she has similar reactions to Webber, her vary best friend, and Wortox, who has done the impossible and made Wendy laugh! So now I am thinking it’s the other way around.
Kids feel like they can be teasing and mischievous with people and adults they trust and know like them. Perhaps she doesn’t know where she stands with some survivors and she gets more desperate for them not to leave because she is afraid they will leave her. With Wickerbottom I think it’s more her being hard to read so Wendy doesn’t always feel reassured, even if Wickerbottom watches her and the kids a good chunk of the time. Wendy may feel like she can tease and be calm with Webber, Maxwell or Wilson because she is more reassured they don’t want to leave her.
This story is notorious for being all over the place, they have bits of their story and lore everywhere, it’s like your seeing the notes and story board at all times and your witnessing the story be put together in real time. Recently, they have been leaning more to the original don’t starve together origin of Wilson and Willow being the OGs and everyone showing up a little later (don’t starve inevitable being an example). But that could change, let’s be real.
My point is, if we see it from that point of view, Wendy was actually the third character to be added to the game. It would explain why she seems so comfortable with Wilson and Willow, she even has this sweet quote for when Willow sets something on fire
Wendy to fire starter Willow: come Willow, let’s watch the world burn together
Wendy may have a harder time understanding Wilson, but I get the feeling that he is a positive constant presence, and she is VARY used to having him around. So if he leaves the main base for more then a couple of days, she may not ask where he is, but she will visibly start looking for him. And when she eventually finds where he Galavanted off to, she will just stand there and wait for him to notice her, it never fails to make him scream and jump a foot in the air. Abigail thinks he’s funny
Next Up is Webber
Now Wilson HATES spiders, and I mean really hates them, and yeah there are quotes of Wilson being wary of Webber
Attacker Webber-I’ll roll up a news paper, just in case
I think it’s to show that Wilson didn’t trust Webber right away, I think what brings Wilson around is how much Webber likes him. It’s heavily hinted that Wilson reminds him of his Dad, and we recently learned that his Father never had time for him. Maybe Wilson learns this and they started getting closer from there, because he definitely does go out of his comfort zone for Webber. Like with the spider care addition to the game. Wilson has some pretty cute quotes for the spider care iteams
Healing goop is an item that heals Webbers pet spiders
Healing Goop-If I see any spiders around I I’ll be sure to give it to them. Maybe
He is REALLY not a fan of the pet spiders, but he is willing to get over himself for Webber, or at least he is trying.
There are also these cute treats Webber makes for them
Wilson has two quotes for them
1) “oh wow that looks….delicious Webber”
2) “Ah I…just ate! Why don’t you give it to one of your spider friends?”
Wilson may be a bit more graceful then Willow, but just like her, he is as blunt as a brick. So him holding back to not squash his enthusiasm, especially when he knows Webber holds his opinion in high regard, speaks volumes.
Next is Wurt
Wurts back story is no doubt painful, but thankfully her reasons for hanging out with the survivors isn’t. The survivors have kids her age to play with, kinda implying that it’s vary rare for kids to get turned into merms, and as a bonus they have this stuff called candy!! Also books are neat
Wilson is not a fan of many of the monsters of the world, but she is a kid and now one of them so he acts accordingly
Being revived by Wurt-“why thank you, Wurt”
I don’t know, Wurt kinda has a hard time communicating and is still learning human stuff, so I thought Wilson’s clear, direct and cheerful thank you was especially sweet.
Craftsmerm House- “it’s actually kinda cute”
Wurt has a quote on the craftsmerm house “made it with own claws” so it’s sweet that he supports her enthusiasm.
Finally we have Walter
Walter is (as far as we know) the oldest of the survivor children, like a lot of kids his age he has something to prove. Walter actually brings something new to the table in terms of gameplay, Walter is presented as a support class player, much like Wortox and Wormwood.
Wormwoods position is defense, he can create traps to create a line of defense in battle and defend bases.
Wortox’s position is technically medic, he can collect the souls of fallen enemies and release them near allies to heal them. He also does not need the same resources humans do, he doesn’t eat food, so he easily acts as an extra set of hands to gather supplies.
Walters position is overwatch, not the game, the actual position overwatch is to be that extra gun that waits outside an operation and comes in if their is trouble. Walter is ment to stay on the side lines and be supporting fire. He also has vary handy ammo that confuses enemies and momentarily stops agro towards fellow survivors. As an added bonus he fears vary little and can tell stories around the fire
Being a supporter he has the personality of someone you can rely on, he wants to be Johnny on the spot. So I had a new respect for Wilson for his quote on being revived by Walter
Reviver- “I can always count on Walter”
Wilson knows how important it is to Walter to be seen as helpful. To be seen as that person you can count on. This quote really made me smile. Wilson’s quote on ghost Walter is cute as well
Walter, Ghost- “I know your having fun, but we’d best find you a heart”
I love that Wilson never try’s to over parentify himself on the kids. Instead of trying to be an authority figure, he prioritizes being a comforting parent figure rather then an authoritative one.
Maybe it’s because he knows what it feels like to be without one, and how hurtful it is to have your interests dismissed when your young. But that’s just my take on it, it’s still a popular theory that Wilson is a remittance man. And with the Wilson rework of him just kinda being dropped at his house may be starting to prove that right
#dont starve together#dont starve#ds wilson#ds wendy#ds abigail#ds webber#ds walter#ds wurt#wow I had way more to say about Wendy then I thought#I really hope this is coherent#this was so hard to structure for some reason
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Hellooooo hi, I'm too lazy to scroll yeah
Can you tell me a bit about your paracosm? :3
A bit? Nope, sorry, no can do, I can only tell you a metric fuck TON about my paracosm. Hope ur prepared for an infodump >:)
Sooooo uh. There’s a lot to talk abt (because I don’t know how to shut up) so let me break it up a little. Setting-wise, the story’s set in a fantasy version of Earth, where the most important difference (aside from the presence of magic) is that if someone writes a story and enough people read it, the story becomes real in a parallel dimension. I originally thought of this as a way to explain how my OCs could meet with the characters from my favorite shows/books, nowadays it’s both a mechanic that facilitates the story and (recently more frequently) the focus and source of conflict.
Because of the setting, aside from the numerous stolen characters from other media and reworked versions of said stolen characters, there’s obviously a lot of magic going around with a fuckton of places to visit and even more magical species to populate the world and wield said magic – “angels”, demons, shapeshifters, monsters, gods, you name it. Most of my paras are non-human and those who are also tend to have non-human ancestry or some kind of extra magical power (what’s the point of fantasy without fantasy, yknow?). But also, because I have a weird obsession with Organizing and Putting Things In Boxes, I have the physics of magic worked out to an absurd detail, feel free to shoot me an ask abt it if you want to be bored to death :D
Plot-wise… well. I would summarize the story, I actually HAVE a pretty decent summary, but it’s like, 100+ pages (50k+ words if I recall correctly), and I’m pretty sure tumblr would not Like That (and this version’s not even up to date), so. There used to be a lot of exploration of the world (aka me integrating my current interests into my paracosm because I can), nowadays it’s a lot more character-focused, with the plot revolving around 15-ish “main” paras and their lives. Which can be anything from “I can finally go to college and study the stuff I wanna study! Yay!” to “oh god oh fuck I’m a general in a multidimensional war and thousands are dead if I make the wrong move” so. There’s a lot of throwing spaghetti at the wall and seeing what sticks. (I am a sucker for big epic fights tho so that happens a lot lol)
Thematically, I like to focus on the inner worlds of my paras and how they relate to the world around them. Each of them come from different backgrounds with different perspectives so any time I wanna explore a concept I can just pick whoever falls closest to that (like, “oh THIS one was abandoned by their family but THIS one is a stable father figure, found family trope go brrr” just to name an example). There’s a lot of hurt/comfort generally speaking, heavy on the emotional angst and, because I’m a secret whump enjoyer, there also tends to be a lot of blood. Like a lot. (Dw I always balance it out with some old-fashioned “finding peace in each other’s presence” daydreams, especially soft and cuddly.) Oh yeah and also everyone’s gay but that’s pretty much expected at this point.
Sometimes I also like to wonder about the morality of certain aspects of this universe, since the setting and world is so different from ours, but ig that’s a topic for another day haha
Anyway yeah that’s as short as I could get it 😅 it’s a bit hard to talk about my paracosm as a whole because it’s so old and as a result incredibly widespread. I do have a sideblog dedicated to it but tbh I haven’t really touched it in ages so what little info it has is probably outdated. Idk what else to say, if there’s any part you’d want me to go into greater detail feel free to ask (I know ppl mostly only care about the paras which, fair, but when it comes to talking abt my paracosm practically any topic is free for the asking lol), and sorry for the long ramble haha
Bonus doodle of one of my paras (Rowena) I did like a day ago
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And with birds, they come in all sizes and shapes, while also very versatile in their abilities when go down the list of subspecies. Be it when it comes to speed, combat, intelligence, flight, etc. Can get a lot of interesting stuff out of that alone; especially for bosses.
And Dodon Pa, who is blatantly based on a Tanuki.
That's the thing about foxes: If they can get in their mouths with little to no trouble, they can inhale pretty much anything. So everything that's tinier/shorter than them would be in danger. Or dead. (That said, this would make for a funny contrast with Tails, as most of Sonic's notable rivals and enemies are around the same size as him.) This would include certain birds; with comes full circle as there are birds that go after foxes, usually the kits. Excluding stuff like rabbits and raccoons cause yeah, there's certain types of rodents like voles and gerbils, apparently foxes good at fishing too, insects like crickets or beetles, crabs, crayfish, reptiles like snakes, frogs. (If we go to the other side, besides wolves, coyotes and certain birds, there's bears{heh}, humans{coughs}, jackals{coughs again}, wolverines, big-ish felines like leopards, cougars and bobcats. And other foxes, apparently their battles can get quite deadly if desperate. ((If you have 15 minutes to spare, Causal Geographic did a nice overview of foxes in general.))
Eggman cares that Sage is a means to an end; it's one of the main reasons why Metal hasn't been permanently trashed and instead, reworked to be kept in check. Is it possible that Eggman might treat Sage differently than past creations? Sure, but that doesn't necessarily mean for the better, for her or HIM. This is a situation where it's ugly all-around, even if Sage manages to find a 'healthy' outlet to vent any frustrations that floats through her head. (Must be troublesome to come up with calculations that offers no good conclusion for all involved.)
Yeah, this could go places.
Yep! But I specifically brought up Marine because she's in Tails's age range, and not a lot of characters are. So if we have two characters of the same species it would be more noticeable.
Oh yeah, lol. When they say foxes are omnivores, they aren't kidding. (Still, there are some animals that are more associated with the prey/predator dynamic in public consciousness so if that's something you want to play off you'll probably use that) A popular fandom joke is about foxes eating hedgehogs, but actually they don't usually bother because the quills are a hassle to deal with and they could be eating literally anything else instead.
Another fun (?) fact about anthropomorphic characters and animal behaviours: foxes have hierarchies and usually one gets established between siblings even before they leave the den. It's not pretty and some of the cubs die. The ones who end up on the bottom get ruthlessly bullied, their access to food gets restricted, etc. Basically what I'm saying is Tails getting bullied is nature-accurate fox behavior. (I already joked before that him having a lot of labs could be an equivalent to having a lot of dens on the territory, but this one isn't as cute, unfortunately)
Yeppp. Sage's potential "corruption" arc would be so heartbreaking for me personally though I also lowkey want to see it? Just rationalizing Eggman's horrible behaviors away because she wants to cling onto her dream of a perfect family... Desperately trying to prove herself to keep being in his good graces because she knows what happens to the ones that don't measure up. Eventually internalizing and starting to believe that they just didn't try hard enough and it's their fault if Eggman mistreats them (And she just needs to be productive and not be a disappointment and he'll keep loving her. Because that's how it works). Becoming isolated because other creations of Eggman's are jealous of her getting "special treatment" not realizing Eggman is just playing all of them to keep them obedient and productive. (Just throwing ideas out there, idk)
#sonic#sonic the hedgehog#project.txt#tails#tails the fox#miles tails prower#project.ask#sage the ai#sage robotnik#sage#tw animal death
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tentative ochette rework with unfucked formatting
so ochette is a little different than throné in that her problem is fundamental and so basically everything but the bones of her story is Bad, for one simple reason: the implementation of the beastlings sucks ass
now that being said i am not going to sit here and explain why the beastlings are handled very poorly bc 1) ive already done that and 2) it's actually a really easy fix. just make beastling a trait you gain becoming a hunter and the rest of toto'haha are just normal fantasy pacific islanders. they did this with tropu'hapu and it was fine so they clearly can make a normal fantasy pacific islander region if they want to, so just. do that. and then because beastlings are just humans who've become hunters, treat them like humans. they speak the language they're already all native speakers of fluently and they are just people do not be weird.
but you may ask, how would becoming a hunter give you cat ears? and the answer is very simple, deus ex subjob menu. in ot1 the subclasses are literally blessings from the gods, so you can just imply that a similar thing is happening here where draefendi blesses you with the power of kemonomimi once you join her hunt. or a wizard did it who care. beastlings 100% exist primarily so the hunter class can make your characters catboys bc thats awesome so its better for everything if we're just honest with that
how does this fix everything?: well 1) as the beastlings are no longer infantilized animalistic caricatures, there is less racism in the game, 2) this makes the hunter subclass no longer technically racefaking, and 3) it means that the 20 year old woman who is the only protagonist from toto'haha no longer has to be treated like a toddler
yes i know this breaks temenos' chapter 5. i dont care. skill issue.
so anyway ochette. unfortunately ochette's entire character is noble savage/toddler so she needs an overhaul
my proposal is to make her more autistic keep her caring a lot/focusing on her interests, which are now: hunting, cooking, and languages.
these were mainly chosen based on her existing mechanics, except for languages which is tied into the fact that i want to change her night path action to be swapped with hikari's so befriend now gains you information. (yes i know this would make bribe identical to hire so you would have to change what mechanic it relies on. idk which one im not a doctor). this is mainly because ot2 already does a lot of interesting things with path actions even outside of character stories and i wanna push the thing where some NPCs can only have certain path actions just a little farther and make it so that not all NPCs can be info-gathered by all characters because some of them only speak other languages. yes ik this would require them to create some conlangs but it doesnt have to be Every character and creating one fairly simple conlang for ochette's story and maybe like 3 more for random NPCs to have 1 line in seems fully possible. they already made a couple different writing systems. actually they could literally just keep the writing systems and just write romaji/english/etc sentences in them if they dont wanna do a real language.
why ochette? Because I Said So. i told you guys i held back on throné ochette not having much of a character means i get to enter silly mode
anyway so Ochette Autism activate. she will now love cooking. she invents new recipes and likes finding ways to cook complicated stuff with only things she can gather in the moment. she has extensive knowledge of every edible plant in toto'haha. her first thought when she sees an elemental spirit with no physical body is "yeah i could make a mean fucking soup of that creatyre". she would hunt regardless as the main hunter for her village but the reason she Loves hunting is that she loves finding her own ingredients. she also really loves languages. no longer is animal language automatically translated, now she just learned how to speak the languages of animals from toto'haha and some others from juvah. she likes talking to people and is academically interested in languages. this partly comes from convenience bc shes had to get used to learning languages to speak with the village and her animal companions but its also partly because she has trouble communicating with people and its one of the ways she tries to account for that. also more on that in the story since its what ill be focusing on. she cares a lot about sustainability and is fundamentally against killing what you won't eat. her main flaws are that 1) despite her love of languages she often has difficulty communicating with people even if she can understand them, 2) she doesn't really care about anything outside her interests, and 3) due to her living her entire life in a small village of people who all knew her she's kind of unfamiliar with the concept of a stranger who doesn't immediately get her and can sometimes be overly familiar or opaque to people who don't understand her
her extensive cooking knowledge will mostly be used for jokes and in travel banter while her language skills will be the driving force of the story
also due to this im rewriting her relationship map lets just go in order. so as she and castti now are both knowledgeable about plants and meat(most of the human body is meat) the two of them keep finding things they have in common, and also because ochette's prepared food grants a bunch of positive effects she and castti end up talking about the benefits of healthy eating and medicinal properties of food a lot. she and throné initially have an awkward relationship because ochette is very satisfied with her life and she. isnt, but as throné goes through her story where she's worried that a killer is all she'll ever be and she's a permanent net negative for the world, ochette provides her with an example of someone who has a sustainable relationship with life and death and gives her hope that she might eventually be able to find an occupation where she can use her skills to benefit herself and other people, and also they are gay. osvald and she are initially very awkward because ochette talks a ton and osvald is completely unreceptive but as their stories progress osvald decides that ochette would probably make a pretty good scholar if being a hunter ever falls through for her and shes like yeah haha maybe in another life. partitio and her are mismatched despite being similar because despite both of them being singlemindedly determined about their interests but coming off as endearing because one of those interests is befriending people means they get along on a lot of fronts, partitio is very focused on progress and increasing in scale whereas ochette simply isn't and couldn't care less about inventions that don't have anything to do with her specialties. agnea finds out in her chapter 2 that ochette actually has a really good singing voice and spends the rest of her story trying to get ochette to contribute a verse to the song of hope but hijinks ensue as ochette only knows how to write lyrics in languages agnea can't understand and in the case of a bird language can't replicate. temenos and she spend basically all their travel banters fighting about theology because ochette could not give less of a fuck about any gods besides draefendi and temenos is like What do you mean "tell aelfric to call me back when he can give me awesome cat powers" and "if my religion was existentially threatened by the existence of other religions i would simply not lmao". she and hikari are just kind of on the same team because she's very against killing without purpose
now onto her story. the basic structure will actually be the same, i'm keeping the night of the scarlet moon and her journey to be finding and bringing back the three guardian beasts, However the how will be different
chapter 1: i'm removing the territorial dispute entirely partly bc as beastlings and humans are now the same theres no village divide and also octopath's tone and writing simply aren't equipped to handle this issue well, so we're cutting it. we are keeping the flashback of ochette choosing between the jackal and owl though, and the first scene being her hunting the king iguana its basically just that the companion is like "can we not wait until we get back to town to cook this thing" and ochette is like "no it tastes better if you cook it immediately" and then theres a little cutscene of her grilling it on the spot. she gets back to town and is sharing the jerky with everyone and then goes to speak with juvah, who tells her she's going to be the village guardian. ochette is reluctant because she enjoys her current life where she's able to only do things she finds interesting, but juvah says she's the only person strong enough to do it, and they talk about how the forest is changing. suddenly cohazeh shows up and says that a woman has wandered into the tomb of the wanderbeasts and can someone go get her, ochette says yeah of course and sets off. when she arrives the woman is acting very strangely and ochette has to provoke her. after being defeated she calms down and can be befriended to gain information about being attacked by a weird creature. after that she joins the party and they return to find juvah fighting the weird creature, with her taking over after he's injured and defeating it. after it's defeated, juvah takes her to the tombs and tells her about the prophecy and that this will be the final test of whether or not she's ready to be the guardian and then falls asleep. ochette reluctantly sets off, unsure if she'll be able to pass this trial.
chapter 2: the structure of 2 is actually mostly fine it's just ochette as a character that's changed. when she shows up she's frustrated by the way conning creek differs from the village and has an awkward confrontation with a food stall owner because she doesn't understand the concept of making food when you might be making more than you need before being stopped by her companion and reminded what she came here for. she goes to the coast and finds alpione who blocks her path and tells her that she'll be encroaching on sacred land if she goes to the island, ochette insists she needs to go and is confused by alpione not trusting her even though ochette knows she's not going to do anything bad, but fails to communicate this effectively. alpione has to be challenged and after her defeat ochette goes to find the island completely empty. at the tail end of the little spiral alpione shows up. she initially refuses to talk but can be befriended, at which point she'll share that cateracta was killed by a strange hunter and left to rot. alpione and the other guardians made use of her remains out of respect. ochette is angered by cateracta's death but is relieved that she at least wasn't left to decay, and alpione finally realizes that ochette holds the same respect for animals that she does, at which point she asks why ochette wanted to meet cateracta. ochette explains her situation more clearly and alpione is like. why did you not say that before. and mentions that there's one piece of cateracta that remains, and that it too shouldn't go to waste, giving her cateracta's egg which hatches into acta. before leaving, ochette is again conflicted and reflects on what happened. she still doesn't really get why alpione took so long to understand her motivations and wonders if she could ever be capable of being the village guardian when she feels like she'll never really understand people even if she can talk to them. she'll especially never understand people like the hunter, and doesn't know what she would do if she ever came across someone like that.
chapter 3: ochette shows up in crackridge to find the earthquakes and goes around asking about tera but everyone refuses to talk to her about it, except for an old woman speaking a language she doesn't understand but who reacts to the name 'tera' by speaking a lot. ochette has to go around befriending people until she finds the woman's son who when befriended will share the location of a [language]-solistian dictionary which ochette can use to understand how to befriend the woman, at which point she gives ochette directions on where to find tera. ochette finds the sleeping tera and tries to wake him up but nothing works until the old woman from before shows up and shouts something in [language], at which point tera wakes up, but attacks ochette. after being captured, he calms down and recognizes that ochette is from toto'haha and figures out what's going on. he says that the old woman is a descendant of the first inhabitants of crackridge and that she's been waking him up to feed him while he tries to recover from a fight with the hunter. ochette asks why he attacked her and he says that the hunter tricked the woman's ancestor into revealing his location and he thought this was another case of that. ochette is like ohhh i see, and tera says he's healed up enough to accompany her back to the island. tera also teaches her how to thank the woman for her help, and he explains what's going on to her and that she won't need to feed him for a while. on the way back, the townspeople get angry at her for all the earthquakes but ochette says that she subdued tera and he won't be back for some time and also will be calmer when he returns. the old woman's son finds her and says he's surprised that anyone actually bothered to understand his mom, saying that although plenty of people have tried to calm down tera all of them gave up when they realized she didn't know any solistian. ochette says it's lucky she's good at learning languages, but the son says that it's probably also that she realized ochette was trying to help. he wishes her luck on her journey. ochette stops to think about things. she's still conflicted, now aware there are lots of kind of miscommunication, but found it satisfying to actually use her skills to talk with someone she otherwise wouldn't have been able to . she still doesn't want to be the guardian if it means she can't just do what she wants, but wonders if she might get to feel this satisfaction over being able to help resolve an issue using her skills if she did take up the job.
chapter 4: ochette arrives in stormhail and after befriending a townsperson is told that glacis lives on the peak of the mountain, but the townsperson warns her that the blizzards have been so intense that trying to climb it will be extremely dangerous. ochette says that she doesn't really have a choice and sets out for the mountain anyway. she's blocked by the sanctum guard and although she tries to explain why she needs to get past the guard refuses to listen to her and she eventually resorts to knocking him out. just before she starts up the path, she's stopped by heig who Again warns her and ochette, now very annoyed, snaps at him that for the last fucking time she just needs to see glacis, heig insists she'll die just like the others, ochette says she's built different and leaves anyway. on the way up the mountain she finds several frozen corpses which she and her companion figure out must have been caused by glacis. heig shows up and is like "see? all these great hunters were felled by glacis' fury. you're fucked". ochette realizes he's trying to help her and befriends him to figure out his perspective, he explains that this is his old crew and they were trying to hunt glacis. ochette asks why, he says for glory. ochette's disgusted that they were just planning to take her head and leave, and says she doesn't have any sympathy for the dead hunters. heig admits they were acting selfishly and says that he only survived because he hesitated, and then fled while glacis was killing the rest of his party, so now he tries to atone by making sure nobody else makes it up the mountain. ochette says she has no intention of killing glacis and that he's actually preventing anything from getting better by just locking her away instead of actually trying to make it up to glacis herself. heig is like.... shes a bird, and ochette explains that all animals are sentient and can be reasoned with if you're willing to learn their language, and that he should apologize to her personally. he leaves, but ochette notices that he's going up the mountain instead of down. she thinks that just leaving the bodies here is wasteful, but eventually decides it should be up to glacis who hunted them what to do. she gets to the peak to find heig unconscious in the snow and a furious glacis who attacks her. after being subdued ochette asks glacis what happened and she says that heig started shouting at her. ochette explains that she told him to apologize for he and his comrades' selfishness. glacis is surprised, but allows ochette to get heig, and when he wakes up glacis says she'll listen to ochette if she translates for him. heig apologizes on behalf of his party for attacking glacis and says that he's spent the years since then trying to atone, but that her blizzards are wrecking stormhail and killing innocent people and it may be time for both of them to move on. glacis is suspicious that he's only apologizing because ochette made him, but reluctantly accepts that he actually never attacked her earlier and was just talking in a way she couldn't understand. she agrees to accompany ochette back to toto'haha, and says that when she returns to stormhail she will protect it instead of attacking it. she also says that if heig learns how to speak to her, she'll allow him to atone for the attack by becoming her helper, which he agrees to. ochette asks what glacis wants to do with the bodies of the fallen hunters, and glacis replies that now that the blizzard is gone they should naturally be consumed by the animals of the mountain. heig is resistant to the idea until ochette explains that it's a sign of respect to allow them to return to nature in death and should be their way to make up for their actions since they're not alive to do it themselves, which he accepts. ochette leaves the two of them and returns to stormhail to think. she's still angry on glacis' behalf at heig and the hunters, but this has shown her that there are cruel or selfish people who can be convinced to change if made to understand the problem and people who appear to be acting cruelly who just don't have the full context. she also realizes that understanding people means considering the perspectives of people she's diametrically opposed to even if she never comes to agree with them. from her experience with juvah she knows that being the guardian comes with the responsibility to protect the entirety of toto'haha, even the parts and people she doesn't particularly care about, and thinks that she would probably have to change as a person to achieve that level of understanding. could she do it? does she want to? does she have the obligation to even if she doesn't want to?
chapter 5: ochette returns to toto'haha with all the guardians. juvah is relieved, saying that the amount of weird beasts in the forest is increasing and that people were starting to get hurt. he asks her if she's ready to take on the mantle of guardian, and ochette admits that she's still not sure. suddenly, night falls and the blood moon is out. that sequence is mostly unchanged, you're fighting tons of Weird Creatures and using the guardians to bust through until she comes upon the companion she didn't choose and gets thrown into the ocean. she's rescued by the might of her current companion who channels the same force of draefendi that gives ochette her beastling power and they drag her out to the beach where she comes across the darkling. the climax is already very good so i'm leaving it unchanged except for ochette befriending the darkling and getting an info window that mentions that the darkling can now rest. the epilogue is juvah asking her the same question as before and ochette realizing that it's worth it to be the guardian and she's willing to grow to fill that role, deciding to continue on her journey until she's gained enough experience to confidently be a good guardian.
ochette's crossed paths is actually mostly good and in fact her translating the dourdour boar is one of the reasons i thought of the language thing for ochette, basically the only change is that ochette and castti have a different dynamic so no milf jokes(29 is too young to be a milf anyway. sorry) and the joke is instead that ochette is like "hmmmmmm. i wonder if i could cook the shadowy being" and castti is like "i feel like that would at least give you food poisoning"
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Doesn't making keichos character disabled defeat the original purpose of him?
Yeah this ones a tricky one that's been on my mind. Huge spoilers for talks of abuse and ableism. Keep in mind this likely will not be the best written since its before work and stuff.
Yeah its no doubt that keichos introduction shows him to be verbally abusive towards okuyasu, and holding ableist beliefs at that, which is... Hm, not the best choice for making a disabled character, especially if you consider okuyasu autistic like i do. So why make him disabled?
The original theme of the au was to heal from trauma and abuse, a theme very much in my own life. Id also forgotten "wait cant josuke just heal him" before id put medical research into this so, yeah. Anyways... I thought, "hey, if he wasnt dead, him and okuyasu could willingly work on their relationship together!" Emphasis on willingly. Because keicho has minimal use of his legs and such, in the early days of his recovery he'd have to rely on okuyasu to help take care of him. (By the time keichos finally discharged okuyasus near graduation, don't worry.) The time apart with keicho in the hospital allowed them to rework their relationship in a less heated setting, and having to rely on okuyasu more, someone he once looked down upon, really shifted the dynamic and you can see things are working out more healthily between them while the both of them also seek counselling and had jotaro act as a middle man in the early days of the au. Even when okuyasu becomes a parent, keichos past abuse is NOT swept under the rug because okuyasu has several boundaries set in place such as keicho not being allowed to punish or yell at the kids no matter how fatherly he mat feel towards them. He is still just the uncle, and okuyasu doesn't want them to go through what he did.
And now for what this post is actually supposed to be about! As i mentioned, the aus core theme was different at the very beginning, but does try to tackle many complex themes because i can. And you guessed it, ableism is a hot topic! Ill admit it, i hadnt originally thought of it cause my autism brain thought, "wow, nijimura bros alive!" But as ive done research ive really been cracking down on how to handle this. Ive put in much medical research and what its like to live with what disabilities and conditions he has such as being an amputee, nerve connection issues, chronic pain (i actually live with chronic migraines myself), brain damage, organ transplants, etc...
Making keicho disabled and having josuke heal him was NOT to punish him for his abuse. Not in any way. If anything, it more so puts him in a state where he quite literally cannot run away from his issues and has to actually face them with CHOICE. The spwf faced the nijimuras with whether or not they wanted to stay together or split apart because of their complcated relationship, and they both chose to stay. Anyways... With keichos character who was depicted with low-key ableist veiws, hes undoubtedly going to deal with internalized ableism up the wazu. Im not going to go into way too much detail with that because if you're disabled you know what it's like. But there's a LOT of him trying to overcome it with the years. When they were finally home together for the first time in years keicho finally got to see okuyasus survivors guilt for himself and that was one big hurdle. Keichos self hatred at that time was adding to it and once he saw just how badly it was affecting okuyasu without realizing it, boy that had to freaking change. But every hurdle after that wasn't a hurdle, it was more like climbing steps of a stair.
As we all know, recovery is no straight line. A lot of times people will wish theyll be their former selves, but a lot of times that's an unreasonable desire. Keicho has a hard freaking time accepting that. He keeps pushing himself, wishing his recovery was faster, in turn actually pushing himself back. Over time keicho has to learn his limits which is a very bitter battle. You make advancements but then you go back a bit. With josuke and okuyasu doing so much for the family keicho often feels less than, and like he should be doing more. He pushes himself to do all the chores in the house even if it means puking from his migraines or wearing his stumps to the point the friction in his prosthetics start to bleed. Because we all know keichos as stubborn as a mule. The family is very adamant about getting him to rest, and i know i joke about them having to tape him down to the couch, but this feeling is a very real part of us who live with internalized ableism. Our society is so rooted in production and everything, that it can just be so hard to accept that our brains and bodies are simply incapable of doing certain things... What's more is that with keichos fluctuating condition its hard for him to keep a job. But even when he feels like crap, the family reassures him. Cause when your body won't let you do much more than bring up laundry without being in immense pain, or can hardly let you read for fun because of brain fog, it can be hard.
And because i worked it for josuke only to partially heal keicho because keicho told him specifically not to heal him, keicho obviously has disfiguring burn scars. And with his prosthetics and mobility aids, it goes without saying that he gets nasty looks and people staring at him. Those whispers around him when he goes into public. Those that lead him to often cover up even during summer time, that have the kids have to stand up for themselves and their own family at school because they get picked on because they have a VERY non traditional family. Those stares and comments can make him feel sub human, doctors constantly offering facial reconstruction surgery, and the way people can treat others is just... Appalling. Its taken keicho YEARS to feel comfortable in his own skin. From not getting that jarring feeling every time he looks in the mirror, not having to shower with a shirt on, not wanting to peel his skin off, etc... It was a bitter battle of self love. A bitter battle that sometimes he loses. But when that little hyakuko would play with his missing finger, boy did he feel less like a monster and more like the human that he is... Not to mention body positive josuke always being there to help him out. Since crazy diamond cant heal himself, josuke has lots of scars and stitches on his body from old stand battles and the sutch, and even if his scars arent disfiguring like keichos, they at least make him feel less alone, and okuyasu just being happy he's alive is always something that makes him feel better.
Overall, the au is centered around the theme of overcoming trauma and abuse much like my other works. In this case keicho is overcoming his old self and the abuse hed once done. And as time goes on, he does grow and evolve, becoming at least a somewhat better person and more understanding of others. Himself? Come on, its keicho. But no matter the hardships, when he sees how okuyasu has grown up and the happy family hes been able to have, and let alone keicho be part of it, its made all the hardships worth it. Disabled people are not a tragedy. Stop treating us like it.
#jjba#jojos bizarre adventure#diamond is unbreakable#jojo no kimyou na bouken#jojo part 4#josuke higashitaka#jjbaau#nijimurarecovery!#keicho nijimura#okuyasu nijimura
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Was suppose to write Candifica the whole day but I ended up procrastinating. I wanted write them making Korean pancakes or something but I've come to the realization that I actually hate cooking fics to begin with.
I usually don't end up reading a lot of good ones. The ones that I did enjoy aren't even the fluff kind. Typically related to some hurt and comfort, some closure while they're doing the cooking, or maybe even just angst. Also, a good chunk of the things I enjoy writing is related to introspection and then dialogue. Like lot's and lot's of thoughts on the blorbo's head. I guess it's cause I just struggle with describing action a lot.
But maybe I could still make it work but then there'd be some headcanons that might need some reworking just for this project.
Like, my typical hc (and probably the verse/au that I'd be working with) is that by the time they're already in their mid-teens, Paz has already done a lot of work on herself. She's still a work in progress, but she's not a bitch or asshole by any means. And at that point she's already close friends with Candy and Grenda.
Meanwhile, Candy, though did got bullied by her, pretty much buys into the mean girl/villain redemption narrative that she grew up with. Is there some sort of resentment or spite? Probably but that summer was just not normal for anyone in that town. And a good chunk of girl media from my experience always try to go with the whole redemption and forgiveness thing unless the image of pure evil exists in the story. (like idk the witches from Winx Club) In which case, to Candy that would be someone like Bill.
It doesn't help either that Mabel also advertises this idea that "Pacifica's not that bad. She just needs some saving from her evil parents." And it was easy for Candy to believe it in my post-canon au since Paz decided to start working in the dinner when they were still in middle school. But even then, Paz in my canon didn't really do the most heinous or unimaginable thing when they were younger. Also Wendy tends to bring people in together even whenever Mabel and Dipper aren't around, and this included Pacifica.
If Paz was really working on herself during middle school to be a better person, Candy was there to see it and even helped her.
Idk this is turning into a rant defending Paz and Candy's relationship that people don't really explore cause they keep isolating character interactions in most fan content. I guess it's cause I see so much potential with these two.
But anw I should probably try working on a quick one-shot plot now.
So, here's what I'm trying to cook up. (Pun unintended)
Them and their friends were over at Candy's house for that weekend while her parents are away to have a movie marathon and sleepover with friends.
They make vegetable pancakes for the gang to snack on.
Candy asks help from Paz in the kitchen cuz though they're cooking Korean food and Candy's mom left instructions by the fridge and even pre-cut vegetables. Candy is scared as fuck with anything kitchen related that isn't a microwave or the electric kettle.
Yes, Candy can't cook. Asian women who can't cook exist, and she's one of them.
But luckily, Paz has some experience in the kitchen and food by working in the dinner. I could imagine Lazy Susan teaching her a lot of things to help her take care of herself.
So they do some cooking. Paz tells Candy that she can try learning. "Cause hey, look at me." but Candy's like "Nooo, my brain does not care for such. It is for robots, computers, and improving the human condition." etc. Stuff like that.
Like to Candy, Paz is good at learning a lot of things and starts contemplating on how different she is today compared to back then.
There's gonna be a part were while making pancakes, Paz made a heart shaped one for Candy and she calls her out on how cheesy she is and such. They share a kiss maybe O 3 O
So yeah, I should get to it then.
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@dreamerinsilico <3 sent me a lot of emojis and i'm going to answer them all. from this ask meme
✨What's a fic you've posted you wish you could breathe life into again and have people talking about it? (or simply a fic you wish got more credit)
is it cheating to say "any of them"? 😂
i haven't written all that many so there's not a lot to choose from. we'll go with "a lighthouse five hundred yards down". at the time, i never planned on writing it, but the idea hit me like a damn anvil one really stupid humid day in summer 2021 and i was haunted until i finally wrote it.
💫what is your favorite kind of comment/feedback?
the kind where people either tell me why something struck them or where they dive into language/images/etc. mostly because that's what i like to do when i read something (dive into language, images, etc) and also because, even though it's a super limited dataset, fic is the only place i can get random reader feedback (not writer feedback, i have critique partners). i come from throwing myself against (....and sliding on down) the glass hill of trad pub and had never actually gotten any kind of feedback/response from people who didn't know me or my writing before and it was really useful to see what people responded to, if they liked my style, etc.
💘Is there any posted fic you want to rework/re-edit/re-write?
funny enough.....yes? and also funny enough, i sort of get to? in a sense?
i started my long post-fall fic right after my first rewatch back in 2021 and i planned out the whole thing (yes it's still taking me 800 years to finish it, i apologize). but in reality, i sort of have a different outlook on will and hannibal post-s3 than i did at the time. and i'm really going to be rethinking the back half of that fic as i work towards finishing it.
so, essentially, yes, i wish i could rework those first 6 chapters (especially the first 2, wrt to writing style and tone especially!) to better fit whatever pivot i'm going to do in the last 4. i wouldn't change any of will's internal arc, i'm still happy with that, but there's plot stuff that i would.
🕯️was there a fic that was really hard on you to write, or took you to a place you didn't think it would take you?
not one that anyone can read, but i tried, thinking it would be darkly funny and maybe a good time (why i thought this is a mystery) to write about will post sex with margot. but writing about it in a "will has had sex that was Not Enjoyable but hey it was Sex With a Real Human Person and is reminded of his profound loneliness and has a little cry in the bathtub about it" way.
.......yeah i legitimately made myself upset with that one and had to stop. maybe i'll circle back around to it when i'm not so profoundly lonely.
🪄what is your post-writing/sharing aftercare? How do you take care of yourself or celebrate yourself when you've finished a fic?
i don't have any writing aftercare 😛 i probably should though
mostly i just take a couple of days off from writing after i finish something. idk, does checking your email hoping someone comments count as aftercare? i'm afraid i'm a terrible obsessive and putting things down is not my greatest skill, even if i am exhausted and glad to be done with actively working on them.
💌share something with us about an up-and-coming work (WIP) that has you excited!
hmmmmmm. well.
the next wip i actually have on the docket is a s1 nudist will au. i'm excited to jump back into hannibal's headspace after being outside of it for so long. he's absolutely insufferable and i can't wait to go full goose menace on everyone in the story (until it turns back on me and he never shuts up 😛)
and then, well, i've got another one-shot challenge after that, which is all about stretching muscles i rarely stretch 😏. i'm still deciding if i want to run a poll about it or if it should be a complete surprise
send me more asks if you like! i love these emoji meme post things
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Before I say anything else, I want to say that you are 100% entitled to your own opinion of the show, but like other people have said, please don’t use the fandom tags to outright insult the show or it’s fanbase. Discourse is fine, and we’ll leave it at that.
I’ve been watching the original series since I was very young, I’m talking about 5-6, so in its own way, it’s shaped a lot of who I am and is important to me. Thunderbirds Are Go started airing when I was… not doing great, and it managed to help put together a part of me that had broken. So, understandably, TAG is just as special to me as the original series. I’m still mainly a TOS girly though XD
Going into your critiques, they did change a lot of character stuff, but in my opinion, it improved on a lot that was wrong in the original series. Lady P was incredibly inconsistent during the original series run; either she would be an extremely capable secret agent, or she would be wearing heels in the wrong situations and complaining about mud. I’m honestly glad they managed to address that. Obviously, TAG Penelope DOES have her own faults, but at least she’s consistent.
I’m not entirely sure what you mean about Brains, but I don’t personally don’t see anything wrong with how he’s been portrayed. They toned down the stammer, and that helps with children’s attention spans today. To my kid brain, OG Brains took just a tad too long.
Other people have already mentioned the three missing characters, Jeff, Tin-Tin and Kyrano. They’ve also mentioned that Jeff’s absence is important to the overall plot, so I won’t go into that. Tin-Tin was reworked and renamed into Kayo due to copyright issues with Hergé’s Adventures of Tintin. Like with Penelope, they addressed a few things, but unlike Penelope the changes are a bit more… drastic. Honestly, not really fond of just how different Kayo is to Tin-Tin, but as her own character, she does have her own identity. The third missing character is Kyrano, and this is really the only one I have a true problem with. He’s only mentioned a few times, if at all. And given that the reboot focussed on the Hood a lot more, I think having his brother would’ve added a lot to the show.
I mentioned earlier about attention spans, and other people have also mentioned it. This is why the reboot is so much faster paced than the original; you can’t really hold kid’s attentions with an hour long episode anymore, especially with an action oriented show like Thunderbirds. I actually like that the original series was longer, it gave the Anderson’s and their team an opportunity to focus on the characters of both the Tracy’s and the rescue victims, letting the audience get to know and care about those secondary characters.
Whoa, this got long XD Sorry bout that, just thought I’d throw my hat into the ring. But yeah, completely fine if the reboot isn’t your cup of tea. Just please be respectful next time. I’m actually waiting for an ASD assessment, so I completely get how you feel, but I promise there’s a better way of getting those emotions out. If you do wanna discuss a bit more, I’m completely open to it, and I’m sure others in the fandom would be too! ^^ 💙💚❤️💛🧡
It's past 1am and I am awake because I am Still. Angry. About. The fucking. Thunderbirds. Reboot.
Autism is awesome which is why both words start the same way but right now it is making me concerningly emotional about a children's show that aired 36 years before I was born and was shittily rebooted in the worst way ever nine years ago
#discourse#sky reblogs stuff#oh yeah forgot about the animation!#yep it’s janky as hell#maybe they had the mindset that the cgi models were kinda like… their own puppets if you get what i mean#or maybe they just didn’t have a great budget#trust me tho i constantly laugh at the cgi
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I'm so excited! Also can I ask about "Arranged Marriage RAU"
Ooh, yeah! That’s the rework of Gilded Cages, Green Spaces which is a Dinluke I dropped awhile back for many reasons.
RAU is “Royalty AU”. We‘ve got Prince Luke of Naboo and (adopted, of course) Prince Din Kryze of Mandalore. Who have been betrothed for a few years but not married because Luke was underage. And in that time Din took off to ”play bounty hunter” (as his buir calls it) because he is not going to get married, thank you very much.
Anyway he gets dragged back and has to live on Naboo and stuff. One of the issues with GCGS is they had no reason to interact once they started pissing each other off. In this one there’s at least good reason for it.
The reason for the arranged marriage is it’s no-Empire but Naboo isn’t super popular because of that whole home planet of a Sith Lord thing. And Mandalore lost a war against the Republic. So they want Mandalore to marry their heir (no matter that Din isn’t the heir to the throne because Mandalore doesn’t work that way, the Republic doesn’t seem to care) off to a Republic noble. And they make Naboo give up one of their twins because Naboo doesn’t have a lot of political clout to refuse. And it’s not like they want Mandalore to have an advantageous match, right?
(the Republic may have fucked up with that one)
Basically I want Din forced to deal with Naboo in the way so many Dinluke fics have Luke forced to deal with Mandalore.
And fancy outfits
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thinking (yet again!) about the differences between the bad batch story reels and the season seven arc and like... some changes just blow my mind because all it did, really, was make the bad batch less likable.
lets star with the whole “reg” thing. if i remember correctly, in the originals “regs” is said twice. the first instance is by crosshair when taunting jesse in the LAAT. the second is said by hunter: he tells tech (who’s hacking into the cyber center) that he and wrecker are going to “go get the regs” (i.e. rex and jesse). that is, hunter only used it among his squad when the others were not present (much like how cody informs that the bad batch are defective clones out of earshot. these words are descriptors, but there’s also an offense associated to being referred to by them). the idea that hunter has restraint referring to regular clones this way in their faces connects, i think, to how hunter was a tad more apologetic to jesse in the original script. “he means regular clones. don’t take it personal. it’s just that we don’t always follow protocol” carried an actual sense of hunter trying to convince jesse that it’s nothing to do with him.
it’s interesting, i think, that in a context where you have clones and defective clones, that the bad batch (as defective clones) would find a way to talk about other clones in reference to themselves in a way that normalizes their own existence. it also introduces the idea that the bad batch experience a level of disconnect, and even animosity, in regards to other clones. all that can be conveyed by only using the word twice. the season seven episodes added three more instances, and in all of them the bad batch members comfortably throw the word around the clones who “are regs.” the sense of separateness (which, again, was already established/achieved by using it just two times) is only made stronger (thus more needs to be done to portray a sense of reconciliation or coming together. the reels succeed this to an extent because that barrier wasn’t built up as high).
so yeah in the original... wrecker didn’t say “we always get shot down when we travel with regs,” he kept quiet as he helped people out of the wrecked gunship (in fact, wrecker lost a lot of subtlety going from the reels to the final eps, which i’ll get back to). hunter didn’t fake-compliment rex with a “not bad, for a reg”! and oh boy crosshair’s comment implying that echo is worthless and expendable because he’s a “reg”... yeah that was not in the reels either. in fact, not only does crosshair not call echo a reg, the meaning of his original dialogue was completely different.
in the original, after hunter voices his suspicions echo might be dead, crosshair suggests that if alive echo could be cooperating with the enemy, making him a traitor. rex takes this as an attack on echo’s character and crosshair explains that no, he’s not intending to insult echo, by saying: “oh i don’t blame him, if i were left for dead, i wouldn’t be so loyal.” and like!!!!! that’s such a radically different line of dialogue because crosshair seems to blame rex for having left echo behind, actually. if you betrayed the republic to survive, or even out of spite, i don’t blame you even if you now present a threat to myself and my family, is such an interesting, empathetic sentiment. and that contrasts with the lack of regard given to rex, making it read like he’s condemning rex for leaving someone behind. crosshair doesn’t seem to understand, as an experimental commando clone, the pressures rex as a legion captain is under, because he’s seen a less expandable (they’re a specially trained four man team, if one dies that’s 25% of the unit gone. is there a replacement for that member? you get the idea). so you’ve got a clash between different povs, but also crosshair being shown as having a set of morals, chief among them being that you do not leave anyone behind. so remember when rex says to move out and crosshair goes “commander cody is in no position to move” yeah i’d say that’s crosshair making sure cody isn’t being left behind. when crosshair saves anakin? that’s because he saw anakin go off on his own and followed him. because you don’t leave people behind. and like... the idea that yeah crosshair is an asshole. he’s unpleasant and that’s deliberate. he doesn’t care if people like him and he’s not trying to be liked. but that he values the lives of other people and looks out for them? that makes an interesting, flawed and multifaceted character. that got lost in the dialogue change because its no longer suggested that crosshair holds these values.
as for what i said earlier about wrecker: he lost subtle, nonverbal moments through the addition of lines that are either anticlimactic or only serve to make him seem loud or ditzy in an exaggerated fashion. he didn’t laugh when the LAAT came down. he was quiet as he helped people out of the downed gunship (no comment about regs!). he didn’t say “boom” when the ship exploded in the background after he flipped it over (the difference? a character moment that’s actually cool and impressive vs something that’s corny). when wrecker comes to crosshair’s aid by picking rex off of him, there was no quippy one liner. there was no need for anything to be said for it to be understood that wrecker is acting as a barrier and it trying to intimidate rex. when he’s afraid to get onto the elevator? that’s conveyed visually through camera angles and through hunter picking up on the fact that he’s scared. he doesn’t scream (if you can call a comical “aah what is that thing oh no its going to get me” a scream) when the organic decimator almost gets him. when they walk across the pipe? wrecker doesn’t whimper or talk to himself for comfort. he is scared of heights, that’s already been established, but he’s also a grown man and a soldier like he’s keeping that to himself? like we see wrecker hesitating to walk on the ledge but doing it anyway because he has to. in a piece of dialogue that was cut, tech said “does anyone want to know the odds of us making it across alive?” to which wrecker (who’s you know already having a bad time) interrupts with “don’t even think about it, tech” (if ur curious, this exchange was replaced with: wrecker: “keep walking tech!” tech: “that’s fine, but if you fall don’t take me with you” which???? uuh weird exchange). also, the fact that wrecker was mostly dealing with his fear silently means that when hunter tells wrecker to hold on because they’re almost there... that’s because hunter knows he’s scared and is checking up on him. basically... any kind of serious moment was cheapened by having wrecker talk in them. now i don’t want to say that DBB is a bad voice actor, but his expertise is making animal noises. he’s not able to do a realistic, deep voice, meaning that whenever wrecker talks he kind of sounds like a joke. it’s fine when wrecker is actual being lighthearted and jokey, but otherwise? the emotion just does not come across as genuine, which breaks the stakes or weakens credibility.
and god the whole plot point about the bad batch being suspicious of echo was nonexistent in the reels. the “don’t worry, echo says he’s got a plan”/”that makes me feel so much better” exchange between rex and tech is in the original, but tech’s sarcasm isn’t from doubting echo’s allegiance, it’s because they’re planning to land on admiral trench’s ship and echo having a plan (that he himself doesn’t know) doesn’t exactly soothe his anxieties. rex acts like tech’s being a big joker and playfully shoves him, telling him to get on board. which is an interesting interaction because these characters are kind of starting to bond?? as for tech and echo, they kinda become nerdy friends really quick. like when tech warns echo not to send the signal right away because he first needs to make it look like it’s coming from skako minor, echo’s like “oh yeah good thinking tech.” and when echo figures out a way to shut down all the droids at once tech is impressed and lightly shoves his shoulder. again there is none of that “oooh maybe echo’s a traitor maybe he’s with the techno union” shit. like i understand that the writers wanted to up the stakes but it falls flat because the idea of echo being a traitor isn’t credible. it does not seem like an actual risk or possibility. so all it did was make the bad batch seem like assholes, cutting away at some very nice character moments.
ok this is a long post and you might ask yourself “but tumblr user rishi-eel, why do you care so much about the story reels, this stuff isn’t canon now” and there are a couple reasons, first, i think it managed to tell a better story overall. so the question is: why is that? because you would expect that writers reworking the plot would add improvements and not downgrades. and to be fair, the s7 episodes had a bunch of upgrades, but not when it came to the characterization of the bad batch. another thing to consider is that changes were made in the context of setting the bad batch up as future protagonists of their own spinoff series (something the original arc was not intended to do because there were no plans for a bad batch series). were the characters made flatter and more archetypal to add to marketability? was the reg/defective clone rivalry (and dichotomy, even) amplified because this separateness serves a narrative in which the bad batch are heroes and the other clones villains?
#long post#clone force 99#the bad batch#it's late and i haven't proof read so there might be typos and stuff but. here are my thoughts#rishi-outposts.txt
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