#they're about taking care of the community; the collective

[captain-kit-adventuress]

Let me tell you some things about American plumbers probably almost none of you know, especially because I've seen people complaining that plumbers make "$42 an hour while I can't even make $15!"

[Note that much of this is state-specific, so ymmv, but most states have an interest in keeping it pretty similar to what I'm going to outline.]

First of all, you have to be licensed, and anything licensed takes forever and costs a fortune. You spend 7 years as an apprentice plumber, which means taking full-time classes on top of full-time work, for which you definitely do not get paid $42 an hour, and you're lucky if you get $20. You're on the hook for all of the tuition and books and whatever else, tools and whatnot, and we all know tuition and books are out of control, but have you seen what decent tools cost these days? This in addition to all of the regular school stuff like a computer, an internet connection, probably a mobile phone of some description, etc. Some you may have already and some you may not.

That's just the education part. Next, even after you've completed your 7 year apprenticeship under extremely strict and exacting standards, for which you get paid almost nothing and have tons of expenses just like any other student, you're still under some kind of supervision for another few years. So you've put in about 10 years into this already and you're nowhere near pulling in the kind of income that people say plumbers make.

But once you actually get into being licensed and bonded and the whole shebang, maybe you get a job with a company, because it's really hard to hang your own shingle, especially in the larger communities where nobody knows anybody else or the quality of their work. You'll work for a plumbing company like anyone else, and let me tell you, it's like any other company where profit matters most and it's for shareholders and not anyone else.

Now comes the part you probably have never heard about: many, many, many plumbers don't really have health insurance for most of their careers, and if they do, it's like the shittiest insurance possible and they have to pay for much of their healthcare out of pocket. Except that these are plumbers, they're constantly on hands and knees on hard, unyielding surfaces, bending, lifting...really physical, difficult work. How many of you actually know how much a toilet weighs? it's anywhere between 50-120 lbs depending on a variety of factors. All that, in addition to actually diagnosing whatever the problem is and knowing how to fix it. Do that for the next 20 years of your life and you're not going to have any knees left, you're going to have a bad back, probably most of your other joints are shot or on the fritz in some way, and this is if you were healthy to begin with and didn't have many health problems during your career. Depending on the collective bargaining agreement, sometimes the unions will cover your healthcare at close to 100% after that, but when it was easier to prevent a lot of it by having time off and the ability to afford care? None of that is covered.

Not only that, but most plumbers don't really get paid time off from work, either, depending on what the agreements are. I know it doesn't seem like plumbers ever work timely, but everyone thinks they have an emergency when the plumbing breaks, and you've got to triage the for-real emergencies alongside the "Timmy backed up the toilet again because he keeps flushing his toys and now there's water and poop and who knows what else everywhere." That's not including the emergency answering services where they're relaying that stuff 24/7/365.

How is that different from most of us today, you might wonder? Because they're literally knee-deep in your shit from morning 'til night. All of the weird stuff you do to screw up your toilets, your sinks, your showers, your fixtures, your pipes, they have to deal with all of it. All of the clogs, the gross hair masses, the half-eaten food from when the disposal stops working, the people who don't know not to flush things they shouldn't, the people who do know and don't care, the floods when the sump pump stops working or there's so much rain it just completely overwhelms it, the people who are sure they can "fix" it, the people who listened to youtube or tiktok and picked the wrong accounts for advice, and most of all, metric tonnes of your actual shit and vomit and whatever other bodily excretions you've got. That is all hazardous enough on its own, and if you think it's gross, I don't think plumbers feel any differently, but it is a part of their job and there's no getting around it. They are paid to deal with all of the stuff no one else wants to even think about. And after they've been exposed to your biohazards for 10 hours a day, they themselves have to pay for any care they need to make sure they don't die from it. You know how many people have dangerous mold in their bathrooms and don't know it? I bet a plumber can tell you.

Those are the conditions with unions trying to fight for them.

[As one more note, not everyone wants to leave home, and that's fine! Why does anyone assume there are no tradespeople in cities when that couldn't be further from the truth? Don't be arses about geography.]

tl;dr: plumbers don't make the money you think they do, they spend half their career earning next to nothing and then when they finally start catching up their bodies are so shot they can't enjoy it; in the middle they have to deal with everybody's grossness and basic repair illiteracy, and they pay for most of it themselves.

source: I was an external auditor for a lot of trade unions.

some of the worst classism is white collar middle class americans against blue collar & minimum wage workers. “why does that plumber make more than me” because he’s been perfecting his craft for 30 years and you send emails. “they’re in the trades bc they’re too dumb to do anything else” ok take that engine apart and put it back together real fast babe. “they’re boring bc they never left their home town” have you considered they financially couldn’t? I am not saying it is anyone’s job to educate, nor you need to respect people who do not respect you, but while you maybe never sympathize we need to learn to empathize. consider why (who) allowed for massive parts of country to be uneducated and how many impoverished areas of this country haven’t had a voice for a very long time. we are all victims of the rich. remember it is up vs down

[operationandre]

Stuilly Headcanons

(nsfw underneath the cut)

The boys often hang out at Stu's house as his parents are normally away from home. They're allowed to be as loud as they want and do whatever they want, even trying on the Ghostface costume and planning for more murders.

It was Stu's idea to start killing. When he first mentioned it, Billy thought he was crazy, but soon he started warming up to the idea. He wanted the ultimate revenge on Sidney, and Stu knew the right way to get it.

They don't have regular "dates." They sit around at each other's houses and watch movies or take drives around town and park by the lake. They genuinely just enjoy being in each other's company, and their community isn't really open to gay people either, so it's easiest to stay more in private.

Stu drinks energy drinks while Billy drinks coffee. Billy has had to control the amount of caffeine Stu intakes because he's already hyperactive without it.

Stu is attracted to anyone and doesn't have a label. Billy is only truly attracted to Stu. He's never had feelings for anyone else before.

Stu is an extreme extrovert, and Billy is an extreme introvert. Billy will tell Stu what to say half the time because he's too scared to say it himself.

NSFW!

They both enjoy seeing each other bleed. Stu has a collection of knives and allows Billy to use them on him when they're in bed. Their actions range from holding a knife to the other's throat to carving the each other's initials into their skin.

Stu is a top, and Billy is a bottom. Stu is submissive, and Billy is dominant. (Most of the time, at least.)

They fucked before they had their first kiss. They started fooling around with handjobs and blowjobs, then moved to actual sex, THEN they kissed. Billy thought it made him super gay, but Stu didn't care.

Stu gets hard at the crime scenes. When they first killed Maureen, Stu jacked off in the shower when he was trying to rid himself of blood. He liked seeing dead bodies. Seeing Billy covered in blood was a plus.

They've fucked in Stu's car multiple times. They park somewhere away from everyone else and always end up in the backseat together.

Think about the song Scotty Doesn't Know and the line "she tells him she's in church but she doesn't go, still she's on her knees and Scotty doesn't know." When Stu's parents are home, they make him go to church, but often times he'll sneak out and fool around with Billy in the parking lot.

[hiskillingjar]

Since you were asking for questions to distract you:

What is one thing you have been DYING to share about Echo, Lawrence, Ren and/or Strade? Literally just use this ask to go on a rant about whatever/whoever you want 💛

*fiona apple voice* what the hell, sure.

long post so under the cut. general headcanon dump for ren/fox, law and strade be upon ye. echo is included.

ren + fox 🦊

can't speak japanese (think this is canon) and feels weird and traumatised about it. makes an effort to learn after strade's death, and by fox age, he's fluent.

(also) after strade's death, he attends community college (by fudging a high school degree and upping the sob story of an abusive boyfriend) and gets a degree in coding :)

really struggles to eat vegetables and dairy. would only eat meat and carbs if he was left to his own devices

both of these make his not entirely subtle ED habits flare up, though, so he's kind of a bad eater. don't take him out for dinner, he'll overthink it for days

has a pintrest where he collects outfit inspiration ^_^

sort of self-conscious about his height but knows it's an asset in his younger years. starts wearing heeled boots as he gets older.

lawrence 🥀

can't watch movies or tv shows without disassociating. it makes existing as a human being sort of exhausting

had a crush on their guidance counsellor at school and fantasised about her raping them. felt immediately bad about it and had an OCD doom spiral that made them stop going to see her

generally sex and romance repulsed, to the degree that they questioned if they even had the capacity to feel those emotions at all

turns out, just super depressed

when they do feel romantic or sexual, it can be very overwhelming and intense. which is why they prefer to just. not feel it lol

struggles gaining weight but develops a bit of a gut as they get older. they're a little self-conscious about it.

has a few hang-ups about masculinity, queerness, gender nonconformity. their dad put some fucked up ideas into their head as a kid (which also explains their OCD)

has two broken molars and crooked teeth from not looking after them when they were younger

strade 🔨

coffee drinker. likes it strong but with two sugars. won't drink tea, thinks it's a bad use of caffeine

not a picky eater but won't eat vegetarian "fake" meat. he has like a visceral reaction to it. real dad core energy in that respect.

on the subject of dad core, totally does that thing where he'll walk into a room and just stand there watching tv for twenty minutes. has done that when ren watches anime. no sitting, just...standing.

yellow teeth <3 from smoking when he was younger (with the occasional cigar in his older age) and coffee drinking.

never broken a bone, but has a fuck ton of scars and scrapes. his back especially (from fucking ren <3)

has a few masochistic inclinations. likes a punch to the face, likes to get scratched up and beat up. it gets his blood pumping

very comfortable being a verse, but wouldn't sub for love nor money. ultimate power bottom when he's doing it

acab. really doesn't like police. like he knows how to chat to them and put on the charm and all that, but he doesn't trust them. acab.

echo 🪒 (that's her emoji) (also just facts I feel like sharing)

echo was named and based after echo and query, the riddler's lesbian sidekicks in the batman comics. i developed the two of them into a genderfluid domsub lesbian couple for a batman 2022 fanfic, and got so attached to echo that she became her own character <3

echo's design was partially inspired by trianon serious weakness, but more so that I miss having black and green hair lol. she also has all of my piercings :)

characters who also inspired echo are vikki from what happens next and beth from manhunt by gretchen felker-martin

echo works at fictional cafe that's a stand-in for st*rbucks because of their gender affirming care benefits.

when she and law first met at therapy, she thought they were a clocky trans girl. had absolutely no idea they were basically cis until they told her

her favourite video games are metal gear solid (of course), silent hill and yume nikki

she'd never ever tell anyone she likes anime (because it's cringe apparently), but her favourites are neon genesis evangelion and berserk. has a secret fondness for madoka magica too

echo has one (1) other friend who's a detransitioned butch nb called matt (they/she). echo bullied matt in high school, and they eventually dated but broke it off amicably. they play call of duty together on thursdays.

echo has fucked every woman in law and her's group therapy, and she hates it.

[trans-axolotl]

one of the reasons it's really hard for a lot of intersex people when intersex topics are on the news cycle is because the public's reaction reveals how little anyone knows or cares about intersex people, including people who call themselves our allies. almost every time intersex topics are trending, the discourse surrounding them is filled with misinformation. people who only learned today what the word intersex means jump into conversations and act like an authority. endosex/dyadic/perisex people get tripped up over things that are basically intersex 101, with tons of endosex people incorrectly arguing about the definition of intersex, who "counts," DSD terminology, and so much more. i've seen multiple endosex people say today that they've been "warning intersex people" and that we should have known that transphobia would catch up with us eventually, which is an absolutely absurd thing to say given the fact that consistently over the past ten years, it has often been intersex people sounding the alarm on sex-testing policies and also the fact that many, many intersex people are also trans, and already are facing the impacts of transphobia. there is an absolute failure from the general public to take intersex identity seriously; people seem not even able to fathom that intersex people have a community, history, and our own political resources. instead, endosex people somehow seem to think they're helping by bringing up half-remembered information from their high school biology class which usually isn't even relevant at all.

and this frustrates me so fucking much. not because i want to deny the impacts of transphobic oppression--i'm a trans intersex person, trust me when i say i am intimately aware of transphobia. this frustrates me because there is no way we can achieve collective liberation if our "allies" fail to even engage with basic intersex topics and are seemingly unaware of the many forms of intersex oppression that we are already facing every fucking day. if you are not aware of compulsory dyadism, if you are not aware of interphobia, if you are not aware of the many different ways that intersex people are directly and often violently targeted--how the fuck do you think we're going to dismantle all of these systems of oppression?

if you were truly an intersex ally, you would already KNOW that this is not new, and would not be surprised--interphobia in sports has been going on for decades. you would know that we do have a community, an identity, a history--you would have already read/listened/watched to intersex resources that give you the background information you need for allyship. you would know that although there is a really distinct lack of resources and political education, that intersex people ARE developing a political understanding of ourselves and our oppression--Cripping Intersex by Celeste Orr and their framework of compulsory dyadism is one example of how we're theorizing our oppression. It's absolutely fucking wild to me how few people I've seen actually use words like "interphobia" "intersexism" "compulsory dyadism" or "intersex oppression"--endosex people are seemingly incapable of recognizing that there is already an entrenched system of oppression towards intersex people that violently reshapes our bodies, restricts our autonomy, and attempts to eradicate intersex through a variety of medical and legal means.

you cannot treat intersex people like an afterthought. not just because we're meaningful parts of your community and deserving of solidarity, but also because intersex oppression impacts everyone!!! especially trans community--trans people will not be free until intersex people are free, so much of transphobia is shaped by compulsory dyadism, the mythical sex binary, all these ideas of enforced "biological sex" that are just as fake as the gender binary.

it makes me absolutely fucking livid every time this shit happens because it becomes so abundantly clear to me how little the average endosex person knows about intersex issues and also how little the average endosex person cares about changing that. i don't know what to say to get you to care, to get you to change that, but we fucking need it to happen and i, personally, am tired of constantly being grateful when i meet an endosex person who knows the bare minimum. i think we have a right to expect better and to demand that if you're going to call yourself our ally, you actually fucking listen to us when we tell you what that means.

okay for endosex people to reblog.

[montanabohemian]

so then they'd better get registered to vote. and fucking vote. and none of this purity politics bullshit. vote democrat or shut the fuck up forever. this doesn't mean you can't hold them accountable; you should. but ya ain't gonna have shit if the GOP rips away all your rights (including voting rights) which is literally what they are actively doing.

This is why the Fascists are doing everything they can to steal power now.

[mesetacadre]

I think a lot of the people you'd associate with the "start a community garden! support local businesses! make zines!" posturing and who are at least nominally sympathetic to communism conceptualize of organizing as a series, or more specifically, a collection of broadly "good" actions that are possible in the short, short-medium term. And it is worth pointing out that this does not come from nowhere, it's a more extreme version of the mental shortcut essentially all organizers end up taking. Oftentimes, when you're working within a party or organization, there are a set of actions and activities that become routine, justified implicitly by their own frequency. This isn't necessarily a problem, but it can be one if left unacknowledged and unchallenged. Along the lines of this post, effective organizing is practical, yes, but based on a careful collective analysis of the external, political context and the internal, organizational realities, if you allow me the semi-correct dualism. We don't do things because we can and they're good, we do them because it's the best course of action to further the medium and long term political agenda of raising consciousness towards challenging the bourgeois' power.

So what I believe happens to those people I mentioned at the beginning of the post is that this fetishizing of the usual activities is so extreme there isn't even an actual concrete analysis of concrete reality at some point in the past to point to, and things are done because they appear to be good in some intuitive sense. For example, you might look at the Black Panthers' free school meals program and attempt to imitate it as closely as possible, instead of actually learning that the school meals program was correctly judged to be something that could really demonstrate the possibility and power of classist worker's organizations, to further their goal of eventually contesting the US' bourgeoisie, in the context of the situation of the US's schooling of poorer children. Much like reading theory, the point is not to learn about anecdotal events, but seeing how conclusions where reached that lead to actual victories, large and small.

Especially for those with the ailment of horizontalism, you'll encounter plenty of orgs mostly making post-hoc and hasty justifications for doing things for which there simply wasn't very much thought put into. Once again continuing on the ideas of that post I linked earlier, this happens because those same people do not have actual programs that can guide their own independent activity, instead substituting it with a long list of things they're against and concepts they abstractly support.

[lackadaisycats]

Miss Tracy, do u have any advice on researching a specific time period?

(also I know u probably won't see this, but I love your art and you are awesome)

Look for books about the time period, but also books written contemporaneous to the time period, whether fiction or non-fiction. Check used book stores for out of print gems at good prices.

If photography was a technology that existed in the time period you're researching, look for photos of people doing everyday things. Take in the context, the geography, the economic situation. Look at how they're dressed and what their clothes say about them.

Newspaper archives. Sometimes newspapers of the past are free to browse. Sometimes you have to pay for access. Old shopping catalogue collections - if they exist for your time period - are great too.

Documentary films about time periods, or specific events in a given time period can be useful, even if only for a broad overview.

Museum exhibits - helpful whether you're looking for famous paintings or artifacts of past civilizations in a world renowned institution, or trying to dig up something impossibly unique in an oddity denture museum in some forgotten place in the Midwest. If you can't go in person, check online. You can find museums with vintage clothing or household appliance collections from even a few decades ago. Some museums have extensive, searchable online collections too. Take the Metropolitan Museum for instance.

If you can visit historical sites relevant to your area of interest, do it! Do those little guided walking tours. Do the ghost tours even - they're often fairly history-centric with some paranormal folklore for added spice. Sometimes they get you access to places you otherwise can't enter. Check historical societies local to cities or towns of interest.

If you need information about something deeply specific, check the internet for communities that form around that deeply specific topic. I've found tidbits of useful info searching around old forum posts from radio enthusiasts, Model T owners, and people who collect old telephone booths. (Granted, it's getting harder to search for this kind of stuff nowadays.)

-----------

Be careful of AI trash, whether it's generative images, text descriptions, or entire articles. Don't rely much on film or television for accuracy. Some things are more interested in being accurate than others, but there's almost always some artistic license taken. If you're trying to be particularly accurate about something, triple check it for confirmation. Misinformation has had a way of spreading like insidious mildew even before AI started disseminating it with delusory authority.

Lastly, if you don't enjoy doing this kind of historical research like a weird little detective-creature, consider loosening up on the 'historical' aspect of your writing. It's okay to not focus on historicity in your fiction. But if you're going to dive in whole-hog on history, bear in mind it's an ongoing, often time-consuming adventure in information-finding.

(Thank you for the kind words!)

[fuckyeahisawthat]

There are so many places in the Villeneuve Dune adaptations where he just...takes all the narrative pieces that Frank Herbert laid out and subtly rearranges them into something that tells the story better--that creates dramatic tension where you need it, communicates the themes and message of the book more clearly, or corrects something in the text that contradicts or undermines what Herbert said he was trying to say.

The fedaykin are probably my favorite example of this. I just re-read a little part of the book and got smacked in the face with how different they are.

(under the cut for book spoilers and length)

The fedaykin in the book are Paul's personal followers, sort of his personal guard. They show up after his legend has already started growing (the word doesn't appear in the book until chapter 40) and they are people who have specifically dedicated themselves to fighting for him, and right from the moment they're introduced there is a kind of implied fanaticism to their militancy that's a bit uncomfortable to read. They're the most ardent believers in Paul's messianic status and willing to die for him. (They are also, as far as you can tell from the text, all men.)

In the book, as far as I can remember (I could be forgetting some small detail but I don't think so) there is no mention of armed resistance to colonialism on Arrakis before Paul shows up. As far as we know, he created it. ETA: Okay I actually went back and checked on this and while we hear about the Fremen being "a thorn in the side" of the Harkonnens and we know that they are good fighters, we don't see anything other than possibly one bit of industrial sabotage. The book is very clear that the organized military force we see in the second half was armed and trained by Paul. This is exacerbated by the two-year time jump in the book, which means we never see how Paul goes from being a newly deposed ex-colonial overlord running for his life to someone who has his own private militia of people ready to give their lives for him.

The movie completely flips all these dynamics on their head in ways that add up to a radical change in meaning.

The fedaykin in the movie are an already-existing guerrilla resistance movement on Arrakis that formed long before Paul showed up. Literally the first thing we learn about the Fremen, less that two minutes into the first movie, is that they are fighting back against the colonization and exploitation of their home and have been for decades.

The movie fedaykin also start out being the most skeptical of the prophecy about Paul, which is a great choice from both a political and a character standpoint. Of course they're skeptical. If you're part of a small guerrilla force repeatedly going up against a much bigger and stronger imperial army...you have to believe in your own agency. You have to believe that it is possible to win, and that this tiny little chip in the armor of a giant terrifying military machine that you are making right now will make a difference in the end. These are the people who are directly on the front lines of resisting oppression. They are doing it with their own sweat, blood and ingenuity, and they are not about to wait around for some messiah who may never come.

From a character standpoint, this is really the best possible environment you could put Paul Atreides in if you want to keep him humble. He doesn't get any automatic respect handed to him due to title or birthright or religious belief. He has to prove himself--not as any kind of savior but as a good fighter and a reliable member of a collective political project. And he does. This is an environment that really draws out his best qualities. He's a skilled fighter; he's brave (sometimes recklessly so); he's intensely loyal to and protective of people he cares about. He is not too proud to learn from others and work hard in an egalitarian environment where he gets no special treatment or extra glory. The longer he spends with the fedaykin the more his allegiance shifts from Atreides to Fremen, and the more skeptical he himself becomes about the prophecy. This sets up the conflict with Jessica, which comes to a head before she leaves for the south. And his political sincerity--that he genuinely comes to believe that these people deserve liberation from all colonial forces and his only role should be to help where he can--is what makes the tragedy work. Because in the end we know he will betray all these values and become the exact thing he said he didn't want to be.

There's another layer of meaning to all this that I don't know if the filmmakers were even aware of. ETA: rescinding my doubt cause based on some of Villeneuve's other projects I'm pretty sure he could work it out. Given the time period (1960s) and Herbert's propensity for using Arabic or Arabic-inspired words for aspects of Fremen culture, it seems very likely that the made-up word fedaykin was taken from fedayeen, a real Arabic word that was frequently used untranslated in American news media at the time, usually to refer to Palestinian armed resistance groups.

Fedayeen is usually translated into English as fighter, guerrilla, militant or something similar. The translation of fedaykin that Herbert provides in Dune is "death commando"...which is a whole bucket of yikes in my opinion, but it's not entirely absurd if we're assuming that this fake word and the real word fedayeen function in the same way. A more literal translation of fedayeen is "self-sacrificer," as in willing, intentional self-sacrifice for a political cause, up to and including sacrificing your life.

If you apply this logic to Dune, it means that Villeneuve has actually shifted the meaning of this word in-universe, from fighters who are willing to sacrifice themselves for Paul to fighters who are willing to sacrifice themselves for their people. And the fedaykin are no longer a group created for Paul but a group that Paul counts himself as part of, one member among equals. Which is just WILDLY different from what's in the book. And so much better in my opinion.

[moonreader1010]

𝓟𝓘𝓒𝓚 𝓐 𝓟𝓘𝓛𝓔

♥ 𝙒𝙝𝙖𝙩 𝙮𝙤𝙪𝙧 𝙨𝙤𝙪𝙡𝙢𝙖𝙩𝙚 𝙖𝙙𝙢𝙞𝙧𝙚𝙨 𝙖𝙗𝙤𝙪𝙩 𝙮𝙤𝙪 ♥

︵‿︵‿୨♡ Ｒｅａｄｉｎｇ ｂ��� － ＭＡＥ ♡୧‿︵‿︵

(PLEASE DO CHECK OUT THE NOTE AT THE END OF THE READING)

PILE 1

The Cards: The Tower, The Hermit, Queen of Swords, Knight of Cups

🍀 Your soulmate is absolutely captivated by your fierce independence and sharp wit. They're impressed by how you can think critically and challenge the status quo. Your intellectual curiosity and unwavering honesty are qualities they deeply admire. However, they sometimes find your guarded nature a bit frustrating. They really want a deeper emotional connection, but you often prefer to keep your distance.

✨ When you do open up, it's a truly magical experience. Your passionate and intense nature can be both exciting and overwhelming. Your soulmate is drawn to your mysterious aura and your ability to keep them guessing. They love the challenge of unlocking the secrets of your heart. Your fiery personality can sometimes be a bit intimidating, but they find it incredibly attractive.

🐇 They love how you're not afraid to be yourself and how you always stay true to your values. Your unique perspective and creative mind are qualities that they deeply admire. They're constantly amazed by your ability to think outside the box and come up with innovative solutions.

PILE 2

The Cards: 4 of Wands, Page of Wands, 6 of Wands, Knight of Pentacles

🍀 Your positive energy and fun-loving nature are what truly captivate your soulmate. They're constantly inspired by how you find joy in everything. Your playful side and quick wit keep them entertained and engaged. However, they sometimes wish you'd slow down a bit. Your impulsive side can sometimes lead to hasty decisions.

✨ Your adventurous spirit and desire for new experiences are also quite charming. They love the way you can turn ordinary moments into extraordinary adventures. Your optimistic outlook and can-do attitude are qualities they deeply admire.

🐇 They're drawn to your childlike wonder and your ability to see the world through fresh eyes. Your enthusiasm is contagious, and they love being around you. You have a way of making them feel happy and excited about life

PILE 3

The Cards: Temperance, The Hermit, The Star, The Empress

🍀 Your calm and collected nature is a breath of fresh air to your soulmate. They're drawn to your steady and grounded nature. Your kind heart and understanding are qualities they deeply cherish. However, they sometimes worry that you might put others' needs before your own. Remember, it's important to take care of yourself too.

✨ Your strength and positive outlook are qualities they deeply admire. Your ability to stay calm, even in stressful situations, is truly inspiring. They love the way you can always see the bigger picture and find solutions to problems.

🐇 Your wise and intuitive nature is also very attractive to them. They value your advice and guidance, and they often turn to you for support. Your peaceful and calmig energy creates a sense of grounding in their life.

PILE 4

The Cards: 4 of Cups, Knight of Cups, 5 of Wands, The Moon

🍀 Your mysterious and intriguing nature is what truly captivates your soulmate. They're drawn to your emotional depth and creative mind. Your unique perspective and artistic talent are qualities they deeply admire. However, they sometimes find your sensitive nature a bit overwhelming. When you're feeling down, try to communicate your feelings openly and honestly.

✨ Your passionate and loyal nature is something they cherish. They love the way you can love deeply and fiercely. Your intuition and insightful nature are also quite fascinating to them. They often seek your guidance and advice.

🐇 Your dreamy and imaginative nature adds a touch of magic to their life. You have a way of seeing the world through a different lens, and they love that about you. Your sensitive and empathetic nature makes you a great listener and a compassionate friend.

Ⓝⓞⓣⓔⓢ

This is a general reading take what resonates and leave the rest.

Check out our latest service VISION BOARD READING PACK

All credit of the pictures goes to thier rightfull owners.

Sending lots of love to whoever is reading this, take care.

[orkbutch]

Rambling about Astarion bc im bored at work. I like Astarion because I think he is a genius take on The Evil RPG Companion, and is an especially great take on The Fixable Bad Guy. I don't think hes evil, but I do think Astarion is a genuinely bad person at the beginning, and I think Astarion is only drawn away from being a bad person - and experiences a great redemption arc - via active intervention from others. Astarion would not redeem himself without guidance; he is absolutely bent toward self destruction and evil at the beginning of the story.

I think comparing him with Shadowheart is what drew me to that conclusion. If you are nice to Shadowheart, as in you talk to her and respect her boundaries and do stuff she generally agrees with, she will choose to free Nightsong all on her own. You don't need to roll to convince her at all, or romance her or even push back on her Shar worship that much. You just leave it up to her, and she chooses that path. (Side note, what brilliant writing.)

Astarion is not like that at all. Even if you were tight as fuck he would not choose the good option, with no input, in Act 2. Astarion, like all the companions, needs help and connection to reach healthy actualization, but I think its great, resonant writing that Astarion needs the most active intervention of all. Because he's had his autonomy so completely taken away from him, he simply doesn't know how to use it anymore. He doesn't know how to connect with other people anymore. He's someone that's learned to enjoy cruelty, to resent the pleasure of others, and to be entirely selfish for survival. It makes sense that he must be dragged back into being capable of trust. He needs to be forced to be part of a community again; caring about things; allowing for vulnerability and optimism.

And like. How fucking smart is it to have THIS guy in THIS game. Because of the tadpole and the existential threat they're up against, he is actually forced to work with you. This kind of character is so hard to do in most RPGs because its like... why wouldn't he just betray you all and leave? Why would he stick with you? The tadpole clears all of that up. Astarion must stick with you or hes lost and dead. Astarion knows that you and the other companions are collectively stronger than him, so he can't betray you. He is forced to rely on you by default.

This is also what makes him SUCH a good version of the "you can fix him" romance; you are almost never the direct target of Astarion's bastardry because he can't fuck with you. The problem with Fix Him's is that usually they are a threat to the romantic lead, and fixing him requires enduring, soothing and forgiving the worst of his badness as some kind of test of loyalty, hopefully proving to him that being bad isn't necessary (toxic shit). But Astarion... can't do that. He is afraid to actually fuck you over because you are directly tied to his survival, and because you quickly show yourself to be more capable than him. He cannot have real power over you. (Until he's ascended, then he becomes the absolute worst version of the fix-it.)

I do think the trade off is that Astarion not directing his bastardry at you makes it easier to Ignore that Astarion is A Bad Guy, but I think that'd happen even if he was more of an asshole to you, so who cares. I think he's got the best written Redeemable Evil RPG Companion arch I've seen honestly. I love that he's so fun while being so tragic, whether redeemed or not.

[elsaellaelys]

The most amazing fanfics about JJ Maybank

(Straight from my collection)

a/n: I was going throught my likes and had an amazing idea: putting all my favorite JJ fics in one post so everyone could enjoy it with me! That's why I'm taking so much to post my requested fics, but they're coming...

I hope you enjoy this as much as I. This fanfics inspired me and helped me throught the last months and I couldn't be more grateful for this lovely community! <333

--★--

JJ in his red cut off shirt

JJ working on his bike

JJ Maybank is a munch

@lilastrocup JJ's masterlist

My angel

Fishing in the dark

Talk fast

The attractive things JJ Maybank does

Happy Anniversary

JJ loves when you leaves scratches on his back

Ouch!

Sugar lips

sub!JJ

JJ and innocent reader

You comfort JJ after a fight with his dad

JJ suck**g on his gf's t*ts

Not her

idcntlikedarness milestone event ?

Cutting JJ's hair

Kook princess and make up kisses

Sea and sand

JJ giving the reader aftercare

JJ calling reader mama

Vulnerable

At last

JJ always moan when you pull his hair

JJ and more aftercare

Sp*t ?

Pinky promise

Tired of rid**g JJ

Magic touch

Lets listen to some music - JJ for I think he knows

Matching tatoos with JJ

Whiny soft!dom!JJ

Good morning sunshine

Home is where the heart is

When JJ accidentally stepped on your foot

Hold back

Now you gotta...

JJ is caught by pogues being the little spoon

Sick

The one where JJ loves your lipstick

Stress relief with JJ

I would wait forever and ever

JJ taking care of you while you're sick...

JJ's too shaggy and grown out hair

Burnt pancakes

Permanent

JJ x John B's little sister

Tease

Peace & Love

Vampire

High s*x

Praise k*nk

Sick day

JJ drying your hair

Scratching

Overthinker

Need any help?

Save a horse, ride a cowboy

@moremaybank : dirty martini with JJ

JJ putting his arm around your neck

Calling JJ dad

JJ helping you relax

JJ comforting you after a break up

Love and blow*es

(Soft) enemies to lovers

Bf!JJ headcannons

JJ gives you flowers

Knight in shining armor

Just read it. You didn't know how much you needed this.

[reasonsforhope]

Hazel Chandler was at home taking care of her son when she began flipping through a document that detailed how burning fossil fuels would soon jeopardize the planet.

She can’t quite remember who gave her the report — this was in 1969 — but the moment stands out to her vividly: After reading a list of extreme climate events that would materialize in the coming decades, she looked down at the baby she was nursing, filled with dread.

 “‘Oh my God, I’ve got to do something,’” she remembered thinking...

It was one of several such moments throughout Chandler’s life that propelled her into activist spaces — against the Vietnam War, for civil rights and women’s rights, and in support of environmental causes.

She participated in letter-writing campaigns and helped gather others to write to legislators about vital pieces of environmental legislation including the Clean Air Act and the Clean Water Act, passed in 1970 and 1972, respectively. At the child care center she worked at, she helped plan celebrations around the first Earth Day in 1970. 

Now at 78, after working in child care and health care for most of her life, she’s more engaged than ever. In 2015, she began volunteering with Elder Climate Action, which focuses on activating older people to fight for the environment. She then took a job as a consultant for the Union for Concerned Scientists, a nonprofit science advocacy organization. 

More recently, her activism has revolved around her role as the Arizona field coordinator of Moms Clean Air Force, a nonprofit environmental advocacy group. Chandler helps rally volunteers to take action on climate and environmental justice issues, recruiting residents to testify and meet with lawmakers. 

Pictured: Hazel Chandler tables at Environment Day at Wesley Bolin Plaza in front of the Arizona State Capitol in Phoenix, Arizona, in January 2024.

Her motivation now is the same as it was decades ago. 

“When I look my grandchildren and my great-grandchildren, my children, in the eye, I have to be able to say, ‘I did everything I could to protect you,’” Chandler said. “I have to be able to tell them that I’ve done everything possible within my ability to help move us forward.” 

Chandler is part of a largely unrecognized contingent of the climate movement in the United States: the climate grannies. 

The most prominent example perhaps, is the actor Jane Fonda. The octogenarian grandmother has been arrested during climate protests a number of times and has her own PAC that funds the campaigns of “climate champions” in local and state elections. 

Climate grannies come equipped with decades of activism experience and aim to pressure the government and corporations to curb fossil fuel emissions. As a result they, alongside women of every age group, are turning out in bigger numbers, both at protests and the polls. All of the climate grandmothers The 19th interviewed for this piece noted one unifying theme: concern for their grandchildren’s futures. 

According to research conducted by Dana R. Fisher, director for the Center of Environment, Community and Equity at American University, while the mainstream environmental movement has typically been dominated by men, women make up 61 percent of climate activists today.  The average age of climate activists was 52 with 24 percent being 69 and older...

A similar trend holds true at the ballot box, according to data collected by the Environmental Voter Project, a nonpartisan organization focused on turning out climate voters in elections. 

A report released by the Environmental Voter Project in December that looked at the patterns of registered voters in 18 different states found that after the Gen Z vote, people 65 and older represent the next largest climate voter group, with older women far exceeding older men in their propensity to list climate as their No. 1 reason for voting. The organization defines climate voters as those who are most likely to list climate change, the environment, or clean air and water as their top political priority.

“Grandmothers are now at the vanguard of today’s climate movement,” said Nathaniel Stinnett, founder of the Environmental Voter Project.

“Older people are three times as likely to list climate as a top priority than middle-aged people. On top of that, women in all age groups are more likely to care about climate than men,” he said. “So you put those two things together … and you can safely say that grandma is much more likely to be a climate voter than your middle-aged man.” 

In Arizona, where Chandler lives, older climate voters make up 231,000 registered voters in the state. The presidential election in the crucial swing state was decided by just 11,000 votes, Stinnett noted.

“Older climate voters can really throw their weight around in Arizona if they organize and if they make sure that everybody goes to the polls,” he said. 

Pictured: Hazel Chandler’s recent activism revolves around her role as the Arizona field coordinator of Moms Clean Air Force, a nonprofit environmental advocacy group.

In some cases, their identities as grandmothers have become an organizing force. 

In California, 1000 Grandmothers for Future Generations formed in 2016, after older women from the Bay Area traveled to be in solidarity with Indigenous grandmothers protesting the construction of the Dakota Access Pipeline at the Standing Rock Sioux Reservation. 

“When they came back, they decided to form an organization that would continue to mobilize women on behalf of the climate justice movement,” said Nancy Hollander, a member of the group. 

1000 Grandmothers — in this case, the term encompasses all older women, not just the literal grandmothers — is rooted at the intersection of social justice and the climate crisis, supporting people of color and Indigenous-led causes in the Bay Area. The organization is divided into various working groups, each with a different focus: elections, bank divestments from fossil fuels, legislative work, nonviolent direct actions, among others...

“There are women in the nonviolent direct action part of the organization who really do feel that elder women — it’s their time to stand up and be counted and to get arrested,” Hollander said. “They consider it a historical responsibility and put themselves out there to protect the more vulnerable.” 

But 1000 Grandmothers credits another grandmother activist, Pennie Opal Plant, for helping train their members in nonviolent direct action and for inspiring them to take the lead of Indigenous women in the fight. 

Plant, 66 — an enrolled member of the Yaqui of Southern California tribe, and of undocumented Choctaw and Cherokee ancestry — has started various organizations over the years, including Idle No More SF Bay, which she co-founded with a group of Indigenous grandmothers in 2013, first in solidarity with a group formed by First Nations women in Canada to defend treaty rights and to protect the environment from exploitation. 

Pictured: Pennie Opal Plant has started various organizations over the years, including Idle No More SF Bay, which she founded in 2013 alongside Indigenous grandmothers.

In 2016, Plant gathered with others in front of Wells Fargo Corporate offices in San Francisco, blocking the road in protest of the Dakota Access Pipeline, when she realized the advantages she had as an older woman in the fight. 

As a police liaison — or a person who aims to defuse tension with law enforcement — she went to speak to an officer who was trying to interrupt the action. When she saw him maneuvering his car over a sidewalk, she stood in front of it, her gray hair flowing. “I opened my arms really wide and was like, are you going to run over a grandmother?”

A new idea was born: The Society of Fearless Grandmothers. Once an in-person training — it now mostly exists online as a Facebook page — it helped teach other grandmothers how to protect the youth at protests. 

For Plant, the role of grandmothers in the fight to protect the planet is about a simple Indigenous principle: ensuring the future for the next seven generations. 

“What we’re seeing is a shift starting with Indigenous women, that is lifting up the good things that mothers have to share, the good things that women that love children can share, that will help bring back balance in the world,” Plant said...

[Kathleen] Sullivan is one of approximately 70,000 people over the age of 60 who’ve joined Third Act, a group specifically formed to engage people 60 and older to mobilize for climate action across the country. 

“This is an act of moral responsibility. It’s an act of care. And It’s an act of reciprocity to the way in which we are cared for by the planet,” Sullivan said. “It’s an act of interconnection to your peers, because there can be great joy and great sense of solidarity with other people around this.”

-via The 19th, January 31, 2024

[sobblesources]

STEPPING INSIDE OF THE VOID .

a collection of sentence starters from the warning's album keep me fed . edited to fit rp needs , adjust pronouns as necessary , note that there are some spanish sentences ! warnings for darker tones , swears ,

❛ so what if i'm selfish , everyone else is . ❜

❛ you're not a product of god , quit telling yourself this , ❜

❛ you always come back over & over , ❜

❛ put your ego where your mouth is , ❜

❛ it's way too late , ❜

❛ pray to your god 'til you're chewed up & spit out , ❜

❛ i'll be seeing you underground , ❜

❛ i'm bleeding just to feel alive , ❜

❛ life is nothing more than passing the time , ❜

❛ give me violence , ❜

❛ i want to make mistakes & live in regret , ❜

❛ if there's a price to pay , i'll deal with it when i'm dead , ❜

❛ show me that i'm human , ❜

❛ i have lost the pleasure , ❜

❛ skin on skin means nothing if there's no blood to bleed , ❜

❛ simply quenching hunger doesn't kill the need , ❜

❛ i don't mean to make you nervous , ❜

❛ just check if my heart's still beating , ❜

❛ it's not your fault , ❜

❛ dime, ¿qué más quieres ? ❜

❛ la sed que te da solo me hace recordar con qué poco yo te puedo ahogar , ❜

❛ sin fallar lo que tú puedas necesitar , aquí va a estar , ❜

❛ ya no te lo niegues , ❜

❛ aunque a veces quieras escapar , yo sé que aquí te vas a quedar , ❜

❛ won't you tell me what to say ? ❜

❛ pull me in & keep me nice & quiet , ❜

❛ won't you fill my void ? ❜

❛ you know you love it when i need you , ❜

❛ i find desire leaves me frozen , ❜

❛ go in for the kill , ❜

❛ you leave me begging for more , ❜

❛ i want it & you know it , ❜

❛ you like it when i'm broken , ❜

❛ it's the hope that kills you , ❜

❛ i'm still aching & breaking , ❜

❛ i wish i could enjoy worthless means of communicating , ❜

❛ i close my eyes till it all fades , ❜

❛ you can take all that you want , but it will never be enough , ❜

❛ cut me open , pay attention , ❜

❛ i will obey , ❜

❛ ' i don't care ' is such an easy lie , ❜

❛ tell me , are you satisfied ? ❜

❛ you think you're good enough , ❜

❛ you're so blissfully unaware , ❜

❛ you've got it so bad , ❜

❛ you're just a burnout , ❜

❛ the world moves on without you , ❜

❛ if you're going to rot , then add to the plot , ❜

❛ shut your mouth , ❜

❛ they're always watching you , ❜

❛ isn't it normal to love what we hate ? ❜

❛ give me something to believe , ❜

❛ the chaos drives me wild , ❜

❛ if this can't bring me to life , what will ? ❜

❛ i can't take anymore , ❜

❛ you greedy little fucker , ❜

❛ you're dressed for the slaughter , ❜

❛ love me , hate me , am i worth it to you ? ❜

❛ make me be perfect for you , ❜

❛ i couldn't die as the martyr , ❜

❛ shovel it down my throat , wash it down with remorse , ❜

❛ the silence at midnight feels like your nails down my back , ❜

❛ try not to think about it too much , ❜

❛ you've got me begging , ❜

❛ give me your psychosomatic love , ❜

❛ if you crawl to me , will you reflect what i need ? ❜

❛ the way you hurt me is never enough , ❜

❛ if you want it all , just take it , ❜

[markrosewater]

You say that magic is ever evolving and therefore closer to its roots than it's ever been. I think the problem is, when people try to tell you adding spiderman is a bad thing, is these are the people who followed the very story Wizards took the time to create and to them it's something sacred. They're the people who either grew up with the Purifying Fire, or actually rooted for the Gate watch. The people who cheered when Nicol Bolas went down. I think those are the people who are sad to see Spiderman eating up that space. It's like your favorite series but the plot is totally different. It's the story people care about, whether told through the cards or the Wizards website. That Wizards made us care about only to then tell us it doesn't matter. Fans don't like it when that happens. I feel you must understand deep down.

I do understand why people dislike Universes Beyond. I am very invested in Magic’s creative. I spent time creating Magic story (The Weatherlight Saga). I’ve done card concepting. I’ve done names and flavor text. There was even a few years where I managed the creative team.

There was even a time when I shared those beliefs about what Magic’s creative should and shouldn’t be, and was firmly against outside properties on Magic cards. I understand you all because for a long time I was you.

But what Magic is and is not isn’t decided by any one person. It’s decided by the collective consciousness of all of us.

I don’t personally like Walls as a creature type. Commander isn’t my personal cup of tea. And as a player, I’m not a fan of discard. But those are all a part of Magic because the amalgam of Magic players wants it to be part of the game, and I respect that being part of the Magic community is letting each player have the ability to enjoy what they love about the game.

Note when we started Universes Beyond, we weren’t sure what the player response would be. We dipped our toe in slowly. We limited what formats it appeared in.

We then looked at the data. Most players just wanted access to the cards they wanted to play, and didn’t care what the creative that was on it, so over time we leaned more in that direction.

But look, if there’s a large enough playerbase that cares, we’ll respond. If you really want a Universes Beyond free format, make one. If it gets enough player support, we’ll follow suit.

Remember, we didn’t make Commander. The players did. When it got popular enough, we tried out a product, and the success of that product convinced us to make more.

We really do follow the will of the players. If what you feel is important to you, find fellow players who feel the same way. Get enough together and I promise we’ll take notice.

Right now the data that we see, says that isn’t the case, but I’m always happy when the amalgam of players shows us we’re wrong. If that happens, we’ll pivot. We always do.

[joelscruff]

for what it's worth (joel miller x reader) 18+

part 3 of the soft!dom joel collection has arrived! this one tackles some backstory; it's time to see how they met and how exactly their little "arrangement" came to be. i hope you guys like it, your feedback means the world to me. i also have a kofi if you'd like to give me a tip (but of course this is completely optional). previous parts: you know i don't mean it & don't think we could help it summary: your relationship with joel has always been complicated, but it's about to change drastically, for better or for worse. rating: 18+ explicit (mdni) warnings: fem!reader, smut, age gap (reader is mid 20s, joel is mid 50s), mutual masturbation, praise kink, dirty talk, dom/sub dynamics (joel is dominant but not degrading or aggressive), mentions of porn (specifically magazines) word count: 10k (it's a doozy) | ao3 spoilers: this contains vague spoilers for part two of the video game (and most likely for season two of the show). nothing too major but i figured i should warn for it anyway.

To say that your first day in Jackson is alienating would be an understatement.

You feel like everyone is staring at you (they are) and no one will let you out of their sight (they won't). You understand immediately that there's a lack of trust which will need to be formed as soon as possible, otherwise you'll never be able to create a home here.

"They're wary of you," Maria explains in your brand new living room - you still can't believe you just went from having barely any possessions to having your own house - and gives you a weak smile, "It'll pass, they just need to make sure you don't have any ulterior motives."

You get it, but it still hurts. Especially that night when you join your new community for dinner and find yourself sitting alone in the corner of the room, poking at your food and trying not to let your emotions betray you. You're determined not to show weakness, even though you've never felt more isolated. You can feel their eyes on you constantly, like they're waiting for you to pull out a rifle and start picking them off like a shooting gallery.

There's only one person who seems to be consistently minding his own business, a middle aged man who sits in the opposite corner of the room. He's hulking and broad, kind of intimidating, but there's a softness to his jaw and the grey scruff covering it that makes you see something else, something kind. He takes large bites and seems lost in his own thoughts, eyes fixed on the wall to his left but unfocused, like he's looking through it. He's by himself too, mirroring you, but you can tell by the way people move around him that he's been here for a long time. He must just enjoy his solitude.

"That's Joel," Maria tells you, sitting next to you and following your gaze, "He's my husband's brother, came down here a few years ago."

"He doesn't stare at me like everyone else does," you say, still looking over at him, "Does he just not care or...?"

To your surprise, she laughs, and everyone who's giving you dirty looks suddenly seems to soften. You're grateful for Maria then for bothering to talk to you, to try and trust you.

"Don't ask me to explain the things Joel does, I wouldn't be able to tell you," you notice that she has a full plate of food with her and that she's decided to sit next to you for dinner, an attempt to alleviate the mistrust for you in the room. You can't help but smile, thankful.

"He's a closed book," she continues, "Even Tommy finds him hard to read and he's his own brother."

She changes the subject then, wanting to know more about you and what you've been through, a not so subtle way of trying to get some information for the council. You humor her; you have nothing to lose.

Your eyes still stray to the man named Joel every so often as you speak, but you're not sure why. After about ten minutes he gets up to leave, and you watch him place his empty bowl in the dishwashing area and give the woman working there a small smile. She smiles back, says something to him. He laughs, and you can almost hear it over the bustle of the dining area. You watch as he says something else to her in parting, gives her one more smile, and turns and walks out the door. He doesn't look at you, not even once.

-

Over the next few weeks, things get better. Less people are looking at you and more people are actually trying to talk to you, get to know you. You have some nice conversations and answer questions about yourself - mostly appropriate, save for the one teenager who kept asking how you got the different scars along your bicep, the long one on your neck, the one on your cheek, stories you really didn't want to recount. After hounding you for a few minutes, her friend had pulled her away with an apology, "She likes scars," she'd said sheepishly, tugging the girl's arm, "Come on, Ellie, leave her alone."

You meet everybody, shake hands and even hug a few people. You start getting invited to things, asked to suggest films for movie night, help set up some games for the kids, Tommy even asks you one evening to help him herd a few sheep that had gotten loose. They trust you, and it feels good.

You still see that man, Joel, every night in the dining hall. But that's the only place you see him. You're not sure where he goes during the day or after dinner; he must just be a bit of a recluse, which you can't blame him for. The people here are nice but a lot are overbearing and a bit too friendly sometimes, plus it's hard to find time for yourself when everyone has tasks to complete and always likes to help each other out. You begin to wonder if he'll ever notice you, which leads you to wonder why it even matters to you that he does.

-

Your patrols start around the three month mark. Tommy takes you out with a small group beyond the borders of the community and shows you the ropes, points out where most of the patrol spots are with a pair of binoculars and goes over the routine. Your first assignment is simple: manning the watchtower with Maria. You spend most of the patrol getting to know her, hearing about her past and telling her more about yours. You like her a lot, she's easy to talk to and has a strong spirit akin to your own. The conversation gets pretty personal around the seventh hour, and you end up telling her how exactly you got the scar along your cheekbone. She listens deeply, thoughtfully, nodding along as you detail the more difficult things you've had to deal with in the past, the things that have made you stronger.

"You're tough," she says near the end of your shift, nudging your shoulder, "You don't really belong on watchtower, do you?"

You shrug, "I mean, if there's somewhere else I'd be more useful..."

"How'd you like to head out to the ski lodge with Joel next week?"

Your ears prick up at the name and you nod quickly, unsure exactly why, "Yeah, that'd be great!"

"He knows the area well," she adds, then grimaces, "I have to warn you though, he might not talk very much. He keeps to himself, I'm sure you've noticed."

You wonder why she's so quick to put you on patrol with someone who might not even speak to you, but it starts to make sense as you're walking back from the watchtower in the early hours of the morning. Tommy exits the dining hall and walks over to the both of you with a smile, pressing a tender kiss to Maria's cheek.

"How's my girl?" he asks flirtatiously, and she bats him away playfully.

"Was just telling the new recruit that she's gonna go on patrol with Joel next week," she replies, and Tommy stops in his tracks, raising an eyebrow.

"Her? With Joel?" he appraises you and bites his lip, "I don't know, honey, wouldn't she be better off with someone who'll actually talk to her? I thought she was on watchtower with you."

"Tommy, I never see you anymore," she gives him an exasperated look, "The weekends used to be for us and ever since the Kingstons left-"

"I know, I know," he looks at you again, twisting his mouth in thought, "I've been, uh, a lot busier than usual lately. We had this family here for a while, big family, they helped out with the patrols. But they decided to go south a few months back, so-"

"So Tommy's been filling in for every shift he can," Maria finishes for him with a sigh, "And I never see the damn idiot anymore."

You smile, "I'm totally fine with taking over for you, really."

Tommy raises an eyebrow, "Seriously? You sure?" Maria slaps his arm lightly and he gives her a look, but then shrugs, "I mean, okay, if you wanna give it a try. It won't be all the time or anything, maybe just every other weekend, but it would actually be a big help."

"It really would," Maria adds, "You have no idea."

"But... you gotta understand, my big brother, he's.... he's complicated," Tommy's expression is serious now as he looks at you, "He's not very talkative these days, not since..." he shakes his head and you don't push it any further, though you do wonder what's changed.

"So you'll do it?" Maria asks, eyes bright.

"Even if he doesn't talk to you?" Tommy adds with a grimace.

You nod, somehow believing it won't actually be that bad.

-

It is that bad.

The first time you're officially introduced to Joel he doesn't even bother to shake your hand, just nodding vaguely to you as you stand there like an idiot with your palm outstretched. Tommy makes a face at him and then looks back to you with a reassuring smile.

"There's not usually much trouble up at the ski lodge," he says kindly, ignoring Joel's ambivalence, "The trek back and forth is arguably the worst part. The lifts were already damaged beyond repair when we got here so it's a bit of a hike, 'bout an hour to get up there and the same back."

You begin to wonder if maybe this really isn't the best idea, eyeing Joel silently as Tommy explains what you should expect. You've seen this man smile, know he's capable of making some kind of small talk, but it's clear that you're not an ideal candidate as he stands there stiffly and lets Tommy do the talking. Tommy had told you earlier that if the patrol didn't go well he wouldn't make you do it again, and you're already thinking this might be your first and last shift with Joel.

Tommy walks with both of you to about the halfway point, still going over the routine as Joel trudges silently ahead of you. He hasn't said a word, not one word. It's honestly starting to piss you off.

"Well, I gotta head back," Tommy says, giving you another smile of reassurance, "I'll talk to you tomorrow, see how it went, see if we might make this more permanent." He seems doubtful but you can't blame him.

A few moments later it's just you and Joel, hiking in complete silence save for the sounds of nature. The cogs in your head frantically turn, trying to land on something you can say to make things less awkward.

"So, when's the last time you saw infected up here?" you settle on, hoping it'll be enough to start some kind of conversation.

"'Bout a month ago," he replies immediately, voice gruff but quiet, "Weren't too many."

He's got an accent like his brother but it's fainter, less obnoxious, like he's spent more time with non-southern people in the later years of his life. Tommy had said they'd grown up in Texas and lived there 'til he was in his late 20s and Joel his mid 30s, then somewhere along the way they'd separated. You don't know much else about him other than that.

"It's the people you mainly worry about though, right?" you ask, quoting something Tommy had said a few weeks back, "Tommy said you've had more run-ins with raiders than infected."

"Tommy's tellin' you too much," he replies with a grunt, "Don't know what he's even thinking sendin' some kid up here."

You feel anger rise in your chest immediately, "I'm not a kid, asshole."

He stops then, turns around and appraises you with his eyebrows furrowed. It's the first time he's actually gotten a good look at you, his gaze catching on your face for a lasting moment before his eyes fall to your gun. You feel slightly vulnerable, intimidated by his heavy stare.

"How old are you?" he asks, genuinely curious.

"Twenty seven."

His brow furrows even more, "Coulda sworn he said you were seventeen."

"Well, I'm not," you reply awkwardly.

"No, you're not," he acknowledges, "I'm sorry," He seems to mean it, giving you the smallest of apologetic nods and then turning around again to keep walking.

"You thought Tommy sent a seventeen year old up here with you? I thought you had to be eighteen to patrol outside the border."

"You do, I just wouldn't put it past Tommy to send a kid up here with me," he grumbles, "Wouldn't be the first time."

"...Why?"

"None of your business."

"Okay, but now I'm just thinking you're some kind of pervert," you say it in a joking manner but he doesn't laugh. Instead, he stops again and spins around, looking at you with what you can only explain as pure rage. You flinch backward, eyes widening.

"Do I look like a fucking pervert to you?" he asks, voice hard and angry.

"I was joking," you say immediately, shaking your head frantically, "It didn't land."

"No, it fucking didn't," he starts walking again at a faster pace, leaving you standing there completely floored.

Yeah, it's bad.

-

"Ellie's not speaking to him," Tommy explains to you the next morning in the dining hall, hands gripping his coffee mug. You've just told him about your patrol with Joel and the horrible impression you've already managed to make. "I really shouldn't be telling you this but with an outburst like that...I need you to understand why he reacted the way he did."

You look at him, bewildered, "Ellie? That teenager who plays guitar down by the stream?" And the one who'd relentlessly bothered you with questions about your scars, but you keep that part to yourself.

"Yeah, she's...well for all intents and purposes, she's Joel's kid. And she stopped talking to him a while ago, maybe six or seven months back now," he takes a sip of coffee, "Don't ask me why 'cause I have no idea. I've asked both of them and neither'll give me any kind of explanation. All I know is they ain't speakin' and he's heartbroken over it."

"Must've been a bad argument," you say, scrunching your nose in thought, "I mean...seven months? That's a long time to not speak to someone, especially your dad."

"Eh, you haven't met Ellie. She's one of the most stubborn people I've ever met. They both are," he shakes his head, "Anyway, you calling him a perv probably pissed him off 'cause Ellie's real special to him, a surrogate daughter. He wouldn't like someone misunderstanding that, seein' somethin' dirty or wrong there."

"I wasn't-"

He puts a hand up, nodding, "I know you weren't, I get it, no worries. It's partly my fault anyway 'cause he's right, I have tried to send a teen or two up with him, thought it'd do him good to mentor somebody again. But he doesn't want it, I know that now. He doesn't want it if it's not Ellie."

"Well, he doesn't seem to like me anyway, no matter how old I am," you sigh, leaning back in your chair and crossing your arms, "I mean, he didn't talk to me once after that, not for the whole shift. It was bad. I don't know if it's gonna work, Tommy. I'm sorry."

He nods and gives you a small smile, thumbing the handle of his mug, "It's okay, I didn't think it'd work out anyways." He tries to hide the disappointment in his expression but fails miserably, and you leave the dining hall feeling bad about your failure.

-

A few days later you're back in the dining hall finishing up dinner, chatting with a few of the community members who you've warmed up most to. There's not many, but you are starting to find yourself feeling more and more comfortable around people as the days go on, more like yourself. You're caught up in a story about an infected you'd encountered in a gas station when their gazes suddenly divert from you and instead fix above your head. Confused, you slow your words and turn around.

"Oh, hi," you say, voice a bit breathless when you see Joel standing there, hands in his pockets, "Did you need something?"

"I, uh, wanted to talk to you," he says it softly, kindly, completely the opposite of how he'd talked to you before, "When you're finished, of course."

"Oh, yeah, sure," your words are broken and awkward, "Uh, I'll meet you...?"

"I'll be outside the main doors," he says quickly, "Take your time."

"Okay, I'll be out in a few."

He nods to you and then to your friends, then turns on his heel and walks out through the big double doors at the end of the dining area. You watch him go, bewildered.

"I thought he hated you," one of your friends says, voicing exactly what you're currently thinking.

"Yeah," you reply, furrowing your brow, "So did I."

You finish your story much quicker than intended and shove away from the table, waving goodbye to your friends and bringing your empty dish to the cleaning station. You push past the double doors and scan the outside area for Joel, eyeing the picnic tables where a few people are enjoying their meals in the fresh air.

"Hey," you hear behind you, and you turn to see him leaning against the left side of the building, arms crossed, "Over here."

You walk over, trying to plan out exactly what you're going to say so you don't end up making some stupid joke again that'll push him further away from you. It turns out you don't need to, because he speaks first.

"I just wanted to tell you I'm sorry," he says it seriously, a soft and genuine look in his brown eyes, "I treated you horribly the other day, you didn't deserve that."

You raise an eyebrow, "Did Tommy put you up to this?"

He frowns, "No."

"Are you sure? 'Cause if he did...I mean, I get it. It's nice of him to look out for me like that but you really don't have to apologize. You didn't do anything, I'm the one who said the tactless joke."

"Tommy didn't say anything to me," he seems to mean it, kicking the toe of his boot against the building, "And I know you were joking, I knew it then too but I'd just..." he takes a breath, avoiding eye contact, "I was havin' a bad day. Doesn't excuse my behavior by any means but it...you just..." he finally looks at you again, expression pained, "I wasn't expectin' you to be there. Tommy only told me you were takin' over for him about ten minutes before you showed up. And then I thought you were a kid and-"

You put your hand up, silencing him, "Joel, it's okay. You don't have to explain."

"I didn't even shake your damn hand," he says gruffly, sounding genuinely ashamed.

You extend your hand to him immediately, splaying your fingers out into the cold air, "Here, shake it now." He stares at it, unsure, and you wiggle it a bit in response, "Seriously, it's okay. Let's start over, clean slate."

He slowly reaches up to take it, his much bigger hand enveloping yours completely. His grip is strong and firm and you can feel calluses along his fingers, showing you exactly who taught Ellie how to play that guitar.

"Clean slate," he repeats, and it begins.

-

He's annoying, but you kinda love it.

He's grumpy most of the time, hates when you don't obey his orders, isn't afraid to give you shit, and gets irritated with you very easily. But it goes both ways. You're stubborn and set in your ways, you hate being told what to do, you dish it just as much as you take it, and it doesn't take much to get you riled up. And somehow, as much as you'd both probably hate to admit it, you work well together.

After your little conversation with Joel outside the dining hall, you'd flagged down Tommy and told him you were willing to try again with Joel on another patrol. He'd looked at you like you were crazy but hadn't shot the idea down, telling you that if it's what you really wanted, he'd keep the schedule the same.

You've been up on the mountain with Joel three times now, and while there's certainly been challenges and a few arguments, it's starting to become a routine. He doesn't talk about himself - it's a bit of an unspoken rule that you dare not break - but in return you don't tell him much about you either. Your main conversation points are usually tied to your interests, not your pasts, and you find yourself discussing movies with him, as well as music and books. He's surprisingly well-read for someone in an apocalypse, but you suppose he could say the same thing about you.

-

The fourth trip is what sets things in motion.

"Did you catch the movie last night?" you ask nonchalantly as you hike beside him, almost to the ski lodge. It's early morning, around five, and the sun is just beginning to crest the tree line, "I don't think Maria knew about the sex scene."

He groans, reaching up to rub the space between his eyes - you've noticed that he does this a lot, a quirk you've become rather fond of.

"Yes," he replies, wincing, "I heard her givin' Tommy a piece of her mind afterwards."

"The way she was yelling for him to turn off the projector was so fucking funny," you grin at the memory, still fresh in your mind, "And listen, I get it, sex is taboo, yada yada yada, but it's not like there were any little kids there last night, it was just the teens. And it's not like it was a porno or something, it was one little sex scene."

"Oh, I know, but I think Maria's trying to keep 'em as innocent as possible for as long as she can."

"Good luck with that," you snort, "I think we all lost our innocence a long time ago, for better or for worse."

"For worse," he replies instantly, "Definitely for worse."

"You're probably right," you grimace, "Although, you know what? I've actually never seen a porno."

He raises an eyebrow at you, "Seriously? Never?"

You bristle slightly, suddenly a little self conscious, "Well, it's not like there's an adult video store in this town, is there?" You can remember them existing when you were a kid, before everything happened, but it's not like you'd had any use for them at that time.

"No, you're right," he turns away from you, lost in thought for a moment, "They do still exist though. Pornos, I mean. Just in other forms. There's a stack of magazines up at the ski lodge, actually."

Your eyes go wide, "Wait, really?"

"Yup."

"Could I maybe..." you trail off and stop speaking, realizing that you should definitely not be asking what you're thinking.

"Look at 'em?" he finishes for you, not looking behind him as he keeps walking, "And you call me a pervert."

The conversation ends there, and you don't dare try to continue it.

-

The day is spent keeping watch along the ski lodge balcony, binoculars passed back and forth as you trade shifts and chat here and there about irrelevant things. Your main objective in this patrol spot is to keep watch of the main watchtower's blind spots, keeping an aerial view of the border perimeter in case people - mainly raiders - decide to make themselves known. You'd thought early on in your admittance to Jackson that infected were their main concern, but you've come to learn that's not the case at all. When Joel had said they'd come across infected up here he'd been lying to you; they'd actually come across a group of raiders who'd tried - and failed - to murder Joel and Tommy during their watch. Not the most reassuring thing to hear now that you've taken over, but you needed to know.

"It's why we got the trip wires down near the entrance now," Joel had explained to you during your second patrol with him, "We won't get snuck up on again," he'd made a face, "Not unless someone decides to disobey my orders."

You'd given him a weak smile, remembering how you'd decided not to heed his warning about going outside the ski lodge after light's out and ended up almost getting your leg shot off by a booby trap, "My bad." He'd rolled his eyes and grumbled to himself.

Now that it's your fourth watch you've gotten the hang of things and have learned to enjoy the semi-solitude of being on the mountain with Joel. He's got a battery operated radio and a box of cassette tapes that keep you from being bored out of your mind, plus a few containers of books that he and Tommy had carried up over the course of a few patrols. Now that you really think about it, you don't remember seeing any of the aforementioned porn Joel had spoken of in any of those crates.

It's midday when you decide to glance through them again out of curiosity, handing the binoculars over to Joel and slipping past him as he traipses out onto the balcony. You head for the boxes immediately and start to dig through them, not sure exactly what you're even looking for. Someone naked, you guess.

"They're not in there," Joel calls to you after a few minutes and you stiffen, turning to look at him through the glass where he can very clearly see what you're doing. He's got a shit-eating grin on his face and you feel your skin flush red.

"I don't know what you're even talking about," you call back, walking away from the books and plopping yourself in the chair by the unlit fireplace, which has somehow become your chair via another unspoken rule, "I was looking for a tape."

"Okay, well the 'tape' you're looking for is in the back of the supply closet," he sounds like he's fighting back laughter and your skin burns even more, "Underneath a box of cleaning supplies."

"I'm ignoring you," you yell out, "Get back to work."

You swear you hear a muffled laugh through the glass.

-

When he comes in from his shift he barely looks at you, just pushes past you lightly and heads for the supply closet. You follow behind him, heart pounding a bit harder in your chest the closer you get to the stash. He opens the closet door and you watch as he yanks out the cleaning supplies, then digs a bit deeper and reappears with six or seven magazines in his arms.

"Here," he leans them toward you and you hesitantly reach forward to take them from him, "They're mostly from the 90s."

"And you know this because....?" you raise an eyebrow and you swear his cheeks go pink.

"I'm a man," he shrugs, trying to be nonchalant as he passes you again to head back to the living room.

"Perv," you call after him, but he doesn't turn around this time.

"You got ten minutes."

-

You've never seen so much nudity in your life, which is saying something considering you'd seen your fair share of it back in your QZ when life had been a bit easier. But seeing it on paper, in photographs that have somehow lasted through years of this shitty reality, it's something else entirely. You stare with wide eyes at the onslaught of naked bodies, most of which are posed in extremely graphic sexual positions, and feel your heart continue to pound in your chest.

Without much thought you'd opened the first magazine right there where Joel left you standing outside the supply closet, and you now find yourself sitting in said closet with your flashlight aimed at the pages, breathing heavily and trying to comprehend exactly how you feel about what you're looking at. A lot of it feels kind of fake, especially the looks on the faces of the models, but there's enough sexual energy there that makes you start to feel a bit wet in your underwear, a feeling you haven't experienced for quite some time; not since a few a years ago in the QZ when you'd been in your last relationship.

"I gave you ten minutes," you suddenly hear Joel say from the other room, and you quickly scramble to your feet and frantically shut the magazine, "In case you forgot, it's your turn."

"Fuck," you trip out of the closet and dash to the living room, clutching your brand new collection of media to your chest, "Sorry, I got distracted."

He stands by the balcony door and looks you over quickly, eyes scanning from the magazines to your face and back again, "Enjoy yourself?" his expression is unreadable and it makes you self conscious.

"Oh please," you reply, making a face, "Do not start."

-

"So which was your favorite?" he asks you casually once darkness has fallen and you're both safely settled in the lodge for the night.

"Which what?"

He looks at you from over his book and gives you a look, like he's questioning your sanity. You stare for a moment and then slap your hand over your eyes when you realize.

"Oh for fuck's sake," you groan, "I'm never gonna hear the end of this now, am I?"

He laughs and you look over at him again, laying there on the couch with a smug look on his face. You retaliate by grabbing the pillow behind you and tossing it at him, making him drop the book he's reading.

"Hey!" he reaches down to pick it up again, "I showed them to you, I'm allowed to ask."

"False," you say, flipping your hair, "And for your information, I only managed to look at one of them."

He chuckles to himself and returns to his book, "Okay, okay, I'll leave you alone. I was just kiddin'."

"Joel Miller? Kidding?" you make a faux-shocked face, "I fear we've entered the Twilight Zone."

"Don't even pretend you know what that is," he says it seriously but his smile betrays him, "You didn't know about the Twilight Zone 'til I told you about it last week."

"That's just what I wanted you to think."

He rolls his eyes and keeps reading, letting the silence take over again. You watch his eyes scan the page back and forth, taking in the story - whatever it is - and transporting himself to another world, away from the ski lodge. He does this every patrol once it's too dark to see outside, sets the battery powered lantern to its highest setting and reads until he falls asleep. You wish you had his concentration and focus; instead, you curl up in the red armchair and force your eyes shut until your thoughts quiet down enough to let you sleep. Which is difficult tonight especially, seeing as all you can think about are those damn magazines.

After about five more minutes of silence you take a deep breath, then quietly say, "The one with the blonde girl in the bunny ears."

You don't dare look at him, waiting for his response and focusing instead on the empty fireplace beside you. You hear the crinkling of paper as he dogears the page of his book and then the gentle thud as he places it on the floor.

"That's a good one," he says just as quietly.

Another moment of silence passes, and your skin feels like it's on fire as you whisper, "I like the page where she's like...bent over."

"I can't remember the pages, if I'm being honest," he replies, "I haven't looked at them in a while."

You nod to yourself, "Well, there's this page where the guy has her bent over a table. And he's like...pounding into her from behind." You wait for him to say something else but he doesn't so you continue, "It's one of the only pages where she actually looks like she's enjoying herself."

"Hey, uh, I really was just kiddin'," he says awkwardly, "You don't have to tell me, it's okay."

"Oh," you can't help but sound dejected and embarrassed, your fingers trembling a little bit as you push a loose strand of hair behind your ear, "Sorry."

"I mean, if you want to, you can," he corrects, sounding slightly embarrassed himself, "I know you probably....you probably want to talk about it."

You bite down on your lip and sigh exasperatedly, placing your hands over your face, "Kinda," you mumble against your fingers, "It's all I can think about right now."

"Did it make you uncomfortable?" he asks, voice still gentle, "A lot of people are offended by that kinda stuff, you wouldn't be the first person to find it weird."

"It's definitely weird," you take a shaky breath and drop your hands, "But no, I'm not uncomfortable. It was....I mean, it was hot," you bite your lip, "I haven't even thought about sex for a long time so it made me...uh..."

The silence is deafening and apparently neither of you wants to break it as you sit there without speaking, letting your words hang in the dead air. You suddenly feel like you want to crawl out of your skin for saying anything to begin with, for even asking about the magazines in the first place.

"Wet?" he suddenly says, voice breaking a bit, "It made you wet?"

"Very," you reply, relieved that he's not freaked out and trying to change the subject.

"Well, that's normal," he says, voice stiff.

You can't help but laugh, finally peering over at him and seeing that he's just laying there, staring at the ceiling, "I know it's normal, Joel. It's not my first time being turned on, trust me."

"Well, what am I supposed to say?" he grumbles, looking at you in exasperation, "You can't just say that and expect me to give you a casual response. It made you wet, you got turned on, congratulations."

You stare at him, watching as he reaches for his book again, "Wait," you clamor out of the chair and reach beneath it to grab the magazine you'd looked at earlier. You shuffle over to him, thumbing through the pages until you find the right one, "Here," you open to the correct page and show it to him, "This is the one I'm talking about."

His eyes assess the page, his Adam's apple bobbing heavily in his throat as he takes in what you were referring to. He nods slowly, "Okay yeah, I see what you mean. She's about to come, that's why she looks like that."

Your brow furrows, "You can tell that from a picture?"

He shrugs, eyes still on the magazine, "Well, see, he's rubbin' her clit," he points to it and your face goes hot again, "And he's fuckin' her pretty hard. So yeah, I'd say she's either already comin' or about to." his gaze shifts back to you, noticing that you're staring, and he awkwardly pushes the magazine back toward you, "What?"

"I just..." you swallow, shaking your head apologetically, "Sorry, it just sounded really dirty hearing you say that."

He suddenly looks uncomfortable, shifting on the couch and leaning away from you as he crosses his arms, "Well, you asked."

"I know, I don't mean it in a bad way," you step back and realize you're suddenly throbbing in your jeans, feeling that familiar wetness again, "It just... hearing you say it out loud like that, it makes the picture hotter, somehow."

He looks at you, gaze trailing from your eyes to your lips. You suddenly feel like you've said too much, exposed even though you're fully dressed, and you walk back over to the chair and quickly plop back down in it. You give him another look and see his lips parting like he's going to say something else. Instead he takes a breath and drops his eyes from your face, twisting around on the couch to face the opposite way, "It's late, we should sleep."

"Y-yeah," you breathe, crossing your legs, heart stuttering as your clothed core presses wetly against the denim of your jeans. "You're right."

You curl back up in the chair and try to calm your breath, slow your heart, try not to focus too much on the fact that hearing Joel of all people say the phrases he's rubbin' her clit and fuckin' her pretty hard has made you start falling to pieces. Do you even see Joel that way? Has there ever been a moment where you found yourself thinking about him like that? You want to tell yourself the answer is no, that your body is simply experiencing some pent-up sexual frustration and he has nothing to do with it, but you know you'd be lying to yourself.

He's hot. It's not some shocking revelation or something you've realized over time. There's a reason you'd felt so drawn to him that first day in the dining hall, a reason you'd watched out for him every day and hoped he'd notice you. Hell, there's a reason you're still doing patrols with him despite him being a pain in the ass. You're not an idiot, you know yourself well enough by now to know what these things mean.

You're attracted to him. You've been attracted to him this whole damn time.

You shut your eyes tight and curl up into a ball, holding your knees to your chest. He's rubbin' her clit, his voice echoes in your mind, and your cunt begins to ache.

Stop thinking about it, you shake his words away and try to focus on falling asleep. There's no way you're gonna touch yourself right now, not with him in the room, and you're not gonna excuse yourself either like some horny teenager. You can do this, you can get through it, it'll go away soon.

-

It doesn't go away.

About twenty minutes later you're still sitting there with your eyes shut, trying your hardest not to touch yourself. But it's so fucking difficult. His words are playing on a loop in your head, over and over, soft yet rough, kind yet sexy, his southern drawl making it all the more hotter:

She's about to come, that's why she looks like that.

He's rubbin' her clit.

He's fuckin' her pretty hard.

I'd say she's either already comin' or about to.

You squirm in the chair, imagining what he'd sound like whispering that in your ear with his fingers pumping in and out of you as you came undone beneath him. Rubbin' her clit, his voice breathes in your mind, fuckin' her pretty hard, she's about to come.

You're ten seconds from breaking your own rule and heading back to the supply closet to find some release when you hear an unfamiliar sound coming from a few feet away. Your eyes flutter open, thoughts stopping momentarily as you try to figure out what it is. You turn slightly in your chair to see if Joel hears it too, and you feel your breath stop completely.

He's turned off the lantern so you can't see him properly, but you can make out the shadow of him in the moonlight, see the long shape of him directly mirrored against the floorboards and his hand stroking himself up and down, quick and rough. Your lips part in disbelief, realizing the noise you're hearing is the sound of his palm slapping against the base of his cock as he jacks himself off.

You've gotta be fucking kidding me.

Here you've been, desperately trying to push away any and all sense of desire so you wouldn't make a fool out of yourself, wouldn't make him uncomfortable, and here he is doing that exact thing. Angrily, almost out of spite, you sit up in the chair and stuff your hand down your jeans.

Two can play at that game, asshole.

Your finger goes straight to your clit and you begin to rub it furiously, eyes trained on the dark outline of his hand moving up and down. You can only vaguely make out the shape of him but it's enough to make you start dripping, the base of your palm getting slick as you stimulate yourself continuously. He's well endowed, that much is obvious, and you watch his silhouette as he releases his large cock for a moment to bring his hand to his mouth and lick a stripe along his palm. You have to bite down on your lip to suppress the moan that threatens to bubble from your throat at the action, watching through lidded eyes as he brings his wet hand back down and fists himself once more.

Without much thought you slip your middle finger inside yourself, eyes trained on him as you pretend it's his cock pushing past your entrance. It's pretty difficult to imagine though, considering his cock is probably five times as girthy as your one finger, but you make do. You can kind of make out the shape of the tip, wide and shiny, disappearing and reappearing over and over. You slip a second finger inside and bite back a whimper.

The only sounds in the room are the slapping of his skin and the sudden wet squelch of your fingers; you don't even bother to try and make it softer, you're getting off now whether he knows or not, the fullness overwhelming you as you lick your lips and furrow your brow. You haven't masturbated in a long time; you know it won't take you long to get what you need.

"Are you-" he suddenly gasps into the darkness, and your head snaps up to look at him again, heart pounding when you see that his hand has stilled on his cock and he's looking over at you with an expression of pure disbelief.

You should probably be embarrassed, apologetic, but instead you can't help but feel a rush of pride, of spite, as he realizes what you're doing.

"Like you're not," you hiss back, practically spitting as you continue to fuck yourself, "I'm not deaf."

"Thought you were sleepin'," he says back, and you can see his fingers clench around his length, like he's doing everything in his power not to stroke himself.

"And that makes it less weird?"

He groans and lets go of himself completely, sitting up slightly on the couch and shaking his head like he's trying to wake himself up from a dream he isn't having. When he looks at you again his eyes fall to where you're still getting off, not bothering to be sneaky about the way he practically bores a hole in your jeans with his gaze.

"So what are you gonna do about it?" he challenges gruffly, eyes coming back up to meet yours, the hint of a cocky smirk twitching at the corner of his mouth.

Oh, he's proud of himself, isn't he?

You glare at him, "I'm not gonna do anything about it, Joel. I'm gonna keep going," you mean it too, fingers not even slowing down as you pant breathlessly in his direction, "And you can stay here or you can go, doesn't matter to me."

It does matter, actually, it really does. If he was to get up and walk out... it would basically be a rejection, something you're not sure you'll be able to deal with. You don't break eye contact with him, staring him down as you give him your own challenge.

He swallows, gives you one last look, and then flops back down into a horizontal position as he reaches for himself again. He returns to his quick strokes, almost purposely more heavy this time as he mutters, "No talking. Let's just do it and forget it even happened, deal?"

"Deal," you reply immediately, and add a third finger.

It doesn't take long for you to find your release, a particularly hard slap of skin from Joel on the couch pushing you over the edge. You don't try to stifle your moan this time, focusing completely on enjoying your orgasm as your hand stills in your pants and you begin to shake in the chair. Your hips buck pathetically, eyes shutting tight as you whimper and cry out in pleasure.

"Jesus Christ," you hear Joel pant a few seconds afterward, followed by a long groan as he starts to come too, "Fuck."

You manage to catch a glimpse of the way he twists his wrist, aims his cock against his button-down and stains it with his release. You wish you had a better view, that it wasn't so dark, but just hearing him come apart is enough. It's exactly what you hoped it would be.

You lay there in silence for a few moments, both of you panting breathlessly from your orgasms as the weight of what you've just done starts to creep in. You're suddenly slightly afraid of what he'll say, what he'll do. Will he get mad? Will he say he doesn't want to patrol with you anymore? You decide immediately that you don't want him to have the first word.

"What were you thinking about?" you ask, barely a whisper.

It takes a few moments for him to reply, and you start to worry that you've already ruined everything, but then he answers.

"Bunny ears," he says quietly.

"What?"

"I was thinkin' about the bunny ear girl," he's still breathless, "From the magazine. Weren't you?"

You figure you can't dig the hole any deeper.

"I was just watching you, Joel," you breathe, feeling butterflies tingle in your belly at the words, "Didn't have to think about anything else."

He doesn't say anything for a moment, then mumbles something to himself that you don't understand. You can't fully make out his expression but you swear you see him frown in the moonlight, not exactly the response you were aiming for. He suddenly turns on the couch again to face away from you, exhaling loudly, "Go to sleep."

The words strike you hard, lips parting in surprise. You obviously hadn't expected him to completely reciprocate, to jump into your arms and kiss you, but that? "Go to sleep"? What the fuck kind of a response is that? You stare at him, hoping against reason that he'll turn around again and apologize, say something different, but he doesn't.

"Yeah, sure," you mutter, curling back up into a ball in the chair and hoping sleep finds you as soon as possible so you don't have to think anymore, "Asshole."

You hope he hears you.

-

You wake the next morning to the sound of someone rummaging nearby, and you open your eyes blearily to see Joel crouched near the door, packing his bag. You stretch and yawn automatically, momentarily forgetting what had transpired between the two of you last night. His head tilts up to look at you and it all comes flooding back when you see that familiar frown on his face.

"Do you ever smile?" you say, voice rough with sleep.

He rolls his eyes and goes back to his pack, shaking his head, "Like you're so chipper."

"Well, at least I have a good reason to be annoyed," you snap, sitting up in the chair and stretching your legs, "Asshole."

"You love to call me that, don't you?"

"Just calling it like I see it," you mutter, pulling yourself up and heading past him to the door, "I'm taking a piss."

"Watch out for th-"

"The trip wires, I know," you interrupt coldly, "I'm not an idiot."

He doesn't say anything else but you feel his eyes on your back as you walk out onto the balcony and down the steps. You both have to pee in the woods when you're out here - the ski lifts aren't the only things that don't work properly anymore - so you've managed to each figure out your own designated area. You feel relieved once you're out of his eyesight and beneath the thick layer of tree branches that keep your makeshift bathroom secluded.

You really shouldn't be so pissed at him, it's not like he owes you anything. You know you're projecting your own feelings onto him and that it isn't fair, but god, him telling you to go to sleep after you'd essentially confessed your attraction to him makes your blood boil. He'd really had nothing else to say? Couldn't have come up with something a little softer, a little kinder? Let you down easy?

You grumble to yourself on the way back up the steps, questioning whether or not you should keep ignoring him or just get over it. Is it really worth an hours hike of hostility? You already know this is your last shift with him, there's no way you can come back from this in any way that will keep your dignity intact. It's over.

"You say you're not a kid but you sure do act like one," Joel says the second you re-enter the ski lodge, and you stop dead in your tracks. He's got his arms crossed, nose flaring in anger, "I'm sick and tired of the silent treatment, the cold shoulder, all that shit. What happened to people just talkin' to each other?"

You shut the door behind you and shake your head, "I'm not giving you the silent treatment Joel, calm down."

"Don't tell me to calm down," his voice is firm but you can hear some emotion there, something deeper. He doesn't like being ignored and you know why, but it doesn't soften your resolve.

"I'm pissed at you, yeah," you admit, shrugging, "But I think I have a pretty valid reason."

"And what is it?"

You stare, scrunching up your face in confusion, "Are you serious? Jesus, Joel, I thought you were smart."

"Oh, fuck off," he grumbles, rolling his eyes again, "I ain't a mind reader."

You shake your head again, inhaling deeply, "I'm not asking you to read my mind, Joel," you exhale and try to calm yourself, feeling the angry tears begin to sting your eyes. God, you hate how emotional you get when you're angry. You hate showing weakness like this.

"Then tell me," he groans, "Is it about last night? 'Cause I thought we made a deal that we're not gonna talk about it."

You laugh at his words, cold and hard, "Right, yeah, sorry. Deal's a deal, right? My bad," you couldn't sound more sarcastic if you tried, stuffing your roll of toilet paper back in your pack and zipping it up, "Come on, let's just head back and forget about it." Your voice cracks on the last few words and you bite down hard on your lip, feeling the tears spill over.

"Are you crying?" his voice falters, and you hear a twinge of kindness in his tone, something you'd desperately wanted to hear last night.

He crosses the room before you even have a chance to reply, striding over to you and placing his hand on your shoulder firmly, making you turn around. His face softens immediately when he sees the tears streaming down your face, the tears you're already trying to wipe away.

"Fuck," he says, brow furrowing in concern, "I'm sorry."

You snort involuntarily, shaking your head, "I'm just stupid."

"You're not stupid," it's almost a whisper, "I'm the stupid one, believe me," he brings his hand up like he's going to touch your face but seems to think better of it, bringing it back to your shoulder again, "I shouldn't have... I don't know what I was thinkin' last night, I'm sorry. You showed me that magazine and-"

You put your hand up to silence him, "I don't care about why, Joel. I don't even care that you did it, it's not like I told you to stop."

His brow furrows deeper, "Then what...?"

You close your eyes, breathing deeply before putting on your best impression of him and mumbling, "Go to sleep," like he had the night before, opening your eyes again to see if he understands.

He stares at you for a few seconds, confused, but you watch as it suddenly dawns on him, realization spreading across his features. He suddenly lets go of your shoulder and takes a few steps back, eyes falling to the floor.

"You can't... you can't think of me that way," he says it gruffly, swallowing and shaking his head.

You stand there without saying anything, waiting until he finally looks back up at you to speak. When he does, you make sure to look directly in his eyes.

"Why not?"

His hand comes up to touch the back of his neck and you swear you see patches of red begin to bloom along his collarbone, like he's embarrassed...or flattered? You take a step forward and he quickly takes another step backward.

"If it's because of the age thing... I really don't care, Joel," you say earnestly, heart beginning to beat heavily in your chest, "I think you're..." You can't believe the words are even coming out of your mouth, the tears on your face already beginning to dry as you try to process this new situation you've found yourself in, "I think you're sexy."

His brow furrows again, not in anger but in confusion. He doesn't take another step backward when you move toward him this time, staying rooted in place as you peer up at him, waiting for him to speak. He remains silent, his eyes trained directly on your face, lips set in a firm line.

"You don't believe me, do you?"

He shakes his head slowly, "I don't."

"Why?"

He doesn't reply, just keeps staring at you like he has absolutely no idea what to say. You suddenly feel the need to reassure him, comfort him. Your hand moves upward, aching to cup his face in your hand, feel that grey scruff beneath your palm.

He pulls back before you get the chance, shaking his head again, "Don't," it's barely a whisper, voice breaking as he says it, "Just...gimme a minute."

"Okay," you nod, dropping your hand, "I'm sorry."

"Stop apologizin'," he breathes, still not breaking eye contact, "Just let me think, please."

You swallow, teeth tugging on your lip as he continues to stand there motionless. He's still looking at you but his thoughts are miles away; you can practically see the wheels turning in his head, calculating exactly what he's supposed to do in a situation like this. Part of you wants him to kiss you, part of you wants to kiss him, part of you wants to wait until he makes a decision. You settle firmly on the third option.

"I lied," he finally breaks the silence, jaw tense and firm, "I wasn't thinkin' about that fuckin' bunny ear model."

Your lips part; you hadn't been expecting him to say that.

"Then...what were you thinking about?" You already know the answer before he replies.

"You," his voice is strained, broken, like he's holding himself back, "I was thinkin' about you and the stupid magazines in the supply closet."

You feel your skin flush, a tingle trailing up the back of your neck as you try not to show him how pleased you are, "W-what?"

"I couldn't stop thinkin' about you in that closet, lookin' at those pictures, getting...." he trails off and swallows, then whispers, "Wet. Gettin' all wet in your panties from that girl getting fucked."

His words send an immediate throb to your core and you can feel your heart in your throat, pounding relentlessly as he continues to speak, continues to say exactly what's been on his mind as you stand in front of him, so much smaller than him, letting his words get lost in the sudden warmth of your body and the buzz of your thoughts.

"I couldn't stop thinkin' about it," he repeats, voice rough, eyes dark, "Your wet panties, your big eyes, your..." he practically chokes then, "Your pussy, all wet and aching."

"Oh my god," you whimper, crossing your legs involuntarily as you feel an immediate surge of wetness in your underwear, "Please, keep talking, please."

"Wanted to see it and touch it," he murmurs, his breath ghosting across your face as he peers down at you with desire in his eyes, "Wanted to fuck it and make you come."

Without hesitation your arms shoot up to wrap around his neck, burying your face in his warm chest and tugging at the collar of his coat, "I want you to," you practically moan, clawing at the material, "Joel, I need you to fuck me right now."

To your absolute dismay he reaches up and removes your arms from him, taking a step back so neither of you are touching. His eyes are so dark, pupils blown wide and that red blush of heat now spread all over his neck and cheekbones.

"I can't," he says, shaking his head, "I'm sorry, I can't."

You're about to protest, whine and beg if you have to, but his eyes fall to your groin. You watch with wide eyes as he goes for his belt, begins to unloop it and remove it.

"Take your pants off," he groans, and you don't need telling twice.

-

You end up masturbating together again, this time in the light of day. You find yourselves laying on the couch where he'd slept last night, the memory of what he'd done there fresh in your mind as you pump two fingers in and out of yourself steadily and watch him stroke his cock to match your pace. He watches you behind hooded eyes, his lips parted as he pants and gets himself off to your pleasure, watches you do the same thing to him.

"That's it," he murmurs, eyes scrunching in arousal as he scans your face, watches you come undone, "Rub your clit, nice and fast."

You whimper, unable to hold on for much longer as you eye his cock and see the way the fat head of it drips for you, slicking his hand and allowing him to stroke faster and faster. You want to say something to help get him off too but your words are completely lost in the sensation; you couldn't speak even if you wanted to.

He knows you're about to come, can see it in your face the way he saw it in the face of the model in the picture. He swallows heavily and fucks himself impossibly faster, harder, silently asking you to match his pace. You do it, thumbing your clit and feeling the tense coil in your belly snap as your jaw drops and you let out a long and ridiculously loud moan. Your eyes shut tight and you throw your head back, feeling your body begin to shake from the stimulation.

"There you go," he grunts, and you hear the slapping of skin stop as he rides out his own release, coming into his fist, "Fuck." Your eyes open at just the right time to see his jaw go slack, eyes practically rolling into the back of his head from the pleasure. It somehow makes you ache for more, even though you can't possibly imagine being any more overstimulated than you already are.

You both lay there, chests heaving, hearts pounding, completely undone. It goes without saying that you've both just managed to each have one of the best orgasms of your lives.

"New patrol rule," you whisper to him, legs still wide and cunt dripping with your release, "We do this. Every time. Please."

"Yes," he replies immediately, still catching his breath, "I can do that."

-

"It can't be any more than this," Joel says to you quietly as you hike down the mountain a little while later, the sunrise cresting the trees again the way it had yesterday when you'd hiked up; it's like nothing has changed, but you both know that everything has.

"Okay," you say just as softly, though part of you aches to reach for his hand, loop your pinky through his and have some degree of touch between you. But you can tell he means business, that there won't be any more discussion on the matter today.

"Just this," he whispers, glancing at you with a meaningful look, eyes soft and tender as he peers at you, knowing what he's done, what he's started.

"Just this," you agree, but you don't really believe it.

You hope, deep down, neither does he.

thank you so much for reading! there will be more in this collection coming very soon. i'd like to do some short fics of certain nights they've had, especially the first time he calls her a good girl. that was originally going to be in this part but it was just getting wayyy too long and i have so many ideas i need to flesh out more lol. i'm also going to continue where they left off in "don't think we could help it", and yes, eventually they will do the deed, i promise. among other things....

if you liked it, please let me know! and again, if you'd like to give me a tip you can do so on my kofi 💖

[batmanisagatewaydrug]

Hey there sex witch! This one might be a little bit out of your wheelhouse, but I don't really have anyone else to ask 😅 and this seems mostly relevant to what you talk about.

So recently I (a very shy person for a long time) have gotten pretty active in some fandom discord communities, and I've been making a ton of friends. Which is great because I used to have social anxiety to the point where I could barely talk to people, especially online. The problem is that my new friends are all VERY horny, all the time. Which, great for them, I don't really feel the same way. They're also very interested in ERP and other varieties of e-sex and often ask if I want to join. I really don't, but it's fine that they're into that. One guy in particular is really starting to freak me out though. He's a semi-popular creator and a mod on one of the servers. He's becoming a pretty good friend of mine and I play online games with him and others a bunch. He, like the rest of the crowd, is also very horny all the time. He often makes sexual comments about me, sometimes very graphic ones. Stuff like telling me to take my clothes off IRL while on call with him or saying stuff like "I want to fuck you until you cry" or just dming me asking if I want to have sex with him. Sometimes he notices that his comments make me uncomfortable and he did reach out to sincerely apologize for it once, but he hasn't changed his behavior a whole lot.

The big thing that worries me about him is the fact that he's 28. I'm 18, just graduated high school. He knows this about me. He does a very good job of keeping his server 18+ and would never make a sexual comment about a minor, but is still comfortable doing sexual things with people ten years younger than him. Another thing is that even though I've told him I already have a boyfriend, he assumes I'm in an open relationship even though I never told him I was. My boyfriend also says this guy kinda freaks him out and that he's a little worried about me.

I know that age gaps between older people can be perfectly healthy and problems arising from them vary pretty heavily from person to person, but I'm not entirely sure if this is ok or not. This guy doesn't want to hurt anyone. Have I probably just not properly expressed my boundaries with him? It's not like he's targeting me or anything, he acts this way with basically everyone. I'm torn on what to do, he's still my friend and I like him otherwise. Should I just keep laughing it off? I am uncomfortable but I guess it's not a huge deal to me. Should I stop talking to this guy?? Help??

🐟🐟 So I can find this quickly if/when you answer it

hi 🐟🐟,

this guy fucking sucks and needs to be banned from interacting with maybe anyone until he learns what "no" means. literally every individual thing you've described him doing would be alarming in it's own, but altogether this man is a walking collection of red flags. this is not your friend and this is not a guy who cares about your boundaries or well-being; this is a man using his fandom clout to sexually harass you (and likely others). him being ten years older than you isn't even really the biggest issue here; all of this would be shithead behavior even if you were exactly the same age.

get out of there, double fish.