#they were basically both doomed from the start | Explore Tumblr posts and blogs

flokali · 9 months ago

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— Concept: Student Yandere and Professor Darling

Warning: GN! Reader, blackmail, n/on-con, d/ub-con, age gap, student-teacher relationship, push-over reader, unfair ending, n/oncon recording, uhh ask to tag!

A/N: just a concept that plagued me for a while... hhhhhhh;; i'm so normal ab this

Any dynamic that involve an authority figure and a subordinate, no matter how innocent they may initially seem, are doomed from the start for both of the parties involved. There’s always going to be an underlying power imbalance, someone who holds the authority over the other; there is no nice way to put it, unfortunately.

Most of the time, in fics, I see a lot of Yan professors creeping on their students, but the thought of a student Yan harassing their beloved professor has been plaguing my mind.

The relationship starts sweetly, you’ve noticed a certain student in your course that’s been falling behind, making mistakes that should have long been addressed, their work is always late or partially done and you’re growing slightly annoyed at them for wasting your time and misusing theirs as well. You ended up offering them private tutoring when you found out you were the only professor’s whose class who they’d been treating like a joke.

They reject it immediately; seemingly embarrassed that you’d even offered. You try to calm their nerves down, you’re pretty young yourself, you only graduated a few years ago and you won’t charge them, it won't be a daily thing but they can pop into your office so you can review and work on assignments and other material they’ve been failing at. The hesitant look on their face seems to slowly be melting off the longer you explain your reasoning.

You continue insisting, you lay out the facts as they are; they’re a brilliant student who has been passing all other courses and extracurricular activities with flying colors, so why is that your course has become such a challenge to them? You have seen them work and the way they behave during class, you’ve even noticed how some students go to them to try and clear up any questions and ask to study together with them. You’d heard your colleagues rave about them being easily one of the college’s star students, so it’s either that they’re making shit up and lying to their peers, which you sincerely doubt since you’ve seen their works, or they were purposefully trying to fail your class.

Maybe they thought it’d be easier, decided to try it and got it in their head they didn’t have to try – after all, it wasn’t as if all of the work they’ve handed is bad, there’s some clear understanding of what they’re doing, it’s just that they keep on messing up some things, even if it means inconsistencies in their work, the assignments that made up less percentage of the overall grade were done well enough that you could fail them but anything that was actually important was clearly half-assed. They were nailing the basics in one essay and then completely misrepresenting them on the next.

You explain your concerns; you’re genuinely worried your class might hold them back from graduating with their peers, if things kept going on like this, they’d fail your class and if they did, they’d have to repeat the semester and risk graduating a year or so late. It’s not the end of the world to repeat a semester, but it’s avoidable in their case and you don’t understand why they seemingly insist on failing.

It’s then that they pull out a card they’d been holding on to dearly for a situation such as this, they’d hooked you in with a months long performance and it all relied on this moment, it was a disgustingly perfect story meant to pull at your heartstrings and lead you into their honey sweet trap;

They start going on about a sob story about their parents’ jobs and finance, how they had been struggling for a while since their parents cut them partially off for choosing a college out of their town, and how they’re supposed to provide for themselves and pay rent and bills, about how their schedule is always so busy trying to balance college, their friendships, mending their relationship with their parents, and their job on top of all the studying they’ve been doing. Your class had unfortunately been the least of their concerns and that they’re immensely sorry to have worried you and that they are willing to do anything to make up for their past grades. They can’t believe they’d let themselves go in your course and they’re deeply ashamed because they enjoyed it greatly, but there was little they could to catch up now.

You can empathize with such a dilemma, being fresh out of college yourself, the memories of balancing relationships, work, and academics are still freshly etched into your mind.

They clearly seem burned out and your heart aches seeing a student as promising as them dim down so drastically. You’d hate to be one class that impedes them from graduating on time, you don't want to be the lone profesor responsible for slowing down such a valuable asset to society.

You sit them down and try to offer them some advice, you were in a similar situation when you were in college yourself, you try to explain the ways you managed to survive and bypass college, going into detail about your own problems and how you were able to live through it all. They seem visibly more relaxed during the conversation, nodding along and explaining their own feelings and hardships, you both manage to sympathize with each other and come to an arrangement.

It’s completely under the table since you are worried about what it might look like, but from now on until the end of this semester you’d use a more relaxed, less strict grading system for them, after all, they did have a legitimate reason for their behavior and they were willing to make up for it. That is, under the condition that they start taking tutoring classes from either yourself or a fellow classmate, they weren’t able to balance the studying schedule necessary so you’d try and manage at least one aspect of it for them to try and make their life a little bit easier. You reiterate that this must not come out, fully aware that you were breaking multiple rules but you were too much of a bleeding heart.

They agree gladly, but not before asking if you could be the tutor, when you’d questioned their request they explain themselves, seemingly embarrassed for their own reasoning;

“I don’t want it to get out that I’m failing your class, professor…” The smile they wear seems genuine and shy and you nod in understanding, college students are only older teenagers, after all, most of them are still stuck in their high school mentality and you wouldn’t put it past a bunch of immature people to try and mess with someone who was struggling. While the mindset eventually wears off, you understand why they could be self-conscious about it.

What you don’t know is that they’ve been planning for something like this to happen from the get go, always going out of their way to purposefully present themselves as a stupid, pathetic and incompetent student that would need their hot professor’s (your) help to pass the course.

During your first couple of sessions they work extra hard to make themselves seem as ditzy and clueless as possible, making as many mistakes and errors as humanly reasonable without getting you too annoyed at them. They even begin to dress in slightly more provocative ways than they would have before, their speech slowly morphs into a more flirtatious tone, their touches being lingering on your shoulders for longer than necessary, but you brush it off, trying to ignore the signs. Opting instead to think of it as a silly crush, choosing go try to focus on helping them get through this semester with either an above average grade.

It didn’t take too long for their grades to get better but with the current pace, you were afraid it wouldn’t be enough.

So, you ignore the uncomfortable, sinking feeling in your gut and suggest making your tutoring sessions more frequent - instead of once a week maybe twice, or even thrice if you could fit it into your schedule, if it was really necessary.

You didn’t expect them to suggest going to your place.

Originally, you’d suggested either the library or a cafe, but they said they felt too embarrassed and self-conscious at the idea of their peers watching them, they claimed they’d probably make fun of them for needing help for a course they’d been taking for almost a whole semester at that point. It’s silly, they know, but they can’t shake that shame off.

They insist on your place, but you reject the idea, they say it’s either there or at their place, they point out that anywhere else and you both risk either staff or some of the student body seeing you both together and getting the wrong idea. The conversation goes on for hours until you’re too exhausted to continue arguing with them and give in.

They are a good person, right? Even if the thought of a student knowing where you lived made you uncomfortable, it wasn’t like they’d do anything about it… right?

You try to limit the study space to your living room, the bathroom, and the kitchen every once in a while if you notice the snacks you had brought weren’t enough, but never further than that. Your bedroom and office were completely off limits, you’d made it explicitly clear that if you caught them wandering too far you’d have no choice but to kick them out and stop the tutoring, possibly even having to call the campus’ authorities if you felt they were getting too out of line – your reputation be damned.

They also were only allowed to come over during the weekends and on specific weekdays where no one would be able to catch them entering your apartment. You didn’t even want your neighbors to see them, even if you looked close in age you didn’t want to hear anything about a potential secret lover sneaking into your house.

They agree and promise to follow every single rule you’d put in place, they swear.

But it doesn’t take long for them to start going back on their word and start “exploring” your living space, it started small – simply walking around your living room, examining framed pictures, looking over books, memorizing the placement of your trinkets and decor, making a mental note of the colors you used in the space, they make sure to remember to try and look up where you got your cushions and everything, they start looking into you fridge and pantry to make see what you eat, if there’s any indication of a possible food allergy; it’s all investigative work for your future together.

It’s not too long before they’ve memorized your living room and are drawn to the rest of your house. They've gone to your bedroom and studied the space, taking note of the way you made your bed and how many pillows you have, they also have made a list of products you use and like, such as scents and soaps, to make sure your transition to their place is as smooth as possible. Soon, they could very well draw a floor plan of your place and recreate your home in the most basic of softwares.

The only reason you haven’t caught up to them is because they’ve taken to spiking your drinks with sleep medication, strong enough dosages that you’ll be knocked out for a while, but not enough that you’ll realize you were drugged.

It’s during your sleeping state that the next part of their plan starts to take action. They’ll purposefully plant evidence in your home of their presence and snap pictures, suddenly their underwear is in your laundry basket, and why are you wearing their hoodies to sleep, huh? They’re meticulously planned and staged pictures that make it look like you were engaging in a romantic relationship, but it’s not enough — they need more, something more extreme. More incriminating, something that would absolutely destroy your career and reputation if it came out.

What about a picture of them going down on you? Or one with their cum all over your face? Your naked figure cuddling up to their bare chest? Some makeup to look like hickies could look realistic in pictures too, you know. Maybe them on top of you… or you on top of them? Or one where your lips are sucking their fingers like a —! Ah, the thought has them blushing! All of these photos are like their dreams come true! You look like such a perfect spouse, taking their love~ They make sure to clean up the space, but they’re growing bolder and more confident in their work.

They even have videos of themselves jacking off on top of you, but they’re always so good at making it seem like you’re awake and participating in these activities! It really does look like you’re helping them get off with your own mouth.

You’re such a naughty professor seducing your innocent, sweet student like that!

It’s sick, they’re sick and they know it fully well but they don’t care, as long as they don’t get caught – there’s no way in hell they’ll stop.

Their grades begin improving and there’s no longer any fear of them failing your class, in fact you’d go as far to say they’ve easily become one of your best students in terms of grades. Things seem to be looking up and you’re pretty proud of yourself for having had a positive impact on them, which is why you come to the conclusion they won’t be needing your tutoring anymore.

You call them over to your office after classes, making sure to be as nice as possible. At first you were annoyed and put off by them, their initial behavior was unsettling and persistent, but after a couple of months of getting to know them you’ve grown to care for them and genuinely wish them the best, you’d pointed out how teaching them had been a joy and you’d always end the sessions feeling better than before, which is why you’d chosen to end the tutoring. You lay out the facts as they are, their grades have improved and there’s no longer any threat of them failing your class, you’d also be risking people misunderstanding the situation if it went any longer, if word came out you’d been using a different rubric to grade them until recently and that they’d been going over to your place, it would simply look bad for both of you. You’d risk getting sanctioned, possibly even losing your job if things were taken in the wrong way, and they could repeat the semester or even have their work in your class be null and having to take a new course entirely, if not even being kicked out.

There’s a minute of silence between the two of you, the air is thick and you wonder if you should have been softer in your delivery as you watch them process your words.

It takes them a while, you decide to give them the time because you have indeed noticed how they’d seem to grow ever so attached to you and they might take this a bit too personally, but you’re soon starting to grow increasingly uncomfortable as the silence continues.

You’re about to say something again, try to soften the blow with some generic encouragement about how they’ll do well regardless of you being their tutor or not, when you hear them chuckle softly under their breath.

You’re taken aback, your eyes widen in surprise and you unconsciously lean back into your chair, but that seems to have further encouraged their laughter as soon they’re covering their face with the back of their hand as they double over in laughter.

It’s strange but you decide to give them a few seconds to regain their composure, maybe this was a nervous habit? You’d heard of people who’d laugh when anxious, but you’d never seen something so theatrical.

They slowly sit back up, wiping tears from their eyes as a few chuckles escape their smiling lips. They haven’t fully calmed down but seem to be making an effort to continue the conversation nonetheless.

“Ah, professor,” your last name tumbles from their lips in a joyous manner but their eyes look icy as they stare at you, their voice feels more aggressive even if the words came out from a smile, “don’t be so ridiculous, I think things are working pretty well as they are, I have no desire to change our… relationship.”

You’re taken by surprise, their word choice feels odd and purposeful, but you insist regardless.

“There is no relationship between us,” you state, “I am your professor, do you understand? That means that if I say your tutoring is over, it’s over; I have been going easy on you and helping you out but do not misinterpret my intentions, you are my student and that’s where our acquaintanceship ends. If you think you’ll continue needing help, I’m certain our TA will be more than glad to step up and help you out.”

They smile as they take their phone out of their pocket and your stomach drops for a second, wondering what on earth they could have there. They slide it towards you after unlocking it, they’re carefree in their handling of the device and your nerves start to rise, a gut wrenching feeling settles in your stomach, you don’t really understand what you’re seeing at first but once you do you feel your blood run cold.

You don’t even realize they’ve walked behind your chair, too focused on the picture of your naked body cuddling up to their equally nude form. They’re smiling, tenderly caressing your bare shoulders, embracing your body in such a loving manner it looked like you were lovers. When… When did they take this?

Your voice is shaking but they don’t answer you, instead opting to crouch beside you and show you the hundreds of incriminating pictures themselves.

They start telling you a story based on the pictures, the one they seemed to be telling you even if you knew that everything they depicted was fake, about a promiscuous professor that seduced their student, coaxed them into a relationship and took advantage of their position to influence the student into falling in love with them.

You want to tell them it won’t work, threaten to call the dean or the campus police, but they quickly clear out any confusion; “Would anyone believe a student would seduce a teacher and that it’s not the other way around?”

You know exactly what they mean; you’re the professor, you hold the authority. You had never been able to put a stop to it because you had no idea what they were doing but that didn’t matter, it was your word against theirs and they had “evidence”.

They seem proud of themselves too, telling you about all the ways they set up the rooms and photos to make sure they looked as real as possible. They’d taken their clothes and belongings over to your place in secret, made sure to apply makeup in the right places with the correct lighting, it seriously felt like an art they’d perfected.

You ask them what they could possibly want, clearly it couldn’t be only your tutoring if they were going this far. They smile and tell you they simply want a relationship with you, one that goes beyond a professor and a student; from that day onwards they wanted to be your lover.

You want to say no, but they remind you of the position you’re in; “You know, I’ve got these backed up in a bunch of places, it’d be a shame if one leaked, right, professor?”

You feel numb as they lock the door of your office and guide you on top of your desk, you barely even register them going down on you - stripping you naked and giving you oral. From that day onward, you were a prisoner to your own student.

Everyday, they’d act like any other person taking your classes, going to college, making friends, as if when your work day ended they didn’t torment you under the guise of love. Making themselves into your lover without your consent, as if you weren’t their professor, as if they weren’t your student. They celebrate your birthday and make you celebrate theirs, you go on dates outside of town so as to not be caught, there are times you almost forget the perverse nature of your relationship - but it always comes back to haunt you. They always come back to haunt you.

They make sure not to show any of the images to anyone for as long as they’re going to the college. They need to keep an eye on you, make sure your looks and personality don’t charm any other student - they’d hate to get rid of their classmates due to your unknowing seduction. They’re so good at acting like they weren’t bending you over your kitchen counter the minute they followed you home, you’d almost believe they were only your innocent, well meaning student if they didn’t send you videos of you two fucking as extra-curriculum activities.

They also take your courses religiously to make sure to always be in contact with you; you could never escape them, they’ll follow you home and come inside even if you try to shut the door behind you. Whenever you tried changing the lock they'd find a way to break in anyway, on campus they’d sneakily follow you everywhere and harass you. Those who notice, the few that do, think of it as cute, an innocent puppy crush that would fade by next semester.

It’s not until they gets their diploma three years later that they releases a drive full of the videos and pictures, making sure to add dates and location, everything to prove you were fucking a student. You were a whore of a professor seducing their students.

You’re fired immediately and it’s not long until your friends and family cut contact with you for seducing a poor college student and using your power over them as leverage. Nobody wants to hire you, they’d make sure to document every single dirty detail of your relationship so as to ruin your reputation until you’d be forced to turn to the only person who didn’t turn their back on you.

You can only walk into their open arms as they suggest finally moving in together, possibly getting married, and maybe even having a couple of children now that they have graduated and received their degree.

But even through it all, they still have the audacity to call you their beloved “professor”.

Characters: Lisa (GI), Scaramouche (GI), Al-Haitham (GI), Kaeya (GI), Ayato (GI), Jing Yuan (HSR), Luocha (HSR), Aventurine (HSR), Vyn (TOT), Rafayel (L&DS), Ibara (ENSTARS), Eichi (ENSTARS), Yuzuru (ENSTARS), Cater (TWST), Rook (TWST), Kylar (DOL), Whitney (DOL), literally anyone you want really (TT)

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baldursgate3tempobsessed · 1 year ago

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Astarion teaching Tav embroidery/sewing. Preferably with him dragging them onto his lap for a close-up demonstration.

Why do I make everything so long? Do I have a problem? There is always so much introspective nonsense idk man. Anyway adorable idea actualized below!

Also mentions of sex but this is totally sfw. I went with the timeline of when your sleeping together but he hasn't quite admitted his feelings to himself, as a side!

Astarion had no idea how he became your camp's designated seamstress. How was it possible that a team of eight adults were all incapable of knowing the basics of such a fundamental skill?

Then again, Karlach seemed to be perfectly fine with wearing her clothes to tatters. Wyll was born with a silver spoon in his mouth. Lae'zel, for some gods forsaken reason, was only capable of fixing up heavy armor. Gale seemed to prefer eating magical clothing items versus being able to salvage them and the rest were mediocre at best.

The look of confusion on Shadowheart's, who was the second most skilled by far, face when Astarion tried to explain a ladder stitch was enough for him to give up entirely. It was quicker to fix the tears then to explain simple concepts to simpletons.

Brats. All of you. With one who was significantly more brazen than the rest when it came to using Astarion as their personal tailor.

Tav, the lovely thorn in his side. Who could handle wielding a glaive with startingly accuracy, but somehow managed to consistently stab themselves every time they picked up a sewing needle. It was impressive, how useless someone who was otherwise extremely competent could be.

Impressive as it was frustrating. Because somehow you managed to destroy your clothes more often than anyone else. Always bashfully handing him over torn trousers and ripped shirts every other night. Anyone else he would have told to fuck off by now. Even the rest of the camp knew better than to test their luck with anything more than once a fortnight. But you lacked the very basic level of self-control.

It was his own fault for giving you special treatment in the first place. But sleeping together did warrant a few extra benefits. He got your protection and you got to experience the pleasure of being with him. Simple. Or it would have been if you didn't insist on making things complicated.

Because Astarion was starting to feel things. Things that he hadn't anticipated. Because your company was... oddly pleasant. You were an interesting little thing, he had to give you that. Well-read and talkative, but not boringly so. No, Astarion sometimes found himself losing track of time when he was with you. A simple question could easily turn into a two-hour conversation about the silliest things. It was... nice. New. And oh so different from what he was used to.

Cazador didn't even allow him or his brethren to speak in his home, let alone speak to each other unless it was strictly necessary. But here he was free to do whatever he pleased. And he was finding that included being near you, despite how differently you both saw the world.

He couldn't quite blame you for your delusional optimistic views. As a Tymora worshipper you were basically doomed from the start to believe inane concepts like good fortune, luck, and gods, the good that could be found in "anyone".

You were as sweet as you were aggravating and Astarion truly, honestly, had no idea how your insane trusting nature hadn't managed to get you killed yet. But then again he... kind of liked that about you. He liked that you trusted him. It made his life more convienet and... it was nice to be seen as a person worth confiding in. Instead of the blood-sucking monster he really was.

He... liked that. He liked you. A fact that he didn't enjoy thinking about. He didn't really know what to do with it, and the implications of where his feelings could lead were starting to become unsettling. So he pushed it out of his mind. It was an easy thing to do when doom was always looming in the background. He had plenty of things to think about that didn't include his fondness for you.

Like the inner-rage you caused when you managed to somehow rip the same shirt twice in one day.

"That's it," Astarion announced when you bashfully asked for his help yet again, "Come here. I'm teaching you how to sew."

"But you always get mad when you try," You whined. But despite the hesitancy you still obediently sat next to him as he got out the sewing kit, "Do you promise not to snap this time?"

"That depends," Astarion said with a roll of the eyes, "Do you intend on not maiming yourself with a sewing needle?"

Astarion smirked at the way that made a blush crawl up your neck, "That was one time!"

"Actually darling it was closer to seven," Astarion corrected as he snatched the shirt from your hands, "Now pay attention. Look at where the tear starts. Notice how it's on the seam?"

You nodded along as Astarion explained the basics to you. He could tell that you were trying your damndest to pay attention, but when it was your turn to hold the needle your hands couldn't stop shaking. Astarion frowned as he tried to watch you work, his view obfuscated by the angle and the flow of your hair.

Well that wouldn't do.

Before he could think better of it he was hauling you into his lap, ignoring your surprised squeak as he situated you just right.

That was better. At least now he could see what you were doing. It was a sloppy stich, sloppy enough for him to undo it before putting the needle back in your hand.

"Now do it again," Astarion ordered, "Let me see what your doing wrong."

Astarion watched as you tried again, frowning when he realized your shaking was even worse than before. In fact, you seemed more nervous than ever, your face red as you kept your eyes down.

It made Astarion torn between watching your hands and looking at your face. You really were adorable, getting all worked up from simply being in his lap, all while trying to stay dutifully undistracted. He could almost hear your heart racing, obvious through the tension coursing through you.

Silly little thing, acting all shy like he hadn't already literally been inside of you. But at least you were doing better, your stitching straighter than Astarion had ever seen it. Maybe he'd have to make the lap-sitting mandatory from now on, for the good of your learning.

"See," Astarion said softly, his breath tickling your ear as he leaned in closer, "You're perfectly capable of learning this."

"So it looks good?" You asked, taking a chance to glance at him. Astarion hadn't realized just how close the two of you really were. He had never... seen you like this before. So closely. Even when you slept together, he had been a bit distracted by other parts of your body. He never noticed just how many light freckles were hiding across the bridge of your nose, how your eyes looked almost golden in candlelight. You smelled nice too, sweet. Like you had been rolling around in a field of lilies. Considering your personality, Astarion had to wonder if that's exactly what you did.

It would take almost nothing to press your lips together. Barely a turn on the head.

"Astarion, are you listening?"

The sound of his voice snapped him out of his revelry. He straightened, clearing his throat as he looked over your work again, embarrassed in a way that he couldn't quite describe.

Maybe you weren't the only one being affected after all.

"It looks better," Astarion said honestly, "But still needs work. You'll almost certainly be needing more lessons."

Preferably like this. Astarion wasn't quite ready to let you go yet, not when you felt so pleasantly warm in his lap. But luckily enough for him, you didn't seem quite so keen to leave.

Astarion tightened his hold on you laughing at the way it made you gasp, "But that's enough for today. I think you've earned a reward. Don't you?"

"I-yes?" You said back, your eyes flitting from Astarion's mouth and back, "Please?"

You really were too precious. How could he possibly say no to that?

Astarion grinned as he tilted your chin up, finally pressing your lips together. It was an odd feeling, kissing someone when he couldn't stop smiling, but he supposed you just had that effect on him.

Maybe being the camp seamstress wasn't so bad after all.

#astarion #astarion x reader #astarion x tav #baldur's gate 3 #asks #cutsey #this was a very cute idea

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m00nlight-ramblings · 1 year ago

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Eat Your Young

Astarion and Tav take advantage of the rainy weather in camp. Pure smut, no plot.

Pairings: Astarion x female!Tav

Warnings: smut, p in v sex, swearing. 18+ MINORS DNI

Word Count: 1.8k

A/N: Listen, usually I like a lil plot but Astarion sometimes deserves just some good ole smut, right?! Also inspired by the Hozier song, "Eat Your Young"

REMINDER: my inbox is open for requests!

Astarion's hand roughly ran down your neck, the candles in his tent casting shadows over the space. He hissed in pleasure as his fingers gracefully found your collarbone, his nails tickling the skin around your neck. You groaned, your eyes fluttering closed.

"This is not what I came in here for." You said, even though you knew that was a lie.

Well, partly.

Basically since the beginning of your adventure with the companions, you and Astarion had found yourselves drawn to each other. First as friends, but then quickly into a sexual situation. A way to satiate yourselves, and to have a bit of shining light in the darkness that was all the doom and gloom and battle and blood.

"Oh?" Astarion asked, his mouth dangerously close to your neck, "And what did you actually come in here for?" His voice was melodic, almost a purr. You felt his fangs lightly drag across your neck - enough to leave a scratch, but not enough to break skin. You gasped.

"F-for the book," You were able to choke out, one of your hands finding his hair. You ran your fingers through his locks, earning a quick moan from Astarion, "The book I lent you last week. I know you're done reading it, so-"

"You came all the way across camp in a rain storm for a book you could easily get from me tomorrow?" He pulled away, his eyes twinkling. It was bullshit, and he knew it. "Is that why both of our clothes are off, and were discarded on the floor within 45 seconds of you coming into my tent, my pet?"

"Um..." You bit your lip and both of you smiled, "I'm easily distracted." You tried to argue, but Astarion's lips were on you again, his tongue quickly finding yours. You moaned into his mouth as he pressed his body on yours, his erection pressing into your stomach. Thunder clapped outside, causing you to jump, which caused Astarion to wrap his arm around your back tighter, bringing you closer.

"What do you want, my darling? Tell me," He pulled away from your mouth, but his lips were still touching yours. Your heart pounded in your chest from his breath on your face, "Tell me what you want." His voice was velvet smooth, causing your stomach to clench. You groaned, unable to stop yourself - how did this fucking man know exactly what to say, and exactly what to do to get you going?

"I want your cock in my mouth," You said quickly, it coming out as one breath. His eyebrows raised and he smirked, wordlessly pushing himself to the edge of the bed to give you space. Looking down at his erection, you felt a wave of heat rush to your clit, unable to contain yourself.

Before he could even lay down, your mouth was on his cock hungrily. He moaned in surprise, his voice echoing off the tent walls. Immediately your mouth filled with spit as you worked on his thick member, using your tongue the exact way you knew he loved. His hands found their way into your hair and pulled, causing you to grip the blankets underneath your hands.

"Hells, you're so fucking good," Astarion grumbled, leaning his head back and closing his eyes, "Deeper." He commanded.

You made your way fully down on his member, causing his hips to buck in your mouth. You felt your eyes water a bit, and pulled up, taking your mouth completely off of his cock. "Does that feel good?" You toyed, pumping him in your hand. He moved his head back to look at you, his eyes a deep red. You watched the end of his mouth turn up in the shadow of a smile.

Suddenly, the rain started to beat harder against the tent walls.

In one swift movement, Astarion's hand grabbed your chin, pull you on top of him. His member, slick with your spit and precum, slid against your body, causing you to gasp. He looked between your eyes before hungrily crashing his lips against yours again, this time pulling your hair roughly.

"Not as good as it'll feel when I'm inside of you." He said in your ear, before biting your lobe. You moaned loudly, the noise getting lost in the rain.

"Then fuck me."

"Say please."

"Please, Astarion! I need you."

"You need me to what?"

"To fuck me. I need your dick inside of me." You reached down to his cock and started to pump him again, causing Astarion to erupt a small moan from his lips. He looked into your eyes one final time before he flipped you below him.

"On your stomach." He said, waiting patiently. He was sitting high up on his knees, looking down on you. Now, his cock was in his own hand and he stroked it slowly, taking the full length of his member in his palm. He didn't break eye contact as you got on your belly. Soon, you felt him spread your legs gently, and his body weight pressed on top of you.

"I'm going to fuck you so good, you'll be screaming to the gods by the end of it." He murmured in your ear. You shuddered at his voice, and soon you felt him lining himself up at your entrance.

"Oh, Astarion..." You breathe, your thoughts becoming a jumbled mess. You heard him chuckle before he continued on.

"Are you ready?" He asked. You felt like you couldn't speak, your stomach was so clenched in anticipation. You nodded, and almost instantly his cock was deep inside of you, sending ripples of pleasure throughout your body. You called out, lifting your head. As you lifted your head, Astarion took hold of your hair and pulled.

"Gods, you are so fucking tight." He groaned, every word accentuated by a thrust inside of you. You clapped you hand over your mouth so you wouldn't cry out, but he pulled it away, "Don't. I want everyone to hear."

"Fuck, Astarion!" You called out, his hands finding your hips for better leverage. You felt a heat start to rise within you, causing you to breath harder. "Don't stop! Right there-"

"Right there?" He purred, his voice teasing, "Right there and I'm going to make my good girl come?"

"Yes!" You moaned, his voice ripping through you, "Yes right there and I'm going to come. Don't stop!"

The sound of his cock pounding into you filled the tent as your mind became foggy. The pleasure started to soften the sides of your vision as Astarion gripped your hips, definitely leaving marks for tomorrow. As your words turned into incoherent noises, you felt Astarion thrust into you harder, making sure you felt filled.

"Show me you're a good girl," He murmured, his voice steady; in control. As Astarion often was - in control. It drove you crazy, usually the catalyst in tipping you over the edge. "Be my good girl and come for me."

Finally, you felt yourself spill over him as you cried out his name - the heat rose completely in you and for a moment, Astarion stopped thrusting in you, taking his hands and wrapping them around your waist, so that he could feel your orgasm completely. With your head so close to his, he whispered words of praise in your ear - "Good girl. That's it - come for me. Let me feel it. Give me all of it."

You panted, your thoughts finally starting to align again. As you regained control of your body, Astarion gently flipped you over. Spreading your legs open, he entered you again slowly, earning a whimper from you. Two thrusts in and he caused you to throw your head back, crying his name.

"That's it - that's my girl," He hissed, speeding his thrusts up slowly, "Let me see that pretty face, darling. Your pretty face is going to make me come."

"Astarion, FUCK. You feel so good!" You couldn't help yourself as he started again, one of his hands finding it's way to your erect nipples. He pinched and palmed your tits as they bounced with every thrust - the sight of your body bouncing, and your face calling his name, he wasn't far behind you with an orgasm. But, he wanted it to last...

He wanted to wear you out.

It was always so sexy seeing you struggle in the following days, knowing that he alone was the cause.

"Your cock...feels so good..." You panted, your hands finding their way to his shoulder blades. Thunder clapped again, drowning out the scream you cried as Astarion hit your spot. Once he realized how crazy he was driving you, he smiled.

"All for you," He grunted, "This cock is all for you." Sweat beaded at his temples as he stared into your eyes. They were dark, hungry - he started to get the glint in his eyes that he would before he was sent over the edge.

Astarion pounded into so hard that the bed groaned under the pressure. You could feel Astarion's body start to tense above you, so you gripped Astarion's ass, pushing him deeper into you.

The extra effort made you start to see stars, and Astarion was on the same page; "I'm close," He grunted, touching his forehead to yours, "Hells, you're going to make me come."

"Come for me," You breathed, placing a sloppy, rough kiss on his lips, "Come for me."

Suddenly, Astarion called out your name, and you felt him spill into you. The tension in his body reached his climax and gradually released, his body laying completely on top of you.

The only noise in the tent - besides the pounding rain - was your and Astarion's breathing. The shallow, quick breaths turned into deeper, heftier breaths and you regained your composure, the heating slowly leaving your body.

"Gods, you're beautiful." Astarion murmured, brushing your sweaty hair behind your ear gently. He delicately placed a kiss on your lips as he slid down to your side, wrapping an arm around your shoulder and pulling you tight. You sighed contently, running a hand over his side and snuggling your head closer into his shoulder. A moment of silence passed before you spoke.

"I did actually come here for that book, you know." You teased, causing him to chuckle.

"Oh? Would you like me to go get it for you then?" He asked, pretending to get out of bed. You giggled and gently pushed him back down.

"Shut up," You playfully scolded him, "I just wanted to let you know that I didn't just come here to seduce you."

"But darling, it's so much fun getting seduced by you." He looked at you and smirked, his eyes sparkling. You rolled your eyes and placed a kiss on his mouth.

"Well...I guess I'll have to let you borrow my books more often, then."

------

My first time doing smut with no plot - I'm gonna be honest, I don't know how I feel about it yet! What did you all think?

Just a reminder: my inbox is open for requestions!

#astarion bg3 #bg3 #astarion headcanon #astarion x reader #bg3 astarion #astarion #astarion fan fiction #astarion fanfic #astarion smut #baldurs gate 3 #astarion one shot #astarion oneshot

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enteroctopusdarkysilis · 16 days ago

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✨More Clones Brickheadz !✨

Since I acquired the Small Cody (40675), I found that there was an untapped mine. Why would they only make one ? Well. I don't have an answer to that, but I decided to take matters into my own one; so behold : 11 more. I went mostly for commanders here, but then I went a bit astray and so I added some captains to the mix.

In order, row by row :

Tukk (Not cannon but the colours are so beautiful)/Vaungh (died too soon-)/Rex (obviously)/Fordo (I did Rex, so I had to)

Gree/Doom/Thorn/Neyo

Bly/Cody/Fox/Wolffe

It was a really fun project, and I hope to do more of them in the future - maybe even phase 1s, some day~); supposedly not commanders because I did most of them (except Bacara, I know...The helmet was too tough).

And because I really like challenges, if you want to see another clone turned into one of these (Be it cannon or one of your ocs) feel free to send requests in my aksbox !)

Anyway this post is already far too long for anyone's dashboard, so closeups and details will be under the cut !

Let's start with the easy ones : Cody, Doom, Fox, Thorn

Obviously, Cody was easy, I just rebuilt the original one virtually - Nothing too hard. The printed pieces here are not the right ones, because Cody's are not available on STUDio yet, but the storm trooper ones were relatively similar, so I used these for most of these models. Of course, it means I'm lacking the sun bands, and a few other distinctive elements, but it works well enough for now.

Now, Doom is essentially a colour variation (minus a few antennas). I also used an old space piece, which has this big yellow arrow printed on it. I's not exactly what Doom has, but I feel like it's close enough for a first attempt.

Then, Fox is relatively similar to Doom, but with two DC-17s. I also moved the printed torso brick up to get that red line he has.

Thorn works in a similar way to Cody too, except I removed both accessories on the side of the helmet. I also added this tile with diagonal lines to figure the wings he has. One day I'll slap some real wings on there, but I haven't found the right image yet. I also gave him a Z-6, obviously. I really like it, so I might actually make that one physically, because the way it's build (with old binocular pieces) is pretty nice; although I doubt the pieces are available in black.

Moving on to two captains : Vaughn and Tukk !

Admittedly, not really that different either, except for one thing : I learnt to do custom prints now ! Yay ! Well, these are really basic : the blue line for Vaughn, and some trapezoids for Tukk's helmet (which are, indeed, not visible here - shame, I spent so long making these fit). The Ahsoka pattern was already in STUDio (because Ahsoka already has her own brickheadz, which I'll get my hands on someday~)

I must also add that having some cyan in this whole thing added some much needed colours in here, I'm grateful some people give their clones amazing colours (If somehow someone doesn't know who Tukk is, well just check High Ground Animation. Right now. It's really cool, trust me). Anyway.

As for design changes, I modified the faces slightly by adding 1x1 tiles, to allow for different colours variations on the face. It makes them look slightly blockier, but given the overall size of the head, it doesn't do much.

I also gave Vaughn a DC-15A. It's a bit messy, but it works out well enough. Past me forgot to render it, so here is a raw, in-software picture of it (from Fordo(s hand, but it's the same design for both) :

BARC helmets ? Wolffe, Fordo, Neyo

As I've been told, these look a bit wonky, and I'll admit its wasn't exactly easy, but in my defence, it's relatively hard to get such round shapes with bricks (lego cheated by adding the visor). Anyway, given that doing that with a printed piece was out of the question, I tried to replicate the filter's shape with actual bricks, and I used a printed piece which, technically, is Lando's moustache, but downward. I'd say it does the job relatively well.

I also added a rangefinder to Wolffe, which is a little big compared to everyone else's antennas, but It's still relatively to scale with the head itself. No custom prints for him (not sure where I would find the correct pattern images ?), but I've done it for Fordo and Neyo. Fordo obviously has his well deserved Jaig eyes (and who knew it would be that difficult to find a picture of that on internet ?), and Neyo has his symbol on the helmet, chest plate, and the shoulder not shown here.

The really tinkered ones : Gree, Bly, Rex :

Here, it was a matter of trials and errors to figure out just how to get the shapes right.

I actually started with Bly, by removing the previous visor and adding the macrobinoculars first, then I tried to shape the helmet around. Truth is, it doesn't make sense technically : the two separated parts of the helmet do not connected at all, if you remove the equipment. Luckily, no one has to know that.

Next is Gree. It took me some time to figure out how to properly get a round feel, but I feel like it's as good as I can make it like this. Colour-wise, it was surprisingly difficult to find how to balance the different shades of green, and equally hard was to figure out which silvery colour would render well in STUDio. The answer lied, as it always does, in Bionicle. Of course, none of these pieces exist in this colour, but it's not really my main problem (because none of the coloured printed pieces exist either).

Finally, Rex...He gave me some trouble, I have to admit. Firstly, the part-designing software decided to have some trouble with custom prints, which was problematic, because I simply couldn't do Rex without jaig eyes (and Fordo already had his). Then, I started with Gree's base and tried to go from there to fit Rex's custom helmet. I ended up using Boba Fett's printed visor piece for Rex, because these were all triangles. I also got rid of the printed chest piece and used some black plates to simulate the pouch he has; while also adding a a few more custom printed pieces for the arms and pauldron (barely visible, but they're here. I'm not entirely happy with it, but I don't see much other solutions than more and more custom prints, which isn't my goal, so it'll stay like that for now.

Anyway, that's way too much rambling for one post, so I'll just end by saying that next week I'll post an alt version of this whole build [here !], with some 'slight' colour alterations. Definitely nothing big.

#lego #lego moc #tcw #lego clone wars #the clone wars #captain rex #captain tukk #captain vaughn #captain fordo #commander cody #commander fox #commander thorn #commander wolffe #commander bly #commander gree #commander doom #wow that's too many tags-

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tritoch · 1 month ago

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i've seen a lot of people complain about the dawntrail final dungeon for being a thing that we have basically already done and i understand and in many ways agree with that complaint but i do think it varies from the usual in ways that are actually pretty compelling.

spoilers for dawntrail follow, natch.

like okay in amaurot and the dead ends and the lunar subterrane (okay this is definitely a well CBU3 has gone to too many times), the premise is the fights you're engaging in are all kind of historical. behold, the dooms of amaurot. tremble before ra-la, a real sphinx that actually existed once somewhere. face durante, just as golbez faced him in real life.

and accordingly, because all the fighting is supposed to match the energy of the dungeons, these are moments of panic and peril. the world is ending. the worlds are ending. the kingdom is on fire. there's a solemn villain voiceover to really drive the point home (we just wanted to play...on da amaurotine playground...). amaurot is falling and look how sad it is. every world died and look how painful it was. my best buddy golbez died and it was really sad. everything is Fucked Up.

what's really fun about alexandria by contrast, particularly in the first part, is that things are fine, actually! sphene's here (well, "heah"), and we love her, and she smiles because we smile and we smile for her :). oh no alexandria is falling and it's so sad and noble because of everyone's chivalric sacrifices :( oh yay we're rebuilding from the ashes :)

it's a beautiful, tragic, noble story. and the whole time no one's talking to you, not like normal. sphene's kind of reciting the lyrics to memory from cats listlessly but everyone in her memories is talking to each other, not to you. none of them are interacting with you. you're not fighting alongside her against her enemies or taking down conjured horrors from the past.

no, the whole time you're being reminded of one very specific fact.

You're foreign. You're not from here. This is not for you. This is not yours. This peace was not yours and never will be. This grief, this hope. You chose otherwise. You were offered the chance to be Alexandrian. You rejected it. Stay over there. Stay out. You are not wanted here.

in what i personally choose to interpret as a bit of dark comedy, when things start breaking down, it's literally one of the only words you still understand.

ultimately what distinguishes alexandria from amaurot or the dead ends (intentional "this is why i'm sad" slideshows made specifically for the warrior of light to experience) or the lunar subterrane (accidental memory recreation) is that you are choosing to invade sphene's memories. you are doing a cool little backdoor heist at the luxor casino by causing chaos all over the strip before you crawl through the vents to get to the mainframe or whatever.

but in the context of dawntrail, alexandria is the invading power, the rapacious techno-dystopia that intends to carry out forever wars so it can use the literal souls of its enemies to power its treat machines and which not so coincidentally spawned in north america. and alexandria has literally invaded both tuliyollal and yyasulani at this point. so the conceit of the memory guardians helps make clear the hegemonic logic at play. you are a foreign entity. you are not a subject of the state. your life has no value. you must be removed.

or, if removal proves impossible, exterminated.

#ffxiv #dawntrail spoilers #alexandria ffxiv #endwalker spoilers #shadowbringers spoilers #okay but for real i need the next final dungeon to be not this #one yearns for the simple drama of a good ala mhigo #dawntrail #meta: durai report

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linkspooky · 5 months ago

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DOOMED SIBLINGS: THE TODOROKIS VS. THE FIRE NATION ROYAL FAMILY

I received an ask in my inbox about how Zuko doesn't owe Azula any forgiveness. Truthfully I wasn't even going to respond because this isn't an avatar blog, but then I watched this video.

Not only do I disagree with the basically everything in this video, but I am going to make the argument that both Zuko' and Azula's arcs are both incomplete with the way the show left the two of them in the final showdown.

In order to make my argument I'm going to compare Azula and Zuko's relationship in avatar to Shoto and Toya's relationship in My Hero Academia and use the latter as a more positive example.

Unnecessary Redemption Arcs

The common fandom opinion I want to argue against is this idea that Azula's ending is a perfect tragedy, and therefore doesn't need to be expanded upon. There's also a sentiment that redeeming Azula would somehow ruin the impact of this perfect tragedy.

I'm about to argue against both of these points.

Azula's arc doesn't work as a tragedy.

Because of this her arc is unsatisfying and unfinished.

I'm going to address the first bullet point but before that let me add another disclaimer. The reason why I think Azula's arc isn't an effectively written tragedy isn't because I like Azula.

Before we even get into the My Hero Academia comparison let me bring up something completely different. I do like Azula, but I like Terra Markov from Teen Titans a lot more and I would not change a thing about her tragic end.

AZULA'S ARC IS NOT A WELL-WRITTEN TRAGEDY

Terra in the comics is what a lot of people accuse Azula of being. She is stated in the text and by her creators to be an unfeeling sociopath. She was also never intended by her creators to be redeemed.

[About Terra] The very first time we see her, she’s trying to blow up the Statue of Liberty. It’s just that all the fans assumed because we went out of our way to make her cute — but not too cute, with the buck teeth and everything — everyone would assume that she was gonna become good by the end and that was never the case. First thing, we made a promise that day that we would never renege on our view that she’d never become good. It’s sometimes hard to do that with characters you like. You want them to become good or something like that. But we never liked the character enough—because we knew what we were doing with her—we never allowed ourselves to fall for the character. Because that’s bad. That’s bad storytelling. You’re doing what you want as a fan at that particular point, not as the creators. T

Now let me clarify, both creators of New Teen Titans say some nasty things about Terra and don't recognize her sexual abuse, but here's the thing. You don't have to read a story 100% the way the author intended, sometimes the story says one thing and the text says something different.

I am going to use Judas Contract as an example of a story where the character from the start was never intended to be redeemed and why that's a positive in this case.

Terra is a teenage girl, the bastard daughter of the king of Markovia and a random American woman who presumably has had no stable home her entire life because she's working as a mercenary at fifteen. She teams up with a man that is in his mid fifties and even starts a sexual relationship with him (this is statutory rape she cannot consent) and Deathstroke uses her to infiltrate the Teen Titans and learn as much as possible.

Terra is sent to live with the team and spy on them for several months. The whole time she only ever engages with them in a fake spunky persona, and never shows her real cutthroat self. She leads Beast Boy on in a fake romance to make him trust her and secure her place on the team. The way you'd usually expect this arc to go is that Terra would grow fond of the team and be torn in her loyalties.

Yeah, that never happens.

Terra loathes the Titans. In fact she's developed a superiority complex about her meta human abilities and she doesn't understand why anyone would use their powers to help others. She despises the concept of superheroes in general, and because of that never bonds with any of the Titans. Her feelings never change from start to finish, because her creators intentionally wrote her as a character that can't be redeemed.

Terra is written to be a psychopath, but even with that intention in mind there are scene that shows a greater range of emotions. She has what could amount to a trauma flashback when Beast Boy too aggressively flirts with her and tries to kiss her and she reacts violently, trying to bury him under the earth.

Let's go ahead and interpret Terra as what is used as the fictional definition of a "sociopath" that is someone who feels no bonds with other people, someone with shallow emotions and someone devoid of guilt. Even if we interpret her that way, her story is still meant to be read as a tragedy.

Terra succeeds in her mission of infiltrating the Titans. Slade captures most of them, and the only remaining member Dick Grayson goes missing. Dick Grayson then unites with Slade's son Jericho, and the two of them team up in order to rescue the rest of their friends.

Even after all she's done the Titans try to make pleas to Terra during the final battle, which she not only rejects but responds to with violence. Which only confirms what I said above, Terra never grew to love them, she never regretted her actions, she only ever engaged with them with lies.

(Terra always lies, Terra always lies, Terra always lies).

Terra is declared by Raven to be devoid of emotions: "Her thinking is unlike ours. She feels no true love or hate. Her soul is corrupt. What she does is done without remorse."

Even after Raven declares this, however she still pleads with Terra to stop because she's going to hurt herself. Terra feels Slade betrayed her because he favored his son Jericho over her, so she decides to take both Slade and the Titans down. As the Titans fight her she begins to mentally fall apart ignoring their appeals to her and lashing out at everything around her. Eventually she makes one last attempt to everything around her, but the Titans escape and she only manages to bury herself.

At no point in the fight do the Titans give up on trying to reach her even as she's loudly screaming how much she hates them. Even after she's buried and it looks like she's dead, Gar and Donna both try desperately to dig her up on the slim hope she's still alive. When they find the body they even give her a funeral afterwards, even though they all think that Terra was beyond redemption.

Even the prose narration that accompanies her death is incredibly melancholy and bemoans her fate, at the same time as it calls her a outright sociopath.

There's no reasoning with her now. However slim, whatever sanity Tara Markov possessed is gone. Now there is only primal hatred! Hatred born, nurtured, and fanned. Hatred that festers and grows without care, without feeling, without plan. her pursed lips part and the sounds which echoes force are garbled and inhuman. Hot, boiling blood gushes wildly from the earth's open wounds, its skin fractures and cracks, and if a world could cry, it surely would. Her name is Tara Markov and she is little more than sxiteen years old, and due to the fault of no one but herself she is insane. No one taught her to hate, yet she hates without cause, without reason. No one taught her to destroy, yet she destroys with glee, with relish. Don't look for reasons which do not exist, plainly Tara Markov is what she is, and she has taken a great power and made it as corrupt as she. Hers was the power over the earth itself she could have brought life to deserts, hat to the frozen tundra, food to sraving millions. She could have damned raging rivers, and tunneled water to packed lands dry and dead. her powers were limited only by the mind which controlled them. A mind which sought not hope, not love, not life, but death.

If you go with the text that she is just a sociopath beyond redemption who hates and hates and hates for no reason, the narrative still mourns her because a sixteen year old with her whole life ahead of being consumed by hatred and then dying because of it is in fact sad.

If you read into the subtext then you can argue that the events of the story, contradicts what the narration is telling us. Terra is being sexually groomed and groomed as a child soldier by a man who is much older than her, even if she thinks he's a partner he clearly has all power in the relationship.

If you think about it that way then Terra is the ultimate bad victim. She doesn't cry and call for help as a victim of sexual abuse, instead she tries to claim power for herself, she manipulates, and she destroys any chance she had for a genuine relationship because she only sees all relationships as transactions she can gain or lose from.

Even if you only go with the first interpretation, the narrative still remains tragic because the Titans themselves did not want to give up on her, they did not want to watch this sixteen-year-old girl destroy herself. They never stop reaching out for her and it doesn't work, because there was no way out for Terra but death.

Here's the thing I don't think Terra's status as a sexual victim automatically means an ending where she dies is offensive. It reflects a reality that victims like Terra often go unseen because they don't present their victimhood in palatable ways, and by the time anyone notices it's far too late. Sometimes tragedies are meant to reflect a reality where many people do not get saved.

There's two reasons that Judas Contract works as a tragic story. Number one the creators planned Terra's ending right from the beginning. Which meant they never gave her any moment where she shows that she's redeemable. There's no genuine bond between her and the titans, no wrestling with the guilt of her actions, nothing.

Number two, Judas Contract is Terra's story from beginning to end. It begins with her betrayal of the Titans, and ends with her death. The death is also brought upon herself by her fatal flaw her hatred, which is what makes her the protagonist of a tragedy. Tragedies are stories where heroes are undone by their flaws. Terra also goes out on her own terms. She buries herself underneath her own rocks. Her death is a direct consequence of her inability to let go of her hatred. Terra's not fridged for anybody else's arc, she retains her agency until the exact moment of her death.

To simplify into bullet points, Judas Contract works because:

The creators thought out what they wanted to do with Terra.

Judas contract is Terra's story.

Now, getting to the part where we actually talk about Avatar, and I start complaining about that awful, awful video.

AZULA'S ARC IS NOT WELL THOUGHT OUT

I just went on a long tangent on how Terra, a character written to have no redeemable qualities can still be tragic. How the creators marked her as clearly doomed from the start, and how she brought about her end on herself, how there no redemption for Terra. How this girl had no real chance, and how regardless of the fact Terra is a lil baby sociopath her fall is still tragic because of how well structured the tragedy is surrounding her.

It's awful to kill off a sixteen year old victim of sexual abuse, but the ending just fits because Terra represents a certain type of bad, unsympathetic victim who doesn't get saved.

Azula's arc isn't as well structured. The ending does not fit. I'm going to start by refuting some points in the awful, awful video I did not like.

"Maybe it's okay if Azula's story ends where it does in the series we would separate how we would treat a real 14-year-old girl from a villain in a series, ad that's why any redemption arc isn't need i a story after all. A character needs of deserves a redemption arc when it becomes the most meaningful way to explore their character and place in the story, but a character deserving redemption usually comes before the story really needing it, and I don't think Azula's done anything to deserve it yet. They've got to exhibit some willingness and action to change..."

So the main reason I'm using Terra as my first example is because Terra is the kind of character that Hello Future Me is describing. Terra was written with the specific intention she'd never experience a change of heart, all of the friendships she makes with the Titans are fake, she very loudly experiences no remorse, or even self-reflection over what she is. Terra's pretty proudly a monster and she never experiences any kind of self-doubt or regret over what she's become.

I can disprove right away Hello Future Me's blanket statement (with no actual cited examples, just trust him guys) that Azula never did anything to hint she may deserve redemption. That suggests Azula is an entirely selfish character who uses, manipulates and thinks she's right and worst of all is comfortable being the way she is, and therefore incapable of doing the self-reflection necessary for change.

Azula does show the capacity to do selfless actions several times in the narrative, and even consider the feelings of others. There's the apology scene with Ty Lee and the way she interacts with her friends in general with the Beach where when she's not fighting in a war or trying to complete a mission for her father Azula 1) interacts with her friends in a normal way and 2) seems to express a desire to experience normal relationships not the hierarchical ones she's experienced all of her life.

However, that's not the example I'm going to use as her save the cat moment. I generally intend to interpret that as a sign that even though she treats Mai and Ty Lee as subordinates and that power she holds over them eventually leads to them leaving her, their friendship isn't just Azula abusing them and lording her authority over their heads 24/7.

No, Azula's save the cat moments all revolve around Zuko. Which is funny, because the entire fandom seems to regard Azula as Zuko's evil little sister who exists to do nothing but torment her.

The first and biggest is Azula deciding to bring Zuko home in Ba Sing Se, and telling a lie to her father that he was the one to slay the avatar.

Ozai: I am proud of you, Prince Zuko. I am proud because you and your sister conquered Ba Sing Se. I am proud because when your loyalty was tested by your treacherous uncle, you did the right thing and captured the traitor. And I am proudest of all of your most legendary accomplishment: you slayed the Avatar.

Zuko: [Shocked.] What did you hear? Ozai: Azula told me everything. She said she was amazed and impressed at your power and ferocity at the moment of truth. [Inspired partly by this post]

Now the show seems to regard this action as Azula being an evil temptress who is there to tempt Zuko back to her side with everything he thinks he ever wanted.

That's only if you regard it from Zuko's perspective.

Think for a moment from Azula's perspective. Number one, Azula is someone thoroughly indoctrinated into Fire Nation propaganda who measures her self-worth based on 1) military achievement and 2) her father's approval and assessment of her talents. In Azula's own logic (wrongheaded as it is) she's helping Zuko. She's bringing him back home with his place in the line of succession restored and his father's approval.

Azula doesn't benefit from this gesture at all, in fact if her father discovers the lie she has as much to lose as Zuko does.

Now Zuko insinuates that Azula only brought Zuko along and told her father that he was the one who killed the avatar so she could let him take the fall if the avatar turned out to be alive.

However, if you look at the actual order of events that doesn't make sense. Azula saw the avatar die, she didn't know about the spirit water, and therefore had no way of knowing Aang could come back. In fact, it's Zuko who 1) knew about the spirit water and 2) decides to keep the spirit water and the fact the avatar might have survived a secret that is throwing Azula under the bus. After all she has as much to lose as he did and instead of sharing that information with her he decides to keep it all to himself.

Now Azula does imply that if the avatar were to turn out to be alive all of Zuko's glory would dry up, but this is only after Zuko 1) throws accusations at her and 2) makes it's pretty clear he's lying to her putting her on the defensive.

This is also a scenario where Azula doesn't have much to gain by bringing Zuko back, if you look at it from her perspective. If Azula just lets Zuko rot in a ba sing se prison, then her claim to the throne is secure. With Zuko back he's restored in the line of succession. She also, when making the decision to invite Zuko to her side probably didn't need him for her plan to succeed.

There is a dramatic moment of Zuko choosing to side with Azula over Katara which turns the tide in Azula's favor, but Azula can't see into the future and therefore wouldn't be able to predict that happening. If you look at it from Azula's perspective she 1) successfully infiltrated the city, 2) already had the Dai Lee in her pocket. She likely already thought she had the city secure at this point so her decision to extend a hand out to Zuko is therefore likely motivated by selflessness instead of self-interest.

That's important because usually when Azula usually only gives her help to others if it also benefits her in some way. Azula might genuinely see her recruiting Mai and Ty Lee to her side as a member of the royal family extending her favor and giving them status and security in their positions but it has the underlying motivation of 1) she keeps them in a position to beneath her and therefore in her complete control.

Azula will interact with Mai and Ty Lee like friends on the surface, as long she maintains control over them, but if they do anything to something that displeases her she'll do anything to regain her control.

Mai: I thought you ran off and joined the circus. You said it was your calling. Ty Lee: Well, Azula called harder.

This is set up in Azula's very first interaction with Ty Lee. Azula greets her like an old friends, Ty Lee even seems happy to see her, but the second Ty Lee tries to say no to her Azula goes to extreme lengths to "persuade her". Azula's friendship with Mai and Ty Lee is an abusive friendship because there is a power differential and even if Azula feels genuine affection for them both it's clear they're not allowed to say no. Mai and Ty Lee are put into positions where it's in their best interest to please her, and live in fear of the consequences if they don't do just that.

Here's the thing, I'm not arguing that Azula didn't deserve any consequences for her actions. I'm arguing that the setup doesn't match her eventual ending. Azula is set up to have Mai and Ty Lee leave her from the very first scene that Azula interacts with Ty Lee. It's satisfying because the set up matches the pay off.

It's also tragic because it's Azula continuing the chain of abuse. The video isn't entirely wrong (which is why they came to the wrong conclusion frustrating).

Azula's fall is about how differenting parenting styles can a child. Ozai's affection is exchanged for being useful. Something Azula would go on to repeat with her friends, whereas Iroh's affection is something freely given with patience for imperfections and failures, something Zuko goes then on to repeat.

It's like... there it is it's so close. Here's the thing, Azula is set up for a tragic falling out with Mai and Ty Lee (and one she deserves) but the set up is different with Zuko. Azula's save the cat moment revolves around Zuko, and her genuine attempt to bring her brother home.

Yes, the first time Azula interacts with Zuko in season 2, she tries to take him home by force. However, by the ending of the season Azula's perspective on the matter has obviously changed because she begins by trying to bring him back as a prisoner, and by the end of the season invites him back as an equal.

There's no moment in Season 3 where Azula treats Zuko the way she does Mai and Ty Lee (unless Zuko provokes it first and puts her on the defensive) in fact most of her interactions are either them interacting normally (such as when Azula goes to find Zuko at their old beach house because she knows he'll be there and advises he leave instead of dwelling on their depressing memories) or Azula deliberately trying to look out for Zuko such as when she advises him not to go visiting with Uncle because it'll make others suspicious.

On the other hand, Zuko never at any point looks out for his sister the way Azula is demonstrated looking out for him. He doesn't say, try to tell her where he's going on the Day of Black Sun, or try to convince her the fire nation is wrong. There's a scene in the later part of Season 3 where Zuko is watching Azula fall to her death while sitting on a flying bison and not only sits there and does nothing about it, but sounds disappointed when she doesn't hit the ground and become an Azula Pancake.

That's pretty much the opposite of a save the cat moment. It's a "let the cat fall to their death" kind of moment.

Yes they were enemies at that point, but Zuko's the one who's supposed to learn that affection is something freely given with patience for imperfections and failures, something Zuko goes then on to repeat.

How exactly is he doing that in this scene?

The thing is... this setup doesn't have to be bad. Of course Zuko has trouble has trouble empathizing with Azula, he doesn't even think about sending a letter to Mai, Zuko's shown at this point to be like a healing abuse victim who's understandably focused on himself.

This in fact could be excellent set up with step 1) learning what genuine love and forgiveness is and 2) demonstrating those two things by applying it to others.

However, that's not where we got. We got Zuko watching his sister have a complete emotional breakdown, crying and screaming while chained to a grate and looking somewhat sad.

And once again to bring Terra into this, Terra is what Stay at Home and parts of fandom argue that Azula is. Terra screams at the top of her lungs how much she hates the Titans, how much she was always lying to them, and the Titans STILL try to reach Terra with words, try to de-escalate the conflict, when she's about to bring the rocks falling down on herself warn her she's going to hurt herself, and then when she's buried under rubble try to dig her out begging for her too still be alive.

Terra who's intentionally created by her writers to be as hatable as possible, is shown more compassion by the heroes in her ending than Zuko ever does to Azula. They also give Terra multiple opportunities to change until literally the very last minute, which Zuko doesn't do either.

What's set up is Azula has this save the cat moment with her brother, that Zuko is pretty much the only person she doesn't treat like a subordinate in the story (because she just like Zuko has a craving for familial love she tries to earn from her father). However, her ending with Zuko just taking her down doesn't fit that setup.

Azula's ending only fits if you consider her arc entirely from Zuko's perspective, which is the underlying issue. Azula's not the protagonist of her own tragedy, she's a plot object that's used to benefit Zuko's arc.

Azula's is written to have a downfall, the same way that Zuko loses everything at the ending of season 1 b/c of his inability to give up on the obsessive search for the avatar (and his father's love with it). Azula is written to be left by Mai and Ty Lee (this is the strongest point of writing when it comes to her since it comes from the beginning).

However, she's not written to be left completely alone and insane with the only empathy being shown is that her brother looks kinda sorta sad. That's only good if you view her as an object to further Zuko's arc, because isn't the ultimate culmination of Zuko beating his sister who has always been ahead of him at life? Azula needs to torn down completely without even some small glimpse of a hope of recovery so Zuko can be built up even moreor at least the writers of avatar seem to think so.

However, even Azula just existing for Zuko's growth and character development doesn't have to necessarily be a bad thing. This is where we get to MHA, which does the tragic siblings and the final Ag Ni Kai about 1000 times better with Shoto and Dabi.

THE GOOD

The comparisons between Shoto and Dabi to Zuko and Azula are made pretty often by the fandom. Shoto has a scar, Dabi has blue flames. Shoto has an arc about healing and learning what it means to be a hero, Dabi's arc is about self-destruction.

Dabi's not the center of his own story, he exists to foil Shoto and help Shoto reach the endpoint of his character development however that's not necessarily a bad thing. These are both two pairs of tragic siblings, the main difference is that MHA doesn't feel the need to tear down one sibling in order to build up the other. In fact, the final step to Shoto's arc is HELPING Dabi, not PUTTING HIM DOWN.

Not only that but the decision to help Dabi is a decision that Shoto makes on his own, and him going against the tide of a society that has already given up on Dabi and would much rather have Shoto shoot Dabi like a mad dog. Which makes the decision to do so even more powerful and emblematic of Shoto's growth.

Now you could say that Shoto and Zuko are too different to compare their arcs, Zuko has a redemption arc, and Shoto has what most people would probably term a healing arc. Shoto starts out the series as a hero.

However, this is what annoys me about the redemption arc debate. A redemption arc is really just a normal character arc. However, calling it redemption drags things like morality and forgiveness into the debate. if you take remove the discussion about moral philosophy both Zuko and Shoto have character arcs where they start the story defined entirely by their home situations and their father's abuse (hence why they have big obvious scars on their face), recover from their trauma, and go on to find an identity outside of their father and form healthy non-abusive connections with others.

In fact I'd see the theme of both arcs are the same, to literally find balance within themselves. Shoto is divided quite literally into right and left sides, fire and ice, and even seems to view himself as half of his father and half of his mother. Zuko is someone who's permanently marked and dishonored by the burn scar on his face. He suffers from an internal imbalance as well. Iroh says that Zuko is the descendant of both Roku and Sozin and therefore both pathways are open to him (but wouldn't that apply to Azula too). Zuko says to his father that the fire nation has destroyed the balance to the world and he's going to leave to assist the avatar in order to fix it.

Shoto's balance isn't just about fixing his internal trauma though, it's also about finding a balance between his family which has defined his entire life up until this point, and his desire to become his own hero not the hero his father groomed him into.

It's why the culmination of his arc is Shoto reaching out to save his family member Toya, because it's the ultimate balance in wanting to heal his family, and also the kind of hero he wants to be, someone who saves and brings peace to others instead of just violently putting down villains. He can bring peace to his family and become his own hero in one action.

However, let's go back to the beginning of Shoto's arc, because saving Toya as an endpoint to his arc is set up pretty early on.

Shoto's arc begins with Deku, a stranger breaking down Shoto's walls as an outsider in order to allow him to look past his own trauma and recall for the first time what he wanted outside of his resentment towards his father. This sets up the idea early on for Shoto that sometimes you need outside interference, help you didn't ask for, especially when you can't see outside of your own problems.

What Deku brings about ultimately is a change of perspective, Shoto's so hurt by the memory of his mother throwing boiling water in his face and everything that came after that he can't recall the memory of her telling him he could be who he wanted to be.

But, you want to be a hero right?

Shoto takes away two things from this arc, sometimes you need help even when you're not asking for it, and sometimes a change in respective is required in order to take the first step forward.

He goes to demonstrate these things multiple times, but here's two exaamples. The first Shoto demonstrates immediately after the tournament arc. When Iida is about to go down a dark path and commit a revenge killing on Stain. When, as a result of that IIDA is paralyzed and about to die in an alleyway, it's Shoto who both notices Midoriya and Iida are missing and shows up in the clutch. He's practicing the same thing that Deku taught him in the last arc: Giving help that's not asked for is what makes a true hero.

He even mentions the second idea, that a small change in perspective can be all it takes to save someone, and he wants to do for Iida hat Deku did for him. His words are the one who convinces Iida to stand back up again when he's paralyzed.

If you wanna stop this, then stand up. Because I've got one thing to say to you. Never forget who you want to become!

However Shoto's arc doesn't end here, because one of the major conflicts in MHA is that heroes don't pick and choose who to save and a true hero will give help even to those people who don't ask for it.

This is a point which further develops when Shoto's abusive father starts to show a change of heart at the end of the Pro Hero Arc. Shoto still holds his father accountable for what he did in the past, but he also acknowledges that if he had the capacity to change then so does Enji. This isn't about whether or not Enji is forgivable, this is an extension of what Shoto learned. Shoto originally believed he was controlled by the circumstances of his birth, that his fate was set in stone, but a change in perspective allows him to realize he can determine who he wants to be. So, Shoto is just applying what he's learned, Enji has the capacity to grow.

There's one final piece of setup that I want to cover before showing how these separate dies all culminate in saving Dabi. Shoto's not only someone who has to find balance between his family and his desire to be a hero.

The theme of balance is written into the quirk itself. Enji basically practiced eugenics to create Shoto as his masterpiece. He noticed a flaw in his own quirk where he could only make his flames so hot without overheating. So he arranged a quirk marriage with Rei who possessed an ice quirk to create a hybrid ice and fire quirk that he could use to cool himself off to prevent him from overheating.

Enji only ever cared about the fire half of Shoto's quirk. His ice quirk only exists for his flames to grow stronger. This is shown when Enji is trying to force Shoto to learn all of his signature moves, because he only cares about Shoto's flame quirk. Shoto was created to carry on his father's legacy, and surpass him with an even more powerful flame quirk. Part of his character development is him learning how to use his quirk in his own way.

This is a theme that continues in the class training arc where Enji is still repeating the behavior of trying to force Shoto to learn his signature moves instead of considering what he wants at all, because still Shoto only exists in Enji's mind to carry on his legacy.

This all culminates in Toya's decision to save his brother. The first is his action in choosing to identify with his brother. If Shoto believes in his own capacity to change, and even his father's, then why would he deny Toya that same chance to change?

The foiling between Shoto and Toya isn't supposed to reduce the two of them to "Shoto is the good one, and he's the bad one", but instead Shoto and Toya were both in a point where they were consumed by hatred and couldn't see any other path in life. Therefore if Shoto was able to change because someone gave him help when he didn't ask for it, then Toya not only has the capacity to change - but in order for Shoto to stick to his stated beliefs that the smallest of things can bring about a change in people he has to be the one to give his brother that chance to change.

It's not about whether Dabi is worthy or not, it's about the themes in Shoto's arc finally being paid off.

Shoto's identifying with Toya, and even parts where he tells Bakugo he'll make Toya sit down and make Toya tell him his favorite food indicate that from the beginning Shoto's intention was to find a way to stop Toya without killing him (which is what several of the adult heroes were encouraging him to do).

@stillness-in-green does a more succinct summary of this plan.

Just me?

Because, like, Shouto had a plan. He spent the time between the two war arcs specifically developing a brand-new combat technique that he planned to use to shut down Dabi's combat advantage without killing him. He convinced his dad not to change the plan like Endeavor was hesitantly sounding him out about[1]; he went out and talked and asked questions, and even if they weren't the right words every single time, he did his best and he did it with intention. If Dabi proves to be dead, it won't be because of anything Shouto did to him; it'll be because Dabi himself chose to stand back up, take a warp gate across the country, pick a fight with the guy who doesn't have the power set to shut him down without unduly hurting him, and trying to replicate an Ultimate Move specifically tailored for someone with a balanced power set Dabi doesn't have. And if Dabi lives, it's still going to be because Shouto booked it across the country and used that same technique to stop him again.

Shoto's decision to save Shoto is also a continuation of his decision to help save Iida from Stain. It's not enough for Shoto to experience a change of heart about his own life, he's got to take what he learned about people's capacity to change, and the importance of connections and then put that into practice and help others the way he was helped.

However, it also further develops the theme of giving help that's not ask for from Iida because Shoto's not saving a mostly heroic kid, he's saving Toya to help break a familial cycle of abuse (because murdering the abuse victim isn't how you end the cycle of abuse... actually).

Shoto's last lines to Dabi are also a refutation of this idea of destiny that he once thought he was ruled by. It's once again, Shoto teaching someone else the lesson he learned. Toya says a warped rail can never mingle with a straight and narrow one! In other words Shoto can never understand or get along with Dabi, because Dabi will forever be defined as the failure because of the circumstances of his brith, whereas Shoto will always be the success.

His final action is a decision to break the cycle they were born into: no, we're gonna mingle whether you like it or not.

Shoto's ultimate move Phosphor is not only a move he designed far in advance to take down Dabi non-lethally, it also is a rejection of his father's teaching method. Toya says he only ever taught me how to turn up the heat. Enji only valued both Shoto and Toya for their flame quirks. Developing his own quirk and breaking away from what his father wanted, specifically in order to save his brother. It's Shoto rejecting what his father created both of them for (a successor to his quirk) and finding his own path. By using that move to take down Dabi he's not only teaching Dabi their flame exists for more than just destruction, he's also by letting Dabi live giving Dabi a chance.

From a conversation with @class1akids

Dabi was the last push to unlock Shoto’s full power. Until then he was on the track of mastering flashfire like Endeavor planned for him (except for his own reasons) but realising the fighting Dabi with fire was gonna kill them both and also he’s simply no match fire only helped Shoto to fully take control of what his quirk is Like his quirk development goes parallel with how he faces each member of his family and finally meeting Toya is like the last piece of his puzzle to find his own full power and identity.

It's not just Shoto decides to save his brother because he's just that nice, his arc is literally incomplete without it. The act of creating phosphor a move specifically to save Dabi is both him unlocking the full power of his quirk (by balancing the fire and ice sides of his quirk) but also achieving balance between trying not to leave his family behind while at the same time becoming his own person and hero outside of his family circumstances.

Citing my conversation with class1akids again:

Toya is endangering everyone at Gunga. Endeavor has no means to stop him and when he tries to murder suicide Rei interrupts and his “hero way out” is taken. All he can do is watch helplessly as his family is about to burn to death with a bunch of strangers he tried to protect. But it would do Shoto dirty to use his heart technique to kill his family and the strangers so he comes in a clutch and I see that confrontation as the power trauma vs the power of healing in the family. With Shoto who is a true hero, they can put the fire out and save the family and strangertoo. Shoto become a balanced hero and bring relief and reassurance, Endeavor was completely helpless, and Toyas inner child got the attention he wanted, plus depending on how you read it, he may have become less suicidal.

Shoto also, and I want to point this out desires to stop his brother not to take him down but because he doesn't want him to hurt any more people. He's again finding a balance between two ideas 1) Shoto needs to stop his brother in order to stop him from creating more victims and 2) Shoto needs to find a way to stop him that's not just putting him down because Toya himself is a victim.

Shoto also, and I must point this out for the comparison between Zuko and Azula goes out of his way to engage Dabi in conversation, ask him why he didn't come home and what happened to him in the years after he died. This is especially poignant because unlike Zuko and Azula who grew up together, Shoto basically had no relationship with his brother (and the rest of his siblings really) before Toya died because Enji purposefully kept Shoto separate from all the "failures."

So yes, the act of saving Toya is more for the completion of Shoto's arc than any redemption arc for Toya but Toya's not just a plot object to move around for Shoto's arc, Toya has his own agency all throughout. In fact it's the fact that Toya resists being saved every step of the way that provides the challenge that Shoto needs to grow in order to be able to save him.

Toya's not just after revenge against his father that's the surface reason, Toya is also just blatantly suicidal. Toya's birth is marked as a failure, his death wasn't even acknowledged by his family and everything stayed the same in his absence, so he created Dabi while praying at his own shrine in order to mourn Toya. Dabi can't find any meaning in his life where he was born as a failure, so he'll use his death taking revenge against Endeavor for having been born in order to give his life meaning.

What makes Avatar look especially bad in its treatment of Azula in comparison to how MHA treats Dabi, is that Dabi is way, way less redeemable than Azula. For one Azula has clearly proven affection both her friends and her brother (and I don't think she even deserves Mai and Ty Lee's forgiveness they had every right to walk out on her and want nothing to do with her again.)

Dabi is probably the ugliest victim of the League of Villains. The rest of the league have far more moments in their bonds with each other. Toya is the outsider to the league even if there are some subtle hints to his affection (he tries to show up to save Twice, and also burns down Toga's family house to comfort her). The villains are mostly shown to be redeemable by their positive friendship with each other, and Dabi at several points denies the league's bond (he pulls a Terra and yells out loud at the top of his lungs none of the league matter to him). Unlike with Terra you can argue this is most likely Dabi trying to cover up his real feelings. However, the fact that he feels the need to hide his affection from the league shows he's purposefully distancing himself from any bonds whatsoever.

Unlike Azula who has gone out of her way to help her brother in one major way, and also shows hints in early season 3 of having that sibling bond with him Dabi just straight up wants to murk Toya. Azula also tries to murk Zuko, but that's only when Zuko leaves on the day of Black Sun (one without telling her, and two something that probably left her alone to deal with the consequences of lying to her father for his sake). Either way, Azula's behavior in early season 3 is setup for the fact that their sibling bond can be salvaged.

Dabi is way worse to Shoto in comparison. Dabi in the first part never saw Shoto as his own person, just a puppet of his father (puppets have no autonomy or personhood). His feelings towards Shoto only went so far as Shoto was someone who could kill in order to upset Enji. Dabi also doesn't particularly care for the rest of his family as well (only calling out Natsu's name when his brain is literally melting), they're either ways to hurt endeavor, or he wants to drag them in hell with him. Heck his last words after being saved is telling everyone to die and go to hell.

Dabi doesn't bother to make bonds with the league or have any lingering affection for his family because Dabi's determined to seslf destruct. He's given up on life the moment he saw that he died and nothing changed in that household, now all that's left is for him to create a meaningful death by dragging his family to hell with him.

Dabi is also even as a child made out to be an unpleasant victim. He attacks baby Shoto with his flames early on out of jealousy (even though he later admits that he was being unfair to Shoto). He makes the situation in the house worse by loudly screaming and demanding his father's attention. He screams at his mother and throws her complicity in Enji's abuse in her face.

This is in comparison to Shoto who in childhood flashbacks we are only ever seen either 1) crying, and 2) trying to comfort and protect his mother. Toya's even made out to be difficult to empathize with as a child - which like flew over half of the fandom's heads because he got accusations of somehow abusing his father and the rest of his family in that chapter at 10 years old. However, that in a way illustrates my point.

The fact that Dabi is so disliked by a certain portion of the fandom is because Horikoshi paints such an ugly portrait of Toya in the way he expresses his victimhood. It's done deliberately too, because number one Toya by resisting Shoto's attempts to save him and trying to self destruct instead retains agency as a character. He makes decisions even though they're bad self destructive ones, he's not just a prop. Number two, the fact that Toya is intentionally portrayed as such an ugly victim makes Shoto's decision to break the cycle of familial abuse by saving Toya and not leaving a single family member all the more poignant.

Toya is an uglier victim than Azula, actively trying to kill himself in a way that Azula isn't, and treats Shoto way worse than Azula ever treated Zuko and yet Azula isn't shown the sympathy or given the salvation that Toya is.

Because once again, the writers didn't think about the ending of Azula's arc or of Azula as her own character. Shoto defeating Toya is the culmination of his desire to break the cycle of abuse in his family. Zuko putting Azula down is just to make Zuko look better. It's in service of Zuko's character instead of both of their characters.

THE BAD

Avatar isn't setting up some gritty ending where the bad guys can't be stopped, they can only be killed. In fact it's pretty close in tone to MHA.

Season 3 especially is the season that really begins to hammer in on the themes that even the people on the enemy side are still human after all. The headband shows that Fire Nation children are indoctrinated into the war, but they are in the end still children. There's the story between Avatar Roku and Sozin, and once again Iroh saying that Zuko has both options becoming like Roku or becoming like Sozin available to him (but not Azula I guess). There's Zuko joining Team Avatar, even after he betrayed Katara in Ba Sing Se and should have burnt that bridge then and there. There's Zuko working to earn their trust again when no one on the team really owe it to him.

The main character of the show is a pacifist, who deliberately learns a way to stop Ozai without killing him before the final battle because he doesn't want to break the values taught to him by his culture.

If the entire theme of season 3 is redemption, healing and that the fire nation are not inherently evil then why does Zuko's sister and character foil end the last shot of the series screaming and crying with no one comforting or even attempting to sympathize with her. Why is this one character marked for tragedy in a show that is about redemption and healing and showing compassion to your enemies and very specifically not a tragedy.

Toya literally burns all of the flesh off of his body, and somehow he has a gentler ending than Azula, because at least Toya's arc ends with all the members of his family showing up to try to cool down his flames, and when he's on the ground burnt to a crisp his father finally apologizes to him. Toya is a skinless burnt chicken wing, my boy has no skin, and somehow he's better off than Azula.

I don't think the writers gave Azula such a cruel ending because they don't like her, but rather because they just didn't think about her ending outside of what it meant for Zuko. Which is why you get moments like Aang who is apparently a pacifist who doesn't want to kill the Firelord, watching his daughter fall to her death while sitting on a flying bison and doing absolutely nothing to save her. ALL LIFE IS PRECIOUS (except for Azula I guess).

It's not bad because a victim doesn't get saved, it's bad because it doesn't fit in with the rest of the story.

Not only is Zuko saving Azula a very natural conclusion to his arc, but there's far more setup for Zuko reaching out to his sister and saving her than there ever was for Toya and Shoto. Both Toya and Terra are screaming at the top of their lungs "I HATE EVERYONE, YOU SHOULD ALL JUST GO TO HELL." They're both making decisions and committing to their self destruction while Azula is a 14 year old girl having a mental breakdown.

Anyway, time to quote the bad bad video again.

"When does a villain deserve a redemption arc? When do we deserve a redemption arc? I know this is gonna hurt, but characters are not people. They are tools. They are represetations of people. They can be used to say other things. They can be symbolic representation of other ideas. Azula's story is not just about a fourteen year old defeated by her brother for the throne, Azula is Zuko's character foil, where she is ruthless and practical, Zuko is empathetic and emotional. Where Azula's a prodigy, Zuko has to work hard to earn eve a fraction of her power.

I specifically chose to cite MHA, because of how differently it decided to use Shoto and Toya's character foiling. Shoto recognizes himself in Toya, and how different their paths were in life. This is explicitly motivates him to save Toya. It's also the culmination of everything that Shoto has learned because Shoto is a hero who believes that actions speak louder than words. It's not enough for Shoto to resolve his own inner struggle, he also has to help Dabi with his because that's showing Shoto has grown rather than telling us.

I think that is where the major difference lies between Shoto and Zuko, we're told that Zuko has chosen the path of empathy and healing, that he's learned to give people love and patience like Iroh has but instead of showing that the culmination of his arc is having a fist fight with his sister in a denny's parkinglot.

Azula is Zuko's character foil, where she is ruthless and practical, Zuko is empathetic and emotional. Where Azula's a prodigy, Zuko has to work hard to earn eve a fraction of her power.

If Zuko is empathic and emotional and that is why he's gained friends while Azula is now alone after having lost her friends due to the way she treated them, then like... what a great opportunity for Zuko to SHOW that quality of empathy.

However, Zuko doesn't do anything that Shoto does in the final fight. He's not even here for Azula, Azula's just an obstacle for taking back the crown. He doesn't talk to Azula, engage her in any way, try to de-escalate and avoid the fight.

If you want to make the tragedy that Azula and Zuko have taken such different paths in life that that Zuko fighting with his sister is unavoidable you could um... at least show Zuko being sad over the prospect of fighting his sister or being reluctant in any way.

(Before you come in here with "Zuko doesn't owe Azula anything take" this isn't about whether or not Azula is a terrible sister to Zuko, this is about the story that avatar is attempting to tell. Shoto and Dabi's fight is tragic because Shoto doesn't want to fight Dabi, he wants Dabi to come home and for their family to be complete. Zuko never expresses anything like that so where does the tragedy come from?)

If it were 100% committed to a tragedy like Terra's death then I wouldn't mind. if it were 100% committed to a story of redemption like Shoto reaching out to Toya then I wouldn't mind. My issue arises from the fact they want to have their cake and eat it too.

They want to give this tragic end to Azula, and use it to illustrate how Zuko has grown as a character. However, you can't have both.

If Zuko's growth is about learning that his father's love based on achievement and 2) learning he needed to get lost in life in order to find himself then why doesn't any of Zuko's actions demonstrate this lesson Zuko has learned about love, and about how you can be your own person outside what your father expects from you.

If Zuko has grown as a character he should be able to show those actions. He does show his new understanding of love and friendship to Team Avatar, but as I said that's easy mode. That's Shoto's attempts to save Iida, it's a step in the right direction. It's also not really Zuko demonstrating a selfless love, because he's also at the same time trying to earn their trust and earn his way into the group.

It's also not Zuko breaking the cycle of abuse in their family in any way. Shoto is trying to break free from his role of his father's masterpiece, and at the same time helping Dabi break free from his view that he's the failure.

It's also such a natural ending for Zuko's arc, to take the lessons he learned from Iroh and give them to his sister who needs them so they can both break away from their father's parenting. As I said Zuko does solve the internal conflict within himself, but he doesn't really demonstrate that by helping someone else find their balance.

If you wanted the tragic end, then it would have to be about Zuko's failure to reach out to his sister, because he hasn't learned how to reach out to her. Or because he tries and is unable to. The writers don't seem to understand that though, they think the tragedy is about Azula bringing it all on herself, and not the inherent tragedy of a fourteen year old girl being unable to be saved.

The set up is right there too, because number one avatar is about balance. So, wouldn't the true ending be finding balance between the siblings, not having Zuko rise and Azula fall. Number two, Azula being alone and friendless because of her own actions is again a parallel to where Zuko was in early season 2 at his lowest point. Except Zuko can be the better person in this situation by reaching out to her.

Zuko doesn't break the golden child / scapegoat dynamic, he just flips it so now he's the success and Azula is the failure.

While Azula's fall comes from cruelty and rejection from friends and allies it is Zuko's humility and kindness and friendship that ultimately wins the day. Him sacrifcing herself for Katara and her bringing Azula down and then her healing him. Azula ending up imprisoned isn't something happening to a real person, it's a deliberative narrative choice by the author to say something about how people like this isolate themselves and end up alone. "

As I've stated above, I'm not saying Azula didn't deserve to take a fall. Her fall is actually set up from the first moment she met Ty lee. However, there's no set up for her fall being permanent.

Azula's given way more humanizing moments than characters like Terra or even Dabi. Which is why Azula being in an insane asylum for the rest of her life doesn't fit as an ending at all.

Azula is one link in the chain of abuse. Her father only gives out affection in regards to her usefulness. No matter what Azula is an asset first and a daughter second. Azula then repeats the cycle and treats her friends the same way. She has been shown through an improper model of parenting of using fear to dominate others with power and control and she replicates that in her other relationships.

Therefore, Ty lee and Mai leaving her is not only deserved, it's the perfect opportunity to pull the rug underneath Azula and to show her that her understanding of how relationships work is completely wrong.

This also mirrors Zuko's arc, because part of Zuko's arc is realizing just how wrong Ozai is for making both children earn his love, and that he doesn't need to measure his self-worth based upon his father's approval. He also learns about healthy expressions of trust and friendship from the gang.

Azula loses in part due to her own inability to form healthy relationships is losing people rapid fire, her brother leaves and joins the enemy side, Mai and Ty Lee betray her in favor of her brother, then her father in one action of leaving Azula behind and throws the title of Firelord to her after it's become completely meaningless reminds her of her place. Azula learns in about five episodes what Zuko had in 3.5 seasons to process that her father's love was always conditional and no matter what she did she would never truly "earn it."

People leaving Azula isn't exactly the problem, the problem is that Azula ends up alone permanently without being given the same chance that Zuko is. Terra, and Toya both get opportunities to turn back. They both refuse the hand that's reaching out to him. Mai and Ty Lee leaving is caused by Azula's own choices, but her ultimate end isn't. She's not even given the chance to turn away being saved like Terra and Toya do because Zuko doesn't even bother to try saving her. Her ending is not entirely brought about by her own choices, because the writers need her to take a fall to uplift Zuko.

Azula ending up imprisoned isn't something happening to a real person, it's a deliberative narrative choice by the author to say something about how people like this isolate themselves and end up alone.

I think once again it comes from the author's misunderstanding things because they don't want to look at the story from Azula's perspective, only Zuko's.

Stay at Home almost had it when he said the tragedy of Zuko and Azula was there to show how two different parenting styles affected these children.

The tragedy is that Zuko and Azula started in the same place, but Zuko had persistent guidance and someone who modeled for him a healthy kind of love. The difference is that Azula has never experienced any kind of healthy love or support on the level Zuko has, so she models all her relationships on the way her father treats her. It's not that Azula is offered some chance for change and rejects it, it's that Azula isn't even aware of the fact that there's another way because no one is there to show it to her.

Which is why I said once again, Zuko being the first one to show Azula the lessons he himself was shown by Iroh is such a natural place for his character to end.

Azula also even while completely alone and with no idea what healthy love is, knows that there is something wrong with her and is troubled by that fact in a way Dabi and Terra aren't.

Azula: I can sit here and complain about how our mom liked Zuko more than me. But I don't really care. My own mother... thoguht I was a monster... She was right of course, but it still hurt.

Then there's the famous mirror scene:

Ursa: I didn't want to miss my own daughter's coronation. Azula:Don't pretend to act proud. I know what you really think of me. You think I'm a monster. Ursa: think you're confused. All your life you used fear to control people, like your friends Mai and Ty Lee. Azula: Well what choice do I have?! Trust is for fools. Fear is the only reliable way. Even you fear me. Ursa: No. I love you, Azula. I do.

Both of these scenes indicate that Azula thinks of herself as a monster and is deeply uncomfortable with the idea. Considering Ursa is a voice in Azula's head and not a ghost, it also shows on some level Azula knew what she did to Mai and Ty Lee was wrong and feels conflicted over it.

Once again she's much more in conflict with herself than Toya and Terror ever are, and who's someone who's constantly warring with himself? Who's someone who could help resolve her inner conflict... Zuko (too bad the way the show's written he never does).

Azula doesn't choose to self-destruct the way that Terra and Toya did. Azula's ending isn't brought about by her choice not to change, because she's never given the chance to change in the first place. Her tragic ending would make sense if it was entirely of her own choices, but Azula doesn't retain her agency in the end it's literally taken away from her. She loses control of her mind, and her ending is being chained to a grate screaming and then thrown into an asylum.

I'm not arguing against Azula's ending because she's my favorite character and I don't want bad things to happen to her. It's because her tragedy isn't about her it's about Zuko, and her ending actively takes agency away from her where at least Toya and Terra both retain their agency up until the end. It's not good writing because the tragedy doesn't fit in with the rest of the story which is about balance and healing - and it's also ableist as hell.

THE UGLY

Azula's ending is unfitting to the tone of the story she's in, makes her and Zuko's arcs feel incomplete, and also is ableist as hell.

Here's yet more evidence that Azula's tragic ending is poorly thought out. Azula's mental breakdown doesn't exist in service of her character, but Zuko's.

Azula's issues pop up out of nowhere after episode 15, and take place over the last 6 episode of the series. The idea of Azula having a mental breakdown isn't necessarily a bad concept, but it's executed poorly.

The first way it's executed poorly is just how rushed it is. There's basically no hints of any mental instability beforehand. Of course people can have mental breakdowns spontaenously like that in real life, but this is a story and stories require foreshadowing. Azula spontaneously developing mental issues doesn't feel like it's planned as a part of an arc. First off, because the writers don't seem too sure about what Azula's symptoms even are. Hallucination, paranoia, manic laughter, but apparently she's still able to bend lightning just fine. Secondly, the writer's intentions for giving Azula a mental breakdown are pretty transparent.

The writer's room needed to come up with a believable reason why Zuko would suddenly be able to fight on equal terms with Azula, so boom sudden mental illness. The intent was not to create a sympathetic portrayal of a young girl struggling with both paranoia and delusions. The intent was to nerf Azula because they couldn't think of any other way this plot could end, other than Zuko and Azula fighting in a denny's parkinglot.

As I said they use mental illness as a plot device to take Azula's agency and choices away from her. It's not done with the intention of humanizing her, and in fact except for one small scene with her talking to her mother in the mirror it's a pretty negative and unsympathetic portrayal of mental illness. Not because the writers hate mentally ill people, but because they needed Azula to have a mental breakdown in order for a plot point to happen. Which is why they didn't think of the potential implciations of such a writing choice at all.

Now, people are going to argue about me so I'll use one final example. Azula's ending may be controversial but it's universally agreed upon that the Game of Thrones Ending was bad, right?

Game of Thrones uses mental illness as the exact same plot device, to explain why Daenerys Targaryen turns from a hero to villain in the last few episodes with absolutely no foreshadowing. In fact, the all of the show director's interviews about that choice are just blatantly ableist.

Rant from @hamliet

This quote is (likely unintentionally) gaslighting, ableist, terrible logically, and downright offensive.

First, ableism: why, why, why are we conflating madness with evil? She was driven to madness so she killed a bunch of people and had to be put down? And you think this is a great message in the year of our Lord 2019? [...] Additionally, while good writing is to an extent subjective, there are general consensuses on what make good writing--and Game of Thrones hit all the general consensuses for bad writing, from bad pacing to confusing character assassination. Critics are like, pretty united on this front. No one thought Dany’s turn made sense, even the ones who expect Mad Queen in the books. Maybe if people love a character who is meant to be evil you're not writing them correctly... or maybe they aren't meant to be evil.

Daenerys and Azula are incredibly similiar characters. They're both dragon themed, alligned with the element of fire, they're both colonizers they both represent the warrior princess archetype.

I'd say Daenerys is more of a tragic heroine though, because while Danerys is essentially doing the same thing as Azula, waging war in a foreign land and a culture that's not hers, for the purpose of then bringing back soldiers to her home continent so she can wage war again - while she is definitely a war mongerer she has good intentions. Daenerys for all of her faults, genuinely wants to break the chains and help out people.

I think Azula definitely sees herself as the hero for winning the war for the fire nation's sake, but she's completely uncritical of her own culture and she doesn't really have the good intentions that Dany has. She does it more out of a sense of duty, and her belief of divine right, not because she wants to break people free.

Daenerys's problem is that she doesn't understand the culture she's invading and the complicated world she lives in and despite all good intentions, is as I described above, invading a foreign power so she can go back and wage a war to reclaim the throne. Even if Daenerys would then proceed to go on to be the bestest queen ever that wouldn't change the fact her methods to get to the throne were incredibly violent, and she's sort of failing to break free from the cycle that led the Targeryen rule to fail in the first place.

Azula's problem is she sees herself as the hero and is therefore uncritical of fire nation values. She doesn't have any nobler intentions either other than service to her country, she just like Zuko is just trying to fulfill her duties as daughter and believe her birthright puts her above others. (I mean Dany does too but digressing).

Azula's more of a tragic villain who plays the antagonist role in the story, Danerys is one of the three heroes. However, she's more of a tragic villain in the sense that she's first season zuko pre character development just way more competent.

However, while Daenerys is a much more heroic character than Azula, here's the thing. I still think she's going to die. She is foreshadowed pretty heavily to die, and fail for her quest for the throne, because her entire story is a deconstruction of the warrior princess and the liberator archetype.

However, the story that GRRM is building throughout his books with Dany as an incredibly flawed heroine is different from what we got in the show, which was Daenerys going crazy and starting to murder people. That's because Daenerys turn to darkness wasn't about her character at all, it was just making her into a plot device to move their bad idea for a plot forward. That's why the turn is so unnatural and makes little sense with her character, that's why it's so rushed.

That's also why it's ableist, because it's using mental illness as a plot device to make a character unsympathetic and monstrous and give the other characters a reason to put them down.

The same for Azula, outside of one scene where he's talking to her mother, Azula's mental illness manifests in her screaming, maniacally laughing, looking like the joker did her makeup, and her instability also makes her violent and dangerous to be around. (Ignoring the fact that most people who experience delusions in real life are harmless, and more likely to be the victims of violence).

Her sudden mental illness isn't even used to make her more sympathetic in say Zuko's eyes and make him realize she's a victim, no it's just there to nerf her so she can be violently put down. The way she's drawn, the way she acts, it's to paint her as monstrous as possible. Her last action is like sobbing and screaming while being drawn as ugly as possible. She's not even given a small hope for recovery, because it just ends there. That's a pretty great message to send people that experience delusions, not only will you not recover or be shown sympathy, you'll also get sent to a mental asylum for the rest of your life. The choice for both Azula and Dany is not to portray any kind of mental illness in a respectful way, but to make a plot point happen.

As I said I expect Dany to die in the books, but there's a difference between dying as a tragic hero succumbing to your flaws but still having your good intentions acknowledged and just turning into a villain for no reason and being put down like a rabid dog.

(This is a quote I stole from a Shigaraki post but): "Why does she need to be put down in the first place, she has trauma, not rabies."

The problem isn't bad thing happened to my favorite character, the problem with the ending is it doesn't take Dany's setup into consideration.

Stealing from @hamliet again:

The thing about tragedies is that you have to manage expectations and clearly show that your tragic hero is doomed from the very early on–ie you have to show them making steadily worse and worse decisions (see: Eren Jaeger in SnK), if not directly tell your audience at the very beginning that this is a tragic story (ie see Greek choruses and Shakespeare, the prequels from Star Wars because everyone knows Anakin is Vader–plus I’d argue Anakin’s arc only works because we know he comes back to the light in the end. Audiences don’t like reversing on set up/undoing structure. To make Dany a tragic villain is to go against the structure of her arc in both show and book. That’s why people don’t like it, even if the books makes it seem more believable.

Kate then goes onto describe a character that's much more comparable to Azula's. Honestly Arianne is closer to Azula than Daenerys is.

You know who is set up as a tragic heroine destined to descend and die because of her flaws in the books, whose arc has almost certainly been combined with Dany’s in some sense in the show? Arianne Martell. (and another character known as f!Aegon) In the books, Arianne is incredibly ambitious, and especially resents her brother and his quest for power. Like Margaery (another tragic character), Arianne seeks power and is intelligent and manipulative in her quest for it. But Margaery’s fatal mistake is that in seeking power and prestige, she’s become more a pawn than anything else for a villain (Cersei). She chose to play with lions, and she’ll be torn apart; that’s not surprising. Arianne, as her chapters hint, is going to almost certainly marry f!Aegon, playing with fire, and die burning for it. Arianne’s grasping for her own power is never portrayed as cruel or stupid like the main human villain (Cersei); on the contrary, we empathize with a girl who truly cares about her people, but resents her father’s preferential treatment towards her brother. That’s the difference between Arianne and Cersei: Arianne cares. She is not cruel. But her pride is still going to get her killed.

There's a lot of game of throne females you could compare Azula to because GOT is full of queens, but like. Azula may be a tragic villain firmly on the side of the antagonists but she's not Cerseie. She's not queen, she doesn't wield the power that Cersei wields. In fact one of Azula's downfalls is finding out she doesn't have as much power as she thought she had, and ultimately was just a tool of her fathers.

She's not Rhaenyra or Alicent, because yes she may be grabbing for power but her character isn't affected by misogyny. Because once again, the writers simply didn't think about misogyny except for a really surface level "girls can be just as strong as boys" way so we really have no idea how women are seen in the fire nation. The show doesn't really explore if being a woman makes things harder, or makes people treat her differently than Zuko because the writers just didn't consider Azula's perspcetive on that matter.

Azula is alike to Danaerys in several ways, but as I said I think her ultimate end comes from Azula understimating her own importance in her father's eyes, and quickly realizing when her father is her only family left she never had his love or loyalty in the first place.

But Margaery’s fatal mistake is that in seeking power and prestige, she’s become more a pawn than anything else for a villain (Cersei). She chose to play with lions, and she’ll be torn apart; that’s not surprising.

Azula's most famous quote is about how Long Feng isn't even a player, only to find out her father considered her a pawn from the beginning and be broken by the revelation.

The difference being of course that Avatar is not Game of Thrones and it won't even kill the evil fascist dictator so it doesn't make a lot of sense to hand Azula the ending that Arianne got. They have the same fatal flaw.

Anyway, I made this big post but I can explain why Azula's tragic ending down't work in one sentence.

AVATAR THE LAST AIRBENDER IS NOT A TRAGEDY.

Maybe the reason Azula should get redeemed is because THE SHOW IS ABOUT F&%CKING REDEMPTION.

#bnha meta #mha meta #atla meta #azula meta #azula #princess azula #dabi #toya todoroki #shoto todoroki #azula redemption

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missjuniora · 5 months ago

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I wonder about Han Sooyoung a lot. How could someone (3rd round) who had only met and known you for less than 4 years would be willing to wait for you for 50 years and then regress and experience hell all over again just to bring you back? How could that someone's other self (1864th round) in another timeline who had also only met and known you for a couple of weeks would be willing to spend 13 years of their remaining life writing a story for you everyday and doomed the entire world just so you could survive?

But when I really think about it—for Han Sooyoung—it did make sense.

Ever since she was born, she was neither wanted nor needed by anyone. Her parents would rather have her not exist. At some point, she also had a friend who set her up to blind dates but with how HSY only mentioned her once and never again throughout the story, perhaps that person wasn't really important to her either. So for the past 26 years, HSY had lived her life alone thinking if the world didn't need nor want her, then she didn't care for the world either.

Perhaps, at some point, she would even think that even if she were to disappear, no one would miss and mourn for her.

So imagine her surprise, when—for the first time ever—someone told her that she was needed. That he didn't want her to become a character. That he was willing to leave his life in her hands. That even if she ran away and hid somewhere, he would still look for her. That he believed in her to take care of the companions he left behind. That he didn't want to extend her 50 years of suffering if he could help it. That he wouldn't let her go because he hadn't heard the conclusion of the story from her yet. That he would cry if she died.

Their relationship might have started out of necessity—they were in an apocalypse after all—and HSY understood that they were merely using each other for their own benefits (plus they were enemies at first, too!). But then Kim Dokja lied about her being his friend before the scenarios (which when I think about it is technically not a lie because she was basically his confidant from his teenage years through adulthood during their exchanges in [Ways of Survival]'s comment section and DMs but they both didn't know that) when he didn't have to and the rest was history. She ended up being his companion for real.

KDJ might have only needed her at first but now he wanted her to be there in the ending he envisioned.

For the first time, HSY was needed and wanted. For the first time, someone was glad that she existed.

So even if it were measly 4 years for her 3rd round and a couple of weeks or so for her 1864th round, meeting him was enough to make an impact in her life. The amount of time spent together was not important but the short time that mattered did.

She didn't care for this world to begin with anyway so if it meant bringing her sole reader back, then she would destroy more universes just for him and him alone.

For that 'small world' she didn't wish to disappear...

[ORV Chapter 533 - Epilogue 3: Author's words (2)]

#doksoo #orv #orv spoilers

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eempxth · 4 months ago

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The Great War - Taylor Swift.

a bakugou katsuki x reader oneshot

angst/slight comfort at the end.

not proofread, 904 words

this is the first time im writing again! sorry guys DD:

The war was something everyone wanted to forget. The devastation, loss, grief, destruction, and desperation was something that was better off kept deep in the back of the mind. Many were still on the grueling process of moving on from the whole ordeal. You were one of them. As an empath, you deeply felt everyone’s emotions just from the looks on their faces. Their losses were your losses too. Looking at your classmates’ bruised and bleeding bodies, people who lost their loved ones, the damage it did to the country, you wished, with all your soul, that the war didn’t have to happen.

Your physical body was painful as well. It was hell. Feeling muscles you never knew torn, bones cracked or broken. Everything was sore.

It was all the same for Katsuki. He doesn’t remember the last time he had a proper night’s sleep in months. He kept getting flashbacks on what happened, how his injuries hurt, but didn’t hinder him from defeating all for one. How he was thankful that pro hero Edgeshot basically brought him back to life, how he heard that that damn Icyhot beat his brother, and you. How you were there with him every step of the way.

***

Class 1A was tense, and of course they were. Gearing up, they didn’t know whether they were going to survive or not. Due to shortage of heroes, mere students were forced to fight alongside the veterans, needing all the manpower they could get. They trusted the plan, of course. But alongside the doom, there was a spark of determination to win.

“Katsuki?”

A grunt came in response, a sign permitting you to continue.

“I vow, I will always be yours, if we survive this.”

His eyes widened, his cheeks turned slightly red, it was barely there, but his overall expression was unreadable. You turned away, scared he might turn you down for some reason. Almost taking a step to walk away, you felt strong arms wrap around your waist, a nose nuzzling the side of your neck.

“Fucking dumbass, saying shit like that. I will be all yours too. If we survive.”

Katsuki felt a faint giggle vibrating your body.

You, of course, were grouped with Katsuki and Izuku, tasked with tiring down Tomura Shigaraki. It went terribly wrong from the start, since Izuku wasn’t there, as he was meant to be. You felt it all throughout the fight, but whenever your muscles were tiring, your mentality fading, all you had to do was look at Katsuki.

You admired him ever since his character development started showing, and you made that pretty clear. He respected your strength as well, secretly grateful you were there with him.

But then he got injured. You pushed, overused your quirk, fought until you felt you would puke your organs out, felt your body would suddenly drop to the floor. Because he was doing the same thing. Your heart dropped seeing him fall on the floor. You sprinted towards him, dragged his body to a safe place until Izuku showed up. An attack made its way toward you, and you pushed Katsuki aside, and crimson red blood spewed out of you. His eyes widened, oh, you didn’t expect him to still be conscious.

After Edgeshot’s miracle, you both pushed your limit, your bodies almost moving on autopilot, with a mantra in your head. Defeat Shigaraki. Both of you slumped the ground eventually, with exhaustion and relief, as Izuku delivered the final blow.

Your body was calling, lulling you to sleep, as your vision wavered. Katsuki seemed to be experiencing the same thing, a decent distance from you. Using all your remaining strength, you forced your body, one last time, to crawl to him, touch him, hold his hand.

Once he realized what you were doing, he too, wanted to meet you in the middle. Both of you, crawling on the harsh, battered ground, desperate for the last piece of comfort and security. All the blood doesn’t matter. It was you. No one else.

Reaching for his hand, and him reaching for yours. That was all you remember before your vision blacked out.

At the back of UA, a memory garden was built. Columns of names on concrete walls were written, to remember the death, tragedy, and to remember the lives of these people. Heroes were given special mention. Walking around the garden, everything was silent. Not a word was spoken by either of you. Even if several months had already passed, the huge wound was yet to heal.

To your surprise, Katsuki was the first to break the silence.

“Oi.”

You whipped your head to face him, a tired, curious look on your face.

“Do you remember our promise?"

Confused, you ask. “What promise?”

“Agh, I swear I’ll kill you if you don’t fuckin remember. You were the one who started it.”

He went silent for a moment, as if thinking how to say it.

“I vowed, I would always be yours, if we survived the great war.”

He reached down to a bush, picked out a poppy, and placed it in your hair. His calloused fingertips so light, gentle, barely ghosting the surface of your head. A calm smile appeared on your face. A gentle grin appeared on his. You nodded, and echoed it.

“I vowed I will always be yours.”

#bakugou katsuki #mha bakugou #mha spoilers #mha x reader #katsuki bakugo x reader #bnha bakugo x reader #bakugou x reader #katsuki bakugo mha #katsuki x reader #bakugou katsuki x reader

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spacebarbarianweird · 11 months ago

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Little Bundle of Darkness

Synopsis: Astarion becomes a father.

Tags: fluff, comfort, dadstarion, dhampirs, pregnancy

Alethaine's age: newborn

Read on AO3

Masterlist

Headcanons

Thanks @lobster-risotto for beta-reading!

Astarion wants to leave the house, just to distract himself a bit. Just to take a break.

A cry of pain pierces the air.

The vampire starts moving objects in the room mindlessly. He hates dissociating but at this moment he misses this feeling of not being present in the moment.

It's been years since he felt so useless, so doomed. And so scared.

Another cry, louder than the previous one, and Astarion clenches his fists as if being ready to attack an invisible enemy.

He and Tiriel have been through a lot. He has seen her in blood and pain many times - his fierce warrior-wife who wields a two-handed axe with the same elegance he uses daggers is unstoppable and unbreakable.

But this… this is different.

"I - I can't!", he hears Tiriel. "It hurts!"

Whatever she wants to say next, drowns in yet another cry.

Astarion casts a glance outside. The sun is still shining so he is locked inside the house. Helpless and useless while Tiriel is suffering in agonizing pain only with a midwife to be by her side.

...He had no idea it was possible. He is an undead. Undead men don't impregnate mortal women. Besides, it had been twenty years since they met. If it had been possible to conceive a child, it would have happened a long time ago.

But –

One day her blood just tasted different. And Tiriel was so tired she couldn’t lift her weapon on their back home from the wilderness. She was claiming everything was all right and he had to drag her to the town’s healer.

She came back much sooner than he expected, and he immediately sensed something was utterly wrong. Tiriel sat in front of him in the chair, eyes firmly fixed on her hands.

"My sweet, what did he say?" Astarion asked. By this moment he started feeling a wave of his own panic. Tiriel is mortal. She is a warrior, yes, but she isn’t immune to curses and, after all, death. And besides he had never seen her like that.

"Astarion, tell me one thing. Have you heard about children born from vampires?"

"Yes, I have. Dhampirs. It’s like being a vampire without downsides,"he got so carried away that he basically gave a lecture to Tiriel, and then stumbled. "Why do you ask?"

And then she put her hand on her belly.

“He told me I am pregnant.”

… The next months were intense. Sometimes everything was good. They could even sit and talk about the future – sure, the child was going to be an elf with just a bit of human ancestry on Tiriel’s side.

But more often than that they both were scared. Tiriel had insane mood swings and she would burst into tears after some innocent mockery from him. He had nightmares and panic attacks. Everything he thought had gone for good returned the instant he’d learned about pregnancy.

And Tiriel… Well, the thing is women die at childbirth even if the child is mortal. Even if before the woman has challenged the gods.

Cries from upstairs are unbearable to hear. Astarion wants to be there with Tiriel and, at the same time, he wants to be miles away. And it’s all his fault.

If she dies, it will be his fault.

Fuck it.

Astarion goes up and with a bit of hesitation pushes the door. The smell of familiar blood makes his head spin.

“Go away, idiot! I told you not to come here!” the midwife curses. “There is too much blood!”

“No, please!” Tiriel begs, reaching out for him, “Don’t go!”

Astarion kneels beside her and squeezes her hand. “I am not going anywhere, my sweet.”

What if something is wrong? What if the child is some monster, not even resembling a sentient being? What if…

And suddenly Tiriel goes silent.

A squeal, full of fury and distress, pierces the room.

“Well, this one looks like a healthy girl”, the midwife places the baby in Tiriel's arms.

The tiny Elven baby with long pointy ears stops crying, feeling her mother’s skin against hers.

Astarion stares at the child in shock.

“Didn’t really take after me, did you?” Tiriel adjusts herself a bit in the bed. “My lovely beautiful girl”, she presses a kiss against the baby’s forehead, “Look at her ears, they are like yours!”

Astarion can’t take his eye off them. His child. His and Tiriel’s. His daughter. Not a monster – just a baby.

The long pointy ears twitch, and Tiriel starts caressing them.

“Tiriel… My love…”, he finally manages to speak again, “Her ears are very sensitive, don’t touch them too much”.

“Oh, I am sorry”, Tiriel stops. “But they are so cute!”

“They are.”

Astarion can’t decipher what exactly he feels. All these months the child was just an idea, something he couldn’t feel attachment to. But now that the baby is born, the realization that nothing will be the same hits him. That his life has just changed forever.

And this is good. The worst thing that was happening to him all the centuries of enslavement was the understanding that nothing would ever change. Nothing would get better or worse because everything would stay the same. And now, it’s something new. Something natural. Something he thought was available only for normal people, not someone so twisted and ruined like him.

Tiriel touches his arm softly.

“Hold her.”

“What?! No! I am not…”

“It’s your child, Astarion”

Astarion stands up and recoils. “Tiriel, I will hurt her! Look at her, she is small! I will… I will do something to her!”

It seems like his voice scares the newborn and she starts crying again.

“Sit with me”, Tiriel asks. “Please”

Astarion hesitates but obliges. Before he says anything, the little bundle is already placed in his pale arms.

He freezes. The girl cries even louder demanding to be returned to her mother. Astarion touches her forehead with his fingers – the skin feels delicate like silk”

“Ai armiel telere maenen hir, salen damia”, he whispers in Elven.

And the girl stops crying. She looks at him with her dark eyes and suddenly smiles. The newborn stretches her tiny arms as if trying to reach out for his face.

And Astarion bursts into tears. Sobbing, he cradles the baby in his arms, hearing the fast heartbeat within her delicate rib cage.

It’s his daughter. His treasure. The reward for everything he’s been through. The sign that he has been doing the right things all these years.

Tiriel puts her chin on his shoulder and wraps her hands around his waist.

“Thank you, my love”, Astarion says to her. “This is a gift.”

They sit like that for what feels like an eternity. Finally, Tiriel breaks the silence.

“She needs a name.”

Astarion studies the girl’s face as if looking for a hint. Then, the name comes to his mind, though he doesn't know where he could have heard it.

“Alethaine. My love, can we call her Alethaine?”

Tiriel nods. “It’s not like I have any other suggestions. I was scared to death the whole time. It’s beautiful. Let’s call her that”.

It’s already night when the midwife leaves the house. Astarion helps Tiriel to get to the bed with clean sheets and then brings her sleeping Alethaine.

Astarion watches how Tiriel pulls the collar of her shirt freeing swollen breasts and then places the girl that way so her mouth in front of the nipple. The girl makes sucking movements and her ears twitch simultaneously.

Tiriel starts humming – and Astarion recognizes a human lullaby he’s heard from Tiriel maybe only once or twice.

He carefully puts his head on Tiriel’s lap so he can see both his wife and daughter.

“How are you feeling?” he finally asks.

“Tired. Happy. And you?”

Astarion chuckles. “You pushed a whole Elven baby out of your body and wonder how I am feeling?”

“Actually, yes”

“I feel … alive.”

Tiriel reaches to his silver curls and strokes the hair with her free hand.

“Thank you for giving her to me”, she whispers.

Ai armiel telere maenen hir, salen damia (Elven) - you hold my heart forever, my child

@tugoslovenka @marcynomercy @wintersire @vixstarria @not-so-lost-after-all @ashiro20 @theearthsfinalconfession @herstxrgirl @starlight-ipomoea @micropoe10 @astarion-imagine-archive @veillsar @elora-the-slutty-songstress @fayeriess @lumienyx @astarion-beloved @tallymonster @caitlincat-95 @tragedybunny @valeprati

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adanfore · 1 year ago

Text

StepBro!Choso x Reader

Choso has memorized your schedule when there’s roaring thunder outside the windows, rain poaring heavily along with the occasional light up of the dark night sky.

He knows that any moment now you’ll run out to your mother’s room, scared to the bone, crying.

That is why he now leans on the wall, near the door, waiting for you to do so.

As soon as he hears your quick feet make the first step out of your room, he shuffles to walk out as well, pretending to go to the bathroom.

You get scared and embarrassed at the fact that he saw you, your makeup running down your face from crying. He’s always been mean to you, you didn’t think this would be an out of the ordinary scenario between you two.

“Shitttt, what’s up with you? Why’re you crying?” he asks as you lower your head like a scared pup, telling him you’re scared of thunder.

“Aw man, well that’s rough, where you heading off to though?”

“To mom’s room…”

“Really? Didn’t you hear her saying she was tired after work?” He starts off.

“You wouldn’t want to ruin her sleep with your crying, would you, sis?”

“No… Sorry, Choso..”

He’s awaiting his soon to come victory.

“You can come to my room for tonight, if you want, we can play some games.” But he knew you didn’t want that, you wanted to fall asleep already. After all, it is almost 2 AM.

“I just wanna sleep, Choso..”

“Alright, you can sleep on my bed while I play some games.”

There you both were, Choso was playing some pc games while you were shivering in his bed, talking to him. It was so hard for Choso to focus on the game, while you were in his bed, his bed.

“I’m cold, Choso..”

“Take the blanket from under the bed, should be there somewhere.”

“No, come warm me up… You need to sleep anyways.”

Shit, Choso felt a knot in his stomach from your words. He didn’t waste any time to turn the pc off and hop into bed with you. Flustered as ever, but it’s not like you werent flustered as well, more than him probably.. He put his hand over your body that’s covered with the comforter, basically hugging you as his hand rests on your sheathed waist.

“You warm enough now?”

“Y-Yeah”

He’s so close to your body, he managed to calm down and almost fell asleep, until…

You pushed your ass back, basically into his half hard dick.

He was doomed for tonight..

“Choso… You’re hard.”

“Shit…”

#smut #jujutsu kaisen #choso fanfic #choso fluff #choso smut #choso x f!reader #choso x fem!reader #choso x female reader #choso x reader #choso x you #choso x y/n #choso kamo #jjk choso #jujutsu kaisen choso #choso #choso my beloved #kamo choso #jujutsu smut

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daisynik7 · 2 years ago

Text

Strawberry Soju

🎶 I don’t need another shot of you, but I got to, my strawberry soju 🎶

Pairing: Eren x f!reader

Rating: Explicit - MINORS DO NOT INTERACT

Genre: college au, enemies-to-lovers

Word Count: ~7.0k

cw: asshole!Eren, fratboy!Eren, subby!Eren, blowjob, cunnilingus, face riding, multiple orgasms, cowgirl, unprotected sex, alcohol, language.

Summary: Two weeks before graduation, you are finally done with your senior project. This calls for a celebration with your team, including the person who annoys you the most: Eren Jaeger. The two of you learn to put your differences aside for one night, starting with a bottle of strawberry soju.

Notes: All characters are seniors in college (21-22 years old), engineering majors. Eren is a frat boy, so some details from my series Rush will be used, but no correlation to that story. Inspired by the song “Strawberry Soju”, which I’ve been obsessed with for the past two weeks. I had a lot of fun with this, so I hope you enjoy! Reblogs, likes, and/or comments are ALWAYS appreciated, thank you so much!

“And now, we are proud to present the winner of this year’s Senior Project Showcase: Team Titan! For their omni-directional mobility gear, designed for construction workers in the field to ensure safety whilst elevated hundreds of feet in the air! Bravo, Team Titan! Bravo!”

Professor Pyxis’s announcement leaves you and your group flabbergasted. Sasha and Connie both have their jaws dropped. Eren, who sits beside you, throws his fist in the air, exclaiming, “Oh hell yeah!” You stay in your seat, in total shock.

Pyxis stares fondly at the four of you, beckoning you towards the stage in the main engineering lecture hall. “Don’t be shy, my young engineers, come here to accept your award!” Hesitantly, you all make your way behind the podium, a polite round of applause from the other students and faculty echoing throughout the room.

Nearly an entire semester of work has led to this. Five months of grueling research, scrambling to acquire the right materials, complicated design issues that made you want to scream. Not to mention five months spent collaborating with the bane of your existence: Eren Jaeger. The award for first place barely makes up for a semester’s worth of torture; nonetheless, it’s still a pretty trophy.

It was fate that brought the four of you together back in January, the same fate that has spited you for whatever reason, forcing you to work alongside Eren, the most obnoxious, cocky, annoying person you have ever met in your short twenty-two years of living. While you had no issues with Connie or Sasha, you and Eren did not mesh. It’s been apparent since the beginning of the semester when you were chosen to be the team leader. He scoffed, claimed that he “would be a better choice, but whatever.” Your relationship with him was doomed from that day on.

What’s odd is that he isn’t an asshole to the entire group; his less than pleasant behavior seems to be reserved for you, and only you. He gets on perfectly fine with Sasha and Connie, who have basically played mediator for you two, keeping as much of the peace as possible whenever an argument ensues. He usually instigates it, always making an unnecessary comment to get under your skin. At this point, you’re convinced he’s doing it on purpose just to get a rise out of you, because how can one human be this irritating?!

Despite all the petty drama, you have to admit that he’s smart. Not only that, but he also works hard and gets shit done, no matter how much grief he gives you about it. And, if you squint hard enough, he maybe is, almost, sort of…hot. Strictly speaking from an objective standpoint, that is. Based on media-driven beauty standards and common qualities that are considered conventionally attractive by society. Of course, you will never, ever admit this aloud, especially not to him. You’re convinced that if he ever finds out, his massive head will explode, already overinflated from his gigantic ego.

Your team crowds Pyxis, who happily hands you the trophy first. Eren, no surprise, snatches it from your clutches to hold it himself, kissing it and lifting it above him like he won a major league championship. You resist the urge to roll your eyes, trying to maintain professionalism in front of the watching staff.

“Will your team leader give a few words about the project?” Pyxis asks, gaze on you, motioning to the stand.

You tense up, usually nervous about public speaking. Clearing your throat, you lean into the mic. “Uh, thank you Professor Pyxis and the rest of the faculty for selecting our project. This has been a labor of love for the past five months and we are honored to have it recognized. We hope that this prototype and any of the research associated with it will help improve labor conditions for those working in construction, risking their lives every day.”

You glance at Connie and Sasha to see if they’d like to add anything else. Connie adds, “Special shoutout to grad students Levi Ackerman, Erwin Smith, and Hange Zoe for helping us out a ton with our project, from offering advice to testing it out. We love you!”

“And thank you Paradise Pizzeria and Café Utopia for fueling many late nighters throughout this whole semester! You rock!” Sasha exclaims, resulting in laughter from the audience.

Eren grabs the mic from the stand, yelling, “This is dedicated to my fraternity brothers, for providing moral support during these trying times! Alpha Tau for life!” He holds the trophy in one hand, using the other to salute an inverted fist at his chest, sticking his tongue out.

This time, you don’t contain your eye roll as the crowd laughs even louder, clearly amused by it. He passes the microphone back to Pyxis. “Fantastic! I love the enthusiasm of this team. Let’s give them all another big round of applause!”

After the presentation is over, Pyxis instructs, “They’d like to take your picture next to the ODM gear. The photographers are taking some shots of the other projects, so feel free to take your time heading to the Rose Center.”

On the walk, Eren passes the trophy to Sasha. “What to hold it, Sash?”

“Sure! Still can’t believe we won!”

Connie puts his arm around her, staring at the prize. “I know it doesn’t really mean anything, but damn, is it nice to look at.”

Eren catches up to you, nudging you in the arm. “Would it have killed you to smile during your little speech?”

You shove your elbow into his ribs, a little harder than necessary. “I was smiling.”

“You call that a smile? You looked like you were in a hostage situation. Like, blink three times if they’re hurting you type of deal,” he teases, that cocky smirk plastered on his face.

“Like you were any better!” You stick your tongue out, mocking him. “Alpha Tau for life, bros!”

“I really meant it. I needed all the fucking help I could get, dealing with you this whole semester. If it weren’t for them, I would have gone fucking crazy because of you.”

“Oh right, because I’m the one driving you crazy, sure,” you respond, sarcastically.

“Hey, at least you’re admitting it! You’re finally making progress!” He claps in front of your face.

You shove him, glaring. “You are such a jerk.”

“Don’t be so sensitive, baby.”

“Oh, I am not your baby.”

Sasha jumps in between, yelling, “Enough! Both of you, stop it!!”

Connie joins in. “Yeah, we won today. Stop ruining the mood.”

Without you realizing it, the four of you have made it to the Rose Center, which is luckily vacant in the midst of your little spat with Eren. This is how your arguments usually go, all because of something petty that never leads anywhere. When the photographer arrives, they direct you to stand beside your project, already displayed in one of the glass windows. They take a couple of shots, then it’s over. Just like that, your senior project is officially done. There’s a huge weight lifted off your shoulders. All that’s left to do is to graduate.

The sun is setting by the time the photoshoot is finished. The four of you exit the building, Sasha immediately announcing, “I’m hungry! Let’s get dinner one last time as a team!”

“I’m down for that. Any ideas where to go?”

“Paradise Pizza?”

“No, we’ve had that way too many times this year. Let’s go somewhere special tonight.”

“There’s that all-you-can-eat Korean barbecue place downtown,” you suggest. “It’s only fifteen minutes away if we take the train.”

“Ooohh, I like the sound of that!”

“I’m down. Eren?”

He shrugs, hands in his pockets. That too-cool-to-care attitude apparent in his body language. “If that’s what everyone else wants, then I guess it’s fine.” If it had been either Sasha or Connie to suggest it, you know for a fact that he would have a more positive response. Because it’s you, he has to act like he’s being forced into it, reluctant to concede with absolutely everything you propose.

You go your separate ways to change out of professional attire and into more comfortable clothes, agreeing to meet outside Eren’s in an hour. His apartment is closest to the train station, making it the most convenient. By 7:00PM, you’re inside the restaurant, seated at a table, grill fired up as you browse through the menu. Sasha, the ultimate foodie of the group, orders the first round of meats. You pick the drinks.

“Two bottles of strawberry soju, please!” you tell the waiter.

“Oh, I love soju!” Sasha squeals.

You smile at her. “Me too. This flavor’s my favorite.”

Eren, who is somehow seated next to you, grunts. “Strawberry? Of course you’d pick some girly shit like that.”

“Hey man, don’t knock it till you try it,” Connie says. “This shit gets you fucked up fast. Trust me. I’ve gotten soju drunk before, and it’s awesome.”

He rolls his eyes in response. “Yeah, that’s because of all the extra fucking sugar, I bet. Sounds gross.”

The waiter arrives with the alcohol and four glasses, along with waters to share. You do the honors and pour everyone, except Eren, a shot. “I’m guessing you don’t want any of this gross soju, then?”

He snatches the shot glass, thrusting it towards you. “I didn’t say that. Just pour me some.”

With glasses filled to the brim, you all cheers, then throw it back. The familiar flavor is refreshing and sweet on your tongue, smooth down your throat.

“Shit, that’s good!” Connie raves.

“Strawberry might be my new favorite flavor! It’s so yummy!”

You face Eren, grinning. “Well?”

He shrugs, wiping his mouth with the back of his hand. “It’s alright.”

“Don’t lie to me. You like it, don’t you?” you tease, nudging him in the arm.

“I said it’s fine, okay?”

You stop pestering him, satisfied knowing that maybe you were finally right about something when it comes to him.

Soon, a plethora of tasty side dishes are scattered on the table. Rice, kimchi, fresh lettuce, potato salad, two helpings of steamed eggs to share. Three heaping plates of meat follow. Sasha begins barbequing, laying out portions of beef bulgogi on the hot grill as the rest of you watch hungrily, the steam and aroma surrounding you like a cozy embrace. Once it’s cooked, you help yourselves, stuffing your faces with perfectly grilled meat and whatever else you desire. Several bites in, you all decide to do another round of shots, first bottle almost finished.

“Good idea to do KBBQ tonight!” Sasha mentions. “I haven’t had it in a while. I forgot how much I love it.”

Connie chimes in, “Same! Which side dish is everyone’s favorite?”

Sasha immediately points to the potato salad. “Is there any doubt that mine would be this?”

“Of course we all know that potato girl. I like kimchi. What’s yours?”

You pick out your favorite. “This one, for sure.”

Eren makes an unapproving noise. “Of course you’d pick that. So basic.”

To keep the peace, especially on this night of celebration, you ignore the temptation to reply with an equally sassy comment. Instead, you ask, “Well, what’s your favorite, Eren?”

“The steamed egg. It’s delicious and packs an extra serving of protein.” He flexes his bicep with a smug expression. “Not that I really need it.”

Connie and Sasha laugh, while you take a deep breath, using every ounce of willpower to keep your cool. You crack open the bottle, downing the remaining alcohol to help you get through the rest of the night.

“What’s everyone’s plans after graduation?” Connie asks.

Sasha answers first. “I’ll be working with my dad for our family business.”

“I’m sure Artur will appreciate all the new, high-tech engineering skills you have! If I’m still unemployed in two months, can you please hire me?”

“Of course!”

“What about you, Eren?”

“I got an offer in Marley,” he reveals. “It’s a pretty good gig, but I don’t know about moving overseas. I got another in Stohess to work for their weapons warehouse, so maybe I’ll accept that instead.”

“I’ve never been overseas,” you comment. “Sounds interesting if you do decide to go.”

“Well, you’re wrong. It doesn’t sound interesting at all.”

Even your attempt at being polite is met with malice. “You always argue with me for the sake of arguing.”

He turns to face you, brows furrowed. “No I don’t!”

“You’re literally doing it right now! I was just trying to be nice.”

“Well, try harder,” he grumbles, picking meat off the grill.

“My god, you two are exhausting!” Sasha intervenes.

Connie nods. “Seriously, don’t you get tired of fighting all the time?”

“Honestly, you two should do it and get it over with.”

“What the hell are you talking about?” Eren leers at Sasha through the smoke.

“I’m saying get all your anger out by fucking each other. Hate sex is the best medicine for situations like this,” she explains, matter of fact.

“No fucking way,” Eren says. “It’s not like that.”

“Definitely not,” you reiterate, cheeks warm. You pour yourself another shot, already on the second bottle, not offering a serving to anyone else. Desperate for liquor with the direction this conversation is going.

“Wow, you two actually agree on something for once!” Connie teases. “See? Isn’t this nice?”

The duo giggle together, finding enjoyment from your current state of misery. Eren clears his throat, muttering something unintelligible. He reaches for the soju in front of you, avoiding your gaze as he tips it into his empty shot glass, instantly downing it. Before the silence gets awkward, you change the subject, mentioning some idle gossip you heard around the engineering department, to which Connie and Sasha have plenty to contribute to.

An hour later, the four of you manage to finish most of the food, only a few pieces of charred meat left over. Sasha and Connie rub their stomachs, satisfied by the feast. You and Eren end up finishing the last bottle between the two of you. Since the comment from earlier, neither of you have spoken directly, avoiding each other.

Connie slumps into the chair, patting his belly. “Let’s play a game while we digest! Truth or eat. If you don’t answer, you have to eat these burnt pieces of bulgogi.”

Eren laughs. “That sounds fun. I’m down.” He looks to you, brow raised, challenging. “You in, princess?”

You bite your cheek, holding in the clever retort at his annoying nickname for you, also relieved he’s back to normal. “Sure, why not?”

“I’ll go first,” Sasha volunteers, sitting up in her seat. “Eren, who’s the freakiest brother in Alpha Tau?”

Without hesitating, he states, “Armin, for sure.”

“Armin?! Really?”

“Yup. He’s one kinky motherfucker,” he grins. He turns to face you. “Why do you hate me so much?”

“You want the whole essay, or an abridged version?” you reply, smirking as you sip on your water.

Sasha giggles while Connie mutters under his breath, “Oh boy.”

Eren doesn’t let up. “Give me one reason.”

Contemplating which of the many grievances you should expose about him, you finally decide on one. “You always disagree with me, no matter what. Whether it’s something about the project, or something as simple as a side dish preference.”

“We already know that, though. What else?”

“Hey, you wanted one reason, and I gave it to you.” You think for a few seconds, adding, “And to be fair, hate is a strong word. I don’t hate you.”

It’s true. While he annoys you beyond your wit’s end, you don’t hate him. He’s a quarter of the reason you all achieved what you did. You focus back on the table, avoiding Eren’s expression. “Connie, have you two ever hooked up?” you question, pointing at the duo.

“Gross! No!”

“Absolutely not. We’re practically twins. That’d be illegal.”

“Yup. We’re basically two halves of a whole idiot.”

You laugh with them, taking another sip of water as Connie poses a question to Eren. “Why do you give her such a hard time?” he asks, referring to you.

“Here we go,” you mumble, ready for an onslaught of ridiculous reasons.

It’s silent for a few moments, then he takes his chopsticks, grabbing at the charred meat on the grill, placing it into his mouth to eat quietly.

“What?!” Sasha yells. “You’re not going to tell us?”

Connie smirks. “Must be pretty bad, then.”

You watch him slowly chew the burnt food, a small smile on his face. As if there’s a secret he’s keeping from everybody else at the table. Why would he refuse to answer the question that he basically asked you? Is his hatred for you that intense that he chooses not to say it, to save you from humiliation? What could you have possibly done to him to warrant this kind of treatment? Maybe it’s the liquor leading you to jump to conclusions, to be slightly offended by his choice. Maybe even a little hurt.

When he’s done, he chugs his whole water. “Alright, my turn again.”

“Wait, really?”

“We’re just going to pretend that didn’t happen?”

“Yup,” he responds, nonchalant.

“Why?”

“Hey, I ate that shit, right? Let it go,” he states, more aggressively this time.

You remain silent, mind racing with all types of ideas. You pay no more attention to the game, contemplating all the possible reasons Eren Jaeger would hate you so much. To be fair, he’s the one who starts it first. All you do is defend yourself. Why would he have any bigger reason to dislike you more than you dislike him?

Connie yells out your name, breaking you out of your reverie. “Hey, are you in?”

“Huh?”

“Karaoke! There’s a bar down the street.”

After paying the check, split evenly, the four of you head to the karaoke bar, booking a private room for an hour. You all sing your hearts out while sobering up from whatever buzz you developed from the soju. Any strange concerns you had about Eren evaporate. The two of you even seem to get along, performing a few duets together.

On the train ride back near campus, the four of you share more laughs, enjoying possibly the last time you’ll be together. With everyone graduating and off to their own paths, it’s hard to tell when, or if, you’ll ever see each other again.

From the station, you start you trek home, pausing outside Eren’s apartment to chat a bit more, until Sasha says, “I guess this is goodbye!”

“Yeah, thanks for all your hard work. This was really fun,” Connie adds, smiling.

“We should all try to keep in touch.”

Eren hugs Connie, then Sasha. The two of you look at each other, contemplating if you should embrace also. Suddenly, you blurt out, “Actually, can I use your bathroom? I have to pee.”

You really do have to pee, but surely, you could have made it the extra ten minutes to your own apartment to do so, right? For some reason, your mind convinces you to stay with him just a little longer. There’s a pending task you have to complete before you part ways for good. You hope for closure, to end things on a good note.

You, Connie, and Sasha exchange hugs, leaving with a final wave, disappearing into the distance. Despite the pleasant warmth of the summer night, there’s a noticeable chill in the air. Not from the weather, rather, from the growing tension surrounding you and Eren. His voice is quiet when he says, “Alright, I guess we can head in now.”

You nod, following him through the entrance. At the elevator, he swipes a keycard, pushing the button to go up to the third floor. The doors open and you step in, still not speaking a word. Arriving at his door, he unlocks it, holding it for you.

“Bathroom is down to the right,” he points, removing his shoes at the entrance.

You copy him, sliding out of your sneakers. “Okay cool. Thank you.”

Once you find the bathroom, you swiftly close the door, fully aware that you are inside Eren Jaeger’s apartment. Naturally, curiosity gets the best of you. With a quick glance around the room, you can tell he’s tidy. Towels hung properly, actual floor mats on the tiles, toilet seat down. Is he anticipating a visit from a friend? Maybe a lover? You can’t help letting your imagination run wild.

Finished with your business, you walk out of the bathroom to find him sitting on the couch, television playing a show you’re familiar with. “Have you seen this episode yet? The new season just started,” you mention, stepping towards him.

He stands up, turning to face you. “I haven’t. Was planning to watch it tonight.”

“Cool,” is all you manage to utter.

There’s another moment of awkward silence until he asks, “You want to watch it with me?”

Without thinking, you agree.

The two of you sit on opposite ends of the couch, watching in silence. About halfway through, with a soft chuckle, he admits, “That strawberry soju wasn’t bad. Actually, it was pretty good.”

This catches you off guard. You look at him, grinning. “Wow. It took you this long to finally come clean about it.”

“Better late than never, right?” He keeps his eyes forward, smirking.

You adjust, completely facing him. “Since you’re being honest about that, can you tell me why you didn’t answer Connie’s question?”

He plays dumb. “What question?”

“Why do you give me such a hard time?”

He clicks his tongue, shaking his head. “You’re still thinking about that?”

“Yeah, I am,” you confess. “Seems a little odd to me that wouldn’t just say it.”

Finally, he matches you, repositioning himself to set his gaze on yours. “Why do you care so much?”

“I’m curious. Since we’ll be graduating soon, we’ll probably never see each other again. I figured we should put everything out there. Get some closure. Make amends.”

He scoffs. “I wasn’t aware there were any amends to make.”

You’re getting annoyed now, impatient with his round-about comments. “Seriously? You think our relationship is normal?”

“I don’t think we have a relationship at all.”

You stand up, regretting being here in the first place. He’s the same asshole he’s always been. What we’re you expecting? Why would he be any different tonight?

“Fine. Forget it. What a waste of time. Good job on the project, and I hope you have a great life.” You stomp towards the exit, not bothering to look at him.

Suddenly, his hand shoots out, gripping you loosely around the wrist. “Wait. Don’t go.”

You glare at him, eyes narrowed in frustration, skin tingly from the physical contact. Waiting for him to elaborate.

“I’m sorry, okay?” he stammers. “I’m not…I can’t really…” he trails off, not finishing his sentences.

When he doesn’t proceed, you ask, “Why do you hate me so much?”

“I don’t hate you.”

“Then why do you treat me this way? Why me?”

He swallows hard, the truth difficult for him to spit out. “It’s dumb.”

“I don’t care. Just tell me.”

He lets out a sigh, averting his gaze to the floor. “It’s because I like you, okay?”

It takes a moment for you to process what he’s saying. Eventually, you stammer, “You like me?”

“Yeah, I like you,” he reiterates, still staring at his own feet. “You’re cute. You’re the smartest person I know. And you’re also a fucking pain in my ass. But I like you.”

That last part would normally have you on the verge of swinging; however, it’s almost endearing the way he says it. Your sudden change in heart has you questioning if you’re drunk from the liquor you consumed hours ago. “Why would you treat me like this if you like me?”

Another deep sigh as he explains, “I don’t know. Because I’m a fucking idiot and I’m immature. I told you, it’s dumb.”

“It’s not dumb. I just…I didn’t expect this.”

More silence falls between you two. You look down at his big hand still holding you, racing heartbeat reverberating through your chest. You’re not sure how to react. So, you go with your instinct.

You kiss him.

~~~

Eren doesn’t know why he started it months ago at the beginning of the semester. If he’s being completely honest, he’s got the body of Greek god, the intelligence of a genius, and the maturity, or in this case, immaturity, of a fifth grader. That being said, whatever it is that he has going with her, he’s decided to classify it as a schoolboy crush. Like a kid on the playground picking on another kid, doing everything they can to garner all their attention, no matter how annoying it is.

It began with snide remarks here and there, nothing ever too cruel to be considered bullying, but enough to make her bite back. He’s not sure why he kept it up so long, especially after realizing he actually likes her. In his mind, negative attention is better than no attention at all. He can’t be normal around her; being a nuisance is what he’s comfortable with.

Another reason is that he’s intimidated by her. She could see right through his cocky demeanor. Break him down into the vulnerable little shit he really is. The grief he caused her is some bizarre defense mechanism, a way to deny his true feelings for her. All to protect himself and his heart.

He was supposed to go to a frat party tonight after hanging out with the team. Instead, he finds himself alone with her in his apartment, everything revealed, his confession hanging heavy in the air.

Even more unexpected is her leaning forward to kiss him, lips soft and gentle against his. Hesitant and uncertain. Sweet and tangy from the lingering essence of the strawberry soju from earlier. Before he gets carried away, he pulls off, whispering, “Are you sure about this?”

“No,” she admits. “But I can’t deny that I’m curious.”

“We shouldn’t do this then. It doesn’t feel right.”

“Just…shut up and let me check something.”

He obeys, closing his eyes, waiting for her move. She kisses him again, more confidentially this time, hand sliding to his nape to pull him closer.

“Fuck, are you sure this is okay?” he breathes out, slowly losing his composure.

She nods, smiling. “Yes.”

“You’re positive?”

“Yes.”

“Absolutely certain?”

“If you ask me one more time, you’re really going to piss me off,” she warns, grazing her mouth along his neck, sucking at the skin of his throat.

He nods erratically. “Okay, okay. I’m sorry. Fuck.”

She pushes him back towards the couch, falling into the cushions. He watches in awe as she strips her sweatpants, revealing pink lacey panties. She sits in his lap, legs spread wide with him between, clothed pussy against his pulsating cock. His hands are to his sides, clenched to the cushion of the couch. With her lips brushing his ear, she whispers, “You can touch me if you want.”

His cock twitches, erection growing by the second as she straddles him. Carefully, he slides his palms around her waist, moaning a trembling, “Thank you.” Hands at her bottom, he squeezes her ass cheeks in a firm grasp, fingers slipping underneath the fabric, dangerously close to her arousal.

Without thinking, he blurts out, “Use me. Do what you want with me. You’re the leader.”

There’s a wicked smile on her face as soon as he says it. “Eren Jaeger is going to let me use him?”

All pride is thrown out the window. He doesn’t care anymore about giving into weakness. With graduation only two weeks away, and no promise of ever seeing each other again, he decides fuck it. He’s going to do whatever he can to fulfill this fantasy of his. And if that means submitting to her, begging and groveling at her feet, he’ll fucking do it.

“Yeah,” he growls. “Use me as your fuck toy. I’ll do whatever you want. Just fucking use me.”

“Didn’t think Alpha Tau’s frat star would behave like this,” she murmurs, sucking on his ear lobe.

“Does it turn you on?”

“Maybe.”

“Good. Fucking wreck me apart then. Don’t hold back,” he demands. There’s already precum leaking from his tip, soaking through the cotton of his briefs. “Consider it payback for this semester.”

She responds by grinding her hips on his lap. He’s desperate to feel her without fabric separating them, but he knows what he agreed to. He can’t do anything without her permission, without her initiating. She rides him for another minute, his palms on her ass, following her motions. His cock throbs beneath her, aching for release from the confines of his pants. There’s an audible whine developing in his throat, needy for anything.

On cue, she swings her leg over to kneel beside him, tugging at the waistband of his sweats and underwear. He lifts his hips as she slides them off simultaneously, freeing his stiff cock. He watches her marvel at his erection, noticing desire in her eyes. Before he knows it, she’s bent towards his lap, mouth hovering his dick, licking at the slit.

“Fuck,” he moans. “Goddamn.”

She continues to tease him, leaving the shaft untouched, tongue swirling the tip, lapping at his precum.

“Fuck, please. Touch me,” he begs, legs quivering from arousal.

Without warning, she wraps her fist around him, surrounding the tip with her mouth, bobbing up and down in sync with her strokes. She starts slow, increasing the pace with each guttural moan that emits within his chest. The temptation to buck his hips into her warm, wet heat is tantalizing, but he reminds himself that she’s in control, which only turns him on more.

She uses her other hand to fondle his balls, causing him to swear loudly. “Fuck!”

He feels the vibration of her giggle through his cock, clearly enjoying the way she’s unravelling him, his orgasm approaching fast. “Can I please come?”

She shakes her head, still working his dick.

“Fuck. I can’t…I can’t hold it.”

She releases him from her mouth, stroking him, face close to his. “You think you deserve to come now?”

He nods eagerly. “Yes.”

“Apologize first.”

“Huh?”

“Apologize. Admit that you’re a fucking asshole.” She nibbles on his ear lobe, dragging it down between her lips, still jerking him off.

“I’m sorry. I’m a,” he chokes on his spit before he can finish. “Fucking asshole.”

“Tell me your desperate for it. That you need it.”

“Fuck, I’m so fucking desperate, I fucking need it. Please.”

“Good,” she whispers, pumping him faster. She kisses him on the lips, grip tight around him as his cock swells, hanging by a thread at the edge of his climax. “Go ahead. Come for me, Eren.”

At the sound of his name on her sultry lips, he does, hot cum shooting straight onto his t-shirt. “Fuck!” he yells, eyes shut tight, riding out one of the best orgasms of his life. She strokes him until his balls are completely drained. Finally, he opens his eyes to inspect the scene, shocked by the mess painted across the bottom of his shirt, spilling onto his abdomen.

“Holy shit,” he mutters, smiling at her.

She grins back at him. “Not bad, right?”

“Not bad at all. Really fucking good, actually.” He kisses her, fingers drifting down to her arousal, rubbing the fabric against her clit. “Come here. Let me eat this pretty pussy out. Please. I want it so bad.”

“Since you said it so nicely, I guess I can let you have a taste.”

~~~

You stand up, leaving room for him to lay down on the couch. He doesn’t need to be told. He expects you to ride that pretty face of his. When he’s flat on his back, shirt stripped off and completely naked, he turns to watch you slip out of your panties.

“You’re so fucking sexy,” he praises, reaching down to rub his balls. “I think about this a lot, you know.”

You toss your underwear to the floor, watching him play with himself, removing your remaining clothes. “What do you think about?”

“This. You, naked in my apartment. Riding my face till you come. Fucking your wet pussy right after.”

“I guess tonight’s your lucky night,” you tease, lifting your knee across him, straddling his face.

“Yes, it is,” he replies, licking his lips, eyes wide with lust at your pussy above him, already wet with arousal. He cranes his neck upwards, tongue out, desperate for a taste.

“Not yet.” You lift up enough so he’s out of reach. “Watch me play with myself first.”

“Fuck,” he swears, salivating.

You wet your middle finger with your slick, rubbing circles around your clit. He watches in a daze, biting his lower lip, brows knit together in concentration, focused on you pleasuring yourself right above him. He squirms beneath you, thrusting his hips into the air, in an effort to feel anything. “Get it fucking juicy for me, baby. I want to fucking drown in it.”

The little nicknames you’ve grown accustomed to hating has a very different ring to it now. For the first time all semester, you don’t mind it. You actually like it. With your free hand, you run your fingers through his hair, redirecting his gaze on yours. “That’s right. I’m your baby. And what are you?”

He swallows hard. “I…I don’t know.”

“You’re my fuck toy.”

“Fuck yeah. I’m your fuck toy, baby. I’m your fuck toy. Use me, please.”

With your grip firm on his hair, you sink lower, your pussy pressed to his open mouth. He licks your clit, swiping his wide tongue over it, moving side to side. You moan at the glorious sensation, rocking your hips across his face to feel more. He latches onto your swollen bud, humming in pleasure as he suckles on it. His hips rut into nothing again, arms at his sides, clutching hard at the cushions, letting you be in total control. This power he gives you turns you on more than you imagined. Maybe because all semester, he always acted as if he had the upper hand. Knowing how desperate he is to be beneath you, to please you beyond any other desire he has, it only spurs you on.

You grind yourself on his face, the squelching noises indicating how sloppy he’s eating you out and how wet you’re becoming because of it. He’s relentless, alternating between licking, slurping, and sucking at your clit. You blissfully indulge in it until you climax on his tongue, bud over-stimulated, pussy soaked with his spit and your slick.

“Fuck,” he muffles, slurping the cum from your sleek entrance. Legs wobbly from your orgasm, you lift off him, shifting to reposition yourself comfortably on top. His cock is hard beneath you, sticky with his cum from earlier. Through shiny lips, he whines, “I’m so fucking hard again. Fuck me. Fuck me with that wet pussy.”

Reaching behind you, you align him with your slit, sinking down on his shaft. He lets out a gasp, “I’m so fucking sensitive, fuck.” Concerned, you attempt to lift off, but he shakes his head fervently. “Don’t. Please baby. Fuck me till I come. I need it. I need it.”

You ride him, bouncing your ass on his lap, thrusting his cock deep inside you. He moans loudly, babbling filthy words from his needy mouth.

Use this cock, baby. Fuck me like a toy.

Make yourself come on this dick.

It’s all fucking yours. Take it, baby. Take it.

I’m all yours. I’m all yours.

You moan with him, another climax approaching. Grabbing his wrist, you guide him to your clit. He caresses your puffy bud with his fingers. “I’m going to come,” you whimper.

“Can I come with you, princess? Please, can I come inside you?”

You nod wordlessly, pumping him in and out of you faster as he rubs your clit relentlessly, determined to make you orgasm. When you cry out in ecstasy, he joins you. “Fuck, I’m coming. I’m coming, baby.”

For the second time tonight, both of you come, this time together. He spills inside you, filling your cunt with his warm, creamy load as you coat his dick with yours. Your body is spent from the euphoria, throat dry from whining in pleasure, and your curiosity satiated. It’s a lie to say you’ve never imagined being fucked silly by Eren. No matter how much he annoyed you, irritated you, aggravated you, there were moments this semester when you thought about it. How good it would feel to ride him, fuck him dumb until he’s begging for release.

“I’m exhausted,” he giggles, limp on the couch, softening cock still inside you, wrapping you in a snug embrace.

“Me too.” You settle into his arms, relaxed and comfortable against his chest.

“Thank you,” he mutters, caressing your back tenderly. “Thank you.” He doesn’t elaborate, repeating it a few more times as he nuzzles his nose into the top of your head.

You cuddle together in a comfortable silence. “Sleep here tonight. I have an extra toothbrush and you can wear my clothes.”

Accepting his offer, the two of you start tidying, picking up strewn wardrobe from the floor, wiping away the sticky aftermath of sex. You hop in the shower, rinsing your bodies clean, exchanging passionate kisses while the water splashes you. After you dry off and brush your teeth, you change into an oversized t-shirt and a pair of boxers he lends you, jumping into the bed beside him. He smiles at you. “You look good in my clothes.”

You give him a smooch, getting yourself cozy under the covers. He spoons you, arm sliding over your waist, interlacing his fingers with yours. His breath is pleasantly warm on your neck. “I know we’re probably past this already, but I want to formally apologize. It wasn’t right the way I treated you, and I’m sorry. Genuinely.”

“Apology accepted,” you respond, squeezing his hand. “I’m sorry too. For saying anything that hurt you out of anger.”

“You don’t have to be. I deserved it.”

“Still, I’m sorry. And no one deserves that.”

“All is forgiven then.” He chuckles softly. “For two smart people, we sure are dumb.”

You laugh with him. “If only we were a tad bit smarter, we could have started this months ago.”

“Yeah," he says, nestling his face against your neck. "You’re right.”

Nothing else is said as the two of you drift into sleep. It’s nice, having closure on a previously volatile relationship. However, something else lingers after tonight. Another door opens, leading to the unknown. He confessed his true feelings for you. You didn’t have time to process it, too focused on settling your truce through sex. While there’s no doubt that you find him physically attractive, can you really move on from the past and give him a chance?

~~~

The words are on the tip of his tongue, and he decides to keep it that way, not wanting to disrupt this moment of peace. Not wanting to complicate it any further. He knows that this is the beginning and the end of whatever this fling is. She hasn’t reciprocated his feelings and he won’t pressure her to, not tonight. Maybe not ever. No matter how badly he wishes to see her again, keep in touch, make it official, he won’t ask that of her. At the end of the day, it’s his own fault for waiting too long, for being too late. Time has run out, and now he’s paying the price.

They stay in each other’s arms, Eren listening closely to the sound of her steady breathing. Cherishing how her fingers fit seamlessly in his, the small smile on her lips as she drifts into a tranquil slumber, the warmth and weight of her body against his.

The next morning, he wakes up, alone. If not for the stack of clothes he let her borrow folded neatly at the end of the bed, he would have thought last night’s events were all a dream. He vaguely recalls her waking up beside him, placing a chaste kiss on his forehead, sneaking out on her tippy toes at the crack of dawn. Still, he searches the apartment, calling out her name to no response.

Throughout the week, he’s constantly on the verge of texting her. He never goes through with it, though, scared to be rejected. Afraid of having the final memory of her be one of heartbreak.

As a last-ditch effort, he devises a plan. Eren hosts a party at his place to celebrate the upcoming graduation. He invites the Alpha Tau brothers, plus some sorority girls for good measure. However, his main objective is to invite her. He ends up sending a group text to his senior project team, casually informing them of his little gathering. Sasha and Connie both reply, announcing their attendance, but she doesn’t.

At the party, he tries not to think about her, distracting himself by socializing with the crowds of people already filling his apartment. When Connie and Sasha arrive together, he decides to try one more time before he consumes his sorrows away. After exchanging polite greetings with them, he asks, “Have you guys heard anything from her?”

“Nope. I don’t think she even texted back, right?”

Eren’s ready to reach for the closest container of booze he can find. The duo walks past him to enjoy the party while he remains standing, watching the door for another minute. Just as he’s about to turn his heel, he sees it open slowly.

She walks in, her favorite drink in hand, a happy expression on her face as soon as she spots him. In the background, someone yells out, “Eren! Tequila shots?”

Waving the familiar bottle at him, she smiles.

“Nah,” Eren responds, gazing at her with a grin. “I’m sticking with strawberry soju from now on.”

--------------------

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