#they will just get right in there. shameless

[aajjks]

Stuck With You. (m)

synopsis. Imagine being stuck in a room with a walking nightmare who really wants to fuck you.

genre: crack, 18+.

pairings: jungkook x fem reader.

warnings: stûck în â rôôm tôgêthêr trôpê, crîngê jûngkôôk, hôrnÿ jûngkôôk, tsûndêrê ÿn, sêxûâl jôkês, ônê bêd trôpê, hê jûst wânts tô hît ît wîth ÿôû ând lîvê hâppîlÿ êvêr âftêr.

note. If this flops- oh well. But if this becomes a hit, I will make it a series hehe, gif credits to owner, found it on Pinterest. OMG ENJOY!

You are absolutely going to lose your mind. Not because you’re stuck in a room—

no, that part isn’t even the problem. It’s who you’re stuck with.

“Don’t look so mad, babe. You’ll get wrinkles,” Jungkook says, leaning lazily against the wall with his arms crossed, looking every bit like he owns the place.

His black t-shirt clings to his annoyingly perfect body, and his smug grin stretches wider every time he catches your glare.

“You’re the reason we’re stuck in here, you idiot,” you snap, pacing the room. “Who even breaks a doorknob while trying to open the door?”

“It wasn’t my fault!” he protests, throwing his hands up. “The thing was loose—like, super loose. I barely touched it.”

You stop pacing and point at him. “You yanked it like you were in a strongman competition!”

Jungkook shrugs, like being accused of destroying things is just another Tuesday for him. “Maybe. But hey, at least we’ve got… each other?” His grin turns into that stupid wink he loves so much.

You groan and flop onto the bed. It creaks under your weight, and you make a face because this feels like the start of a very bad rom-com. “I can’t believe this. I have work tomorrow.”

Jungkook leans against the bedpost, towering over you with that annoyingly pretty face of his. “Relax, princess. I’m sure someone will fix it soon. Meanwhile…” His eyes trail down your body in that blatant, shameless way that only Jungkook can pull off. “…you’re looking pretty comfortable.”

“Stop staring at my tits, Jeon.” You cross your arms over your chest, even though you know it won’t stop him.

This is seriously ridiculous.

“I wasn’t,” he lies, biting back a grin.

“You were.”

“Okay, I was,” he admits, laughing. He flops down onto the bed beside you, making the mattress bounce slightly. He’s so close that you can feel the heat radiating off his body. “But you can’t really blame me. They’re right there.”

You grab a pillow and smack him with it, hard enough to knock some of the smugness out of him. He lets out an exaggerated groan, clutching his chest like you’ve mortally wounded him. “Abuse! yn, you’re abusing me!”

“You deserve it!” you say, your voice rising with every word.

you like being evil.

“Oh, come on.” He shifts closer, so close his shoulder brushes against yours. His voice drops, teasing and low. “Admit it. You’d miss me if I weren’t here.”

You scoff. “I’d celebrate.”

Jungkook gasps dramatically, his hand flying to his chest. “Cold. That was cold, yn.” He shakes his head, his messy hair falling into his eyes. “You’d be crying without me to entertain you.”

“I’d cry tears of joy.”

“Sure, sure,” he says, his grin widening. Then he leans in, his voice dropping again. “But… if you’re gonna cry, you might as well do it on my shoulder, babe.”

You hate the way your stomach flips at his tone. His big, stupid eyes are focused on you, and for once, they’re not looking at your chest.

You roll your eyes to hide how flustered you feel. “You’re impossible.”

“And you’re irresistible,” he fires back, leaning in even closer. His breath tickles your skin, and you shove him away before he gets any ideas.

“Don’t even think about it.”

“What?” he says, feigning innocence as he lays back on the bed, his arms tucked behind his head. “I wasn’t thinking anything.”

“You’re always thinking something,” you say, narrowing your eyes.

“Maybe,” he admits, his lips twitching up into a smirk. “But if I told you, you’d probably hit me again.”

“You’re not wrong.”

He laughs, loud and carefree, and it’s so annoying that you can’t help but smile a little.

Even though he’s so fucking annoying.

Time passes slower than it should. You’re lying back now, one arm thrown over your face to block out the overhead light, trying to focus on literally anything other than the fact that you’re stuck in a room with Jeon Jungkook.

“yn,” Jungkook says after a while, his tone softer now.

“What?” you ask without looking at him.

“I’m bored.”

You sigh. “And what do you want me to do about it?”

“I don’t know… entertain me?”

You pull your arm off your face and give him a deadpan look. “What am I, a clown?”

His grin returns, and you immediately regret your choice of words. “You could put on a show for me, babe.”

You groan. “Shut up, Jeon.”

“Or,” he says, his voice dipping lower as he rolls onto his side to face you, “we could play a game.”

You narrow your eyes. “What kind of game?”

“Truth or dare.”

“No.”

“Oh, come on, don’t be boring.”

“I’m not playing truth or dare with you, Jungkook. I know how your brain works.”

He pouts, and it’s so absurdly dramatic that you almost laugh. Almost. “You’re no fun, yn.”

“Good. I don’t want to be fun.”

Jungkook sits up suddenly, a mischievous glint in his eyes. “Fine. Then let’s make a bet.”

“A bet?” you repeat, suspicious.

“Yeah.” His grin turns wicked. “If we’re still stuck in here after another hour, you have to go on a real date with me.”

Your jaw drops. “What?”

“You heard me.” He shrugs, like this is the most normal thing in the world. “Take it or leave it, babe.”

You sit up, crossing your arms. “And what happens if we get out of here before the hour’s up?”

Jungkook’s grin doesn’t falter. “Then I’ll stop making inappropriate jokes for a week.”

You narrow your eyes at him. “You’re lying.”

“Scout’s honor,” he says, holding up three fingers.

You stare at him for a long moment, weighing your options. Then, finally, you sigh. “Fine. But you’re going to regret this when we’re out of here in twenty minutes.”

Jungkook just smirks, his confidence radiating off him in waves. “We’ll see, babe.”

And as much as you hate to admit it, you kind of hope you lose.

You stare at him, his stupid is grin practically glowing in the dim light of the room. He’s lying on his side now, looking way too comfortable, while you’re still sitting upright like you’re waiting for a rescue team.

“You seem a little tense,” he says, his voice dropping into that low, teasing tone that always makes your eye twitch.

“I wonder why,” you deadpan, gesturing to the locked door. “Maybe it’s because I’m stuck in here with a man-child who thinks ‘truth or dare’ is an appropriate solution to boredom.”

Jungkook props his head up on one hand, his biceps flexing in a way that feels intentional. “I’m just saying, if we’re stuck here, we might as well make it fun. And let’s face it, yn, no one else makes you laugh like I do.”

You snort, leaning back against the headboard. “You don’t make me laugh. You make me want to scream.”

“Same thing,” he says with a wink.

You roll your eyes, but you can’t fight the small smile tugging at the corner of your lips. You hate that he’s right.

As much as you want to throttle him half the time, the other half? You’re too busy laughing at his ridiculousness to care.

“Okay,” you say suddenly, sitting up straighter. “Let’s play your stupid game.”

Jungkook perks up immediately, his eyes lighting up like a kid on Christmas morning. “Truth or dare?”

“Truth,” you say, crossing your arms.

He doesn’t even hesitate. “Do you think I’m hot?”

You blink at him, stunned by his audacity, before letting out a disbelieving laugh. “You’re unbelievable.”

“It’s a valid question,” he says, his smirk growing. “Come on, yn. Be honest.”

You narrow your eyes at him, your cheeks heating against your will. “Fine. You’re… decent-looking.”

He’s very hot, but he doesn’t need to know that.

“Decent-looking?” He clutches his chest like you’ve just stabbed him. “You’re breaking my heart here.”

“Good,” you say, fighting back a grin.

“Your turn,” he says, recovering quickly. “Truth or dare?”

You pause, considering your options. “Dare.”

His smirk turns dangerous, and you immediately regret your decision. “I dare you to sit on my lap.”

“Absolutely not.”

“Come on, it’s just a dare,” he says, his tone deceptively innocent. “What’s the worst that could happen?”

“I murder you in cold blood, for starters.”

Jungkook laughs, leaning back against the pillows like he’s got all the time in the world. “You’re no fun.”

“You keep saying that like it’s a bad thing.”

He grins, his eyes sparkling with mischief. “It is when you’re this cute.”

You throw a pillow at his face, and he catches it effortlessly, laughing as he tosses it back at you.

Another twenty minutes pass, and you’re lying side by side now, both of you staring at the ceiling.

“You know,” Jungkook says, his voice softer now, “this isn’t so bad.”

You turn your head to look at him, your brows furrowing. “Being locked in a room?”

“Being stuck with you,” he says, and for once, there’s no teasing in his voice.

Your stomach does a weird little flip, and you quickly look away, your cheeks heating. “You’re such a sap.”

You Kind of like it, but…

“Only for you, babe.”

You groan, shoving him with your shoulder. “Stop calling me babe.”

“Why?” he asks, rolling onto his side to face you. “Does it make your heart race?”

“No,” you lie, glaring at him.

Jungkook smirks, leaning in closer. “Liar.”

“Idiot.”

“Hot,” he counters, his grin widening.

You don’t dignify that with a response.

Eventually, the tension breaks when the doorknob jiggles, and a muffled voice calls from the other side.

“Are you guys okay in there?”

You spring off the bed like it’s on fire. “Yes! Get us out!”

Jungkook stays lying down, his arms tucked behind his head, looking as relaxed as ever. “Take your time!” he calls out.

You glare at him, your heart pounding for reasons you’d rather not analyze. “Get up, Jeon.”

“Nah, I’m good here.”

“Get. Up.”

He sighs, sitting up with an exaggerated groan. “Fine. But only because you’re cute when you’re bossy.”

You grab the nearest pillow and whack him one last time, just for good measure.

[butchvampireheimerdinger]

The Great War

A/N: So this was made in response to a request but it ended up blossoming into a full 2K word fic adjacent and I had to split it into two posts! Anyways, if you enjoy sexy and occasionally soft Sevika, dramatic arguments that result in comfort, and mob-wife vibes… enjoy!

Warnings: Not smut but mentions of sex and both characters are D O W N B A D.. A lot of cussing and mentions of violence.

Pairing: Butch!Sevika X Femme!Reader who is super outgoing and forward

🂱 So the two of you’ve met briefly around town, kinda running in the same circles. You notice her right away but you don’t actually talk until she shows up at work — The Last Drop.

🂱 You’re a server and your charisma, magnetism, and punchy/blunt sort of energy makes you well suited to hospitality. You’re the bubbly outgoing type of waitress who gets their table laughing and in a good spirits with ur contagious good vibes.

🂱 You beat the other waitress to claim Sevika’s table, and it’s on.

🂱 She would get a kick out of it — your shamelessness. She really likes the forward thing, timidity makes her roll her eyes. Life’s too short for playing hard to get! Plus, she’s an adult. And a literal revolutionary who quite literally does not have the time for all that.

🂱 Before you learn each others names you endearingly and lightheartedly call her “butchy,” or something like that. She calls you sweetheart.

🂱 You’d pour her beers on the house. You’d lean over the bar counter on ur elbows, making sure ur titties look good and perky. And if it was just the two of you, she would not hide her ogling.

🂱 It’d be a bit of a game to you two. Making the other person crack, being the first to back down/get all blushy. You’d be all flirty-flirty over the bar counter, she’d pull you into her lap during her card game. It’s like how straight guys play gay chicken. Except ur actually gay so it would just be chicken.

🂱 And she’s smoking indoors, as per us. You ask if you can have a hit. She shotguns it into ur mouth and you blow it upward, once again drawing attention to your décolletage, to the girls hehe

🂱 Eventually she just asks you straight up if you wanna spend the night. Maybe you take her up on it, maybe you don’t. Either way, she’s not the fuckboy (fuckbutch?) hit it n quit it type. She’s an adult woman with emotional intelligence and communication skills goddammit and she’s gonna ask you to dinner.

🂱 Takes u to the fanciest place in the undercity, orders everything on the menu trying to flex her wallet and impress u. Whether or not u ask for it she gets you one of those weird rich people desserts where they make part of the preparation an “experience.” like they pour hot liquid over a hollow chocolate shell and it cracks open and reveals a little cake inside. Or something involving a blowtorch.

🂱 Anyways this whole time ur just rubbing ur lil high heeled foot up her pant leg under the table and twirling ur hair, touching her arm, etc. Naughty girl — she mock-scolds you telepathically with a dommy little eyebrow raise thing.

“Here? Now? I pull out all the stops to give you a magical evening and you already wanna leave and bang it out. That’s real classy, sweetheart.”

🂱 You’re both rather bold and upfront, obviously. Strong personalities, fire sign energy — which means you butt heads often. Your relationship is super intense and fiery so every day is like a soap opera, or like The Real Mob Wives of Staten Island in levels of drama.

“Why the hell didn’t you come home last night? And why did i have to find out from Vivi that she saw you cracking skulls in a fishing boat by the pier?”

“Babygirl I told you I was taking care of business. Sweetheart, uprisings don’t happen overnight, it’s all about biding time and strategically applying political pressure in Topside-”

“Jesus, Mary, and the goddamn camels you and your strategic goddamn pressure. I’ll tell you I’ve fucking had it with you and your fucking pressure. You wanna make me look like an idiot? When me and my girlfriends are sitting drinking mimosas for brunch at Jarrod's and they ask me ‘Y/N where’s that woman of yours?’ And i have to look them in the eyes and say “Clint Eastwood was unable to join us as she had a prior engagement strategically applying pressure. To the back of enforcers’ skulls. With a fucking baseball bat. Like a common thug. Mind you, I’m a classy lady all by my lonesome on a Sunday fucking morning-"

“Classy lady I’ll fucking say. You’d think I plan on growing old with Mrs. Fucking Vanderbilt, the way you want to buy ten thousand pairs of red high heels-“

“Omg babe you wanna grow old with me?”

“-that all look exactly the fucking same, by the way. ‘Burnt orange’ and ‘vermillion’ and ‘chartreuse’ or whatever the fuck — You know it’s just fucking red.

“Chartreuse is green, since you wanna be a smartass,”

“Don’t gaslight me, woman. Where do you even plan on wearing those? We live in an oversized sewer pipe. Not the magical land of Oz. I told you who i was when you met me. I told you this is what I do. And you better get used to it if you wanna keep charging my card at every boutique within a ten mile radius,”

“Or what? Gonna give me the spiel again, talk me to death about the uprising and the political elites and the our time is imminent, y/n. Gonna threaten me like you do your little fishing buddies? Gonna apply me some strategic fucking pressure?”

“That’s enough.” Sevika hissed, scary calm. She kicks the pantry door shut and whips around, pointing at you with her cigarette. “I’ve had enough of this shit. You’re done, Missy.”

“Beg pardon? I’ll decide when I’m done, thank you very much. You’ve got some nerve telling me when to speak when I can’t even reach you half the time. I had to track down your little boss the other day — brought him a lovely casserole — and ask if he could pass on a message for me! ‘Excuse me Mr. Scaryman Eye of Zaun, sir, could you possibly ask Zorro if she might head home as soon as she’s done busting kneecaps? And to arrive in a clean shirt, as my parents are in town and they prefer to greet their daughter-in-law when she’s not covered in someone’s intravenous blood. Thank you kindly.’”

“You showed up at work? Wait- you talked to Silco? Babe I told you to stay the fuck away from there!”

“Please. He may be the kingpin of the city or whatever, but I make a gorgeous quiche. Trust me, babe. Once he tastes my cooking, I am henceforth immune to whatever machiavellian basement torture chamber you brutes probably use as your break room.”

🂱 Sorry guys, got a little carried away there. Point is, one minute you’re screaming at each other and dramatically slamming doors and throwing shit, the next you’re fucking on the kitchen floor like the world’s about to end. You guys basically co-authored the book on how to be an absolute nightmare of an upstairs neighbor. The entire building feels the floor shaking and no one knows if the screaming is just you guys having a little too much fun for 2pm on a Tuesday, or if they’re gonna see this on the news tomorrow.

🂱 Kidding! At the end of the day, trust and loyalty are the foundations of your relationship. You love each other wildly, deeply, and passionately.

🂱 Sevika has a strict no going to bed angry policy. If you’d gotten into it that evening you might give her the cold shoulder, curl up facing away from her in the quiet moments before bed. She’s reading by the lantern on the bedside table — an upcycled barstool the two of you stole from your old job at The Last Drop one evening when you were in a particularly silly mood.

🂱 She catches your gaze a couple times as you stare over your shoulder to see if she’s paying attention to you, and then you immediately turn and go back to ignoring her. She takes off her reading glasses, tosses her book onto the bed, and rolls over to you, wrapping her arm around you from the back.

“Hey baby?” She kisses your shoulder and the back of your head since you still won’t look at her, and she continues. “Love of my life? Light of my world? Keeper of my soul and partner in crime through the sea of trials we call the fucked-up game of life?” You turn slightly to give her a glaring side eye.

“…What do you want.”

“Still mad at me, babygirl?”

“Not at all. Why on earth would I be mad?”

“I’m sorryyy,” she draws it out, cooing at you all soft and sing-songy. If the ne’erdowells who often got their asses handed to them by her and her little team could see this Sevika, they’d think they lost their mind. Hell, if any punk on the street could see this Sevika they’d think they lost their mind. It made your knees weak the way she undid herself and softened for you. For only you. You fought the smile forming and she continued murmuring against your skin.

“It’s all this bullshit at work Silco’s got me taking care of. I’m neglecting my little lady, I’m stretched so thin. It’s too much…”

“Too much…?” You echo. “Talk to me, love. Silco’s not letting you catch a breather?”

She grunts in affirmation against your shoulder: “Mm-hrmm”

“Does my baby have the whooole wide world on her poor, tired, buff, strong, sexy shoulders-EEK!” She gleefully flips you over to face her, making you cackle. You’ve been disarmed. At her mercy. You always were.

She leans forward to bonk her forehead against yours.

“Glad someone in this cruel world finally understands me and my line of work,” she says, half-joking.

“No one understands the importance of your job better than me, babe.” You continue, at this point unable to remove the sarcasm from your tone even if you tried. She nuzzles into the crook of your shoulder facedown, head supported by the cushiness of your tit. You weave your fingers in her hair.

“The honorable burden of great duty… The unfathomable smothering of moral obligation, even. One might describe it as an immensely… strategic pressure-”

“-For FUCK’s SAKE”

“You have worker’s rights, you know! Demand an hour off — paid — in your underground torture chamber-breakroom. You’re entitled to relax and sip coffee as you watch the bodies hit the floor, goddammit!”

Feigning exasperation, Sev dramatically collapses backward starfish-style on the old-ass creaky-ass decrepit-ass daddy longlegs convention of a double bed the two of you share; in a shithole apartment, in a shady-ass neighborhood, in a collapsing city. That’s how it was between the two of you. Underneath it all, she trusts that you’ll always be there to kiss her wounds, to make sure her collar is straight and there’s no shmutz on her face. You trust that at the end of the day, it’s you she’s coming home to.

[calliecopper]

Ian Gallagher Being His Own Person, and Why That's Controversial

A meta about Ian's story during his time away from Mickey, and the hate his character receives for it. Inspired by @dazzle02 :)

How many times have you heard somebody say that they skipped season 8 of Shameless because Mickey wasn't in it? How many times have you heard somebody say that season 7 is only good during Mickey's episodes, or that the story is boring without Mickey in it, or that Ian's S6-8 arc was boring without Mickey? How many times have you heard somebody proclaim that Ian wasn't a good partner to Mickey?

Mickey is undeniably THE fan favorite character of the show, and with that comes a tendency for fans to defend him tooth and nail, even when he is in the wrong, and refuse to see any other points of view. Characters who go against Mickey in any way receive a harsh amount of criticism that sometimes is not fully justified. This applies even to Mickey's main connection to the story: Ian.

During season 5 and onward, some fans hold Ian's actions against him very harshly when I feel he deserves a bit more empathy. Of these, there are three main things people criticize his character for during seasons 5, 6, and 7 that I feel are not given proper analysis and thought by fandom.

Disclaimer before we get in because people feel very passionately about these two: Every interpretation of a character is entirely unique to each individual viewer, and these are just my opinions. This is in no way an anti-Mickey post, so as you read, keep in mind that any criticism toward him is not meant to make him out to be a bad character. Don't bite me.

Season Five: The Breakup of All Time

I think a large part of why people get so upset with Ian for the breakup is because of the growth Mickey experienced in seasons 4-5 leading up to it.

Mickey in seasons 1-3 is in extreme denial of being gay, and when he grows feelings for Ian, he lashes out and treats Ian like shit. Seeing Mickey's slow growth starting in season 3 brought interest to his character, and in season 4 with his major growth during his coming out, he becomes very compelling to a viewer. After all the angst that it took to get Mickey to finally open up, there's a natural desire to see that positive growth and relationship development continue. When Ian throws a wrench in that by breaking up with Mickey in season 5, people get upset, and they're going to direct that toward Ian because he is the easiest to blame.

There's the sentiment of, "Mickey came out for Ian, took care of Ian, and supported Ian when he needed him most despite his faults. Why is Ian leaving Mickey in the dust when he now needs him most?"

This is honestly not an unreasonable thing to feel when looking at things from Mickey's perspective.

But, when you take a look at Ian's character, and you really think of his motivations in that moment, his decision to break up is actually very understandable. Ian didn't break up with Mickey because he thinks Mickey is a bad partner or because he doesn't love Mickey enough. He broke up with Mickey because he thought that's what was best FOR Mickey.

I think comparing the breakup to their fight over marriage in season 10 to be an effective way to understand Ian better.

In season 10:

"How do you know you love me? Huh? How do you really know? I'm bipolar, right? I don't know who I am from one day to the next, and I can't guarantee shit. So why do you wanna spend the rest of your life with me?"

- Ian to Mickey, S10E9

Compare this to this conversation during the breakup:

"You used to love me. Now you don't even know who I am. Shit, I don't know who I am half the time... You don't owe me anything."

"I love you."

"The Hell does that even mean?"

- Ian and Mickey, S5E12

I feel that Ian's mindset is pretty similar in these two moments. In season 5, he is still grappling with his diagnosis, and he has no frame of reference of how a healthy life with bipolar can look. Everybody has been comparing him to Monica, and he himself seems to oscillate between thinking he is like her and not like her, so in his mind, he has nothing to offer anymore.

Then, in season 10, in his mind he proved himself right. He tried to get his shit in order, lived happily and found peace with his diagnosis, and then he fucked it up. He had an episode, and he lost everything he fought so hard to have. He has practically ruined his life because he DID what he FEARED he would:

"I hate the meds. You gonna make me take 'em?"

"You get fucking nuts when you don't."

"Are you gonna want to be with me even if I don't?"

- Ian and Mickey, S5E12

That conversation isn't Ian saying he isn't going to take his meds, given how in season six, he IS taking his meds. I interpret his above statement to be a warning to Mickey. Because Monica has tried to get on her meds before, has tried to get better, and has failed many times. IAN has gone off his meds willingly twice now. This is him telling Mickey, straightforward, "I do not like the meds, and there will always be a risk of me deciding not to take them."

And in seasons 8-9, he does exactly that. He goes off his meds, and he destroys everything he built for himself. That's part of the reason why he hesitates to marry Mickey in season 10, and part of the reason he breaks up with Mickey in season 5.

Ian views himself and his disorder to be a burden on the people he loves. He believes that Mickey will be better off without him.

"I don't want you sitting around, worrying, watching me, waiting for me to do my next crazy shit."

- Ian to Mickey, S5E12

Because Mickey HAS been doing that. Ever since he was diagnosed, Mickey has been watching Ian like a hawk, acting like a nurse, which frustrates Ian.

"Fuckin' nurse now?"

[...]

"I'm sick of your whiny, pussy crap. I don't need a fucking caretaker, alright? I need the shit-talking, bitch-slapping piece of Southside trash I fell for. Where is he? The fuck is he, Mickey?"

- Ian to Mickey, S5E10

But, of course, Mickey doesn't see it that way. To Mickey, Ian is anything but a burden he wants to unload.

"It means we take care of each other. [...] It means thick and thin, good times, bad, sickness, health, all that shit."

- Mickey to Ian, S5E12.

Mickey would do anything for Ian. He confronted his worst fear by coming out, stayed with Ian even after the infidelity, defended Ian after he kidnapped his son, and tried his best to understand a mental illness he had no prior knowledge about. Yet, Ian still won't commit to him. After everything, he still isn't good enough.

"I'm not saying never!"

"No, you're just saying you don't love me enough now."

- Ian and Mickey, S10E9

And Ian, meanwhile, thinks that HE isn't good enough for MICKEY. He has been diagnosed with a lifelong condition, one that he has seen ruin lives firsthand, something that will be a part of him for the rest of his life, and he doesn't wanna tie Mickey down to that life.

It's all one massive miscommunication.

Finally, I think the part that is the most confusing to fans regarding Ian's mindset during the breakup stems from his moments with Monica in S5E11 and S5E12.

Specifically, the parallels between these two conversations.

"Ian, there's always gonna be people that are gonna try and fix us. And you can never make those people happy. Like it breaks their heart just to look at you."

"Yeah, um, even Mickey now."

"He's your boyfriend, right? [...] I'm sure he means well, but you need to be with people who accept you for who you are. And they're out there. You should never apologize for being you."

- Monica and Ian, S5E11.

Vs.

"What the hell is wrong with you?"

"Too much! Too much is wrong with me. That's the problem, isn't it? Too much is wrong with me, and you can't do anything about that. You can't change it. You can't fix me, 'cause I'm not broken. I don't need to be fixed, okay? I'm me!"

- Ian and Mickey, S5E12.

Monica's interpretation of the relationship seems to paint Mickey in a negative light. "He means well, but he doesn't get it," or something along those lines. Based on her previous experiences with the diagnosis, she has come to the conclusion that people like Mickey or Fiona, who try to get them to take medication and are saddened by the diagnosis, are being controlling, and do not love them for who they really are. That's why she always went back to Frank; he actively tried to get her to NOT take her meds or get better, and did not encourage her when she DID try to get better. So, to her, being off her meds IS the TRUE version of herself, and the people who can not accept that do not accept her.

But I think, while Ian's lines parallel Monica's, that he does not think the same way that she does.

Toward the end of season 5, Ian seems to do a complete 180 from his previous statements on his similarities with Monica.

"You flushed your pills? You get thats a full-on Monica move, right?"

"I'm not Monica."

- Ian and Fiona, S5E8

Vs.

" [...] Cause they all say how alike we are."

"That's probably not a compliment."

"Uh... No, I think it is."

- Ian and Monica, S5E11

This happens in the wake of his arrest, after Ian's siblings talk about him to the military police. Many of their comments seem to hit Ian in a way that makes him feel misunderstood or like a burden.

Debbie: But he's been acting crazier for longer than that.

Lip: Yeah, at least this past year.

Officer: How would you characterize his behavior?

Debbie: Compared to how he used to be... He's different.

Lip: He'll go back and forth from, you know, being depressed, to, you know, incredibly wound up. I mean, he ran off with a baby for no reason.

Debbie: He almost hit me in the head with a baseball bat.

Fiona: Our mother was bipolar, so we know what it looks like. She put us through Hell, and- I'm not saying you put us through Hell, but when they're manic they can be destructive.

Officer: In your opinion, does he require medication?

Fiona: Yes.

Officer: Is he unable to care for himself?

Fiona: Sometimes, yes.

So, when Ian talks to Monica when they reconnect, Ian expresses loneliness and a feeling of isolation.

"I'm really glad you came, yknow? I just... I needed someone to talk to who... gets it."

- Ian to Monica, S5E11

When Monica tells Ian to not be ashamed and that she loves him for him, she is kind of acting like his Frank. The meds have been taking a toll, and recovery is so difficult that running with her and getting validation from the only other person who could "get it" is an easy choice to make. I think the combined factors of Mickey treating him so delicately, his siblings laying out his flaws so plainly, and his mother's open acceptance creates a feeling of bitterness or shame, and Ian is hoping to find comfort in his mother.

But it doesn't go the way he expects it to.

At the diner, he thinks that Monica is going to prostitute herself for money, and is relieved when she doesn't. It's likely he was thinking of his own stint at the Fairytale in this moment.

Then, he recalls a moment from his childhood that he does not look upon fondly, only for Monica to refer to it as "good times."

He meets Monica's partner and discovers he is an aggressive teenage meth dealer that she is helping to sell the meth.

I think Ian has a true moment of clarity during this. He had thought that he was vindicated, that everybody else was wrong, that they didn't understand, that Monica was right, and that he was perfectly fine just the way he was. But then he sees what Monica considers to be "a happy life."

"Ian, I'm finally happy. People like us, we can be happy. I love him, and that's the most important thing, to find somebody to love, right? Who loves you back for who you are. I want that for you. I love you. We're gonna be okay. We're gonna be okay."

- Monica to Ian, S5E12.

Monica's perception of life is warped. What she considers a good life is living in a trailer selling meth. Good memories are traumatic memories for those around her. True love and support is an aggressive teenage dealer, or Frank Gallagher.

A simple drive to Ian was a horrifying kidnapping to Svetlana. Doing a porn that was no big deal to Ian was a betrayal of trust to Mickey. Joining Monica and ignoring the calls of his well-meaning but ignorant family to Ian was a painful and worrisome disappearance to them. Ian's perception HAS been warped, and he's crashing back to reality, realizing that he has run off with MONICA, realizing that he can't continue down the same path as her, and needs to go home.

He's come to accept that he is bipolar. He's internalized what his family has kept repeating, that he is just like Monica, and looking at her living like this, believing that she is living well, is terrifying to him.

So he goes home, believing that he is just like his mother, and he's doomed to be a piece of shit. He goes back, and he breaks up with Mickey. Because he doesn't think that people like him can be happy, and he doesn't think he'll be okay. And that isn't something that Mickey can change. Too much is wrong with him, and Mickey can't do anything about it.

Really, it's just a matter of Ian operating under the "if you love them, let them go" mindset, and Mickey interpreting it as a rejection. It's the two of them both believing they are not good enough for the other and internalizing it instead of properly communicating.

TL;DR: Ian's breakup with Mickey in S5E12 is not done in a healthy OR selfish mindset. To him, he will do nothing but drag Mickey down, and in his unmedicated and clearly altered state of mind, he thinks the best thing is to let him go.

Season Six: Dating Caleb and Other Blasphemy

The first time we see Mickey in season six, it's behind a pane of glass in an orange jumpsuit.

Mickey had tried to murder Sammi, Ian's half-sister, and had been sentenced to prison for 15 years. It's established that Ian has not been to visit Mickey much and is trying to move on past that time in his life. But, upon being bribed by Svetlana, Ian visits, and during this visit Mickey asks Ian a question:

"You gonna wait for me?" - Mickey to Ian, S6E1.

And when Ian shows hesitation:

"Fuckin' lie if you have to, man, eight years is a long time." - Mickey to Ian, S6E1.

So, Ian replies:

"Yeah. Yeah, Mick, I'll wait." - Ian to Mickey, S6E1.

Before even meeting Caleb, fans absolutely tear into Ian for his decision to not commit to Mickey in this moment. They call it selfish, or out of character, or unfair to ice Mickey out when he is going through this difficult time.

But, let's look at it from Ian's position.

Ian has dealt with abandonment issues his entire life, with both Monica and Frank being unstable and infrequent providers during his adolescence. Throughout his relationship with Mickey, they had been separated on three separate occasions, one of which was entirely voluntary on Mickey's part. Now, due to committing a major crime, Mickey has been sent away for up to fifteen years. They would both be in their thirties by the time Mickey would be released, or close to it if he got out early, and that's not even considering that he was actively taking part in jobs / activities that could extend his sentence, like stabbing people.

Ian has dealt with recurring disappointment and abandonment his entire life, and throughout their time together, Mickey hasn't really established himself as stable.

Now, before you bring out the pitchforks;

"But Mickey was there for Ian and supported him through seasons 4-5. He grew as a person and proved he IS reliable."

Yes, that's true. He did undergo massive development that allowed him to be a better partner and more reliable person to Ian. But, canonically that period of time only takes place over a few months.

Mickey, for the better part of 2-3 years, was NOT a good partner to Ian. Multiple years of an unsteady situationship is not so easily forgotten. Yes, Mickey 1000% had valid reasons for acting the way he did. It's made very clear in S3E6 and S4E11 why Mickey hides his sexuality and lashes out when forced to confront it. But that isn't an excuse. His reasons for acting in a negative way towards Ian the first three seasons is understandable, but he went about it in a bad way.

Not to mention that, despite his growth, Mickey has just been sent to PRISON. No matter how you spin it, his decision to go after Sammi was NOT justified and does not necessarily bring forth confidence in his reliability and stability.

It's not unreasonable for Ian to not want to wait for over a decade for a man who has not always been the best for him. It sucks as a viewer who is invested in them, but Ian was not in the wrong.

Beyond (justifiably) selfish reasons, Ian also already thought that he was bad for Mickey, was worried that he would ruin his life, and with Mickey's justification for his torture attempt being that he did it FOR Ian, that Sammi had it coming because of what she did TO Ian, Ian probably felt responsible for that as well. There was probably a level of guilt in Ian from the whole situation, both for Mickey being in prison and for leaving him there.

But from his point of view, it's better for everybody to try and move on.

What really bothers me about this criticism toward Ian is the sense that he OWED Mickey his time and loyalty. Because Mickey had given and sacrificed so much for Ian during seasons 4-5, it's like people think Ian is then obligated to return that for Mickey, no matter what Mickey did. It's a very transactional way to view the situation, and it just leaves me with an icky taste in my mouth. Nobody owes anybody anything in that situation. Ian does not owe Mickey companionship, and Mickey did not owe Ian support when he got put in prison in season 9. Returning to Ian was Mickey's decision to make, and not a decision Ian was obligated to make in season 6.

Now, onto the actual "dating other people" part of the conversation.

For months, Ian has done nothing but get his meds on track while working at Patsy's, then at the janitors job on Lip's campus. During this time, Ian expresses having a very low sense of self-worth.

"He as smart as you?"

"No."

"Yeah, he's smart."

"Lip is the genuis of the family."

"So that gives you an excuse for not finishing [high school]? You seem plenty smart, and Dav's uniform doesn't really suit you."

- Ian, Lip, and Professor Youens, S6E3

And:

"This is it for me, Lip. This job. This is where I land."

- Ian to Lip, S6E3

Which Lip comments on in a very concise way:

"Yknow, he thinks... Being bipolar means he's doomed to be a piece of shit like our mother."

- Lip about Ian, S6E3

Ian feels no sense of purpose during these months. He feels he has no worth and that he is doomed to work a dead-end job and have no happiness. He thinks he is just like Monica.

That only changes when he witnesses an accident on the highway, and he saves a woman's life by pulling her out of a burning car.

This leads us to Caleb.

Now I'll admit, this is where I take issue with the storytelling, because this would've been a PERFECT way to segue into Ian's EMT arc, but regardless of what I personally think would've been better, the way it plays out in canon does actually still make sense for Ian's character.

After saving the woman from the burning car, Ian collapses due to smoke inhalation and exhaustion. A firefighter on the scene provides Ian with oxygen, thus saving his life. Ian immediately fixates on this particular firefighter.

Now, Ian has a very complicated relationship with feeling his emotions post his diagnosis. In season five, when he is numbed by his meds, the only way for him to feel again is through pain, via self-harm or starting physical fights, and sex. In fact, sex plays a major part in many aspects of Ian's life.

From the age of fifteen, Ian had been consistently subject to sexual abuse. He's been used for his body by countless men throughout his teenage years and has been oftentimes reduced merely to his sexuality and what he can provide to his partner. Even Mickey, in season 2, tells Ian as such in a panicked rage.

"You think we're boyfriend and girlfriend here? You're nothing but a warm mouth to me."

- Mickey to Ian, S2E8.

(No, I'm not saying Mickey sexually abused Ian. But he did contribute to the way we see Ian default so heavily to objectifying and sexualizing himself.)

So, due to this recurring trauma, Ian has a tendency to default to sex as the primary way of getting satisfaction, be it emotional or physical.

So, when Ian gets a rush of adrenaline from the crash, after months of that numbness, he chases the emotions in the most effective way he knows how.

Ian goes to the firehouse with cookies to give as thanks to the firefighter who saved him, but with a clear ulterior motive of getting laid. When he finds out that the particular firefighter (who happens to be part of the "gay shift" which is an odd writing choice) he saw on the highway is married, Ian meets Caleb. In this scene, they speak all of one line to each other when Caleb invites Ian to a firehouse softball game. The next time we see them on screen together, Ian acts very flirtatious toward Caleb, which sets forth their relationship.

"You ever pitch?"

"... Usually, but I'm open depending on what you're into. Where we doing this?"

"Follow me."

[...]

"Wait, we're actually playing softball?"

- Ian and Caleb, S6E5

I think Ian receives hate for this simply because he's expressing interest in a guy that isn't Mickey. Fans get the impression that Ian is moving on too fast or that his interest in Caleb is sudden or rushed. However, I think the rushed nature actually works to show Ian's intentions. In this moment, Ian is not really looking for a full-on relationship. Given how little they interacted thus far, the fact that Caleb wasn't even who Ian was originally interested in, and how Ian's comments consistently err on the side of sexual, its safe to say Ian was just looking for a hookup. In fact, it's Caleb who pushes so hard FOR the relationship.

Mickey, in a deleted scene, hooks up with an inmate right after talking with Ian. If Ian's relationship with Caleb had only been a fling or hookup, I don't think Ian would've been as heavily criticized. As it is, fans get upset at this relationship because it IS a relationship. They go on dates, Ian starts staying with Caleb, and really they seem to be very domestic.

But I don't think Ian was as dedicated to the relationship with Caleb as fans make him out to be.

From the jump, Ian seems uncomfortable with the quick-moving pace of it. At first he only seems interested in sex with Caleb, but upon the negative reaction that provokes, Ian conceded to going on a date with Caleb (which is a bit of a slap in the face to Mickey fans after Gallavich's ruined date.)

"[...] I was hoping to get my hands on your hose."

"Is that what this is to you? A fuck?"

"You say it like it's a bad thing. Come on, let's get out of here."

"No. I knew you were younger than me, but I thought you were a grown-up."

"Fuck. Okay. Okay. Hey, I'm into you, alright? I thought you were into me."

"I am."

"Then what's the problem?"

"I don't stick my dick in just any guy."

"What do you want, then?"

"Seriously? Do I have to spell it out for you?"

"Yeah."

"A date."

"With, like, flowers and chocolate and shit?"

"No, we could skip the flowers."

"Okay. You're on."

- Ian and Caleb, S6E5

(Side note, pulling a "is that all this is to you" after two non-romantic interactions is not just quick in terms of hookup culture, which Ian is more attuned to, but is quick in any terms. More on that later.)

During this date, Ian is visibly very uncomfortable. Some would chalk this up to him having never been on a date before, and the writing even seems to imply that,

"Okay, look, I have no idea what I'm doing. My last boyfriend wasn't much of a talker, his idea of a conversation was to insult me a bunch and then punch me right before we banged."

- Ian to Caleb, S6E6

but that's actually not true, DESPITE the writers forgetting that.

"You know, Mickey and I never went out on dates. Ned never took me out, Kash and I fucked in the back of a convenience store, and I don't think jerking off strangers in a nightclub counts, so..."

- Ian to Lip, S6E6.

He actually HAD gone out on a "date" with Ned in season three, where he was visibly less uncomfortable than on his date with Caleb. He also went to many loft parties during his time dancing at the club, wherein he blended in very well and was able to sorta chameleon himself with the northside crowd. I think the show wants us to believe his discomfort is from him "never having been on a date before" or being unfamiliar with a "slower" pace, but I think his discomfort actually would stem from him just genuinely not being interested in Caleb in a romantic way, and thus feeling awkward on a date that's in a more romantic setting (compared to his one with Ned, which was undoubtedly more sexual.)

I also think his discomfort stems from being completely out of his element. Ian has taken a massive hit to his confidence since his diagnosis, so his Southside roots bring about a bit more hesitancy in him than it might have before, and he may be less confident in his ability to chameleon. That's why, during the date, Ian shows discomfort with Caleb when he shows more "class" than Ian.

"Usually, I get a bunch of apps to share. You good with that?"

"[Uncertain hum] ... Appetizers! Sure, yeah, big- big fan of apps."

[...]

"You seem like a very pensive kinda guy. You an only child?"

"Uh, no."

"Brothers and sisters?"

"A bunch, yeah."

"Older or younger?"

"Both."

"What about your parents? Both still alive?"

"... Yeah."

"... Fantastic. I'm learning so much."

[...]

"Where I'm from, people communicate with their fists."

"Where's that?"

"Southside."

"Mmm. Hands of steel. Okay, so you're a street rat. A brawler."

"Is that a problem?"

"Only if you make it one."

- Ian and Caleb, S6E6.

Then, beyond their first date, we have the actual relationship to dive into.

Throughout his scenes with Caleb, Ian seems to oscillate between neutrality, discomfort, or mild enjoyment in the situations he finds himself in.

There's this interaction, for example, where Ian lets Caleb take charge in defining their relationship:

"So what are we doing?"

"Whatever you want, I guess."

- Ian and Caleb, S6E7.

Or this moment:

"What are you smiling at?"

"I like having you over here. What are you smiling at?"

"I like having a purpose."

- Ian and Caleb, S6E8.

Or when Caleb invites Ian out with his friends, and we see Ian slip into his chameleon persona, mirroring the petty mannerisms of the most vocal participant of the conversation, as well as avoiding diving too much into his personal history.

"You haven't told me which one is your ex."

"Guess."

"Old guy, pink sweater."

"How'd you know?"

"Ooh, a redhead, Caleb? Does his carpet match his drapes?"

"You're a good sport."

- Ian and Caleb, S6E8.

[...]

"If we had known you were bringing a middle school student, Caleb, we wouldn't have come to a place that cards."

"Oh, no, it's cool, I don't drink. I hear it makes your skin old and leathery."

"That's-that's how we're playing this?"

"Hey, you threw down first."

"Where you from, kid?"

"Back of the Yards."

"Local boy. What's your story?"

"Story?"

"Who you are, what you do, how did you meet this chocolate bundt cake?"

"Met him at the firehouse."

- Ian and Gregory, S6E8

[...]

"We like this one, Caleb. Don't we, Gregory?"

"I mean, If young, beautiful, and kind of a smartass is something to like, sure, fine, I guess we do."

- Caleb's friends about Ian, S6E8.

OR, in a deleted scene where Caleb expresses frustration at Ian keeping the distance between him and Ian's family, as well as Ian's lack of communication, while Ian seems unbothered or even perplexed by Caleb's frustration.

"So, where'd you sleep last night?"

"Home. Got done at three, told you I'd be late."

"Yeah, like nighttime late, not next day late."

"Well, I didn't wanna wake you, and I had to go back there to grab some stuff: clothes, towels..."

"Where's there?"

"Home, you mean?"

"Yeah."

"Back of the Yards."

"Right. You did mention that once. I still don't know where it is or who I'd call if there was an emergency?"

"Uh... my brother, I guess? Or my sister."

"Brother or sister. Okay. I'll just track down Ian Gallagher's brother or sister on the internet."

"I'll... put their numbers in your phone."

"Great."

- Ian and Caleb, S6E11 deleted scene.

OR any of the follwing:

When they go to get Ian tested for STDs, he is visibly uncomfortable having Caleb in the room with him.

He is only comfortable revealing his bipolar disorder if it is done in exchange for another secret from Caleb.

He isn't very comfortable sharing his past, only references his previous relationship in a lighthearted manner, and he only reveals his sexual history upon feeling pressured to do so, which he purposefully presents in a callous way.

To me, the entirety of Ian and Caleb's relationship reads as Ian's desperation for validation through sex, which leads to him putting up with a relationship he isn't entirely comfortable in or commited to or ready for. To me, it seems like he's truly just looking for companionship in any way he can get it.

Out of everything, though, I think what really gets to fans most about this storyline is the constant comparison of Caleb to Mickey as a means of demonizing Mickey.

Throughout the entirety of Ian and Caleb's relationship, there is a constant comparison between the two relationships, seemingly with the intent of painting Mickey as a horrible partner.

When Ian tells Lip about his upcoming date with Caleb, he remarks that he never went on dates with Mickey, which comes off as an unnecessary jab.

During his date with Caleb, Ian talks about his lack of effective communication skills, which reflects negatively on Mickey, to the point Caleb brings forward the idea of domestic abuse.

During the wedding that Ian attends with Caleb, Ian mentions Mickey's marriage to Svetlana, and he uses a tone that comes off as belittling the situation and how difficult it was for Mickey.

There's this line, when Caleb asks Ian to kiss for the first time:

"Can I kiss you?"

"I thought kissing comes after you've had sex a bunch of times."

"Ian, kissing comes whenever you want it to. Even now."

- Ian and Caleb, S6E6.

Then, there's Mandy stating that Caleb was better than Mickey.

"A hot black fireman. Also an artist."

"Upgrade from my brother."

"I miss Mickey, but uh... This new guy's nice."

- Ian and Mandy, S6E9

These near constant comparisons to Mickey are frustrating to fans, because it can often feel like Ian, or even just the writers and the narrative, are trying to belittle Mickey's character and reduce him to a one-note toxic ex, which completely spits in the face of the development that he went through. THAT is what is most frustrating to fans.

Because it's true that Mickey was not always the best partner. In real life, Mickey would be a walking red flag, and Gallavich would be undeniably toxic. But that applies to EVERY SINGLE CHARACTER in Shameless. That is the entire point of the show. None of them are particularly good people. They all do shitty things, but they all have compelling reasons for doing it. That's why we can look at these characters and feel connected to them instead of just absolutely hating them.

It's a really odd writing choice for a show that focuses on morally gray characters, or the idea that nobody in the show is really a good person, to decide to play moral high ground in this particular instance, and have Ian suddenly turn his nose up at Mickey's behaviors.

But is this really how Ian feels?

Because, as established, Ian is VERY good at playing chameleon. He is good at shaping himself into whatever a partner wants him to be. He mirrors his partners mannerisms, beliefs, and attitudes.

And Caleb, for all that the story wants to make us believe he's better than Mickey, is actually not the best partner either. Not just for cheating on Ian in season seven and then gaslighting Ian about it; he shows some toxic behaviors in season six as well, including being lowkey judgmental about Ian's Southside roots.

Take, for example, Caleb implying that the Southside is trash, but that he can see the beauty in Ian despite being from the Southside:

"That's my latest. I love to find the treasure inside the trash. Trying to find the secret life in things. What it wants to be instead of what it is."

"Is that what you're doing with me?"

"Good question. Can I kiss you?"

- Ian and Caleb, S6E6

(Which, funnily enough, this line from Caleb goes pretty against the sentiment that Monica had in season five, of Ian finding somebody who loves Ian for who he already is, as Mickey did.)

Or, for another example, Caleb judging Ian pretty heavily during the softball game for being "not grown-up." Simply because Ian expresses sexual interest in him above romantic.

"Cmon, let's get out of here."

"No. I knew you were younger than me, but I thought you were a grown-up."

- Ian and Caleb, S6E5.

Which, as I pointed out before, is really strange behavior. Participating in hookup culture isn't something that Ian needs to be shamed over. There's a sentiment of "Hooking up is beneath me, it's immature," to Caleb's tone, which is unfair. Now, he has reasons for this, that being his experience with getting HIV from a hookup who lied to him, which draws a pretty interesting parallel to Ian.

"Don't worry, guy I did the scene with said he was clean."

"He didn't use a rubber? Are you out of your fucking mind?"

- Ian and Mickey, S5E5.

Vs.

"Guy in college. He lied to me."

- Caleb to Ian, S6E8.

(Which I actually find to be a very interesting plot point and is actually a pretty good scene.)

So, while Caleb was not wrong to put forth a boundary by not hooking up, he was wrong for acting as if IAN was the problem in the situation. Not to mention, his behavior at the game is very strange when taken into account how little they've interacted thus far. He had understandable reasons for his negative reaction, but he went about it the wrong way. Sounds familiar, doesn't it?

Anyways, I could talk about the relationship between Ian and Caleb more, but that's not what the point of this is.

The point I'm trying to make is that Caleb, however covertly, expresses a negative or biased view toward the Southside lifestyle. And Ian, being the type to mimic his partners, follows along in that.

Ian already fears that he is going to be left. He is afraid that showing Caleb who he really is and not being the idealized version of himself will lead to Caleb breaking up with him.

"I'm enjoying it while it lasts."

"You think he'll dump you?"

"Well, I've told him I'm bipolar, and my family's screwed up, and he took it pretty well. But it's one thing to hear it and another to live it, so... We shall see."

- Ian and Mandy, S6E9

So, he chameleons. He makes himself the treasure in the trash. He distances himself from the image of a brooding, Southside street rat.

Because, after so long of constant pain and numbness during and post his diagnosis, Caleb is the first good thing he's found.

"I haven't been this happy in a long time."

- Ian to Caleb, S6E8.

And really, everything that I just talked about doesn't matter when you think about it that way.

No matter how dedicated or invested Ian was in his relationship with Caleb, it still provided him with companionship and validation, which as we know, is something that Ian has an unhealthy dependence on to find self-worth.

And I don't think Ian was wrong in searching for that connection simply because that connection wasn't with Mickey. He could've been well and truly in love with Caleb, and he wouldn't deserve some of the hate he receives for his canon actions.

It's easy to look at Ian's relationship with Caleb and get frustrated because of all the time that was put into Ian and Mickey's relationship. But beyond the instinctual negative feeling that comes with seeing Ian with anybody other than Mickey, his relationships outside of Mickey deserve to be analyzed and observed for what they actually do for HIS character, and not just immediately cast aside as unnecessary or ooc.

So, to summarize:

Firstly, Ian wasn't selfish for not waiting 15 years for somebody in prison. Whether he was serious about Caleb or not, Ian was under no obligation to dedicate himself to Mickey. Ian did not owe Mickey anything simply because Mickey was there for Ian when shit got tough. If they had been together, sure, Ian would've been a lot shittier for leaving Mickey alone. But as it was, they were broken up, and even if they hadn't been, Ian would've had every right to not want to continue seeing Mickey after his decision to harm Sammi, just as Lip was justified in not wanting to be with Mandy anymore after she ran over Karen.

Secondly, Ian dating Caleb wasn't bad for his character. In fact, I think their relationship in season six was actually a very interesting way to progress Ian's character and get more insight into his mind and how he operates.

Thirdly, Ian and Caleb's relationship deserves to be analyzed for what it is, rather than what it isn't. Just because Ian is not with Mickey doesn't mean that he doesn't undergo some huge development in this season, both in and outside his relationship with Caleb. Furthermore, Ian entering a new relationship gives us the opportunity to see more sides of his character, and as such the relationship should be analyzed as it's own separate entity, and not just as a hurdle in the way of Gallavich.

Fourth, Ian was not just waiting to cast Mickey aside to jump on the next dick possible. I've seen this criticism before, and when looking at his actual arc at the beginning of S6 and analyzing his general character, that's just simply not true. Entering a new relationship is not equal to immediately disregarding Mickey.

TL;DR: The hate Ian gets from this season mainly stems from "Ian date somebody aside from Mickey, bad Ian" without any further thought behind why he enters the relationship and what the relationship actually means to him. There is no separation in the minds of fans between Ian and Mickey, and therefore, Ian having experiences and an identity outside of Mickey is negatively perceived.

Season Seven: Putting His Own Wellbeing First

This one will be less long winded than the previous one, because I have less to say on it, honestly.

During the entirety of Ian's bipolar arc, it is pretty clearly shown that to maintain mental wellness, Ian needs stability.

When Mickey shows up and asks Ian to run away with him to Mexico, that's threatening to uproot every amount of stability Ian has managed to secure the past two seasons of the show.

I honestly don't see as much hate directed toward Ian for his decision to leave Mickey at the border as I see for his previous decisions. I'd say the main thing I actually see directed toward this season is just that Ian's story is boring without Mickey in it. Mostly because he enters another new relationship with Trevor after his relationship with Caleb, which really just follows the cyclical Shameless cycle of, "Don't know what to do with a character? Give them a new love interest!" But because I talked about the judgement for non-Gallavich Ian relationships above, I don't particularly feel like doing a deep dive into the Ian and Trevor relationship in this meta.

What I want to talk about relates to the Mickey Mexico storyline, though, and that's the hate other characters recieve for trying to dissuade Ian from going.

After finding out that Mickey escaped from prison, Fiona and Ian have the following conversation:

"What are you doing up?"

"Couldn't sleep. You ever, uh, think about about what would've happened if you'd run off with Jimmy-Steve?"

"Lying sociopath Jimmy-Steve? My life would be a nonstop psycho-thriller. I definitely dodged a bullet with that one."

"What if nothing ever gives you that same thrill again? Still feel like you dodged a bullet?"

"I don't know. Probably. Where's this coming from?"

"Things have been weird between me and Trevor since Mickey got out."

"You mean since Mickey busted out of prison and has got half the Chicago Police Department circling the Southside looking for him."

"Can't get him out of my head. Just trying to stop myself from doing something I shouldn't."

"You turned your life around. Mickey would set a match to it. You've done really great without him, and I'm really fucking proud of you."

- Ian and Fiona, S7E10.

I've seen this conversation criticized many times because of how "unfairly" Mickey is treated in this scene. But I truly think that nothing said in this scene was wrong, and Fiona was 100% right.

In the past, Fiona has definitely shown a prejudice against the Milkovich family before. Specifically with Mandy, Fiona seems to look down upon her and disapproves of the relationship between her and Lip. This on its own is unfair treatment and is annoying to witness.

But in this particular case, absolutely nothing she is saying is wrong or biased simply because Mickey is a Milkovich.

People take the line, "Mickey would set a match to it," and compare it to his behavior in late Season 4 through season 5, where Mickey is taking care of Ian, and say that Fiona is being untruthful or hypocritical. If Mickey had never been sent to prison, or even if he had just been released legally, and Ian was simply thinking about cheating on Trevor and getting back with Mickey instead of running away with him, then the criticism toward Fiona would be more justified. But as it is, Mickey is a wanted fugitive, and Ian running away with him would make Ian a fugitive as well, and WOULD effectively set a match to the life Ian had spent the past two seasons working toward. He would be giving up a career he worked hard for and fought to have, he'd be living in stressful conditions on the run, he'd have no support system, and he would have less ease of access to his medication. Running with Mickey would have been the wrong decision for Ian's wellbeing, and honestly, Mickey should never have asked Ian to go with him.

I think that many people have rose colored glasses on when it comes to Gallavich, specifically with Mickey, and that makes it harder to view these moments unbiased. But, looking at it objectively, Mickey was so wrong for asking Ian to come with him to Mexico. He KNOWS that Ian needs stability with his bipolar diagnosis, and he KNOWS that this would be a stressful life he'd be forcing Ian into.

Simply put, he's acting selfishly in that moment. Having your own interests in mind is not always a bad thing, but in this specific case, Mickey would have thrown a huge wrench into Ian's life is Ian hadn't made decisions in HIS best interest.

Again, I have less to say on this as I did other subjects, because to me it feels much more cut and dry. Mickey was in the wrong here 100%, Fiona was not being wrongfully judgmental toward Mickey, and Ian was not in the wrong for not going with Mickey.

After so long of seeing them apart, it makes sense to want to see them together again. So when Ian, again, is the one making the decision to end their relationship, fans are going to lash out at him and those around him.

But it's important to put aside biases and allow your favorite character to be in the wrong occasionally. Mickey is not perfect, and criticism against him, both from characters in the show and fans, is not unfounded nor unjustified.

TL;DR: Mickey was wrong for asking Ian to uproot his life and run to Mexico, and calling that out isn't defamation of his character.

To End This Yap Session:

Ian is by no means a faultless character, and he is not exempt from criticism both inside and outside of his relationship with Mickey. However, I often feel that the criticism he faces is for the wrong reasons, and not much contemplation or exploration is done on him as much as it is for Mickey.

I love Mickey. He's an amazingly complex character, and his relationship with Ian is one of my favorite parts of the show. But in being a complex character, he is also an imperfect character.

I feel that many fans get very protective over their favorite characters, to the point that anything that goes against that character's interests is labeled as bad, and any criticism toward his character is disregarded immediately.

In this particular case of Gallavich, I feel that post season three, fans often see things from Mickey's point of view without looking at Ian's as much. This meta was simply to give my own thoughts on Ian's most "controversial" moments among fans. Obviously this is mostly condensed to season six and his relationship with Caleb, which I feel is the biggest example of jumping to conclusions and only seeing the surface level of his character.

However, I would like to acknowledge that Ian is also an insanely popular character in the Shameless fandom. While he is misunderstood in many instances, he is given much more sympathy and understanding than many other characters in the show, especially many of the female characters. This long-winded meta is only focused on the concerning tendency for fans to link Ian's identity to Mickey entirely without allowing him to be an individual, but a majority of the time he is still a beloved character who is treated favorably by fans. Compared to a character like Debbie, Ian sees much more support, and I feel that the energy I put toward this meta and trying to understand Ian should also be applied to (almost) EVERY character in the show.

Anyways feel free to leave thoughts.

[sxmmerberries]

Brownie Monster - kim gyuvin x reader

✦ genre: fluff

✦ pairing: kim gyuvin as your boyfriend

✦ word count: 1013

✦ warning: mentions of Gyuvin throwing up due to food poisoning

✦ summary: your boyfriend, Gyuvin, decided it would be a fun idea to eat raw brownie batter after you refused to let him eat the chocolates for the brownies.

“Gyuvin, stop eating all the chocolates! They're for the brownies,” You smacked his hand away from the nth time, seeing him extend his hand towards the pile of chopped up chocolates.

“But, it is so good!” He whined, managing to shove a handful of them in his mouth again.

“If I see you steal another piece, I am kicking you out of the kitchen,” You threatened, with a mixing spoon in your hand.

“Oh no, I am being threatened with a spoon by a midget right now. How scary!” He laughed at your threat before reaching about for the chocolates again, only for you to smack his hand away.

“Ow! Let me eat in peace!” He yelped, rubbing his hand as you glared at him.

It didn't seem like he learnt his lesson as he moved a little closer, trying to sneak another handful of chocolate. You side eyed him through the corner of your eye and smacked his hand away once again.

“Stop that! You’re being so mean to me! I just want some chocolates,” He crosses his arms over his chest like a pouty kid.

“Can't you just let me have some more?,” He pouted, trying his best to convince you.

“No,” You continued to mix the batter, guarding the chocolates away from him every now and then.

“But why?,” He whined, looking for any chance to grab another handful.

“They're for the brownies for Yujin's party!”

“But I just want a few more,” He discreetly moved towards the chocolate and shoved a handful in his mouth before you could stop him.

“You ate more than half of them!” You exclaimed in frustration, looking at the amount of chocolates he ate.

“So what?,” He grabs another handful and starts eating them fast, giving you a mischievous grin as you gasp at his shamelessness.

“You did not just-”

He grinned mischievously and continued to eat more, looking you in the eye while he did it.

You let out a huge sigh of disbelief before pushing him out of the kitchen area.

“Hey!” He tried to push himself back in.

“Come on, I'm gonna get some more anyways,” He kept trying to get back into the kitchen. You quickly grabbed all the chocolates and mixed them in the batter before he could get to them again.

He fell on the floor dramatically and gasped, “How could you do this to me!”. You ignored his dramatic antics as you went to get the baking pan for the brownies. Gyuvin stepped closer to the bowl of the batter as he stared intensely at it.

“My chocolates,” He thought as he pouted, looking at the chunks of chocolates mixed in the batter.

He continues staring at the batter, clearly looking very tempted to stick his finger in it to taste it.

“Gyuvin, no! Don't you dare!” You warned him as you saw him secretly devising something in his cute little head.

“I really wanna taste it. Can I?,” He asks, almost like a little kid asking for candy.

“Please? Pretty please? Just a little taste?,” He requested, grabbing a big spoon to taste it.

“There are raw eggs and flour in the batter. You'll get food poisoning,” You moved the bowl of batter away from him and poured it in the pan, mush to his dismay.

"The last time you ate raw cookie dough and then got food poisoning! Did you not learn your lesson?," You narrowed your eyes at him.

“I don’t care, I still want to taste it! I'm sure a little bit won't do anything to me,” He kept trying to get closer to it, already reaching out to put his spoon in the pan now.

He scooped out a huge spoonful of batter before you could stop him and shoved it in his mouth as you looked at him with bewilderment.

“See, a little bit does nothing! I am totally fine!” He tried to get another spoonful, but you quickly moved towards the oven before he could try something again.

Just before you could put it in the oven, Gyuvin suddenly snatched the pan out of your grip and ran away with it, already shoving big spoonfuls of the batter in his mouth. He had the pan in a death grip as he ran away.

“This is mine now!” He stuck out his tongue at you before eating more spoonfuls of it, with you chasing behind him to get your pan back. He licked the leftover batter outside of the pan after finishing the entire thing.

He grinned mischievously, handing you the now empty pan as you sulk at the sight.

He sighs, satisfied from eating the rest of the batter, “That honestly made my day! You should make brownies more often,” He said with a smirk.

“What am I going to tell Yujin now?” You sighed at the sight of the empty pan which had been licked clean by your boyfriend.

“Well you can either tell him I ate the batter or you figure out a way to make some more brownies. It’s not my fault the batter tastes so good,” He said with a shrug, fully planning on attacking the new batter too if you made a new batch.

“YOU ATE ALL THE CHOCOLATES, YOU MONSTER!” You exclaimed, realising you don't have the main ingredient to remake the batter again.

“They were so good! This wouldn't have happened if you let me have them normally,” He shrugged, making you glare at him.

A few hours later, you heard hurried footsteps towards the bathroom. You followed Gyuvin as he threw open the bathroom door and immediately started vomiting.

“You okay?,” You asked, rubbing his back a bit to comfort him.

“Ugh, I think you were right about the food poisoning,” He looked at you with a miserable look before throwing up again.

“Why didn't you stop me?,” He groaned, looking up at you.

“Someone ran away with the whole pan of batter even after I warned them and then stuck their tongue at me,” You replied with a sarcastic tone.

“Touché,”

©sxmmerberries

more zb1 fics

networks: @k-films @kstrucknet @chrimatanet @starlit-network

[swiftfootedachilles]

honestly i was so mad when i watched that orgy scene in s11 and at the whole monogamy situation bc wdym they're not already monogamous without having to talk about it? as if they're not borderline obsessed with each other and also jealous asf and they constantly was being pulled apart from each other through the whole show, how can ian or mickey want somebody else after all shit they went through? i just hope that they didn't actually fuck anyone and just banged in the bathroom or smth😭also when i see fics with gallavich/omc? 💀 saw this from a popular writer and i was like hell nah im not reading ts

no for fucking real those 2 are the most jealous men to ever walk the planet

on one hand i get it. they both had insecurities that made them feel like the other wouldnt want to only sleep with them for the rest of their lives. ian is the only guy mickey canonically dates and has sex with multiple times. mickey felt like ian would eventually leave him like he had in the past also multiple times.

so in the first episode the monagamy conversation seemed normal to me. they literally both specifically say "i dont want you to fuck anyone else" and mickey was obviously just waiting to see ians answer because he wanted to do whatever ian wanted. if he did write down "open relationship," it wouldve been because he thought thats what ian wanted. personally i think he didnt write anything down because he was still trying to grasp the concept of him and ian being a "normal" married couple that communicated heathily and didnt run away and flirt with/fuck other people when they got scared.... plus he actually cant spell monogamy hes a dyslexic with an 8th grade education

so that episode was fine on its own. if they wouldve left it at that, it wouldve been a silly cute moment in their bumpy marriage. but then the writers had to make that stupid ass orgy episode. first of all why the shit would they NEED to be friends with other gay men, and WHY ARE THE ONLY OPTIONS TO EITHER BE THEIR FRIENDS OR FUCK THEM??? IT LITERALLY MAKES NO SENSE. DID THEY NOT JUST DECIDE IN EPISODE ONE THAT THEY WERE GONNA BE MONOGAMOUS?

i actually cannot stand how the writers (and the fandom by extension) cant let gay characters have their boundaries and be left alone. why the fuck do they have to be open to straight sex and orgies and nonmonogamy and being verse WHY CANT GAY PEOPLE HAVE BOUNDARIES. CAN YOU IMAGINE IF THERE WAS RANDOMLY A SCENE IN SEASON 11 WHERE TAMI ASKED LIP 'HOW DO YOU KNOW YOURE STRAIGHT IF YOUVE NEVER GOT FUCKED IN THE ASS BY A GUY?' AND THEN HE ACTUALLY WENT OUT AND DID IT??? YOU CANT IMAGINE IT BECAUSE IT WOULD NEVER HAPPEN THEY ONLY DO THIS SHIT WITH GAY CHARACTERS!!!!

the inability to understand that gay people can also have preferences and hard limits actually blows my mind. and if you dont like it youre somehow a prude or dont understand the characters. actually i fear i understand the characters more than the writers do.

and im okay with showing characters experiment! but its very telling that in Shameless, it only happens with queer characters who are pretty fucking firm in their sexual identity and boundaries. why did debbie have to fuck a gay guy in season 11. why do ian and mickey have to be verse why do ian and mickey have to be polyamorous. why did ian have to fuck a woman to "truly know" hes gay. why did svetlana have to all but announce shes a lesbian but still date kev instead of just date vee. why does this only happen to gay characters!!!

the trope of queer men specifically being easy and dtf is why the AIDS crisis was so deadly. because queer men are so open to sharing sex fantasies and sharing partners and sharing needles, right? its just a gay problem, and its better for all of us if theyre dead anyway, so lets ignore it until it goes away

maybe not every queer man needs to be written as a polyamorous verse switch bisexual-under-the-right-circumstances only-married-for-tax-reasons-not-because-they-love-their-life-partner idk! this is a haters only area so if you dont like me hating why are you here⁉️

[lucaanis]

lleyth being so physically affectionate is killing me. keep those hands to urself

[heymrspatel]

does he get that look in his eye?

[iangallagherisadeadman]

the idea of svetlana and mickey being sooo good with numbers and yevgeny being absolute shit enlights me with such enthusiasm you guys have no idea

like listen just listen imagine little yevgeny being a disaster throughout all of his school life and struggling with math and physics and all that BUT he learns russian and ukrainian and other languages as easily as breathing and decides that for the future he wants to go to college for a language degree and specialize in translation

he likes things like literature translation which requires a lot of ability to properly convey an idea and sentiments when passing a text from one language to another, but he sees himself making a life with like legal translation, working with laws, regulations, codes, decrees and contracts etc and/or with personal texts specifically so he can help immigrants like his mother

[kacievvbbbb]

While I do so love the image of Mihawk as a blushing virgin bride bashful about all things sex and PDA. I cannot lie to myself.

This is a man that takes off his shirt to put on his jacket before heading outside. He has never known shame a day in his life.

[romidoes]

‘stop eating your weight in fruit loops, go get dressed!’

[heterochromatica]

explodcor asked: Katsuki was trying (and failing) to keep a straight face as he handed Shouto a gift bag. "Merry Christmas, Shouto." Inside of the bag was an oversized Dynamight themed hoodie (no doubt sewn by hand). However, what was peculiar about it was the words that read across the back. It said "This--" There was a picture of a cat under "this"-- "is property of GEMG Dynamight."

"Oh?" knowing that look on his boyfriends face, he knows something was up with his gift, but Shoto wasn't bothered by it. Not the slightest. He usually enjoyed Katsukis little moments of chaos, even if no one else would find it funny (whatever it might be), Shoto would probably think it to be hilarious. They matched each other well.

The younger smiles softly when he takes the gift bag, peeking inside right away. He pulls out the hoodie, immediately noticing how soft the fabric is and how good it feels on his skin. He already loves it. "Thank you, Katsuki."

It takes him a few seconds to read the back because he's not entirely sure why there is a implied pause in the sentence together with this cute stylized cat picture. Well, he assumes it's a design choice and he likes cats, so he likes the sweater, one way or another.

Is it obvious that he didn't get it? Maybe.

[suusoh]

I miss you and your johan yapp sessions hope you're doing well 🫶🫂

I am nonnie! And I hope you are too!! (ɔˆ ³(ˆᴗˆc) lil ol me just got a bit overwhelmed with the suusoh blog and the slight traction it's been getting now.

I guess if we really want to get into it, I think lots of ppl have been getting reaching out to me and saying they get inspo from my stuff, which is super freaking neat btw and I'm happy people are starting to write now!! yes!!!!!!!

—but a part of me is/was slightly panicking because I'm very much aware that the way I write johan and monster is super ooc and delulu.

which i absolutely freaking love btw! don't get me wrong. I love writing johan getting heart palpitations and passing out just by the sight of his darling sweetheart love of his life liebchen and nothing will stop me from doing that.

It's just I get a bit panicky when people say I become their main source of inspo for johan writing, when it feels like I've been watering down johan a LOT. so a small part of me was like "ah is that so?... haha... ha...haha....noooooooooooo, oh god please don't get inspo from me. Get your johan inspo from other writers who actually do him good no pls pls pls pls don't let my johan writing "inspire" you. please get better source material, and not this fucking brainrot of a blog. oh god oh god."

but again, nothing the ol "ah fuck it. it is what it is" mentality can't do right? no point in worrying over how people perceive me, when this is my blog anyway and I'm allowed to use it however I want :-) and it seems to me y'all are enjoying the ride as well

also ngl loves, I've been feeling a bit down in the dumps with writing. I think the only thing powering me through tough times are the comments and asks that actually kinda...well, have nice words about my work. I write for myself but... you know, some appreciative comments from time to time is enough to make a starving artist feel full for a day. a week or months even. so nice comments like yours are so very greatly appreciated!! :-))

[butchvampireheimerdinger]

the butchfemme sevika post was so cute!!! what about sevika or vi with a femme who's very forward about all their feelings and lowkey shameless

A/N: Thanks! I ended up having to split this into two posts teehee Here’s the one I wrote for Sevika (also with mob wife vibes. I was in a mafia mood when I wrote these if you couldn’t tell)

Pairing: Butch!Pitfighter!Vi X Flirty, femme, and filthy rich!reader who’s sort of a mob princess type

Warnings: Pretty SFW, brief mentions of sex, violence, alcohol, cussing.

You Were Born Tough

By ButchVampireHeimerdinger

⚠︎ Vi is the type of young butch with a lot of audacity, just to get that out of the way

⚠︎ She loves to be the forward one and when you start matching her energy it would get her heart pumping and her palms would start to sweat a lil

⚠︎ Ok basically she’s pit fighter Vi and your family runs the fight club (you have so much dirty money like it’s disgusting. Mob princess baby of the family asf)

⚠︎ But one day a certain pink haired pit fighter captures your eye. You start sitting in the front every time she fights, ogling her cause violence is hot

⚠︎ She notices you and it distracts her enough that she gets her shit ROCKED

⚠︎ But she holds it in for another round and in between people are adjusting their bets. It’s stacking up against her crazily. but suddenly you drop a huge stack on her to win. Over the bet limit but the rules don’t rly apply to you.

⚠︎ She’s like. Floored. and musters up the nerve to go up to your spot in the stands and see what that was all about. She doesn’t know who you are at first, just that she’s seen you before (and would like to see more of you.)

⚠︎ You lean forward on the barricade looking down at her. You cock your head like a fox all curious, and she speaks first:

“So you like to lose money, huh?”

“I like to live fast. And…” You look side to side dramatically as if making sure no one’s listening.

“I have a secret talent.” You beckon her closer and whisper in her ear while gently bracing her shoulder, One of ur moves.

“I can tell, from the first round, the difference between a regular street-thug-bruiser type and a mothafucking champion.” That gets her ego going fosho.

“That’s a bold statement, Princess. Sure you wanna stake your reputation on that? Matter of fact, I’d like to see it in writing.” You let out a cute tinkling little princess laugh.

“Flex for me?” You ask. She obliges, confused but intrigued. You pull out an ink pen from your little designer purse that has a chihuahua inside. The pen is the pink furry kind with a big ass plume. On her bicep in curly cursive print you write:

I, the official supreme dictator of mothafucking champions, hereby declare this here dyke the holy asskicker of the undercity — and may Janna herself strike me down if I am wrong.

You adorn it with hearts and stars because she’s so gothy and serious looking that it looks a little funny.

“You’re quite the artist.”

“I’m actually on my way to the Met after this. Maybe I’ll bring you along, Knuckles. My masterpiece.”

“Gonna sign your work?” She still doesn’t know your name.

You reapply the red lippie you’ve got in ur dog purse and press ur lips to her bicep right under your “contract.” Your “signature.”

“Go kick some ass.” You gesture with your head to the announcer, who is signaling the start of the next round.

And that drives her insane. Like she’s so fired up she could fight god.

⚠︎ Needless to say, she absolutely does kick ass. You take in so much coin and as she looks at you collecting your earnings, you’re fanning yourself with stacks of cash.

⚠︎ She looks for you afterward, you’ve long departed. She finds you at a bar/restaurant: the place a lot of the fighters, their sponsors, and other important people in the pit fighting sphere frequent after the fights. It’s the “upscale” lounge for Zaunites. You’re at a table alone with an espresso martini and she sits down all confident.

⚠︎ Three big dudes immediately stand up all threatening. She’s thinking oh shit, who is this girl? and you signal to your goons it’s all fine.

⚠︎ She puts on the moves, puffing her chest. You put on the moves, touching her arm, paying more attention to your reflection in ur compact than to her. She finds it intimidating. And hot.

⚠︎ Somehow the idea that you become her official sponsor comes up. You get one of ur goons to get a contract out and as you sign it with that ridiculous pen she sees your last name and it clicks. She’s thinking what the hell did I just get myself into?

⚠︎ You’re at all her fights. You do her makeup because her goth thing is a little overdone. Your touch is delicate as you apply it, just you two alone. It helps her game, honestly — a moment of peace before the rumble.

⚠︎ You’re on the sides watching her in your usual spot and she just kinda glows under ur gaze.

⚠︎ She’s referred to as your creature, your Frankenstein (yeah Frankenstein’s the doctor ik but I think it’s unlikely that either of you would both know and care enough to correct them.)

⚠︎ You wipe her sweat with a towel and encourage her in between the rounds.

“Don’t embarrass me out there, Knuckles.”

⚠︎ You’re touchy and it makes every other woman highkey scared to approach her. Rumors fly around that yall r fucking on the side. You do nothing to dispel them.

⚠︎ It’s all fun and games for a while and you’ve got her thinking what are we? do you just act like this with everyone? Is this all in my head?

⚠︎ It’s after a particularly bad match, the worst in a while. Instead of going to that upscale place, you decide to slum it and follow her to The Last Drop. Everyone notices your presence, u just have a kinda way about you. You find it charming there.

⚠︎ You lean over her shoulder as she chats with the people she grew up with. Someone asks what’s the deal with you two. You theoretically have the balls to take control of the situation and tell her what’s up, but you wanna see her squirm. And you wanna hear it from her.

⚠︎ You look at her like what r u gonna say, Slick? Expectantly, like a challenge. A challenge that she then fails.

“Gentlemen, my sponsor.” She gives them the professional explanation. You’re disappointed.

“If you’ll excuse me gentlemen, I have some business to attend to. As you know, Violet’s career is my main concern — my only concern, matter of fact.”

⚠︎ You shove an envelope of stuff for her to look at into her chest and give her an overly friendly and utterly sarcastic pat on the back + death glare combo as she takes it. Then you pick up the tab and strut out of the bar, goons close behind. One of them helps you into your flashy mink coat. The bar dudes don’t know what the deal is, but they know Vi just screwed something up. And they let her know it, punching her shoulder and shoving her around all bro-ey.

⚠︎ She thumbs through the envelope that night, feeling shitty. Just stats and numbers, boring legal shit for her to sign her name under yours. There’s that curly signature with a lipstick mark.

⚠︎ She shows up at your place the next day to go over the match and practice a bit in your basement gym as usual. She finds you in the grand office you use, used to belong to your late father. Your legs are crossed, leaning backward, redbottoms kicked up on the desk. Her practice gloves are there on the desk and she goes for them, but you stop her with a long leg to her chest, pointy heel looking kinda threatening. She goes to say something, you silence her with a subtle gesture with your index finger, long red nail freshly painted.

“What exactly is your goal here, Vi? Gonna become the greatest pit fighter of all time? Gonna keep swinging until you’re set for life? Or until something happens to you?

Of course not. You haven’t even thought for a second about the future, about anything serious. You clearly don’t even want this anymore, you blew your shares on crypto scams and a flashy car. And you don’t even seem to care that you’ve been falling behind in the ring — Anyone ever tell you that you block with your face?"

Again, she tries to respond, thinking that you’re trying to pick a fight. Again, you cut her off.

"Vi, dealing with pitfighters for the rest of my sorry life was never my plan.”

“…What are you saying?”

“I’m saying it’s clearly not about the money or the game anymore. This is about you and me. You’re not stupid enough to not have noticed what’s happening between us. But I won’t chase you by myself. I picked you out that day because I hate cowards, and I believed in you. Don’t prove me wrong.”

⚠︎ That gives her the fire she needs to hop onto the desk and kiss you, slow n deep, bracing the top of the swivel chair you’re in.

⚠︎ So Vi eventually gives up pit fighting for the resistance, which had kicked up in recent months. And the news about her father kept her busy — kept her teeth intact as well.

⚠︎ You use your wealth for the resistance as well, and you use your connections to offer Zaunites a refuge from the gas.

⚠︎ You guys become a power couple. When everything goes down, you’re passed over for the council seat in favor of Sevika. No hard feelings though, you’re still a little green and far too unpredictable to be cut out for Topside politics.

⚠︎ But you hold it down in the Undercity, with your beloved brawler by your side. Sometimes she likes to hang out, lift weights and punch the hanging bags of flour in your basement gym. And you ogle her like you’re seeing her for the first time, kicking ass in the ring.

⚠︎ Nicknames for you include “my girl,” “my lady,” “my femme” of course. You like when she calls you “my darling,” it means she’s in an especially good mood (though she never calls you that in public lol)

⚠︎ And you like to leave your signature kiss marks all over her. She wears them with pride.

Fin

[choccorin]

what was i on about two years ago ( random 1 am miro lore )

TWO DIFFERENT PEOPLE BTW !!! since i love talking about thing that happened in the past, i'll talk about this. ( i have to ramble about memories every year or else i'll go insane )

the first one is uhm. let's call him guitar boy since he plays the guitar ... and the second one is teddy ( y'know the male lead from little women? yeah that one.)

guitar boy asking me that on a random school night was crazy, like imagine just chatting your friends and having fun the boom! this message pops up. i was freaking out on our gc while i was calmly rating them ... oh yeah, he didn't even ask if it was okay for me to rate them .. he just told me to ... never got to ask him why he did this and what he gained from it. and i was crying while messaging him (never told him that i cried).

teddy was the boy i was talking to after guitar guy ... i accidentally made him a rebound, only realized it after my friends told me ... and this is me begging him to leave me ... IT'S CROPPED BUT I TOLD HIM THAT I'LL LEAVE ! which i actually did but he was so persistent about me ? not to talk shit because he was a genuinely nice guy, but he wouldn't leave me alone :'3 he kept making his friends pass his gifts to me, and he kept texting me even if i told him to stop </3 when i blocked him, he just kept pestering my best friend about me <//3 my best friend started getting mad so i had no choice but to unblock him ... went on for about two weeks before he finally stopped. we're acquaintances now.

after a year of being friends, he randomly texted me months ago. i think it was a month before school ? it was so random too. he gave me a copy of volume 1 and 2 of the fragrant flower blooms with dignity manga ... and started asking me if i want a necklace or this or that. i eventually found out that he only talked to me again because he was lonely and develop “feelings” for me again ... so i was basically just to pass time until school starts. 🙏 never talked again after that ...

ALSOOOO !! guitar guy was my very first situationship. went on for about a year, on and off every month ... ended it before another school year starts.

p.s these screenshots are from two years ago, randomly found them in my gallery :3 i think i deleted both the convos herd right after the situationship ended </3

[shima-draws]

Sorry I’ve been kinda quiet btw 😭 I’ve been super art blocked so I haven’t really been able to sit down and draw much…

I’m really active on Bluesky tho, I try to post older art at least once a day over there lol

[sonicranger1]

Thinking-

Thinking about-

Thinking about ink sans