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zhongscara · 1 year ago

Note

scara. all 50. zhongli for anything that involves another character. bet you won't

dont doubt my delusions anon. everything under the cut :3

1. Canon I outright reject

none so far? i love this bastard poor meow meow...

2. A canon or headcanon hill I will die on

i hc he was modeled after makoto, whether on purpose or just instinctively by a mourning, desperate, ei.

3. Obscure headcanon

idk if this counts bc it's like. anti-common headcanon but i don't think he has doll joints all over i think it's just his wrists and ankles bc those are tricky to make... for hinge joints like elbows and knees ei was probably like lol this is easy

4. Favorite line

"the first one to betray me was a god. my creator... my mother." like oh wow. the pain in that line. the implications. the LAYERS. even after all that pain he hatred he still sees ei as his mother that betrayed her. he thinks of himself as an abandoned child.

5. Best personality trait

deep down (like deep down), he cares a lot about others, and now he's actually trying to show it awkwardly instead of just ignoring that and getting violent lol

6. Worst personality trait

WHERE DO I START......................... i think for worst i'd say definitely his god complex bc it carries over onto everything in his personality and makes him so frustrating to deal with lol

7. Age/height/weight headcanon

i mean hes like 500 years old... for modern aus i have him at like mid to late 20s, early 30s cursed with a baby face at most. hes like 165cm at most I LOVE SHORT SCARA!!! also idgaf abt his weight like that

8. Unpopular opinion about them

i don't think the sumeru interlude was about "redeeming" him. like yeah hoyo poor little meow meow'd him (which i agree with like awwww look at this crying kitty) but it's important to note that even with the opportunity to reject his pact actions he insists that they're a part of him and wants his painful memories and past back so he can feel whole. and after that he's still (rightfully) regarded with some suspicion by traveler/paimon unlike other characters (cough).

9. Scene that first made me love (or hate) the character

started playing on my friends acc during sumeru, so the first scene i saw of him was literally the divine will cutscene... and yeah i was hooked.

10. Best moment on screen (or in the book)

honestly? him begging for nahida to not take the gnosis was CRAZY like cmon cinema.

11. Faceclaim for the role

none really lol

12. Crack headcanon

i can't think of any lol all my hcs are serious even the crazy ones bc he's crazy

13. Dumbest thing they’ve ever done

egging on the traveler by dissing nahida like Girl (nongendered) have we learned nothing?! he deserved that smackdown with all that shit he was talking lmfao

14. Most heroic moment

i guess you could count him trying to erase himself bc he thought he could save the people of tatarasuna as "heroic" but its kind of a stretch LOL

15. Worst thing they’ve ever done

(waves hand) he's done so many crimes but probably his mass murdering

16. Deepest darkest secret they won’t even admit to themselves

he still wants ei to acknowledge him as her son and he craves her affection, even.

17. Quotes, songs, poems, etc. that I associate with them

songs: a lot but particularly mitski - cop car, chvrches - broken bones, mother mother - oh ana poetry: joan tierney's how to build a table and interview w/ the machine woman

18. What they’d go to see a therapist about

everything. if he decides he actually wants to go he has a whoooooole lot to discuss whew.

19. Vices/bad habits

i cant think of a specific one for canon bc (waves hand) Look At Him. but for modern aus he indulges in some cheap beer drinking for sure

20. Scars

he definitely has scars on his back from when he was hooked up to shouki no kami. being a puppet though, i don't think he has any smaller scars showing.

21. Drink of choice (not just alcoholic)

bitter tea (as in canon). if he's drinking alcohol he would drink nearly anything i feel...

22. Best physical feature

his sparkling eyes that make you think hes sweet and not full of anger. also his thighs.

23. If they were a scented candle, what would they smell like?

my first thought is something like the sea... the beach... idk why lol

24. Most annoying habit

kicking/elbowing in his sleep bc he sure puts power into them (zhongli wakes up with mysterious bruises a lot)

25. 3 things they’d want to take with them if they were dropped off in the middle of nowhere

he's that annoying guy who would say "a boat" or something like that

26. What they would do if stuck in an elevator with Zhongli

in canon: avoid him as much as possible and try not to reveal his connection to ei (kind of pointless bc hes literally made to look like her but dont tell him that)

in my delusions: 👏🏽 making 👏🏽 out 👏🏽 sloppy 👏🏽 style 👏🏽

27. Their guilty pleasure

fontaine detective novels in canon. in modern aus he enjoys watching trashy reality tv and making fun of the people/contestants

28. How they feel about Zhongli

in canon: hates him as much as he hates other gods, but i like to think he's slightly intimidated by him but will never admit it due to him being an ancient god that's even older than ei.

in my delusions: same as above but with added sexual tension. later on he just wants him sloppy style and this annoys him.

29. Eating habits

canon: he only eats for social purposes/when prompted since he doesn't really need it. he tries to finish as quickly as possible to avoid the social aspect of eating together lol

modern aus: he prefers to snack randomly throughout the day!

30. Sleeping habits

he usually sleeps all curled up. he also kicks in his sleep. (not me treating him like a cat)

31. If they had a tumblr what would it look like?

two options: aesthetic photo-only blog with a minimal dark theme and vague tags OR a troll/drama blog that always starts shit lmfao

32. Something guaranteed to make them smile/laugh

he'll always laugh at someone else's expense let's be honest like he's the guy that laughs when someone trips

33. Something guaranteed to make them cry

do NOT bring up ei!!!

34. How they react when they are feeling X emotion (sad, angry, excited, scared, etc.—can specify as many as you like)

every emotion he experiences is intense and i think he reacts to most of them by lashing out at others (usually violently) lol

35. Their idea of a perfect day

a day where no one bothers him and he gets to wander (heh) and just mind his business.

36. Their favorite season

none of them. JSHGJKHSDJKGHSDJKGHSDGJKSDHKJ

37. What they really think about themselves

(smacks him) this puppet body can hold SO much self-hate and god complex all together.

38. Favorite holiday

gonna be delusional and say new years because zhongli birthday and his birthday soon

39. Favorite game

in modern aus i just know he'd be a silent hill enthusiast. in canon universe i think he doesn't like teyvat games in general he just seems them as frivolous fluff.

40. Favorite book

i bet he enjoys some fontaine detective novels. he hates inazuma light novels though.

41. If they could have lunch with anyone in the world (living or dead, from any fictional universe or the real world), who would it be?

one last lunch with niwa so he can say goodbye properly :)

42. 3 comfort items

the small cloth doll he made

his vision

that's all honestly. delusional me says anything of zhonglis but yknow

43. 3 favorite foods and 3 they despise

answering these kinda questions for genshin characters is so funny bc they have official answers... but outside of that his 3 faves are dark chocolate (more bitter the better), takoyaki, and . for what he hates well... all sweet desserts LMFAO.

44. Their happiest memory

the first birthday he celebrated at tatarasuna :) i imagine katsuragi and niwa decided his birthday so it would coincide with new year celebrations, and for his "first" birthday in particular they all surprised him and he cried (in a good way).

45. Their favorite celebrity

none LOL

46. The person they most admire

i'd say nahida would be the closest? although it's more a begrudging respect.

47. Their dream job

he does not dream of labor. if he could fuck around doing nothing forever he would.

48. Scariest moment of their life

definitely the first time he was experimented on. like i can imagine "unlocking" his power was very painful and terrifying and like. yknow. being experimented on in general is scary.

49. Favorite toy as a child

i don't think he liked toys even as kabukimono JSHDGKJSHGKJ

50. A memory they’ve blocked out

again, the first time he was experimented on.

#mine.txt #long post /#scara #asks.txt

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bokunoheroanalysisforthefuture · 4 years ago

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Finally done with this chapter and this arc. Can’t believe I have an entire post that’s just about Tsukauchi Naomasa. The discord server is so happy. There’s a lot of Naomasa love in there, and I mean, can you blame them? Dude is the straight man in a world of shounen bullshit. Gotta respect his ability to take everything happening in stride.

[No. 21 - In Each of Our Hearts]

We have brief passage of time wherein the police arrive at the USJ. We see Tsukauchi doing a headcount of the students while Sansa is directing the other police in containing and leading the villains out of the building. Naomasa is able to determine that, aside from the one with the messed up legs (Izuku), all of the students are unharmed. As if to confirm this, we get some wide shots of the class in two panels, showing everyone to be perhaps roughed up, but not really injured.

Hagakure puts her hand on Ojiro’s shoulder, commenting on how he’d ended up in the fire zone, and on his own at that, with a small congratulations. Ojiro admits he’d thought everyone was alone, and that he’d only survived with hit-and-run tactics. He then asks Hagakure where she was, and she points out Todoroki before stating she’d been in the landslide area, and that Todoroki’s crazy strong. We see Todoroki and his worry that he could have frozen her, while Ojiro in the background just says that he’s glad she’s okay.

Aoyama, of course, then tries to take center stage. Aoyama seems like he’s about to reveal where he’d been, but then turns to the other students to ask them if they have any ideas.

He first tries the group consisting of Tokoyami, Koda, Kirishima, and Kaminari, but all of them are busy with a conversation. Tokoyami makes a comment on how he guesses ‘those lowlifes’ were spread out, waiting for them. Kirishima slams a fist into the palm of his other hand and complains about how the villains had been looking down on them because they were kids.

Then he turns to Tsuyu, asking her where she thinks he was. She plays along for a bit, asking him where, only for Aoyama to dramatically turn away and pose while stating that it’s a secret. Tsuyu turns her attention back to Tsukauchi, completely uninterested in his shenanigans.

Tsukauchi states that they (likely meaning the police and pro heroes) are going to get the students back to the classroom for now, and that this is no time to take their statements. Tsuyu asks after Aizawa, and Naomasa gives her the details - both arms smashed to splinters, face is fractured. Thankfully, there’s no brain damage, but his eye sockets have been pulverized, so there’s a chance he may suffer long-term loss of vision - or so he hears. He seems to be on a call with the hospital at the time, or perhaps the station where all of this cleanup and investigation are being processed.

This is not exactly the welcome news Tsuyu or Mineta were looking for, both of them looking pretty torn up over it.

Tsukauchi continues down the list of injuries - Thirteen has terrible lacerations across her back and upper arms, but her life isn’t in danger. All Might’s injuries aren’t life threatening either; it’s likely that Recovery Girl’s healing will be enough for him, so he’s gone off to the nurse’s office instead.

Ochako and Tenya, basically in unison, ask after Izuku, worry etched across their faces. Naomasa takes a second to place the name, but confirms that Izuku also made it to the nurse’s office in time. He then states that he happens to have business there himself, so he’ll leave the rest of the cleanup to Sansa. Sansa gives a salute and confirmation.

(Meanwhile, Ochako and Ashido are both puzzled because Sansa’s not a dog. Don’t be rude, girls.)

Nedzu notes that UA will need to completely revamp their security systems. Midnight adds on how teleportation quirks are rare enough, and that it’s a shame one of them had to go and turn villain.

Another officer shows up to report to Tsukauchi, stating that they’ve apprehended what seems to be a villain in a thicket about 400 meters from the USJ. Tsukauchi asks what condition the villain is in, and the officer states that the villain seems unharmed, and that he didn’t resist arrest. He also adds that, oddly enough, the villain isn’t responding in any way, and appears to be mute.

Tsukauchi turns to Nedzu, asking for the opportunity to go over the school with a fine tooth comb. Nedzu gives him the go-ahead, saying that some won’t be happy, but the police certainly have jurisdiction. He notes that investigations are Tsukauchi’s field of expertise, so he can do what he feels is necessary.

We transition to the nurse’s office, with Izuku and Toshinori both stuck in bedrest. And honestly, I just cannot get over how tall Toshinori is, like.

Look at that. If he picked up Izuku for a hug, Izuku’s feet would maybe reach his knees.

Anyways. Plot. Yes. Recovery Girl tells the two of them that, the situation being what it was, she can’t really scold them this time. Toshinori says that he thinks he’s probably shortened his time limit again, and that he’ll be lucky if he can still get an hour a day. Izuku’s worried about him, but Toshinori shoves himself up into a sitting position with a groan, shrugging it off with a ‘what can you do? Bad things happen.’

The nurse’s office door opened, Tsukauchi letting himself in with an apology for the intrusion/interruption. He greets Toshinori as an old friend, while Toshinori’s surprised Tsukauchi is here. Izuku shoots up into a seated position, worried about if it’s okay for Toshinori to be seen while he’s not buffed up. Toshinori says it’s fine, then gets a bit silly about his introduction of Tsukauchi to Izuku.

Tsukauchi calling him out on the weird intro though. Like I said, this man really puts up with so much shounen-world bullshit as the straight man.

Tsukauchi then bring up his reason for stopping by - not to rush Toshinori or anything, but he’d like to ask about the villains. Toshinori interrupts him to ask if the students are alright, as well as Aizawa and Thirteen. Tsukauchi’s quiet for a moment, before huffing a laugh. He says that besides Izuku, the students have nothing more than a few bumps and bruises. The two teachers are also out of danger for now. If the three hadn’t put their lives on the line, the students wouldn’t have made it out unscathed.

Toshinori acknowledges the report, but tells Tsukauchi he’s got one thing wrong, which draws a surprised frown from him. Toshinori goes on to explain how in that fight, the students put their lives on the line too. To be thrown into a real battle so young and survive - now these first years know how scary the wider world can be. Has he ever heard of such a class? The villains picked the wrong fight, because the members of class 1a are going to be might heroes indeed - and he’s going to make sure of it.

All Might really does have completely faith in this class, it’s incredible.

As an aside, I know it’s probably a small editing mistake, but Izuku lying back down in one panel just to be back up in a seated position the next one is just. Fucking hilarious.

As a last weird bit. Tsukauchi just. Tapping his ear here? Either that’s a teeny foreshadowing of the quirk the fandom believes he has, or it’s just. A really weird gesture.

(I want to clarify, for people who aren’t aware of it, but Horikoshi has never actually confirmed that Tsukauchi has a truth-sensing quirk. His sister’s quirk, which is touch-based lie detection, is confirmed in the Vigilantes side manga, but not his!)

We get some narration as time passes - classes were cancelled the next day (Thursday), but the class couldn’t rest easy. After that (presumably the day after, which would be Friday), we come back to all of the class waiting for morning homeroom to start. Tenya is vibrating as he directs the class, stating that morning homeroom’s about to begin, so everyone to their seats. Sero points out that everyone else is sitting, and that he’s the only one up.

The classroom door opens to reveal a heavily bandaged Aizawa, who gives them a brief greeting as he wobbles his way in. The class is shocked that he’s back already, calling him an undeniable pro. Tenya, who finally is in his seat, snaps his hand up as he states he’s glad to see him doing well, which Ochako mutters about whether you can really call that ‘doing well.’

Aizawa shakes his head, stating that his welfare isn’t important, because their fight is far from over. The class is confused at that statement, with Katsuki, Izuku, and Mineta all questioning his statement. Aizawa clarifies himself - UA’s sports festival is fast approaching.

The class gasps, clamoring about how that’s so totally ordinary.

And with that, we’ve wrapped up the chapter and the USJ arc. I’ll probably do a few side posts before moving on to said arc, since the sports festival is 23 chapters long (ch 22-44) - longer than everything that’s happened up to this point in the manga!

If you have any questions / thoughts / observations you want to share, feel free to! I like hearing what y’all think about this early stuff, especially those of you who were anime-only and so seeing some of this stuff for the first time or used differently by the show.

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deobitchxx · 4 years ago

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Hi! Can I request for prompts 65 & 90 smut with hyunjae? 😳 thank you for writing! I just read some and I love your fics!

[ 10:25 // 19.09.2020 // R.SMUT ] “Thank you for paying your attention to my presentation, I hope the information I’ve told will lead us to a better and modern life.” The applause from the workers dominated the meeting room, causing your lips to form a proud smile. You took a peek over the young man that was sending you death glares, teasingly raised your eyebrow off and stuck your tongue to spice up the teasing. If glaring could be classified as another method of killing, you probably won’t see the next sun rising. Mr. Lee Jaehyun or preferably Hyunjae, your one and only rival in the rising company both of you were working in. He was the managing director, while you were the executive director. It pissed you off when you could entitle the latter title, but the only thing that blocked you from being promoted higher than him was because you were not the daughter of the CEO. Ugh, fuck those privilages. You worked your ass off to get into the top but your sweet dreams crushed into pieces once Mr. Lee, the CEO, informed the company about the new managing director, which later he introduced him as his son.

“Can’t you see the face Mr. Lee just made back then? You totally knocked him down,” your assistant nudged you on your shoulder. You smirked it off, “It was his fault to get on my nerves. This was supposed to be my project but his dick tried to brush in and thought that he could win over me. He should’ve known his places, I’ve worked here for years.” Your assistant giggled over your sentence and nodded along, agreeing with you. “Don’t you think you’re being over the top?” Both of your and your assistant’s steps paused once the devil appeared in-front of you with his assistant next to him. “Your ideas just happened to be an iota contrary with mine, don’t hold your head up too high my darling.” He raised his cup of coffee up, asking for a cheer. You simpered, looking pleased with yourself, “At least I’m not that stupid enough to ask the other managers the meaning of asset and liability.” You leaned closer to him and poured your tea to his cup, mixing the solution together with your pinky finger and licking it off. “Enjoy your drink, Hyunjae.”

“We’ll be heading off first, please don’t overwork yourself.” The workers under you bid a goodbye wave to you before walking out from the office. You waved back to them, leaning against the white coloured spinning chair of yours. You could feel your lids heavied, as you slowly close your eyes and drift to a short nap. “Here comes your favourite jjajangmyeon~” Your eyes lit up once the pleasing voice rang through your ear, seeing one of your favourite men walk past the door with your favourite food. “Cho Seungyoun!” Even your voice raised a few octaves higher, showing off your excitement to meet the latter. He smiled as he opened his arms, “Come here, let me give you a warm hug.” You chuckled and ran towards him. Before he could pull you into his embrace, you snatched the food away from him and totally forgot the man as you headed back to the small cafeteria inside your office. Cho Seungyoun, just like another typical k-drama, he’d been by your side ever since both of you entered the same middle school. He did make his feelings obvious to you, but you told him that you wanted to have a stable job first before proceeding to romance.

Both of you were chatting happily while eating the dinner together. You told him how proud you were that day and he listened to you without any complaints. He even stayed there for hours since you said that you wanted to stay a bit to finish up the last touch of the project. “I discovered that we still have chances to get your project accepted.” Hyunjae just came back from having dinner at the nearby restaurant with his assistant. He decided to stay a little bit longer and worked more, the desires to win over you still dominating him. He was heading to his office with the assistant and while walking past your office, he saw you chatting with the same man that had been wandering around the company. He stopped for a while, taking a peek over through the window glasses. Seungyoun went behind you and gave you a shoulder massage, letting out an approval short of satisfying moaning. “I heard that the man has been visiting our company a lot, never knew Mrs. Y/N was the reason behind all of these.” His assistant noticed the sudden pause of Hyunjae’s steps, realising he was watching you behind those windows. “Who is he?” “He? Oh, he is Cho Seungyoun. I heard that he invested a lot in our company. Some workers claimed that they’ve seen him around in lobby, and turned out he was waiting for Mrs. Y/N for lunch together.”

It has been days, but Hyunjae can’t stop thinking about that man that hovered around you. He even asked his assistant to do a background check on him. “Why would he keep sticking around her when they’re not official at all to begin with?” He groaned and threw his back against the leather chair, spinning the pen with his fingers. He thought he only had a slight crush on you, but not when he realised he totally fell for you. The way you always try to make sure you’re way better than him and how you get competitive everytime you hear his name-- Everything about you almost becomes imperfectly perfect in his eyes. He knew that everything will went downhill once he confess to you, so he decided to play dumb and act along as if he equally hate you too. He looked over the clock, it was showing 21:09. That’s it, he decided to make it clear tonight or else he might lose his chance. He stood up and wore his suit while heading to the door, right when he was about to wrap his hand around the doorknob, it was twisted from the other side as he automatically took backward steps to let the door open. There, he saw you standing with papers in your arms, “W-What are you doing here?”

“Did you forget that I need your signature for this project? Well, what can I even expect from someone like you.” You rolled your eyes, knowing that he won’t help you with those papers. You headed to the sofas and placed the papers on the coffee table. You took a seat on the sofa without waiting for his consent, immediately focusing on the project back. “Hey, at least do me a favour and close the door alright? You were doing nothing just by standing near the doorframe.” You retorted, seeing the reflection of his through the glass window that also displayed the night view of the city. “O-Oh,” he snapped back to reality and closed the door behind him, heading to the head couch and looked over you. “W-Where should I sign?” “Why were you shuttering? Do you just realise how good looking I am?” You joked. “Yes.” Your eyes lose focus on those words, your mind totally forgot which parts you read and which you haven’t. You looked up to see the man, hoping to get a “haha, sike, you thought you were beautiful?” but instead a pointed look by the latter. “We don’t have time to joke around, Hyunjae.” “In which part do you think I’m in the mood for joking?” He leaned closer to you, giving you time to push him away if he made you feel uncomfortable.

Instead, you just stayed there and waited for him to get closer until he pressed his lips against yours. He moved his lips on yours, as you closed your eyes and lost your grips on the papers. He held your shoulders and pulled you softly on the sofa, before his hands crawled back up to caress your cheeks. The dominance of each tongue drove him crazy, leading him to grab your buttcheek across the pencil skirt of yours, earning a moan from you and took this chance to shove and explore his tongue inside your mouth. He pulled away for you to catch some breath, but his kisses continued travelling down from your lips to your neck and collarbone. He was licking your skin and before he could proceed with his teeth sinking against your skin, you tried to speak in between the oxygen that you were trying to inhale, “Don’t be so rough, there can’t be any marks.” He narrowed down his eyebrow and locked his eyes with yours, “And what’s the reason behind it?” You bit your lower lips and looked away, not wanting to continue the topic that you’ve just started. “Are you worried that guy might discover what we’ve done tonight?” He stole back your attention as you stared at him, “W… Which guy?”

“That dude, Cho Seungyoun.” Hyunjae rolled his eyes, even his name sickening him. His expression obviously told you that he was pissed off, as you chuckled and shook your head. Your hand now went up to caress his cheek, rubbing those soft skin with your thumb, “Perhaps do you… Think that I have a feeling towards Seungyoun?” “No!” His eyebrows furrowed more as the quick response made it clear that he indeed was having such thoughts in his mind. You raised your eyebrow, asking for an explanation from the lie that the latter just told you. “Ugh, fine. Yes, I was. His presence around you made me go mad, I can’t help but to think that you might fall for him even in the slightest way.” The way he tried to stay on top of you with the arms supporting his whole weight on each side of you made you feel safe around him. “Then why would you kiss me?” “Because I like you.” You sense nothing but sincerity filled up his eyes. Both of you stayed quiet for a while as each other tried to read those messages through the eyes, as Hyunjae sat back on the sofa and his head hung low to the floor, fingers messily running through his hair. “You can leave if you want, we can just pretend that nothing actually happened.”

“What if I don’t want to?” HIs ears perked up but not daring enough to face you in this state of his. You sat next to him and held both of his cheeks, making him face you. “What if I feel the same way? What if we happened to have this love-hate relationship since the day we met?” You added, “Kiss me again like how you wanted to. Do what you’ve wanted to do on me ever since we’ve exchanged those glares but deep inside those hearts wanted something else.” With that, he pulled you into another heated kiss. This time, the kiss got more aggressive as touches on each other's bodies became bolder than before. He pulled you on his thighs as you wrapped your arms around his neck and you straddled on his waist. His hand went down to caress down the exposed thighs of yours as you threw your head to the back once his lips went to your neck again. He placed soft kisses and licks all over your neck and collarbone while hand busy stroking your thighs. You pulled him to lean back on the sofa, taking off your blouse while the latter watched you doing so. You exposed your half naked upper body to the one that you used to hate a lot, as he licked his lips from the view before kissing your body again. His hands went back to pull down your bra skillfully, throwing it somewhere around the office and his lips went to your right boob. His tongue circling around your nipple as his other hand grasped the other, applying the same pleasure on it.

“P-Please…” “Please what, my love?” “Fuck me.” “I would gladly do.” With that, he gently placed you over the sofa as he almost cursed under his breath, “Shit, you look so stunning underneath me. Should’ve taken the first move early so I could witness such views longer for the rest of my life.” He pulled down your skirt, letting you only in your underwear. His finger made a contact with your covered pussy, spreading the wetness all over, “You are this wet just for me? Thank you,” he playfully smirked and left a peck on your lips as he hovered down to your lower body. His tongue left a long stroke across the covered slit, making you whimpered. He chuckled, taking off your underwear and sniffed it, “You even smell good,” he shoved it inside his back pocket before resting his lips on your cunt. “A-Ah!” You closed your eyes tight as your back jerked upward from the sudden contact, gripping nothing but air tightly. His tongue flickered against your slit, hands went to hold yours as the way you tightly held his hands made him realise that you were so close to reach your cloud nine. He didn’t stop though, as his nose brushed over your pussy and he started to suck your clit. “Fuck, I-I’m close… Ah!” Once again, your body jerked upwards after letting out the loudest moan while cumming on his face.

He gave you time to adjust with the pleasure you just earned, as he licked off the cum painted all over his lips. You took a short glance over him, beaming softly resulting in him to beam along. He pecked your lips and whispered against your lips, “Can you go for another round?” You gave him an immediate nod, not wanting to waste another time. He smirked under his breath, “Never know I could make you a hot mess underneath me. Seungyoun who? Stupid of me to assume that he could get a chance to fuck you. Seeing him touching and giving you a massage annoyed the shit out of me. He can’t make you feel this good.” His hands were busy unbuckling the belts and pulling his pants along with his boxer, exposing his huge manhood right in-front of your eyes. Stroking his hard length to spread the pre-cum all over, Hyunjae was staring you down with lusts filled his eyes. “No, I’m the one that’s supposed to be making you feel good.” Without wasting any seconds, he inserted his dick into your vagina, making you produce the most beautiful sound ever.

“Ahh H-Hyunjae!” Your hands gripped his biceps as he let out a whimper, biting his lower lips, “Fuck baby, you’re so tight. I don’t think I could last long.” The amount of his breath rising dramatically was equally the same as yours, as the pat on his bicep signalling to him that he could move. He pushed further more, fingers crawled up to grab the sofa armrest. Your hips moving along to match his speed, both of you working hard to chase the heaven both of you have dreamed of. “Ugh fuck, Hyun… Hyunjae. It’s there… Ahh,” he repeated the same sin, pushing his tip to hit the jackpot inside of yours. Your fingers went to his back, nails scratching as you accidentally left some marks on it. His thumb went to your swollen clit, circling to apply more pleasures for you to cum. “Ahhh, Lee Jaehyun!” Your wall clenched tightly around his dick and cummed on it after chanting his name like a mantra, as the latter moved his hips at an inhuman speed. “Ugh,” he groaned as he quickly slipped his shaft out from you, replacing your walls with the grip of his hand around his manhood, stroking it faster to chase his own cloud nine. He painted his cum on your stomach, lazily pumping his shaft before sitting on the sofa, leaning his back against it.

He took a peek over you, whose chest was rising up and down rapidly to even the breath, leaning to leave a soft kiss on your lips. “Rest for a while, I’ll go grab for a wet cloth for you.” You nodded, your lids were heavy as you almost couldn’t see the young man in your sight due to the exhaustion he just made to you. Hyunjae put on his clothes, went to the nearby toilet and came back with a damp but warm towel. He cleaned the cum all over your body and let your back laid on a warm cloth. “You left marks on my back, and it’s unfair how I can’t leave any on yours.” You giggled in a tired manner as you tried to look at him, “I was scratching and I didn’t know it left marks. Plus, why would you leave a mark on something that’s not yours to begin with.” He laid on top of you again, putting down the arm away from your forehead, “If I ask you out now, am I allowed to leave marks on your body?” You lazily smiled to the latter, “Whatever floats your boat, Mr. Lee.”

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thanksjro · 4 years ago

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More Than Meets the Eye #22- If You Don’t Love Thunderclash, Get Better Soon I Guess

One last issue before we reach Comic Event Hell.

Time to use a dead man to set up the rest of the nonsense that’s got to happen, because apparently 14 issues of setup, including six issues of literal prelude, wasn’t enough.

The first bit of information we’re presented with is the fact that Chromedome and Swerve are on the opposite sides of the camera-shy scale. I guess that’s bound to happen when your spouse has had his video-cam literally connected to his brain for at least several thousand years.

The art may look really gritty and hardcore here, but this is actually due to a filter Rewind has over all his footage that he’s neglected to take off, because it made all the wartime propaganda he would stuff into people’s heads all the more brutal-looking.

No, this is the style of our artist for this issue, James Raiz, who we’ll be seeing a fair bit of over the next several issues. Raiz has worked on the Transformers franchise over the course of multiple license-holders, as well as contributed to both Marvel and DC comics. He also works in special effects, including matte painting and VFX. That’s just neat.

Anyway, the reason Swerve’s completely frozen in place isn’t because Rewind switched out his head-mounted camera for a gun that goes off if it hears you make a self-deprecating joke, but rather because he’s conducting interviews with everyone in the main cast. We get all their introductions, Cyclonus makes a statement about his political stances, Drift sounds like he’s high as a kite, First Aid strikes a sassy pose while not being bitter in the slightest, and Ultra Magnus makes a move that would get him murdered on any given film set in the universe.

You do NOT use your bare fucking hand to clean a camera lens, mister. Go get a microfiber cloth and try the fuck again, you complete and utter duffel bag of a creature.

We get a quick cut of the speech Rodimus made back in issue #1, with an angle that implies that Rewind was in the front row of the front row, then cut over to Rodimus asking Rewind to document their Capital-Q Quest. This is where we establish that this film doesn’t only contain footage from Rewind’s personal camera, but also that of the Lost Light’s security system.

Which feels like the sort of access you maybe wouldn’t want to give some nosy little film buff, especially when you have a secret giant serial killing sadist living in your basement like a disappointing adult child.

See? He was given the job to record the adventures of the Lost Light not five minutes ago, and he’s already using his powers for evil. Eavesdropping evil. Absolute power corrupts absolutely, Rodimus, and you just handed it to the guy with a massive Dominus Ambus-shaped chip on his shoulder.

So Rewind’s got permission to film just about whatever he wants, and Rodimus figures it’ll be nonstop action from here to the finish line! Fights! Intrigue! Mild hijinks and peril! Explosions aplomb! Oh man, I can’t wait to see what kinds of crazy shit will happen on this absolute roller coaster of a Quest!

Smashcut to Swerve literally falling asleep in the middle of a conversation. Yeah, as it turns out, no quest, capital Q or not, is nonstop action. Which is good, honestly, because that kind of seems like it would be exhausting after the first week or so.

Swerve, Tailgate, and Rewind are discussing cool alt-modes, which seems like an odd topic, seeing as Tailgate and Swerve have basically the same situation going on there, leaving Rewind alone in the camp of “does not have wheels”.

I worry about you sometimes, Rewind. Internalized Functionism is a very real problem. Uh, well, in your universe anyway. Us humans have to deal with regular ol’ classism and racism.

Rung gets brought up, and it’s revealed that the wheel on his back is almost purely cosmetic; it doesn’t even actually attach to his body. The lads decide that they’ve got nothing better to do, and set up a gentlemen’s wager- first one to figure out Rung’s whole deal gets 100 space-dollars.

Throwing shit at people’s heads will be a major plot point in the climax of this comic series.

Swerve’s go at trying to win the bet involved tossing a grenade at Rung to hit him in the neural cluster, which is rumored to be able to force an involuntary mode change if done correctly. Obviously, it didn’t work this go around. Then our narrative focus switches over to the crew’s hobbies.

You were listening to Prince, weren’t you, Magnus? Not even deep space is safe from the Cease and Desist.

Skids’ hobby is meeting new people, because he suffers from the terrible curse of being so fucking good at everything he tries, he always ends up dropping whatever he picked up, because what’s the point? This acts as a segue into another flashback, to even MORE bullshit that the fellas got roped into on Hedonia.

These are the Stentarians. They’re like the Cybertronians, if they were better in every way.

And by “better”, I, of course, mean “more bloodthirsty, warmongering, and driven enough to make their civil war last about as long as the Jurassic Period”. Also, they’re all combiners by default, and Whirl seems a little TOO into their whole situation. So much so, in fact, that when the Imperial Guard of their race show up to kill them, he decides to do them a solid by single-handedly ending their entire war.

You know, in most cases you’re supposed to show and not tell for visual media. This is way funnier, though, so it can be excused.

We jump back into the interviews, and Rewind’s just asked everyone if they’re happy. This might seem like an odd question, until you remember that everyone on-board this ship has crippling depression and PTSD, and Rewind’s married to one of the saddest motherfuckers to ever exist, so he probably has this question loaded into the proverbial chamber at any given moment. We won’t cover all of the answers here, because they’ll be more poignant to reflect back on later in the comic run, but let’s take a gander at the characters who’ve completed the first leg of their character arcs this season.

Drift, is that perhaps… an honest expression of your inner thought processes happening right there? Has Rewind broken through your carefully crafted persona, if even for just a moment, with his question? Perish the thought!

Because Tailgate outed himself as being baby in issue #21, I have zero doubt he’s not exaggerating here. He was a janitor, then he fell in a hole and became Dirt-Nap Supreme for six million years; even the most boring day on the Lost Light’s got to be better than that.

And it’s nice to see Chromedome on a good day for once. Hopefully he reveled in it while he had the chance, because this interview takes place maybe a couple weeks before he fucks everything up big time and has to blow up his husband with a missile strike.

Getting back to the Mystery of the Rungian Alt-Mode plotline, we see Rung using his backpack as a wheelbarrow- no idea what he’s actually pushing in the damned thing- and wearing the most disgruntled face I’ve seen him pull in a hot minute. Someone yells for him to come down the eerily unlit and sinister-looking hallway, which he does. Rung would not do well in a horror film.

He winds up at Swerve’s, where Tailgate, Swerve, Brainstorm, and someone who is most likely Trailcutter, given the colors, are hanging out in their alt-modes. Tailgate’s ploy to find out Rung’s deal is to do what he does best- lie! They’re having an alt-mode party, and wouldn’t Rung like to join in? There are, of course, logistical issues with being a car in a bar, especially when your drink is on the table and your head is tucked up somewhere in your torso, but never mind all that! Let’s get crazy!

This doesn’t work either. Maybe we should cut out the middle man here and just get Rung drunk enough to agree to a wet alt-mode contest.

No, I don’t have any idea how that would work.

In our next vignette, Rodimus comes into the comms room, Rewind trailing behind him like a grim shadow of death, to see what the hell Blaster wants, other than just the hugest glass of water.

Raiz’s work is very detailed, and you really feel the weight of these giant metal space robots, but everyone looks like they’ve been put through a food dehydrator.

We get a lot of build up to the character who’s about to be introduced, with a common opinion being shared amongst everyone- even Tailgate, who hates successful people like his life depends on it.

Lovely readers, put your hands together for the ideal male partner for Autobots, Decepticons, and Neutrals alike:

A man with so much charisma and charm that only Rodimus could hate him, Thuderclash brings to IDW what everyone wishes Optimus Prime would, making our disappointing space dad even more mediocre by comparison. He fights for justice, and freedom, and the good of the universe- and he does it all while having a chronic medical condition that forces him to stay within a certain distance of his ship that is also a life-support machine, otherwise he will die. Despite his handicaps, Thunderclash seemingly brings to others what they need most, even if they don’t even realize that they needed it in the first place.

He also, in this one scene, appeals to Drift’s religious sensibilities, does a secret best-friend dance with Ratchet (who he helped to pass his medical exams- yes, Ratchet), and congratulates Rodimus on his questing so far.

Thunderclash is one of those characters that everyone in-universe is supposed to love, and I completely buy it- because he’s completely genuine and humble about all of this the entire time.

Compare this to the last time Roberts wrote Thunderclash, in Eugenesis.

Where he was an ex-Decepticon.

And kind of an abrasive asshole.

And then he died.

Y’know, now that I think of it, Eugenesis Thunderclash and MTMTE Ambulon being basically the same character makes a whole lot of sense, even without the horrors of Roberts’ Twitter getting involved.

Thunderclash reveals that he, too, is on a quest to find the Knights of Cybertron, much to Rodimus’ chagrin. But first he needs the Lost Light to break out the jumper cables, and then for his second in command to stop threatening his life.

Turns out, not everyone is as obvious as the Cybertronians with their naming conventions. Whirl assassinated the wrong folks; I’m sure the Galactic Council is utterly thrilled. Paddox wants to steal the quantum engine technology for the good of his people, so they can kick the ass of the up-and-coming Terradore leader.

Completely unaware of the situation unfolding here in the lab, Swerve is directing Rung towards the warm, loving aura of Thunderclash for another go at winning the gentlemen’s wager- through the power of lying about having friends, Swerve’s “agreed” to get Rung Thunderclash’s autograph, in exchange for getting to check that Rung’s transformation cog is still working. Then they bump into the nightmare currently unfolding. My, whoever will save us from this dreaded menace, who holds a gun to the head of the Autobots’ greatest warrior, confidant, friend, and perhaps even lover?

How about a bartender and a giant vape pen?

Okay, so Rung doesn’t actually turn into a vape. It turns out that the Mystery of the Rungian Alt-Mode is also a mystery to the man himself. Because Rung is old as shit, the Functionists got to see this bullshit for themselves, and ended up testing him over and over and over trying to figure it out, lest he prove to be a flaw in their fascist ideologies. Fun fact: fascists HATE it when people they’re trying to oppress don’t play to their expectations.

The Functionists were the ones who gave Rung his little wheelie backpack, to make him at least appear useful. This sort of treatment tends to warp one’s head a bit, which would explain why he’s bothered to keep it for so long- internalized functionism’s a real bitch.

At least he’s not giving teenagers nicotine addictions under the guise of being somewhat better than cigarettes.

Back with Rodimus and Cybertron’s Autobot of the Year for 40,000 consecutive years, we get the unfortunate news that jump-starting Thunderclash’s ship is going to make the Quest go a bit slower for the Lost Light, much to Rodimus’ horror, though he does his best to put on a brave face; after all, that’s what heroes do, isn’t it?

It’s at this point that it’s revealed that “Little Victories” was being screened to all the Circle of Light members who didn’t get murdered or turned into Legislators on Luna 1, and man are these guys pissy. What was meant to be a recruitment video turned out to do just the opposite, because none of these guys want anything to do with what the Lost Light’s got going on.

Too bad Rewind didn’t have time for a cleaner cut for showing. Maybe they could have at least snagged a couple of these guys to tag along.

As all of the Circle of Light leave the theatre to go call everyone’s favorite Autobot to see if he needs a more crew members, the film plays on behind Skids, back to the interviews, as everyone promises more adventures just waiting on the horizon.

You’re not even on this trip anymore, you dork.

Chromedome gives us the title drop for the movie and issue, and we cut to Rewind organizing a group photo of all the interviewees.

And then Rewind died horribly like a week later. Thus ends season one of More Than Meets the Eye!

While I’m here, I’d like to take the time to cover a little bit of cut content from this issue, a scene between Drift and Ratchet.

Drift, during his interview, recalls the time that Ratchet called him into his office for a very serious discussion about his/Pharma’s hands.

Yeah, turns out they’re haunted.

Well, no, not really, because this is a prank. But Drift doesn’t know that yet.

Ratchet demonstrates this hand-haunting by punching Drift in the face, as he screams damnation at Pharma’s ghost. Drift, because he is a spiritual man, knows exactly what to do to deal with this possession; he draws his sword and chops Ratchet’s hands off, then throws them out the airlock.

This, too, is a prank, not that Ratchet knows it right away, yelling at Drift that he’s crippled him.

Clearly, these two belong together.

This bit of cut script was lucky enough to have gotten drawn by the colorist for MTMTE Season 1, Josh Burcham. Burcham’s line art is iconic- you won’t mistake him for anyone else. It’s rough and angular, and honestly just very charming. I’m a sucker for this sort of style. If you want to see his adaptation of this chunk of script- and trust me, you do- the link’s right here:

https://dcjosh.tumblr.com/post/107665292031/its-done-the-mtmte-22-deleted-scene-in-all-its

#transformers #jro #mtmte #issue 22 #maccadam #Hannzreads #text post #long post #comic script writing

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theawkwardterrier · 4 years ago

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How about 14 + 21, dealer's choice pairing?

On This Thanksgiving Day

Prompt: Stuck together for a long period of time/“They’re wrong about you.”

Summary: Sloan’s first time meeting Don’s family doesn’t go particularly well. (The dialogue came to me in Thomas Sadoski’s voice, so I guess the dealer wanted Don/Sloan for you, Sarah.)

“Apparently we don’t have very good luck on trips together,” Sloan says, although not precisely to him. She’s facing out the window, as if she can see anything other than pitch blackness - as if there would be anything to see, even in the daylight. They hadn’t made it much past Derby-Shelton when the train had broken down; he’d guess that if they could see more than darkness and their own reflections, they’d mostly be staring out at Naugatuck State Forest.

Which might offer a distraction to make things a bit less awkward, but not by much.

“I’m not exactly in a hurry to get anywhere this time,” he says, trying for humor. “Luckily there isn’t much urgent news to report on Thanksgiving.”

“There isn’t always much urgent news to report on May 1 of any given year.”

“Well, sometimes we just get lucky.”

She turns toward him then. Her hair, which she had taken down from whatever fancy style it had been pinned up in earlier, swings forward, briefly obscuring her face. “Is that how you feel? Lucky?”

“I feel lucky with you every day,” he says truthfully. He can’t tell if she believes him. Either way, she does not smile, although after the day they’ve had, he wouldn’t really expect her to.

It had been an easy decision to ask Sloan to come home with him. Her parents retired to Arizona the previous January, and if it already didn’t make much sense for her to fly across the country for barely a weekend, they had told her months ago that her brothers would be at their in-laws, they had no plans on cooking, and they were booked for mixed doubles with the Drummers on Friday.

Don’s family, by contrast, would all be gathering back at his childhood home, a quick couple of hours on the Metro-North. He and Sloan had been dating for over a year now. It would have made sense to ask her even if she wasn’t facing down a holiday weekend of takeout and economics journals alone in her apartment (regardless of the fact that she had set aside a few of the “best issues” to enjoy).

He knew it was a mistake from the moment they walked in the door.

Despite his mother’s thanks, it was clear that she thought the bottle of wine Sloan had picked out was pretentious, and she eyed the sheath dress Sloan wore, with its gray, black, and white geometric design, as if deciding precisely how excessively formal it was for a small family gathering. Don, having seen Sloan’s closet, could have told her that this was one of the more informal options, at least not counting workout clothes or lingerie, but started in on small talk instead before offering Sloan a tour of the house.

Those few moments of watching her smile at the pictures of him hanging along the hallway - round in a Christmas sweater at age three, a gawky, grinning advertisement for the necessity of orthodontia at twelve, only slightly less gawky and slightly more grinning in his high school graduation photo - and hearing her tease about what embarrassing poster had once been taped in the large, discolored place above his bed...it still wasn’t quite enough to get him through the rest of the day.

Sloan didn’t watch whatever show his mom and sister and sister-in-law were going back and forth about, and she had little interest in entertaining the brigade of Keefer kids roaming around. She furrowed her brow as she sat next to Don in the family room and tried to get him to explain all the minutiae of football even as the others were trying to watch the Eagles. She was perfectly polite, asking questions of everyone and telling them about her family, her work, her interests when asked, but it was obvious from the glances traded around the table that the others noticed the slight hitch to her cadence and the way she didn’t always laugh at the jokes being told, and that it mattered to them.

As they dug into turkey and Mom’s excellent stuffing and terrible sweet potato pie, his dad (who clearly didn’t think the wine pretentious, or at least not enough to be a problem) started talking about how all he saw on the news these days was these protests, and of course it was a shame when things went wrong, but cops were just trying to protect themselves and didn’t need to be lectured by those who didn’t know what it was like on the ground day to day - he had friends who were cops, and they were just trying to do right and get home to their families, and was it any wonder they had to react like they did, considering the damage being done out in the streets? Don, who had tried and eventually learned to bite his tongue when it came to this conversation, placed a hand on Sloan’s knee, but she went ahead anyway, citing statistics and studies and historical precedent, all while the others looked at her as if she was exactly the kind of person by whom they didn’t want to be lectured.

Still, they might have been able to push through, except that Don’s brother cornered him on the way back from the bathroom and asked...well, Don’s blocked out the exact wording, but the implication was that he wondered if the pictures he’d seen of Sloan online did her justice.

After Don had punched Rich, sticking around for Black Friday brunch and leftovers didn’t seem to be in the cards.

“I can be a little bit of an acquired taste,” Sloan says, leaning forward and resting her forearms on her thighs. “I know that might be shocking, considering how charming I am—”

“Exactly the word I’d use.”

She throws him a glare for the dry tone, but he’s glad for it; it makes her look a bit more like herself. “So, I’m used to not always being liked. But they...I was really not liked back there.”

“They’re wrong about you.” The carriage is empty except for them - luckily for those who don’t want to be trapped on a broken down train, the middle of the evening on Thanksgiving doesn’t seem an especially popular time to travel into the city - and they had been able to take seats facing each other. He leans toward her, but does not take her hand. “Hey. They’re wrong about you. You know that, right? Sure, you’re single-minded, a little bit weird, a frequent pain in my ass—”

“I have yet to hear the part about them being wrong.”

“—but you’re also kind and loyal and wildly ethical and the smartest person I know and pretty solidly better than I deserve. And I just happen to be related to a bunch of assholes who can’t recognize that.”

Her knee bumps against his. “I imagine Christmas is going to be a pain when you have to spend time with a bunch of assholes.”

“Christmas was already a pain for that and many other reasons,” he says. “And honestly, maybe I won’t go back for it. Maybe I won’t go back next Thanksgiving either.”

She doesn’t look at him like he’s crazy. Instead, her face folds into concentration, as if she is trying to figure out a puzzle. Slowly she says, “I don’t know that you can just give up on your family because of the one time that they weren’t nice to your girlfriend.”

“They’ve never been nice to my girlfriends because, again, they’re assholes.” He settles against his seatback and makes sure she is looking at him before he says, “I’ll probably end up seeing them again because I’m not quite lucky enough in life to avoid it. But when I have the choice, I want to spend as much time as I can with the family that taught me to be better than them. So maybe next year we’ll rope Mac and Will into eating dry turkey with us - or hey, he can probably swing for some that actually tastes good.”

“You know that Mac will make us say things that we’re thankful for, and she and Will are going to get into an argument about the legacy of Thanksgiving even though they essentially agree with each other.”

“Well, maybe we’ll cook—” Her eyebrow raise is sharp and perfect as always. “Okay, we’ll get takeout together. Because I swear to God, Sloan, sitting around having popcorn shrimp with you sounds like a much better time than anything involving my mother’s pecan pie.”

“I was actually looking forward to the pie,” she says a little longingly, but she moves to sit in the seat beside him and lean her head on his shoulder, not even startling as the PA system crackles to overly loud life.

“Sorry, folks, we’re going to have to go dark here for a sec as we try to get things back online, but we hope to have you on your way shortly.”

“Hey,” Don says in the moment before the lights go out. “You know that I’m thankful for this, don’t you? Just getting to be here with you.”

“No one’s thankful for a train breakdown, Don,” she says, voice sounding as if she’s shaking her head at him. And he can feel the stupid smile coming over his face anyway as the overheads power off, leaving them with only the eerie emergency lighting. Who knows how long they’ll have to sit here like this considering the amount of faith he has in the MTA? He rests his head on top of Sloan’s. He can wait. They’ll get home together eventually.

#The Newsroom #Newsroom fic #Sloan Sabbith #Don Keefer #Don/Sloan #eh #lavellenchanted

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cookiedoughmeagain · 4 years ago

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Haven DVD Commentaries; 5.22 - A Matter of Time

Commentary with Joshua Brandon (writer for the last episode), Brain Millikin (writer for this episode) and Colin Ferguson (who plays William and directed 5.20)

BM: This was written really as one big two hour episode with 5.21. We did that a bunch of times this year and I think it does feel that way. In a perfect world they would have maybe aired in a two hour block, because this is the most two-partery episode we’ve done all season long. CF: It does feel that way. And I like how in this episode, in every plot line there is someone who’s stuck. Stuck in the fence, stuck in the cave and stuck to a chair. BM: Yes, well that was an edict going into this episode, we needed this one particularly to be a bottle episode. Which for those who are unaware, that is when you spend as much as possible, if not the entire time shooting the episode, on your stage. We typically do it to save time, maybe save some money. Or you’re just gearing up for a bigger episode down the road. It can be a challenge, because on the one hand you’ve just got a lot of people stuck in a room. But the opportunity is really high for some longer stronger scenes and interactions between the characters. It becomes a bit more like a play than an epiosde of a TV show. CF: And when you’re a guest star coming in, your job as a supporting actor is to support the other actors. Now at this point in the season, 21 episodes in, Lucas is tired, Emily is tired, everyone’s just burnt. So I come in and I have to know my lines, and we ended up shooting all of my coverage for the epiosde in about an hour and a half at the tail end of one day. JB: Wow. CF: Anything in this direction [the camera facing towards William in the cave] we did in about an hour and a half, because we spent so much time the other way, with the thinny when it appears and all the other stuff that’s happening. There’s so much more movement there that took the lion’s share. And then turn around and hose down Colin. BM: That is unbelievable. Because that’s like ten pages of dialogue! CF: It was a lot BM: Oh my gosh.

BM: I can’t go any further without giving props to Steven Wright our costume designer - I love Emily’s coat. Emily has had exceptional coat game over the course of the series.

[As Audrey and Duke discover Hailie stuck in the fence] CF: Wow! That’s disgusting when you see it there BM: You know, that was somethign that we talked about for a long time. Number one, in the bottle episode way that we had to shape this, we knew that although we had all these outdoor scenes that we needed to keep them contained pretty much to one place. So that we could shoot as quickly as possible. But at the same time we had the season laid out and we knew the tent poles of the story that we had to hit. We knew by the end of this episode that Duke needed to kill her and take her Trouble, and it was going to be a big deal that he would be taking a Trouble now sort of willingly, to use it. And that was going to start him on a much darker path for the rest of the season. So we just needed to try and dramatise that as best as possible. And it just made sense, given how we had already set up Hailie’s mom dying in the same way - becuase all Troubles have a down side, and hers gave out on her at the exact time she needed it most, when she was passing through a fence. So we were watching a cut of that episode [about Barbara] and we figured the same thing should happen with Hailie. And it winds up telling a story about repeating what’s happened before. The sins of the father, destiny, all that stuff. CF: And a great performance by Tamara [as Hailie] too. That sort of squeal that she had there was not over done. It was gross. JB: She was great. And right from the beginning when she was cast in 5.15, as soon as they started seeing the dailies come in, we were all thinking that if there was a way to bring her back then we should, because she was really terrific. BM: Yes and she did not have an easy job on this one. She spent an entire day standing in this - I think painful - rig, with that fence going half into her. And she couldn’t move. CF: And the issue with that is you can’t go to the bathroom. Or, you can but it’s a time suck, you know if it takes 20 minutes to get out of the thing and 20 minutes to get back in again. BM: Yeah. But the fence was also sort of a practical thing, in that we needed her to be in a situation where she’s probably going to die, but where we could still talk to her. So she couldn’t be cut in half or something. So the fence was just kind of, logical really. And we had looked into some real life accidents where people have been impaled and this idea that the shock means you don’t really feel it, at least for a little while - and that was important because she needed to be able to have a conversation and not just be screaming in pain. JB: And also knife victims; leaving the knife in can prevent you from bleeding out. CF: By the way that fence was built by production, it was not an existing part of the location.

[Dave about to get hypnotised] BM: So this side of the story was probably the most important one. This was the other big tent pole that we knew coming into this was that this was going to be John [who plays Dave] Dunsworth’s last episode. John is fantastic, but we were losing him to another show already, and we had always intended that as we got towards the end game of the season that we would see some of our characters lose their lives. It just felt that with the stakes as high as they are, it wouldn’t really be realistic that everyone would make it through. So it just made sense given the story we were telling, that it would be Dave. But we had some problems because we knew that he was going to be tied up for the whole episode. Because it’s a bottle episode but also because last time we left him untied up he started killing people. So we needed our other characters to be smart enough to tie him up, but we also needed him to have a story that took him beyond just sitting there. So that’s where this whole ‘mind palace’ experience wound up coming from. And the same thing with what’s happening here [Vince and Dwight realising they’ve lost time]. We’d never really leaned into the lost time of it all, it happened on a couple of occasions, but knowing that we were going to dispatch with it this episode, we figured this should be one where we really kind of go crazy with some lost time stuff. I think it wound up really working well, because it gave Adam and Richard [as Dwight and Vince] a lot to play with. Again, as a bottle episode, just standing in the room.

CF: That wide shot of the cave is amazing; it makes the room look significantly bigger than it actually is. That first shot that started the scene. The room was not that big, it was probably only maybe 20 feet square. BM: Wow. You two were terrific in these scene. I wish we could have done more. But we knew we only had you for two episodes CF: Yes, I was contractually on other things before and after BM: Yeah, so we knew where we were going with Nathan and William throughout. We all really liked William, and sort of understood where he was coming from, in a good way. I think all good Bad Guys, you can kind of relate to how they wound up the way they did CF: And you guys did a great job of that, through and through, of making the reasons why he’s doing it real, and defensible. JB: The original title of this episode, I think, as “A Fool For Love” BM: That’s correct. I was like; I love that title, let’s use it - why do I love it so much? And then realised, it’s the title of an episode of Buffy the Vampire Slayer. Which I love that episode, it was the one that was all about Spike, also about their bad guy and getting to know what’s the matter with him. So if I’d had my way, we would have had more of Nathan and William in this cave. I think originally they were going to be stuck in there for a whole act CF: Oh wow BM: You were going to be running around, there was more stuff outside. A lot of that got pushed into about two minutes of episode 5.21

CF: I came up to Halifax for this with my girlfriend and my son, first time I’d gone on location with them. So when I come home at the end of the day I’m handed a baby to take care of. So for me, I had a ton of dialogue to learn JB: That’s a lot CF: Well you’re learning, your’e learning how to do it. It’s just a life thing that you deal with. BM: Well and you had just directed the previous episode a couple days before hand, right? How much time did you have off between directing and then having to sit in a cave for a day? CF: About ten hours. JB: Wow BM: Wow.

BM: It was a bit of a chllange this episode because we had three story lines, or four if you think about Dave in his own mind. And we’re just cutting between them all, they basically each get one scene and act, is how it winds up working out. And each one, they’re still in the same place they were before. So we had been really worried at the script stage, that it was maybe going to feel a little too static. But I’m happy to say that you guys killed it. CF: Well and watching it now, Tamara does such a good job of that kind of Faustian moment, of; I’m going to ignore the consequences/oh no here are the consequences. And it’s so hard to make that likeable, because if you do it badly the audience is just going to be going; Well you knew it was coming, you idiot. But she actually pulls it off JB: She’s amazing BM: Yeah, it was a little bit like what happened with Lisa Hawkins in 5.21. We had set up this, well Matt McGuinness had felt that in season four and some previous seasons, we had ignored the reality of the situation a little bit. So he had wanted where possible to really have people just react the way that you and I would. So we felt that this was another example of that, that Hailie’s going to be pretty pissed off about what’s happened to her. And that if Duke came to her and asked for help, she’s not going to be like; Yeah I’m going to be a hero and do the bigger thing. Real people don’t do that, she would instead probably be pretty mad at him and blame him for what’s happened to her.

JB: I love what they did here with this mind palace stuff. We talked about this a lot when we were conceiving these episodes. And it should be no surprise that Brian and I are Star Trek fans, and there was a DS9 episode right towards the end, it wasn’t a great one, it was called Extreme Measures, and it was O’Brian and Bashir’s last adventure, and they wind up in a sort of a mind palace. And I was reading some behind the scenes stuff that they wanted to treat the set differently and have psychedelic images on the walls and really make it different from - Oh we ran out of time and money so we just re-used these sets. They couldn’t do that there because they had to play on a whole thing of; Oh it might be reality, it might not. We didn’t have that, so that’s why you’ve got the tree and the bike and everything. CF: The tree is the best one because as soon as that goes up you’ve got the iconography of being some place else. JB: Exactly, and we really got to play with that. BM: I would like to be able to say that I got the idea from DS9, but I took it from a Stephen King book, Dreamcatcher, which they made into a movie with Damian Lewis and his character spends a good chunk of the film in his own head. It’s visualised as a sort of library, he’s running around looking for books trying to find the right bit of information. And so like so many things we’ve done in the show, we try to pull from other Stephen King books, or the Stephen King universe, and that was another way we were able to do. I’m kind of surprise that it worked and we were able to sell it through - it was kind of a dicey thing. I think Sherlock helped us a lot too. JB: And John Dunsworth is so good in those scenes BM: Yes, which were not easy because he was just there by himself. He had to spend a day just wandering around the Haven Herald alone, and then the next scene he’s talking to a disembodied voice on a radio. Because we couldn’t yet reveal that Croatoan is William Shatner. CF: And on the day when you’re shooting stuff like that it’s always the script supervisor, way off camera, shouting out the lines, and you have to react like it’s coming from … wherever. It’s always a bit of an exercise. BM: And to make it worse, it was his last day on the show. Five years of work, and the big send off for him is that he gets to work by himself. CF: I was there for the send off, it was a lovely lunch and it was quite emotional. And everyone came down from the office, it was quite a send off. BM: That’s great. He’s been fantastic. JB: I really liked John, he was one of the first actors I got to talk to on the phone (becuase I never went up to Canada) but he was one of the first people I dealt with when I started here and he was just telling jokes and being hilarious. Really sweet guy. BM: Yeah it speaks super highly of him that I was - well I still am a nobody, but I certainly was a nobody when I was doing my first episode back in season two. And I was walking home through the parking lot, everyone else had already gone home, and this car comes peeling out of nowhere and starts doing doughnuts around me. Then he slams his breaks on, rolls down his window - I thought I was going to die, but it was John Dunsworth asking me if I had dinner plans, and we went and had some food. He’s a great guy.

BM: So this was something else that we knew we’d have to do at some point in this episode - 5.21 was Audrey and Duke coming back together again, and this episode was going to have to be a bit of of the shit hitting the fan. And she has to ask him to do the thing that he left town for, and that he doesn’t want to have to do. And she’s right. JB: Yeah and on some level Duke knows that. Because it’s all about destiny and that’s the vision he saw, and he can’t escape it - the worst thing he ever had to do was kill becuase Audrey told him to, and now he has to do it again. BM: It was a tough one. We at this point knew where Duke’s story was going, which also made us sad, for Duke. So all of this episode for him, was just about dealing with inevitability that he’s just kind of stuck between a rock and a hard place.

CF: I can’t believe that Duke and Audrey just left Hailie there on her own again to go and have another conversation BM: We got that note from the studio, and the way that we were able to get away with it, is that this episode takes place in real time. So she’s only there for about 42 minutes in total. Both of these episodes take place over the course of a couple hours; which is crazy when you think about it.

CF: You guys did a great job of making William’s appeals to Nathan logical. I find the biggest problem is when you get a scene where what you’re being asked to do, no one would do. Where there’s really thin logic that doesn’t really work and you’re supposed to pour your heart into it, but you’re just thinking; why would anyone do this? But with this I feel like I’m in the right. JB: Well it’s also not interesting otherwise. And Brian did such a good job with all that because, we do care for William. Even though he’s done these horrible things. And I think this episode is about him redeeming himself; in his own eyes as well as the audience’s. Because he’s been a fool for love, because he’s done things that he probably wouldn’t have done if he hadn’t felt so strongly for Mara. Who didn’t really care as much about him as he did for her. I think we’ve all been there. BM: I’ve been really attached to this idea that we ended up doing at the end of the episode, where Nathan’s wearing one of those rings around his neck, and we’ve spent a long time this season revealing what they were and what they could do for people like William and Mara. And I had really wanted to try to get to a place where Nathan could give one to Williiam. JB: Definitely. BM: That had been our goal - our stretch goal (if we can get there then great) - for the end of this episode. And there was a bit of push back, because Nathan had been wearing that ring around his neck since season two, and it had been his dad’s and Lucy’s and everything else. But I was just like; Nah, he should give it to William. But I think it wound up working, because it actually required William meeting him half way. JB: Yeah and he deserved it; he deserved to go home. I think that great line, I don’t remember exactly, but it’s like; You don’t deserve to die, I don’t know if they want you there, but you don’t deserve to stay here.

JB: In the cave scenes I also love the play on status, that Nathan is the one whose body is breaking down, he’s getting weaker and weaker, but William is the one pinned under the rock. So in theory William is at a disadvantage, but he’s just watching and he can wait it out if necessary. BM: Well that came out of necessity a bit, because originally they were both going to be in the cave but free, so they would fight for a bit and then get to a detente kind of a place. But enough people were like; That will never happen - they will fight until one of them dies. So it was like; OK, what about if one of them is trapped? So if William’s trapped, he’s smart, he’s a little Loki-ish, his biggest power is maybe his voice and he can break Nathan down that way.

[Vince with a gun pointed at Dave’s head] BM: Oh, so sad. JB: It is really sad, and this is what happens when a show goes on and you have to make big decisions, you don’t want to do it. I remember coming home and my wife was watching the show, the first half of the season, and she was saying; It’s getting dark - I don’t like where it’s going. And I couldn’t say anything, but in the back of my head I knew where it was going. But that’s the beauty of telling a story like this, is you get to have real consequences. You’ve got to make some sacrifices if the story is taking these dark turns. BM: I’m super happy that that voice mail bit with Dwight actually worked. It was an 11th hour save, because we were like; How are these guys ever going to figure out what the hell is going on? Because they keep having their memories wiped. I was like; Maybe Dwight gets a voice mail?? And everyone else was like; That’s a great idea! And I was; That’s a great idea???

BM: And we’re coming up on an Oprah Winfrey call back here [with Vince and Dave]. The first of many callbacks. This was just the idea that there’s some sort of untoward relationship or fascination with Oprah Winfrey that Vince and Dave both share. And that seemed like a good idea because we needed a litmus test to prove it was Dave, and a call back always works. JB: We never established what that was though, did we? BM: No. JB: We just know that it’s something between them. Duke knows about it too because he brings it up at the beginning of season four. BM: Exactly. You’d have to ask Gabrielle Stanton about that one. But it was the first of a few call backs that we tried to squeeze into this episode. Heavy shows up later on, and even Maddie Irons, we brought her back. We really start doing that a lot in this episode and the next few. We didn’t know whether this was going to be the end of the series or not, but regardless it was going to be a big season and we wanted to start looking back to the past a little bit. I think we varying degrees of success.

BM: So we knew that Dave was going to die at the end of the episode and that Croatoan was going to leave his body. But nobody wanted Dave to die in vain. We wanted him to have a hero moment. So we decided really early on, that he could do something to take away the lost time power that Croatoan has. Mostly because, as we tried to break what was happening in the following episodes, the fact that Croatoan could erase the memories at any point in time, made it completely impossible. So we realised we needed to get rid of that, and that gave us an opportunity to have Dave do something, which then beget the wall of clocks and his mission to go back into his mind palace here. But then again, if Dave *knew* he was going to die, that makes him less heroic, so we had to kind of do this whole dance were Dave was going to be spared. We had conversation after conversation for weeks about the levels of heroism - like, too heroic? not heroic enough? But you talk about all of that, and then it goes away when you watch John Dunsworth here because he is fantastic. And those two guys, their last two scenes together, all of those concerns just go by the way side.

CF: They got a sunny day for these scenes with Hailie, that’s great. There had been a lot of rain in the weeks before. JB: Yeah you wouldn’t really think this was shot shortly after the scenes with William and Nahtan in the woods. They got really lucky. BM: And we were just so lucky that Tamara was available to play Hailie. When we had here in 15 and 16 on that Duke side story, at that time we had not intended to bring her back. But we really liked her and found an opportunity, and now, I couldn’t imagine it any other way because Duke’s relationship with her in those episodes, that he started her Trouble and that he knew what happened with her mom - it all plays into what’s happening here. So it makes it so much better. And they were great. Unfortunately he has to kill her here - we talked for a long time about how to do it. There was this idea that he could snap her neck, but that felt kind of cruel, and so what we liked what this idea that he could kind of embrace her and pull her, so that he makes her injuries worse and that was what was kill her. But iti was the idea that he could hug her instead of some brutal thing. You know, he could have suffocated her or various things but that just felt too cruel. But they both sold it. JB: Beautifully directed moment too. BM: Yes. And unfortunately for Duke, and for Eric Balfour, he’s had to do a few really harrowing things like this to people over the course of the series. I think it’s because he started out the show as this kind of care-free, fun-loving guy, it just sort of makes sense with the nature of television that you start torturing people for season after season. But he does such a good job with it, that it was just only natural. He is as good at dealing with the dark things he’s had to do as any body.

CF: I’m happy that Emily’s walking better. I mean just standing there was an issue when we were shooting 5.20. BM: Even then you can see, we did start re-writing stuff so that she wouldn’t have to walk around as much. He can walk over to her, there just to be more running around in that story.

CF: By the way when you’re working with foam for days, everyone’s walking around on it, the ground gets completely crushed and pulverised into tiny little pieces, so its … your lungs aren’t happy by the end of it. Becuase it’s foam, it’s not meant to last more than a few days BM: That’s a great shot though. It looks great, worked out really well. CF: Yeah they do a great job as a crew, all the prep and getting the right lenses for that super wide angle - because it makes the scene to give it some scope.

[As Nathan takes a handful of aether] BM: So we always knew we were going to try and get to this point in the episode where Nathan was sort of forced to do waht William wanted him to do. And this moves them into a different tone of what’s going on between them.

JB: The controller crystal there, that was kind of modelled on the kryptonian crystals from the 1978 Superman movie CF: And that aether stains anything it touches. So we had to cover our hands with silicone barrier cream and just take it off immediately afterwards or it would stain permanently. BM: It’s funny there’s a bit of a vestige of previous versions of the script where your foot was stuck rather than your arm. So it was still in the script that William would cup the aether with both hands and then open them up again to reveal the balls spinning. And I realised after we shot it that was impractical now - but you did such a good job selling it. CF: Well we had a long discussion about how much pain I could show. Because if your arm is trapped by a boulder you’re going to be in pain, but if I leaned on that through a whole episode, that gets old. Because also Tamara would be doing something similar with Hailie’s story. So I sort of played that it was more numb, so that I could make the point of the scenes be the dialogue.

BM: For the longest time we didn’t have Heavy back, Robert Maillet, but he was such a good sport, he flew up just for the day. I think we got him on a break from The Strain. Really nice guy.

[William, about Duke and Mara; “I should kill you just for putting that image in my head”] *general agreement this is a great line* JB: We were talking about this section and wondering how William would react [to William learning about Mara using Duke] and I think all of us figured he’d be like; Yeah that sounds about right. As opposed to be upset or angry. CF: I did a few versions of that, some were more jokey but I can see why they didn’t get in because you can’t go too light there or the stakes go away BM: You guys really sold it. The idea of how Nathan gets through to William had always been, not that he would make some great argument and convince him, but that he would sort of challenge William, almost insult him so much that he finally got through to him. That felt the most realistic. CF: Well I take my hat off to you guys as the writers and Eric on the lighting, because when you’re reading a script thinking; Oh ok I’m trapped under fake boulders for an episode, … You’re thinking; This could be bad. But it doesn’t feel take.

[As Duke cuts his hand to let out the Trouble] JB: Can I just say, I’ve seen people do this on television a lot and it looks incredibly painful. CF: Yeah I cringe. If I had to cut myself, I wouldn’t use my palm. I’d use the back. JB: I’d be going for a pinprick, not dragging the knife right across my skind.

BM: So this is the place we wanted to get to where William is not a bad guy, not a good guy, somewhere in between. CF: Well and I like that you didn’t make him all of a sudden all like; *overly happy voice* Golly Gee, I’ve seen the light and I was wrong. You know he still has a bit of swagger where he’s just like; Get out of here JB: Yeah; Before I change my mind. Because I might. CF: Yeah. BM: It felt realistic for him. And in a strange way, I mean it’s a cliche, but him and Nathan wind up having more in common than perhaps either of them would care to admit. They are more similar characters. Nathan could have been William if the circumstances were different. JB: I love this too, this wasn’t quid-pro-quo, it was; “get out of here I’m letting you live” and then Nathan decides to hand over the ring. I really like that they don’t strike a bargain as such; it’s just two independent things that these characters decided to do for each other. CF: I like that moment, because I’m thinking William doesn’t get a lot of gifts. Birthdays, christmas, he’s not getting a lot of presents, so. BM: Yeah. And he’s spent a long time in the void.

BM: It’s funny William’s last words to Nathan there. We had always thought that he’d give us some clue that they could use in the next episodes. But then we shot the episode and coudln’t put the clue back in. He just gets a bit of advice - that it’s going to be bad - but it wasn’t really something we could call back to. Missed opportunity.

[Nathan; Where Hailie] JB: That very obliquely references the scene in 5.21 where Duke tells Nathan to talk to Charlotte, and Nathan says, I can’t, and Duke realises she’s dead. And now Nathan’s realising that Hailie is dead. BM: Wow. JB: You didn’t catch that the first time did you? BM: No. I wrote that, too.

[Vince saying goodbye to Dave] BM: So this was a scene we were looking forward to, in a sad dramatic kind of way. We knew that there needed to be a moment between these two. So we wanted Dwight to sign on to Dave’s plan early on, and then give Vince and Dave a moment, because this is their last scene together. And we just felt like we needed Dave to step up to the plate here. These guys have spent their entire lives protecting Haven and it’s secrets, and they’re in uncharted territory here but it’s like; Who are you really and what are you going to do? And we knew that Dave was going to step up in this episode and then Vince is going to do the same thing, pretty much, two episodes from now. It ends differently for Vince, but even going back to the pilot, these two had all of the secrets. And the idea had always been that eventually the show would catch up to them, and bring them along with it - like they would be swept up with it. CF: I love that idea that everything has a cost. That if you want to be the gatekeeper, or the holder of secrets, you’ve got to pay that bill at a certain point. JB: That’s a really sweet moment; Dave’s “Copy that big brother.” BM: Yeah I think we took that from some of the radio speak that Dave did in Roots, 2.05, when he was talking over the short wave radio. JB: That moment really gets me, where he smiles as he goes under BM: When I wrote this I originally imaged the exact same device as Men In Black, for some reason. But then we looked into it and it turns out that is what some people use for hypnosis, these little hand held strobing devices.

[Dave shouting at Croatoan] BM: John Dunsworth is great here. And again, it’s tough; he had to shoot all this by himself, just shouting at a disembodied voice. But you don’t even think about it, because that’s what John Dunsworth can do. JB: And you wouldn’t get many takes at this, either [Dave smashing up the clocks and the wall] BM: No. You can maybe tell, it might be a bit too obvious, but there’s a late addition to the scene here when Dave writes in his notebook, Because we needed everyone else to know that Croatoan’s plan is to go after Audrey, but there was really no way for them to know that. So we realised it was maybe one little last beat that Dave could do for them, something that he has figured out how to leave a message on himself. And that gave us a cool last beat of the episode. But it was literally added in I think a couple days before we started shooting. CF: John gave a really nice speech that day at lunch when he was retiring from the show. He was quite choked up about how much the show had meant to him. I think he said he didn’t appreciate this coming at this point in his life; having five years on a show and a huge extended family. BM: We got super lucky with both John and Richard. When we were casting the show we knew we were going to be shooting in Chester Nova Scotia, and we needed to cast Vince and Dave as pretty local guys. We didn’t want to have to be flying them in and out, we were hoping to find someone in the area. Those guys both lived a few miles away from where we were shooting, had both done tons of work, and they auditioned and got the job instantly. They were fantastic and everyone could not believe their luck. And they I think had only known each other a little bit, but had this incredible raport. John had lived right in the area forever; his family are like the Kennedy’s of Nova Scotia. CF: Oh yeah they’re everywhere BM: And Richard Donat built his house with his own hands out there in the woods, it’s remarkable, and has been there for decades. They’re both great guys, we were so lucky to have them.

[As Nathan Duke and Audrey discuss the controller crystol] BM: Thiis scene wound up being a bit more important than I think any of us really thought that it would. I thought it was just be funny if they talked about the fact they had no idea how to use this thing they just spent the last two episodes getting, and now they have no idea what to do with it JB: Yeah I think in an earlier draft it was more comedic BM: But this is the last time these three are really together again on the show. And certainly in slightly nicer circumstances. So it really wound up being about them appreciating that. The Three Musketeers together again. So it actually wound up being really moving. And coming right on the heels of what just happened with Dave; it’s pretty sad.

CF: And by the way just so you know, those aren’t the colours of real life. That house is not that yellow. The jeep is not quite that blue. Everything’s racheted up a little bit. I mean just a little; 10, 15%. I guess they were making the fall colours really punch because we’ve never really been in the fall before.

[Croatoan talking to Vince and Dwight via Dave’s body] BM: So this had been part of the plan from way back when; we knew that we would have Croatoan in Haven for the last four episodes of the season, so we knew that the end of this episode would have Croatoan pouring out of Dave. And there was a lot of talk about what that would look like. There were some people pushing for Dave’s body to explode, but that just felt cruel. So I’m so happy that he’s pouring out as this mist. And this made it a bit spookier because the next episode is about what is Croatoan? Because they don’t really know and i’ts not until the end of the next episode that we see that he now looks a lot like William Shatner. And here’s the note [on Dave’s arm] we were talking about that this wasn’t originally in here, and we added it really late. But I’m really happy that we did.

#haven syfy #haven dvd commentaries #5.22 - A Matter of Time

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cloveroctobers · 4 years ago

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YASMIN DOUGLAS—

IG info/Bio: @/imyasmin_d | 11.6k followers | hello & ahlan 🎶

23-24 years old depending on her birthday (I’m thinking too much about timelines since i know some shows aren’t live and if they filmed it prior & it’s just being shown to us now...then there’s the boat party that comes in after, you get what I’m saying right? No? Okay)

Moroccan heritage

she was born in fes along with her baba

Father works in the carpet & rug manufacturing industry and worked in his father’s business from the young age of 16

her mother is from Essaouira & has often stated that she couldn’t stand Yasmin’s father the first time they met but she wouldn’t want to travel through this life with anyone else

Her father and mother came from two different lifestyles. All he knew how to do was hard work yet he had a sarcastic but playful side to him whereas her mom came from a family that was more financially stable & she was free to do whatever! mainly hanging at the beach with her friends without a care in the world, she was privileged and a little uppity while her father’s life seemed to be planned out from the day of his birth

Yet they still fell in love and decided to leave Morocco months after they got married at 21 & 24 & not too long after they had yas they left for England

She was raised in Kent, England

The Atmosphere led to her boho lifestyle...being exposed to castles, gardens, and underground tunnels from time to time shaped her into what she felt she was meant to be. She loved her second home

they call her “yazzy”

Parents follow islam...Which Yasmin respects but is not strongly devoted to

Can speak & write in Arabic but seems to do better in writing

Her paternal grandparents fault her parents for not teaching her to excel at both & feel that if they weren’t in such a rush to leave home she would speak Arabic better

Which made Yasmin feel like shit. Her paternal grandparents were strict on keeping their customs alive whereas her maternal grandparents were carefree as long as they got to see their granddaughter alive & well that was good enough for them

Idk maybe a only child or has a older brother? I don’t feel like she comes from a big family sibling wise

her mother made her a stuffed purple sheep that she took everywhere with her as a kid & continues to keep close to her. Y’all had imaginary friends? Well Yasmin had a real friend she could see & squeeze the life out that didn’t require talking and hugging the air, but that’s fine do u

100% collects beanie babies until this day but lil yamb is the number one princess in her household

As her significant other you have to be okay with lil yamb sleeping in between y’all that’s just the way it is

These stuffed babies are her comfort when no else can be

she’s a singer/songwriter. Went to uni for it & finished a semester early

Went through multiple hell experiences when it came to interning & temping while still in school & after

Let’s just say she wasn’t down to f*ck her way to the top

this made her anxiety act up, these people made her feel like she wouldn’t be good enough to show the world her craft & it’s didn’t have to be the world, just someone who would listen

But she couldn’t give up, there was nothing else she saw herself doing. She knew this is what she was meant to do but she couldn’t lie and say that her insecurities didn’t get the best of her most days

Although the cons seemed to out way the Pros some days, she kept at it & found herself a solid team that knew what she was about and understood her soul

Was definitely the student who loved all her English classes & when she spoke up everyone found it shocking since she preferred to just write everything out rather than “participate in group discussions”

I feel like her singing voice sounds similar to Jessica mauboy’s (if you don’t know who that is & you’re a fan of r&b/pop check her out or if you’re just curious that works too lol)

Knows her music notes like the back of her hand, duh!

Fav color is royal blue, especially on her eyelids & nails

Occasionally sleeps in rollers to keep her hair wavy

Needs her space when it comes to disagreements, they stress her out & she panics a bit when things go wrong so she feels like she needs to leave the situation rather than talk it out right then and there

She’ll talk when she’s ready, she just needs someone that’s a little patient with her that’s all

Words of affirmation is her love language? When she figures out how to balance her love life with her work life that is. When she’s feeling confident she’s smooth with words but when she needs to show you how much you mean to her & she really takes the time to think it out & feel her emotions, she’s writing you a song or you’re the inspiration to it or a poem, leaving you little love notes on blue post-it’s around the house, will write 50 reasons why she loves you on Valentine’s Day, and will say so when it’s just the two of you in your own comfort

Isn’t too crazy about public displays of affection but will deff hold your hand if that’s something you or she wanted in that moment

I think she’s fluid

Hasn’t been in many relationships. Sure she goes on tour every other year and gets to meet many people but they’re not solid relationships, they’re hookups and she hasn’t done many of those either

Had maybe one or two solid relationships: a androgynous woman that uses she/they pronouns & was in a rock band & a cis male she met at a tattoo parlor his step-brother owned (he kinda favored seb but we’re not going to speak on that)

I believe she wants to get married someday but isn’t so keen on the idea of kids. The furthest she’ll go is adopting a couple of animals. She’ll be a pet mom! I feel like she’ll be anxious looking after the life of a human being when it’s extremely hard to do so not only for herself and the love of her life & you want to add kids to the mix?! Fucking hell! but that could change? Who knows what life can throw at u

Has a hedgehog named Sonia that she drops off at her parents for their weekly sleepovers

Loves lace—mostly bralettes & crotchet clothing

I see her as a corduroy girl too. She has at least some rusty brown low-rise corduroy pants or/and a jacket

owns a crotchet kit, she’s bloody good at it too

Loved pink & purple (still likes them, they’re her 2nd & 3rd fav colors) so much as a kid that she tried to dye her hair half & half while her parents went out on their date night...it was also the weekend before school pictures :)

Says she got her inspiration from starfire & raven. She was only 13 at the time & had braces. Her father approved saying she’s a kid and she should be allowed to express herself. He only said that because his own parents barely let him & his brothers have their own fun

Her mother thought it was atrocious and did her best to get it out with the help of her other hair stylists friends (her mother worked in plenty of beauty shops once she got to England, until she decided to convert their basement into her own shop) who she invited over to see what her daughter had done but when you use certain permanent dyes...

It didn’t completely damage yasmin’s hair plus it was just hair, Yasmin didn’t see the big deal. She thought she looked splendid

Anyway, massive fan of ballroom dancing

She’s got a great ear to begin with so it was extremely fun twirling around while wearing pretty ballroom gowns

Took boring etiquette classes as a form of punishment? After the whole teen Titans inspiration thing “went wrong”

Enjoys western films

yes she owns a cowgirl hat & some boots too so sue her, she likes what she likes

Knows how to lasso but hates doing it to animals but she’ll do it to you :) (*gags* lmao why???)

Also loves visiting western towns & learning some history or at least experiencing what it was like

Type of significant other that will do her best to persuade you to stay in a treehouse airbnb, a cabin, the fucking Idaho potato, or camping out in her Volkswagen van in the middle of nowhere!

Has faux cow rugs, wicker baskets, wicker chairs in her flat, hangs some plants in glass jars & bottles all over her house

Her flat is very bright & vibrant: white, mocha brown, tan, yellows, & pastel purple

When it comes to decision making, she’ll make them pretty quick but only if it comes to choosing desserts

nobody is touching her mom’s meskouta orange cake WITH syrup

the dessert eater that always picks the one that has a surprise inside, meaning it has to ooze out with SOMETHING to make it 10x more satisfying

Leaning towards Buddhism, had studied some of their beliefs and found it resonates with her spirit

Fan of neon lights, probably has a few neon signs in her flat preferably on her brick wall in the loo, “to give u comfort as you go!” “that...actually makes sense.” Tai commented as he rubbed his chin coming to terms with yasmin’s reply. While Iona scowls, “no, no it doesn’t. I feel as if it’s an invasion of my bits!” “...Sorry you feel that way.”

tai & ciaran are automatically deemed as her brothers since she came into the villa with them. She had time to connect with them unlike anyone else. It was just the way the stars wrote their story and it showed outside of the villa too. they often crash at her place all the time when they’re in town & vacation all the time together when their schedules line up + it never feels like she’s third wheeling

“TaiTower” & “BB-Ci” are their names in her phone, Tai picked his own name while the “bb” stands for “best buds” for ciaran —which is a joke since he drunkly called himself so + he loves everyone when he’s drunk

You can always count on her to belt the lyrics to a Chaka Khan, TLC, or paula abdul joint when she’s drunk lol

As for the girls? She’s close with miki 😒 they just seem to be on the same wavelength when it comes to the pressure of the media since they have some sort of fame which increased with them being on the Telly. They bond over that & from there they’ve built a solid friendship

She could also be friends with AJ too (if you didn’t get swiped from her that is lmao!) they’re sorta opposites with aj being high energy/active while Yasmin is more mellow & “mysterious” but seem to connect in different ways: their sexual indentities, insecurities/anxieties, having something to be passionate about but at the same time maybe not? She might lean towards elladine or Genevieve if she had to make a choice?

Aquarius sun + cancer moon

so she’s still 23 y’all, I got it! I can’t do math sorry

“Freddie Mercury was probably my dad in my past life.”

Can play the banjo, guitar, & oud

Participates in hot yoga weekly

If she’s not with mc in the end and continues dating around if anyone from season two: LUCAS, Kassam, Gary, Rocco, maybe Blake? I originally thought Elisa but she’s probably too much for yas let’s be honest here lol they’d be better off as friends

Omg I forgot marisol! Imagine that?! Whew!!!

Season three: maybe Lily? But what if? Me being the slightly messy bitch that I am? Something happening with her & AJ. Now that?! Would be some chaotic shit “from the outside looks of it” name the irrelevant person behind the quote...now!

I’d like to see her interact with allerga but there could be something with her & cherry. I’m thinking cherry, Yasmin, & priya would bond well but we’re not here to talk about that

Getting rid of the physical aspect I genuinely think she’d do well with marisol, Lucas, or kassam. They’d mesh well I think in a relationship

She’s a body shimmer girl for sure!

Loves silk or satin robes

she’s a shortie, 5’2 to 5’5

Is learning Spanish

Loves arcade games, come see her in pinball & Pac-Man!

Quarantine life did not change her lifestyle much, but it did slightly mess with her mental health :/

loves the fall time, feels like she can slow down some and really spend time with family and friends

I feel like she has one best friend outside of the villa & that’s good enough for her!

They met their first year in uni & been close ever since

She doesn’t speak to the temporary friends she grew up with anymore & is often confused why they feel the need to keep up with her in the media which added more annoying worries to her heart but whatever right? Keep your eyes on the horizon

celebs she finds/found attractive: Aaliyah—especially when she played in queen of the damned, Kehlani, Zazie Beetz, Fivel & Booboo Stewart, Lakeith stanfield, Leah Lewis, Sofia Carson, Ryan gosling, & Nick Jonas

She listens to: jade bird, Yebba, Elli Ingram, Wafia, Zeina, Summer walker, Tanerèlle, Mariah the scientist, Teyana Taylor, Tove Lo, lady Gaga, Ra Ra Riot, Empire of the sun, & smallpools

Anthem? Diana Gordon — Rollin’

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tfw-no-tennis · 3 years ago

Text

the animorphs continues, david trilogy style

here we are...we finally arrived....the david triology

I did remember a good amount of these books from when I read these when I was like 11. but I also forgot a lot an hooooly shit

WHERE TF DO I EVEN START. so that shit slapped obvs. it really felt like the series has been leading up to this - all the characters have had to make really difficult no-correct-answers decisions, and it leads up to this - the ultimate shitty situation with absolutely no good, clear solutions, and everyone gets to contribute to the awful conclusion!

one thing that really stood out to me is that with David's inclusion as this kind of ‘outsider’ within the group, even though none of it was from his POV, we still get a huge sense of the animorphs being an extremely well-oiled team, who all know and trust each other very well - especially w/Jake as the leader - Jake has to make a lot of decisions in these books but the other animorphs always listen to him

this all probably didn’t help David, who was already thrown into a completely crazy situation, and who now has to deal w/this group of kid superheroes who work very well together. it also doesn't help that David doesn't really try to find his place on the team

anyways I love how much wild shit happens in animorphs always. like they try to steal the blue box as birds and then David chases them off w/a bb gun? and then they end up in this huge alien showdown with visser 3 and his troops in David's house? batshit

also the hilariously 90s part w/the email...lmao. like its the 90s so there's no way to shut off the automatic email remotely, they HAVE to go to David's computer, and they also can just unplug it...lmao they should've just taken out the phone lines tbh

also I completely forgot about the whole plot w/the world leaders meeting and the yeerks and stuff. that really served to ramp up the tension and also make it obvious that David was an outsider as he consistently fucked things up then played it off

also KAA did a masterful job of making David juuuust a little sympathetic in book 20, but still Off enough that you're like ehhhh I don't know about this guy...then he goes full awful creep and it becomes obvious that there’s no way they’ll be able to let him stick around in any capacity

the bit where David kills the crow for no reason is the first Real indication that this is gonna go seriously wrong. but even before all that, his conversations w/Marco gave me like, school shooter vibes

these books are full of some REALLY good tension. the whole end of book 21 was so tense - they've been gearing up for this mission for days now, and they’ve had to do some crazy stuff to get where they are, so the realization that it’s all a trap is completely chilling

and then when David tried to betray them to visser three...the gravity of that decision is unmistakable, because then the yeerks would find out that the animorphs are (mostly) human children, and they’d even know who they are, and that would be the end

I loved the part where David tries to act like he was just setting up an ambush w/his betrayal to the visser, and Jake immediately has everyone play along - and they do. earlier in the series someone - probably Rachel or Marco - likely would have ignored Jake bc of how slimy David was acting, but they've basically become a highly efficient military squad at this point, and it was a perfect slow slide into that over the last 20 books, and now is the time when the reader kinda realizes this (at least for me)

even if they don’t agree w/Jake and think they should just address the David problem right then and there, they all trust Jake as their leader to make that decision

also the fact that these are the first books to do the ‘to be continued’ thing rather than wrapping the plot up...it really made it feel all the more tense

in other books I normally look at the page count and go ‘ok so this conflict will be solved in this scene cause there are only 15 pages left’ (which is st I do a lot I now realize lmaooo I can pretty much gauge what’ll happen based on how many pages are left - and I do this when I read fanfic too, by looking at where the scroll bar is...anyways)

BUT w/these books its totally up in the air cause they can end anytime and just get continued next book, which makes it so much more tense imo

also I fucking loooove the part in book 21 where they’re hiding out with that little pool of yeerks - and I actually bookmarked some pages for these liveblogs, so I have quotes, this one from Jake -

‘There was something wrong about killing defenseless slugs. I was pretty sure about that.’

Oh, Jake, that opinion is gonna change someday....

it is a little ironic considering he jacuzzi’d those yeerks in like book 7 or w/e. but alas its still a fantastic line that serves to show in the end how much things have changed

also I love that the decision not to kill those defenseless yeerks end up helping them later - the yeerks check the pool bc they’re so certain that if the andalite bandits HAD snuck in, they surely would have killed the helpless yeerks. but they didn’t, so that means the andalite bandits didn't sneak in....

I like when the characters do a morally good thing and are then rewarded by the narrative for it - it’s pretty rare in this series, where there are usually NO morally correct choices (such is life) or they’re actively punished for making a ‘good’ decision (one could argue that the decision to make David an animorph instead of letting him become a controller was a morally good decision, but it had dire consequences).

Ok and the part I have to talk about w/these books of course - everything w/Rachel. bc damn Rachel really goes through it in this trilogy. I absolutely LOVE the character development she gets, and I especially enjoyed the way her and Jake's relationship was developed

anyways, one of the best and most fucked up quotes of the series, from Jake’s POV in book 21 -

<Ax? I think Tobias is dead,> I said. <I think David killed him.> <That would be a most terrible thing,> Ax said. <Yeah. Get Rachel. If David’s killed Tobias, we may have to do a terrible thing, too. Get Rachel.>

AUGHHHHH fucking chills I swear. also eternal love for them saying dead/killed/etc and never shying away from it. it really wouldn't have the same impact if they used the normal kid-safe PG words

but yeah Jake asking for Rachel when he thinks that they may have to hunt down and kill David? phewwww.

and the significance of this is never downplayed. this essentially confirms that Jake sees Rachel as the one who is willing and able to do the dirty work - and specifically in this case, it’s also likely bc it was Tobias who was ‘killed’ and he knows how Rachel feels about Tobias

but like, that’s so fucked up, I love it. they give this situation the exact amount of weight it requires - ch1 of book 22 has this part from Rachel -

‘If David had hurt Tobias, I would... But what was the point in making threats? I didn't need to make threats. I knew what I would do. So did Jake. That’s why he’d sent Ax for me.’

at first, it seems like Rachel is on the same page as Jake, but when it becomes clearer later that Jake sent Ax specifically to get Rachel bc she could do the terrible thing that had to be done - instead of just bc they needed reinforcements and she was closest - then things change

but even when Rachel gets rightfully upset later over this, you get the sense she still never really sees any option other than to kill David. it’s not even the ‘killing David’ part that upsets her, it’s that Jake, her cousin, immediately thinks of her as the person to do the deed

so, another fantastic quote from Rachel -

‘Tobias was dead. Jake might still die. And I was going to have to go after David. I was going to have to hunt him down. I was going to hunt him down and destroy him. No, not destroy. That was a weasel word. It was vague, meaningless. I was going to kill him.’

fucking WOW. like really. that bit right there is just perfect quintessential dark animorphs. it just subverts the classic kid-friendly phrasing, using words like ‘hunt down’ and ‘destroy’ instead of kill. But Rachel says it like it is. she’s not going to destroy David, she’s going to kill him.

But then a few pages later, after Ax tells her the quote where Jake asks for her specifically -

‘It definitely made me feel strange. Jake had called for me specifically. Because he wanted someone who would do precisely what I was planning to do. Like I say, I’m not big on feelings, but something about that felt wrong.’

I say it a lot but wow do these kids need So Much Therapy. these are like...8th graders. jesus christ. when I was in 8th grade I was busy planning sims-playing get-togethers w/my fellow 13 year old friends. christ animorphs

and fuck, the part where Rachel threatens David’s family, and shoves a fork in his ear? jesus. and the fact that Jake knew that Rachel was going to threaten David and let her go do it...

and then afterwards, Rachel says -

‘I felt...not exactly ashamed. But I knew I never wanted to talk to Cassie about what I’d just told David. Or Tobias. Or even Marco.’

I'm gonna make some leaps here but I think it’s really interesting that Rachel even mentions Marco here, and says ‘or even Marco.’ like, the ‘even’ seems to imply that Marco would otherwise be somebody she WOULD talk to about something like this.

which...kinda tracks, tbh. Marco is Mr Ruthless, he’s a cold, pragmatic strategist when he isn’t cracking jokes as a coping mechanism. it makes sense that Rachel would talk to him about things like this - he would make jokes, but he’d also understand

I'm just so interested in all the highly varying dynamics that exist within the group okay

and then right after Rachel says -

‘But I swear at that moment I hated Jake far more than I did David. I should have told them all what had happened. But Jake already knew, didn’t he? Jake, the smart, determined leader, already knew all about me.’

that's fucking daaark okay. It paints this picture of Jake having become this master manipulator who knows all about Rachel’s violent tendencies and is using them to his full strategic advantage

Oh my god okay and then all the stuff w/Saddler, christ. I had completely forgotten about that plotline but there was so much fucked up stuff there, too

and the scene where Rachel gives some good life advice to her little sister, and it’s a good bit to remind the reader and characters of the world outside of animorphs conflict...and then David speaks up.

that was such brutal mood whiplash, when you realize that David is morphed and hidden in Rachels room somewhere...fucking chilling

that whole scene just oozes disgusting creepiness. David’s fixation on Rachel specifically, and his rage at being ‘bested’ by her, really feels like misogyny to me. while David butted heads w/Marco, you never got the same sense of anger and disgust that he displays towards Rachel.

and the line where he says ‘hey, enjoy your shower’ made me shudder in disgust. christ. there are a lot of revolting, dark implications there.

also, book 22 obviously does a ton of fantastic character work for Rachel, but it does the same for Jake, too. and Cassie, but ill get to that later

we get to see so much of Jake as a leader and a strategist here, and pitting him and Rachel against each other (so to speak) makes for some excellent characterization, like when Rachel starts questioning why he asked for her -

“I thought David had killed Tobias. I thought he might kill me. I wanted...firepower.” “I see. You wanted me for my morphs.” It was a good answer. It could have almost been true.

and then we get a brief pit stop at the children's hospital where the fucked up parade continues - David morphed Saddler, Rachel and Jake’s injured/dying young cousin, and is pretending to be him, miraculously recovered from his accident

and meanwhile he DUMPED THE REAL SADDLER’S BODY DOWN AN ELEVATOR SHAFT. I literally cant, what the FUCK.

and they never really follow up on it but the whole family and all the Drs think its this miraculous recovery against all odds, but then obviously David disappears and therefore so does Saddler - do they ever find his real body? how completely fucked up that must have been - so much worse than if saddler had just died from his injuries - the miraculous recovery completely overturned by a bunch of stuff that doesn’t even make sense to anybody except Jake and Rachel....

anyways, after all that completely fucked up bullshit, we have the Jake and Rachel confrontation, Jake’s whole speech about Rachel is amazing, but here are my highlights -

“I think you’re the bravest member of the group. I think in a bad fight I’d rather have you with me than anyone else. But yeah, Rachel, I think there’s something pretty dark down inside you. I think you’re the only one of us who would be disappointed if all this ended tomorrow.”

I mean, christ. imagine your fellow 13 year old cousin saying this to you. oh MAN. and I love so much that Jake isn’t wrong, but he also is? he understands what Rachel will do, but not why she’s doing it. and I talked abt it before but Rachel has found herself in this box of ‘the brave/reckless blood knight,’ and feels pressure to live up to that reputation.

so how much of it is a façade that she puts on bc she’s expected to, and how much of it is how she really feels? well, she got that reputation initially for a reason, but she gets pushed more and more in that direction as the series progresses, both bc of the unintentional pressure to live up to her role as the Xena of the group, and bc it’s really, really useful to have somebody like Rachel on your side

Then Rachel says -

‘I tried to look at myself the way Jake saw me. Was it true? Did I love this war?’

I'm gonna lose it, these poor fucking middle schoolers. Rachel, listen, you’re 13, you’re a child soldier, of course you don't love the war you’re fighting...I need every child therapist on the block to come here right now

like jesus being 13 is hard enough without all this nonsense. it’s such a tenuous time in development, and add something like this - someone like Rachel, who is somewhat pigeonholed by society as ‘vapid, pretty blonde who loves to shop’ would of course flourish in an environment where she gets to show how much of a 3-dimensional Person she is - she can love shopping and also kick ass! nice! but also, like, trauma.

So then Rachel says this about Jake -

“Jake, you’re a leader now. You make life-and-death decisions. All the time. You’ve learned to do that. And,” I added bitterly, “you’ve learned to use people. You use them for their strengths and their weaknesses.”

Fucking read, wow. I feel like Rachel is absolutely correct here, if not simplifying things a lot. like, yes, Jake does make these unfathomable decisions on the regular, but he’s got tons of conflict over every single thing he does, and there was a lot of uncertainty and trial-and-error leading up to this. but she is correct that he’s learned, and is clearly a lot more comfortable in his role as a military leader now.

I just love the contrast these two have. Rachel, with the burden she carries as the bravest - the fighter of the team, who must be relied on in battle and to do the things that nobody else will do - and Jake, the leader, who has to make decisions knowing that he could get his friends killed at any time, and still trust that they’ll listen.

And then Jake says -

“But everyone draws their own line[...] For example, see, I used to think my line was drawn at using my friend, my cousin, to do my dirty work. Guess that turned out not to be true. Sorry, Rachel.”

And then they hug and vow to murder David together, as a team. Heartwarming cousin bonding! Again, so much therapy.

So yeah I love that scene. especially when you take into consideration Rachel’s ultimate fate, and Jake’s part in it. excuse me while I go weep.

Anyways, to the end. THE ENDING....it gets me every time. I’ll never be over it. I don’t remember much about animorphs from when I read it at age 11 but I really really remember the ending to book 22. The way they masterfully set David up, the rat morph, the pipes, THE LEGO, the reveal that they planned the entire thing, the moment when David realizes what’s going to happen to him....oof. It’s not something I could forget, even w/my notoriously horrible memory when it comes to media

Also I feel like there was more subtle misogyny when David insists on humiliating/subjugating Rachel, just because she proved earlier that she was stronger and smarter and better than him...eugh David is just such a disgusting creep that you don’t even end up feeling bad for him even though he’s a middle schooler being handed a fate worse than death. I mean, he tossed a dead/dying kid’s body down an elevator shaft in a children's hospital. I’m pretty sure he deserves this.

And here’s the part where I talk about Cassie. because even though she didn’t get a POV book in the David trilogy, she still got some brutally fantastic character development. here we see David starting to realize what’s happening -

‘Cassie was crying. David hadn't asked who the mastermind of the plan was. Who it was who had so accurately appraised his emotions, his need to build his ego, the fact that he would choose me to be his “companion.” Cassie, of course. Cassie had worked it out, step by step, after Jake and I had failed to come up with anything. For Cassie, it was an improvement over the alternatives. See, no one was going to have to die. But David’s life would end, just the same.’

CASSIE. The dark horse, except not really, bc this is perfectly in line with what we know about her, especially coming off book 19, her last POV book before this. in that book she makes some absolutely awful decisions, all to avoid having to kill somebody.

After all of Jake and Rachel’s badass vows to take David down, it’s Cassie who finds the solution.

To a lot of people, David’s fate could be considered worse than death. To Cassie, it’s a better alternative. That speaks volumes about her, and I love it.

Also, the MANIPULATION. Cassie in the David trilogy really gets to flex her interpersonal manipulation skills, which I love to see. It’s such a fascinating aspect of her character; a really interesting use of empathy

Like the scene in book 20 where David freaks out as a roach and she manipulates him into not giving them away by pitting him against Marco, someone who David doesn’t get along with, by saying ‘if Marco can do it, can’t you?’ because she knows he’ll fall for it. And he DOES.

And then the part in the cafeteria where she basically plays the ‘good cop’ to everyone else in the group’s ‘bad cop.’ Not ONLY does she manage to get David to shut up and listen to her, she also posits her theory that he wants to blue box to trade it for his parents - which his reactions to her questions confirms as true. and nobody else in the group suspected this.

She lures him into a sense of security by talking kindly and quietly about how she understands how he feels, then hits him with what she knows and gets him to confirm it, which then allows Rachel to accurately threaten him.

And then Cassie, offscreen, comes up with the entire plan on how to trap David as a rat, because from the beginning she had him figured out. David didn’t pay much attention to Cassie - more misogyny tbh, as Cassie is the girl on the team who isn’t an aggressive, feminine blonde - and that ended up being a huge reason for his downfall.

David also didn’t pay much attention to Tobias, and clearly didn’t see him as human at all, and that made Tobias very valuable after David assumed he had killed Tobias.

Ok, back to the ending - the fact that it was Rachel and Ax who stayed there to wait the two hours for David to become a nothlit....

Rachel says -

‘Jake’s a good leader. He knows when to use us. He knows when to protect us. He knew he had to protect as many of his people as he could from what was going to happen.’

fucking brutal. TWO HOURS of listening to this awful kid beg and threaten and barter. I can’t even imagine.

And Ax too! He gets overlooked a lot as an alien, and it’s probably true that all of this impacts him differently than the other human animorphs, it can’t be in any way pleasant to have to sit there for two hours and act as a living timer to count down this kid’s life. Ax is a kid, too, and an isolated one at that, being the only Andalite on the team.

So yeah that scene is awful. Rachel even says -

‘Two hours. But that two hours of horror will last forever in my mind. If I live a hundred years, I will still hear his cries, his threats, his pleading, each night before sleep takes me. And beyond sleep, in my dreams.’

I know I’m beating a dead horse here, but jesus christ, THEY NEED SO MUCH THERAPY. The fact that one of the constants in all of the POVs is the nightmares that all the animorphs consistently have....geez

Okay so I know in my last two liveblogs I ended them by comparing animorphs to another series - hxh and mtmte - but I honestly am drawing a blank for this...

I guess the only thing I can think of is to compare it to mob psycho 100, which is another very good, very subtly subversive series

In mp100, the entire Point is that the very powerful psychic middle schoolers DON’T end up using their powers to fight life-or-death battles against adult enemies in order to save the world and whatnot. the Point is that that’s fucked up, and these kids shouldn’t be responsible for something like that, no matter how powerful they are

and basically the character who says all that is Reigen, an adult who actively prevents the middle schoolers from joining what would be some very traumatizing fights

basically my point here is less to compare the two shows and more to say - the poor animorphs could really use a Reigen huh. like, they seriously need an adult who’ll step in and say ‘wait a second, these kids are doing WHAT? hold the fucking phone, no way, get some actual adults in here to solve this shit. not today!’

the closest they could've come to an adult figure in their lives is Elfangor and he dies like 5 minutes after giving them superpowers, soooo....

man mp100 slaps I should rewatch it. anyways yeah the theme of this post is ‘the animorphs need therapy and also a stable adult figure in their lives to help them not get traumatized all the time’ thank you for coming to my ted talk

#this is like a whole ass thesis lmao i have quotes and everything look at that #lj reads animorphs #had to fix that tag bc it used to say 'read' instead of 'reads' smfh #animorphs

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thebmatt · 3 years ago

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FFXIV Write 2021 prompt #21: Feckless

Feckless – lacking initiative or strength of character; irresponsible.

Since confessing to her how she had felt about her daughter all those years, ago, F’lhaminn had insisted that Fearless have a meal with her at least one time a week, unless she had world-saving that she couldn’t get away from. Aside from their exile to Ishgard, where F’lhaminn herself had to flee to Radz-at-Han, the pair hadn’t missed one yet.

F’lhaminn often told stories of Minfilia growing up or of her own exploits as a younger woman. Fearless passed on stories of the sights she saw in the far east or crazy tales of living with two girlfriends. F’lhaminn loved those, happy to laugh at the trio’s exploits or give advice when they encountered problems.

Today the pair were sharing a meal over the cafe’s Doman specialities. Fearless had been curious to see just how good Raulf had gotten with his wife’s traditional dishes, mostly to see how well Makoto would enjoy herself if Fearless would ever be able to bring her here.

Her first taste of the ramen had convinced her that he had gotten really good.

She was just about the comment on it to F’lhaminn when a Lalafell approached their table. “Feckless Willow?”

The two women shared a look, then Fearless turned to angrily address him. “It’s Fearless. Now what do you want?”

“Oh, Twelve, I’m so sorry! The writing on this envelope is atrocious, I honestly could not tell what the name said! I meant no offense, I swear!”

Fearless sighed. “It’s fine. You have something for me?”

“Yes, ma’am. Please sign here.” He handed her a clipboard. Fearless looked it over, but she only grasped a few phrases such as “signee agrees that parcel was delivered intact” and the like before she wrote her name on the line indicated.

She handed it back to him. “Excellent, ma’am, thank you very much. And here you are!”

He passed a thick envelope to her. She frowned. “Why have someone deliver this to me? Don’t most people rely on the Moogle Post?”

The Lalafell smiled proudly. “Afraid the Moogle Post hasn’t quite caught on in Aerslant, ma’am. People over there still trust Mariner Couriers to handle their mail and deliveries! After all, moogles are known to get distracted occasionally, not to mention become prey for any number of vicious predators! Wouldn’t you rather trust a professional?”

His beaming expression was met with expressions of distaste from the two women, but he either didn’t notice or didn’t care as he spun smartly on his heels and walked off.

Fearless turned to look at the envelope, inwardly sighing. Aerslant doubtless meant her parents. She’d thought that chapter of her life was over when Rheika had stopped their final attempt to bring her home against her will. What the hells did they want now?

“Are you going to see what it is?: F’lhaminn asked.

“I don’t know if I really want to. It’s probably from my parents” Fearless replied.

F’lhaminn looked at her with a mixture of concern and curiosity. “You…haven’t spoken of them. Not with me, at least. Unless I’m not recalling it?”

Fearless shook her head. “No, I prefer talking about good things with you. They…are very much not.” She tore open the envelope. Inside was a literal ream of parchment, all bearing very official looking printing, except the top sheet, which was handwritten in her father’s very blocky, no nonsense writing style.

To: Ms. Syhrwyda Ahldblaetwyn aka ‘Fearless Willow’ Re: Rights of Inheritance and Succession

This letter is to inform you that, per your wishes, as expressed via one Rheika Aliapoh, your status as legal inheritor of the Lost Mountain Shipping Company and of the personal fortunes of its owners, Master Ahldblaet Fyrilberksyn and Lady Usynwyda Holaszirnwyn has been rescinded.

Attached is a copy of the paperwork that has been filed with all relevant government bodies.

Signed, Ahldblaet Fyrilberksyn

Fearless reads it then wordlessly hands it off to F’lhaminn. She reads through it, then looks up to Fearless in horror. “What…what happened, Fearless?”

Fearless tells her the full story. How her parents showed her nothing in the way of love, unless she met their exacting, strict standards. How they’d removed her from school far too early and into an apprenticeship with her father. How when she’d failed to meet his even more exacting standards over his business within mere weeks of the new arrangement, he’d declared her useless. How her mother had forced her in etiquette c lasses following that debacle, intending only to marry her off so that the company could pass to a son they would trust to lead the company when they could no longer do so.

She’d kept her head down for most of it. When she finally was able to look up, she saw something she’d never witnessed before.

F’lhaminn was furious.

“That is….I just….Oh, my GODS what a horrible pair of fools! How…how does someone value a living person they created so little as to not care about them beyond what they can do for you? Useless? USELESS? Literally, look at what you have accomplished with the love and support of your friends! And….and they not only can’t be bothered to be proud of you, they don’t even believe it? I…I’m sorry, Fearless, but your parents are absolutely the worst. You don’t deserve what they’ve done to you, and they don’t deserve the brilliant, compassionate, and stalwart daughter they were given.”

Fearless smiles, eyes watered. “T-thank you, Lhaminn. That means a great deal, coming from you.”

The pair hugged. When Fearless did finally let go, she wiped a tear from her eye that had managed to escape. “You know, it’s rather funny, but my mom was quite the admirer of yours. You were popular even that far from Ul’dah, and her friends were all devotees of your songs, so of course she had to be. My father considered your music…frivolous, I think he said, but he couldn’t ever deny mother anything, so all of your orchestrion rolls eventually made their way into our home.”

*”Is that so?” Lhaminn’s face smiled into an evil grin

“And you’re certain of the identity of the sender, creature?”

“Absolutely, kupo! Any moogle worth his pom that’s worked in and around Ul’dah would know the Songstress by sight, and I have for a good number of years! It was definitely her that gave me this letter and bade me make the journey to you, kupo.”

Ahldblaet looked at the letter. A missive from this Songstress of Ul’dah his wife was always raving about. Well, used to, he supposed. She’d retired some time ago, and while she was still somewhat popular, other, newer performers had come to occupy most of the conversations of the social elite. Still, this should make her happy. “Thank you, moogle. Now begone before you shed on my floor or something.”

“How rude! Very well, a good day to you!” With a huff, the moogle activated a teleportation spell and then winked out of sight.

“Wife! We’ve a letter!” he called

His wife, Usynwyda, soon joined him in his office. “Who is it from?”

He simply handed her the sealed envelope. She gasped “The Songstress herself?? What….whatever could this be? Oh, perhaps she is touring again and has given us a personal invitation? Or maybe we are to be her guests at a formal dinner?”

He nodded. Certainly it would be something of that nature, they were quite important people after all. “Well, go on then. Open it and let us find out!”

She opened the envelope and began reading. Her gleeful expression soon turned to shock, then slid into horror as she made her way through the letter’s contents. She dropped the letter and fled the room, screeching in abject horror.

Perplexed, Ahldblaet picked up the letter and began reading.

To Ahldblaet Fyrilberksyn and Usynwyda Holaszirnwyn,

It has come to my attention that the pair of you are great admirers of my performances. I was thus inspired to pen you this missive to express my feelings on your contributions to the world.

Unfortunately, I am but a well trained vocalist, and have little knowledge on the worlds of business or cargo shipping, so I feel I am unqualified to speak on your successes there. However, there is a challenge that all of us have undertaken that I can speak on, that of parenthood. While I have given birth to no children of my own, I did adopt and raise an orphaned young woman to adulthood to become a brilliant woman determined to see the threats to our star defeated and it’s people saved.

You, on the other hand, have a daughter who has become equally brilliant and determined in spite of your parental failures.

I cannot even begin to comprehend how someone can look at a child that they created and brought into this world and see her as you have seen yours. I have heard the tales of your lack of warmth, of caring for this girl. How you derided her as worthless, useless, in the face of a single failure, regardless of its nature. How you wielded her like she was mere property for any chance it would increase your own profits.

Is it any wonder, then, that the moment she fled your presence, she blossomed? That she has become a hero to people not only across Eorzea, but the far eastern lands of Othard and Hingashi as well? I have heard, however, that you do not believe these claims. That she is a Warrior of Light, chosen by the Mothercrystal herself as a champion. That she has risen to this lofty title multiple times over, slaying summoned gods that would drain this star’s very life, driven Garlean forces out of Ala Mhigo and Doma and other former Imperial provinces, ended a thousand-year war between Ishgard and Dravania, and far more.

I do not comprehend how you can so utterly fail to see the truth of your daughter, but the fact is that I, and many others, are quite capable of doing so. You see, our daughters were became close before mine unfortunately passed, and during our shared grieving, I have come to regard her as my own as well. If you are so willing to discard the absolutely beautiful treasure that is Fearless Willow, then I shall be happy to care for her as best I can. Any mother worth the name would be proud of her for what she has become.

Retired though I am, I still have a number of friends in the publishing business, and I still talk with them often. During these conversations, I will more than likely end up speaking of Fearless. You know how mothers get, we can’t help but gush about our children’s successes and the hardships they’ve overcome. The Warriors of Light are always a newsworthy topic, and I imagine more than a few of them will run stories on her. Of course, they’ll all do their due diligence and dig up as much as they can in the name of getting all of the details right. They’re very thorough that way. Why, I’d expect articles about her in any number of periodicals soon.

Ones that I know for a fact have circulation on your own shores.

I’m curious how your social peers and business partners will react when they doubtless see your names in the story. Aren’t you?

I’d wish you the best of luck, but I would be lying.

Sincerely, F’lhaminn Qesh

PS. I wouldn’t bother saving this missive. I had an alchemist prepare the ink. Within a few minutes of it being opened, it will dissolve entirely. Don’t be holding it when that happens.

Even as he read the postscript, Ahldblaet saw the paper begin crumbling as the alchemical concoction did its work. He threw it to the stone floor, and within seconds, it had vanished as though it had never existed.

He hmphed. They could get in front of this. Who would believe the word of some woman from a far-off land over important people such as they? Perhaps his wife’s social standing might suffer, but eventually those parasites would come crawling back. Their trading partners were intelligent, savvy folk that were well trained in spotting truth from fiction, they’d see through such a ridiculous hatchet job. Honestly, he’d be surprised if anyone would believe this fiction about their runaway feckless former daughter.

Time to go reassure his wife.

#Final Fantasy XIV #FFXIV 2021 Writing Challenge #Fearless Willow #F'lhaminn Qesh #I know I said I was probably done writing about these awful people #But a friend gave me the idea of someone calling her Feckless Willow by mistake and this came out #Plus it was a good excuse to show her relationship with Flhaminn #Do not mess with her daughters #ninja edit sorry for the lack of read more link!

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shanethvarosa · 4 years ago

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Music Review: 2020

My blog has been a lot of things over the years, but it did originate as something I used to publicly review music; especially in the Visual Kei scene. Since I began the blog so many years ago, I had actually been hired to review Visual Kei and J-Rock music for an actual website: VKH-Press.com, work I am very, very proud of to this day. However, with not much news to comment on or work to critique, I haven’t been as active. Plus, personal issues always seem to stand in my way. However, I always take the time to discuss my passions at the end of the year. There were so many incredible releases, despite the COVID-19 pandemic, and so I wanted to take the time time to discuss my favorite releases and, maybe, the not-so-favorites as well. Quick shout out to Bastille’s Goosebumps EP and Megan Thee Stallion’s Good News LP as I did not get to listen to them before I wrote up my lists, but were still excellent releases. See my thoughts below!

Overall, there were about 75 albums or groupings of albums I listened to this year and split them between various tiers. Starting with the bad tier, there were actually only ten albums listed here and mostly just because they were seemingly unnecessary collection albums. For example, another Satsuki collection? Rides in ReVellion releasing two greatest hits LPs after only five years of work? Beyonce releasing The Lion King: The Gift again? None of those felt like necessary releases. There weren’t many albums that really screamed bad to me this year, but I really could not stand Vanessa Carlton’s “Love is an Art” or Justin Bieber’s “Changes.” The only other albums on this tier were just underwhelming compared to what I know the artist is capable of, but the “best bad tier album,” in my view, was The 1975′s “Notes on a Conditional Form.”

The mid-tier albums had all sorts of reasons for being only mid-tier. They weren’t quite bad or outright unnecessary, but are mostly by artists who put out work that was nowhere near the caliber of their usual work or were re-releases or other collection albums. For example, Tove Lo’s “Sunshine Kitty: Pawprint Edition” or Man With A Mission’s remixes/b-sides/covers albums. Nice to have with good quality music, but I wish we’d just have had brand new EPs or LPs.

The good-tier albums were all really excellent releases, but didn’t hit home the way anything on the “God-Tier” list did. Here, I’d like to share a quick top ten:

10. Taeyeon’s “Purpose: Repackage” & Japanese EP, “#GirlsSpkOut” 9. Charli XCX’s “How I’m Feeling Now” 8. Miyavi’s “Holy Nights” & “Holy Nights: 2020 Lockdown” 7. TK’s “Sainou” 6. PVRIS’s “Use Me” 5. Buck-Tick’s “Abracadabra” 4. Katy Perry’s “Smile” 3. Alicia Keys’ “Alicia” 2. Dua Lipa’s “Future Nostalgia” & “Club Future Nostalgia” 1. Ava Max’s “Heaven & Hell

Without furhter ado, though, the God Tier Top 25:

25. Acme’s We Are Visual Kei: Essentially a collection album of several songs that were b-sides that never made a full-blown album. This LP was loaded with some of Acme’s best work and shows that they are going to be here for a long time, despite Div not quite working out. Recommended tracks: Mononoke Requiem, Gekiyama Celluloid, Houkago no Shiiku

24. Alanis Morisette’s Such Pretty Forks in the Road: Admittedly, a huge fan in the 90′s and loved her cover of Seal’s Crazy. However, before this album I didn’t really listen to much of her body of work and I can see why today’s youth might not listen to this album. It is very “adult” insofar as it deals with her struggles in marriage, parenting, religion, etc. Her vocal performance is exceptional and her song writing remains some of the best in the business. Recommended tracks: Smiling, Nemesis, Reasons I Drink.

23. Niall Horan’s Heartbreak Weather: Not my usual cup of tea, but for some reason Niall’s music makes me feel softer than normal. He’s very cute and charming and his words are always so romantic. It feels more genuine than the music made by other members of One Direction and kind-of reminds me of earlier Taylor Swift writing, but from a male perspective. Recommended Tracks: Put A Little Love On Me, Arms of a Stranger, Still.

22. K/DA’s All Out: I don’t even really understand what this is, but I love it. There’s something to do with League of Legends? Cartoons? International pop stars? Whatever it is, I’m totally obsessed. These songs just completely slap. Recommended Tracks: The Baddest, More, Drum Go Dum.

21. Darrell’s Brilliant Death: This might even “officially” be a single, but there’s enough content to market it as an album. Darrell is a band formed from the ashes of Deathgaze and Ai’s solo project. Who knows why Ai didn’t just continue after his solo album, Confusion, but he decided to go back to the band-format with confusingly-named Darrell. This album is then, incidentally, mostly Deathgaze covers. It brings the production into the new era and gives you a lot of nostalgic love for old hits. Recommended Tracks: Brilliant Death, Evoke the World, Abyss.

20. Alice Nine’s Fuyajou Eden & Kuro to Wonderland: Neither album was particularly long, in fact these were glorified EPs that could’ve been merged to one two-sided LP, but in either case... Both albums had something really special to offer and felt like a true comeback after years of name changes and finally going back to their original, kanji-styled name. Recommended Tracks: Kakumei Kaika -Revolutionary Blooming-, Testament, Replica, Glow.

19. Mucc’s Aku: This album felt very long in the making after a series of weird singles that didn’t feel like they were going anywhere. Ultimately, a lot of those singles did not make the album including my favorite one: Taboo. The resulting album, though, did feel very cohesive and thematic and even featured one of this year’s heavy hitters: Hazuki. Recommended Tracks: Aku -Justice-, Memai, Ameria.

18. Miley Cyrus’s Plastic Hearts: This person is absolutely one of my favorite people in music. I’m pretty sure they have comeout as genderfluid/non-binary, so I want to stick with safe pronouns, just in case. However, they’ve always been a favorite and as they’ve come out as such a champion for the LGBT, I love them even more. The album though gave me a lot of hype for something very 80′s rock, but didn’t quite give me what I expected. All in all, the music was fantastic, just a little off-beat from expectations. Recommended Tracks: Gimme What I Want, Angels Like You, WTF Do I Know.

17. Rina Sawayama’s Sawayama: I didn’t expect to fall in love with this girl the way I did. My boyfriend recommended “STFU” to me as kind of a joke because the song discusses a lot of Asian racism that I’m always criticizing people in my life for falling into, but then the song was so bad ass I checked out the album. There were so many different types of music on it and she really did a good job with all of them. Then, with the deluxe edition coming out and the hardcore club banger “Lucid” being involved... Just really brought it all home. Recommended Tracks: Tokyo Love Hotel, Lucid, Fuck This World.

16. Amber Liu’s X: This was just an EP, but every song on it was great. Amber Liu was from f(x), a K-Pop Icon Group, but she always seemed like the odd one out. She was such a tomboy, so silly and funny all the time, and didn’t really behave like other Korean idols. I mean, really, she isn’t actually even Korean. I believe she’s Chinese American. In either case, the EP really noted some of her own personal strugles in the business and also remaining pretty fun at parts too. I saw her live in Philly before COVID-19 and she was truly excellent. Recommended Tracks: Numb, Stay Calm, Other People.

15. Blackpink’s The Album: Not much of an album at only 8 tracks, but that’s K-Pop for you. I bet next year I’ll be putting “Blackpink’s The Album: Repackage” on my top 25 list. The quality of the music was pretty dope though, all things considered. It was a very solid debut effort with all of their previous songs being somewhere in the same lane as this one. I still kind of believe they are a reminder of what 2NE1 could have been, but they’re doing well enough on their own. Recommended Tracks: Ice Cream, Lovesick Girls, Pretty Savage.

14. Hazuki’s Year Over All: Kind of a weird way to word it, but Hazuki basically released two albums this year in different formats. His work with his band, Lynch., was pretty magnificent. I’m not one to usually dwell on a Lynch. album. Their singles or featured tracks are what I usually get into, but the actual album (Ultima) really did a good job of showing how versatile Hazuki can be. His solo album, Souen -Funeral-, was an entirely stripped down, gothic orchestral album of Lynch. covers and other J-Hard Rock artists. Hearing it done like this was almost transcendental. Recommended Tracks: Xero, Idol, Ray, D.A.R.K.

13. Sam Smith’s Love Goes: They had me scared that their album wasn’t coming this year once they pushed it back, back in May. Then again, at the time, an album called “To Die For” was probably super tone deaf. In any case, literally every single released for this album had me in love. So, when they all got included in the final version, I was thrilled. Sam gave us a bonus song after the album as well, but I can see why that one didn’t get on. In any case, this is a huge step up from “The Thrill of it All,” which I didn’t really care for. Recommended Tracks: Another One, Dance (’Til You Love Someone Else), Forgive Myself.

12. Troye Sivan’s In A Dream: I love this kid. He’s so gay and so not shy about it and it really makes me smile. The EP comes after his last LP, Bloom, where the title track basically talks about bottoming for the first time and this new EP deals with a few other queer issues over weirdly produced beats that just... make sense. Recommended tracks: Stud, In A Dream, Easy.

11. Matenrou Opera’s Chronos: Unfortunately, this band just lost their guitarist again. Their original, Anzi, was basically the most consummate guitarist in the visual kei scene that wasn’t Hizaki and he left them. Their sound wasn’t quite right since and they seemed to just get it back with Chronos when Jay left them. I guess we’ll see what they do next, but I think Chronos could be their last great release. Recommended Tracks: Chronos, Silence, Reminiscence.

10. BoA’s Better: A very recent release that hasn’t had much time for me to digest. This is strange for me to put it so high on my list for that reason, but BoA is one of my all time favorites. She never disappoints me. This album was no different. It wasn’t exactly up to par with “Woman” or “Watashi Kono Mama de Ii no Kana,” but it definitely gave us some new and very iconic Queen BoA bangers. Recommended Tracks: Cut Me Off, Start Over, Temptations.

9. Kesha’s High Road: A semi-step down from Rainbow, only because a lot of the same melodic elements and, sometimes, even beats were used on this album too. However, her vocal performance was outstanding and she even gave us a new dirty-pop song with some interesting indie-pop tracks to go with it. Plus, who doesn’t love a Big Freedia feature? Recommended Tracks: Resentment, Raising Hell, Tonight.

8. Lady Gaga’s Chromatica: Anyone who knows me knows I don’t really love Gaga anymore. After all the drama with Madonna and her experimentation with “Joanne” I didn’t think I’d ever like her music again. However, she definitely won back big points for me on Chromatica. It was finally fun, weird, dancey, and then simultaneously emotional and I was really able to get back into it. She’s always had the voice, but on this one it also showed us that she still has what made us love her. Recommended Tracks: Rain On Me, Plastic Doll, Enigma.

7. Koda Kumi’s My Name Is... Angel + Monster: She is, very likely, my Japanese Pop Queen. She always makes these absolutely outlandish bangers of dance tracks that have such a great attitude and beat and when she released re(CORD)... last year? 2018? Who can remember... I thought she could never outdo herself. Then she released “Lucky Star” and I was floored. I was a bit disappointed when they were only to promote a “My Name Is...” collection album, but then, to my surprise, a full set of new tracks came out just after that just blew me entirely away. Guess the last 6 albums must be pretty great, huh? Recommended tracks: Killer Monster, Work It!, Alarm.

6. Grimes’ Miss Anthropocene: I’ve never been a big fan of Grimes, but when Violence came out I was really looking forward to whatever album this was going to end up promoting. The song is actual fire, but then the LP ended up being some kind of experimental Gothic Pop with Asian Pop influences I never expected. I doubt I’ll ever find something she does this good ever again, but it was really a musical light in the darkness of this year. Recommended tracks: Darkseid, Delete Forever, Violence.

5. Kylie Minogue’s Disco: Admittedly, my draw to Kylie has always been that she is like some kind of Australian Madonna. Madonna being one of my all time favorite artists... In fact, number 2 for all women I listen to, Kylie has some big shoes to fill with her sometimes generic pop that she puts out. However, I haven’t really truly loved a Kylie song since “Get Outta My Way” and then this album comes out filled with tracks to love for the rest of time. Recommended Tracks: Miss A Thing, Till You Love Somebody, Magic.

4. Chanmina’s Notebook/Angel: I don’t have really any way of knowing how popular Chanmina is in Japan or if she is as popular in the Japanese Queer Scene as she should be, but god damn does she know what she’s doing. Her music is raunchy, bitchy, and condescending at it’s highest and deeply personal at it’s most mellow. There is no “lowest.” “Notebook” was a two-sided album and “Angel” a strong follow up EP, but all the recommended tracks are from “Notebook.” If you have not listened to “Picky”.... go do it now, I’ll wait. Recommended tracks: Picky, Baby, Lucy.

3. The Weeknd’s After Hours: Incidentally, I got into The Weeknd after someone said something shitty about him here on Tumblr! I took their likely-valid criticism and went to check him out for myself and I gotta say, I love his work. The beats are literally always on point and his voice is like silk. This album provided more than a few iconic songs and I always can’t wait to see what he does next. Recommended Tracks: Alone Again, Heartless, Blinding Lights.

2. Halsey’s Manic: The singles and features she did between Hopeless Fountain Kingdom and Manic gave me such insanely high hopes and I was not disappointed. HFK was a strong album of course, but this was near perfection for me. I think the production of this alt-pop album was the star of the show because it wasn’t all one way, there were heavy-bass songs, interesting piano riffs, striaght up punk rock, all of it. She really made an album quite like it’s namesake. Recommended Tracks: Ashley, Killing Boys, Still Learning.

1. Dexcore’s Metempsychosis: A newcomer to the visual kei and death metal scene, they’ve been putting out single after single for years in preparation for their extemeley long and multidaceted debut album. With a total of about 33 songs, the entire second disc was rerecorded singles from their early days and some even got new lyrical treatment. The main series of songs were, of course, also totally flooring and all of the recommended tracks are the new ones. If you haven’t checked them out by now, you have to! Recommended tracks: Cibus, Scribble, Period.

#personal #music #2020 #visual kei #k-pop #dexcore #halsey #the weeknd #chanmina #kylie minogue #grimes #koda kumi #lady gaga #kesha #BoA

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nerianasims · 4 years ago

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Billboard #1s 1985

Under the cut.

Foreigner -- "I Want To Know What Love Is" -- February 2, 1985

One of the quintessential 80s power ballads. It's actually kind of interesting if you think about it enough. He's not in love yet, but he's gotten sick of not being in love, so he's asking someone he's in the pre-love stage with to show him. Though he's had "heartache and pain" before, and doesn't know if he can face it again. It's not consistent. I feel like it's a missed opportunity, but oh well. It's good enough for what it is.

Wham! -- "Careless Whisper" -- February 16, 1985

Oh my god I love the saxophone in this. The music throughout the song is so incredibly sexy. And this is the kind of song George Michael's voice was made for. He's totally capable of sounding both hot and in agony at the same time. I actually adore a whole lot of cheating songs -- mostly, though not exclusively, the tormented kind. Drama! Love! Sex! Angst! Gorgeous.

REO Speedwagon -- "Can't Fight This Feeling" -- March 9, 1985

<3. He keeps singing "r"s like a pirate, but he doesn't go as hard on the other consonants, so I'm good with it. Lyrically, this song sounds like it might be two songs mashed together. "What started out as friendship has grown stronger" or "my life has been such a whirlwind since I saw you." Well which is it? Except I've had that happen. I love this song.

Phil Collins -- "One More Night" -- March 30, 1985

This is a depressing heartbreak song without the saving grace of any of Phil Collins' neat drum stuff. Blah.

We Are the World -- April 13, 1985

Whoo boy. I was 8 when this came out. Obviously I loved it. All the kids loved it. Now, though... I'm sorry, but it's bad. Really bad. Many others have gone deeply into why it's bad. I feel acutely embarrassed listening to it, so I'm just running away from it as fast as possible. (Remember all those celebrities singing "Imagine" in their mansions in 2020? I blame this song for that.)

Madonna -- "Crazy For You" -- May 11, 1985

This is one of Madonna's most straightforward love songs. Maybe the most, period. This or "Cherish," and this is a better song. It's lovely. Like Olivia Newton-John, Madonna can act a song. (Unlike in most movies she's been in.) But what I'm thinking about now is learning in this article that her label wouldn't let Madonna release "Into the Groove" as a single. That song was huge. It was played on the radio all the time. If it had been released as a single, or maybe if Billboard had tracked songs then like it does today, it would have been a massive smash, definitely #1. "Into the Groove" is also the best song of her very early career. "Crazy for You" is good, but not nearly as special.

Simple Minds -- "Don't You Forget About Me" -- May 18, 1985

As I am "Gen X", I am supposed to deeply connect with The Breakfast Club. I was 8 years old when it came out. My life as a teenager was nothing, and I mean absolutely nothing, like that movie. I didn't recognize any of the "types." I liked the movie when I saw it in college, mostly, but the whole sexual harassment turns into a relationship deal was not seen as cool any longer. The "jocks vs. nerds" thing also felt very dated. The school in the movie was bigger and richer than mine, but it's a fantasy.

Anyway, though I don't feel much about the movie, its breakout song was really good. It does speak to a real fear both in graduating high school and during young adult relationships. I haven't forgotten the people I knew in high school, as far as I know, but obviously they don't have the same importance to me any longer. I'm Facebook friends with a lot of them. And very much not with a couple who were the most important then, because we grew apart -- or blasted apart. One of the nicest girls I knew in high school thinks there's a war on Christmas. Another keeps trying to get me to join her MLM. One of my best friends became my first boyfriend, and I don't regret that, but it was also a semi-disaster. And others... we just have nothing to say to each other any longer.

So, Breakfast Club: I don't connect with at all. "Don't You Forget About Me": Speaks to something very real and timeless.

Wham! -- "Everything She Wants" -- May 25, 1985

What a dick. Songs in which the narrator is a colossal jerk are perfectly fine, of course, but this one gets under my skin. He's whining about his wife getting pregnant when she's dissatisfied with their life and that they're broke. As if it's something she chose to do to him. She's stuck creating a whole other person with her blood and flesh, and he thinks it's all and entirely about him. I really hate it.

Tears for Fears -- "Everybody Wants to Rule the World" -- June 8, 1985

I can't hear this song without thinking of this Baldur's Gate fan trailer: https://www.youtube.com/watch?v=Jdd06d2nids. Speaking of which, I am incredibly excited for Baldur's Gate 3. I've been reading the early access reviews on Steam, and anything anyone is saying that's negative is stuff I don't gaf about (except bugs), whereas the positive stuff, I care about deeply. I hope it's got some of the feeling of that trailer. Um, right, Tears for Fears.

Honestly, though, it works best as a Baldur's Gate theme song. I don't think everybody actually wants to rule the world. It sounds good though. And pretty different from other stuff around it. But I like Lorde's cover better, and not just because it fits so wonderfully with all sorts of fantasy stories.

I usually play a paladin or paladin-type the first time in fantasy RPGs, but I'm thinking bard this time.

Bryan Adams -- "Heaven" -- June 22, 1985

He's been with this woman since they were young, and while they've broken up and gone through rough patches, now they're together forever and they're "in heaven." Bryan Adams knew exactly how to write a song that would become a hit. I used to not mind it at all, but it also means nothing to me. The chorus is catchy as hell though. So catchy that I ended up waking up with it in my head and it would not leave for hours and hours, so now I resent this song.

Phil Collins -- "Sussudio" -- July 6, 1985

I refuse to believe anyone ever told Phil Collins he was too young. He was born middle-aged. Anyway, the narrator isn't supposed to be him, so it's fine, but it's still kinda funny. He's got a crush on someone who doesn't even know his name, but "she's all I need all of my life." Um. The music is repetitive, the drums aren't as interesting as Phil Collins at his best, and I don't like the lyrics. I don't hate it, but I don't like it either.

Duran Duran -- "View to a Kill" -- July 13, 1985

I'm not sure I've ever heard this song before. It's about as good a song as the Bond movie they wrote it for was as a movie. In other words, it's bad. I'm not even sure there's a melody. Just a mess. "Ordinary World" would have made a far better Bond theme, but of course that was the 90s, when Duran Duran decided to try to make sense both lyrically and musically.

Paul Young -- "Every Time You Go Away" -- July 27, 1985

I like the high keyboard notes in this. They're sort of haunting. The rest of the song is musically pretty good, too. Lyrically though, it's only passable. This woman keeps leaving him every time "the leading man" shows up, so I guess he's the backup. Why does he keep waiting for her anyway? There's no hint in the song. I'm kind of embarrassed for him.

Tears for Fears -- "Shout" -- August 3, 1985

I think "Everybody Wants to Rule the World" is a better song than this one when done by Lorde. But I think "Shout" is a better song than Tears for Fears' original iteration of "Everybody Wants to Rule the World." The chorus seems clear enough. But the verses are not. "They gave you life/ And in return you gave them hell" makes sense in isolation, but then there's a bunch of stuff that doesn't go with it. Like "I'd really love to break your heart" -- wtf? But the music is really good.

Huey Lewis and the News -- "The Power of Love" -- August 24, 1985

This was the big song for Back to the Future, and it meshed beautifully with the movie, but it doesn't need that association to be a great song. "Don't need money, don't take fame/ Don't need no credit card to ride this train/ It's strong and it's sudden, it can be cruel sometimes/ But it might just save your life." Yep. It's sort of Motown, sort of rock, and I love it. (Also: "Stronger and harder than a bad girl's dream." Heh.)

John Parr -- "St. Elmo's Fire" -- August 24, 1985

Of all the John Hughes movies I have not seen and do not plan to see, St. Elmo's Fire sure is one of them. The song is about a disabled man who inspired people by rolling himself cross-country in his wheelchair for charity, which has absolutely nothing to do with the movie. I'm disabled, and I just... okay look, what he did was admirable. But we shouldn't have to be inspirations to be counted as worthwhile, and I've been told I should die because I can't produce for capitalism, so you know. I've got some personal issues with this and I'm gonna move along.

Dire Straits -- "Money for Nothing" -- September 21, 1985

This is not Dire Straits' best song, but it's an awfully fun one. I watched the video tons when I was a kid. (That sound is Tipper Gore falling to the floor in a dead faint.) The music is great rock. And the lyrics are very true-to-life. You can either sanitize people or present them as they are honestly, and I know which I prefer.

Ready for the World -- "Oh Sheila" -- October 12, 1985

The band's from Michigan. The English accent at the beginning of the song is fake. That's a good preview for the song, which sounds like a 3rd-rate Prince knockoff at best. Blech.

a-ha -- "Take On Me" -- October 19, 1985

The video totally ripped off one of my aunts. Somehow or other, they saw into the little comic she drew for me about someone going into a land of drawings to rescue someone else in a romantic adventure, years before 1985. Anyway, this song is great musically, massively synthesizer heavy without sounding artificial. Though I can only understand maybe a third of the lyrics as he sings them. I've always understood "It's no better to be safe than sorry" though. Yep, at least when it comes to romance, which is what they're singing about here.

Whitney Houston -- "Saving All My Love for You" -- October 26, 1985

It's not better to be safe than sorry, but that doesn't mean it's good to be an absolute idiot in matters of romance either. Nor is it good to be a colossal jerk. That's what the narrator is here -- the "you" she's singing to is married. And he won't leave his wife and children, though he used to say he would. The lyrics seem to say that's she's accepted the situation, but the way Houston sings it, I think the narrator's trying to get him to leave his wife -- and children -- for her still. This makes sense, as it puts some kind of passion and sense of story into the song, which without Houston's singing would not be there. The narrator certainly never acknowledges that what she's doing is wrong in the slightest iota. This song could be done in a way that works. But it's a completely sincere ballad. So, no. I despise the narrator, I despise the man she's singing to more, and the whole thing leaves me feeling gross.

Stevie Wonder -- "Part Time Lover" -- November 2, 1985

No one's thinking anyone's gonna leave anyone in this one. It's about cheating, and the thrill of it, but then at the end, he's found out his wife's cheating on him too. "I guess that two can play the game/ Of part-time lovers." This kind of funk groove is one way you make a song like this. It makes the whole thing sexy and fun, and the lyrics also work even beyond that ending, because they acknowledge it's wrong.

Jon Hammer -- "Miami Vice Theme" -- November 9, 1985

My parents didn't watch Miami Vice. And then I never felt like watching it in re-runs when I got older. I don't recognize this song. It's an energetic instrumental, but there's so much going on, I keep trying to figure out if there's a main musical idea anywhere. Nope. Just lots and lots of synth. Headache-inducing.

Starship -- "We Built This City" -- November 16, 1985

Blech. This song sounds both unfinished and overproduced somehow. The chorus seems designed to be catchy with absolute ruthlessness by people who didn't really care, and no one involved even seems to want to bother to fake it.

Phil Collins & Marilyn Martin -- "Separate Lives" -- November 30, 1985

This is supposed to be heart-wrenchingly sad. Well, it does tank my dopamine, but that's not what a good sad song does. A good sad song makes you feel better. This one makes me need to turn on something high-energy after about 30 seconds, before I sink into bleakness. It's aggressively boring.

Mr. Mister -- "Broken Wings" -- December 7, 1985

This was one of the first songs I recorded from the radio. On my pink tape deck/radio that was a sort of a mini boom box. I've always had my own tape player since I can remember, but that was a definite upgrade from the Sesame Street one. I was 9 then, so getting more seriously into music and developing my own taste intentionally, rather than simply absorbing what was happening around me.

Anyway, the song. It's about a relationship in trouble, and he wants to stay with her. To me it sounds like she has been so seriously hurt (and not by him), that she can't trust anyone, and he's laying himself on the line for her. That has spoken to me deeply ever since I first heard the song as a child. Moving on to the music: While the lyrics are repetitive, the music is not, which is what makes the song so good. It's a beautiful song.

Lionel Richie -- "Say You, Say Me" -- December 21, 1985

I look forward to Lionel Richie no longer being on the charts. This song was on the soundtrack of some movie I've never heard of. I wish I'd never heard of the song. Totally artificial glop.

BEST OF 1985: "Don't You Forget About Me" by Simple Minds WORST OF 1985: "We Built This City" by Starship

#billboard number ones

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secret-engima · 5 years ago

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(Whispers) FFXV ten years younger AU; Noctis is like, 10yrs younger than C!Noct. How do you think that would work out???

HGFDSDHGFDS WAIT WAIT WAIT.

I’M CONFUSED.

Do you mean that Noctis is BORN ten years later and the plot still kicks off? Or that Noctis time-travels and ends up ten years younger. I’m gonna assume you mean the former so here we go. I’m sticking this under read more because I am going to RAMBLE LIKE CRAZY.

-The wedding is not a thing. Because Noctis is TEN.

-It is quite possible that he never got attacked by the Marilith, because by the time he was eight, Tenenbrae might have already been invaded.

-That or the invasion was delayed until Noctis got there, which means Luna would be 22 when she meets Noctis and Ravus is 26 so both are WAY more mature and comfortable in their own skin/morals by the time the invasion happens. Ravus does not beg Regis for help but instead helps with the evacuation, Luna is not dumb enough to stop and let the MTs take her, Sylva may or may not still die, but at least she doesn’t take a flame-thrower to the face (might still get stabbed by Glauca).

-Also Gladio is there because he’s like- 21 at this section of timeline and has taken his Crownsguard oaths. Ignis is there too.

-Imma go with my petty side and say that with two adult oracles, an adult Ravus (who was no doubt trained to be a deadly guardian of his sister), a Very Angry Gladio, and a semi-homicidal and reckless Ignis, Glauca has a Bad Day. Maybe dies, maybe not.

-Luna and Ravus escape with teeny Noct and Regis and take sanctuary in Lucis and denounce the Nifs for what they’ve done (Sylva too if she isn’t dead? Which she might be) and the world goes on something of a mass riot because the reason they didn’t attack the Oracles before was for fear of what the public would do if they found out.

-They’re called consequences you morons. You poisoned your cake now eat it.

-Luna and Nyx are a thing. Because Noctis is way too young to even consider it and Nyx finds this feisty Oracle woman who demands to be trained in the glaive with her brother to be Really Hot.

-Luna becomes the Glaive healer, using the Kingsglaive’s movements to disguise her own from the empire so she can still help people.

-If Glauca is still alive, he Glauca tries something as Titus and is murdered by one very angry Luna and one Super Angry Ravus who now has LC magic on top of whatever brand of magic male Nox Fleuret can use (yes I know oracle magic is a girl only thing but MAGIC, the boy has to get something even if its not healing based) because he joined the Kingsglaive.

-Ravus maybe becomes the new Captain of the Glaive? Either him, Nyx, Libertus, or Luche, who is not a traitor because I’ve grown to like him.

-Noctis loves his Shield and his Oracle Sister and Big Brother Ravus, Luna can feel destiny bearing down on them and often cries in private because Noctis is TEN.

-With the world rioting in fury over the truth of what happened in Tenebrae (which I HC in canon was never leaked because the two royals were being held hostage and the Tenebraen people either didn’t know or where being blackmailed into silence with the lives of their beloved royal children), the Nifs take some serious damage to their power base.

-Nifs offer a ceasefire with Lucis to begin “making reparations” with the Tenebrae line and Lucis two years after the invasion.

-Regis smells a rat.

-The rat looks like Ardyn.

-Still, he DOES have little choice but to accept, BUT with the Oracle’s healing and the world public on his side, Regis has way more leverage in this treaty, demands territories be returned and stuff (Galahd included).

-Nifs agree to the terms and come for the signing, Regis doesn’t send Noctis out of the city because as bad as his feelings are, Noctis is TEN and Ignis and Gladio are just young adults.

-The Nifs still pull their invasion nonsense because- well- NIFLHEIM. The Emperor is pretty power mad at this point and is like “if we crush Lucis the dissenters will shut up out of fear”.

-It’s pretty intense. Fire everywhere, traitors making trouble (NOT in the glaive, the Glaive were lured out of the city with leaked reports of a fleet to get them out of the way, it’s corrupt Nobles and disgruntled citizens that do this).

-Without Glauca there, Regis doesn’t die, but he DOES probably get injured and separated from his son, whom Ignis and Gladio take and flee the Citadel, trying to escape the chaos.

-In the chaos of trying to flee the city, they bump into a rookie Crownsguard who just took his oath like- a WEEK ago and he helps them evacuate the prince with his crack shot aiming skills and his knowledge of the city’s back streets (”I like to take photos of the alley cats okay????”)

-The four end up outside the city, separated from all backup, in a hotwired car that Ignis took (”Since when do YOU know how to hotwire a car?” “Since I thought the skill might come in handy now shut up and watch the road”).

-Insomnia doesn’t fall, but the Empire is freaking stubborn and starts a siege or something, so the bros can’t get back in, and since they encountered some Crownsguard traitors in the chaos so they don’t trust anyone outside their foursome and they’re being actively hunted by the Empire ...

-Who’s up for a road trip?

-Also Regis probably thinks Noctis is dead because Angst and is furious beyond words and Luna smuggles herself out of the city to go wake up the Astrals and ask what to do now only to find out from a really vague Gentiana that the Chosen Lives so she’s off doing that solo adventure playing Hot-Cold with the bros as they run around trying not to get spotted by Nifs and figuring out WHAT TO DO. HELP.

(and this is the point where I could either make this a horrible tragedy about child kings and sacrificial lambs but I hate sad endings so I won’t so have some crack-flavored Fluff instead)

-Cor smuggles himself out to join the search but Ignis is doing his job a little Too Well so nobody can find these bros as they run around and Noctis ends up befriending Titan through the sheer power of his Cute and then Ramuh comes down to see because the Chosen isn’t old enough to take on his destiny except oh look. BBY. and his Granddadly instincts are roused for the first time in Millenia and so now the group has a doting Grandpa showing up at random to give advice and Smite People.

-Noctis continues to befriend just about Anything That Breathes as Big Bro Gladio, Brother Ignis, and his new Brother Prompto cart him around the wilderness of Lucis trying to figure out how to get safely back in Insomnia when there is a siege happening (the Siege is keeping the Glaives busy btw, which is why they aren’t out in force looking for Noctis).

-At one point Noctis gets separated from his bros in like- Lestallum or something and is wandering around freaking out when he bumps into someone. “Sorry,” he sniffles, trying hard to be dignified but also is so close to crying. The figure turns and ... looks at him. He doesn’t like that look.

-Noctis, who has been repeatedly told that he is in danger and needs to keep a low profile, starts to duck away from the man, afraid of being spotted, but then the man is in front of him, blocking his way and there are no other people around and Noctis is shaking and terrified, magic sparking under his skin as the man REACHES for him with a leer- and Noctis sobs and his magic reaches out instinctively in search of help-someone-please-PLEASE-

-A sword goes through the man’s chest, pinning him to the wall and suddenly there is a stranger there. A stranger with crackling, snapping magic that coils around Noctis, old and deadly and wounded but not- not evil. The new stranger turns and looks at Noctis, something cold and confused in his gaze, and maybe Noctis should be terrified of this man with red hair and tacky clothes and what looks like black makeup that’s all runny like he’s gotten it wet or been crying, but all Noctis can think is that someone rescued him, someone is HERE and that man has magic just like Noctis so he must be safe and-

-Ardyn feels like the wind has been knocked out of him less because of a scrawny ten year old cannoning into his waist in a desperate sobbing hug and more because- because-

-He hadn’t expected the Chosen to be a child.

-He had known, conceptually, that Regis’s son was very young but that- that was different from seeing it. From feeling young, immature magic latch onto his in desperation and needy trust and looking down at this tiny child who was already sobbing his heart out into the waistcoat of a MONSTER.

-The Chosen King is a child.

-And Ardyn can already feel two Covenants burning under the boy’s skin.

-The Astrals mean to make a CHILD their sacrifice? They will not even wait until he is grown?

-And Ardyn is not ... sane really, but no matter what he tells himself he still has standards and underneath the screaming of the scourge the old Healer King, the older brother who did more to raise his sibling than their father ever did, rears its head and snarls NO.

-Gladio, Ignis, and Prompto, who are all losing their minds over getting separated from Noctis, find him sniffling but content on the hip of a strange hobo-like man who smiles false smiles and says nothing with a great deal of words and somehow inserts himself into their group and never leaves. Noctis doesn’t WANT him to leave and the three are terribly astonished when Noctis blurts out that this poor man is sick and has magic like Noctis, but his sickness makes him tired and cranky.

-Ardyn is trying not to laugh to the point of tears over such a SIMPLE explanation of the Starscourge.

-Anyway to make an already stupid long ramble shorter, Noctis cutes his way to victory by melting the heart of the Accursed into going “Mine. My Nephew Now.” The Empire overreaches and gets it’s back broken by mass riots and Lucis’s defense and Altissia and Tenebrae both rising up in a bid for freedom, Ardyn gets medical help from a Very Confused Luna and they end up curing the Starscourge through the Power of Cute and the Power of Spite (aka Noctis and Ardyn) and then come back to Insomnia with a defected chancellor in tow who is now fully cured and mostly sane again and utterly devoted to his cute nephew.

-Regis is too grateful at finding his son alive and well despite prophecy to really care about the ex-Chancellor happily passing Noctis candy under Ignis’s exasperated eye every time Noctis looks the slightest bit Cuter than Normal.

#SE asks #oliverslewty asks #And A Child Shall Lead Them verse #Secret Engima Rambles

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synth-dahl · 4 years ago

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H2O: Just Add Water, Season 2, Episode 21, And Then There Were Four

Things my girlfriend and I thought during this episode:

- “I can’t stop thinking about mermaids.” Me, looking at my various mermaid tree ornaments, my new mermaid nail polish, mermaid movies, mermaid lockscreen picture: “Haha, what is she talking about?”

- Again, it is so clear that Charlotte desperately misses her grandmother, and finding new information about her, especially something that seems impossible, would of course make her want to know more about her. But of course the other girls believe it’s just about them, because god forbid they talk to or know about Charlotte so they could learn that

- GF: Oh my god, I just now realized they’re at school. I thought this took place over one gigantic Phineas and Ferb summer

- I made the mistake of looking at the comments again. Christ. I know it’s a well established rule that the YouTube comment section will always disappoint you, but man, imagine that much of a... I don’t even know what, to act like a teenage girl whose only crime is being a little too overbearing and dating their favorite character’s ex-boyfriend is on par with Hitler or something. It’s like no one watching it has any other opinion about this show other than, Wow, Charlotte is a fat gross loser that I wish would die

- Like, I don’t even hate Kylo Ren or Snape this much, and they’re monsters I hate very much

- My girlfriend keeps comparing the three main characters to Walter White in terms of bad people who think they’re the good guys

- And I want to get this off my chest, real quick: I don’t hate these characters, I’m just ticked off that they’re acting the way they are. You’re telling me that hard-working, level-headed, kind, fair play Emma would be totally on board with not giving people a chance, and bullying a defenseless girl? You’re telling me that super sweet, generous, heart of the group Cleo who was heartbroken watching her friends fight, would hate someone just because they’re dating her ex, and use her powers to make their lives hell while spitting venom every chance she gets? You’re telling me that Rikki, who knows what it’s like to be disliked simply because no one takes a chance to know her, who didn’t let her own friends go to her house and meet her dad until nearly a year after knowing them because she was afraid to be judged by them, would encourage and instigate the bullying of someone who has shown time and time again to be her friend, then give super villain-esque speeches about using their magic for petty revenge? I’m sorry, but no. I’m not asking everyone to simply be besties automatically, or for everyone to act like they’re Care Bears. I’m asking for these characters that we know and love, to be the characters we know and love. Because what are we gaining by just blindly hating with a ruthless amount of venom a teenage girl who has not done anything? Nothing. And no, I don’t accept that “They’re teenagers,” excuse. This isn’t real life, this is a television show where everything is scripted. They could have written this to have a genuine growth to everyone. Look at the YouTube comments and tell me that it’s not glaringly clear that not writing a scene where everyone recognizes their mistakes and behaviors and work to better themselves while apologizing to those they’ve wronged didn’t have an impact. I’m seeing comments by people who are apparently fully matured adults still hating Charlotte with gusto that they’re disgustingly proud of. And why? Because a scripted show where they controlled the framing and what is done, showed people being villainous as in the right. Cleo, Emma, and Rikki don’t grow this season, don’t mature except into characters I do not recognize. And the fact that I am apparently shouting this into a void that just makes me sad. I just... I loved this show. I do love it. It’s just... watching it again, I wish the second season was better. It could’ve been better, and where it’s not, we could have discussions.

- Okay, glad I got off my chest. My girlfriend was putting Halloween decorations up and we had to pause it for a little while.

- Oh my god, seriously, I don’t see pictures of mermaids and automatically think they’re real. These people are so paranoid if they went to one of those sea park shows with mermaid actors they’d probably lose their freaking minds

- Max is the only person who has treated Charlotte like a decent human being this entire season. She should’ve found him earlier, I bet everything would’ve turned out better. Like, he knew the importance of keeping the mermaid secret, yet he knew that she deserved to know the truth.

- OHMYGOD so much could be resolved if you would just TELL HER THE TRUTH

- I THINK SHE DESERVES THE TRUTH AT THIS POINT

- YES CHARLOTTE, LEAVE. YOU DESERVE BETTER. YOU DESERVE TO BE ANGRY ABOUT THE LYING. YOU DESERVE THE TRUTH. YOU HAVE A SUPERHUMAN AMOUNT OF PATIENCE TO GO ON THIS LONG KNOWING YOU’RE BEING LIED TO AND STILL STAY.

- GF: So far, all the drama could’ve been avoided by not contradicting her finding out her grandma’s a mermaid, instead of telling her it was crazy, they could’ve played along with the discovery Me: But then it could lead her to discovering there’s mermaids. GF: Yeah, but it doesn’t link back to the three at all Me: Good point. I mean, what does that give her? Knowledge that mermaids are real and that’s it. Not even plural mermaids. Just a singular mermaid. Then again, she would want to know how it happened, and probably find Mako anyway. GF: That’s still a very long stretch to link it back to the other three

- She’s making her way to the moon pool, and knows the way because of the one time Cleo was moonspelled and showed her the way

- God damn Don, I love you. “Don’t tell me, you’re here for the full moon too?”

- I know I said this before, but they are definitely freaking out more about Charlotte knowing about one mermaid but keeping it quiet than they are about Zane who in the first season was shouting off about mermaids and how he was hunting them every second he could. They’re freaking more about this than they did about Dr. Denman, who literally kidnapped them.

- Wow, Cleo, why don’t you do cartwheels over them almost breaking up

- Ugh. Will the show please decide if Lewis wants to be in this relationship or not? Because he constantly flip flops on the subject while his friends trashtalk her and it’s all blamed on Charlotte

- Lewis: I feel like I’m lying to her. GF: You are lying to her! Lewis: No, no, I am lying to her. GF: EXACTLY!

- See, if Cleo had been like this, like her actual character for the rest of the season this could’ve all been avoided.

- GF, as Charlotte sees the moon pool come to life: Oh, they’re not gonna c*ck-block her mermaid powers this time?

- Why don’t they go to bed with eye masks as soon as it gets dark

- Oh, see, she is practically doing her cartwheels at the idea of Lewis breaking up with Charlotte. I take back what I said, that wasn’t Cleo being her kind, supportive self. With that scene, it now kinda reads as Cleo hearing that Lewis wants to do the kind thing and break up with Charlotte to stop hurting her, and Cleo happy because now he can get back together with her. Which is, you know, gross

- GF: This has been an entire season of Charlotte standing sadly at piers

- Lewis: Charlotte, you deserve someone who can be honest with you.” GF: You’re damned right she does!”

- YESSS! Finally, MERMAID CHARLOTTE

- GF: (sarcastically) I love the horror music of Charlotte as a mermaid. WHY IS THIS BAD? What is she gonna do, take over the world? The only consequence is now they’ll have to hang out with her. Me: I think it’s because the show hates her, and god forbid she be happy, like literally everyone would be in this situation. At least she had a choice in being a mermaid

- Me, as the end credits roll: So, what do you think so far, about Charlotte being a mermaid? GF: About time. I hope she brings everything raining down on them like she’s Moriarity

#h2o just add water #charlotte watsford #lewis mccartney #cleo sertori #rikki chadwick #emma gilbert

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