#they're Giants now :)

[bitegore]

Zionists want you to conflate Judaism and Zionism. Zionists want you to believe that Judaism cannot exist without Zionism and that all Jews are Zionists. Zionism would have Jews believe that a Jewish state is the only way that they can be safe from antisemitism and will point to any instance of antisemitism as proof that Zionism is the solution- so Zionism wants gentiles to be antisemitic in their support of Palestine. They want you to conflate all Jews with Zionism and the state of Israel, and they want you to treat all Jews regardless of political affiliation as the face of Israel. Antizionist Jews exist, and incidences of antisemitism ostensibly acting against Zionism will not help dismantle the forces propping Zionism up.

Don't do their work for them.

[wasyago]

something incredibly self indulgent

[levemetal]

Retired happy Junmei for no reason at all except let them be happy post-canon that's all.

[biblically-accurate-dca]

super disorganized sketch page because i do what i want

[fourcheeseonrye]

i had the worst day ever so here's two mass murderers taking a little nap

[mummyscarian]

i prescribe to the theory that everyone entered Evo a human

but didn't leave one

[jq37]

Descendants: The Rise of Red is kind of a bizarre movie to talk about critically because, imo, it almost doesn't make sense to talk about it in the usual terms of good vs bad or enjoyable vs not enjoyable when the way more obvious tension is finished vs unfinished.

Because, more than any other movie I've ever seen, it does *not* read as a full movie. And I don't mean in a "this movie has a cliffhanger" kind of way. The Empire Strikes Back and Across the Spiderverse fit that description. They end on big dramatic cliffhangers that point to a resolution in the third installment.

But Rise of Red just sets all this stuff up and then...ends without concluding anything. It doesn't feel like the first movie in a trilogy (or duology). It feels like the first act of a two-act musical. It very specifically reminds me of the end of the first act of Into the Woods where all the main characters sing the song Ever After about how they all fixed their problems with magic and nothing bad will ever happen to them again and then the narrator ominously says "To be continued" before the curtain drops. But in Into the Woods you know there's a second act and this movie wasn't sold as the first act of a bigger story. Like sure, it has the, "You didn't think this was the end" tag at the end like all the other movies, but those movies were complete, self-contained stories even though they had sequels. This was NOT a full story. It's half of one story.

Like, if we're supposed to take this as a full story, there are so many bizarre choices:

Why did they make sure to mention that Cinderella and Charming fell in love at the ball at the top if it wasn't meant to set up Back to the Future style, "Oh no, I accidentally got my mom banned from the ball so she's not gonna fall in love with Dad and I won't be born" shenanigans?

Why did Maddox very pointedly have that bit about "you could lose your mom completely" if that was never going to come into play? Red never did anything to endanger Bridget or endanger her own birth so it doesn't make sense as a warning in that way.

Why was there all this focus on this Carrie on prom night moment for Bridget if we LITERALLY NEVER SAW CASTLECOMING? Why dance around this moment and talk about it all cloak and dagger with no specificity if they weren't building up to some big reveal that it wasn't as straightforward as it seemed? And like, they leaned in HARD with making Bridget the nicest, sweetest, cotton candy princess as a teen so I need WAY more than, "She got pranked by known bullies she's been enduring with a smile very handily up to this point" to buy that she went from that to "murderous dictator". And even if she did become murderous, I find it insanely hard to believe that she'd include her best and only friend on the list of people she wants to suffer unless there was a betrayal. I find it INSANE that there wasn't a falling out scene at any point in this movie with how thickly they were laying on the admiration and camaraderie.

(Note: And adult Cinderella def has guilty vibes re: the Queen at orientation. Which I know I'm not imagining because it's literally spelled out in the Jr Novelization!)

Before the time travel element of the movie started, I thought they were going for something like they go to the past and realize that Bridget was bullied not by the VKs but by the spoiled royals, and Ella ends up joining in the bullying once she gets with Charming, betraying Bridget and justifying her whole "Love Ain't It" philosophy. Or Ella ditching her at the last minute to be with Charming meaning she has to deal with the monster prank alone and it was the being alone rather than the prank itself that hurt her (though that is NOT a good enough reason to go all off with their heads on your subjects). The fact that, as far as we know right now, it literally was just a relatively mild and reversible prank that caused all of this is just, such flat storytelling, you know?

But! All of this makes way more sense if this is meant to be the first act of a single contained story. And I don't wanna be all "Pepe Silvia, secret good 4th episode of Sherlock" about this but I did see this picture:

Which seems to indicate that this was written as a Part One. Which, if so, idk why they wouldn't advertise it that way but whatever. The point is, if that's the case then it means that we're potentially in bad pacing territory rather than straight up bad storytelling territory. Because this isn't a bad place to be halfway through your story:

The heroes, warned that time travel is dangerous, have gone back in time to change the heart of a brutal tyrant before she can stage a coup. They seemingly succeed in their mission and when they come home, everything is great! But then, the side effects of time travel start to catch up with them. Chloe realizes that, in breaking the vase, she prevented her mother from going to the ball and falling in love with her dad (who was conspicuously absent from the final scene btw) which means she's starting to be forgotten and erased from the timeline. And Red realizes that though this new version of her mom is as sweet and kind as the teen she once met, she's a complete stranger to her (fulfilling the Hatter's warning that she could lose her mom completely). So they have to go back in time once more to make sure the Ella and Charming fall in love again, perhaps at the cost of whatever bad thing that happened to Bridget happening again and bringing back the original version of her future self. But, now with more context of how her mom became that way, Red can now talk to her mother and persuade her to give people another chance.

Boom, that gives us time to go back and hit everything we haven't yet hit. We can pay off the time travel tropes that were set up but not explored. We can go to Castlecoming which feels so obviously set up to be the centerpiece of this story (like, come on, Back to the Future literally does the school dance thing. This is Time Travel Storytelling 101). We can actually get info about what the prank was and why it affected Bridget so completely.

(Note: This is a side thing but it really strikes me as so crazy that Bridget would so SUCH a big 180 here. Like, I know the Queen of Hearts is a silly, goofy, campy villain, but she straight up murders people and there's no way to get around that if we're taking her out of the surreal story she comes from and putting her in a (comparatively) grounded story. If I wasn't doing a betrayal plot, I would make the twist that the spell that turned Bridget into a "monster" didn't just have a physical effect, it had a mental effect and it magically twisted her personality to be the way it is now. So they broke the physical half of the curse, but neglected the other half and it's been festering the whole time, turning her as evil as she was sweet. Because like, a simple physical transformation isn't that big of a deal to have such heavy security--Bridget made cupcakes with a transformative effect and that was totally fine. I'm not saying that that's what's gonna be the case. I just think it would be an explanation that makes sense for why she changed so crazy much that makes more sense than a simple prank or even a betrayal. Her mom wasn't even evil! How did she go from zero to murder without even an evil mom to push her onto the path? But I'm super digressing right now.)

(Note #2: OK, one last thing. The trap on the book presumably would have hit the VK's and trapped them in Merlin's office regardless of what Chloe and Red did, right? That's like, net zero influence on the timeline. I genuinely can't tell if that's a straight up plot hole or set up to be like, "Oh no. Actually when she said that she was turned into a monster in front of everyone it was meant in a less literal way." Like she was just made to look bad and that was the real thing that pushed her over the edge. Like idk. It really feels like the only thing they really did that would change the timeline was get Ella banned from the dance and presumably out of the way where she couldn't hurt Bridget. OK NOW I'm done.)

Anyway, my point is that this is not how I would have structured my movie and I think this was a super weird way to go into the second era of Descendants movies, but they can still tell a complete story if that's their plan. I'm genuinely really curious to see if this pans out to be a fairly competently told story that just happens to be split over two movies or a complete fumbling of the narrative bag because it could really be either at this point and it's fascinating to me.

[ruvviks]

finally got around making a proper outfit reference sheet for nathan! he likes wearing dark clothes which really emphasizes just how pale he is. he was a STEM developer at MOBIUS for nine years what did you expect </3 click for higher resolution and to get a closer look at all the details! outfits from left to right: his gear for the evil within 2, 1am convenience store trip, his mobius gear, and an improvised outfit for my own fictional the evil within 3 =^)

taglist (opt in/out)

@shellibisshe, @florbelles, @ncytiri, @hibernationsuit, @stars-of-the-heart;

@lestatlioncunt, @katsigian, @radioactiveshitstorm, @estevnys, @adelaidedrubman;

@celticwoman, @rindemption, @carlosoliveiraa, @noirapocalypto, @dickytwister;

@killerspinal, @euryalex, @ri-a-rose, @velocitic, @thedeadthree;

@jacobseed, @swordcoasts

[fisheito]

i wanted to see altaria rei then i started goofin around

[satsukidoodles404]

DustedAfterDeath doodles :)

Everybody, give thanks to @spotaus for this 😩🙏 I suddenly had sudden serotonin at 2 am because I couldn't stop thinking about these boys. I'm just soo happy these three is getting some traction :)

[manga-and-stuff]

Source: Yokohama Kaidashi Kikō Yokohama Shopping Log ヨコハマ買い出し紀行

by Hitoshi Ashinano

[perpetualexistence]

Through a Funhouse Mirror

Alenoah Week 2024 Day 6: Amusement Park / Laser Tag

Noah and Alejandro are on an end of year class field trip to the local amusement park. Normally, Alejandro only hangs out with his girlfriend Heather in the popular clique. However, recently Alejandro has integrated himself into Noah's friend group. He's even taken charge as their leader.

He acts the gentleman, but by now Noah knows better. He doesn't have any concrete proof, but he can tell Alejandro despises most of the group. There has to be some reason he's sticking around, but he doesn't quite know what.

He would confront Alejandro, but the eel is always too preoccupied with schmoozing the rest of his friends, and people outside of his immediate friend group. Now is a good of a chance as any.

Alejandro's the one who convinces the group to split off. He insists that it's so everyone can do what they prefer, but Noah can tell it's because he wants to get away from the others. Noah volunteers himself to go with Alejandro since nobody is allowed to be by themselves, and Alejandro obliges. There are benefits to being the only other sane one in the group.

Noah looks for somewhere private to confront Alejandro, and lucks out with the house of mirrors. He tells Alejandro he wants to go in and Alejandro, ever the 'gentleman' agrees.

Noah waits until they're deeper into the maze before he starts being direct with Alejandro about his nature. Alejandro tries denying it. Noah provides rebuttal after rebuttal. The argument keeps getting more and more heated.

Noah's back is to one of the mirrors. He's trying to keep his ground, but he takes another step backward as Alejandro takes one forward. His back is pressed against one of the mirrors.

Without warning, the solid surface begins to shudder. He feels something like a liquid on his back. Nothing seems to be supporting his weight anymore, and he begins to fall backwards. In his desperate attempt to stop his descent, he grabs onto the closest thing in sight: Alejandro.

In his own shock at seeing the mirror ripple, Alejandro is unable to react in time to stop their fall. He passes through the mirror with Noah, and falls on top of the smaller boy.

Noah groans in pain at the fall and at being crushed.

Alejandro quickly stood up to recover from this temporary set back. He's the first to notice that the tacky mirrors from before now loom over the both of them like imposing walls. The floor is much, much too close.

They both hear a chuckle coming from behind him, and turn to see a man the size of an eight-story building looking down at both of them.

After a quick screaming session, they learn that this is a trickster spirit who calls himself Chris. He likes to mess around with mortals from time to time for his own amusement. And man, they just handed themselves on a silver platter.

He offers them a deal. He'll tell them how to return them to their normal size if they can find him again. He'll give them a riddle, then once they figure out where he's talking about, they have to race towards it at their new size to get to him.

Alejandro shows no fear as he does his best to assuage Chris and assure him they can absolutely finish this task for Chris. Noah, however, is pretty peeved about this situation. And oh, does he let Chris know it.

Alejandro tries to get him to stop talking, but one doesn't stop Noah from going off on someone once he's started. Noah has successfully angered Chris, though Alejandro's able to convince Chris NOT to kill them. Chris still wants some punishment though, so he magics their phones away so they can't call or text for help. And he's going to give them the hardest riddle he knows.

Alejandro covers Noah's mouth and agrees to the new terms. Chris gives them the riddle, and leaves in a puff of smoke. It takes everything in Alejandro not to strangle Noah as they get to solving the riddle.

Between their IQ, and Chris not being as smart as he thinks he is, they solve it pretty quickly. It’s the Ferris wheel. They can remember seeing it on the way in. It's in the middle of the park. Full of crowded people. Who can step on them without even trying.

They start making their way over, doing their best to be as stealthy and quick as possible. They'd rather not let anyone else know about this because who knows how any stranger would take it?

Fortunately, they do come across someone that isn't a complete stranger! It's hard to miss Owen in a crowd with how his voice carries. He's getting an absolutely obscene amount of cotton candy.

Noah immediately starts making his way towards his chubby buddy, only for Alejandro to stop him. Noah wants to know what Alejandro's doing, and Alejandro points out that Owen might not be the best person to help them out in their current predicament. He doesn't know how to keep secrets, and isn't aware of his own strength. That is a VERY dangerous combination with both of them being this small.

Noah turns on Alejandro in an instant. Owen's not the sharpest tool in the shed, but he's not a complete idiot. He can stop when you ask him to stop something. And not spreading gossip is a different type of secret than one that'd put their lives at risk.

There's no way of knowing if they'd find any of their other classmates who is more 'responsible' and who might, might be willing to help. Owen could be their one chance.

Also. It's Owen. Of course he's going to help them! Plus, the big guy can charge through a crowd if he's highly motivated. Noah's pretty sure saving the lives of two of his friends is high enough motivation. They'd get to that ferris wheel in an instant!

Noah's not going to have Alejandro ruin their best chance of getting back to normal because of some stupid one-sided rivalry with Owen!

"He may squeeze me within an inch of my life, but you know what I'll be? Alive!"

Alejandro still fights to keep Noah from going out to get Owen's attention. He doesn't want anyone to see him like this, especially not that oafish buffoon no matter what Noah says.

Noah tries to wriggle out of Alejandro's grasp, but he loses. Alejandro only lets go after Owen has passed them by. He sighs in relief when he can no longer see Owen, and finally lets Noah go.

Noah starts going off on another tirade against Alejandro when the wind starts to pick up. Nobody else seems to notice, but for them the wind is threatening to buffet them away.

Alejandro crouches down to cling to the boardwalk underneath him for something to hold on. Noah is blown away a couple of feet (relative to his new size) before he's stopped.

Because a stray bit of cotton candy has been blown his way and is now trapping him against the ground.

Alejandro rushes for Noah once the wind has died down. He might be annoyed at Noah for making this more difficult that it needs to be, but that doesn't mean he wishes Noah dead.

He tries digging some of the cotton candy around Noah's face free so Noah can breathe better. Which does work, but it also leads Alejandro to getting cotton candy on him. He's lucky he's strong enough to have pulled his own arms out rather than get stuck himself.

He knows any type of liquid should dissolve this, but how to get some? He looks around to spot a large cup of soda littered on the ground. He runs for it and sighs in relief as he notices that it has a bit remaining. It won't be the most elegant solution, but it will do.

He drags the soda to Noah and jumps onto the cup. Soda sprays out of the straw to douse Noah, freeing him. Noah is coughing and snorting out cotton candy and soda, but he's breathing.

Noah reluctantly thanks Alejandro for the whole, you know, saving his life thing. Alejandro was going to tease Noah about it to get some semblance of familiarity back when he hears an extremely loud bark coming from behind.

He turns to see a large dog behind him.

This is fine. Animals love Alejandro! He has a commanding presence that they admire. They fawn over him. He can tame this beast and convince it they're not chew toys.

Turns out his commanding presence doesn't work when he's smaller than the thing he's trying to command.

The dog reaches down and bites onto the back of Alejandro's shirt. He's shaken about, grasping for anything to free himself, when he hears a familiar voice in a strange tone.

"Here boy!" coos Noah in a cutesty tone Alejandro didn't think was possible. "Drop the disgusting eel and come to me! I've got treats!"

To Alejandro's shock, the dog immediately drops him. He falls to the ground in a heap. The dog eagerly bounds towards Noah and begins to sniff him. The dog licks Noah, mostly for the soda and cotton candy he's drenched in.

"¿Quién eres y qué has hecho con Noah?" Alejandro asks himself as he hears Noah giggle at being licked.

Noah digs into one of the many pockets in his khakis that Alejandro had assumed were just to show off his poor taste in fashion. He digs his hand out with a small plastic bag filled with dog treats.

"Come on boy, let's get you a treat that won't kill you in the long run."

He gets the dog to sit, then lay down. Then begins to climb on top of the dog.

"...You tell no one what just happened, and I'll let you get on Shadow. I don't know if I can get him to go fast, but I can at least get him going in the right direction."

Alejandro knows better to look a gift horse in the mouth, so he puts all thoughts about how cute that was away as he gets atop of the newly dubbed Shadow.

It turns out that Shadow has two speeds: none and all. They both have to cling onto the dog as he bolts through the crowd towards the ferris wheel. They can only hope everyone is so focused on the dog that no one notices the two small humans desperately clinging to its fur.

Shadow takes them a good distance towards the wheel. However, he is a dog. He notices a seagull within his line of sight and begins to chase after it in a different direction. The two of them let go before Shadow can steer them too far off course, and land behind one of the prize booths.

With them being in the back of the booths, they can see a path of relatively safety so long as none of the workers make their way back here. The ferris wheel isn't much farther off. So they begin walking. And talking.

"May I at least ask how you made a dog much larger than us eat out of the palm of your hand?"

"I trained my dog when he was a puppy. I figured it might be the same with another dog no matter the size difference."

"Still, I will admit. That was impressive."

"Huh, so you can give a genuine compliment. Didn't think you had it in you."

"I absolutely do give genuine compliments!"

"If you want to prove you're genuine, tell me the real reason you started befriending Team E-scope."

Alejandro sighs. Because at this point, he's tired, and he already has a piece of blackmail over Noah. If they don't survive this, he might as well get this off his chest.

Alejandro admits that the real reason he wants Noah and his friends at his side is because he needs them to get revenge on Heather for him. He's done his best to keep this out of the gossip circle, but she actually dumped him rather recently. He didn't quite listen to the reason why because she did the dumping instead of him. He can't just let that stand.

He knows 'Team E-scope' and Owen is because he knows they're the most chaotic group among them. He planned to trick them into pranking Heather for him so that he didn't have to get his own hands dirty, and no one would find out the reason he wanted revenge on the first place.

Noah can't help but laugh at Alejandro.

"You seriously went through all of that trouble so we could get back at your ex for you?"

"It's a very elaborate plan!"

"That's why I'm laughing! You did all of that for nothing!"

"Getting back at Heather is not nothing."

"No. That's not what I mean. We would have done it if you just asked."

"...What?"

"Eva hates Heather's guts, Owen's always down for a good prank, Izzy's Izzy, and I love to watch shitty people get their just desserts. You didn't even need to give us a reason. All you had to do was ask us to help you pull a prank on Heather. We'd do it because it'd be funny."

Alejandro has to re-evaluate a lot of assumptions and life decisions that he's made recently.

As they get close to the ferris wheel, they spot Chris walking into one of the carts. They immediately make a run for the cart before the attendant can close the door. They both land on the sticky, popcorn riddled floor at the same time.

Despite this, they each find themselves alone with Chris.

He spends the first few minutes laughing at them, confessing to having watched them the entire time. Then he says to each that he can tell them how to get back to normal, but there’s no guarantee it’ll work and they’re almost out of time. He can un shrink one of them right now, guaranteed. …But in return, they have to give up the other to Chris as an entertainment piece. The other will be fine! Mostly. They’ll be big again at least.

Once he gets the consent he can take the other away to do whatever. It’s an exclusive offer, so they better act fast.

Neither believes this is exclusive. They’re both pretty sure the other is being offered the same deal. It’s the classic prisoner’s dilemma. If they give each other up, they’ll probably both be subject to Chris’s whims for the rest of their lives.

Logically speaking, the right thing to do is to try to betray each other. But it requires a considerable amount of trust in the other. Noah would have to trust Alejandro not to be a selfish bastard. Alejandro would have to trust Noah not to be paranoid. 

...Noah doesn't think he can trust Alejandro. He has seen Alejandro put himself first time and again. He refused to get help that they clearly needed because of his stupid pride. He's been more honest with Noah, but now Alejandro is by himself, being offered a deal almost impossible to resist. If he's going to take Noah down, then Noah might as well take Alejandro with him.

And yet. Alejandro's first instinct had been to save Noah when he was trapped, despite proving that he'd be difficult to work with. There was something good there in that shriveled, dark heart. Taking Alejandro down would give him a sense of vindication, but he doubted that would last long with whatever punishment Chris had in store. At least with Alejandro free, someone would know what had happened to Noah.

Besides, there is a part of Noah that does want to believe that Alejandro has some standards. It's a small part. It's a stupid part.

But Noah would rather be a fool than be cruel senselessly.

So he denies Chris's deal.

…To his surprise, Alejandro thinks he can trust Noah. With how loyal Noah is to Owen, he doubts Noah would choose to subject someone else to Chris. Alejandro could easily take advantage of this. It won’t be his problem afterwards. People would ask questions about Noah, but he could lie his way around them. Alejandro could finally rid himself of an annoyance set on ruining his good name.

And yet. Noah's not just an annoyance. He can be useful when he wants to be. He saved Alejandro from his own overconfidence. Noah has potential to be more. Not just to Alejandro, but to others as well. He's a fool not to see it in himself, but Alejandro could guide him along the right way. With their minds combined, they could conquer any challenge. Including Chris'.

Besides, the world would be a worse place without Noah in it.

So he denies Chris's deal.

The two are suddenly besides each other in the cart staring up at a petulant Chris. He whines that he's disappointed in the both of them. Where's the drama in neither of them taking the deal?!

Unfortunately, he's bound by his own rules, so he does tell them that the only way to get back to their normal size is to go through the same mirror that shrunk them in the first place. (All of Chris's game was pretty much a distraction to trick them into giving themselves up to him or else be small forever, either way being entertaining for Chris.)

They have until sunset, which if he had to guess is about thirty minutes. With a huff, he vanishes.

The two just look at each other for a moment as they comprehend what just happened.

"...You didn't give me up." Noah spoke aloud.

"No. I didn't."

"Why?"

"I don't know," Alejandro admitted. Which was the truth. He knew he told himself it was to keep Noah around as a benefit, but there was a part of him that also just liked having Noah around. And he wasn't sure which was more true. "I can't believe you trusted me."

"I didn't."

"Why wouldn't you give me up when you thought I would?"

"I don't know," Noah confessed. His heart and his brain were too battle-torn to give a more truthful answer. His heart was winning when he spoke again, "I'm sorry. For doubting you."

"No. No, you were absolutely right to. I didn't refuse to betray you out of the goodness of my heart."

"But you did."

"...Sí. I did.

"So take the apology. You're not getting another one."

"No."

"Are you seriously arguing this right now? Why?!"

"Because you still chose to spare me anyways!" Alejandro snapped. "You know me better than anyone else. You know I'm not 'a good person deep down'! There was no reward in this for you! I would punish your loyalty for myself. And you'd still show me mercy! I can't-No entiendo-"

Alejandro pinched at the bridge of his nose as he desperately attempted to calm his thoughts before he spoke again. "...Thank you."

After a pause of his own, Noah replied. "You're welcome."

The sun got in their eyes as they both remembered Chris's new thirty minute deadline. The ferris wheel is currently stopped at the top. Even if they could scale down it quickly, it would take far longer than 30 minutes to get back to the house of mirrors by themselves.

Fortunately for them, they're crafty, and they're high enough to where they're at the height of seagulls flying about. They manage to get a seagull's attention by throwing popcorn out of the cart. When it comes to investigate, Alejandro remains pressed against the wall of the cart while Noah is in the middle, egging the bird closer.

The bird goes in to attack Noah, and Alejandro leaps onto the bird from behind. The bird attempts to fly away and shake Alejandro off. Alejandro holds it in place long enough for Noah to get on.

The two wrangle the bird into a dive bomb for the house of mirrors. All three of them are screaming as they crash land. The two quickly scamper inside before the bird is aware enough to get revenge on them.

They split off to cover more ground since neither one quite remembers where the mirror that shrank them is. Alejandro is the one who manages to find it first as he goes through it to become his regular size. He went in one mirror, though out another, and can only guess he's on the side of the maze that Noah went down.

He immediately speedwalks to find Noah. He can't run or he'd risk stepping on him. When he hears Noah shout his name, he immediately runs, grabs Noah, and races back towards where he believes the entrance to be.

Noah guides him back to the entrance, and he races towards the mirror once he recognizes where he is. He shoves Noah through the mirror, though his own hand meets a solid surface.

He runs back towards the other side, only to meet a regular sized Noah in the middle, panting. The two immediately hug and laugh in pure shock and disbelief that they're finally back to normal.

Chris is nowhere to be found or heard, though they do wish they'd be able to get some form of revenge on him.

For now, they're both content with leaving the park and never setting foot in it again.

They finally catch up with the rest of their friend group who ask where they've been the whole time.

Neither of them has a response prepared, so Izzy provides them with one: They were clearly making out the whole time.

The two try to beat back the allegations, but to no avail. It's still better than having to explain what ACTUALLY happened.

It does mean they'd have to be together more if they're going to lean into this lie.

Neither one minds it as much as they pretend to.

[icewindandboringhorror]

I got these shoes from someone recently but thought they were way too plain looking, so I set out on a quest to customize them with some sharpies and charms and miscellaneous ribbon I had in my craft drawers. Mostly sky themed (clouds, rainbows, rain, stars, etc.) because that's my favorite aesthetic, but I had to include some cat imagery as well, of course lol.

[mkstrigidae]

APWH preview snippet!

Since I'm actively trying to work on getting the next few chapters out, I thought I'd share a little future scene with some hints of Jonsa with all you lovely people! This bit is from like, a few chapters in the future bc it's the in-between that's giving me fits right now :) (Fair warning: this is unedited and subject to change! That being said, it's such a fun scene that I can't imagine ever nixing it :D)

“Does he even know that they have to avoid the press?”

“For the last time-“ Sam sighed, sounding completely exasperated, “Dickon knows what they can and can’t do- he’s got enough practice not being photographed from when our dad was the secretary. Not to mention spending time around you when that exposé on your crazy grandfather came out two years ago.”

“I just-“ Jon sighed, blowing a stray curl out of his face. “You didn’t see how freaked out she was when the press caught us at that performance in White Harbor. I thought she was going to have a full-blown panic attack.”

He was immediately derailed by Gilly plopping little Sam down in his lap and shoving a bottle into his hands.

“What’s this all about?” he raised a brow, adjusting the baby on his lap, allowing him to latch onto the cuff of his flannel shirt and start gnawing at the fabric. “You going somewhere?”

Gilly shot him a withering look, but he saw the amusement in her eyes.

“I-“ she gestured, imperiously, “Have not had time by myself to shower all week-“

“Sorry, love.” Sam winced, looking up from his pile of paperwork. “I can take a break from these-“

“Not your fault, Sam.” she waved him off. “You warned me about this conference at the beginning of the summer.” a grin played at the corners of her mouth. “Besides, it works out well- Jon needs a distraction right now from the fact that Sansa’s on a date with your extremely hot and conventionally attractive brother.”

“Hey!” Sam looked wounded, and Gilly rolled her eyes, pressing a kiss to his forehead.

“You know you’re my favorite Tarly.” she wrinkled her nose. “How long have you been working on this presentation? You smell like the baby spit up on you.”

“Guess I’m next in line for showers.” Sam said, mournfully. “Unless-“

“Nope- I need my own time right now, Samwell. Did you even hear what I said about why Jon’s bent out of shape?”

Jon had known Gilly since Sam and she had met up north while the two of them were in college. Sometimes, it was hard to reconcile the timid, scared girl she had been with the woman who was currently devoting all of her remaining energy to busting his balls.

“Don’t tell me you’re worried about Sansa with my brother.” Sam snorted, shotgunning another cup of coffee next to him the way Jon was used to seeing undergrads do with jaeger shots. “I mean, this is Dickon we’re talking about. Used to bring wounded animals home to take care of them Dickon? The same guy who cried when we had movie night and Gilly and Rhae wanted to go see ‘Love, Simon’?” He shook his head. “Look, as far as guys she could be out on a date with right now go, Dickon’s kind of the best case scenario. She’ll have a nice time, and he’ll be a perfect gentleman.”

Jon blinked at him, silently turning to look up at Gilly, who rolled her eyes and sighed.

“You’re hopeless, sweetie.” she kissed him on the forehead again, wrinkling her nose. “He’s not worried that things will go wrong- he’s worried they’ll go a little too well.”

“You’ve been spending way too much time around my sister.” Jon muttered, narrowly avoiding little Sam’s grasping reach for his glasses, managing to get the baby to latch onto the bottle before he destroyed any more of Jon’s eyewear. “You even sounded like her just then.”

Sam blinked for a second, his head whipping between Jon and Gilly.“You’re jealous?” He asked, incredulously. “Of Dickon? Wait- you like Sansa?”

“Got there in the end.” Gilly sighed, affectionately patting him on the shoulder before going to shower, leaving Jon and Sam behind with four cups of coffee, one baby, and approximately five brain cells total between the two of them.

“You like her.” Sam repeated, like it was a giant revelation.

“What are we- in middle school?” Jon hissed, immediately turning his head down to smile and make faces at little Sam while he fed him, before glaring up at big Sam again. “I don’t- I mean-“

Sam was just shaking his head.“Of course you do.” he laughed. “Should have guessed- red hair and a damsel in distress? You were doomed from the outset.”

“Shut up.” Jon muttered, flushing. “It’s not like that.”

“Then why are you worrying about Dickon for fu-“ Sam glanced nervously at the baby, “-god’s sake? When Gill was meeting my family for the first time, I remember you told her not to worry- that my brother was ‘one of the best guys you know’ and ‘practically a golden retriever’.”

Jon could tell that Sam, who could not raise one eyebrow without the other, was desperately trying to do just that.

“I don’t know.” He muttered, moving little Sam to his shoulder to start burping him. “Look- I’m attracted to her, alright? It’s a fu- er, a giant disaster that I’m gonna ignore for the rest of my life.”

“Seriously?”

“Stop trying to do that with your eyebrows.” Jon complained. “It’s giving me motion sickness. And yes, seriously. I’m not even going to consider that- it’s just a stupid crush. Besides,” he sighed, rubbing little Sam’s back comfortingly, “Robb’s already dealing with enough right now with this whole Sansa situation- can’t imagine telling him I think his sister’s attractive while he’s being forced to suddenly confront all of his guilt and self loathing every time he looks at her.”

“That whole bro code thing of never dating your friend’s sisters never really made sense to me.” Sam shook his head, gulping down more coffee. “I mean, I��d be thrilled if you decided to date Talla, because I know you’d be good to her.”

“Yeah, don't think she'd quite go for that, mate.” Jon snorted, standing to bounce little Sam around gently. He was just grateful Sam hadn’t said anything else about Robb.

“Eh, wouldn’t count you out completely.” Sam shrugged, smirking. “With that hair, you’re pretty enough to be a girl- maybe that’d be enough for her.”

“You are so lucky i’m holding the baby.” Jon muttered, still bouncing little Sam, who picked that moment to spit up spectacularly down Jon’s back.

“Well, that’s three of us who’re gonna need showers now.” Sam grinned, looking thrilled as all get out that it hadn’t been him. “Wow- his aim is getting better.”

“I’m going to remind him of this when he’s a sulky teenager.” Jon grumbled, wiping spit-up off his shoulder as best he could. “Look- no gossiping with Rhae about this, please. She thinks she’s such a good clandestine agent that she doesn’t always realize that Robb is better at sniffing out her plots than she thinks.”

“Alright-“ Sam sighed, looking back down at the massive stack of paperwork in front of him. “I make no promises for Gill, though.”

“Gilly could give some of my Uncle’s colleagues at the WIA a run for their money when it comes to withstanding interrogation.” Jon snorted.

“Probably true.”

“Where did your brother take Sansa?” Still holding onto a now much happier baby with one hand, he reached down the other to take a gulp of his own coffee.

“He said something about going out towards the Tyrell Estate.” Sam shrugged. “They probably drove out there to see the gardens- he’s said it’s a good road to take his bike out on.”

Jon promptly spat out his entire sip of coffee, staining the front of his shirt as well as the back, and frightening little Sam enough that he started to cry.

“He took her on his motorcycle?”

Gilly picked that moment to reappear, completely clean and with wet hair, blinking at the scene in front of her.

Sam, who couldn’t seem to stop laughing, was desperately trying to calm down the baby, who had started wailing, while Jon’s entire front was covered in coffee and his entire back was covered in baby vomit. Not that he seemed to notice, as his face was white and he was making a series of angry looking hand gestures at her husband.

“I really can’t leave you three alone for five minutes, can I?” she sighed. “Do I even want to know?”

[pocket-prosecutor]

it's not always that bad maybe. sometimes it's fun, even

[iristial]

Ace's spirit: born 21 BC (age 2000+) Touma: born 1996 (age 28) Aruto: born 1997 (age 27) Ikki: born 1999 (age 25) Ace Ukiyo: born 2001 (age 23) Hotarou: born 2006 (age 18)

In spirit, Ace is at least 1975 years older than the "oldest" Reiwa Rider (Touma) and 1985 years older than the youngest Reiwa Rider thus far (Hotarou)

Touma is one year older than Aruto, three years older than Ikki, five years older than Ace's current incarnation, and ten years older than Hotarou. He became a Rider in 2020 at age 24. He shares the same birth year as his actor Syuichiro Naito. Touma's the only Reiwa Rider who didn't have a proper crossover with his predecessor

Aruto is two years older than Ikki, four years older than Ace's current incarnation, and nine years older than Hotarou. He became a Rider in 2019 at age 22. He's four years older than his actor Fumiya Takahashi (born 2001). Aruto's also the only Reiwa Rider who didn't have a proper crossover with his successor

Ikki is two years older than Ace's current incarnation and seven years older than Hotarou. He became a Rider in 2021 at age 22. He shares the same birth year as his actor Kentaro Maeda

Ace is five years older than Hotarou. His most recent stint as a Rider started when he was in high school, probably his senior year; placing the year at roughly 2019 - around the same time Aruto became Hiden Intelligence's CEO. He's somewhere between one year to 1981 years older than his actor Hideyoshi Kan (born 2002)

Hotarou became a Rider in 2023, his second year of high school, and he's stated to have been seventeen at the time. He's one year younger than his actor Junsei Motojima (born 2005)