#they'll be the death of me i think

[boromirswife]

Míriel and Elendil in The Lord of the Rings: The Rings of Power s02e06 ‘Where Is He’

[bixels]

I just saw one of your fave games is What remains of Edith Finch and I’m so happy! I feel like its a lesser known game but i loved playing through it. I’m so happy to know more than just my small friend group know about this game!

Sorry this isn’t a question. Also want to say that you’re art is amazing and the development of the designs is so interesting to see. Also the way you draw intimate scenes have so much emotion to them. I love the Aj and rarity kissing comic so much, you can just feel their love for each other ;w;

Thank you so much!

I highly, highly, highly recommend What Remains of Edith Finch to anyone interested in narrative game experiences/"walking simulators." It's one of those games that was handcrafted with nothing but love. Every room you explore is just... real. The way the light flows in and makes the colors of the living room, the kitchen, the bedrooms glow. Playing the game is like walking through your childhood home as an adult and seeing how the dust clings to everything you once touched. Also genius-level gameplay mechanics, ones that can make you completely empathetic with the character you're embodying or feel completely complacent in their tragedy. It's really not fair to call it a walking simulator because it's so much more and so much smarter than that.Everyone talks about the fish one.

The theme of death and memory and storytelling and the burden of invisible trauma and self-fulfilling prophecies is so affecting too. The ending made me cry.

[ukuslip]

congrats on being alive bot. you truly were The Character Ever

[naranjapetrificada]

So I know we all have ideas about how they'll portray Ed and Stede's First Time™ but while I don't think we'll see too much, I do actually think (hope? pray?) that we'll see each of them remove at least one (1) item of clothing from the other before it fades to black because The Symbolism of clothing on this show absolutely DEMANDS it.

These two dear, sweet idiots are both desperate, howling pits of self loathing, so the importance of symbolic nudity outweighs that of literal nudity by an almost incalculable margin here. Ed needed someone to tell him he wore fine things well, but they both need someone to show them that they wear nothing even better and that they're good enough for who they are in their very essence and because they're human beings who deserve good things.

I'm also gonna go out on a limb and say that since romance tropes also require it, we'll probably also get the whole illusion of full nudity/tangled up in the bed sheets morning after scene as well (contrasted with Lucius and Pete, who as much as I love them aren't The Show in the same way that DJ has literally said E&S are). And tbh that's the part I'm the MOST excited about, because tropes also tell us it will be the harbinger of casual intimacy afterwards and that's gonna be so healing for them both. Ed's already pretty handsy with people, but casual intimacy is gonna transform both of them in ways they (and we!) never expected and I'm gonna be so normal about it.

[bacchuschucklefuck]

love thinking kipperlilly spends her afterlife looking for lucy in a familiar forest

[rhiaarrow]

I've seen ppl talking abt it on twitter and here and I wanted to sort of contribute my thoughts towards it,

Ppl aren't 'forgetting' about qTubbo's death. It's just that the situations of qBad and qTubbo's deaths, while they had the same outcome, were completely different for multiple factors.

(This isn't targeted at the ppl who think the death is being overlooked because that's their analysis and it's totally fair. It's just that people saying that got my analyst brain drawing comparisons between the deaths and I ended up with this big wall of text so...yeah :') )

1 - The build up (from outside POVs)

With qTubbo from most Povs he just sort of... died with no clear build up. Most ppl didn't see the true extent of his self spiralling because he hid it or they just simply didn't spend a lot of time with him in order to pick up on the stuff that we the viewers picked up on. And then all of a sudden he just died with no obvious lead up (unless you watch his pov in which case there was an obvious lead up) but from outsiders who barely saw him, it just happened.

Whereas

With qBad there was a more obvious build up on other Povs, he told the ppl he loved he was dying or at least they knew that something was wrong. They knew that his death was inevitable and as much as they hate to admit it a lot of them had already come to terms with the fact that he would be gone soon. (Again unless you watch his pov the whole build up from the past few months is less obvious but it was more developed with other players before his actual death) Most Povs at least recognised that there was something wrong with the blue spreading across his face because well...it was pretty fucking obvious

2 - The way they told people

qTubbos "I'm an egg, I only have one life left." while true sounds like a joke because well... he's obviously not actually an egg. Ppl joke abt stuff like that the whole time, the Eggboyhalo joke for example or calling Foolish 'egg coded' early in the server. How were all players meant to immediately go 'ah yes, this player is definitely an egg. Yesyes, this makes perfect sense'. It's easy to see how it wasn't taken seriously by a lot of characters when only a few of them were ever given an actual explanation besides "yeah I've only got one life"

Whereas

qBads "I'm fine, don't worry about me." while actively coughing up a lung, covered in blue infection and regularly having memory issues is an obvious lie. Even if people only saw him for a couple of minutes or even seconds it was pretty damn hard to ignore the blue spreading on his body. They'd ask what it was, he'd try to avoid it or redirect them and that person was hit with an immediate red flag of 'oh, so something is wrong with Bad.' which most shelved away and didn't actively investigate but it caused many characters to express being worried about him

3 - Outward visibility

qTubbo died due to his internal issues; self doubt, lack of self worth, suicidal tendencies, etc (I feel bad writing etc but I know there were other factors I just can't remember them) which resulted in him chosing to live using the life system and later chosing to gamble his last life in a game of Russian roulette with Richas.

(None of this being clearly outwardly visible to bystanders even if he wanted them to notice)

Whereas

qBad died due to external issues; parts of his soul physically leaking out of wounds on his body which caused his body to degenerate so far that even as an immortal he couldn't hold on and stop his corporeal body from just giving out on him and forcing him to reset.

(Which was very clearly outwardly visible despite how much he tried to hide it)

4 - The methods of their return

(Honestly I think this part is what's making ppl think that qTubbo's death is being 'ignored' compared to qBads)

With qTubbo, Creation told them that in order to 'restore' him they need smth that they CANNOT craft. Creation did not elaborate further, so they have very little to work with/very little they can actually do in order to try and help him. So most players while they have expressed they want to help, they know that if they do try to help they'll be running at brick walls because they just cannot obtain what is needed and they need to just wait for Creation to show up again.

Whereas

With qBad they know he'll be back (because he's a demon and that's just how they work) and they know what they have to do. They have to wait and be patient when he does return because he might not remember them and he'll probably need pictures to remember. He told them all of this before he died.

On one hand you have qTubbo: Wait for a prompt from Creation or an NPC to help them craft the item to get him back

On the other you have qBad: Wait for him to come back on his own terms

And for the people used to Bad providing a metaphorical example to prove his point in a clearer manner;

When playing a video game you have more hope when waiting for a loading wheel to stop spinning so you can play the level, than you do looking at a level blocked behind a currently unobtainable paywall :/

In other words, dwelling on things you don't know how to fix sucks ass and no one likes thinking about it until they have a tangible idea for a solution and right now only one of the two deaths has an even remotely tangible solution even if it is just to wait and do nothing.

(I understand that ppls reactions to qBads death have seemed more proactive than qTubbos right now but today was the first qBagi and Em learned of him actually dying so it makes sense that today was sort of centered around that. Tbh it just sucks that qTubbo died on an event day bc I feel like if he didn't we would've got a lot more focus and angst out of it but what can you do. But also it's seemed a lot more proactive because qBads kids are actively searching the server for him for 3-4 hours a day which is just depressing as hell, kudos to Pommin and Dapmin for pulling that off :') )

Wall of text over!

Have a flower for your troubles, after all our cubitos have done to us, I think we've earned some flowers without angsty connotations ;-;

❀❀❀❀❀

[cursedvibes]

Funny seeing people making posts on Christmas like "it's xyz's death anniversary!" Guys the 24th has just started together with the final fight against Sukuna by the end of the series you can list half the cast for who died on the 24th. It's not really such a special death date anymore.

[danikatze]

[ID in alt text]

Another wip! It's kind of almost done :)

[ccbatman]

forever thinking about how she didn't just say, "me too", here btw. if you even care.

{World's Finest 2009 #3}

[meimeiherokitten]

Well, duckies, thank @deskgirl for this!

I've never written soulmate au before, so let's see how this goes!

Izzy never believed in soulmates. Or soulmarks. Or any of that crap. So why does he have a new mark on his arm...?

[farnese0]

I KNEW IT

[longagoitwastuesday]

I am liking Jujutsu Kaisen, way more than I imagined I would, but I foresee it will let me down and it's keeping me from enjoying this as much as I could haha

I think the characters and dynamics are well set, and I think many of them have an incredibly good and deep potential, but I would be willing to bet they'll not get a proper development, enough for them to really hit. A well assembled set of gears is not enough to make the movement go, you have to wind the clockwork.

I think Gojo and Megumi have a fascinating and very complex dynamic, but I doubt it will be given the time and care that imo it needs to actually work. And it is going well enough for now! One could see the intimacy between them was deeper than the one Gojo had with, say, Yuji and Nobara ever since the very first few episodes despite the fact Fushiguro too was a first year. But the pieces forming what they have are extremely complex, and it just wouldn't be realistic if it doesn't show, even if in a not showing way, or if it doesn't have consequences or implications.

It's one of those dynamics that shape one's life, the way one regards the world, the way one establishes or not relationships with other people. It's one of those dynamics that could be full of fondness, gratitude, resentment, admiration, trust, and that imply intimacy, the good kind or the bad, even if in just the knowledge of someone who's been a constant through your life. It could, and would, imply a myriad of feelings, and probably in such a mix it could imply contradictory feelings too. Even the nothingness would weight, even the nothingness would be significant and meaningful.

Gojo took Megumi and his sister under his wing, the son of a man who murdered him, because of both selfish and selfless reasons. Megumi looks like Toji. What does Gojo feel about this? How does Gojo deal with this? How does Gojo go about taking care of Megumi? Would he walk him to school? Make him breakfast? Celebrate his birthdays making him blow candles? Did he take him to the zoo? Does the relationship between them feel professional or is it something more? Gojo appreciates his students, but is Megumi to him just another student? When Gojo faces Sukuna in Megumi's body, did he see the kid he raised, or does he just see Sukuna in one of his students' body? Did he have one faint wavering instant? And how does Megumi feel about this? Is he resentful of him? Resentful of the situation? Of the selfishness behind his actions? Does he feel like a pawn? Is he grateful? Does he resent feeling grateful? Would he rather not? Does he love Gojo? Does he feel nothing about him other than what he could feel about a teacher that sort of annoys him but knows he's reliable in his strength? Does he think it unfair, cruel or unfeeling that Gojo is close, closer perhaps, with Yuuji or Yuta, considering their story? When Sukuna slices Gojo in two, does the remnants of Megumi's soul tremble?

And not just Megumi and Gojo. Yuuji and Nanami, Gojo and Nanami, Yuuji and Fushiguro, Nobara and the boys, or Nobara and Maki, Todo and Yuuji or Yuta, Gojo and Yuta, Megumi and his sister. Gojo and Geto, even! If the pieces are well set, the dynamics are intriguing, interesting, and have potential to be deep, but then the characters have like two plot relevant scenes that punch you hard, but little more, it's not nearly enough. Especially not nearly enough for the enormity that is shonen dynamics and situations. And the potential existing at all, and then not delivering, makes it all the more frustrating when you're left with something mediocre that could have been so good.

The development of dynamics through not only a few plot relevant gut wrenching moving scenes, but also the smallness of life, is important. The friend who recommended this to me said that those things were just unnecessary filler, but I disagree. I think there's a big difference between a large amount of anime-only filler episodes whose existence is based on the fact they had run out of manga chapters to animate, and moments of quietness. The low stakes character-driven moments of quietness can be so telling and so insightful, and they are so satisfactory when brought back later in higher stakes situations. My friend teased me there was no scene of Gojo making breakfast to Megumi, that it would be an idiotic idea, but it would be so telling. How he makes breakfast, what they eat, if he tries hard or if it's all mechanised, if they have personal bowls or if they use whatever, if he just buys them some pastry on the way to school, if the way they have breakfast changes through the years, or if he doesn't make them breakfast at all! All that would be very insightful on their dynamic and its evolution. All that would give a glimpse on how they regard each other and why, even in the present. All that could become meaningful in tense situations and high stakes scenes.

These moments also let the plot breath; if a lot is happening all the time, if every character is always experiencing trauma after trauma, the entire story is so emotionally draining that at some point you don't even care all that much. Besides, these nothing moments or low stakes plot arcs, besides deepening and developing dynamics, also let some in-world time pass, which would make the intimacy and bond between characters more believable imo; between Yuuji eating Sukuna's finger and their last confrontation in December how much time has passed? A few months? Am I truly to believe these characters are so everything to each other in only a few months?

Without some smallness, some repetition, some daily life, some low stakes not plot-centric development, the dynamics don't hit, they don't truly feel fleshed out, and dynamics as complex as the ones Megumi and Gojo have, or as supposedly meaningful as the one Megumi has with Yuuji or his sister, should be fleshed out if they're going to exist at all. Otherwise they'd risk making the writing feel awkward and fake. Besides, if the dynamics felt well fleshed out and realistic, they would shape the way the characters interact and act, and how they deal with situations, thus being plot relevant.

The shonen genre has so much happening all the time, the stakes are so high, the dynamics are so rooted in big events and the relationships carry enormous weight and implications. Yet they barely get developed, and it feels so stupid, so plain, the absence of something so important noticeable like a constant void, a shapeless nothingness present in every scene. It makes the characters feel like cardboard figures. Jujutsu Kaisen is already getting a better job than many, but I doubt it will do enough for what I've heard, and I fear I am bound to feel let down, and bound to feel unmoved.

After all, if not enough time and care has been given to develop a dynamic, I am not going to feel pressured by the high stakes; if not enough time and care has been given to develop the dynamic between Megumi and Yuuji, as good potential as it has I am bound to feel little for this last confrontation between Sukuna and Itadori, and his effort in getting Megumi back.

[hauntingjasper]

We are all afraid of something...

I wonder what Prince Gumball's biggest fear would be?

There's an episode (Five short tables I think) where it shows that he's afraid of dying alone/his own mortality to some extent. I imagine that because he's long-lived and most likely has watched many people die before him, he's scared that there won't be anyone else by *his* side when it's his turn. There's no way of knowing when or how, he wouldn't be ready for it, so that's probably double scarier for him. He's an anxious fella

[asterdeer]

just finished the 2nd coldfire book and gerald tarrant's relationship with dignity is so interesting to me. from jump we have this man whose well-groomed, immaculate appearance damien's narration cannot stop harping on about. tarrant is the picture of dignity: cool, quiet, obsessed with cleanliness. in when true night falls and he almost blows himself up and needs damien to bury him in a hole like a flower bulb just to survive the morning, one of the first things gerald does after emerging is magicking the dirt and blood off his body and hair. it's not a preference at that point, it's a compulsion, it's an emotional necessity.

and yet gerald's approach to immortality renders him so vulnerable in just one very particular way, and in both book 1 and 2 his enemies exploit that vulnerability to such a degree that gerald is rendered little better than a rag doll. it's a one-hit almost-kill kind of vulnerability; he doesn't even have a chance to fight back. and because he is what he is, he can still survive for a long time: burned, disfigured, in agony, weakened, but "alive." in book 1, damien & co find him basically jesus-on-a-cross'd in the middle of blinding light, burned so badly that his body is barely holding together; in book 2, after he gets one-shot, the bad guys strip him almost naked and leave him pinned to the floor to wait for sunrise to finish the job. and he SURVIVES this shit. and, in book 2, in the next scene where he's conscious: put together, calm, imminently in control of himself once again.

it just gets me, this need for some sense of dignity specifically because of his power, or rather its one (1) weakness. he doesn't wear armor, he's ridiculously, stupidly dangerous and powerful, but he's got an achilles heel that can, in a matter of seconds, in the face of power great enough, put him flat on his face and suffering unimaginable pain for possibly days at a time, at the tender mercies of whoever wants him powerless, and so he still needs to project control. not a speck of dirt on his clothes, not a tangle in his hair, not a hitch of emotion in his voice. he's old enough, powerful enough, that he shouldn't need to present himself this way. and yet.

[softleesam]

knowing that someone is teasing you bc they wanna make you blush is so gskdjsgshd

[isarenderart]

Posting this on the artblog bc even though it's not visual, it still counts

So a while back I started working on a fanfic for No Man's Sky titled Nest, but I've only written like 2 chapters and found it hard to get motivation to keep writing linearly. However the related OCs are still very much in my head and are doing things, and here I've written a small except from somewhere in the middle of the story - more context provided under cut. Do let me know what you guys think, I'm considering doing more of these to try and build up the story

⚠️CW: Themes of death.

Important story context (contains plot spoilers for the full story). This isn't the best as a standalone piece, but it might make more sense to those who already have some knowledge of the characters

This excerpt is set aboard the frigate NH9 Broken Sword, which Zed (he/him) and October (they/them) have returned to after Zed's Korvax friend Lucien (they/them) was destroyed in a fight with Evil Plant.

Zed's relation to October: they used to be good friends, but one of October's experiments in their attempts to understand their existence resulted in Zed getting hurt. Zed destroyed important equipment in anger/pain, and October was so angry at Zed for this that they just yelled at him and told him to leave. After that, the two didn't see each other for years, but were forced to work together again due to the Evil Plant. In that time October has not been able to come as close to answers as they did with that experiment.

end context

-----

“Do you remember the time when we…”

“Hm?”

October trailed off. They knew what they were trying to say, but couldn’t finish the sentence.

Zed’s dark gaze returned to his hands; the air remained unshifting and numb. October felt like they were still in their spacesuit. They were certain that desperation could not fail them, but now it was a thing of constraint – they could not be stronger than the quiet incredulity in the line of Zed’s shoulders, than the dark sheen of the frigate’s metal floors.

In Lucien, whose visage October feared regardless of whether it was puppeted by vines or that unfathomable Sentinel-soul, Zed had found something that ran so deep it tied the two together inextricably. Now, despite what hope remained of repairing them, the frigate hummed its dusky mourning, and the remains of that tie were threaded through hands that tried to stop themselves from shaking by picking at the loose scales along their palms.

How different was it from their own pain? An image returned to them of a body hunched against the terminal of an Atlas Station, pleading quietly and shakily for one more chance, one more chance. Then suddenly all their desperate rage would burn through them in a torrent which strained against the boundaries of their flesh and left no mark upon the silent metal. They’d been here before. They knew this would happen from the start.

But the difference between them was clear. They had grieved because they had burned away their last tie to the substance of emotion, in the very pursuit of such a thing.

Zed was grieving because he had lost a friend.

Do you remember me? they had wanted to ask. Lost data searching for some hint of recognition. But they knew they had no power here, nor in any place so haunted by reality.