#they were basically both doomed from the start

[oifaaa]

also i think it just gives more depth to both steph and jason if jason was a good kid with parents who did care and unfortunately didn’t have their circumstance entirely in their control!!

like it aligns better with jason’s like passion to be robin and be something bright and to help. like isn’t it so much more complex if he knows good people can end up doing bad things bc they didn’t have a choice and yet he still goes out of his way to interact with these villains and discover that sometimes (obviously not all the villains) but sometimes people are just bad! like his death is more crushing if he thinks people are inherently good and is proven wrong like he was just a pawn to be killed. like then when he comes back with the vengeance of the whole thing. like even the good couldn’t protect him so he has to orchestrate the bad and provide him some sorta control

where steph having this as her baseline! hoping to be saved and so desperately waiting for batman only for him to never arrive. for her dad to still be abusive and having to watch both her parents succumb to these habits that essentially have her act as a parent to them both. her becoming spoiler is literally so heart breaking, she risks her life to thwart cluemaster and put him in prison to get him out the house, so she has one less thing to deal with. then she’s left with her mother who (depending on which comic) often leaves responsibility up to steph even making her retrieve medication and further the addiction. like her whole nightmare about her baby being manipulated by her dad and the bats blaming her for being a bad role model when all she has done is try to save herself is genuinely one of the most upsetting panels of hers. nvm her whole robin run which is just another thing!!

sorry for the ramble !! but ur tags have been very real <33

Oh no please go you get it completely - but also just to add on to the Jason part too the fact that he's now okay with killing henchmen despite the fact that his father was one of those men, one of those good men that get into crime bc there's no other choice really hits home his resolve, he's done the math and decided that it'll be worth it in the long shot

[fettery-fetterie]

I'm just kinda thinking over what could it been had things gone just. Just every so slightly better

Had some fundamentals been challenged further

Had the right words be spoken

Had they didn't go all in

It's just so sad, because I ultimately do see them working on the right scenarios, but they're all just...fantasy, a fleeting dream, the unreachable

Oughhhh I love them so much. They're so doomed

[cybertron-after-dark]

what the FUCK happens in cyberverse

Here's a list just off the top of my head, in no particular order. MASSIVE spoilers ahead.

-Wheeljack keeps making party drugs. This is not only accepted but wholly encouraged by the Autobots. He's made the bot equivalent to cocaine so strong it made grimlock physically unable to stop himself from running around the ship at mach 5. This was the basis for an entire episode. He's also made patches that give you a direct link to the Allspark that he passed out at a party specifically to get everyone as fucked up as physically possible. I cannot overemphasize that Optimus make no effort to stop this until things turn destructive on both occasions.

-Soundwave and Shockwave completely fucking hate each other and have a whole rivalry trying to be a better and more useful follower for Megatron than each other.

-Soundwave is a fucking memelord who will play clown music or dramatic riffs to dunk on people from the soundboard he has built into his hardware.

-theres a sort of liminal dimension referred to as Unspace that you can get stuck in and if you are there for too long you will straight up disintegrate. We see this happen to the entire crew aboard the arc from different timelines several times while the main timeline crew we follow tries to escape this fate, thus dooming dozens of other timelines.

-Cheetor is basically Allspark Jesus, and he's tired of all the fighting, so he tries to have Optimus and Megatron settle their differences once and for all. The chosen method for this was making them both play the Newlywed Game. They were both terrible at it, the MegOp Divorce agenda is alive and well.

-the Quintessons invade Cybertron and stick the entire population into a simulation a la The Matrix, which slowly drains their life force until they die. This kills countless unnamed Cybertronians, both Autobot and Decepticon, as well as Hound, who does not get to appear on screen.

-the Quintessons also catch Starscream, rip his face off, and modify him into an Eldritch tentacle beast with his brain attached to two other aliens, and then appoint that amalgamation as the judge that decides the fate of the universe in regards to whether they exterminate all life within it.

-Shockwave commits suicide for Megatron's approval. He launches his spark straight into the Allspark to taint it specifically as a last desperate fuck you to the autobots.

-Soundwave acquired laserbeak by just kind of grabbing a random bird out of the sky.

-Soundblaster is an ex-decepticon that left out of shame. That shame being Soundwave beating his ass in a beatboxing competition so fuckin hard he couldn't show his face around his faction anymore.

-The autobots keep starscream captive and try to get him to take a therapy session with the Arc's AI, and he starts out willing to actually give it a shot but said AI is kind of Stupid and screamer ends up tricking him into letting him escape through an air vent to go wreak havoc instead.

-Starscream also starts a suicide cult with the other Seekers, gains control of Vector Sigma and the Allspark, has the seekers forfeit their sparks to him, thus resulting in a cosmically powered Starscream. He uses that power to "remake" his followers into scraplets that he refers to as, with nothing but love in his tone, his "children."

-Shockwave and Wheeljack are shown to be ex lab partners. Shockwave has an army of drones that look exactly like his altmode that Wheeljack helped program. They are programmed to be able to break out into a coordinated dance number at any given time. Originally this was just to make Wheeljack laugh. Shockwave kept that function in throughout the entire war and initiates it the second there's a truce and Wheeljack asks to see it again.

-Shockwave kidnaps Wheeljack at one point for Science Under Duress purposes and Wheeljack is too invested in all the sweet fuckin tech Shockwave's been making while they were apart to really care that he's being held against his will, and then proceeds to escape without too much issue because he knows Shockwave well enough to know exactly how to disable everything.

-Bumblebee distracts the Decepticons by running in front of their surveillance cameras and shaking his ass in the most underwhelming way imaginable.

-Grimlock is only stupid when he's in his altmode because it takes a lot of power to sustain and he has to sacrifice some of his higher brain functions to keep it manageable. In robot mode he talks like he went to an Ivy League college and knows what champagne tastes like. He throws upscale parties every chance he gets.

-Grimlock also helped start an anticapitalist revolution with Bumblebee when he found an underground society of insect transformers that had a rigid caste system. This was within moments of finding out that the ultra wealthy were hoarding the limited energon reserves for themselves. Grimlock is a comrade and he does not fuck around.

-Skybyte is here and he sounds like Skeletor.

-Windblade and Slipstream are nemeses and somehow it's even more toxic yuri coded than Arcee and airachnid in tfp.

-speaking of Arcee, she's besties with Grimlock. They at one point have a physical fight over who gets to die to protect the other.

-hot rod and soundwave are forced to share leadership over the team of bots and cons that escaped the quintessons' simulation and it's packed with so much homoerotic tension its unreal.

-Maccadam is some kind of lovecraftian war machine that can unfold himself into a whole armory whenever he feels like it. We have no idea what his whole altmode looks like, all we see are the ominous shadows of the weapons on the walls. He uses this specifically as a threat to keep anyone from fighting in his bar bc he's insistent it remain neutral ground. He also can kinda just. See into the future. And casually drops prophecies that get written off as spoonerisms until they turn out to be relevant.

-Optimus Prime has horrific social anxiety that he can kind of power through when he's in a crisis, but the second things are chill and he has to give a speech at a party or something he simply does not know how to function.

-the entire planet of Velocitron gets taken over by cosmic rust and everyone inhabiting it that couldn't escape in time was killed horrifically.

-cosmos is a girl and she hangs out with a dude named Meteorfire who is, for all intents and purposes, just robot Steve Irwin.

-Astrotrain keeps closing doors in people's faces for the funny

-Megatron is killed by a version of himself from an alternate universe that went nuts and starting creating a master race of perfect Decepticons to inhabit Cybertron. Said perfect Decepticons were carbon copies of idw Tarn in all but personality.

-Acidstorm is canonically genderfluid and keeps switching between male and female seeker frames whenever they feel like it

-Kup, who had not been in the show at all until this point, decides to show up and narrate an entire episode like hes giving a political speech.

And, the infamous one we all know and love

-Megatron is a twitch streamer and he livestreams Starscream's fucking funeral. The chat has custom Decepticon emotes.

[inbabylontheywept]

Weird Grandpa Story #2

I remember asking my mom once, if her dad had gotten ornerier as he'd gotten old. I'd heard about that happening, and it would've made sense for him. He was already the orneriest old cuss I'd ever met. Couldn't even imagine him being grumpier than he was.

Instead of answering the question directly, she told me about what it was like going to church with him as a kid. Their church was a small Mormon ward out in the sticks of Colorado, and he served as their Bishop - mostly by virtue of being the only one willing to do that much unpaid work. He was also the ward pianist. He actually liked playing piano, and he liked having an audience, so it was more or less understood that he was willing to be the bishop in exchange for being the pianist. 

Which could've been a good trade, but there were a few problems.

The first problem was that Grandpa Dale played every song at about triple speed. He was a deeply impatient person, and that extended to how he played music. The second problem was that he had a bad habit of cursing under his breath. That would've been a scandalous  enough habit for a Mormon bishop, but was made much worse (and also much funnier)  by him being pretty damn deaf. So what he thought of as "quiet" cursing under his breath was more of just a verse hoarse way of yelling. I only visited him for a week or two every summer, and I still learned most of my bad words from him. 

So every Sunday would start with a quiet prayer, and then Bishop Grandpa Dale would go to the piano, sit down, and play the nightcore version of Praise to the Man. He would occasionally play other hymns, but he really, really liked that one. This would continue until he hit a wrong note, which was basically inevitable because his music philosophy was that if he could play a song flawlessly, it was time to play it faster. So he'd play until he hit that wrong note, at which point he would scream-whisper SHIIIIIT and, because he did not actually read music so much as memorize it, the only way he'd be able to get his rhythm back was by going back to the start. 

If it was a good Sunday, he could get it in two tries. Some Sundays took as many as five. 

I learned two things about Grandpa Dale from this story. The first was that he could play piano. I'd never actually seen him do that before. Still haven't, come to think of it. Second was that the man that I visited once a year, who always seemed on the verge of exploding, who scared the absolute dickens out of me, was actually the chilled out version of the man my mom grew up with.

And it helped knowing that, actually. I'm actually a pretty anxious person, and my mom is, also, a pretty anxious person, and as a teenager we'd sometimes get in these doom loops where we'd wind each other up until our springs cracked. She'd be worried about me growing up to be happy, and I'd be worried about letting her down, and my worrying would make me unhappy, and my unhappiness would make her unhappy, and we'd just kind of dissolve into these anxieties like cotton candy in the sea and become totally unbearable to be around for a bit. Then my dad would sit us both down and very politely tell us that we were being crazy. He had this quote how being sad that someone else is sad that you're sad is the emotional equivalent of being a Klein flask and that at some point you have to just say I am allowed one (1) single layer of emotional recursion, at most, and ideally zero. 

And it was always kind of embarrassing and silly, but when I was tempted to be more upset with my mom about it, I could remember the piano story and go: Sheesh. She has more of a right to be anxious that I do. For me it's really just genetics, but she grew up with the Cactus-Killing Gopher-Smasher. A whole 18 years of that. I spent two weeks every summer with that guy, and I love him, but I always came home feeling like I'd survived something. She's a trooper.

[letsbangts]

tell me what to do || jjk

⤷ summary: when the familiar becomes unfamiliar what do you do

⟶ pairing: jungkook x reader

⟶ word count: 3.4k

⟶ genre: angst, established relationship au, breakup au

⟶ content: boyfriend!jk, big argument, talking about breaking up, the blame game, basically misunderstanding due to miscommunication

⟶ warnings: explicit language

↬ a/n: once again, this a very old piece I polished up. okay so this was my second piece of work so read with caution. as you can guess it is based on 'tell me what to do by shinee' because I was absolutely obsessed with the song so I used the lyrics as a guideline for writing, I incorporated the lyrics into the story. let me know what you think i really appreciate feedback & recommend a song if you’d like and i’ll write a scenario with it like i did with this song :) angel xoxo

masterlist

these days, i don’t know, i don’t know you. you look like you gave up on a lot of things but i hear your silent scream

I sit at the dining table drinking tea in my home - our home but lately nothing seems like ours anymore. It feels like there never was an ours, never an us. I don’t even need to sense it, I can see it. It’s as though I don’t know him anymore. He looks like he gave up on a lot of things, and like he gave up on us. I can almost hear him silently screaming for an end, our end.

lovers without extreme development is this the losing hand that time has placed? we haven’t ended it but it’s already over

He walks through the doorframe fully dressed ready for his day while still sporting his messy bedhead that he somehow manages to make look angelic. That’s one thing that hasn’t changed, I still see his beauty and that’s something I don’t think could ever change. Because that is what he is a beauty inside and out and that can’t simply disappear.

He greets me with a gentle kiss on the forehead, a soft “good morning” and a soft smile. We’ve been like this for a while now, stuck in this certain level of interaction almost a routine. Like lovers without any extreme development, without any growth in our relationship if you can even call it that anymore.

“Did you sleep well?” I ask a bit apprehensively.

He picks up the coffeepot, while avoiding any slight piece of eye contact and pours himself a cup with the coffee I made for him, just another part of our routine. I’ve always hated coffee, its dull blackness, the bitter taste, the way it leaves a stain, how the smell lingers, and how it keeps you awake. But after Jungkook that view changed for me, its dull blackness suddenly started reminding me of Jungkook’s dark dreamy eyes, the bitter taste of it reminded me of his lips as that was my only intake of it, and those stains it left was warmth around my heart, the smell was like being engulfed in his arms, and it allowed me and him to be up spending more hours together. In a way, coffee was like a representation of our love.

However, that love has turned black and bitter just like the coffee in his mug. The sweet smiles we always shared and the bright laughs that used to be heard between us vanished. He vanished, pulled away and it was too late to try to pull him back.

“Mhm,” he replies nodding while taking a sip, and like our love, it disappears as he swallows it down.

I nod with him and look down at my hands wrapped around my mug. Is this the losing hand that time has placed? Were we just doomed to keep repeating the same routine with each other in denial, in silence similar to the one we are currently sitting in a few metres apart while we are living in different worlds away from one another?  We haven’t ended it but it’s already over. We were already over.

He refuses to have conversations with me when before no one could ever shut us up. Instead of constantly messing around to get a smile out of each other, he always seems to be at a safe distance away from me.

there’s a knot that can’t be untied in front of us

As the bottoms of both our cups are revealed, so is our obvious stunt to keep a conversation from starting. Jungkook sets his mug in the sink and approaches me, and with just those movements my heart races.

“Well I’m going to head off okay?”, he stares at me with an expression I struggle to read…it’s almost…apologetic.

“Yeah, I need to start getting ready anyway,” I say.

“Okay then I guess I’ll see you later,” he says like it's a question while picking up his keys and approaching the door. As if he is unsure we will return to each other as if we are not one another's home.

I hum in agreement and just as his hand is about to touch the knob. I realise he forgot, one of the things that I assumed had turned into second nature for us has slipped out of his head. Now fearing that I could be the next thing to slip out of his head or even worse slip out of his life.

“Jungkook?” I call out.

He turns almost too quickly like he has been caught doing something he isn’t supposed to.

“Yeah?” he turns with wide eyes.

I give him a look, a look that speaks words only he could understand.

“Ah,” he sighs approaching me.

He cups my face with two hands, hands that are all too familiar but feel like they belong to a stranger at the same time.

He gives me the kiss I had reminded him of. It isn't necessarily part of our routine but something we have always done. It was always our sign of love to the other before we headed out into the world, a reminder of our love.

A reminder I think is much needed for us both.

He pulls away still holding my face “Sorry” he says and this time the apologetic look in his eyes is all too clear matching his voice.

But as I hear his words his ‘sorry’ seems to be for a different reason than just forgetting to kiss me before leaving the house. But without thinking more I just let it go.

“It’s okay. Get going now or you’ll be late.” I laugh softly and with one last kiss, he’s out the door.

There’s a knot that can’t be untied in front of us, both knowing that we should let go, that we should kiss goodbye one last time and both walk out of that door and go our separate ways for good. But that is easier said than done.

Jungkook and I both well aware of the fall in our relationship are also conscious of the love that will forever remain between us. The history between us is far too much for us to walk away. To take five years of memories and experiences with a person you’ve grown with so much that they have become an attachment to your life, to you as a person is an unimaginable pain that we would both rather avoid.

It is also scary, Jungkook is the one thing I remember having through everything, he is essentially a part of me. The thought of becoming one person again is something I never pictured having to do again. In all of my plans for myself, and for the future he is right there beside me. I have become accustomed to considering things for two people I couldn’t imagine just worrying about me, one person.

But as I consider what is right for the two of us all I can think of is that maybe we were better off as two separate people.

you don’t tell me but you want me to know you think that you only gave the words you threw at me because you’re too used to me

As the day comes to a close I hear the door open and footsteps follow. The sound I used to anticipate now makes me tense. Nevertheless, once the owner of those steps and so much more turns the corner, my lips can’t help but leap into a smile that’s both relieved and nervous.

Jungkook takes off his shoes and takes a seat beside me, with yet a space once again between us.

“Hey,” he breathes out as he settles into the couch.

I slightly hesitate, “Hey”

We sit in silence but hear everything that wants to be said. An invisible weight piling up on our shoulders, an awkwardness that has become usual between us. So I finally broke it and said it. The moment we never believed would come or tried to avoid finally came.

“L-look Jungkook," I take a deep breath and continue, "we both know what has happened between us-“

“Ye-Wait, what?” he interrupts, eyebrows furrowed.

“No, it's time we finally faced it, we’ve run our course. I supposed our time together was only supposed to be this long.”

“What are you talking about?-“

This time it is me who interrupts.

“It's just hard for me to let go of you, you just mean so much to me but I can’t control how you feel.”

“Huh? How do I feel? What do you mean? What are you even talking about right now?" he rushes out.

“It's okay you don’t have to keep silent like you’re keeping some secret from me, I know. You’ve lost feelings for me”

“No, you’re not listening to me-“

“Kookie, it's okay I’m a big girl I’ve broken up with a guy before.”

“Break up?", his voice panicked, "Woah just listen to me for one second, will you? Holy shit!”

Once again we sit in silence except this time I can’t hear the silent words waiting to be said.

He shakes his head.

“I don’t know what you’re talking about. You think you know but that’s not what I wanted to talk to you about not even close.”

“I-I thought-“ I stutter out eyes widened.

“Yeah exactly, you thought. Or is that what you want? Do you want to break up?” he asks staring me directly in my eyes, his voice much softer with apprehension.

“I want to make things easier for you,” I reply in a whisper head lowered as I fiddle with my hands in my lap.

He gives me a look, a look as if I have just said something impossible to comprehend. We were both unaware of what had been happening between us for months. It's like he has become so used to the act we put on to ignore our downfall that he forgot it was an act.

“Easier? " he scoffs a laugh with zero humour, "Is breaking up something easy for you?” he argues back.

The fact that he was going to sit there and continue to play this game even after I called it out sparked an emotion inside of me and the one that decided to come out was anger.

“Oh, come on Jungkook! We both know you checked out on us a long time ago.”

His eyes widen and then he also snaps.

“Me? I checked out, are you being fucking serious right now? I know I have pulled away a bit but you didn’t give me any sign to do otherwise!”

“Are you seriously turning this on me right now?” I snapped back with a newfound boldness to defend myself instead of my initial plan to make this an easy conversation for him. For us.

“Well, I’m not going to blame myself, even though that’s what you’re trying to do. Just because you know me, you think that means you know all my inner fucking feelings. When it's clear you don’t know mine or your own!” He says in a stern and loud tone that I have heard him use in the past…. just never to me.

indifferent and painful words left deep scars on that day words that made me realize that i’m still a fool

“Well, maybe it wouldn’t be so easy for me to read your feelings if it wasn’t so blatantly obvious on your face and the way you act differently around me now!”

“And you think I started acting the way I did simply because I suddenly just lost all my feelings for you? You can’t be that clueless!”

The words being thrown between us were indifferent and painful which had already left their mark on both of us and only made us more frustrated. At this point, the distance between us seems bigger than the couch itself and my heart feels heavier than when I thought we were about to break up.

“No, you can’t be this low into making this seem like it’s all on me! And not knowing my feelings how does that even make sense?” I blurt out.

“Seriously, I know when we first started having problems we both started acting slightly different towards each other but it was never this bad…” voice much calmer and less tense than it was a few seconds ago as he continued.

“But it was after my birthday, you know after what happened, you just changed how you acted toward me -with me completely.” His tone turned the air serious almost still. I felt it slap me right across my face, run right into my chest knocking the air out of me.

“I-I did?", making my way full circle back to stuttering.

The next words that come out of his mouth make me realize the fool that I am. And at this realization, I could only tear up. Choked up it is my eyes this time that turn apologetic, while his eyes look at the floor before us.

He nods.

“You did. At first, it was just little things like not asking me to pick you up on my way home or not asking for my shirt to wear to bed. But then it turned into so much more.”

I looked down filled with a bit of shame. Until I heard a sound from him I didn’t expect, a chuckle.

“Just like that. You didn’t even look at me anymore. At the table, in the car, you even turn your back to me when we’re in bed. I used to catch you staring at me even when I wasn’t looking at you.” He smiles fondly at the memory and it’s his turn to look down at his hands.

He plays with his bracelet, one I got for him two years ago for his birthday. He shakes his head, ”It’s as if my presence makes you completely uncomfortable now.” his voice cracks.

And it is right then when I do too.

if only i can erase it if only i can

At that moment I wished I had done the exact thing he told me I always did. Because once I did look up at him what I saw broke me. His eyes filled with tears he is trying to hold back, a few escaping but he is quick to wipe them away. It was the worst thing I could see besides looking at me driving him away. It was me hurting him. If I could erase everything I did to make him think that I didn't love being around him I would, and now I could.

i took you for granted but just thinking of you not being there i don’t want to go through that my world would crumble

Although I may not be able to erase everything I can change everything from here on to prove to him he has the wrong view of what he is to me. He is the furthest thing than just an uncomfortable presence. He is my best friend, my roommate, my chauffeur, my home, my family, and my lover. My everything. Even the thought of him not being in my life…my whole world would fall apart.

am i the one for you at some point, you were keeping me in check i said you changed a lot but i changed the most the one for me, i didn’t know but that promise keeps suffocating us time keeps lingering but our time keeps getting destroyed

The tears running down his face make me think he feels the same, that he doesn’t want us to end like this. It assures me of us, that he is the one for me and I am the one for him.

“I’m sorry,” he looks at me and for the first time in a while we both look into each other’s eyes with hopefulness, “I said you changed a lot, but I was the one who changed the most. And I kept acting that way because I had made myself think that was what you wanted. I didn’t want to let you go so I thought by doing that I would hold onto you longer but that very thing is what suffocated us. It's what wrecked our relationship and sent it down even further. We had so much time to fix it but it just kept getting destroyed.” I say with two streams running one under each eye.

He finally speaks after what to me feels like a whole lifetime.

“It's okay, I mean, it's both our faults though,” he sniffs, “We should have had this conversation a long time ago.” He has gone back to fiddling with his bracelet this time him being the one to break eye contact.

He laughs, again catching me off guard with the unexpected reaction.

“It’s funny, the one thing we did the most even when we didn’t need to or weren’t even supposed to do, is what we failed to do when we needed to the most…talk.”

I couldn’t help but laugh as well at the irony.

“I guess we took all those times we told each other to shut up when watching movies to heart.” I chuckle out and he laughs at my response.

that smile came to me, more brightly the cold hands became more warm two lonely souls met not lonely, lonely, lonely, lonely i’ll look into you again, i’ll place your breathing in my ears even if everything but us changes

His smile seemed brighter now more than ever. At that moment the room seemed to be glowing.

I reached out and grabbed his hands,

“I love you, I have always and will always. I don’t want to give us up, I never have. We’ve been together for too long to go back to being lonely and I’d be an idiot to pick loneliness over you.”

I looked at him the whole time watching his expression with every word. I look through the tears in my eyes at him and when I feel him squeeze my hands in his the tears spill over all over again.

“You are the only girl who has had my heart for years. I’ve never debated giving it to anyone else. I’m willing to do whatever it takes. I’ll get us back to the good place where we were before. Even if something has to change I don’t care as long as we are the only thing that doesn’t.”

His words were exactly what I wanted and needed to hear, enabling my tears to keep falling down my face but now out of pure happiness, the pure bliss of us finally back to one another. We were finally back to being us.

I pull him towards me by the nape of his neck, foreheads resting against each other. With our lips brushing,

“I love you” I whisper to him.

He lovingly smiles back.

“I have always loved you too.”

And those were the only words I ever needed to hear from him.

i hope you’ll tell me first don’t cry no more if your heart can see me don’t cry no more

He pulls me onto his lap, legs dangling over his. I bury my head in his chest, my arms wrapping around his strong torso. His arms pull me into a tight embrace, one that signifies neither of us is about to go anywhere.

“Now stop crying, baby.” He teases me, the only evidence of his tears is the red in his eyes.

“I can’t they won’t stop now.” I giggle out past my sobs.

“It’s okay now, we know our feelings are on the same page.”

i’ll go to you first at the end of a different road i’ll wipe your cheeks that are wet with tears and ask you

“Now we just need to figure out where to start where do we go from here,” he continues as he holds my face again as he did hours ago but now the gesture felt completely different as he used his thumbs to wipe my cheeks that were wet with tears, I look into those dreamy coffee coloured eyes of his as I listen to the next words that came out of his bitter coffee flavoured lips that I can already taste,

“Tell me what to do”

[clockwayswrites]

Bird Cuddles Part 26ish

Masterpost

This is hardly a full scene, though a stopping point. But I'm feeling positively dismal today so wanted to share something. Enjoy, hopefully!

-

Bruce sighed.

It was all that he could do when his two oldest were standing in front of him, both trying to laugh as quietly as possible. Dick’s fist was basically stuffed in his mouth to keep quiet where as Jason was using sheer force of will (and a good amount of smugness) to stay quiet.

“Be nice,” Bruce mouthed silently.

“No.” Jason mouthed back gleefully.

Bruce had the distinct urge to bury his face into the soft wings and simply ignore his sons even being in the room with him. He didn’t give into that urge because he was sure if he did, neither would ever let him live it down. Even as he was thinking that, Dick pulled out his cellphone and snapped a photo.

Bruce felt his phone vibrate a moment later.

He sighed again.

Luckily, Cass swept in a moment later (apparently it was to be a full house at dinner), kissed Bruce lightly on his temple, and went over to her brothers. She looked at Dick’s phone, nodded at the picture, and then took each of the boy’s hands and led them out of the room.

Jason left with one last smirk, but at least the door was closed behind them with a definitive latch.

Bruce still waited a long moment before he picked up his phone and unlocked it.

The picture certainly looked incriminating.

When Danny had fallen asleep, likely exhausted from soothing the boys, the panic attack, and the general drama of the day, he had nodded off sitting upright. When the boys had left, Damian had tasked Bruce with ‘seeing it that Dr. Fenton stayed well’. It was shortly after that when Danny had started shifting, as if trying to get comfortable with the wings, and ended up tilting over.

Once he had settled, Danny had ended up curled across Bruce’s lap with his knees on one side of Bruce and his head on the other. One of the wings was tucked up against Bruce’s chest while the other wing, limp with sleep, stretched out along Bruce’s leg and down to the floor.

Bruce ran his fingers lightly over the white feathers. He wasn’t sure if it was because of his horde of children, but Bruce was completely unbothered by having someone nap on him. The thing that he was bothered by, despite his best efforts to separate himself from the nightlife, is how comfortable he was about that someone being Danny.

Really, there was relatively little that they knew about Danny. The biggest point in Danny’s favor was that Lucius trusted Danny—trusted Danny enough to consider bring Danny in to work with the Bats. The biggest point against Danny were the same wings that Bruce was running his fingers over.

Not that Bruce would ever judge someone negatively for being a meta. Almost all of Bruce’s closest friends were or became metas, after all, even if some of them were now also rogues. The meta status was almost easy to handle. The concerning part were all of the little details that Danny had hinted at about how he had become a meta: neglectful parents, a lab accident at a young age, extensive scaring. Bruce touched the faint Lichtenberg scars lightly. It made Bruce worry about what had triggered the change in Danny. After all, some of Bruce’s closest friends where now also rogues.

It was unfair to compare Danny to Harvey.

It was hard not to.

The fact that it was hard not to compare Danny to Harvey was concerning in itself. Bruce’s track record in the people that he found alluring was far from ideal. It felt almost like dooming Danny simply by the fact that Bruce had taken note of him. Already Danny was getting caught up in the turmoil of their lives and suffering for it.

That was perhaps too harsh. Danny had handled himself more than admirably, wings and all. Danny’s actions made sure that the boys had time to get to the safe room, stayed safe once there, and that the assault ended with minimal bloodshed. Bruce just wished that the change it caused hadn’t left Danny in a state of panic.

Bruce sighed. Maybe he had to remember that Danny wasn’t someone that Bruce was responsible for; Danny was a competent adult who could clearly protect himself from at least lower level threats. It wasn’t fair for Bruce to try and make decisions for Danny, even in an effort to protect him from the craziness of being near the Wayne family.

[wolvietxt]

𝓕OR THE 𝓕IRST 𝓣IME …

pairing : dean winchester x female!reader warnings : crying, friends to lovers, fluff, really light angst (squint and you’ll miss it), hunts, food mentions, reader has implied insomnia (self indulgent sorry) wc : 6.1k😈

the gravel crunched under the impala’s tires as dean pulled into the parking lot of yet another roadside diner. the neon sign buzzed faintly overhead, casting flickering hues of blue and pink over the impala’s sleek frame.  

“another diner?” you teased, sliding out of the passenger seat. your boots hit the ground with a soft thud. “you know, there are other food groups besides pie.”  

dean smirked, locking the car with a flick of his wrist. “and i’m sure you’ll tell me all about them, kid. but i don’t need food advice from someone who orders salad at a steakhouse.”  

“first of all, that was only one time,” you shot back, walking alongside him toward the door. “and second, that salad was really really good.”  

dean snorted, holding the door open for you. “whatever helps you sleep at night, darlin’.”  

the diner was exactly what you expected: vinyl booths, laminate tables, and the comforting hum of an old jukebox in the corner. dean led the way to a booth by the window, sliding in across from you.  

“so,” you started, picking up a menu. “are you gonna do that thing where you order half of what’s on the menu? or just pie and coffee?”  

“both,” dean said without hesitation, his eyes skimming the options. “you know me. go big or go home.”  

the waitress appeared moments later, all smiles and a notepad in hand. dean ordered two burgers and, of course, pie. you went with something lighter, which earned you a raised brow.  

“you sure that’s enough?” he asked once the waitress left. “you’re gonna get hungry and start eyeing my fries. i can feel it.”  

“i am perfectly capable of ordering my own food, thanks.”  

“we’ll see.”  

the food arrived faster than expected, and you fell into easy conversation, catching up on the day’s events. the current hunt had been straightforward so far - just a basic salt-and-burn. still, you weren’t exactly looking forward to it. you never where when it came to hunts, they were more dean’s speciality. the looming anxiety and sense of impending doom wasn’t ever remotely enjoyable for you.

“so, what’s the plan for tomorrow?” you asked, grabbing a fry from your plate. “wrap this one up and hit the road?”  

“probably,” dean replied between bites. “unless we get more intel on that death omen case. sam thinks there’s a connection between the two.”  

“of course he does,” you said with a laugh. “guy can’t take a win without overthinking it.”  

“hey, that overthinking saves our asses sometimes,” dean pointed out, though his tone was more fond than annoyed.  

“true. but it also gets him hexed.” you grinned. “remember that time with the chickens?”  

dean barked out a laugh, nearly choking on his drink. “oh man, that was gold. i think we have a picture of him running from that rooster somewhere.”  

“we should frame it,” you said, smirking. “hang it in the bunker’s library for motivation.”  

“you’re evil, you know that?” he remarked, his smug grin widening further.

“takes one to know one,” you shot back, plucking the cherry off of his slice of pie and popping it into your mouth.

your conversations were effortless, the kind of back-and-forth that felt like second nature at this point. it wasn’t until dean reached over and grabbed one of your fries that you gave him a look.  

“you’ve got two whole plates,” you said, swatting his hand away.  

“what can i say?” he replied, popping the fry into his mouth with zero shame. “yours taste better.”  

before you could respond, the waitress returned to drop off the check. she hesitated for a second, then smiled warmly.  

“you two are such a cute couple,” she said, her voice casual but sincere.  

you froze, your mouth opening and closing like a fish out of water.  

“we are not a couple,” you blurted out, at the exact same time dean said, “yeah, never.”  

the waitress blinked, clearly taken aback by your synchronized response. “oh, uh, sorry! my mistake.”  

she hurried off, and you stared after her, still processing what just happened.  

“well, that wasn’t awkward at all,” dean muttered, reaching for his coffee.  

“why does this keep happening?” you asked, more to yourself than to him.  

“beats me,” dean said with a shrug, though you caught the flicker of something in his expression - amusement, maybe? “guess we just give off the vibe.”  

“the vibe?” you echoed.  

“you know.” he waved a hand between the two of you. “like… a vibe.”  

“that explains nothing.”  

“then i guess it can just be one of life’s great mysteries, sweetheart.”  

you tried to let it go, but the waitress’s comment lingered in the back of your mind. it wasn’t the first time someone had assumed you and dean were a couple, and it probably wouldn’t be the last. still, it felt… different this time.  

you glanced across the table at dean. he was back to his usual self, leaning against the booth with a lazy grin and a smart remark on the tip of his tongue.  

he caught you staring and raised an eyebrow. “what?”  

“nothing,” you said quickly, looking away. “just thinking.”  

“about what?”  

“the hunt,” you lied.  

he didn’t press, but you could feel his gaze lingering for a moment longer before he turned his attention back to the check.  

“you ready to hit the road?” he asked, sliding out of the booth.  

“yeah,” you said, grabbing your jacket. “let’s go.”  

the drive back to the motel was quiet, the hum of the impala’s engine filling the silence. dean had turned on the radio, and metallica’s prince charming filtered through the speakers. you leaned your head against the window, watching the dark countryside blur past.  

“why are you being so damn quiet?” dean said after a while. “i know i’m always complaining about it but it really doesn’t feel right when you’re not yapping my ear off.”

“‘m just tired,” you replied, though that wasn’t entirely true. your mind was still replaying the waitress’s words and the way dean had brushed them off so easily.  

“well, get some rest,” he said, his voice softer now. “we’ve got a long day tomorrow.”  

“okay, dean.” you nodded, letting your eyes drift shut as baby rumbled on.  

the next morning, you were back on the road, this time heading toward a small, rundown cemetery. the salt-and-burn had gone smoothly, but the death omen case was proving to be trickier than expected.  

“so what are we looking for?” you asked as dean parked the car near the edge of the cemetery, trying to rub your eyes subtly so he wouldn’t notice your fatigue.

“old journal entries mentioned a spirit tied to a cursed locket,” he said, grabbing his duffel bag. “we find the locket, we find the spirit.”  

“sounds easy enough,” you said, though you both knew it rarely was.  

the two of you spent the next hour combing through the overgrown graves, your flashlights cutting through the dark.  

“anything?” dean called out from a few rows over.  

“not yet,” you replied, brushing aside some vines. “but this place gives me the creeps.”  

“aww, don’t tell me you’re scared, sweetheart,” dean teased, his grin audible even from a distance.  

“you wish,” you shot back, though you couldn’t deny the way your nerves prickled.  

as you moved to another section of the cemetery, you couldn’t shake the feeling that someone - or something - was watching you.  

“dean,” you called out, your voice quieter now.  

“yeah? you okay, sweetheart?” his voice softer now, a hint of panic sneaking through. 

“i think we’ve got company.”  

he was at your side in an instant, his flashlight sweeping the area. “stay close,” he said, his tone serious now.  

you nodded, your heart pounding as the shadows seemed to close in around you. whatever was out there, you had a feeling this hunt was about to get a whole lot messier.  

the night was heavy with an unnatural stillness, the kind that made your skin crawl. somewhere deep in the shadows of the cemetery, you just knew something was watching you.  

you stayed close to dean as the two of you scanned the overgrown headstones, flashlights cutting through the darkness.  

“you hear that?” you whispered, your voice barely carrying over the faint rustle of leaves in the breeze.  

“hear what?” dean replied, his gaze darting around.  

then it came again - a low, guttural moan, echoing through the cemetery like a warning.  

“that,” you said, gripping the iron crowbar in your hand a little tighter.  

dean’s jaw tensed. “stay behind me,” he muttered, pulling out his gun.  

“you know i’m not great at staying behind,” you quipped, though your attempt at humor fell flat against the weight of the moment.  

“yeah, i noticed,” he said, flashing you a wry grin despite the tension. “but humor me, darlin’. just this once.”  

the two of you moved cautiously toward the source of the sound, your flashlights dancing over moss-covered graves and weathered stone angels. the air grew colder the closer you got, your breath puffing out in visible clouds.  

then you saw it - a faint, ghostly figure hovering near an old, crumbling mausoleum. its features were obscured, but its presence was anything but subtle.  

“that’s gotta be our spirit,” dean said, his voice low.  

“looks like it’s guarding something,” you observed, nodding toward the mausoleum door.  

“the locket,” dean guessed.  

“how do we get past that thing without getting our faces ripped off?”  

“i distract it, you grab the locket,” he said simply, like it was the most obvious plan in the world.  

“oh, sure,” you said, rolling your eyes. “because splitting up always works so well for us.” when you looked up at, him he finally noticed the twinge of fear in your tired gaze.

“trust me, sweetheart,” dean said, flashing you a soft smile he hoped appeared reassuring. “i’ve got this.”  

against your better judgment, you let dean take the lead. he stepped into the spirit’s line of sight, his gun raised.  

“hey, casper!” he called out. “over here!”  

the ghost turned toward him, its hollow eyes locking onto his figure. it let out an unearthly wail that sent chills down your spine, then began moving toward him with an unnatural speed.  

“anytime now!” dean shouted, firing a round of rock salt to slow it down.  

you darted toward the mausoleum, shoving the heavy door open with all your strength. inside, the air was damp and musty, the faint smell of decay clinging to the walls.  

your flashlight landed on an old wooden box sitting atop a stone altar. you didn’t have time to think - you grabbed the box and pried it open, revealing the cursed locket inside.  

“got it!” you called out, stuffing the locket into your pocket and running back toward dean.  

the ghost was still focused on him, though it was clearly losing its patience. dean fired another shot of rock salt, sending it reeling.  

“move it, kid!” he yelled, glancing back at you.  

“i’m coming!” you shouted, skidding to a halt beside him.  

together, you pulled out matches and a small jar of accelerant. you didn’t waste a second, dousing the locket and striking a match.  

the moment the flames touched the cursed object, the ghost let out a piercing scream, its form disintegrating into a shower of sparks before disappearing entirely.  

“well, that was fun,” dean said, lowering his gun.  

“yeah, a real blast,” you replied, still catching your breath.  

he turned to you, his expression softening slightly. “you okay?”  

“yeah,” you said, nodding. “thanks for the save.”  

“always,” he said with a small smile, clapping you on the shoulder. “come on, let’s get out of here before something else decides to show up.”  

the drive back to the motel was quieter than usual. the adrenaline from the hunt had worn off, leaving you both exhausted.  

“you’re really bad at staying behind,” dean said suddenly, breaking the silence.  

“and you’re really bad at not playing the hero,” you shot back.  

he glanced at you, his expression somewhere between exasperation and fondness. “you’re gonna get yourself killed one day, you know that?”  

“not if you’re around to save me,” you said lightly, though there was an edge of truth to your words.  

he didn’t reply, but the way his grip on the steering wheel tightened said enough.  

back at the motel, you both collapsed onto your respective beds, the exhaustion from the hunt settling into your bones. the cheap, scratchy sheets were far from comfortable, but you barely noticed, too tired to care.  

“you want first shower?” dean asked, already kicking off his boots and wincing at the creak of the bed frame beneath him.  

“you take it,” you mumbled, waving him off and stifling a yawn. “i’ll just... lie here for a sec.”  

he paused, giving you a look. “you good? you’ve been dragging all day.”  

“just tired,” you said quickly, forcing a small smile. “nothing a shower and some sleep won’t fix.”  

dean didn’t seem convinced. “you sure? you’ve been looking... kinda rough.” his voice was softer now, almost hesitant. “when’s the last time you actually got a decent night’s sleep?”  

“i sleep,” you said, avoiding his gaze by focusing on the ceiling.  

“yeah, but do you sleep?” he pressed, gesturing vaguely with one hand. “like, real sleep. out cold. no tossing and turning. none of that zombie stuff.”  

“i’m fine, dean,” you said firmly, though your voice lacked any real bite.  

he lingered for a moment longer, clearly unconvinced but unsure what else to say. eventually, he grabbed a towel and disappeared into the bathroom with a quiet, “if you say so.”  

the sound of the shower running filled the silence, but your mind was louder. it wasn’t that you didn’t want to sleep - it was just that you couldn’t. not really. the hunts, the adrenaline, the nightmares - they all tangled together into a mess you couldn’t quite escape.  

you stared at the water-stained ceiling, your thoughts drifting back to the hunt and, inevitably, to dean. the way he’d thrown himself between you and that ghost without hesitation, his instincts sharper than anyone you’d ever met. it wasn’t just about the hunt; it was about him.  

you sighed, shaking your head at yourself. this wasn’t the time to overthink things.  

when dean emerged from the bathroom, steam trailing after him, his hair damp and sticking up at odd angles, you were still lying in the same spot.  

“your turn,” he said, tossing a towel onto your bed.  

you groaned, forcing yourself to sit up. “if i fall asleep in there, it’s your fault.”  

he smirked, stretching out on his bed and crossing his arms behind his head. “just don’t drown, sweetheart.”  

rolling your eyes, you dragged yourself into the bathroom, the hot water doing wonders for your sore muscles and the lingering chill from the hunt. by the time you came out, the room was dark, and dean was already passed out, one arm draped over his face.  

you stood there for a moment, watching the rise and fall of his chest, his face relaxed in a way you rarely got to see.  

“goodnight, dean,” you murmured softly, pulling a blanket over yourself as you sank onto your bed.  

as you lay there, the quiet hum of the motel settling around you, you tried to let the exhaustion take over. but your thoughts wouldn’t quiet, your body still on edge despite how tired you were.  

at some point, dean shifted, his voice groggy but unmistakable. “you okay?”  

“yeah,” you lied, turning onto your side to face the wall.  

“you sure?” his voice was softer now, thick with sleep.  

“get some rest, dean,” you mumbled, not trusting yourself to say more.  

“right back at you,” he muttered, the faintest hint of concern lingering in his tone before his breathing evened out again.  

you closed your eyes, willing yourself to follow his lead, even as your thoughts refused to let you.

a storm rolled in by the time you and dean reached the next job. thick, gray clouds churned overhead as rain hammered against the impala's windshield, the wipers working overtime. the cabin in question - a decrepit thing that looked more haunted than it probably was - loomed at the end of a dirt road.  

"of course it's in the middle of nowhere," you muttered, peering at it through the rain.  

"yeah, because monsters love suburban neighborhoods," dean said, his tone dripping with sarcasm as he parked the car.  

you snorted, unbuckling your seatbelt. "remind me again why we couldn’t tackle this in daylight?"  

"because the kid who called us swears the thing only shows up at night," he replied, grabbing his shotgun and tossing you a flashlight. "come on, sweetheart. we’ve got work to do."  

the inside of the cabin was worse than the outside. peeling wallpaper, creaky floors, and an unsettling number of broken mirrors made up the interior.  

"i'm guessing the shattered mirrors aren't just bad decorating choices," you said, shining your flashlight across the room.  

"nope," dean said. "sounds like we're dealing with a vengeful spirit. probably tied to one of these." he gestured to the shards of glass littering the floor.  

"great," you muttered. "so, we find the mirror, salt it, and burn it. easy enough."  

"you say that now," dean said, smirking as he headed toward the stairs. "but nothing's ever that easy, is it?"  

you split up to cover more ground - though not without a bit of grumbling on your part. it was horrible hunting without dean, the anxiety looming over you multiplying by a thousand. the cabin had two floors, plus a creepy basement you were hoping to avoid.  

"why do i always get stuck with the creepy basements?" you whined after him as he ascended the stairs.  

"because you're the rookie," dean shot back, his grin audible even from a distance.  

"oh, real mature," you muttered, making your way toward the basement door, sucking in as many deep breaths as you could manage.

the basement was every bit as awful as you’d imagined. damp, dark, and filled with cobwebs. your flashlight flickered as you descended the creaking stairs, and you swore under your breath.  

"if this thing jumps out at me, i’m leaving dean to deal with it solo," you muttered to yourself, sweeping the light across the room.  

you spotted an old, ornate mirror leaning against the far wall. it was cracked but still intact - a likely candidate for the spirit's anchor.  

"dean, i found something," you said into the walkie-talkie dean had insisted you carry.  

"copy that," came his reply. "on my way down. don't touch it."  

"wasn't planning on it, boss," you said, rolling your eyes even though he couldn’t see you.  

dean joined you a minute later, shotgun in hand. he gave the mirror a once-over, his expression hardening.  

"yep, that's the one," he said. "you got the salt?"  

you nodded, pulling the bag from your backpack.  

"good. i'll cover you," he said, positioning himself between you and the dark corners of the basement.  

"you know, for someone who calls me a rookie, you sure don’t trust me to handle things on my own," you teased, pouring the salt over the mirror.  

"nah, i trust you," he said, a faint smirk tugging at his lips. "just don’t want you getting yourself killed. i'd miss you too much."  

the comment caught you off guard, and you glanced at him, trying to gauge if he was serious. but before you could say anything, the temperature in the room plummeted.  

a figure materialized behind dean - a translucent woman with hollow eyes and a twisted expression of rage.  

"dean!" you shouted, and he spun around just in time to fire a round of rock salt at her. the spirit screeched, vanishing into thin air.  

"you okay?" he asked, turning back to you.  

"yeah," you said, your heart pounding. "but she’s definitely not gone for good."  

"not until we burn this thing," dean said, nodding toward the mirror.  

you struck a match, lighting the accelerant you’d poured over the salt. the mirror went up in flames, and another anguished wail echoed through the basement before fading into silence.  

back upstairs, you and dean collapsed onto the dusty couch, both of you breathing heavily.  

"you know," you said, leaning your head back, "for a rookie, i think i did pretty well tonight."  

dean chuckled, running a hand through his hair. "yeah, you didn’t screw up too bad."  

"high praise," you said, feeling fatigue spread over you once more.

he glanced at you, his expression softening in that way that always caught you off guard. "i mean it," he said. "you did good, sweetheart."  

you couldn’t tell if it was the exhaustion or the way he said it, but something about the moment felt different. heavier.  

"thanks," you said softly, suddenly feeling a little self-conscious under his gaze.  

before either of you could say anything else, the walkie-talkie crackled to life.  

"hey, uh, guys?" sam’s voice came through, tinged with static. "you alive down there?"  

"barely," dean replied, grabbing the device. "but the spirit's toast. we'll meet you back at the motel."  

"got it," sam said.  

the drive back was quiet again, but this time, it wasn’t just the exhaustion. something unspoken lingered between you, making the silence feel heavier than usual.  

"so," you said finally, breaking the tension. "you think sam's gonna be mad we didn’t wait for him?"  

"nah," dean said, though his smirk suggested otherwise. "he’s used to it by now."  

you laughed, shaking your head. "poor guy."  

"hey, he knew what he was signing up for," dean said. "besides, he’s probably just glad you didn’t burn the whole cabin down."  

"oh, so now i’m a fire hazard?"  

"just saying, i’ve seen you with matches," he teased, and you couldn’t help but laugh again.  

back at the motel, sam was already poring over research for the next hunt.  

"how’d it go?" he asked, barely looking up.  

"spirit's gone," dean said, flopping onto one of the beds. "but the place was a real fixer-upper."  

"great," sam said, clearly not listening.  

"you know, you’re a terrible audience," you said, plopping down beside dean.  

sam hummed distractedly, still scrolling through his laptop.  

"don’t take it personally, sweetheart," dean said, grinning at you. "he’s just jealous he missed all the action."  

you rolled your eyes but couldn’t help smiling. despite the exhaustion, there was a strange warmth settling in your chest, one you weren’t quite ready to examine too closely.  

later that night, after sam had gone to bed, you and dean found yourselves sitting outside the motel, the night air cool and refreshing after the storm.  

“you still can’t sleep, huh? we really gotta get that checked out.” dean uttered, breaking the silence. “c’mon kid, what’s got your mind going so crazy?”

"you ever think about, you know, taking a break?" you asked, staring up at the stars, surprised with how he could always clock you so quickly.

"from hunting?" dean asked, raising an eyebrow.  

"yeah," you said. "just... doing something normal for once."  

he snorted. "normal’s overrated."  

"come on," you said, nudging him with your elbow. "you’ve never thought about it? not even a little?"  

he was quiet for a moment, his gaze fixed on the horizon. "maybe," he admitted finally. "but normal’s not in the cards for people like us."  

"i guess not," you said softly, though you couldn’t help but wish it were different.  

the conversation faded into a comfortable silence, the kind that didn’t need to be filled.  

"you know," dean said after a while, "you’re not half bad at this whole hunting thing."  

"high praise," you said, smiling faintly.  

"i mean it," he said, his tone more serious than you expected. "you’ve got guts. most people wouldn’t last a week in this life, but you - "  

he stopped, shaking his head like he wasn’t sure how to finish the thought.  

"but me?" you prompted, your heart pounding for reasons you didn’t quite understand.  

"but you’re different," he said finally, his voice barely above a whisper.  

you didn’t know what to say to that, so you didn’t say anything. instead, you let the moment hang between you, heavy and unspoken but somehow perfect in its own way.  

the next hunt came quicker than expected - barely two days after the cabin job. a string of disappearances in a sleepy town near a dense forest had drawn your attention. while sam was still digging through lore, you and dean decided to scout the area.  

"we’ll take the impala and check out the woods," dean had said, tossing you your jacket.  

"because that worked so well last time," you quipped, zipping up your coat.  

"what can i say?" he said with a smirk. "i like to live dangerously."  

the forest was eerily quiet as the two of you trudged along a narrow dirt path. the afternoon sunlight barely filtered through the thick canopy of leaves above, casting the area in a dim, golden haze.  

"you know," you said, stepping over a fallen branch, "i don’t think i’ve ever seen you willingly go for a hike. kind of nice to see you in your natural habitat."  

dean shot you a look. "i’ll have you know i’m very outdoorsy."  

"oh, sure," you said, grinning. "nothing says 'man of the wilderness' like a guy who packs cheeseburgers for every meal."  

"hey, those cheeseburgers keep me alive," he said, pretending to be offended. "besides, you’re one to talk. what’s in your backpack right now? candy bars?"  

"no comment," you said, giggling as he shook his head.  

you reached a clearing after about an hour of walking. the ground was covered in strange markings - symbols carved into the dirt, arranged in an ominous circle.  

"well, that’s not creepy at all," you muttered, crouching to get a closer look.  

dean knelt beside you, his brow furrowed. "witchcraft, maybe?"  

"maybe," you said. "but why the forest? wouldn’t a house or barn make more sense?"  

"maybe they like the fresh air," he said, scanning the area with his flashlight. "either way, we need to be careful. whoever’s behind this probably doesn’t want us poking around."  

"yeah, no kidding," you said, standing up and brushing dirt off your hands.  

the rest of the day was spent investigating the clearing, but the markings didn’t offer many clues. frustrated, you and dean decided to head back to the motel.  

"we’ll regroup with sam, see if he’s found anything," dean said as you walked back to the car.  

"do you think this one’s human?" you asked, wide eyed with expectation.

he glanced at you, his jaw tight. "maybe. but something about it feels... off. i don’t like it."  

you nodded, falling silent. his instincts were rarely wrong, and if dean was uneasy, you knew better than to dismiss it.  

back at the motel, sam had made some progress.  

"the symbols in the clearing - they’re part of a summoning ritual," he explained, showing you a dusty old book.  

"great," dean said, flopping onto the bed. "so, what are we dealing with? demons? spirits? something worse?"  

sam hesitated, glancing between the two of you. "it’s a summoning ritual for a wendigo."  

your stomach dropped.  

"a wendigo?" you repeated. "seriously?"  

"yeah," sam said grimly. "and if the markings in that clearing are any indication, they’re close to finishing the ritual."  

"perfect," dean muttered, rubbing a hand over his face. 

the plan was simple: return to the forest, disrupt the ritual, and kill the wendigo if it had already been summoned.  

"simple," you said, your tone dry as you loaded your shotgun.  

"hey, it’s worked before," dean said, smirking as he handed you a flare gun.  

"yeah, and almost got us killed before," you shot back, though you couldn’t help the fearful expression that broke out on your face.

"what can i say?" he said, shrugging. "we’re good at not dying."  

the forest felt different this time - heavier, like the air itself was charged with something dark and unnatural.  

"stay close," dean said, his voice low.  

"i definitely wasn’t planning on wandering off," you replied, gripping your shotgun tightly.  

he shot you a quick glance, his expression softer than you expected. "just... stay close, okay?"  

"okay," you said quietly, feeling your heart skip a beat.  

the clearing was empty when you arrived, but the symbols on the ground glowed faintly, pulsing with an eerie red light.  

"that’s new," dean said, his jaw tightening.  

"you think the ritual’s already started?" you asked.  

"probably," he said, scanning the area. "we need to move fast."  

you started disrupting the symbols, kicking dirt over them while dean poured salt and lighter fluid around the edges.  

"almost done," you said, glancing over at him.  

but before he could respond, a bloodcurdling roar echoed through the forest.  

"guess that answers that," dean muttered, raising his shotgun.  

the wendigo burst into the clearing, its pale, emaciated form moving with unnatural speed.  

"stay back!" dean shouted, firing a shot that barely slowed it down.  

you raised your flare gun, aiming for its chest, but the creature was too fast. before you could fire, it lunged at dean, knocking him to the ground.  

"dean!" you screamed, panic surging through you.  

he rolled out of the way just in time, his shotgun skidding across the ground.  

"shoot it!" he shouted, and you didn’t hesitate.  

the flare hit the wendigo square in the chest, igniting it in a burst of flames. it screeched, thrashing wildly before collapsing into a smoldering heap.  

dean scrambled to his feet, his breathing ragged.  

"you okay?" you asked, rushing to his side.  

"yeah," he said, wincing as he rolled his shoulder. "you?"  

"fine," you said, though your hands were still trembling.  

he gave you a once-over, his eyes lingering on yours. "you did good, sweetheart."  

the drive back was quiet, the adrenaline slowly fading. when you finally reached the motel, sam was waiting anxiously.  

"did you - "  

"it’s dead," dean said, cutting him off.  

sam sighed in relief, but his attention quickly shifted to the way dean’s hand lingered protectively on your waist as you headed inside.  

later that night, as you sat outside the motel again, dean joined you, a beer in hand.  

"that was really scary. are you sure you’re okay?” you admitted, breaking the silence.  

"‘m fine, sweetheart,”  he said, his tone soft.  

"i know," you said, glancing at him. "but still."  

he met your gaze, something unspoken passing between you. "you know, you’ve got guts," he said, echoing his words from before.  

"so you’ve said," you replied, smiling faintly.  

he shook his head, his expression turning serious. "i mean it. you’re different. special."  

your breath caught, and for a moment, you couldn’t speak.  

"dean - "  

"just let me say it," he said, cutting you off.  

you nodded, your heart pounding.  

"i’ve been doing this job a long time," dean said, his voice low, almost like he was thinking out loud. "and i’m not exactly the kind of guy who’s good at this stuff, but… i like you. more than i probably should."  

your heart skipped a beat, your breath catching in your throat, but you stayed quiet, letting him keep going.  

"it’s not just because you’re super fucking cool or because you can keep up with me," he added, a small smirk tugging at his lips before fading. "it’s because you’re the one person who makes all this crap we deal with feel… worth it."  

his gaze locked on yours, steady and serious. "i don’t know what that says about me, but i know i don’t want to screw this up."  

tears pricked at the corners of your eyes, but you bit your lip, refusing to let them fall.  

"i… i don’t know what to say," you whispered, your voice barely audible over the pounding in your chest.  

"you don’t have to say anything," he replied, his lips twitching into a small, nervous smile. 

but you did anyway. "i feel the same way, dean," you said, your voice barely above a whisper.  

his lips quirked into a small smile. "yeah, baby?"  

"yeah," you said, and before you could overthink it, you leaned in, pressing your lips to his.  

the first kiss had barely ended, and you still felt breathless, the taste of him lingering like honey. you pulled back just enough to meet dean’s eyes, your hands still clutching the front of his jacket as if letting go wasn’t an option. he looked at you with a softness that felt rare, his usual bravado replaced by something raw, unguarded.  

"so," you began, trying to find words that didn’t feel ridiculous in a moment like this, "i - "  

but dean leaned in again, cutting you off with another kiss, this one slower but somehow even more consuming.  

"dean," you mumbled against his lips, trying to catch a breath, but his hands cupped your jaw, tilting your face up toward him as if the conversation could wait - like anything else in the world could matter right now.  

"mm-hmm?" he hummed, not pulling back. his mouth moved to the corner of your lips, then your cheek, trailing down to your jaw.  

"i’m trying to - " you started again, only to dissolve into laughter as he pressed a kiss to the spot just below your ear, his stubble grazing your skin in a way that sent a shiver down your spine.  

"nah, sweetheart," he murmured, his voice low and teasing. "you’re not trying to do anything but stay right here."  

you laughed harder, the sound bright and almost giddy, your chest shaking against his. you couldn’t remember the last time you’d felt this light, this happy.  

"dean," you said again, still giggling, "let me talk!"  

"nope," he said, his grin audible even as he kissed the side of your neck. "’m way too busy."  

"dean!" you squealed, trying to push him back, but he was relentless, his arms wrapping around your waist to keep you close.  

"what could possibly be more important than this?" he asked, finally pulling back just enough to look at you. his smile was cocky, but his eyes were warm, filled with a tenderness that made your stomach flip.  

you opened your mouth to respond, but instead, a strange mix of a laugh and a sob came out, and suddenly you were crying - just a little, just enough that he noticed.  

his face changed immediately, his smile dropping as he cupped your face with both hands, his thumbs brushing away the tears that had escaped.  

"hey," he said softly, his brows knitting together. "what’s wrong? fuck… ‘m sorry baby, i - "  

you shook your head quickly, the absurdity of the question making you laugh again, even as more tears fell. "no, no, it’s not that. i’m not upset, i swear."  

"you’re crying, sweetheart," he said, his voice low and concerned. "that usually means something’s wrong."  

"i’m happy, you idiot," you said, laughing through the tears.  

he blinked, his hands still holding your face, as if trying to process the words. "happy?"  

"yes, happy," you said, your voice cracking a little as he wiped at your cheeks. "like... stupidly, ridiculously happy. i just - i didn’t think this would ever happen."  

his expression softened in a way that made your heart ache. "you really thought i wouldn’t want this?"  

"i didn’t know," you admitted, your voice barely above a whisper. "i mean, it’s not like you’re exactly forthcoming with your feelings, dean."  

he let out a breathy laugh, his forehead pressing gently against yours. "yeah, well, you’re not wrong there."  

his hands slid down to your waist, holding you close as he looked at you, his green eyes searching your face like he was trying to commit every detail to memory.  

"but for the record," he said, his voice serious now, "this? you? it’s all i’ve wanted for a long time."  

your breath caught, and before you could respond, he was kissing you again, his lips soft but insistent, as if he was making up for lost time.  

this time, you didn’t try to pull back or say anything. you just let yourself fall into it, your fingers tangling in his hair as his hands slid up your back, holding you like you might disappear if he let go.  

when he finally broke the kiss, his lips barely left yours, and he stayed close enough that you could feel his breath against your skin.  

"still happy?" he asked, a teasing edge creeping back into his voice.  

you laughed, your forehead resting against his. "stupidly, ridiculously happy."  

"good," he said, his hands slipping under the hem of your shirt to rest against your waist, his touch warm and grounding. "because i’m not letting you go now, sweetheart."  

"bold of you to assume i’d want you to," you teased, smiling up at him.  

"damn right," he said, his grin returning as he leaned in for another kiss, and this time, you didn’t even try to stop him.  

ᰔ dean winchester : @person-005

taglist form linked in pinned post :3

[flokali]

— Concept: Student Yandere and Professor Darling

Warning: GN! Reader, blackmail, n/on-con, d/ub-con, age gap, student-teacher relationship, push-over reader, unfair ending, n/oncon recording, uhh ask to tag!

A/N: just a concept that plagued me for a while... hhhhhhh;; i'm so normal ab this

Any dynamic that involve an authority figure and a subordinate, no matter how innocent they may initially seem, are doomed from the start for both of the parties involved.  There’s always going to be an underlying power imbalance, someone who holds the authority over the other; there is no nice way to put it, unfortunately. 

Most of the time, in fics, I see a lot of Yan professors creeping on their students, but the thought of a student Yan harassing their beloved professor has been plaguing my mind. 

The relationship starts sweetly, you’ve noticed a certain student in your course that’s been falling behind, making mistakes that should have long been addressed, their work is always late or partially done and you’re growing slightly annoyed at them for wasting your time and misusing theirs as well. You ended up offering them private tutoring when you found out you were the only professor’s whose class who they’d been treating like a joke. 

They reject it immediately; seemingly embarrassed that you’d even offered. You try to calm their nerves down, you’re pretty young yourself, you only graduated a few years ago and you won’t charge them, it won't be a daily thing but they can pop into your office so you can review and work on assignments and other material they’ve been failing at. The hesitant look on their face seems to slowly be melting off the longer you explain your reasoning.

You continue insisting, you lay out the facts as they are; they’re a brilliant student who has been passing all other courses and extracurricular activities with flying colors, so why is that your course has become such a challenge to them? You have seen them work and the way they behave during class, you’ve even noticed how some students go to them to try and clear up any questions and ask to study together with them. You’d heard your colleagues rave about them being easily one of the college’s star students, so it’s either that they’re making shit up and lying to their peers, which you sincerely doubt since you’ve seen their works, or they were purposefully trying to fail your class.

Maybe they thought it’d be easier, decided to try it and got it in their head they didn’t have to try – after all, it wasn’t as if all of the work they’ve handed is bad, there’s some clear understanding of what they’re doing, it’s just that they keep on messing up some things, even if it means inconsistencies in their work, the assignments that made up less percentage of the overall grade were done well enough that you could fail them but anything that was actually important was clearly half-assed. They were nailing the basics in one essay and then completely misrepresenting them on the next.

You explain your concerns; you’re genuinely worried your class might hold them back from graduating with their peers, if things kept going on like this, they’d fail your class and if they did, they’d have to repeat the semester and risk graduating a year or so late. It’s not the end of the world to repeat a semester, but it’s avoidable in their case and you don’t understand why they seemingly insist on failing.

It’s then that they pull out a card they’d been holding on to dearly for a situation such as this, they’d hooked you in with a months long performance and it all relied on this moment, it was a disgustingly perfect story meant to pull at your heartstrings and lead you into their honey sweet trap;

They start going on about a sob story about their parents’ jobs and finance, how they had been struggling for a while since their parents cut them partially off for choosing a college out of their town, and how they’re supposed to provide for themselves and pay rent and bills, about how their schedule is always so busy trying to balance college, their friendships, mending their relationship with their parents, and their job on top of all the studying they’ve been doing. Your class had unfortunately been the least of their concerns and that they’re immensely sorry to have worried you and that they are willing to do anything to make up for their past grades. They can’t believe they’d let themselves go in your course and they’re deeply ashamed because they enjoyed it greatly, but there was little they could to catch up now.

You can empathize with such a dilemma, being fresh out of college yourself, the memories of balancing relationships, work, and academics are still freshly etched into your mind. 

They clearly seem burned out and your heart aches seeing a student as promising as them dim down so drastically. You’d hate to be one class that impedes them from graduating on time, you don't want to be the lone profesor responsible for slowing down such a valuable asset to society.

You sit them down and try to offer them some advice, you were in a similar situation when you were in college yourself, you try to explain the ways you managed to survive and bypass college, going into detail about your own problems and how you were able to live through it all. They seem visibly more relaxed during the conversation, nodding along and explaining their own feelings and hardships, you both manage to sympathize with each other and come to an arrangement.

It’s completely under the table since you are worried about what it might look like, but from now on until the end of this semester you’d use a more relaxed, less strict grading system for them, after all, they did have a legitimate reason for their behavior and they were willing to make up for it. That is, under the condition that they start taking tutoring classes from either yourself or a fellow classmate, they weren’t able to balance the studying schedule necessary so you’d try and manage at least one aspect of it for them to try and make their life a little bit easier. You reiterate that this must not come out, fully aware that you were breaking multiple rules but you were too much of a bleeding heart.

They agree gladly, but not before asking if you could be the tutor, when you’d questioned their request they explain themselves, seemingly embarrassed for their own reasoning;

“I don’t want it to get out that I’m failing your class, professor…” The smile they wear seems genuine and shy and you nod in understanding, college students are only older teenagers, after all, most of them are still stuck in their high school mentality and you wouldn’t put it past a bunch of immature people to try and mess with someone who was struggling. While the mindset eventually wears off, you understand why they could be self-conscious about it.

What you don’t know is that they’ve been planning for something like this to happen from the get go, always going out of their way to purposefully present themselves as a stupid, pathetic and incompetent student that would need their hot professor’s (your) help to pass the course.

During your first couple of sessions they work extra hard to make themselves seem as ditzy and clueless as possible, making as many mistakes and errors as humanly reasonable without getting you too annoyed at them. They even begin to dress in slightly more provocative ways than they would have before, their speech slowly morphs into a more flirtatious tone, their touches being lingering on your shoulders for longer than necessary, but you brush it off, trying to ignore the signs. Opting instead to think of it as a silly crush, choosing go try to focus on helping them get through this semester with either an above average grade.

It didn’t take too long for their grades to get better but with the current pace, you were afraid it wouldn’t be enough.

So, you ignore the uncomfortable, sinking feeling in your gut and suggest making your tutoring sessions more frequent - instead of once a week maybe twice, or even thrice if you could fit it into your schedule, if it was really necessary.

You didn’t expect them to suggest going to your place.

Originally, you’d suggested either the library or a cafe, but they said they felt too embarrassed and self-conscious at the idea of their peers watching them, they claimed they’d probably make fun of them for needing help for a course they’d been taking for almost a whole semester at that point. It’s silly, they know, but they can’t shake that shame off.

They insist on your place, but you reject the idea, they say it’s either there or at their place, they point out that anywhere else and you both risk either staff or some of the student body seeing you both together and getting the wrong idea. The conversation goes on for hours until you’re too exhausted to continue arguing with them and give in. 

They are a good person, right? Even if the thought of a student knowing where you lived made you uncomfortable, it wasn’t like they’d do anything about it�� right?

You try to limit the study space to your living room, the bathroom, and the kitchen every once in a while if you notice the snacks you had brought weren’t enough, but never further than that. Your bedroom and office were completely off limits, you’d made it explicitly clear that if you caught them wandering too far you’d have no choice but to kick them out and stop the tutoring, possibly even having to call the campus’ authorities if you felt they were getting too out of line – your reputation be damned. 

They also were only allowed to come over during the weekends and on specific weekdays where no one would be able to catch them entering your apartment. You didn’t even want your neighbors to see them, even if you looked close in age you didn’t want to hear anything about a potential secret lover sneaking into your house.

They agree and promise to follow every single rule you’d put in place, they swear.

But it doesn’t take long for them to start going back on their word and start “exploring” your living space, it started small – simply walking around your living room, examining framed pictures, looking over books, memorizing the placement of your trinkets and decor, making a mental note of the colors you used in the space, they make sure to remember to try and look up where you got your cushions and everything, they start looking into you fridge and pantry to make see what you eat, if there’s any indication of a possible food allergy; it’s all investigative work for your future together.

It’s not too long before they’ve memorized your living room and are drawn to the rest of your house. They've gone to your bedroom and studied the space, taking note of the way you made your bed and how many pillows you have, they also have made a list of products you use and like, such as scents and soaps, to make sure your transition to their place is as smooth as possible. Soon, they could very well draw a floor plan of your place and recreate your home in the most basic of softwares. 

The only reason you haven’t caught up to them is because they’ve taken to spiking your drinks with sleep medication, strong enough dosages that you’ll be knocked out for a while, but not enough that you’ll realize you were drugged.

It’s during your sleeping state that the next part of their plan starts to take action. They’ll purposefully plant evidence in your home of their presence and snap pictures, suddenly their underwear is in your laundry basket, and why are you wearing their hoodies to sleep, huh? They’re meticulously planned and staged pictures that make it look like you were engaging in a romantic relationship, but it’s not enough — they need more, something more extreme. More incriminating, something that would absolutely destroy your career and reputation if it came out.

What about a picture of them going down on you? Or one with their cum all over your face? Your naked figure cuddling up to their bare chest? Some makeup to look like hickies could look realistic in pictures too, you know. Maybe them on top of you… or you on top of them? Or one where your lips are sucking their fingers like a —! Ah, the thought has them blushing! All of these photos are like their dreams come true! You look like such a perfect spouse, taking their love~ They make sure to clean up the space, but they’re growing bolder and more confident in their work.

They even have videos of themselves jacking off on top of you, but they’re always so good at making it seem like you’re awake and participating in these activities! It really does look like you’re helping them get off with your own mouth.

You’re such a naughty professor seducing your innocent, sweet student like that!

It’s sick, they’re sick and they know it fully well but they don’t care, as long as they don’t get caught – there’s no way in hell they’ll stop.

Their grades begin improving and there’s no longer any fear of them failing your class, in fact you’d go as far to say they’ve easily become one of your best students in terms of grades. Things seem to be looking up and you’re pretty proud of yourself for having had a positive impact on them, which is why you come to the conclusion they won’t be needing your tutoring anymore. 

You call them over to your office after classes, making sure to be as nice as possible. At first you were annoyed and put off by them, their initial behavior was unsettling and persistent, but after a couple of months of getting to know them you’ve grown to care for them and genuinely wish them the best, you’d pointed out how teaching them had been a joy and you’d always end the sessions feeling better than before, which is why you’d chosen to end the tutoring. You lay out the facts as they are, their grades have improved and there’s no longer any threat of them failing your class, you’d also be risking people misunderstanding the situation if it went any longer, if word came out you’d been using a different rubric to grade them until recently and that they’d been going over to your place, it would simply look bad for both of you. You’d risk getting sanctioned, possibly even losing your job if things were taken in the wrong way, and they could repeat the semester or even have their work in your class be null and having to take a new course entirely, if not even being kicked out.

There’s a minute of silence between the two of you, the air is thick and you wonder if you should have been softer in your delivery as you watch them process your words.

It takes them a while, you decide to give them the time because you have indeed noticed how they’d seem to grow ever so attached to you and they might take this a bit too personally, but you’re soon starting to grow increasingly uncomfortable as the silence continues.

You’re about to say something again, try to soften the blow with some generic encouragement about how they’ll do well regardless of you being their tutor or not, when you hear them chuckle softly under their breath.

You’re taken aback, your eyes widen in surprise and you unconsciously lean back into your chair, but that seems to have further encouraged their laughter as soon they’re covering their face with the back of their hand as they double over in laughter.

It’s strange but you decide to give them a few seconds to regain their composure, maybe this was a nervous habit? You’d heard of people who’d laugh when anxious, but you’d never seen something so theatrical.

They slowly sit back up, wiping tears from their eyes as a few chuckles escape their smiling lips. They haven’t fully calmed down but seem to be making an effort to continue the conversation nonetheless.

“Ah, professor,” your last name tumbles from their lips in a joyous manner but their eyes look icy as they stare at you, their voice feels more aggressive even if the words came out from a smile, “don’t be so ridiculous, I think things are working pretty well as they are, I have no desire to change our… relationship.” 

You’re taken by surprise, their word choice feels odd and purposeful, but you insist regardless.

“There is no relationship between us,” you state, “I am your professor, do you understand? That means that if I say your tutoring is over, it’s over; I have been going easy on you and helping you out but do not misinterpret my intentions, you are my student and that’s where our acquaintanceship ends. If you think you’ll continue needing help, I’m certain our TA will be more than glad to step up and help you out.”  

They smile as they take their phone out of their pocket and your stomach drops for a second, wondering what on earth they could have there. They slide it towards you after unlocking it, they’re carefree in their handling of the device and your nerves start to rise, a gut wrenching feeling settles in your stomach, you don’t really understand what you’re seeing at first but once you do you feel your blood run cold.

You don’t even realize they’ve walked behind your chair, too focused on the picture of your naked body cuddling up to their equally nude form. They’re smiling, tenderly caressing your bare shoulders, embracing your body in such a loving manner it looked like you were lovers. When… When did they take this? 

Your voice is shaking but they don’t answer you, instead opting to crouch beside you and show you the hundreds of incriminating pictures themselves.

They start telling you a story based on the pictures, the one they seemed to be telling you even if you knew that everything they depicted was fake, about a promiscuous professor that seduced their student, coaxed them into a relationship and took advantage of their position to influence the student into falling in love with them.

You want to tell them it won’t work, threaten to call the dean or the campus police, but they quickly clear out any confusion; “Would anyone believe a student would seduce a teacher and that it’s not the other way around?”

You know exactly what they mean; you’re the professor, you hold the authority. You had never been able to put a stop to it because you had no idea what they were doing but that didn’t matter, it was your word against theirs and they had “evidence”.

They seem proud of themselves too, telling you about all the ways they set up the rooms and photos to make sure they looked as real as possible. They’d taken their clothes and belongings over to your place in secret, made sure to apply makeup in the right places with the correct lighting, it seriously felt like an art they’d perfected.

You ask them what they could possibly want, clearly it couldn’t be only your tutoring if they were going this far. They smile and tell you they simply want a relationship with you, one that goes beyond a professor and a student; from that day onwards they wanted to be your lover.

You want to say no, but they remind you of the position you’re in; “You know, I’ve got these backed up in a bunch of places, it’d be a shame if one leaked, right, professor?” 

You feel numb as they lock the door of your office and guide you on top of your desk, you barely even register them going down on you - stripping you naked and giving you oral. From that day onward, you were a prisoner to your own student.

Everyday, they’d act like any other person taking your classes, going to college, making friends, as if when your work day ended they didn’t torment you under the guise of love. Making themselves into your lover without your consent, as if you weren’t their professor, as if they weren’t your student. They celebrate your birthday and make you celebrate theirs, you go on dates outside of town so as to not be caught, there are times you almost forget the perverse nature of your relationship - but it always comes back to haunt you. They always come back to haunt you.

They make sure not to show any of the images to anyone for as long as they’re going to the college. They need to keep an eye on you, make sure your looks and personality don’t charm any other student - they’d hate to get rid of their classmates due to your unknowing seduction. They’re so good at acting like they weren’t bending you over your kitchen counter the minute they followed you home, you’d almost believe they were only your innocent, well meaning student if they didn’t send you videos of you two fucking as extra-curriculum activities.   

They also take your courses religiously to make sure to always be in contact with you; you could never escape them, they’ll follow you home and come inside even if you try to shut the door behind you. Whenever you tried changing the lock they'd find a way to break in anyway, on campus they’d sneakily follow you everywhere and harass you. Those who notice, the few that do, think of it as cute, an innocent puppy crush that would fade by next semester. 

It’s not until they gets their diploma three years later that they releases a drive full of the videos and pictures, making sure to add dates and location, everything to prove you were fucking a student. You were a whore of a professor seducing their students.

You’re fired immediately and it’s not long until your friends and family cut contact with you for seducing a poor college student and using your power over them as leverage. Nobody wants to hire you, they’d make sure to document every single dirty detail of your relationship so as to ruin your reputation until you’d be forced to turn to the only person who didn’t turn their back on you.

You can only walk into their open arms as they suggest finally moving in together, possibly getting married, and maybe even having a couple of children now that they have graduated and received their degree.

But even through it all, they still have the audacity to call you their beloved “professor”. 

Characters: Lisa (GI), Scaramouche (GI), Al-Haitham (GI), Kaeya (GI), Ayato (GI), Jing Yuan (HSR), Luocha (HSR), Aventurine (HSR), Vyn (TOT), Rafayel (L&DS), Ibara (ENSTARS), Eichi (ENSTARS), Yuzuru (ENSTARS), Cater (TWST), Rook (TWST), Kylar (DOL), Whitney (DOL), literally anyone you want really (TT)

[baldursgate3tempobsessed]

Astarion teaching Tav embroidery/sewing. Preferably with him dragging them onto his lap for a close-up demonstration.

Why do I make everything so long? Do I have a problem? There is always so much introspective nonsense idk man. Anyway adorable idea actualized below!

Also mentions of sex but this is totally sfw. I went with the timeline of when your sleeping together but he hasn't quite admitted his feelings to himself, as a side!

~

Astarion had no idea how he became your camp's designated seamstress. How was it possible that a team of eight adults were all incapable of knowing the basics of such a fundamental skill?

Then again, Karlach seemed to be perfectly fine with wearing her clothes to tatters. Wyll was born with a silver spoon in his mouth. Lae'zel, for some gods forsaken reason, was only capable of fixing up heavy armor. Gale seemed to prefer eating magical clothing items versus being able to salvage them and the rest were mediocre at best.

The look of confusion on Shadowheart's, who was the second most skilled by far, face when Astarion tried to explain a ladder stitch was enough for him to give up entirely. It was quicker to fix the tears then to explain simple concepts to simpletons.

Brats. All of you. With one who was significantly more brazen than the rest when it came to using Astarion as their personal tailor.

Tav, the lovely thorn in his side. Who could handle wielding a glaive with startingly accuracy, but somehow managed to consistently stab themselves every time they picked up a sewing needle. It was impressive, how useless someone who was otherwise extremely competent could be.

Impressive as it was frustrating. Because somehow you managed to destroy your clothes more often than anyone else. Always bashfully handing him over torn trousers and ripped shirts every other night. Anyone else he would have told to fuck off by now. Even the rest of the camp knew better than to test their luck with anything more than once a fortnight. But you lacked the very basic level of self-control.

It was his own fault for giving you special treatment in the first place. But sleeping together did warrant a few extra benefits. He got your protection and you got to experience the pleasure of being with him. Simple. Or it would have been if you didn't insist on making things complicated.

Because Astarion was starting to feel things. Things that he hadn't anticipated. Because your company was... oddly pleasant. You were an interesting little thing, he had to give you that. Well-read and talkative, but not boringly so. No, Astarion sometimes found himself losing track of time when he was with you. A simple question could easily turn into a two-hour conversation about the silliest things. It was... nice. New. And oh so different from what he was used to.

Cazador didn't even allow him or his brethren to speak in his home, let alone speak to each other unless it was strictly necessary. But here he was free to do whatever he pleased. And he was finding that included being near you, despite how differently you both saw the world.

He couldn't quite blame you for your delusional optimistic views. As a Tymora worshipper you were basically doomed from the start to believe inane concepts like good fortune, luck, and gods, the good that could be found in "anyone".

You were as sweet as you were aggravating and Astarion truly, honestly, had no idea how your insane trusting nature hadn't managed to get you killed yet. But then again he... kind of liked that about you. He liked that you trusted him. It made his life more convienet and... it was nice to be seen as a person worth confiding in. Instead of the blood-sucking monster he really was.

He... liked that. He liked you. A fact that he didn't enjoy thinking about. He didn't really know what to do with it, and the implications of where his feelings could lead were starting to become unsettling. So he pushed it out of his mind. It was an easy thing to do when doom was always looming in the background. He had plenty of things to think about that didn't include his fondness for you.

Like the inner-rage you caused when you managed to somehow rip the same shirt twice in one day.

"That's it," Astarion announced when you bashfully asked for his help yet again, "Come here. I'm teaching you how to sew."

"But you always get mad when you try," You whined. But despite the hesitancy you still obediently sat next to him as he got out the sewing kit, "Do you promise not to snap this time?"

"That depends," Astarion said with a roll of the eyes, "Do you intend on not maiming yourself with a sewing needle?"

Astarion smirked at the way that made a blush crawl up your neck, "That was one time!"

"Actually darling it was closer to seven," Astarion corrected as he snatched the shirt from your hands, "Now pay attention. Look at where the tear starts. Notice how it's on the seam?"

You nodded along as Astarion explained the basics to you. He could tell that you were trying your damndest to pay attention, but when it was your turn to hold the needle your hands couldn't stop shaking. Astarion frowned as he tried to watch you work, his view obfuscated by the angle and the flow of your hair.

Well that wouldn't do.

Before he could think better of it he was hauling you into his lap, ignoring your surprised squeak as he situated you just right.

That was better. At least now he could see what you were doing. It was a sloppy stich, sloppy enough for him to undo it before putting the needle back in your hand.

"Now do it again," Astarion ordered, "Let me see what your doing wrong."

Astarion watched as you tried again, frowning when he realized your shaking was even worse than before. In fact, you seemed more nervous than ever, your face red as you kept your eyes down.

It made Astarion torn between watching your hands and looking at your face. You really were adorable, getting all worked up from simply being in his lap, all while trying to stay dutifully undistracted. He could almost hear your heart racing, obvious through the tension coursing through you.

Silly little thing, acting all shy like he hadn't already literally been inside of you. But at least you were doing better, your stitching straighter than Astarion had ever seen it. Maybe he'd have to make the lap-sitting mandatory from now on, for the good of your learning.

"See," Astarion said softly, his breath tickling your ear as he leaned in closer, "You're perfectly capable of learning this."

"So it looks good?" You asked, taking a chance to glance at him. Astarion hadn't realized just how close the two of you really were. He had never... seen you like this before. So closely. Even when you slept together, he had been a bit distracted by other parts of your body. He never noticed just how many light freckles were hiding across the bridge of your nose, how your eyes looked almost golden in candlelight. You smelled nice too, sweet. Like you had been rolling around in a field of lilies. Considering your personality, Astarion had to wonder if that's exactly what you did.

It would take almost nothing to press your lips together. Barely a turn on the head.

"Astarion, are you listening?"

The sound of his voice snapped him out of his revelry. He straightened, clearing his throat as he looked over your work again, embarrassed in a way that he couldn't quite describe.

Maybe you weren't the only one being affected after all.

"It looks better," Astarion said honestly, "But still needs work. You'll almost certainly be needing more lessons."

Preferably like this. Astarion wasn't quite ready to let you go yet, not when you felt so pleasantly warm in his lap. But luckily enough for him, you didn't seem quite so keen to leave.

Astarion tightened his hold on you laughing at the way it made you gasp, "But that's enough for today. I think you've earned a reward. Don't you?"

"I-yes?" You said back, your eyes flitting from Astarion's mouth and back, "Please?"

You really were too precious. How could he possibly say no to that?

Astarion grinned as he tilted your chin up, finally pressing your lips together. It was an odd feeling, kissing someone when he couldn't stop smiling, but he supposed you just had that effect on him.

Maybe being the camp seamstress wasn't so bad after all.

[m00nlight-ramblings]

Eat Your Young

Astarion and Tav take advantage of the rainy weather in camp. Pure smut, no plot.

Pairings: Astarion x female!Tav

Warnings: smut, p in v sex, swearing. 18+ MINORS DNI

Word Count: 1.8k

A/N: Listen, usually I like a lil plot but Astarion sometimes deserves just some good ole smut, right?! Also inspired by the Hozier song, "Eat Your Young"

REMINDER: my inbox is open for requests!

Astarion's hand roughly ran down your neck, the candles in his tent casting shadows over the space. He hissed in pleasure as his fingers gracefully found your collarbone, his nails tickling the skin around your neck. You groaned, your eyes fluttering closed.

"This is not what I came in here for." You said, even though you knew that was a lie.

Well, partly.

Basically since the beginning of your adventure with the companions, you and Astarion had found yourselves drawn to each other. First as friends, but then quickly into a sexual situation. A way to satiate yourselves, and to have a bit of shining light in the darkness that was all the doom and gloom and battle and blood.

"Oh?" Astarion asked, his mouth dangerously close to your neck, "And what did you actually come in here for?" His voice was melodic, almost a purr. You felt his fangs lightly drag across your neck - enough to leave a scratch, but not enough to break skin. You gasped.

"F-for the book," You were able to choke out, one of your hands finding his hair. You ran your fingers through his locks, earning a quick moan from Astarion, "The book I lent you last week. I know you're done reading it, so-"

"You came all the way across camp in a rain storm for a book you could easily get from me tomorrow?" He pulled away, his eyes twinkling. It was bullshit, and he knew it. "Is that why both of our clothes are off, and were discarded on the floor within 45 seconds of you coming into my tent, my pet?"

"Um..." You bit your lip and both of you smiled, "I'm easily distracted." You tried to argue, but Astarion's lips were on you again, his tongue quickly finding yours. You moaned into his mouth as he pressed his body on yours, his erection pressing into your stomach. Thunder clapped outside, causing you to jump, which caused Astarion to wrap his arm around your back tighter, bringing you closer.

"What do you want, my darling? Tell me," He pulled away from your mouth, but his lips were still touching yours. Your heart pounded in your chest from his breath on your face, "Tell me what you want." His voice was velvet smooth, causing your stomach to clench. You groaned, unable to stop yourself - how did this fucking man know exactly what to say, and exactly what to do to get you going?

"I want your cock in my mouth," You said quickly, it coming out as one breath. His eyebrows raised and he smirked, wordlessly pushing himself to the edge of the bed to give you space. Looking down at his erection, you felt a wave of heat rush to your clit, unable to contain yourself.

Before he could even lay down, your mouth was on his cock hungrily. He moaned in surprise, his voice echoing off the tent walls. Immediately your mouth filled with spit as you worked on his thick member, using your tongue the exact way you knew he loved. His hands found their way into your hair and pulled, causing you to grip the blankets underneath your hands.

"Hells, you're so fucking good," Astarion grumbled, leaning his head back and closing his eyes, "Deeper." He commanded.

You made your way fully down on his member, causing his hips to buck in your mouth. You felt your eyes water a bit, and pulled up, taking your mouth completely off of his cock. "Does that feel good?" You toyed, pumping him in your hand. He moved his head back to look at you, his eyes a deep red. You watched the end of his mouth turn up in the shadow of a smile.

Suddenly, the rain started to beat harder against the tent walls.

In one swift movement, Astarion's hand grabbed your chin, pull you on top of him. His member, slick with your spit and precum, slid against your body, causing you to gasp. He looked between your eyes before hungrily crashing his lips against yours again, this time pulling your hair roughly.

"Not as good as it'll feel when I'm inside of you." He said in your ear, before biting your lobe. You moaned loudly, the noise getting lost in the rain.

"Then fuck me."

"Say please."

"Please, Astarion! I need you."

"You need me to what?"

"To fuck me. I need your dick inside of me." You reached down to his cock and started to pump him again, causing Astarion to erupt a small moan from his lips. He looked into your eyes one final time before he flipped you below him.

"On your stomach." He said, waiting patiently. He was sitting high up on his knees, looking down on you. Now, his cock was in his own hand and he stroked it slowly, taking the full length of his member in his palm. He didn't break eye contact as you got on your belly. Soon, you felt him spread your legs gently, and his body weight pressed on top of you.

"I'm going to fuck you so good, you'll be screaming to the gods by the end of it." He murmured in your ear. You shuddered at his voice, and soon you felt him lining himself up at your entrance.

"Oh, Astarion..." You breathe, your thoughts becoming a jumbled mess. You heard him chuckle before he continued on.

"Are you ready?" He asked. You felt like you couldn't speak, your stomach was so clenched in anticipation. You nodded, and almost instantly his cock was deep inside of you, sending ripples of pleasure throughout your body. You called out, lifting your head. As you lifted your head, Astarion took hold of your hair and pulled.

"Gods, you are so fucking tight." He groaned, every word accentuated by a thrust inside of you. You clapped you hand over your mouth so you wouldn't cry out, but he pulled it away, "Don't. I want everyone to hear."

"Fuck, Astarion!" You called out, his hands finding your hips for better leverage. You felt a heat start to rise within you, causing you to breath harder. "Don't stop! Right there-"

"Right there?" He purred, his voice teasing, "Right there and I'm going to make my good girl come?"

"Yes!" You moaned, his voice ripping through you, "Yes right there and I'm going to come. Don't stop!"

The sound of his cock pounding into you filled the tent as your mind became foggy. The pleasure started to soften the sides of your vision as Astarion gripped your hips, definitely leaving marks for tomorrow. As your words turned into incoherent noises, you felt Astarion thrust into you harder, making sure you felt filled.

"Show me you're a good girl," He murmured, his voice steady; in control. As Astarion often was - in control. It drove you crazy, usually the catalyst in tipping you over the edge. "Be my good girl and come for me."

Finally, you felt yourself spill over him as you cried out his name - the heat rose completely in you and for a moment, Astarion stopped thrusting in you, taking his hands and wrapping them around your waist, so that he could feel your orgasm completely. With your head so close to his, he whispered words of praise in your ear - "Good girl. That's it - come for me. Let me feel it. Give me all of it."

You panted, your thoughts finally starting to align again. As you regained control of your body, Astarion gently flipped you over. Spreading your legs open, he entered you again slowly, earning a whimper from you. Two thrusts in and he caused you to throw your head back, crying his name.

"That's it - that's my girl," He hissed, speeding his thrusts up slowly, "Let me see that pretty face, darling. Your pretty face is going to make me come."

"Astarion, FUCK. You feel so good!" You couldn't help yourself as he started again, one of his hands finding it's way to your erect nipples. He pinched and palmed your tits as they bounced with every thrust - the sight of your body bouncing, and your face calling his name, he wasn't far behind you with an orgasm. But, he wanted it to last...

He wanted to wear you out.

It was always so sexy seeing you struggle in the following days, knowing that he alone was the cause.

"Your cock...feels so good..." You panted, your hands finding their way to his shoulder blades. Thunder clapped again, drowning out the scream you cried as Astarion hit your spot. Once he realized how crazy he was driving you, he smiled.

"All for you," He grunted, "This cock is all for you." Sweat beaded at his temples as he stared into your eyes. They were dark, hungry - he started to get the glint in his eyes that he would before he was sent over the edge.

Astarion pounded into so hard that the bed groaned under the pressure. You could feel Astarion's body start to tense above you, so you gripped Astarion's ass, pushing him deeper into you.

The extra effort made you start to see stars, and Astarion was on the same page; "I'm close," He grunted, touching his forehead to yours, "Hells, you're going to make me come."

"Come for me," You breathed, placing a sloppy, rough kiss on his lips, "Come for me."

Suddenly, Astarion called out your name, and you felt him spill into you. The tension in his body reached his climax and gradually released, his body laying completely on top of you.

The only noise in the tent - besides the pounding rain - was your and Astarion's breathing. The shallow, quick breaths turned into deeper, heftier breaths and you regained your composure, the heating slowly leaving your body.

"Gods, you're beautiful." Astarion murmured, brushing your sweaty hair behind your ear gently. He delicately placed a kiss on your lips as he slid down to your side, wrapping an arm around your shoulder and pulling you tight. You sighed contently, running a hand over his side and snuggling your head closer into his shoulder. A moment of silence passed before you spoke.

"I did actually come here for that book, you know." You teased, causing him to chuckle.

"Oh? Would you like me to go get it for you then?" He asked, pretending to get out of bed. You giggled and gently pushed him back down.

"Shut up," You playfully scolded him, "I just wanted to let you know that I didn't just come here to seduce you."

"But darling, it's so much fun getting seduced by you." He looked at you and smirked, his eyes sparkling. You rolled your eyes and placed a kiss on his mouth.

"Well...I guess I'll have to let you borrow my books more often, then."

------

My first time doing smut with no plot - I'm gonna be honest, I don't know how I feel about it yet! What did you all think?

Just a reminder: my inbox is open for requestions!

[jasvtsc]

dean winchester x angel!reader — family feud.

warnings! mentions of drugs, violence, abuse, bad parenting, neglect, john winchester, mary winchester, implied prostitution, fem!reader

word count! 1.5k

you didn’t hate.

sure, you disliked some things more than the others. but hate? that was a strong word.

however, when it came to john and mary winchester?

you fucking despised these two to the point it made you want to hurl.

and that’s a lot, coming from an angel. leaves some space to think about things, y’know?

anyway.

john and mary ‘the worst parents of the century’ winchester.

you could write the whole bible on their parental mistakes and how they both neglected their children, basically scarring them with lifelong traumas—especially dean.

of course, you didn’t want to belittle sam and his trauma, since he got the fair share of john’s bullshit himself. but dean was the one who had to step up and be both a father and a mother while only being a kid. and that’s not fair—for both of them.

dean was the one starving himself, so sammy had food, since john forgot about his kids or took too long on some hunt. he was the one who earned money in ways that were more shameful than one could’ve imagined. he was the one getting roofied and…

yeah, you were livid.

and you didn’t even get that from the brothers themselves. before coming to earth you got a solid debrief of what you were getting into. and that meant knowing about the shit they went through from a to z. that was probably the main reason why you were so nice to them instead of acting like a complete jackass like most of your feathery siblings.

you had compassion that some of them massively lacked. you were the literal example of an angel supposed to help humanity and heal troubled souls. you were the epitome of purity and goodness.

but to older winchesters? yeah, you were a little bitch.

ever since they came back to life—a family thing apparently—trying to redeem their mistakes and be this happy and loving family, there wouldn’t be a minute without you sending daggers with your glare or scoffing at every word that left their mouths.

not only did they break the rules of the living and undead (sam and dean didn’t count), but they acted as if they didn’t do anything wrong. as if they could make up for their mistakes. well, too fucking late for that.

you simply couldn’t watch them together nor could you understand why they forgave them so easily. why did dean forgive them. you were baffled, but for the first time, you didn’t feel like asking questions.

no, you were having too much pent-up anger that you began slowly turning into castiel. not that it was bad, but considering your usually bubbly and happy personality now so doom and stern? yeah, it was concerning. especially for dean.

but when he tried to confront you, you brushed it off and disappeared. just like cas. and you were disappearing more often, without telling anyone and god knows where. and dean began to think what had he done to upset you to the point where you couldn’t even stand being in the same room as he was. cause he was always ready to blame himself first.

he sighed, sitting in the library, sipping a beer while mindlessly staring at the wall. he was debating whether to start praying so you’d come, but then his father entered the room, startling him out of his thoughts. john put a hand on his shoulder, making him jump up in his seat and visibly tense up—a response that a true soldier should have. what a fucking bullshit, just another trauma response.

“come on, son. stop brooding over that angel. you know how they are. they don’t give a shit. we’re just humans for them. toys they can play with and then dispose of as soon as we’re old and cranky and without much use. they’re immortal. they’re getting bored quickly,” john sighed with a small chuckle, patting his son’s shoulder, which only made him flinch more.

“you don’t know her. she’s not like that,” dean muttered, rubbing his chin. you weren’t like that…right?

of course you weren’t. why did he even think that? you were his whole world, and he pretty much thought that he was yours. you weren’t like other angels—you were actually angelic and pure and all the other schmancy shit. but yeah, no, you weren’t like that, and his dad was fucking wrong.

“she’s an angel. a supernatural creature. that says enough. they shouldn’t be here anyway. their place is up there where they can be all high and mighty with those pretentious stares.”

“she’s not like that,” dean said more sternly this time, his voice strong and leaving no place for a discussion. you were his little birdie, and he wouldn’t let anyone badmouth you. not even his own father.

“you’re defending her now?” john scoffed in amusement, looking at his son in disbelief. “you’ve gotten soft,” he hummed.

“and? is it so bad now? i’m sorry to disappoint you. again,” dean stood up, ready to leave, when his father grabbed his arm and looked at him with those eyes that dean knew too well—those eyes that meant he was about to get his ass beat.

“don’t be a brat now. show your father some respect. i don’t think i taught you to run your mouth—" dean swallowed thickly, preparing himself to get a blow to his face or at least try to dodge it, perhaps.

however, before john could finish, suddenly his hand on dean’s arm was yanked away and painfully bent backwards as if it was going to break any moment, the angel blade pressed dangerously to an artery in his throat.

“touch him again and i’ll make sure to drag your ass to hell myself, you fucking deadbeat,” you hissed with so much venom and hatred in your voice that it honestly made dean speechless.

you had the deadliest expression dean had ever seen on your face. he felt goosebumps on the back of his neck, suddenly feeling as if he was frozen in place. to be honest, you looked pretty scary and intimidating for such a small and inconspicuous creature.

“oh, look who’s back from heaven,” john chuckled darkly, clearly pissed off by your presence. “tell her to back off,” he almost growled while shifting his eyes from you back to his son.

dean stood still. honestly? he didn’t want to help. he wanted to let you do your thing. he wanted you to protect him.

but it was his father. and he felt that he couldn’t just let him be treated by you like that.

“birdie, come on. drop it,” he sighed, coming closer and wrapping his arms around you, gently pulling you back. he knew you wouldn’t protest, and you knew that as well—you’d never hurt dean or even try to do something that would possibly hurt him. you’d probably cut your own wings off if he got even the smallest bruise because of you. “relax, okay. don’t do anything stupid, birdie,” he rubbed your arm, trying to calm you down.

with a huff, you turned around and looked at dean. “i don’t like him. and i don’t like your mother. these people are weird and had hurt you and i don’t trust them,” you hissed, keeping your voice a whisper so john wouldn’t hear as he tried to scramble himself up from the floor.

“birdie, they’re my parents. i—” but he cut off and raised his brow. “how do you even know what happened? i never tol—”

“angel stuff. doesn’t matter. i just don’t like it when you’re hurt and upset and feeling sad. and these two make you upset, sad and hurt!“ you tried to resonate. “i just want you to be happy. i can’t give you your childhood back nor i can undid every awful thing that happened to you. but i can try my best to make it better and give you what you missed out on. if you want to feel childish for a minute, we can do that together. i’m already considered to be one apparently,” you huffed with a small eye-roll.

and dean was speechless. he looked at you in disbelief, and all the other feelings that he couldn’t quite name. he felt his heart squeeze painfully in his chest, tears gathering up in his eyes. he tried to say something, to think of something, when john’s mocking chuckle echoed through the walls.

“are you kidding me? crying? what kind of soldier—” before he got a chance to finish, you sent him on the floor with a solid sucker punch to his face. john groaned and blinked hazily before losing consciousness.

you shook your hand with a small huff and then looked at wide-eyed dean.

“i’m not going to apologize for that,” you said in that direct and indifferent tone, pointing at john’s unresponsive body.

dean just blinked and then looked at you, his expression slowly softening. he smiled at you and pulled you closer.

“honestly? i don’t want you to. thanks birdie,” he hummed and kissed your temple, letting his lips stay on your skin for a moment, while you leaned into his invitingly warm touch. “i love you so much, my little angel.”

“i love you, too, deano.”

god, he was so glad to have you.

a/n: i’ll drop the drabble tomorrow cause i didn’t think i’d finish this shot faster lol😭

༄♡ tags: @frosttbitessam @beausling @deanswidow @titsout4nicholas @a1ecmcdowell @aileenunfiltered @figthoughts @fitxgrld @angelicp0etry @hrtsoldierboy @deansbite @artyandink @10ava01 @abellmunsonmovie

[enteroctopusdarkysilis]

✨More Clones Brickheadz !✨

Since I acquired the Small Cody (40675), I found that there was an untapped mine. Why would they only make one ? Well. I don't have an answer to that, but I decided to take matters into my own one; so behold : 11 more. I went mostly for commanders here, but then I went a bit astray and so I added some captains to the mix.

In order, row by row :

Tukk (Not cannon but the colours are so beautiful)/Vaungh (died too soon-)/Rex (obviously)/Fordo (I did Rex, so I had to)

Gree/Doom/Thorn/Neyo

Bly/Cody/Fox/Wolffe

It was a really fun project, and I hope to do more of them in the future - maybe even phase 1s, some day~); supposedly not commanders because I did most of them (except Bacara, I know...The helmet was too tough).

And because I really like challenges, if you want to see another clone turned into one of these (Be it cannon or one of your ocs) feel free to send requests in my aksbox !)

Anyway this post is already far too long for anyone's dashboard, so closeups and details will be under the cut !

Let's start with the easy ones : Cody, Doom, Fox, Thorn

Obviously, Cody was easy, I just rebuilt the original one virtually - Nothing too hard. The printed pieces here are not the right ones, because Cody's are not available on STUDio yet, but the storm trooper ones were relatively similar, so I used these for most of these models. Of course, it means I'm lacking the sun bands, and a few other distinctive elements, but it works well enough for now.

Now, Doom is essentially a colour variation (minus a few antennas). I also used an old space piece, which has this big yellow arrow printed on it. I's not exactly what Doom has, but I feel like it's close enough for a first attempt.

Then, Fox is relatively similar to Doom, but with two DC-17s. I also moved the printed torso brick up to get that red line he has.

Thorn works in a similar way to Cody too, except I removed both accessories on the side of the helmet. I also added this tile with diagonal lines to figure the wings he has. One day I'll slap some real wings on there, but I haven't found the right image yet. I also gave him a Z-6, obviously. I really like it, so I might actually make that one physically, because the way it's build (with old binocular pieces) is pretty nice; although I doubt the pieces are available in black.

Moving on to two captains : Vaughn and Tukk !

Admittedly, not really that different either, except for one thing : I learnt to do custom prints now ! Yay ! Well, these are really basic : the blue line for Vaughn, and some trapezoids for Tukk's helmet (which are, indeed, not visible here - shame, I spent so long making these fit). The Ahsoka pattern was already in STUDio (because Ahsoka already has her own brickheadz, which I'll get my hands on someday~)

I must also add that having some cyan in this whole thing added some much needed colours in here, I'm grateful some people give their clones amazing colours (If somehow someone doesn't know who Tukk is, well just check High Ground Animation. Right now. It's really cool, trust me). Anyway.

As for design changes, I modified the faces slightly by adding 1x1 tiles, to allow for different colours variations on the face. It makes them look slightly blockier, but given the overall size of the head, it doesn't do much.

I also gave Vaughn a DC-15A. It's a bit messy, but it works out well enough. Past me forgot to render it, so here is a raw, in-software picture of it (from Fordo(s hand, but it's the same design for both) :

BARC helmets ? Wolffe, Fordo, Neyo

As I've been told, these look a bit wonky, and I'll admit its wasn't exactly easy, but in my defence, it's relatively hard to get such round shapes with bricks (lego cheated by adding the visor). Anyway, given that doing that with a printed piece was out of the question, I tried to replicate the filter's shape with actual bricks, and I used a printed piece which, technically, is Lando's moustache, but downward. I'd say it does the job relatively well.

I also added a rangefinder to Wolffe, which is a little big compared to everyone else's antennas, but It's still relatively to scale with the head itself. No custom prints for him (not sure where I would find the correct pattern images ?), but I've done it for Fordo and Neyo. Fordo obviously has his well deserved Jaig eyes (and who knew it would be that difficult to find a picture of that on internet ?), and Neyo has his symbol on the helmet, chest plate, and the shoulder not shown here.

The really tinkered ones : Gree, Bly, Rex :

Here, it was a matter of trials and errors to figure out just how to get the shapes right.

I actually started with Bly, by removing the previous visor and adding the macrobinoculars first, then I tried to shape the helmet around. Truth is, it doesn't make sense technically : the two separated parts of the helmet do not connected at all, if you remove the equipment. Luckily, no one has to know that.

Next is Gree. It took me some time to figure out how to properly get a round feel, but I feel like it's as good as I can make it like this. Colour-wise, it was surprisingly difficult to find how to balance the different shades of green, and equally hard was to figure out which silvery colour would render well in STUDio. The answer lied, as it always does, in Bionicle. Of course, none of these pieces exist in this colour, but it's not really my main problem (because none of the coloured printed pieces exist either).

Finally, Rex...He gave me some trouble, I have to admit. Firstly, the part-designing software decided to have some trouble with custom prints, which was problematic, because I simply couldn't do Rex without jaig eyes (and Fordo already had his). Then, I started with Gree's base and tried to go from there to fit Rex's custom helmet. I ended up using Boba Fett's printed visor piece for Rex, because these were all triangles. I also got rid of the printed chest piece and used some black plates to simulate the pouch he has; while also adding a a few more custom printed pieces for the arms and pauldron (barely visible, but they're here. I'm not entirely happy with it, but I don't see much other solutions than more and more custom prints, which isn't my goal, so it'll stay like that for now.

Anyway, that's way too much rambling for one post, so I'll just end by saying that next week I'll post an alt version of this whole build [here !], with some 'slight' colour alterations. Definitely nothing big.

[tritoch]

i've seen a lot of people complain about the dawntrail final dungeon for being a thing that we have basically already done and i understand and in many ways agree with that complaint but i do think it varies from the usual in ways that are actually pretty compelling.

spoilers for dawntrail follow, natch.

like okay in amaurot and the dead ends and the lunar subterrane (okay this is definitely a well CBU3 has gone to too many times), the premise is the fights you're engaging in are all kind of historical. behold, the dooms of amaurot. tremble before ra-la, a real sphinx that actually existed once somewhere. face durante, just as golbez faced him in real life.

and accordingly, because all the fighting is supposed to match the energy of the dungeons, these are moments of panic and peril. the world is ending. the worlds are ending. the kingdom is on fire. there's a solemn villain voiceover to really drive the point home (we just wanted to play...on da amaurotine playground...). amaurot is falling and look how sad it is. every world died and look how painful it was. my best buddy golbez died and it was really sad. everything is Fucked Up.

what's really fun about alexandria by contrast, particularly in the first part, is that things are fine, actually! sphene's here (well, "heah"), and we love her, and she smiles because we smile and we smile for her :). oh no alexandria is falling and it's so sad and noble because of everyone's chivalric sacrifices :( oh yay we're rebuilding from the ashes :)

it's a beautiful, tragic, noble story. and the whole time no one's talking to you, not like normal. sphene's kind of reciting the lyrics to memory from cats listlessly but everyone in her memories is talking to each other, not to you. none of them are interacting with you. you're not fighting alongside her against her enemies or taking down conjured horrors from the past.

no, the whole time you're being reminded of one very specific fact.

You're foreign. You're not from here. This is not for you. This is not yours. This peace was not yours and never will be. This grief, this hope. You chose otherwise. You were offered the chance to be Alexandrian. You rejected it. Stay over there. Stay out. You are not wanted here.

in what i personally choose to interpret as a bit of dark comedy, when things start breaking down, it's literally one of the only words you still understand.

ultimately what distinguishes alexandria from amaurot or the dead ends (intentional "this is why i'm sad" slideshows made specifically for the warrior of light to experience) or the lunar subterrane (accidental memory recreation) is that you are choosing to invade sphene's memories. you are doing a cool little backdoor heist at the luxor casino by causing chaos all over the strip before you crawl through the vents to get to the mainframe or whatever.

but in the context of dawntrail, alexandria is the invading power, the rapacious techno-dystopia that intends to carry out forever wars so it can use the literal souls of its enemies to power its treat machines and which not so coincidentally spawned in north america. and alexandria has literally invaded both tuliyollal and yyasulani at this point. so the conceit of the memory guardians helps make clear the hegemonic logic at play. you are a foreign entity. you are not a subject of the state. your life has no value. you must be removed.

or, if removal proves impossible, exterminated.

[linkspooky]

DOOMED SIBLINGS: THE TODOROKIS VS. THE FIRE NATION ROYAL FAMILY

I received an ask in my inbox about how Zuko doesn't owe Azula any forgiveness. Truthfully I wasn't even going to respond because this isn't an avatar blog, but then I watched this video.

Not only do I disagree with the basically everything in this video, but I am going to make the argument that both Zuko' and Azula's arcs are both incomplete with the way the show left the two of them in the final showdown.

In order to make my argument I'm going to compare Azula and Zuko's relationship in avatar to Shoto and Toya's relationship in My Hero Academia and use the latter as a more positive example.

Unnecessary Redemption Arcs

The common fandom opinion I want to argue against is this idea that Azula's ending is a perfect tragedy, and therefore doesn't need to be expanded upon. There's also a sentiment that redeeming Azula would somehow ruin the impact of this perfect tragedy.

I'm about to argue against both of these points.

Azula's arc doesn't work as a tragedy.

Because of this her arc is unsatisfying and unfinished.

I'm going to address the first bullet point but before that let me add another disclaimer. The reason why I think Azula's arc isn't an effectively written tragedy isn't because I like Azula.

Before we even get into the My Hero Academia comparison let me bring up something completely different. I do like Azula, but I like Terra Markov from Teen Titans a lot more and I would not change a thing about her tragic end.

AZULA'S ARC IS NOT A WELL-WRITTEN TRAGEDY

Terra in the comics is what a lot of people accuse Azula of being. She is stated in the text and by her creators to be an unfeeling sociopath. She was also never intended by her creators to be redeemed.

[About Terra] The very first time we see her, she’s trying to blow up the Statue of Liberty. It’s just that all the fans assumed because we went out of our way to make her cute — but not too cute, with the buck teeth and everything — everyone would assume that she was gonna become good by the end and that was never the case. First thing, we made a promise that day that we would never renege on our view that she’d never become good. It’s sometimes hard to do that with characters you like. You want them to become good or something like that. But we never liked the character enough—because we knew what we were doing with her—we never allowed ourselves to fall for the character. Because that’s bad. That’s bad storytelling. You’re doing what you want as a fan at that particular point, not as the creators. T

Now let me clarify, both creators of New Teen Titans say some nasty things about Terra and don't recognize her sexual abuse, but here's the thing. You don't have to read a story 100% the way the author intended, sometimes the story says one thing and the text says something different.

I am going to use Judas Contract as an example of a story where the character from the start was never intended to be redeemed and why that's a positive in this case.

Terra is a teenage girl, the bastard daughter of the king of Markovia and a random American woman who presumably has had no stable home her entire life because she's working as a mercenary at fifteen. She teams up with a man that is in his mid fifties and even starts a sexual relationship with him (this is statutory rape she cannot consent) and Deathstroke uses her to infiltrate the Teen Titans and learn as much as possible.

Terra is sent to live with the team and spy on them for several months. The whole time she only ever engages with them in a fake spunky persona, and never shows her real cutthroat self. She leads Beast Boy on in a fake romance to make him trust her and secure her place on the team. The way you'd usually expect this arc to go is that Terra would grow fond of the team and be torn in her loyalties.

Yeah, that never happens.

Terra loathes the Titans. In fact she's developed a superiority complex about her meta human abilities and she doesn't understand why anyone would use their powers to help others. She despises the concept of superheroes in general, and because of that never bonds with any of the Titans. Her feelings never change from start to finish, because her creators intentionally wrote her as a character that can't be redeemed.

Terra is written to be a psychopath, but even with that intention in mind there are scene that shows a greater range of emotions. She has what could amount to a trauma flashback when Beast Boy too aggressively flirts with her and tries to kiss her and she reacts violently, trying to bury him under the earth.

Let's go ahead and interpret Terra as what is used as the fictional definition of a "sociopath" that is someone who feels no bonds with other people, someone with shallow emotions and someone devoid of guilt. Even if we interpret her that way, her story is still meant to be read as a tragedy.

Terra succeeds in her mission of infiltrating the Titans. Slade captures most of them, and the only remaining member Dick Grayson goes missing. Dick Grayson then unites with Slade's son Jericho, and the two of them team up in order to rescue the rest of their friends.

Even after all she's done the Titans try to make pleas to Terra during the final battle, which she not only rejects but responds to with violence. Which only confirms what I said above, Terra never grew to love them, she never regretted her actions, she only ever engaged with them with lies.

(Terra always lies, Terra always lies, Terra always lies).

Terra is declared by Raven to be devoid of emotions: "Her thinking is unlike ours. She feels no true love or hate. Her soul is corrupt. What she does is done without remorse."

Even after Raven declares this, however she still pleads with Terra to stop because she's going to hurt herself. Terra feels Slade betrayed her because he favored his son Jericho over her, so she decides to take both Slade and the Titans down. As the Titans fight her she begins to mentally fall apart ignoring their appeals to her and lashing out at everything around her. Eventually she makes one last attempt to everything around her, but the Titans escape and she only manages to bury herself.

At no point in the fight do the Titans give up on trying to reach her even as she's loudly screaming how much she hates them. Even after she's buried and it looks like she's dead, Gar and Donna both try desperately to dig her up on the slim hope she's still alive. When they find the body they even give her a funeral afterwards, even though they all think that Terra was beyond redemption.

Even the prose narration that accompanies her death is incredibly melancholy and bemoans her fate, at the same time as it calls her a outright sociopath.

There's no reasoning with her now. However slim, whatever sanity Tara Markov possessed is gone. Now there is only primal hatred! Hatred born, nurtured, and fanned. Hatred that festers and grows without care, without feeling, without plan. her pursed lips part and the sounds which echoes force are garbled and inhuman. Hot, boiling blood gushes wildly from the earth's open wounds, its skin fractures and cracks, and if a world could cry, it surely would. Her name is Tara Markov and she is little more than sxiteen years old, and due to the fault of no one but herself she is insane. No one taught her to hate, yet she hates without cause, without reason. No one taught her to destroy, yet she destroys with glee, with relish. Don't look for reasons which do not exist, plainly Tara Markov is what she is, and she has taken a great power and made it as corrupt as she. Hers was the power over the earth itself she could have brought life to deserts, hat to the frozen tundra, food to sraving millions. She could have damned raging rivers, and tunneled water to packed lands dry and dead. her powers were limited only by the mind which controlled them. A mind which sought not hope, not love, not life, but death.

If you go with the text that she is just a sociopath beyond redemption who hates and hates and hates for no reason, the narrative still mourns her because a sixteen year old with her whole life ahead of being consumed by hatred and then dying because of it is in fact sad.

If you read into the subtext then you can argue that the events of the story, contradicts what the narration is telling us. Terra is being sexually groomed and groomed as a child soldier by a man who is much older than her, even if she thinks he's a partner he clearly has all power in the relationship.

If you think about it that way then Terra is the ultimate bad victim. She doesn't cry and call for help as a victim of sexual abuse, instead she tries to claim power for herself, she manipulates, and she destroys any chance she had for a genuine relationship because she only sees all relationships as transactions she can gain or lose from.

Even if you only go with the first interpretation, the narrative still remains tragic because the Titans themselves did not want to give up on her, they did not want to watch this sixteen-year-old girl destroy herself. They never stop reaching out for her and it doesn't work, because there was no way out for Terra but death.

Here's the thing I don't think Terra's status as a sexual victim automatically means an ending where she dies is offensive. It reflects a reality that victims like Terra often go unseen because they don't present their victimhood in palatable ways, and by the time anyone notices it's far too late. Sometimes tragedies are meant to reflect a reality where many people do not get saved.

There's two reasons that Judas Contract works as a tragic story. Number one the creators planned Terra's ending right from the beginning. Which meant they never gave her any moment where she shows that she's redeemable. There's no genuine bond between her and the titans, no wrestling with the guilt of her actions, nothing.

Number two, Judas Contract is Terra's story from beginning to end. It begins with her betrayal of the Titans, and ends with her death. The death is also brought upon herself by her fatal flaw her hatred, which is what makes her the protagonist of a tragedy. Tragedies are stories where heroes are undone by their flaws. Terra also goes out on her own terms. She buries herself underneath her own rocks. Her death is a direct consequence of her inability to let go of her hatred. Terra's not fridged for anybody else's arc, she retains her agency until the exact moment of her death.

To simplify into bullet points, Judas Contract works because:

The creators thought out what they wanted to do with Terra.

Judas contract is Terra's story.

Now, getting to the part where we actually talk about Avatar, and I start complaining about that awful, awful video.

AZULA'S ARC IS NOT WELL THOUGHT OUT

I just went on a long tangent on how Terra, a character written to have no redeemable qualities can still be tragic. How the creators marked her as clearly doomed from the start, and how she brought about her end on herself, how there no redemption for Terra. How this girl had no real chance, and how regardless of the fact Terra is a lil baby sociopath her fall is still tragic because of how well structured the tragedy is surrounding her.

It's awful to kill off a sixteen year old victim of sexual abuse, but the ending just fits because Terra represents a certain type of bad, unsympathetic victim who doesn't get saved.

Azula's arc isn't as well structured. The ending does not fit. I'm going to start by refuting some points in the awful, awful video I did not like.

"Maybe it's okay if Azula's story ends where it does in the series we would separate how we would treat a real 14-year-old girl from a villain in a series, ad that's why any redemption arc isn't need i a story after all. A character needs of deserves a redemption arc when it becomes the most meaningful way to explore their character and place in the story, but a character deserving redemption usually comes before the story really needing it, and I don't think Azula's done anything to deserve it yet. They've got to exhibit some willingness and action to change..."

So the main reason I'm using Terra as my first example is because Terra is the kind of character that Hello Future Me is describing. Terra was written with the specific intention she'd never experience a change of heart, all of the friendships she makes with the Titans are fake, she very loudly experiences no remorse, or even self-reflection over what she is. Terra's pretty proudly a monster and she never experiences any kind of self-doubt or regret over what she's become.

I can disprove right away Hello Future Me's blanket statement (with no actual cited examples, just trust him guys) that Azula never did anything to hint she may deserve redemption. That suggests Azula is an entirely selfish character who uses, manipulates and thinks she's right and worst of all is comfortable being the way she is, and therefore incapable of doing the self-reflection necessary for change.

Azula does show the capacity to do selfless actions several times in the narrative, and even consider the feelings of others. There's the apology scene with Ty Lee and the way she interacts with her friends in general with the Beach where when she's not fighting in a war or trying to complete a mission for her father Azula 1) interacts with her friends in a normal way and 2) seems to express a desire to experience normal relationships not the hierarchical ones she's experienced all of her life.

However, that's not the example I'm going to use as her save the cat moment. I generally intend to interpret that as a sign that even though she treats Mai and Ty Lee as subordinates and that power she holds over them eventually leads to them leaving her, their friendship isn't just Azula abusing them and lording her authority over their heads 24/7.

No, Azula's save the cat moments all revolve around Zuko. Which is funny, because the entire fandom seems to regard Azula as Zuko's evil little sister who exists to do nothing but torment her.

The first and biggest is Azula deciding to bring Zuko home in Ba Sing Se, and telling a lie to her father that he was the one to slay the avatar.

Ozai: I am proud of you, Prince Zuko. I am proud because you and your sister conquered Ba Sing Se. I am proud because when your loyalty was tested by your treacherous uncle, you did the right thing and captured the traitor. And I am proudest of all of your most legendary accomplishment: you slayed the Avatar.

Zuko: [Shocked.] What did you hear? Ozai: Azula told me everything. She said she was amazed and impressed at your power and ferocity at the moment of truth. [Inspired partly by this post]

Now the show seems to regard this action as Azula being an evil temptress who is there to tempt Zuko back to her side with everything he thinks he ever wanted.

That's only if you regard it from Zuko's perspective.

Think for a moment from Azula's perspective. Number one, Azula is someone thoroughly indoctrinated into Fire Nation propaganda who measures her self-worth based on 1) military achievement and 2) her father's approval and assessment of her talents. In Azula's own logic (wrongheaded as it is) she's helping Zuko. She's bringing him back home with his place in the line of succession restored and his father's approval.

Azula doesn't benefit from this gesture at all, in fact if her father discovers the lie she has as much to lose as Zuko does.

Now Zuko insinuates that Azula only brought Zuko along and told her father that he was the one who killed the avatar so she could let him take the fall if the avatar turned out to be alive.

However, if you look at the actual order of events that doesn't make sense. Azula saw the avatar die, she didn't know about the spirit water, and therefore had no way of knowing Aang could come back. In fact, it's Zuko who 1) knew about the spirit water and 2) decides to keep the spirit water and the fact the avatar might have survived a secret that is throwing Azula under the bus. After all she has as much to lose as he did and instead of sharing that information with her he decides to keep it all to himself.

Now Azula does imply that if the avatar were to turn out to be alive all of Zuko's glory would dry up, but this is only after Zuko 1) throws accusations at her and 2) makes it's pretty clear he's lying to her putting her on the defensive.

This is also a scenario where Azula doesn't have much to gain by bringing Zuko back, if you look at it from her perspective. If Azula just lets Zuko rot in a ba sing se prison, then her claim to the throne is secure. With Zuko back he's restored in the line of succession. She also, when making the decision to invite Zuko to her side probably didn't need him for her plan to succeed.

There is a dramatic moment of Zuko choosing to side with Azula over Katara which turns the tide in Azula's favor, but Azula can't see into the future and therefore wouldn't be able to predict that happening. If you look at it from Azula's perspective she 1) successfully infiltrated the city, 2) already had the Dai Lee in her pocket. She likely already thought she had the city secure at this point so her decision to extend a hand out to Zuko is therefore likely motivated by selflessness instead of self-interest.

That's important because usually when Azula usually only gives her help to others if it also benefits her in some way. Azula might genuinely see her recruiting Mai and Ty Lee to her side as a member of the royal family extending her favor and giving them status and security in their positions but it has the underlying motivation of 1) she keeps them in a position to beneath her and therefore in her complete control.

Azula will interact with Mai and Ty Lee like friends on the surface, as long she maintains control over them, but if they do anything to something that displeases her she'll do anything to regain her control.

Mai: I thought you ran off and joined the circus. You said it was your calling. Ty Lee: Well, Azula called harder.

This is set up in Azula's very first interaction with Ty Lee. Azula greets her like an old friends, Ty Lee even seems happy to see her, but the second Ty Lee tries to say no to her Azula goes to extreme lengths to "persuade her". Azula's friendship with Mai and Ty Lee is an abusive friendship because there is a power differential and even if Azula feels genuine affection for them both it's clear they're not allowed to say no. Mai and Ty Lee are put into positions where it's in their best interest to please her, and live in fear of the consequences if they don't do just that.

Here's the thing, I'm not arguing that Azula didn't deserve any consequences for her actions. I'm arguing that the setup doesn't match her eventual ending. Azula is set up to have Mai and Ty Lee leave her from the very first scene that Azula interacts with Ty Lee. It's satisfying because the set up matches the pay off.

It's also tragic because it's Azula continuing the chain of abuse. The video isn't entirely wrong (which is why they came to the wrong conclusion frustrating).

Azula's fall is about how differenting parenting styles can a child. Ozai's affection is exchanged for being useful. Something Azula would go on to repeat with her friends, whereas Iroh's affection is something freely given with patience for imperfections and failures, something Zuko goes then on to repeat.

It's like... there it is it's so close. Here's the thing, Azula is set up for a tragic falling out with Mai and Ty Lee (and one she deserves) but the set up is different with Zuko. Azula's save the cat moment revolves around Zuko, and her genuine attempt to bring her brother home.

Yes, the first time Azula interacts with Zuko in season 2, she tries to take him home by force. However, by the ending of the season Azula's perspective on the matter has obviously changed because she begins by trying to bring him back as a prisoner, and by the end of the season invites him back as an equal.

There's no moment in Season 3 where Azula treats Zuko the way she does Mai and Ty Lee (unless Zuko provokes it first and puts her on the defensive) in fact most of her interactions are either them interacting normally (such as when Azula goes to find Zuko at their old beach house because she knows he'll be there and advises he leave instead of dwelling on their depressing memories) or Azula deliberately trying to look out for Zuko such as when she advises him not to go visiting with Uncle because it'll make others suspicious.

On the other hand, Zuko never at any point looks out for his sister the way Azula is demonstrated looking out for him. He doesn't say, try to tell her where he's going on the Day of Black Sun, or try to convince her the fire nation is wrong. There's a scene in the later part of Season 3 where Zuko is watching Azula fall to her death while sitting on a flying bison and not only sits there and does nothing about it, but sounds disappointed when she doesn't hit the ground and become an Azula Pancake.

That's pretty much the opposite of a save the cat moment. It's a "let the cat fall to their death" kind of moment.

Yes they were enemies at that point, but Zuko's the one who's supposed to learn that affection is something freely given with patience for imperfections and failures, something Zuko goes then on to repeat.

How exactly is he doing that in this scene?

The thing is... this setup doesn't have to be bad. Of course Zuko has trouble has trouble empathizing with Azula, he doesn't even think about sending a letter to Mai, Zuko's shown at this point to be like a healing abuse victim who's understandably focused on himself.

This in fact could be excellent set up with step 1) learning what genuine love and forgiveness is and 2) demonstrating those two things by applying it to others.

However, that's not where we got. We got Zuko watching his sister have a complete emotional breakdown, crying and screaming while chained to a grate and looking somewhat sad.

And once again to bring Terra into this, Terra is what Stay at Home and parts of fandom argue that Azula is. Terra screams at the top of her lungs how much she hates the Titans, how much she was always lying to them, and the Titans STILL try to reach Terra with words, try to de-escalate the conflict, when she's about to bring the rocks falling down on herself warn her she's going to hurt herself, and then when she's buried under rubble try to dig her out begging for her too still be alive.

Terra who's intentionally created by her writers to be as hatable as possible, is shown more compassion by the heroes in her ending than Zuko ever does to Azula. They also give Terra multiple opportunities to change until literally the very last minute, which Zuko doesn't do either.

What's set up is Azula has this save the cat moment with her brother, that Zuko is pretty much the only person she doesn't treat like a subordinate in the story (because she just like Zuko has a craving for familial love she tries to earn from her father). However, her ending with Zuko just taking her down doesn't fit that setup.

Azula's ending only fits if you consider her arc entirely from Zuko's perspective, which is the underlying issue. Azula's not the protagonist of her own tragedy, she's a plot object that's used to benefit Zuko's arc.

Azula's is written to have a downfall, the same way that Zuko loses everything at the ending of season 1 b/c of his inability to give up on the obsessive search for the avatar (and his father's love with it). Azula is written to be left by Mai and Ty Lee (this is the strongest point of writing when it comes to her since it comes from the beginning).

However, she's not written to be left completely alone and insane with the only empathy being shown is that her brother looks kinda sorta sad. That's only good if you view her as an object to further Zuko's arc, because isn't the ultimate culmination of Zuko beating his sister who has always been ahead of him at life? Azula needs to torn down completely without even some small glimpse of a hope of recovery so Zuko can be built up even moreor at least the writers of avatar seem to think so.

However, even Azula just existing for Zuko's growth and character development doesn't have to necessarily be a bad thing. This is where we get to MHA, which does the tragic siblings and the final Ag Ni Kai about 1000 times better with Shoto and Dabi.

THE GOOD

The comparisons between Shoto and Dabi to Zuko and Azula are made pretty often by the fandom. Shoto has a scar, Dabi has blue flames. Shoto has an arc about healing and learning what it means to be a hero, Dabi's arc is about self-destruction.

Dabi's not the center of his own story, he exists to foil Shoto and help Shoto reach the endpoint of his character development however that's not necessarily a bad thing. These are both two pairs of tragic siblings, the main difference is that MHA doesn't feel the need to tear down one sibling in order to build up the other. In fact, the final step to Shoto's arc is HELPING Dabi, not PUTTING HIM DOWN.

Not only that but the decision to help Dabi is a decision that Shoto makes on his own, and him going against the tide of a society that has already given up on Dabi and would much rather have Shoto shoot Dabi like a mad dog. Which makes the decision to do so even more powerful and emblematic of Shoto's growth.

Now you could say that Shoto and Zuko are too different to compare their arcs, Zuko has a redemption arc, and Shoto has what most people would probably term a healing arc. Shoto starts out the series as a hero.

However, this is what annoys me about the redemption arc debate. A redemption arc is really just a normal character arc. However, calling it redemption drags things like morality and forgiveness into the debate. if you take remove the discussion about moral philosophy both Zuko and Shoto have character arcs where they start the story defined entirely by their home situations and their father's abuse (hence why they have big obvious scars on their face), recover from their trauma, and go on to find an identity outside of their father and form healthy non-abusive connections with others.

In fact I'd see the theme of both arcs are the same, to literally find balance within themselves. Shoto is divided quite literally into right and left sides, fire and ice, and even seems to view himself as half of his father and half of his mother. Zuko is someone who's permanently marked and dishonored by the burn scar on his face. He suffers from an internal imbalance as well. Iroh says that Zuko is the descendant of both Roku and Sozin and therefore both pathways are open to him (but wouldn't that apply to Azula too). Zuko says to his father that the fire nation has destroyed the balance to the world and he's going to leave to assist the avatar in order to fix it.

Shoto's balance isn't just about fixing his internal trauma though, it's also about finding a balance between his family which has defined his entire life up until this point, and his desire to become his own hero not the hero his father groomed him into.

It's why the culmination of his arc is Shoto reaching out to save his family member Toya, because it's the ultimate balance in wanting to heal his family, and also the kind of hero he wants to be, someone who saves and brings peace to others instead of just violently putting down villains. He can bring peace to his family and become his own hero in one action.

However, let's go back to the beginning of Shoto's arc, because saving Toya as an endpoint to his arc is set up pretty early on.

Shoto's arc begins with Deku, a stranger breaking down Shoto's walls as an outsider in order to allow him to look past his own trauma and recall for the first time what he wanted outside of his resentment towards his father. This sets up the idea early on for Shoto that sometimes you need outside interference, help you didn't ask for, especially when you can't see outside of your own problems.

What Deku brings about ultimately is a change of perspective, Shoto's so hurt by the memory of his mother throwing boiling water in his face and everything that came after that he can't recall the memory of her telling him he could be who he wanted to be.

But, you want to be a hero right?

Shoto takes away two things from this arc, sometimes you need help even when you're not asking for it, and sometimes a change in respective is required in order to take the first step forward.

He goes to demonstrate these things multiple times, but here's two exaamples. The first Shoto demonstrates immediately after the tournament arc. When Iida is about to go down a dark path and commit a revenge killing on Stain. When, as a result of that IIDA is paralyzed and about to die in an alleyway, it's Shoto who both notices Midoriya and Iida are missing and shows up in the clutch. He's practicing the same thing that Deku taught him in the last arc: Giving help that's not asked for is what makes a true hero.

He even mentions the second idea, that a small change in perspective can be all it takes to save someone, and he wants to do for Iida hat Deku did for him. His words are the one who convinces Iida to stand back up again when he's paralyzed.

If you wanna stop this, then stand up. Because I've got one thing to say to you. Never forget who you want to become!

However Shoto's arc doesn't end here, because one of the major conflicts in MHA is that heroes don't pick and choose who to save and a true hero will give help even to those people who don't ask for it.

This is a point which further develops when Shoto's abusive father starts to show a change of heart at the end of the Pro Hero Arc. Shoto still holds his father accountable for what he did in the past, but he also acknowledges that if he had the capacity to change then so does Enji. This isn't about whether or not Enji is forgivable, this is an extension of what Shoto learned. Shoto originally believed he was controlled by the circumstances of his birth, that his fate was set in stone, but a change in perspective allows him to realize he can determine who he wants to be. So, Shoto is just applying what he's learned, Enji has the capacity to grow.

There's one final piece of setup that I want to cover before showing how these separate dies all culminate in saving Dabi. Shoto's not only someone who has to find balance between his family and his desire to be a hero.

The theme of balance is written into the quirk itself. Enji basically practiced eugenics to create Shoto as his masterpiece. He noticed a flaw in his own quirk where he could only make his flames so hot without overheating. So he arranged a quirk marriage with Rei who possessed an ice quirk to create a hybrid ice and fire quirk that he could use to cool himself off to prevent him from overheating.

Enji only ever cared about the fire half of Shoto's quirk. His ice quirk only exists for his flames to grow stronger. This is shown when Enji is trying to force Shoto to learn all of his signature moves, because he only cares about Shoto's flame quirk. Shoto was created to carry on his father's legacy, and surpass him with an even more powerful flame quirk. Part of his character development is him learning how to use his quirk in his own way.

This is a theme that continues in the class training arc where Enji is still repeating the behavior of trying to force Shoto to learn his signature moves instead of considering what he wants at all, because still Shoto only exists in Enji's mind to carry on his legacy.

This all culminates in Toya's decision to save his brother. The first is his action in choosing to identify with his brother. If Shoto believes in his own capacity to change, and even his father's, then why would he deny Toya that same chance to change?

The foiling between Shoto and Toya isn't supposed to reduce the two of them to "Shoto is the good one, and he's the bad one", but instead Shoto and Toya were both in a point where they were consumed by hatred and couldn't see any other path in life. Therefore if Shoto was able to change because someone gave him help when he didn't ask for it, then Toya not only has the capacity to change - but in order for Shoto to stick to his stated beliefs that the smallest of things can bring about a change in people he has to be the one to give his brother that chance to change.

It's not about whether Dabi is worthy or not, it's about the themes in Shoto's arc finally being paid off.

Shoto's identifying with Toya, and even parts where he tells Bakugo he'll make Toya sit down and make Toya tell him his favorite food indicate that from the beginning Shoto's intention was to find a way to stop Toya without killing him (which is what several of the adult heroes were encouraging him to do).

@stillness-in-green does a more succinct summary of this plan.

Just me?

Because, like, Shouto had a plan. He spent the time between the two war arcs specifically developing a brand-new combat technique that he planned to use to shut down Dabi's combat advantage without killing him. He convinced his dad not to change the plan like Endeavor was hesitantly sounding him out about[1]; he went out and talked and asked questions, and even if they weren't the right words every single time, he did his best and he did it with intention. If Dabi proves to be dead, it won't be because of anything Shouto did to him; it'll be because Dabi himself chose to stand back up, take a warp gate across the country, pick a fight with the guy who doesn't have the power set to shut him down without unduly hurting him, and trying to replicate an Ultimate Move specifically tailored for someone with a balanced power set Dabi doesn't have. And if Dabi lives, it's still going to be because Shouto booked it across the country and used that same technique to stop him again.

Shoto's decision to save Shoto is also a continuation of his decision to help save Iida from Stain. It's not enough for Shoto to experience a change of heart about his own life, he's got to take what he learned about people's capacity to change, and the importance of connections and then put that into practice and help others the way he was helped.

However, it also further develops the theme of giving help that's not ask for from Iida because Shoto's not saving a mostly heroic kid, he's saving Toya to help break a familial cycle of abuse (because murdering the abuse victim isn't how you end the cycle of abuse... actually).

Shoto's last lines to Dabi are also a refutation of this idea of destiny that he once thought he was ruled by. It's once again, Shoto teaching someone else the lesson he learned. Toya says a warped rail can never mingle with a straight and narrow one! In other words Shoto can never understand or get along with Dabi, because Dabi will forever be defined as the failure because of the circumstances of his brith, whereas Shoto will always be the success.

His final action is a decision to break the cycle they were born into: no, we're gonna mingle whether you like it or not.

Shoto's ultimate move Phosphor is not only a move he designed far in advance to take down Dabi non-lethally, it also is a rejection of his father's teaching method. Toya says he only ever taught me how to turn up the heat. Enji only valued both Shoto and Toya for their flame quirks. Developing his own quirk and breaking away from what his father wanted, specifically in order to save his brother. It's Shoto rejecting what his father created both of them for (a successor to his quirk) and finding his own path. By using that move to take down Dabi he's not only teaching Dabi their flame exists for more than just destruction, he's also by letting Dabi live giving Dabi a chance.

From a conversation with @class1akids

Dabi was the last push to unlock Shoto’s full power. Until then he was on the track of mastering flashfire like Endeavor planned for him (except for his own reasons) but realising the fighting Dabi with fire was gonna kill them both and also he’s simply no match fire only helped Shoto to fully take control of what his quirk is Like his quirk development goes parallel with how he faces each member of his family and finally meeting Toya is like the last piece of his puzzle to find his own full power and identity.

It's not just Shoto decides to save his brother because he's just that nice, his arc is literally incomplete without it. The act of creating phosphor a move specifically to save Dabi is both him unlocking the full power of his quirk (by balancing the fire and ice sides of his quirk) but also achieving balance between trying not to leave his family behind while at the same time becoming his own person and hero outside of his family circumstances.

Citing my conversation with class1akids again:

Toya is endangering everyone at Gunga. Endeavor has no means to stop him and when he tries to murder suicide Rei interrupts and his “hero way out” is taken. All he can do is watch helplessly as his family is about to burn to death with a bunch of strangers he tried to protect. But it would do Shoto dirty to use his heart technique to kill his family and the strangers so he comes in a clutch and I see that confrontation as the power trauma vs the power of healing in the family. With Shoto who is a true hero, they can put the fire out and save the family and strangertoo. Shoto become a balanced hero and bring relief and reassurance, Endeavor was completely helpless, and Toyas inner child got the attention he wanted, plus depending on how you read it, he may have become less suicidal.

Shoto also, and I want to point this out desires to stop his brother not to take him down but because he doesn't want him to hurt any more people. He's again finding a balance between two ideas 1) Shoto needs to stop his brother in order to stop him from creating more victims and 2) Shoto needs to find a way to stop him that's not just putting him down because Toya himself is a victim.

Shoto also, and I must point this out for the comparison between Zuko and Azula goes out of his way to engage Dabi in conversation, ask him why he didn't come home and what happened to him in the years after he died. This is especially poignant because unlike Zuko and Azula who grew up together, Shoto basically had no relationship with his brother (and the rest of his siblings really) before Toya died because Enji purposefully kept Shoto separate from all the "failures."

So yes, the act of saving Toya is more for the completion of Shoto's arc than any redemption arc for Toya but Toya's not just a plot object to move around for Shoto's arc, Toya has his own agency all throughout. In fact it's the fact that Toya resists being saved every step of the way that provides the challenge that Shoto needs to grow in order to be able to save him.

Toya's not just after revenge against his father that's the surface reason, Toya is also just blatantly suicidal. Toya's birth is marked as a failure, his death wasn't even acknowledged by his family and everything stayed the same in his absence, so he created Dabi while praying at his own shrine in order to mourn Toya. Dabi can't find any meaning in his life where he was born as a failure, so he'll use his death taking revenge against Endeavor for having been born in order to give his life meaning.

What makes Avatar look especially bad in its treatment of Azula in comparison to how MHA treats Dabi, is that Dabi is way, way less redeemable than Azula. For one Azula has clearly proven affection both her friends and her brother (and I don't think she even deserves Mai and Ty Lee's forgiveness they had every right to walk out on her and want nothing to do with her again.)

Dabi is probably the ugliest victim of the League of Villains. The rest of the league have far more moments in their bonds with each other. Toya is the outsider to the league even if there are some subtle hints to his affection (he tries to show up to save Twice, and also burns down Toga's family house to comfort her). The villains are mostly shown to be redeemable by their positive friendship with each other, and Dabi at several points denies the league's bond (he pulls a Terra and yells out loud at the top of his lungs none of the league matter to him). Unlike with Terra you can argue this is most likely Dabi trying to cover up his real feelings. However, the fact that he feels the need to hide his affection from the league shows he's purposefully distancing himself from any bonds whatsoever.

Unlike Azula who has gone out of her way to help her brother in one major way, and also shows hints in early season 3 of having that sibling bond with him Dabi just straight up wants to murk Toya. Azula also tries to murk Zuko, but that's only when Zuko leaves on the day of Black Sun (one without telling her, and two something that probably left her alone to deal with the consequences of lying to her father for his sake). Either way, Azula's behavior in early season 3 is setup for the fact that their sibling bond can be salvaged.

Dabi is way worse to Shoto in comparison. Dabi in the first part never saw Shoto as his own person, just a puppet of his father (puppets have no autonomy or personhood). His feelings towards Shoto only went so far as Shoto was someone who could kill in order to upset Enji. Dabi also doesn't particularly care for the rest of his family as well (only calling out Natsu's name when his brain is literally melting), they're either ways to hurt endeavor, or he wants to drag them in hell with him. Heck his last words after being saved is telling everyone to die and go to hell.

Dabi doesn't bother to make bonds with the league or have any lingering affection for his family because Dabi's determined to seslf destruct. He's given up on life the moment he saw that he died and nothing changed in that household, now all that's left is for him to create a meaningful death by dragging his family to hell with him.

Dabi is also even as a child made out to be an unpleasant victim. He attacks baby Shoto with his flames early on out of jealousy (even though he later admits that he was being unfair to Shoto). He makes the situation in the house worse by loudly screaming and demanding his father's attention. He screams at his mother and throws her complicity in Enji's abuse in her face.

This is in comparison to Shoto who in childhood flashbacks we are only ever seen either 1) crying, and 2) trying to comfort and protect his mother. Toya's even made out to be difficult to empathize with as a child - which like flew over half of the fandom's heads because he got accusations of somehow abusing his father and the rest of his family in that chapter at 10 years old. However, that in a way illustrates my point.

The fact that Dabi is so disliked by a certain portion of the fandom is because Horikoshi paints such an ugly portrait of Toya in the way he expresses his victimhood. It's done deliberately too, because number one Toya by resisting Shoto's attempts to save him and trying to self destruct instead retains agency as a character. He makes decisions even though they're bad self destructive ones, he's not just a prop. Number two, the fact that Toya is intentionally portrayed as such an ugly victim makes Shoto's decision to break the cycle of familial abuse by saving Toya and not leaving a single family member all the more poignant.

Toya is an uglier victim than Azula, actively trying to kill himself in a way that Azula isn't, and treats Shoto way worse than Azula ever treated Zuko and yet Azula isn't shown the sympathy or given the salvation that Toya is.

Because once again, the writers didn't think about the ending of Azula's arc or of Azula as her own character. Shoto defeating Toya is the culmination of his desire to break the cycle of abuse in his family. Zuko putting Azula down is just to make Zuko look better. It's in service of Zuko's character instead of both of their characters.

THE BAD

Avatar isn't setting up some gritty ending where the bad guys can't be stopped, they can only be killed. In fact it's pretty close in tone to MHA.

Season 3 especially is the season that really begins to hammer in on the themes that even the people on the enemy side are still human after all. The headband shows that Fire Nation children are indoctrinated into the war, but they are in the end still children. There's the story between Avatar Roku and Sozin, and once again Iroh saying that Zuko has both options becoming like Roku or becoming like Sozin available to him (but not Azula I guess). There's Zuko joining Team Avatar, even after he betrayed Katara in Ba Sing Se and should have burnt that bridge then and there. There's Zuko working to earn their trust again when no one on the team really owe it to him.

The main character of the show is a pacifist, who deliberately learns a way to stop Ozai without killing him before the final battle because he doesn't want to break the values taught to him by his culture.

If the entire theme of season 3 is redemption, healing and that the fire nation are not inherently evil then why does Zuko's sister and character foil end the last shot of the series screaming and crying with no one comforting or even attempting to sympathize with her. Why is this one character marked for tragedy in a show that is about redemption and healing and showing compassion to your enemies and very specifically not a tragedy.

Toya literally burns all of the flesh off of his body, and somehow he has a gentler ending than Azula, because at least Toya's arc ends with all the members of his family showing up to try to cool down his flames, and when he's on the ground burnt to a crisp his father finally apologizes to him. Toya is a skinless burnt chicken wing, my boy has no skin, and somehow he's better off than Azula.

I don't think the writers gave Azula such a cruel ending because they don't like her, but rather because they just didn't think about her ending outside of what it meant for Zuko. Which is why you get moments like Aang who is apparently a pacifist who doesn't want to kill the Firelord, watching his daughter fall to her death while sitting on a flying bison and doing absolutely nothing to save her. ALL LIFE IS PRECIOUS (except for Azula I guess).

It's not bad because a victim doesn't get saved, it's bad because it doesn't fit in with the rest of the story.

Not only is Zuko saving Azula a very natural conclusion to his arc, but there's far more setup for Zuko reaching out to his sister and saving her than there ever was for Toya and Shoto. Both Toya and Terra are screaming at the top of their lungs "I HATE EVERYONE, YOU SHOULD ALL JUST GO TO HELL." They're both making decisions and committing to their self destruction while Azula is a 14 year old girl having a mental breakdown.

Anyway, time to quote the bad bad video again.

"When does a villain deserve a redemption arc? When do we deserve a redemption arc? I know this is gonna hurt, but characters are not people. They are tools. They are represetations of people. They can be used to say other things. They can be symbolic representation of other ideas. Azula's story is not just about a fourteen year old defeated by her brother for the throne, Azula is Zuko's character foil, where she is ruthless and practical, Zuko is empathetic and emotional. Where Azula's a prodigy, Zuko has to work hard to earn eve a fraction of her power.

I specifically chose to cite MHA, because of how differently it decided to use Shoto and Toya's character foiling. Shoto recognizes himself in Toya, and how different their paths were in life. This is explicitly motivates him to save Toya. It's also the culmination of everything that Shoto has learned because Shoto is a hero who believes that actions speak louder than words. It's not enough for Shoto to resolve his own inner struggle, he also has to help Dabi with his because that's showing Shoto has grown rather than telling us.

I think that is where the major difference lies between Shoto and Zuko, we're told that Zuko has chosen the path of empathy and healing, that he's learned to give people love and patience like Iroh has but instead of showing that the culmination of his arc is having a fist fight with his sister in a denny's parkinglot.

Azula is Zuko's character foil, where she is ruthless and practical, Zuko is empathetic and emotional. Where Azula's a prodigy, Zuko has to work hard to earn eve a fraction of her power.

If Zuko is empathic and emotional and that is why he's gained friends while Azula is now alone after having lost her friends due to the way she treated them, then like... what a great opportunity for Zuko to SHOW that quality of empathy.

However, Zuko doesn't do anything that Shoto does in the final fight. He's not even here for Azula, Azula's just an obstacle for taking back the crown. He doesn't talk to Azula, engage her in any way, try to de-escalate and avoid the fight.

If you want to make the tragedy that Azula and Zuko have taken such different paths in life that that Zuko fighting with his sister is unavoidable you could um... at least show Zuko being sad over the prospect of fighting his sister or being reluctant in any way.

(Before you come in here with "Zuko doesn't owe Azula anything take" this isn't about whether or not Azula is a terrible sister to Zuko, this is about the story that avatar is attempting to tell. Shoto and Dabi's fight is tragic because Shoto doesn't want to fight Dabi, he wants Dabi to come home and for their family to be complete. Zuko never expresses anything like that so where does the tragedy come from?)

If it were 100% committed to a tragedy like Terra's death then I wouldn't mind. if it were 100% committed to a story of redemption like Shoto reaching out to Toya then I wouldn't mind. My issue arises from the fact they want to have their cake and eat it too.

They want to give this tragic end to Azula, and use it to illustrate how Zuko has grown as a character. However, you can't have both.

If Zuko's growth is about learning that his father's love based on achievement and 2) learning he needed to get lost in life in order to find himself then why doesn't any of Zuko's actions demonstrate this lesson Zuko has learned about love, and about how you can be your own person outside what your father expects from you.

If Zuko has grown as a character he should be able to show those actions. He does show his new understanding of love and friendship to Team Avatar, but as I said that's easy mode. That's Shoto's attempts to save Iida, it's a step in the right direction. It's also not really Zuko demonstrating a selfless love, because he's also at the same time trying to earn their trust and earn his way into the group.

It's also not Zuko breaking the cycle of abuse in their family in any way. Shoto is trying to break free from his role of his father's masterpiece, and at the same time helping Dabi break free from his view that he's the failure.

It's also such a natural ending for Zuko's arc, to take the lessons he learned from Iroh and give them to his sister who needs them so they can both break away from their father's parenting. As I said Zuko does solve the internal conflict within himself, but he doesn't really demonstrate that by helping someone else find their balance.

If you wanted the tragic end, then it would have to be about Zuko's failure to reach out to his sister, because he hasn't learned how to reach out to her. Or because he tries and is unable to. The writers don't seem to understand that though, they think the tragedy is about Azula bringing it all on herself, and not the inherent tragedy of a fourteen year old girl being unable to be saved.

The set up is right there too, because number one avatar is about balance. So, wouldn't the true ending be finding balance between the siblings, not having Zuko rise and Azula fall. Number two, Azula being alone and friendless because of her own actions is again a parallel to where Zuko was in early season 2 at his lowest point. Except Zuko can be the better person in this situation by reaching out to her.

Zuko doesn't break the golden child / scapegoat dynamic, he just flips it so now he's the success and Azula is the failure.

While Azula's fall comes from cruelty and rejection from friends and allies it is Zuko's humility and kindness and friendship that ultimately wins the day. Him sacrifcing herself for Katara and her bringing Azula down and then her healing him. Azula ending up imprisoned isn't something happening to a real person, it's a deliberative narrative choice by the author to say something about how people like this isolate themselves and end up alone. "

As I've stated above, I'm not saying Azula didn't deserve to take a fall. Her fall is actually set up from the first moment she met Ty lee. However, there's no set up for her fall being permanent.

Azula's given way more humanizing moments than characters like Terra or even Dabi. Which is why Azula being in an insane asylum for the rest of her life doesn't fit as an ending at all.

Azula is one link in the chain of abuse. Her father only gives out affection in regards to her usefulness. No matter what Azula is an asset first and a daughter second. Azula then repeats the cycle and treats her friends the same way. She has been shown through an improper model of parenting of using fear to dominate others with power and control and she replicates that in her other relationships.

Therefore, Ty lee and Mai leaving her is not only deserved, it's the perfect opportunity to pull the rug underneath Azula and to show her that her understanding of how relationships work is completely wrong.

This also mirrors Zuko's arc, because part of Zuko's arc is realizing just how wrong Ozai is for making both children earn his love, and that he doesn't need to measure his self-worth based upon his father's approval. He also learns about healthy expressions of trust and friendship from the gang.

Azula loses in part due to her own inability to form healthy relationships is losing people rapid fire, her brother leaves and joins the enemy side, Mai and Ty Lee betray her in favor of her brother, then her father in one action of leaving Azula behind and throws the title of Firelord to her after it's become completely meaningless reminds her of her place. Azula learns in about five episodes what Zuko had in 3.5 seasons to process that her father's love was always conditional and no matter what she did she would never truly "earn it."

People leaving Azula isn't exactly the problem, the problem is that Azula ends up alone permanently without being given the same chance that Zuko is. Terra, and Toya both get opportunities to turn back. They both refuse the hand that's reaching out to him. Mai and Ty Lee leaving is caused by Azula's own choices, but her ultimate end isn't. She's not even given the chance to turn away being saved like Terra and Toya do because Zuko doesn't even bother to try saving her. Her ending is not entirely brought about by her own choices, because the writers need her to take a fall to uplift Zuko.

Azula ending up imprisoned isn't something happening to a real person, it's a deliberative narrative choice by the author to say something about how people like this isolate themselves and end up alone.

I think once again it comes from the author's misunderstanding things because they don't want to look at the story from Azula's perspective, only Zuko's.

Stay at Home almost had it when he said the tragedy of Zuko and Azula was there to show how two different parenting styles affected these children.

The tragedy is that Zuko and Azula started in the same place, but Zuko had persistent guidance and someone who modeled for him a healthy kind of love. The difference is that Azula has never experienced any kind of healthy love or support on the level Zuko has, so she models all her relationships on the way her father treats her. It's not that Azula is offered some chance for change and rejects it, it's that Azula isn't even aware of the fact that there's another way because no one is there to show it to her.

Which is why I said once again, Zuko being the first one to show Azula the lessons he himself was shown by Iroh is such a natural place for his character to end.

Azula also even while completely alone and with no idea what healthy love is, knows that there is something wrong with her and is troubled by that fact in a way Dabi and Terra aren't.

Azula: I can sit here and complain about how our mom liked Zuko more than me. But I don't really care. My own mother... thoguht I was a monster... She was right of course, but it still hurt.

Then there's the famous mirror scene:

Ursa: I didn't want to miss my own daughter's coronation. Azula:Don't pretend to act proud. I know what you really think of me. You think I'm a monster. Ursa: think you're confused. All your life you used fear to control people, like your friends Mai and Ty Lee. Azula: Well what choice do I have?! Trust is for fools. Fear is the only reliable way. Even you fear me. Ursa: No. I love you, Azula. I do.

Both of these scenes indicate that Azula thinks of herself as a monster and is deeply uncomfortable with the idea. Considering Ursa is a voice in Azula's head and not a ghost, it also shows on some level Azula knew what she did to Mai and Ty Lee was wrong and feels conflicted over it.

Once again she's much more in conflict with herself than Toya and Terror ever are, and who's someone who's constantly warring with himself? Who's someone who could help resolve her inner conflict... Zuko (too bad the way the show's written he never does).

Azula doesn't choose to self-destruct the way that Terra and Toya did. Azula's ending isn't brought about by her choice not to change, because she's never given the chance to change in the first place. Her tragic ending would make sense if it was entirely of her own choices, but Azula doesn't retain her agency in the end it's literally taken away from her. She loses control of her mind, and her ending is being chained to a grate screaming and then thrown into an asylum.

I'm not arguing against Azula's ending because she's my favorite character and I don't want bad things to happen to her. It's because her tragedy isn't about her it's about Zuko, and her ending actively takes agency away from her where at least Toya and Terra both retain their agency up until the end. It's not good writing because the tragedy doesn't fit in with the rest of the story which is about balance and healing - and it's also ableist as hell.

THE UGLY

Azula's ending is unfitting to the tone of the story she's in, makes her and Zuko's arcs feel incomplete, and also is ableist as hell.

Here's yet more evidence that Azula's tragic ending is poorly thought out. Azula's mental breakdown doesn't exist in service of her character, but Zuko's.

Azula's issues pop up out of nowhere after episode 15, and take place over the last 6 episode of the series. The idea of Azula having a mental breakdown isn't necessarily a bad concept, but it's executed poorly.

The first way it's executed poorly is just how rushed it is. There's basically no hints of any mental instability beforehand. Of course people can have mental breakdowns spontaenously like that in real life, but this is a story and stories require foreshadowing. Azula spontaneously developing mental issues doesn't feel like it's planned as a part of an arc. First off, because the writers don't seem too sure about what Azula's symptoms even are. Hallucination, paranoia, manic laughter, but apparently she's still able to bend lightning just fine. Secondly, the writer's intentions for giving Azula a mental breakdown are pretty transparent.

The writer's room needed to come up with a believable reason why Zuko would suddenly be able to fight on equal terms with Azula, so boom sudden mental illness. The intent was not to create a sympathetic portrayal of a young girl struggling with both paranoia and delusions. The intent was to nerf Azula because they couldn't think of any other way this plot could end, other than Zuko and Azula fighting in a denny's parkinglot.

As I said they use mental illness as a plot device to take Azula's agency and choices away from her. It's not done with the intention of humanizing her, and in fact except for one small scene with her talking to her mother in the mirror it's a pretty negative and unsympathetic portrayal of mental illness. Not because the writers hate mentally ill people, but because they needed Azula to have a mental breakdown in order for a plot point to happen. Which is why they didn't think of the potential implciations of such a writing choice at all.

Now, people are going to argue about me so I'll use one final example. Azula's ending may be controversial but it's universally agreed upon that the Game of Thrones Ending was bad, right?

Game of Thrones uses mental illness as the exact same plot device, to explain why Daenerys Targaryen turns from a hero to villain in the last few episodes with absolutely no foreshadowing. In fact, the all of the show director's interviews about that choice are just blatantly ableist.

Rant from @hamliet

This quote is (likely unintentionally) gaslighting, ableist, terrible logically, and downright offensive. 

First, ableism: why, why, why are we conflating madness with evil? She was driven to madness so she killed a bunch of people and had to be put down? And you think this is a great message in the year of our Lord 2019? [...] Additionally, while good writing is to an extent subjective, there are general consensuses on what make good writing--and Game of Thrones hit all the general consensuses for bad writing, from bad pacing to confusing character assassination. Critics are like, pretty united on this front. No one thought Dany’s turn made sense, even the ones who expect Mad Queen in the books. Maybe if people love a character who is meant to be evil you're not writing them correctly... or maybe they aren't meant to be evil. 

Daenerys and Azula are incredibly similiar characters. They're both dragon themed, alligned with the element of fire, they're both colonizers they both represent the warrior princess archetype.

I'd say Daenerys is more of a tragic heroine though, because while Danerys is essentially doing the same thing as Azula, waging war in a foreign land and a culture that's not hers, for the purpose of then bringing back soldiers to her home continent so she can wage war again - while she is definitely a war mongerer she has good intentions. Daenerys for all of her faults, genuinely wants to break the chains and help out people.

I think Azula definitely sees herself as the hero for winning the war for the fire nation's sake, but she's completely uncritical of her own culture and she doesn't really have the good intentions that Dany has. She does it more out of a sense of duty, and her belief of divine right, not because she wants to break people free.

Daenerys's problem is that she doesn't understand the culture she's invading and the complicated world she lives in and despite all good intentions, is as I described above, invading a foreign power so she can go back and wage a war to reclaim the throne. Even if Daenerys would then proceed to go on to be the bestest queen ever that wouldn't change the fact her methods to get to the throne were incredibly violent, and she's sort of failing to break free from the cycle that led the Targeryen rule to fail in the first place.

Azula's problem is she sees herself as the hero and is therefore uncritical of fire nation values. She doesn't have any nobler intentions either other than service to her country, she just like Zuko is just trying to fulfill her duties as daughter and believe her birthright puts her above others. (I mean Dany does too but digressing).

Azula's more of a tragic villain who plays the antagonist role in the story, Danerys is one of the three heroes. However, she's more of a tragic villain in the sense that she's first season zuko pre character development just way more competent.

However, while Daenerys is a much more heroic character than Azula, here's the thing. I still think she's going to die. She is foreshadowed pretty heavily to die, and fail for her quest for the throne, because her entire story is a deconstruction of the warrior princess and the liberator archetype.

However, the story that GRRM is building throughout his books with Dany as an incredibly flawed heroine is different from what we got in the show, which was Daenerys going crazy and starting to murder people. That's because Daenerys turn to darkness wasn't about her character at all, it was just making her into a plot device to move their bad idea for a plot forward. That's why the turn is so unnatural and makes little sense with her character, that's why it's so rushed.

That's also why it's ableist, because it's using mental illness as a plot device to make a character unsympathetic and monstrous and give the other characters a reason to put them down.

The same for Azula, outside of one scene where he's talking to her mother, Azula's mental illness manifests in her screaming, maniacally laughing, looking like the joker did her makeup, and her instability also makes her violent and dangerous to be around. (Ignoring the fact that most people who experience delusions in real life are harmless, and more likely to be the victims of violence).

Her sudden mental illness isn't even used to make her more sympathetic in say Zuko's eyes and make him realize she's a victim, no it's just there to nerf her so she can be violently put down. The way she's drawn, the way she acts, it's to paint her as monstrous as possible. Her last action is like sobbing and screaming while being drawn as ugly as possible. She's not even given a small hope for recovery, because it just ends there. That's a pretty great message to send people that experience delusions, not only will you not recover or be shown sympathy, you'll also get sent to a mental asylum for the rest of your life. The choice for both Azula and Dany is not to portray any kind of mental illness in a respectful way, but to make a plot point happen.

As I said I expect Dany to die in the books, but there's a difference between dying as a tragic hero succumbing to your flaws but still having your good intentions acknowledged and just turning into a villain for no reason and being put down like a rabid dog.

(This is a quote I stole from a Shigaraki post but): "Why does she need to be put down in the first place, she has trauma, not rabies."

The problem isn't bad thing happened to my favorite character, the problem with the ending is it doesn't take Dany's setup into consideration.

Stealing from @hamliet again:

The thing about tragedies is that you have to manage expectations and clearly show that your tragic hero is doomed from the very early on–ie you have to show them making steadily worse and worse decisions (see: Eren Jaeger in SnK), if not directly tell your audience at the very beginning that this is a tragic story (ie see Greek choruses and Shakespeare, the prequels from Star Wars because everyone knows Anakin is Vader–plus I’d argue Anakin’s arc only works because we know he comes back to the light in the end. Audiences don’t like reversing on set up/undoing structure. To make Dany a tragic villain is to go against the structure of her arc in both show and book. That’s why people don’t like it, even if the books makes it seem more believable.

Kate then goes onto describe a character that's much more comparable to Azula's. Honestly Arianne is closer to Azula than Daenerys is.

You know who is set up as a tragic heroine destined to descend and die because of her flaws in the books, whose arc has almost certainly been combined with Dany’s in some sense in the show? Arianne Martell. (and another character known as f!Aegon) In the books, Arianne is incredibly ambitious, and especially resents her brother and his quest for power. Like Margaery (another tragic character), Arianne seeks power and is intelligent and manipulative in her quest for it. But Margaery’s fatal mistake is that in seeking power and prestige, she’s become more a pawn than anything else for a villain (Cersei). She chose to play with lions, and she’ll be torn apart; that’s not surprising. Arianne, as her chapters hint, is going to almost certainly marry f!Aegon, playing with fire, and die burning for it.   Arianne’s grasping for her own power is never portrayed as cruel or stupid like the main human villain (Cersei); on the contrary, we empathize with a girl who truly cares about her people, but resents her father’s preferential treatment towards her brother. That’s the difference between Arianne and Cersei: Arianne cares. She is not cruel. But her pride is still going to get her killed.

There's a lot of game of throne females you could compare Azula to because GOT is full of queens, but like. Azula may be a tragic villain firmly on the side of the antagonists but she's not Cerseie. She's not queen, she doesn't wield the power that Cersei wields. In fact one of Azula's downfalls is finding out she doesn't have as much power as she thought she had, and ultimately was just a tool of her fathers.

She's not Rhaenyra or Alicent, because yes she may be grabbing for power but her character isn't affected by misogyny. Because once again, the writers simply didn't think about misogyny except for a really surface level "girls can be just as strong as boys" way so we really have no idea how women are seen in the fire nation. The show doesn't really explore if being a woman makes things harder, or makes people treat her differently than Zuko because the writers just didn't consider Azula's perspcetive on that matter.

Azula is alike to Danaerys in several ways, but as I said I think her ultimate end comes from Azula understimating her own importance in her father's eyes, and quickly realizing when her father is her only family left she never had his love or loyalty in the first place.

But Margaery’s fatal mistake is that in seeking power and prestige, she’s become more a pawn than anything else for a villain (Cersei). She chose to play with lions, and she’ll be torn apart; that’s not surprising.

Azula's most famous quote is about how Long Feng isn't even a player, only to find out her father considered her a pawn from the beginning and be broken by the revelation.

The difference being of course that Avatar is not Game of Thrones and it won't even kill the evil fascist dictator so it doesn't make a lot of sense to hand Azula the ending that Arianne got. They have the same fatal flaw.

Anyway, I made this big post but I can explain why Azula's tragic ending down't work in one sentence.

AVATAR THE LAST AIRBENDER IS NOT A TRAGEDY.

Maybe the reason Azula should get redeemed is because THE SHOW IS ABOUT F&%CKING REDEMPTION.

[missjuniora]

I wonder about Han Sooyoung a lot. How could someone (3rd round) who had only met and known you for less than 4 years would be willing to wait for you for 50 years and then regress and experience hell all over again just to bring you back? How could that someone's other self (1864th round) in another timeline who had also only met and known you for a couple of weeks would be willing to spend 13 years of their remaining life writing a story for you everyday and doomed the entire world just so you could survive?

But when I really think about it—for Han Sooyoung—it did make sense.

Ever since she was born, she was neither wanted nor needed by anyone. Her parents would rather have her not exist. At some point, she also had a friend who set her up to blind dates but with how HSY only mentioned her once and never again throughout the story, perhaps that person wasn't really important to her either. So for the past 26 years, HSY had lived her life alone thinking if the world didn't need nor want her, then she didn't care for the world either.

Perhaps, at some point, she would even think that even if she were to disappear, no one would miss and mourn for her.

So imagine her surprise, when—for the first time ever—someone told her that she was needed. That he didn't want her to become a character. That he was willing to leave his life in her hands. That even if she ran away and hid somewhere, he would still look for her. That he believed in her to take care of the companions he left behind. That he didn't want to extend her 50 years of suffering if he could help it. That he wouldn't let her go because he hadn't heard the conclusion of the story from her yet. That he would cry if she died.

Their relationship might have started out of necessity—they were in an apocalypse after all—and HSY understood that they were merely using each other for their own benefits (plus they were enemies at first, too!). But then Kim Dokja lied about her being his friend before the scenarios (which when I think about it is technically not a lie because she was basically his confidant from his teenage years through adulthood during their exchanges in [Ways of Survival]'s comment section and DMs but they both didn't know that) when he didn't have to and the rest was history. She ended up being his companion for real.

KDJ might have only needed her at first but now he wanted her to be there in the ending he envisioned.

For the first time, HSY was needed and wanted. For the first time, someone was glad that she existed.

So even if it were measly 4 years for her 3rd round and a couple of weeks or so for her 1864th round, meeting him was enough to make an impact in her life. The amount of time spent together was not important but the short time that mattered did.

She didn't care for this world to begin with anyway so if it meant bringing her sole reader back, then she would destroy more universes just for him and him alone.

For that 'small world' she didn't wish to disappear...

[ORV Chapter 533 - Epilogue 3: Author's words (2)]

[eempxth]

The Great War - Taylor Swift.

a bakugou katsuki x reader oneshot

angst/slight comfort at the end.

not proofread, 904 words

this is the first time im writing again! sorry guys DD:

The war was something everyone wanted to forget. The devastation, loss, grief, destruction, and desperation was something that was better off kept deep in the back of the mind. Many were still on the grueling process of moving on from the whole ordeal. You were one of them. As an empath, you deeply felt everyone’s emotions just from the looks on their faces. Their losses were your losses too. Looking at your classmates’ bruised and bleeding bodies, people who lost their loved ones, the damage it did to the country, you wished, with all your soul, that the war didn’t have to happen.

Your physical body was painful as well. It was hell. Feeling muscles you never knew torn, bones cracked or broken. Everything was sore.

It was all the same for Katsuki. He doesn’t remember the last time he had a proper night’s sleep in months. He kept getting flashbacks on what happened, how his injuries hurt, but didn’t hinder him from defeating all for one. How he was thankful that pro hero Edgeshot basically brought him back to life, how he heard that that damn Icyhot beat his brother, and you. How you were there with him every step of the way.

***

Class 1A was tense, and of course they were. Gearing up, they didn’t know whether they were going to survive or not. Due to shortage of heroes, mere students were forced to fight alongside the veterans, needing all the manpower they could get. They trusted the plan, of course. But alongside the doom, there was a spark of determination to win.

“Katsuki?”

A grunt came in response, a sign permitting you to continue.

“I vow, I will always be yours, if we survive this.”

His eyes widened, his cheeks turned slightly red, it was barely there, but his overall expression was unreadable. You turned away, scared he might turn you down for some reason. Almost taking a step to walk away, you felt strong arms wrap around your waist, a nose nuzzling the side of your neck.

“Fucking dumbass, saying shit like that. I will be all yours too. If we survive.”

Katsuki felt a faint giggle vibrating your body.

You, of course, were grouped with Katsuki and Izuku, tasked with tiring down Tomura Shigaraki. It went terribly wrong from the start, since Izuku wasn’t there, as he was meant to be. You felt it all throughout the fight, but whenever your muscles were tiring, your mentality fading, all you had to do was look at Katsuki.

You admired him ever since his character development started showing, and you made that pretty clear. He respected your strength as well, secretly grateful you were there with him.

But then he got injured. You pushed, overused your quirk, fought until you felt you would puke your organs out, felt your body would suddenly drop to the floor. Because he was doing the same thing. Your heart dropped seeing him fall on the floor. You sprinted towards him, dragged his body to a safe place until Izuku showed up. An attack made its way toward you, and you pushed Katsuki aside, and crimson red blood spewed out of you. His eyes widened, oh, you didn’t expect him to still be conscious.

After Edgeshot’s miracle, you both pushed your limit, your bodies almost moving on autopilot, with a mantra in your head. Defeat Shigaraki. Both of you slumped the ground eventually, with exhaustion and relief, as Izuku delivered the final blow.

Your body was calling, lulling you to sleep, as your vision wavered. Katsuki seemed to be experiencing the same thing, a decent distance from you. Using all your remaining strength, you forced your body, one last time, to crawl to him, touch him, hold his hand.

Once he realized what you were doing, he too, wanted to meet you in the middle. Both of you, crawling on the harsh, battered ground, desperate for the last piece of comfort and security. All the blood doesn’t matter. It was you. No one else.

Reaching for his hand, and him reaching for yours. That was all you remember before your vision blacked out.

**

At the back of UA, a memory garden was built. Columns of names on concrete walls were written, to remember the death, tragedy, and to remember the lives of these people. Heroes were given special mention. Walking around the garden, everything was silent. Not a word was spoken by either of you. Even if several months had already passed, the huge wound was yet to heal.

To your surprise, Katsuki was the first to break the silence.

“Oi.”

You whipped your head to face him, a tired, curious look on your face.

“Do you remember our promise?"

Confused, you ask. “What promise?”

“Agh, I swear I’ll kill you if you don’t fuckin remember. You were the one who started it.”

He went silent for a moment, as if thinking how to say it.

“I vowed, I would always be yours, if we survived the great war.”

He reached down to a bush, picked out a poppy, and placed it in your hair. His calloused fingertips so light, gentle, barely ghosting the surface of your head. A calm smile appeared on your face. A gentle grin appeared on his. You nodded, and echoed it.

“I vowed I will always be yours.”