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#they’re so london boy by taylor swift coded
itskaitsart · 9 months
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when you’re both field agents and happen to be in love
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michellemisfit · 5 months
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Weekly Tag Wednesday Thursday
Thanks for the game @jrooc and thanks for the tag @blue-disco-lights @deedala @energievie @lingy910y @creepkinginc @crestfallercanyon
Name: Mys
What is the most listened to artist in your music app of choice this month?
The Libertines - They’ve just released a new album
What song do you know all the lyrics to?
Erm… most? Well, at least most songs I regularly listen to. Back in the day when we’d still buy CDs I would get a new album and sit in my bedroom listening to it beginning to end, while reading along to the lyrics in the booklet. And oooooh, I would get so furious when bands had a booklet that did not include song lyrics. Wtf is wrong with you?? SO ANGRY! haha
What song do you pretend to know all the lyrics to and sing along to even though you don't?
It’s the End of the World As We Know It by R.E.M. I get to ‘eye of a hurricane, listen to yourself churn’ and then I’m lost until we hit the chorus lol But it’s such a fun song to pretend to sing along to, and really just making vaguely appropriate noises at the right time, until the chorus kicks in again… and of course we’re all ready to shout LEONARD BERNSTEIN! Hahaha
If you were to be crowned Queen/King/Royalty of listening to a band or artist, who would that be?
That would have to be Dirty Pretty Things. I fell in love with The Libertines just as they were falling apart and a few weeks away from calling it quits for good, so when Carl Barât announced the first tour of his new band Dirty Pretty Things I wasn’t gonna miss out again. So I flew to Ireland and then to England and attended the first 5 gigs of their first tour. And that pretty much set the tone for the next couple of years of my life. I ended up flying to the UK so much and meeting so many people that in the end it only made sense to move to London. Dirty Pretty Things had a tour booked starting two days after my moving day and we were gonna go to a few of the gigs. Then the day before I got on a plane they announced it would be their farewell tour, so we bought tickets for every single gig, which meant that I moved to the UK and then spent all of October, November, and half of December on tour… I didn’t start job hunting and thinking about real life until January lol
So yeah. Them. They’re my boys. As coined by the NME in their ‘sad to see them go’ article… “They were well fit and nice!”
What band/artist surprises you the most on your frequently listened to artists?
I’m ongoingly surprised by how much I managed to trick myself into liking Taylor Swift
Favourite line from a song (or one you have been thinking about lately?
Fame and Fortune by The Libertines
The deal was done, the trade was rough, Doubloons down for a double bluff, Dip your quill in your bleeding heart, Sign there and there and there
Guilty pleasure band or song?
I don’t believe in guilty pleasures.
Liking what I like don’t make me a bitch.
Okay let's talk fandom music:
Fave band or song you've discovered from a Fan Fic?
The Libertines lol My friend really wanted me to get into this band she liked, and I just wasn’t massively into music at the time, so she sent me a Libertines fanfic, and that, as they say, was that. Oh, she knew me very well… hahah
Fave Fanfic Playlist?
Right now I’m REALLY into The Menagerie playlist!
Fave Gallavich song?
Do you listen to music recommended by the writer or an included playlist? 
Almost always, yeah. Though sometimes that can go terribly wrong. When someone’s like OMG THIS SONG!!! and you’re just like ‘eh, I don’t see it’ lol
What song do you think is Gallavich coded?
Well, thanks to @deedala this will never not be Season 5 Gallavich
What’s a bop you want to share with your mutuals today? 
Love the original, but I also love Darren Criss
And this, because I’m dying for the next season of The Bear!!!!
Oooookay… I’m late and I’ve been way too busy, so if you’ve already played and I didn’t see please tag me in yours so I can check it out!! If not, and you’d like to do it, I’m tagging @heymacy @heymrspatel @darlingian @too-schoolforcool @palepinkgoat @vintagelacerosette @crossmydna @captainjowl @mikhailoisbaby @rereadanon @the-rat-wins @tsuga-of-mars @loftec @sickness-health-all-that-shit @deathclassic @rutherinahobbit @faejilly (you can skip the Gallavich questions!!! Hahahahah)
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tswiftdaily · 5 years
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Rolling Stone: Taylor Swift Reaches For New Heights of Personal and Musical Liberation on ‘Lover’
Her epic seventh album is all about big moods, dreamy Eighties throwbacks and evolutionary freedom 
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By the time “It’s Nice to Have a Friend” arrives on Lover, her seventh and most epic album, Taylor Swift has entered uncharted territory. For one thing, it’s the 17th song here, and none of her previous albums have run more than 16 tracks. (Lover actually contains 18.) More importantly, it’s not about being 16 or 22 or even her not-insignificant current age, 29. It’s about being six or seven, and walking home from school in the snow: “Lost my gloves / You give me one / Wanna hang out? / Sounds like fun.” There’s no beat, no banjo, no metaphors or coded messages. There is, instead, deconstructed steel drum, horn and cooing voices — Animal Collective as interpreted by hip-hop-savvy pop-producers-of-the-moment Louis Bell and Frank Dukes, the song’s co-writers. It’s like the end of 2001: A Space Odyssey, where a long turbulent journey through outer (and, naturally, inner) space culminates in the sudden appearance of a planet-sized fetus. For two and a half minutes, Swift regresses past all the drama and heartache she’s cataloged since her teen years to curl up in a weird little pocket of beauty. Swift has always been vulnerable, of course. And just as obviously, that vulnerability has been her strength. Female pop stars since Madonna have been expected to constantly reinvent themselves, lest it seem like they’re aging — an impossible standard that vexed Swift contemporaries like Lady Gaga and Katy Perry. In sharing her actual feelings about relationships chronicled by the tabloids — and parrying the entire internet’s judgements of those feelings — Swift helped open up a space for Ariana Grande to directly address Sean, Pete, and Malcolm on “Thank U, Next” (to name one glorious example). When Swift went pop, that wasn’t so much a transformation as an annexation of new territory. Grande might’ve picked up something here, too, with her triumphant embrace of hip-hop-style surprise drops. If Ariana, Billie, Halsey and others seem so effortlessly themselves, it’s in part because Swift worked so hard at speaking her truth and smiting her enemies. Lover is, fittingly, evolutionary rather than revolutionary. But nevertheless it feels like an epiphany: free and unhurried, governed by no one concept or outlook, it represents Swift at her most liberated, enjoying a bit of the freedom she won for her cohort. Made mainly in collaboration with Jack Antonoff, female songwriting ally nonpareil, the album’s dominant sound is sleekly updated Eighties pop-rock. In a bonus making-of track destined for a Target edition of the album, Swift tells Antonoff she wants a “dreamy guitar-y throwback, but not camp throwback” sound for the title track, and that’s pretty much the vibe. (Think recent Carly Rae Jepsen, if she made actual hits.) Swift loads “Paper Rings” up with a “1-2-3-4,” a “hey! ho!” and a key change for a jittery bit of Cars-meets-Eddie Money-meets-Go-Go’s delight. On the terrific “Cruel Summer,” written with Antonoff and Annie Clark (a.k.a. St. Vincent), she tells a simple tale of tortured love in under three minutes of pure pleasure, with what sounds like a smattering of talk box. When she sings “Out the window / I’m always waiting for you to be waiting below,” there’s no question you’re supposed to picture John Cusack in Say Anything.
Swift adjusts her frame of reference as needed. She claims to be “In my feelings more than Drake” in “I Forgot That You Existed,” a pro forma, post-trop-house declaration of her “indifference” to the haters. Thankfully, that’s mainly it for the sassy, winking Swift. Instead, she mostly goes for the big moods. “False God” is as minor-key and seductive as anything by the Weeknd, with a chorus, well — I’ll just leave this here: “Religion’s on your lips / Even if it’s a false god / We’d still worship / We must just get away with it / The altar is my hips.” She zags into oblique political commentary with “Miss Americana and the Heartbreak Prince,” a high school parable where she sees “high fives between bad guys” and delivers “O! K!” interjections in her best cheerleader voice. Like Euphoria,the HBO teensploitation extravaganza, it’s dark, melodramatic and, against all odds, perfect.
There’s plenty more fodder for the Swifties, haters, and bloggers here. Leo takes a proverbial volleyball to the face on “The Man,” a usefully blunt indictment of double standards, and the dub-inflected “London Boy” counts all the ways she “fancies” her boyfriend Joe Alwyn. “Soon You’ll Get Better” was recorded with Dixie Chicks, but giving the country-radio exiles a feature isn’t the point — the song is note-perfect ballad for Swift’s mother, whose cancer returned earlier this year. Whatever there is to be read into these songs, they are for one person and one person alone: Taylor Swift. Finally.
(x)
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theseerasures · 5 years
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Conspicuous Media Consumption, 2019
i mean, everyone's doing these write-ups, right? might as well hop onto the bandwagon
towards the end of last year i had one of my typical existential crises about my media consumption: am i slowly disappearing up my own ass because i no longer care about most of the pop culture people like to discuss ad nauseam? but on the other hand, isn’t it more responsible to find the niche items made by non-mainstream and marginalized creators? on the third hand, wouldn’t i be much happier if i just watched FMA Brotherhood over and over again, preferably while starting a new Mass Effect playthrough at the same time?
the answer to all these questions is probably “yes,” but i decided to try something different going into 2019. for every week of the year, i would try to get through a year’s worth of content for some kind of media, be it comics, video games, TV, etc--they didn’t all have to be recent, or even new to me, but once i was done with that week i’d be done, even if i didn’t finish the content, and i’d make a judgement based what i’d seen on whether i want to continue. mostly, i was trying to avoid what happened to me with video games in 2018, when i was hating every second of playing Uncharted but still felt obligated to finish because everyone and their houseplant liked Uncharted or listlessly doing the Master Hunter achievement in RDR2 because the main quest made me miserable.
the actual outcomes of this Project(tm) are a little more complicated than anticipated--some media i could finish in a day, while trying to play through ALL THE CONTENT OF AN MMO understandably took much longer than a week--but it all kind of evened out. in the end i did 48 weeks of this, and used December as my catch-ups month to follow up on some things i didn’t get to finish. i thought i’d give my thoughts on each of the things i consumed this year as part of this project below in a concise manner--and yes, i know the people who’ve read even one (1) thing i’ve written are probably laughing right now, particularly given how long i took in this introduction just to get to me point, but i really am going to try!! it’s all an exercise in shameless self-indulgence, basically, but hey: if any of you want to chat at length about any of this stuff below, hit me up.
(quick note: you’ll only find media that i chose for this particular project below, so things i watched socially with friends--like certain film properties slorping me back into Disney’s gelatinous monolith--are not included)
Devilman Crybaby (anime, finished 1/5/2019): honestly i should have twigged onto what the year was going to be like when the first thing i drew from the metaphorical barrel was demon tiddies and apocalyptic existentialism. i was determined to dislike it for most of the year due to fundamentally disagreeing with its main thematic thrust, but i kept THINKING about it even months after. at this point i’ve kinda mellowed out. it’s definitely not a must love, but there’s enough queer metaphor and philosophical richness in it to make it worth checking out.
Attack on Titan (manga, 3 volumes finished 1/12/2019): this is the second time i’ve tried to get into this franchise and...yeah, no. i still don’t see the appeal. the fascistic overtones juxtaposed with absolutely no one having a sense of humor wigs me out to no end.
Young Justice (TV, 2.5 seasons finished 1/31/2019): honestly, what even is there to say? they’re my kids. they’re back and grown up and making even more terrible decisions. i screamed when i saw Babs in her wheelchair.
Black Leopard, Red Wolf (book, finished 2/10/2019): i tried VERY HARD to like this book, given how much i liked Brief History of Seven Killings, but it just...didn’t click for me. which honestly is fine, since i don’t think it was made for me either.
Dragon Age (3 games, finished 2/28/2019): i feel like there’s always a part of me that’s going to think of this series as “the other one,” but y’know. it’s good. it’s my second playthrough (as a mage for all three) and it’s good! i even went around killing all the dragons in Inquisition because Knight Enchanter was a blast. appreciate the higher queer content vis-a-vis Mass Effect, even though i couldn’t care less about any of the plot. Dragon Age II is the best one, do not @ me
Bitter Root (comic, 4 issues finished 3/1/2019): i love intergenerational dramas and i love stories about vampire slayers, so this was aces. my only complaint is the pacing was a little slow for a story that was going on hiatus after five issues.
Pearl (comic, 6 issues finished 3/3/2019): i know that he’s done great things and grudgingly admit that he’s probably a net positive in the industry but Brian Michael Bendis can suck my entire dick
Lazarus (comic, 5 trades finished 3/ 4/2019): i really thought this was going to clench the position for comic of the year. it’s Rucka doing Highly Relevant Dystopia! it’s a corporate Lannisters AU! it’s a highly personal story about a woman with high privilege and little agency! what more could you want
Immortal Hulk (comic, 2 trades finished 3/ 4/2019): i vibed with the horror feel, but i don’t honestly think it’s THAT exceptional. being set in 616-verse means there was still ton of baggage i didn’t know or care about, since i’ve now swung more to the DC side of things
thank u, next (album, finished 3/5/2019): didn’t Ariana Grande get canceled this year for some reason? oh well, i liked her album
When I Get Home (album, finished 3/13/2019): i vividly remember listening to this for the first time and feeling vaguely disappointed that it wasn’t more like Seat at the Table until i realized that i was covered in goosebumps. still don’t understand the magic but it is Good
The Bird King (book, finished 3/23/2019): pretty much everything you’d expect from a G. Willow Wilson book--spirituality, the female lead finding Themselves and the Answer and learning they’re the same thing, etc etc. i’m slightly resentful that her Wonder Woman was so lackluster while this was so good, but whatevs
Psychodrama (album, finished 3/29/2019): possibly my favorite album of the year? dense and emotionally raw in a way i really appreciate. Dave has a Mercury and he’s younger than me
Mass Effect (4 games, finished 4/7/2019): wow guys did you know that Mass Effect is good! it is. all of it is actually, even the Mass Effect 3 ending, another controversial finale to a big franchise that i will obstinately defend. even Andromeda, which isn’t AS good as the trilogy but still has a lot of heart. all its bugs have been exhaustively patched since launch anyway
Crazy Ex-Girlfriend (TV, 4 seasons finished 5/13/2019): i’m...still kind of mad about this finale, but can’t exactly deny that this show is one of the best things to ever happen to me, or television probably. i didn’t even mind new!Greg that much! tho he was probably the nail on the coffin of me jumping onto the Nathaniel train.
Knights of the Old Republic/The Old Republic (3 games, finished 7/4/2019): did you guys know that KOTOR II was my first ever video game? i feel like that...explains a lot about me. anyway, the first game is a classic and the second is a deconstructive classic and playing either of them is basically a fun way for me to turn off my brain these days. even the MMO wasn’t as much of slog as i worried it would be. the Imperial Agent storyline had some nice surprises and i dig the general atmosphere of ruthless pragmatism and crushing loneliness.
Wanderers (book, finished 7/13/2019): Chuck Wendig is a very well-intentioned man in dire need of a strict editor. still good tho! some VERY punchy emotional bits and an ending that still leaves me with vague existential terror.
Code Geass (anime, 2 seasons finished 7/20/2019): i feel like this is on the polar opposite of the spectrum as Devilman Crybaby, because i don’t think Geass is GOOD on like, any basis, and i actually find its central moral message kind of abhorrent? but some part of my lizard brain LOVED the High Imperial Family Drama (it’s been a good year for me and Lannister types, hasn’t it? well, with the obvious exception of--never mind), so...yeah. have i discovered the true meaning of guilty pleasure
The Farewell (movie, finished 7/23/2019): how could i not a) watch this and b) love this and c) feel emotionally cold towards this at the same time because the situations depicted were so similar to mine that i ended up feeling kind of alienated
The Nickel Boys (book, finished 8/8/2019): i STILL haven’t read Underground Railroad, but here i am a book late and a dollar short to appreciate Whitehead’s new book. the man’s stylistic versatility is jaw-dropping and i appreciate the plotting in contrast to like, 90% of the litfic out there that’s just “protagonist sad in different milieu”
Durarara (anime, 2 seasons finished 8/31/2019): it’s fucking bonkers and i loved pretty much every second of it? even the second season, where i finally got the BruceNat AU i deserved??? the first anime i’ve seen where everyone was relatively soberly dressed. the answer was love and having feelings and asking your middle school best friend to hurl you like a projectile so you can chop your girlfriend’s head off with a demon katana
Lover (album, finished 9/1/2019): i feel like with all the Discourse surrounding Taylor Swift re: she’s the devil incarnate or re: she’s good, actually the fact that she makes fucking bops gets kind of lost in the conversation. i have no vested interest in her as a person but i liked Lover, even though London Boy was “what if Style but stupid”
Are You Listening (comic, finished 10/2/2019): my actual choice for best comic of the year if i were giving out awards like that. it’s coming of age! it’s grief! it’s queers! it’s trauma! it’s magical realism! it’s cats! it’s expressive gorgeous art! Tillie Walden has an Eisner and she’s younger than me
High School DxD (manga, 2 volumes finished 10/10/2019): i don’t even know how to talk about this series?? i actually kind of came around to the whole “main character is a perv but goes hard for consent” by the end of the second volume, but it’s still...bad. i only can have lingering conflicted feelings about one Japanese adaptation of Christian mythology per year
Ghosteen (album, finished 10/18/2019): much like Immortal Hulk i thought it was fine but over-hyped. it’s Nick Cave doing his Nick Cave ethereal music thing. i still can’t tell what any of the lyrics mean, except Jesus is there sometimes
Watchmen (TV, 2 episodes finished 10/29/2019): i am nOT FUCKING CAUGHT UP so please watch out for spoilers. it is on my high priority list of things to be caught up on tho--i appreciate that the plot is blatantly unsubtle but still manages to give me aneurysms and i appreciate the political overtones just kinda...balances on a razor thin wire and also gives me aneurysms. i wanna say i have no expectations and would be fine if it does a full dive into the horrible bland depths of the both-sides porridge, but i’m sadly a fool who wants to believe in Damon Lindelof
Syllabus/Making Comics (2 comics, finished 12/24/2019): it’s funny--even before Making Comics came out i was like “man i miss Lynda Barry” and then BAM. it’s incredible how her work just makes me feel taken care of, even when we’re wrestling with tough topics or she’s demanding that i draw a Batman in 30 seconds. kudos for immediately shooting to the top of my gift list for my sister also
Allegiance/Choices of One (2 books, finished 12/24/2019): fun and largely inoffensive, but i was honestly hoping for more. the level of Empire apologia going on was too much for me, someone who thinks Mara Jade is the best Star Wars character of all time (still?????? still). it reeked a little of Zahn believing his own hype as the only valid guy in Star Wars Legends of whatever
Aldnoah.Zero (anime, 1 season finished 12/24/2019): turns out i also can only have “trash but my trash” feelings about one Japanese mecha show with higher art pretensions and patriotism verging into jingoism per year, and this one ain’t it. it’s not as good as Code Geass and Code Geass ISN’T GOOD. at least Geass attempted character complexity and moved at enough of a breakneck pace to distract me from its questionable bits. Aldnoah is just...bland, and nothing gets accomplished or revealed in 12 episodes, except the baffling and contradictory motivations of the main bad guy.
Baldur’s Gate (game, unfinished): yet again something i really wanted to like, given *gestures at all the BioWare above*. i think it’s mainly the Seinfeld issue, where it actually predates my own experience with video games and was so formative for the Western RPG genre that what was innovative just comes across as kind of staid now. i didn’t DISLIKE it, and will probably play the sequel since it’s supposed to be more character-driven, but by the time i finished the vanilla campaign i just didn’t have it in me to squint at more tiny avatars on the screen, so the expansions ended up a no-go.
most prominent thing i noticed about this list is that only one 2019 movie made it on the list and ZERO 2019 video games did so. the former i’m okay with because i currently live with two film people with whom i’m happy to tag along to the cinema. the latter bums me out a little more, because there WERE a few things i wanted to play this year, but all of them came out just as my semester was reaching its catastrophic boil, so i had no time. maybe i’ll use my free time after the New Year festivities to catch up on those.
to conclude: this worked out pretty well! i ended up finishing all but one of the things, and only a few were bad enough that i have no interest in seeking out more content. i’ll probably do this again in 2020--we’ll see if the scheduling can withstand a full year of grad school hell
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1dffexchange · 6 years
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to fight (when you feel like flying)
To: Anna @twomoonstyles
From: Inm @in-madhouses​
Summary: harry has never had a place to call home, not since one direction became a thing. zaemira has intentionally avoided home, fearing the monotony and a life not lived. their paths cross and like two lines that are meant to meet and fall apart every so often, they find a home in one another. 
a story about binge drinking, tattoos, and how sometimes, building homes out of people can be the only thing that keeps you going. also known as a tribute to brasil!harry and the (not so) secret thigh tattoos.
Warnings: some offensive language, alcohol use heavily implied, hints of substance abuse (if you squint) and sexual references. there are also mentions of hendall, hadine and hamille although not explicitly named. the timing is also nowhere near accurate but let's call it artistic freedom.
rio de janeiro
may 2014
They break up on the eve of his departure. It’s the band’s first all-stadium tour and somehow, as quickly as they were a thing, they just weren’t by the time February rolled around.
They’d clung onto one another for dear life through the winter months and the physical hole she leaves behind is filled by the pictures of her everywhere. There are fall fashion shows, and there are music festivals, and there billboards, and there are gossip rags. As far as the eyes can reach, there she is, in one form or another.
Harry leaves for the tour with the boys and it’s exactly like he expected. He is grinning from ear to ear standing atop of the world night after night, the stars in his eyes left by the glow of the headlights is eclipsed only by ear-ringing screams they are accompanied by.
Each night is a swirling tide, even when he is not on stage.
But the mask cracks eventually.
The air stills.
They do seven cities in twelve days and he’s tired already. He’d inadvertently frowns at the wrong moment, or sigh, or have a faraway look in his eyes, barely anchored to the present. And they catch it. They always catch it. But the walls come back up as swiftly as they tumble down.
He’d smile. Smile, smile, smile. Smile until it hurts.
Smile until it’s believable.
(It never is.)
He spends too much time bouncing between staring holes into his phone and wanting to go at it with a hammer. There’s just something confusingly enthralling about the pictures and the videos of her that keep popping up. The precise red carpet movements, the long lithe legs, the perfect posture, the jawline for days.
Niall sends him memes round the clock to try to distract him from looking at new pap shots, and Liam tells him to just not to think about it.
“It’s called a quarter life crisis,” Zayn announces, elbowing Louis as they chuckle at his melodrama.
As though it’s the simplest problem ever to grace the earth, Louis offers a solution, “What you need is a good bender and a good cleanser.”
He’s got good mates, he thinks.
But then he’s in Rio and there are pictures of her at the Met Gala and next thing he knows, he’s downing caipirinhas by the glassful and there’s sun and sea and sightseeing and then more caipirinhas. He remembers exactly how everything unfolded, like watching a lifetime worth of dominoes collapse into a rather large portrait of a car crash.
&&
It’s a slow night.
There’d been exactly one walk-in so far; a giggly nineteen year-old girl who wanted a Taylor Swift lyric tattooed on the middle of her lower back.
“It’s our song,” Swiftie says in regards to the tattoo, and whether the blonde haired, blue-eyed, cherry lipped teen was referring to her boyfriend or the title of the song, Zaemira will never know.
Since then, she’d been all by her lonesome for four whole hours and the tan skinned brunette is bored. She’d left her latest acquisition, a tattered first edition copy of Factotum back on the couch she was crashing on and with nothing to read or distract herself with, she is decidedly… bored. She’s antsy and she’s restless, and she’s super tempted to just flip the ‘open’ sign around to read ‘close’ and get drunk on cheap booze at the dodgy little bar down the road. That’s what soul-searching girls do when they end up working part-time at a seedy tattoo parlour in the tv shows anyway, why should she be the exception?
She’s so bored that her mind wanders and she's thinking that maybe it’s finally time to go home, not like call it a day home, but home home.
Zaemira had packed a bag and left the comforts of London right after graduating from her graphic design degree, hoping to find some kind of excitement out in the world before living out the predestined rest of her life in a cubicle churning out ad after ad for the nihilistic consumerist society she lived in before kicking it too early. But after a year on the road, honing the needle and ink in her hands and collecting first edition Bukowski’s, she is left wondering if there’s even a home for her to return to. The concept of it now so foreign to her even though her childhood had not been lacking in much.
The tinted shop door swings open right then with a squeak and a clatter of really impressively expensive sounding heels echoes through the tight little tattoo parlour space.
It’s all limbs and hair, flailing and tumbling forward face first into the floor.
She instinctively backs up away from the swirling mess.
“I’m fine! I’m—fine, just—I’m fine,” the bloke says, waving his arms about before rolling onto his back, splayed on the floor, taking up most of the floorspace, “You should—there should be a sign. Two. Yeah, two. One in English, and one in—what country are we in?”
Zaemira blinks at this hurricane on the tattoo parlor floor and studies him for a quick second.
“You’re in Brasil,” she starts saying once appropriately convinced that he’s not about to sick all over the shop floor, “And a sign for what exactly?”
He huffs, blowing several strands of thick brown hair out of his eyes in the process, “The stairs, love.”
She squats close by to examine this specimen interrupting her plans to close early and get hammered.
“There aren’t any stairs,” she says dryly, arching an eyebrow at his direction.
He sits up, coming dangerously close headbutting her and blinks at her.
“Then what’d I trip over?”
And he sounds so fucking plaintive, adorably dismayed and hilariously distressed, that Zaemira can’t help but bark out a laugh.
“Well, if I had to guess,” she starts saying, biting down on the laugh teetering on her lips because he sounds so honest to god confused and hilariously distressed sitting there on the tattoo parlour floor, “You tripped over the fucking distillery you inhaled at wherever you went to dinner.”
He squints up at her like he’s doubting the validity of this observation.
And then, “Are you English?”
She rolls her eyes at that, “What gave it away?”
He shuts one eye to peer at the girl before him, as though considering her seriously, “You’re far from home.”
“I could say the same about you,” Zaemira contests as she recognises his too young and too pretty and too distractingly familiar face, “You’re Harry Styles.”
He blinks and there are alarms blaring in her head as he smirks.
“You’re doing the introduction thing backwards there, sweetheart.”
“You don’t like people telling you who you are then?”
“Not very much, no,” he scrunches his nose, deep in thought for a second, before turning his attention back to her, “What’s your name?”
“Zaemira,” she replies, realising they’ve been on the floor way too long and her leg is close to falling asleep.
She holds her hand out to pull him up, and he accepts it all too enthusiastically.
“What kind of name is… Samira?”
She shrugs as she helps the six footer to his feet wobblily, eyes scanning the door he stumbled in through, wondering where his entourage is, “It’s Zaemira, actually. But you know what, you get to call me Mira, drunky-pants.”
“Well, I want a you tattoo,” he announces, voice a little bleary but determined. But there’s something dangerous there, too, something that reminds him of the sting of needle piercing skin.
She eyes him up and down as he wobbles and crosses her arms across her chest.
“I don’t think so.”
“No, no. You don’t—” Harry hiccoughs and takes several steps on the spot to balance himself, “—understand. I want your name— Zaemira— tattooed on me.”
He takes extra care to pronounce her name right the second time around that she is just inexplicably fucking endeared by the entire spectacle.
Zaemira blinks.
“What?”
He frowns, as though worried he’s not articulating well enough for her to understand him, “Your name— I want it tattooed on me.”
She stares.
And then she stares some more.
“It’s a beautiful name— I never—” Harry hiccoughs, frowning and stopping himself mid sentence, “I never want to forget you.”
She’s definitely not bored anymore, she thinks.
So she cocks an eyebrow at him in a wordless game of truth or dare and he’s reckless and he’s dramatic and he’s beaming at her so brightly that she’s blinded by it, and her brain goes hazy and her thoughts switch frequency with an abrupt high-pitched whine of static.
&&
cape town
april 2015
Harry thought he was doing better, he really did. It’s been almost a year since Rio and he’s Harry fucking Styles. He’s in one of the most popular bands in the world, he has a PR perfect sense of humour, sharp fucking cheekbones, and the word Brasil tattooed on his thigh to remind him that even when life feels like it’s spinning off its axis you can always find a centre again.
But then she breaks up with him, craving a more definitive commitment that he can’t offer, and they’re on tour again when Zayn, out of nowhere, announces that he’s needs to leave for a little bit which everyone knows is code for he’s tired and done with it all.
And the world just... started to spin a little off its axis again.
So he makes plans to arrive in Cape Town earlier than he needs to and heads straight to where his life last made sense when things moved too fast for him to catch up.
“We have to stop meeting like this,” he drawls from the doorway, smug and half a bottle of duty free booze dangling precariously in his hands.
Her whole body stalls, eyes the only thing that whips up from the book she’s engrossed in. The smile that carves itself onto her lips hits him square in the chest.
She sets the book aside, breathless, “How d’you know I was here?”
“I keep tabs on you,” Harry shrugs, tone casual, with a small smile playing on his lips playfully.
He had long made a mental note to keep up on her current location whenever he could since she’s far from forthcoming about her travels. Seems only fair since his movements in contrast is so easily trackable. One quick internet search and she’d be able to know if he was in Holmes Chapel or recording in Los Angeles or out grabbing a bite in New York.
“Why, because no one else will tattoo country names on you when you’re drunk?” Zaemira teases, taking a step forward, as though challenging him to crack first.
“Precisely,” he nods in all seriousness.
They both start grinning for no reason whatsoever and the laughter that sits in their chest bubbles over soon enough.
After Rio, he had gone back to his life and she went back to hers. She moved from city to city, continually avoiding home, and he went from stage to stage, seeking solace in the certainty of instability. But still, the heartfelt conversations and indelible experience they shared in various states of sobriety in Brasil bonded them together. Somewhere along the night almost a year ago, they had reached a point at which they both understood implicitly that no matter what, one could call and the other would answer no matter where they were.
And so they did.
They shared the big news; Zaemira whenever she found a new old Bukowski book and Harry whenever he was thinking about a new tattoo. To the layman, it may sound like a shallow kind of friendship, completely lacking any kind of commitment, but it wasn't.
On the contrary, it was the healthiest and longest lasting form of a relationship that either one of them ever had. Despite geographical and emotional distance, they were allowed to grow in their own way and not have to live through minute everyday highs and lows and petty dramas.
It was as liberating as it was peaceful.
And he could tell that his sudden physical presence is throwing her off.
“Seriously, what are you doing here?” She asks, tone light but the slant of her jaw more rigid than he’s used to and her posture brittle.
“We’re on tour,” Harry shrugs nonchalantly as he walks in around the tattoo parlour.
The space is small and intimate and starkly lit. The walls are embellished with clean lines and immaculate designs and it’s just like the spot in Rio where they met a year ago. Her caramel brown eyes are tailing him around the room and he wonders how someone who works with men looking to cover up prison ink all day can look so soft.
“I know that,” she says, her tone more curious than it is wary, “But what are you doing here?”
“Can’t a guy just drop by to see his friend when he’s in her neck of the woods?”
She narrows her eyes at him.
“A guy can, but a guy never has,” her voice dripping with the implication that he’s never lacking in the means to find her.
Which isn’t untrue.
He sighs.
“I was in New Orleans for all of a day, Zaemira.”
Harry likes saying her name in entirety. She prefers Mira, but he likes the unshortened version. It’s beautiful, it’s the kind of name that commands the full use of the orifice that most people use to stuff full of food or as a tool to lick and suck.
She stares at him, surprise evident.
“How could you possibly—”
“I have you on Instagram,” he replies, crisply, before taking another swig of the bottle in his hands.
“No, you don’t.”
“Only because I can’t publicly follow you.”
“So you just check my account obsessively like some kind of creepy stalker?”
Harry shrugs.
“Think we crossed that line when I fell into a certain tattoo shop a year ago, don’t you?”
Zaemira huffs out a breathless sounding laugh that hits him right in the center of his chest.
He had thought their paths would cross when after their last tour ended. He thought he might go out to New Orleans and get into that gumbo life for a couple of days. Stroll along the French Quarter and check in for a drink at Bourbon Street. Bask in the jazz and have a look around in a voodoo shop.
But when he’s back in LA after the tour, he finds out that she’s in Japan when he calls.
“Oh yeah, I’m in Tokyo,” she said over the phone distractedly, like it’s no big deal.
He frowned at that, confused. She had a tendency of not staying in one place for too long, but it was abrupt, even by her standards.
“What are you doing in Tokyo?” Harry questioned, brows furrowing so hard he felt frown lines forming.
“A bit of this, a bit of that,” Zaemira said noncommittally, “I thought Japan might be good after finding the boy I shacked up with completely naked and asleep with his ex.”
He gaped at that casual over-the-phone confession non-confession, befuddled and aghast.
“Did you let him have it?”
“What d’you mean?”
“Did you rip his dick off? Sock her in the nose? I could get some people together and hit him in the balls for you if you want,” Harry offered, only half-joking.
“No, I just packed my stuff and left.”
“You didn’t wake them up to confront him about it?”
“Why would I?”
Her confusion confused him. Harry paused, opening and closing his mouth several times, thinking back to break ups and make ups he’s been through, talked through, and fought through.
“You didn’t want any closure?”
“Why would I want to give him a chance to hurt me more?” Zaemira retorted, quick and sharp as ever, “He’s either going to lie about it, apologise and do something like it again, or completely be like whatever about the whole thing.”
“You... didn’t... think he deserved to know that what he did was wrong?” He prods along, cautiously.
Even after months of phone calls and texts, her candor and point of view never fails to catch him off guard.
“It’s not about him though,” she said all matter-of-factly, “I mean, he wouldn’t give me any kind of honesty, respect, or consideration, so fuck that closure.”
Zaemira isn’t shy. That’s for sure.
And she isn’t coy.
She’s loud and she’s outspoken and she had no qualms telling him that she didn’t want to die where she was born having realised that she’d done nothing out of her comfort zone which is why she left and took to sleeping on couches. Harry remembers how much he enjoyed that about her. How it had been refreshing to meet someone who enjoyed the newness. Someone who actually took pleasure in what life had to offer instead of just going through the motions.
“Well, now that you’re here…” she says as she moves towards the door, flipping the sign over from ‘open’ to ‘closed’, “What d’you feel up for tonight then, pop star?”
Her voice anchors him to the present. And she’s grinning up at him like he’s a firefly and she’s a mason jar, and he feels the countdown to self-destruction rumble in the hollow space beneath his ribs like the roar of a sports car engine.
His heart skips a whole beat at that.
&&
The sun is creeping up slowly and steadily on the horizon. She’s sitting fully clothed in a fancy bathtub in a fancy hotel, clothes soaked and doing a piss poor job of trying not to smile.
She gives him a look and he just laughs, sat on the edge of the bathtub, also soaked through.
“We need to come down,” she said earlier, shaking her head as though the movement would clear her head of all that they’d indulged in through the night.
The first rays of sunlight had started to dot the skyline and he grinned devilishly, taking her by the hand, promising he knows just the thing that would do the trick. Harry promising he knows ‘just the thing’ was how they ended up high as a kite to begin with but she had trusted him thus far so she decided to trust him a little bit more. Which in hindsight was where it all went wrong because that’s how they end up in his hotel room filling up the bathtub with water and foam shampoos and bath salts.
The windows are open, carrying their laughter and giggles to the streets below. But that’s not her main concern. Somehow, in an effort to make the bath as enjoyable as possible, Harry had turned on the shower head and initiated a spray war. The physical exertion and the laughter had sobered her a bit, but the tradeoff was that she now wanted a cigarette which was not possible since he all but dunked her into the tub to claim his victory.
She pulls the soggy packet from her denim jacket breast pocket, the gross brown liquid oozing from it indelicately.
“You’ve wet my cigarettes,” she says as she tries to look upset.
One glance at him though and she’s reduced to a puddle within the puddle she’s sitting in.
“You should really quit anyway.”
“Piss off,” she tosses the wet box at him.
It lands two feet off its target with an unceremonious splat and they laugh at her aim. They laugh and they laugh some more and talk about nothing and everything.
She talks about her mum. She never talks about her mum. But suddenly she’s talking about her mum and how she left and how it broke her father and it had hurt her to see him hurt the way he did. How he had let himself be hurt like that and still cling on to the hope of her mother coming back one day.
Harry is nodding and then they’re both just complaining about how unfair and shitty life is when he says it. Blurts it out, almost, like a secret that he can no longer contain.
“I want a tiger on my thigh.”
She’s so dazed that all she can do is look at him.
“D’you reckon you can do a tiger for me?” He repeats himself, almost as though in fear that she wouldn’t understand the urgency of his request.
She doesn’t question it, but she understands the symbolism instinctively.
“Sure,” she smiles, leaning her head back.
“Tomorrow morning?” He quirks his head, eyes glazing over as he tries to, in his solidly drunk state, try to remember if he has any other planned activity.
“That’s right now,” she laughs, lifting her heavy head to look at him, “And neither one of us are sober enough to walk a straight line, let alone hold a tattoo gun.”
“I trust you,” Harry says, voice dropping impossibly lower and she hears alarm bells start to ring in her head.
She’s makes a joke about him always being so eager to drop his pants around her and regrets it instantly because he’s smirking at her and looking at her the way he does and she almost forgets how to breathe.
“Maybe you just have that effect on me.”
“Careful,” she says dryly, “Or I might think you're trying to flirt with me, Styles.”
“Oh, you'd know if I was trying to flirt with you.”
“Maybe,” she concedes, before deciding that the best course of action is to slide further into the tub, “But would you?”
His smile that follows is breathtaking and the unabashed laughter that spills over is something else entirely. It’s warm and new, with some kind of never seen before sparkle in his eye. As though it’s an exclusive layer of whoever he is when he’s around her and her only. A smile that’s peeled back and raw and intimate.
Her chest blooms of something she can’t quite explain.
&&
los angeles
jan 2016
“Look, I don’t mean to sound outrageously savage here but… you have a thing for collecting winter clings,” she says.
“What on earth is a winter cling?”
Zaemira pauses.
“It’s the Harry Styles version of a summer fling,” she states simply, “But you have them around in the winter because that’s when you get loneliest.”
They’re in a bar, it’s small and it’s cosy and it’s not the kind of place that he would be recognised which is why it’s perfect. She pours him a shot of whiskey from behind the counter because it’s harder in LA to get a legal tattoo artist job (or any other job for that matter) than one would think.
“That’s not true,” he frowns before downing the amber liquid in a go.
She stares at him pointedly from behind the bar.
“You always get a girl at the end of the year so that you have a cosy Christmas and a nice New Year and then a blowout birthday party and then you break up with them before Valentine’s Day because commitment scares you. There are multiple blogs dedicated to the this specific phenomenon.”
“Maybe,” he concedes, a ball of something hard and sour and guilty forming in the pit of his stomach.
“No. Definitely,” she says as she tops him up for another shot.
“Is that what you think of me?” Harry frowns.
There's a beat of noticeably tense silence.
“Is it untrue?” She quirks her eyebrow just a touch.
Harry drops his gaze to the liquid he’s been swirling around his glass, “Is it really so bad to just want someone?”
“Not usually, but it takes twenty-one days to make a habit and you’re in too deep.”
“What exactly are you insinuating?”
“I’m not insinuating anything, I’m flat out saying that you don’t know how to be alone,” Zaemira gleefully volunteers, completely without provocation, before topping up his drink again, “Which isn’t a shocker because you’ve never really been alone. Even when you snuck out to have your solo adventure in Rio, you dragged me along for the night. And now that the band’s on hiatus, you’re falling back into old habits with an ex.”
He promptly forgets how to fucking breathe.
She does that to him a lot, he realises.
Even though the band is officially on hiatus, he’s never felt more trapped. He feels caged in and claustrophobic in his own skin. That’s why he even took up that yacht holiday up at St. Barts. He had a physical urge to flee his life. To escape. But he didn’t think that it would become another source for frenzied paparazzi shots which fueled speculation and rumours.
He throws back the liquid in his glass in another swift go and feels the burn trickle down his throat.
“You keeping tabs on me, Zaemira?” He asks, playfully, with a teasing lilt in his voice.
She merely rolls her eyes at that.
“I’m just saying. Maybe it’s time to work on solo you.”
“You’re taking this bartender psychologist thing way too seriously.”
She opens her mouth to contest that but another patron is waving over at her from across the bar and she excuses herself to see to the obviously lost Wall Street gentlemen in the suit and tie.
The moment of silence allows Harry to think back over her words.
But her tinkering laughter cuts through his reverie.
Harry glances over and sees that Wall Street has a shit eating grin on his face, and something unpleasant churns in his stomach.
His friends were all coupling up, or getting engaged, or getting ready to pop out kids, and he realises that the only constant in his life over the two years has been their over-the-phone friendship. While media was content having him as a charming albeit a little secretive little fucker, a true lothario, kicking up rumours with grainy pictures, reaching out for a comment anytime he so much as speaks to a person of the opposite sex, she’d been his odd inner balance through it all.
And increasingly, he’s finding it difficult to share her with anyone else.
&&
Zaemira has a lot of bad habits.
She knows that.
She smokes and she drinks and she gets some kind of perverse sort of thrill out of spending her inheritance from her dead father. First she spent his insurance payout on a graphic design degree that was basically just a piece of paper. And now it’s been four years and the inheritance her father willed her hasn’t run out (mostly because she takes odd jobs to earn her keep in the various cities she bums around in) and she’s certain that this is what a quarter life crisis must feel like.
Her mother left her when she was barely eight and it broke her father’s heart. She is resolved not to make the mistakes her father made though. She’s determined to live, truly live. Even if it means not having a place to call home, crashing on couches of new friends and old. Even if it means spending one way plane tickets around the world and living out of one packed bag. Even if it means sleeping with strangers and leaving the moment they showed any sign of weakness.
What it means, is that she isn’t ashamed of her life choices.
Mostly.
There’s the small matter of a newly acquired bad habit — answering a certain call from a certain pop star whenever he rang.
She knew who he was before he accidentally wandered into her temporary place of employment of course. He was the golden boy from the band. The Harry Styles from One Direction. She hadn't been aware of much else to be honest, just that he had his start in fame from that reality show everyone watched and was involved in a band that was hailed a new coming of The Beatles.
Apart from that, he had never been relevant to her life in any way.   
So when he tumbled into the dodgy, seedy little tattoo joint in Rio and practically falls head first onto her feet, she catches sight of the oddly familiar looking guy who is too long limbs and all overgrown hair, it takes a full minute before she makes the connection.
She’d seen photographs of him before, photos and headlines on Facebook shared by news organisations (or what passes for news organisations on social media anyway), and she recalled the basic impression of this Hollywood favourite in the making; the t’ shirts and the tight jeans and the expensive shoes and the barely thought out tattoos. He was basically like any young rock star in the making, cheeky and reasonably good looking, and perfectly groomed for the media and the fandom to dislocate their jaw to swallow whole.
But the boy who stumbled into the small tattoo studio is not the boy she’d seen on the interwebs.
They become friends.
He tracks her down to her exact location whenever he’s in a city she’s in and she allows it.
When she finds herself in Los Angeles, he finds himself on hiatus.
The band had been splintering since Zayn left, that much was evident. And then the band went on their ‘break’. And he’s lonely, an ailment he had long suffered from far even before he became the Harry Styles of One Direction.
So it doesn’t surprise her when he saunters into the pub she’s working at for the past month and a half.
As a rule, she doesn’t drink on the job. She’s not allowed to. But it’s hard to say ‘no’ to Harry. He’s lonely and he’s heartbroken in more ways than one and they comes dangerously close to depleting the bar’s whiskey stock because it’s a shitty little hole-in-the-wall kind of place that doesn’t really stock up often and so they go back to his place after her shift.
The too big Los Angeles house came with a pool and a view and a fully stocked bar and one moment they’re drinking some more and the next he’s on his piano, absentmindedly playing a tune he has stuck in his head and talking about life.
She’d been good at not feeling. For a long time, she didn’t even have to try. Zaemira just didn't let herself feel for people like that and it was easy. But around him, it’s suddenly not.
He’s talking about being afraid, and how he’s afraid a lot, and how he doesn’t know what to do with himself, and how the house feels too big and he’s too alone.
She kisses him.
She kisses him because she doesn't like what he's saying, doesn't like what it means, doesn't like that this boy, this rock star, this heart of gold and boots to match who had the world on his feet could be as lost and lonely and confused as her.
She kisses him so he can stop talking, and she kisses him so she can stop listening.
It works out fine.
Except—
She isn't entirely sure why he kisses her back.
His name rolls with disturbing ease off the tip of her tongue and she thinks she can get used to the way he says her name when he comes. It sounds like a prayer and a punch, a gasping exhale that hits her in the chest, or maybe in her heart, and he collapses backwards onto his bed, pulling her close to him like she belongs there.
Zaemira doesn’t sleep a wink and when morning comes she leaves her latest find from a seedy bookstore downtown, Love Is a Dog from Hell, on his bedside before she walks out the front door.
The sun hits her straight in the eye, like the glare of a cafe employee when you ask if the have soy milk instead of regular full cream. The city was a place for the hopeful, she realises. The hope that one day you’ll find love. The hope that you’ll luck out. The hope that working hard will get you where you need to go, as long as you hope and never let go of that hope.
It was decidedly not a city built for her.
She was a shitty bartender and an even shittier dreamer and the only thing that’s been a constant in her life is her slowly expanding collection of tattered Bukowski books that she will gladly throw actual wearable clothes out of her overhead carriage bag to keep said books with her. Through the years, the only thing she could rely on was the gritty, filthy words that a dirty old man could provide.
And she had no problem sharing that part of her life with him at all.
&&
paris
march 2018
It’s just a flash, but he swears he sees her in the crowd and he thinks he’s going mad.
He’s barely two weeks into his world tour. His solo world tour.
He should be thrilled. He should be basking in the victory of it all. The world is loud and roaring in his ears but in the dreams he barely remembers dreaming, he sees her there, quiet and serene and bright, as though he is finally seeing her in the light of day instead of in the cover of night. (As though his mind is trying to make up for memories that didn’t happen.)
Not too long ago, it was another face he sought out amidst the crowd in Paris. But he catches a flash of what he thinks is her and suddenly he can’t think of anything else.
Harry hasn’t seen Zaemira in two years. Two years and then some. Not since that night.
They call and they text and they avoid discussing what happened in his LA house or why she left before he woke with not even a note but just a book by his bedside table.
There was no designated moment, no exact timing, but their dynamic changed. Because life is not a Shakespearean tragedy where it’s all fade to black and bittersweet endings. There’s mundanity and somehow, they sought each other out more in that monotonous day-to-day.
Their friendship was stronger despite having flirted with the very line that kept them together. She’d gone home to London and was spending her time putting together fragments of a former life and her current life like a jigsaw, jamming the pieces together hoping they’ll fit while he, well, he had a movie to film, and then an album to write, and that same album to tour after. He’d also landed himself in another relationship. She’s a model, because as Zaemira would say, he’s a glutton for punishment and ‘no seriously, same lips red, same eyes blue, you so have a type.’
His ‘type’ gets along great with his friends and his mum likes how laidback she is when she was over for Christmas and it’s a relationship that he’s only sure has lasted for as long as it did because of the change in their friendship.
But then he realises that he hasn’t seen his friend in over two years and it suddenly doesn’t sound like a real friendship anymore.
He can’t shake the thought and the screaming fans do nothing to help set his mind straight.
His heart aches like a broken bone over something he can’t explain.
Barely off the the stage, he whips out his phone and calls.
&&
“Sorry, wrong number,” he says.
“You know it isn’t,” she says, eyes flicking toward the living room as a burst of laughter carries itself to her ears.
Zaemira grabs her pack of cigarettes and shuts the front door gently as she exits, “What’s up?”
“Nothing.”
But she’s known him long enough to read into the subtext, the world that exist in between the words he’s actually saying.
“What’s wrong?” She asks again, determinedly, taking angry long strides down the road.
He sighs, voice sounding like it’s jumped through various hoops and crossed many a timeline in many universes to reach down the phone line to her.
“It’s nothing, Z.”
But she knows something is. Knows it from the way he says ‘Z’ instead of ‘Zaemira’. Or maybe she hopes it’s something more than knows it because she wants an excuse to see him. To wander the streets of London with him. To get drunk with him. Anything with him.
Where he’s calling her from, she wouldn’t know; could be a pub, a hotel, backstage of his concert, anywhere. And she’s not sure she wants to know. They haven’t physically seen each other since that night over two years ago.
Has it really been?
He’s travelling again, on tour, alone this time around, and his schedule always seems at odds with hers. Of course, it didn’t help that he’s seeing someone. She knows because he’d rung her up to ask if he should invite said someone home for Christmas and again to ask how many times you can ask someone to come to your concerts before it starts seeming narcissistic.
She pulls out a cigarette from the pack and puts it between her lips before lighting it, taking a long drag, trying to remember if there’d been any sign that his relationship had been on the rocks the last time he called.
Zaemira inhales the fumes while he quietly stays on the line.
Harry doesn’t say anything.
“How was the concert tonight?” She prods.
“It was good,” he says, but there’s no enthusiasm in his voice, just exhaustion, “Paris is always good.”
He doesn’t sound right.
It’s the stupidest, most clichéd thing ever, but he doesn’t sound like himself.
“Harry,” she says, voice softening because he’s quiet and he’s the one who called her and she has a horrible feeling that he’s about to cry and the last time he sounded like that on the phone, she found out that Robin had passed, “Has something... happened?”  
He’s not saying anything, like he’s waiting for her to say something, and she doesn’t.
“I’m just… I’m having a minute”
Zaemira sighs.
Sometime in the past two years, she’s thought on more than one occasion that she might love him. Like proper love. More than just platonic love.
But other times he just feels so fucking far away that she’s not so sure anymore.
She heaves a not-quite calming breath and takes another drag of the cigarette before filling the line with chatter. Because she gets it. She gets that empty kick in the gut sometimes. She prattles on about how home doesn’t feel like home and even though life at home is, more or less, alright it feels like something is missing. She complains about her aunt who disapproves of her decision to spend the rest of her inheritance on getting her masters and she begins to outline in exhaustive detail just how dissatisfied she feels, how everything makes her feel like a shitty daughter and a shitty niece and a shitty friend and a shitty student and a shitty—whatever the fuck else she's failing at—when he cuts her off.  
“When can I see you?” he asks, like they can pretend for a second that they haven’t spent the past two years apart, like they live on the same street and he could see her in an hour if he wanted to.
She flicks her eyes back towards the house, thinking of her aunt and her cousins and how they’ve been going on and on about this big Easter party they’ve been planning.
“Tomorrow?” She suggests, knowing full well that he can’t. Not really. He’s got schedules and plans and commitments.
And a girlfriend, a voice in the back of her head pipes in.
She doesn’t need to silence the voice though because reality has its way of doing that and she hears him exhale on the other end of the line, as though letting go of a breath he wasn’t aware he was holding.
“Tomorrow’s no good. How about day after?” Harry suggests, “I’ll be in Amsterdam. I’ll get you a ticket.”
And Zaemira thinks about that for a bit, seriously considers taking him up on the offer.
And then she thinks about him, about how maybe they’re like those horrible math love stories; like sine and cosine, meant to meet and fall apart every so often, forever out of step with one another.
She drops the cigarette to the ground and watches it burn.
“I don’t think I can do Amsterdam right now,” she says after a second, “I mean I have it on pretty good authority that if I don’t go to my classes I won’t be able to complete my masters.”
She chuckles to herself at the terrible not even remotely funny joke.
“I’ll be in London in April,” he says and she can hear his breathing all but stop on the line, like he was holding his breath for her answer and she almost wishes she’s not about to say what she’s about to say.  
“I’ve got work on weekends.”
He sighs again and the line is heavy with words unsaid.
“See you after tour then?”
“Yeah,” she says, forcing a grin, forcing the lie, “Yeah, guess so.”
It’s quiet between for a bit. The silence is deafening and it steals her breath a little and she’s pretty sure it has nothing to do with the cigarette she just smoked.
And then the line goes dead.
&&
london
december 2018
He doesn’t call her again after Paris.
His tour ends and his relationship ends and he half-heartedly makes excuses to himself and for himself for not calling; he's busy, of course he’s busy, he’s busy catching up with his mum and his sister and his ex co-workers and his industry friends and he tells himself that he doesn’t need anyone to help him get through the cold lonely winter nights.
But then it’s December and he calls and she picks up and they pick up exactly where they last left off. It felt good. It felt like breathing again. And he thought it was enough, but two days later, despite the promises he’s made to himself, he texts her a meme.
And then he calls again. And again. And again.
It would be almost like she’s his phone therapist except he’s also sort of keeping her functioning like a normal human that doesn’t lash out at people by texting him her darkest thoughts, so it evens out.
He’s realising with every call, and every passing day of his newly found (and truly enjoyed) singledom, that he was kind of a fuck-up. Not in any obvious, tangible, measurable way. He didn’t have a dozen different child of divorce issues, or problems with abandonment that run so deep he is constantly choosing to leave before he is left, or a mile long list of insecurities and fears that leave him utterly crippled, but he was fucked up in ways that were difficult to fully articulate.
And their relationship was a home that allows for it to be okay because they were both honest about just how fucked up they were.
Harry doesn’t know when exactly he figures it out, but he decides he’ll go see her in March. He’ll ring her and say ‘wrong number’ and she’ll call him a twat and then he’ll throw rocks at her window and hold up a copy of Bukowski she doesn’t yet have that he’ll have to find by then and yell, “Did someone order a creepy stalker?”
It’s a good plan. Except it’s two days to Christmas and she’s complaining about her cousins and her nieces and her nephews and how she just walked out when they were making pies together ahead of Christmas and now she’s just going to sequester herself in her shitty flat and spend the yuletide alone and he can’t help but smile at the whole thing because that’s so painfully Zaemira and he can’t help himself.
“I’ve got it planned out,” she says, “I’ll just Netflix and eggnog myself to sleep.”
“Don’t be ridiculous, come over to mine for Christmas,” he says, words tumbling out of his mouth completely of their own accord without passing through his head at all.
“Yeah, I’ll just come to Holmes Chapel at the drop of a hat,” she says sardonically.
“I’m serious. My mum won’t mind.”
“There aren’t any flights out, Haz.”
“I’m sure there is.”
“It’s fine. I’m used to it, I just called to rant anyway,” she says dismissively.
And Harry can see it play out at the back of his mind, the way her lips quirk, all wry and self-deprecating. Except there’s more of a bite to it than it usually would.
“What d’you mean you’re used to it?”
“I mean I only exist when it’s convenient for you,” she says it so matter-of-factly that he’s not sure if she’s making a piss poor attempt at a joke.  
Her words are just so thoroughly her, and no one could say it without sounding like an attention seeking arse, but they hit him square in the gut and Harry feels all semblance of breathable air leave his body.
“Hold up—” He starts but she’s having none of it.
“You’ll see me when you see me. It’s fine, don’t worry about it.”
She changes the subject and tells him to bring over ‘like ten crates of Vodka’ when he ever decides to drop by because she’s acquired a taste for it and he chuckles half-heartedly at that.
He makes a joke about her trip to Russia and she’s saying how she should have tried harder to seduce an oligarch. But he’s roughly only a quarter present. His mind is a riot. It’s like the time in school some kid hit him with a baseball bat and he feels all the blood rush to his head.
His gut twists with a vague, rumbling kind of horror.
The words left unspoken stings more than it should.
I don’t want to be your next winter cling anyway.
&&
Her door buzzes.
It’s Christmas eve and she isn’t expecting anyone, but when she rushes down the hallway to open the building door, there he is.
It’s pure electricity in his eyes and a fire so hot in her bones that it feels like ice.
It’s been a full thirty-five months since she’d seen him in person and not through her phone. That’s almost three whole years. They’re just shy a week of the anniversary of that night and he’s still just so pretty. Painfully pretty.
He cracks the weakest smile she’s ever seen, “Hey.”
“What are you—”
“You’re not a winter cling,” he blurts out, eyes ringed red and slightly swollen like he’d been crying or up all night.
Or both.
She ignores the statement, crossing her arms across her chest as they stand out in the cold.
“Did you drive here all night from Holmes Chapel?”
“I wanted to wait. I wanted to wait until after Valentine’s Day. Because you’re not something to hold onto while I wait out the loneliness.”
“Harry—”
“Do you remember the night we met? In Rio? I was tired. I was so tired of being who they expected me to be,” he interrupts her, plaintive and gentle, “It’s why I got so drunk and slipped security. I wanted something that was just mine.”
He takes a step forward and she holds her ground, still not inviting him in. She’s not sure she wants to. Like the hours she spend not sleeping in his arms, she’s not sure she wants to be another warm body to him. But Harry is staring at her, expression terrifyingly open, honest, and contemplative, like he's looking right through her to her heart.
“Like a me tattoo on your body?”
Zaemira hates that she’s doing exactly what her aunt says she does when she’s uncomfortable; makes terrible jokes and thinly-veiled badly-timed humour in an attempt to hide her discomfort which never helps.
She hates that her aunt is right and she hates that this is how she’s realising it.
“Every other relationship I had never felt right,” Harry continues, holding her gaze as though he is equally fascinated and terrified, “Something was always missing.”
The tick-tock pounding thump of her heartbeat is so loud and gushing she can practically feel it in her veins. But he just keeps going, heart on his sleeve at the door of the girl he spent three drunken nights with and fell into bed once. As though he didn’t know he had the power to so completely destroy her.
There’s a taunting, almost brittle quality to what he’s saying that it makes her nervous. He’s making her nervous and it pricks like annoyance at the back of her head. It’s jarring what he’s saying. Striking.
“People aren’t answers to whatever mess that’s going on in your life, Harry.”
It's ridiculous and it's rude and it’s out of control and out of character for her except—
Except that it isn’t.
She wonders when exactly he’d figured it out.
And how it took her so long to realise that she’s the same as what she’s accusing him of.
She wants and wants and wants and then she takes, and takes, and takes, until she inevitably loses interest, and leaves.
And most people just let her.
But Harry isn’t most people.
And he’s there now to show her exactly that.
“I don’t want people,” he says so softly it’s practically a whisper, like he’s confiding a secret, like he knows that the harder she pushes the more she wants you to fight for her, “I just…want you. I just didn’t realize there was a difference between wanting you to want something and wanting you for you.”
The words slot into her heart perfectly like a deck of cards. The words that she never even knew she wanted to hear.
They taste like a perfectly brewed shot of espresso and too expensive whiskey all mixed into one heartstopping drink and she wants to savour the shockwave-sweet intensity of the moment.
She hesitates. And then, “Careful, Styles. Or I might think you’re trying to flirt with me.”
He grins at that. A real smile curving on his lips.
“Oh, I’m definitely trying to flirt with you.”
He tucks a stray curl behind her ears, simultaneously keeping his distance and drawing her close.
Her breath hitches on a tremulous little laugh.
She's paralysed with an emotion that feels a lot like fear and it's scraping at her skull, rhythmically ebbing into all corners of her brain like a growing virus and he's just there, staring at her.
She wants to say something. Something smart or witty or funny. But instead she just lets herself fall forward into his arms and onto his lips.
It tastes like a promise.
It tastes right.
It tastes like two beating hearts and a slow summer burn.
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manchestereyes · 6 years
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hello, do you think it’s fair for us to share phils extra content for free? like if people just share it then surely no one, even ppl who can afford it won’t bother because it’s available for free anyway? And Phil will lose money?I’m not agreeing either way, this is deffo NOT hate at all- I would just like to hear your opinion 😊
hey there friend! idk how early you sent this since i just got back from work but regardless, i’m actually one of the admins over at @amazingphilperks where my friend alexis and i are planning on sharing that content! so yeah i think it’s absolutely fair since the nature of fandoms is to be inclusive and as our wise old man dan once said “if it’s on the internet, there’s a way to get it.” not to mention, dan hates exclusive things so tbh? he’d probably love to see people spreading the wealth! 
and i don’t think it affects phil in any way, personally. sure, youtube may be fucking over its creators and it’s expensive as hell to live in london but they’re vv rich boys who have a lot more on their plates to worry about. to me, it’s the same as a musical artist doing japan or target or uk or australia exclusive tracks--artists know those are gonna go online anyway but do they say anything about that? nah, they’re too busy planning their tour/doing album promo/what have you. streaming services may pay jack shit but every single artist ever is still telling you to stream their album anyway because maybe someone will enjoy it and recommend them to their friends and buy a ticket to a show! hell, taylor swift made entire magazines of “exclusive” content for her latest album and that shit was online instantly. and i imagine she was happy that her fans were more than willing to share the wealth too since in the end, it’s all publicity. 
(also re: merch codes spreading around--phil can only stand to gain from that since more people getting the code = likely more people buying merch since everyone wants to save some money. simple supply and demand really! :D)
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