#they're achieved something

[somerandomdudelmao]

Who is your favorite blorbo?

Currently? This one

[yeonjune]

Yeonjun about the strain he felt while preparing for his debut solo project ✙ "GGUM" MAKING FILM

[hildegardladyofbones]

all the yt film snobs were kinda right about saltburn being a tumblr movie since apparently everyone on all other platforms thinks it's an "eat the rich" movie?? like girl did we watch the same movie

[spookygibberish]

I love Jar of Mice! I've never seen creature designs like Thrones before.

You mention Ibis tissue in some of the posts, and I read the old post about it - has the lore changed since then? Does it have anything to do with the bones of God at Godtomb?

I'm very flattered! I don't think of Thrones as particularly creative but I suppose that's because I know all the ingredients for them... Actually let me take this post as an excuse to go into them a bit!

I extremely enjoy taurs and human "hybrid" style creatures like sphinxes a massive amount, but there are a ton of artists who's particular styles and sensibilities have inspired me. Coming to mind off the top of my head are artists on social media like Bwusagi, Suzumori521, Deerchip, Theveryworstthing, iliothermia, and definitely more...

I tend to collect a lot of art of centaurs, sphinxes, harpies, and dragons that catches my fancy, here's some of it:

(An Islamic depiction of Sagittarius, Salome Sphinx by Nicholas Kalmakoff, ????, Nagas by Rabi Behera, Şahmaran)

Edit: forgot the Lamassu, which is a more specific inspiration than any of the things above or below.

Jim Woodring is one of my inspirations for Thrones that people tend to clock, and they're correct. It's probably the colors, patterns, eyes, shapes.....

Oh and.

Her.

And for the second question, yes! The tissue was once on the bones, although the Ibis tissue used in the temples for the creation of dagnyds is much more equivalent to a cell culture than anything at this point. It's desire to grow and take form is the creative force that humans have harnessed to create dagnyds..... for better or worse.

I don't have any art of it i'm happy with, but here's some several year old pixel art of an Oracle Computer, which is filled with the stuff. Honestly though, I don't think "black goo" is very compelling or visually interesting considering what the stuff actually is. It needs work.

Everything always needs work...

[layaart]

Emer, Jude, & Zara from The Invocations by Krystal Sutherland.

[tremendously-crazy]

Relationship envy except I envy the bond between iconic fictional characters Sherlock Holmes and Dr. Watson

[teriiblog]

My ass always shipping some old man yaoi who haven't interacted in the canon mainline games

[jessepinwheel]

my very serious writing advice for people who are trying to write more morally complex characters is to stop caring about their morality and focus instead on their individual motivations

it’s hard to articulate exactly what I mean, but the essence of it is basically: when a character does a murder, not only do I not care about whether they’re justified in doing so, it’s straight-up irrelevant. a character’s moral standing from some nebulous universal standard has no bearing on the plot or their interactions with other characters and has no use in the story for me as a writer. what does matter is why the character thought they were justified and then if it comes up to other characters, what they think about it.

you can obviously think about your characters’ morality but it’s not your job as a writer to interpret your stories for your readers and tell them how to judge your characters. your readers can see the evidence for themselves and draw their own conclusions. your job is just to understand why a character is motivated to act in a certain way and have it make sense

focusing on character motivations is a much more versatile framework than trying to give them specific personality traits or moral alignments, and frankly more useful to understand why a character would do a certain thing instead of just what they do. that way when something fucked up happens and your character starts acting differently, there’s an actual logical reason for it that isn’t you forcing characters to do things because it’s what’s required to make the plot go

when you write your characters with the understanding that people are not static and they act differently under different circumstances, complexity in character and morality follows naturally.

[bumblingbabooshka]

Hey, Star Trek Writers... -taps the glass-

[carnivalcarriondiscarded]

hm ok so for a while i was thinking that Wally, for the most part, only perceives reality as "Home", the neighborhood. that's his entire world, it's all he knows

but then i slapped myself and went wait. the Live Interview. Wally has been outside of Home, and has interacted with humans (presuming that the interview did actually happen, of course). and through Wally's interactions - or rather, attempt at interactions with Us, the QA, and the WHRP, it can be strongly assumed that he knows that there's an Elsewhere. there are places outside of Home. maybe he doesn't quite understand that there's another reality of sorts, but there's no way he's unaware that there's more than just the neighborhood out there

(and then of course there's the fact that Clown has said that humans are deeply involved (not a direct quote, im paraphrasing) in Welcome Home. maybe Wally interacted with them / regularly interacted with them. there could have been an adjustment period after he gained consciousness where humans helped him learn how to walk/talk/fine motor skills - this could be why he has such a seemingly inherent / desperate trust in Us & the WHRP & the QA... humans made him and cared for him. it's possible he could view them as a sort of higher power to trust & have faith in

& maybe he's been off-set or could go off-set. i mean, the houses' rooms were all different sets - the buildings themselves were empty husks, right? who's to say Wally wouldn't physically walk to the individual set pieces whenever he went over to someone's house (but then that leads me into speculation on how the puppets' consciousness works and how multiple copies of them could co-exist and wondering which is the - im getting off track. but there's all of that and then the two part "you're okay!" art pieces of Wally & Eddie, which are technically canon - dont quote me on that - and that's Another ramble/theory post i could go on about & have strong feelings on. Anyway!)

"but wait," i hear someone protest, "what about Barnaby? he was in the Live Interview too"

but was he? was he really? was that Barnaby, or was that a person in a suit playing the character Barnaby B. Beagle? i mean, if it was Barnaby, there had to be some memory fuckery going on that prevented him from either fully comprehending/realizing the situation, or just made him forget as soon as it was over.

and actually wait, Wally has to be aware of the reality discrepancy. because it was certainly him in the Interview as himself. He had to have understood on some level that either that wasn't really Barnaby, or that Barnaby wouldn't remember the interview.

(there's a connection in my head between all of this & how he would view an apple pie. "it isn't the same anymore. something's different". but i can't pin it down for the life of me.)

and with the Talking Telephone calls, Wally explicitly tells Us that he's not going to tell anyone who was behind the calls. i remember listening to the "original" prank call audio tests, which while were very similar to the canon in-website ones, have a few changes. one of which was Wally - in the tests - saying that the others weren't ready to meet Us yet. now in canon that tidbit has been swapped out for "You have to go too. You have work to do" but i think it's still implied through Wally's purposeful withholding-of-information that he doesn't think the others are ready to know. or he straight up doesn't want them to know

i mean, one little theory i previously had is that Wally wants them all to catch on to the nature of their reality and situation, but he doesn't want to - or Can't - tell them outright. they have to figure it out. and that can't was either something keeping him quiet, or because if they learned too soon / inorganically, their little puppet heads would pop into confetti like Red Guy's in dhmis 4

However my views have Changed and i'm pretty sure Wally is purposefully not telling anyone to maintain the illusion that everything is fine and can continue on as it always has. maybe it comes from a place of protectiveness, of love? whatever the motive i think he wants them all to keep being unaware and dare i say, Complacent while he "fixes" their situation.

which is delusional, but we all know Wally is digging his metaphorical claws into a desperate bid to keep everything the same / return it to its original state, leaving bloody scratches in something already rotted. or something like that!

all this to say i think it's interesting how it seems that he's the only one aware of humans / an outside/other world, yet he's so determined to stay in his lane. he wants connection & communication yet he doesn't want to leave or change. he wants help in keeping things the same (some could say in keeping Our reality & his separated) but in the process he's dooming everyone/everything and tearing down those walls himself

(Wally: i'm going to stay where i am, and you're gonna stay where you are, and we're gonna help each other keep me and my friends where we're meant to be. anyway i wonder what this sledgehammer does)

[zipadeea]

Rick Riordan said a lot of great things and asked important questions with the Percy Jackson books, but my favorite of them all is and always will be "what if you met your best friend when you were twelve years old and also btw she's your soulmate?" and i'll always love him for giving us that

[blortch]

you think they got kyle gardner or whatever his name is to come on botw, thats why they keep teasing?

Kyle Gallner

Kyle Gardner

[sunflowersunite]

You seem to be very bent on positivity (which is a beautiful thing, by the way). Is there anything in nature besides sunflowers which you've seen that inspires you?

Thank you for the ask, @starshower1215!!! This is a very interesting question actually. Tbh sunflowers and stuff in nature are lovely but the things that inspired me to stop seeing the worse in situations lie deeper, and it took time and effort to become this way (and I'm still trying). Appreciating nature (and sunflowers) just came as a result.

So let's see what there is that I appreciate.

Mornings. I like having the whole day ahead of me.

The hour just after a summer sunset. A lingering light between day and night.

Stars. Millions of explosions and dead things which aren't there anymore, but the light of which we still see. Because death doesn't mean forgetting. People made stories out of those dead things and still do, so they still guide us, they still matter.

⭐

Speaking of which, stories. I think it counts. People are in nature and stories are deeply rooted in people. I've appreciated stories since I was young and they mean the world to me.

Standing under a tree while it rains, water dripping down the leaves onto the ground around you. At least you're dry. At least you're safe for a while.

The sea, always. The best secret keeper. Only there it is that things can be gone forever, never to be found. It's a friend and your worst enemy at the same time. The flow of rivers, the crash of waves. It sounds like home.

When nature reclaims human structures. Abandoned castles and walls and houses. Ivy growing around them, moss onto the stones. Soon, they'll return where they belong.

Black holes in the universe. An actual paradox for us to witness. A miracle of physics, a bend of spacetime. They're just wonderful.

Mountains. They're so big. I'm happy they're here otherwise the world would be boring. I like seeing villages built around them, on them.

Birds and cats and dogs. If an animal can worry less about what it's going to eat the next day, so can I.

People. They can be very helpful, if you know where to turn.

I appreciate all those things. What is there not to appreciate anyway? 🙃

[yishuns]

somewhat out of nowhere question but (out of curiousity and possibly for future reference) what are your favourite things to write/what makes you enjoy writing the most?

[didnt-hear-idsb-live-again]

.

[beanghostprincess]

My current favourite crackship that I just created myself is Hiyori×Alive!Kuina. Just because if she can't get Zoro she'll just go for his cousin instead.

You're a genius. Your brain is huge. Please, let me kiss your brain. This is just amazing. I love lesbians. You're SO real-

Hiyori is easily one of my favorite characters and I love her SO much and people won't stop reducing her to her ship with Zoro. I think she doesn't need anybody and if she did want somebody it should be a girl. Because I say so. And Kuina is just,,, She would've been such a great character. Can't stop thinking about this fanart I found because it has changed my life for the better. She's in Wano to train to become the world's greatest swordsman and I'm just thinking about what if Kuina had been there to help them out too and she had been the one to save Hiyori all those times instead of Zoro.... Thinking thoughts. Like, of course, Hiyori and Zoro also have their moments because I do actually like their dynamic and I think she admires him a lot!! But you know. Kuina saves Hiyori a couple of times (when Zoro was going to do it, actually, she just appears like a second before him and ruins his moment) and Hiyori just melts. Because who wouldn't? Kuina would be so tall and strong and a sizeable woman, and I would personally die if she helped me save my country. Besides, I think they'd understand each other because both are women that have been reduced to that role specifically instead of their ambitions and their power and they're so much more. Hiyori was helpless when she had to see her country turn into this mess and she couldn't so anything else but to pretend,, Like-- If somebody knows how being a woman in the world works is Hiyori, and Kuina would understand. She'd admire Kuina so much for her abilities and her personality and ambitions!!!!!! And Kuina would absolutely love Hiyori's kindness and strength for being able to put up with so much!!!

Not to mention that Kuina would be taller than her,,, And bigger,,, And Hiyori would have to look up,, And this is now just the aesthetic part but God they'd look so different. That's Hiyori's guard dog. Wouldn't it be funny if Kuina were all serious and teasing with Zoro and like "*raises eyebrow* seriously?" type of masc girl, and the second Hiyori is around she turns into the happiest person in the world and extremely protective of her? Zoro judges her but he can't say shit because he's literally the same with Luffy (and Kuina teases him even more because she always has the upper hand and it makes him so angry). They're both down bad. Hiyori is just so nice to her and keeps saying she trusts her to become the world's greatest swordsman but even if she doesn't, she'll always have her heart and a place to stay in Wano. And I am weak, guys, I am so weak for lesbians.

Aghhh this is SO good. Somebody make them kiss. I- This is great. Oda could just say "ah yes Kuina actually escaped her hometown on her own and faked her death and traveled to Wano" and I'd believe him wholeheartedly because I want her back. I also want Hiyori back. I miss Wano sometimes a lot.

Also, Kuina sees Zoro with Enma and she goes:

Kuina: Oh cool, you got Hiyori's sword. Good luck with that one. Zoro: Do you want it or what? I am not giving it to you. You'll have to fight for it. Kuina: Nah, when I win our fight I want to win against the king of hell. Nothing less. Zoro: Where's the 'I can't win I'm a girl' bullshit now? Kuina: Stayed with the girl. Now I am a woman and I am going to beat your ass.

And Hiyori looking at them having the biggest lesbian moment in the world kicking her feet and blushing and Momo is next to her like "hehe you have a crush-" and he doesn't get to finish what he was saying because Hiyori hits him so fucking hard he faints. Don't tease her. Poor girl. She's in love, leave her alone.