#they want you I promise

[frownyalfred]

Ok not to get too emotional over PennyWaynes smut but ... Thomas WOULD have liked Alfred to scratch that desk. Not only for the reason specifically stated, but also as proof that Alfred was there. Alfred's job is maintaining the manor, and over the regular course of his job he would leave no trace, and there would be no memory of him after. Martha would have her gardens, and Thomas his office and no one would ever mention Alfred. It pisses off Thomas so much. Alfred is as important as Martha and no one will ever know. But if he just gets Alfred to make one permanent mark to the antique desk he'd be satisfied

How DARE you make me feel sad about my own smut!!! (this emotionally devastated me and I actually choked up a little bit reading it)

You’re absolutely right though. Alfred yearns to be professional and leave no trace. Thomas and Martha view this as a subtle rejection of them, of what they can offer, because Alfred will not fully take what is being offered to him (a relationship, love, etc).

This was a common thread for my other Pennywaynes fics actually - this tension between what Alfred allows to happen casually, and what Martha and Thomas want long term. They want him with them! They want him to stop lying to himself and sweeping the evidence out of sight. There want proof that he’s theirs just as much as they’re his.

And yeah, if Alfred cleans up that room after and there’s not a trace he was even there — I could see why Thomas would want to drive him to the point of digging his nails into soft hardwood that will never, ever be replaced.

[vulpinesaint]

quiz enjoyers! i am now inviting you to come create something in my workshop❕

[gumy-shark]

i wish all my mutuals who @ me in those tag games a very i swear i see it and i love being thought of even though i rarely if ever do them. i love you.

[chloesimaginationthings]

Vanny finally meets FNAF tape girl in person...

[poorly-drawn-mdzs]

You're just not toxic enough.

[readwritealldayallnight]

im on my knees begging for jealous Simon headcanons 🧎🏻‍♀️

The thing about Simon is, he really has no reason to get jealous when it comes to you, and he knows it

He knows there isn’t anyone else who could make you smile so much your cheeks hurt, no one else who could make you laugh until you claim you’re going to pee your pants, no one else who could make you feel as good as he does, in oh so many ways, because you tell him so

You tell him that those same feelings of being loved, understood, appreciated, and wanted, those very feelings that you make him feel each and every day, he gives them back to you a thousand times over

He knows when you look in his eyes and tell him that you love him, that there isn’t a doubt in your mind that he is the only one for you, and nothing or anyone could ever change that

You’re as smitten with him as he is with you

Still though, Simon does have eyes

And while the logical part of his brain is telling him that he’s got no reason to be gritting his teeth and clenching his fists underneath the table, he can’t help but grow more and more frustrated with the way Soap and Gaz continue to flirt shamelessly with you

To be fair, you had warned him that keeping your relationship a complete secret from everyone would likely result is moments where Simon would have to watch you get hit on, and simply have to grin and bear it

That didn’t mean it was any easier, watching his only best mates try and work their charm on you, all while he sits at the same table and watches you roll your eyes at their advances

“Aw, come on love, just one chance, s’all I ask for!” The handsome, young sergeant practically whines to you, cheeky grin plastered across his features as he tries in vain to convince you to let him take you out some time

“Pfft, ye’d be nothin’ but a waste o’ her time, Garrick. We wouldn’t even ‘ave to to leave base for me to show ye a good time, bonnie.” The Scotsman winks at you, pointedly ignoring the way Gaz elbows him in the ribs at his comment

Throughout the entire exchange, Ghost’s gaze has never left your face, watching every time you scoff and roll your eyes at the men’s antics, reminding himself that you’re his, and he is yours, and the two sergeants are nothing more than pains in both of your asses

Finished with your pitiful meal from the dining hall, you stand from the table with your tray gathered in your hands, flipping your hair over one shoulder as you look towards the men trying to win your affection

“Once again, gentleman,” you say to them, knowing that they’re listening to your every word and watching your every move. “I don’t fraternize with colleagues. At least not the Sergeants.”

The two men groan in feeble protest at the mention of their ranks, having heard this reasoning from you before

“Ach, what if I get myself demoted, lass? I ken I could do that, easy!” Soap teases you, only kind of joking

“Mmm, don’t think that’ll work.” You reply, beginning to slowly walk away from the group, but not before glancing over you shoulder to lock eyes with Ghost and add, “You might have to become a Lieutenant. Those are more my type.”

The two Sergeants are staring after you, slightly gobsmacked, while their Lieutenant hides an overly smug and satisfied grin beneath his mask, shielding the pride that spread through him at your words

“Shite, sounds like you might ‘ave a chance, LT.” Soap laughs, smacking Ghost across the shoulder in a playful gesture, thinking that the larger man would never actually pursue you, let alone sleep in your bed almost every night

It’s a few weeks later when you and the rest of the 141 are all out for drinks at a nearby pub however, when Simon finds his instincts growing stronger than his insecurities

Because that’s just it isn’t it? He’s not feeling insecure when he sees you walk towards the bar by yourself to order a new drink, at least a dozen pairs of eyes watching you weave through the crowd in hopes of making a move on you

He’s not feeling insecure when he watches some tipsy idiot try and pretend he’s drunker than he really he is when he ‘accidentally’ bumps into you, apparently feeling the need to put his hands on you as he apologizes

He’s not feeling insecure when he watches you shove the guy off, reading your lips he knows so well as you tell the guy you’re not interested, nor is he insecure when he knows the idiot won’t give up that easily, likely asking if you’re here alone before you point over to where the 141 have overtaken a booth in the back

No, he certainly isn’t feeling insecure when he sees that the man never bothers glancing back to the table, still trying to land a hand on your body somewhere, when Simon’s instincts take over, rising from his seat without a word to the men who glance his way and ask where he’s going suddenly

He’s acting on pure instinct as he stalks over to you, the crowd parting for his large frame to move by without hesitation, locking eyes with you just as he lands a massive skull gloved hand on the tosser’s shoulder, wringing him around to face him

Your would be admirer isn’t feeling so confident now when he’s staring up at a 6’4” wall of muscle donned in all black apart from the white markings of his skull balaclava

If he were a more jealous man, Simon might take more time to admire the way you can practically hear this idiot gulp over the loud sounds of the music, the way his eyes bulge out of his head and how he looks nearly ready to piss himself on the spot

But your man knows who he is to you, and so instead he shoves the geezer away, turning to face you as one hand lifts up the bottom of his balaclava, just far enough to swoop down and meet your lips in a passionate tangle of tongue and teeth, tasting the alcohol on each other’s breath and the desire in your systems, a kiss that says to everyone else watching, including the bewildered Captain and Sergeants gawking from across the room, that you are his and his alone

[hinamie]

sry i have chronic only draws megumi disorder the doctor said it's terminal :/

[idliketobeatree]

i'll give you a boop, anywhere you wanna go.

[daisybell-on-a-carousel]

Being someone who read Under The Red Hood and came out with the firm belief that, for Jason, it's not about killing Joker, it's about Jason wanting proof Batman would choose him over the Joker (bc shelia chose the joker). Makes seeing any other media where it's all about just wanting the Joker dead is a teeny bit frustrating. to be honest

Jason could've killed the Joker himself, really, really easily. Jason kidnaps the Joker before the confrontation. I can't open my comic for a reference right now, but it felt like he had the Joker for quite a bit before the confrontation. He had him. He beat him up with a crowbar. He had every single opportunity to kill the Joker himself, but he didn't because that wasn't his goal. Make no mistake, he did plan for the Joker to be dead by the end of it, but do you see what im trying to say here

Edit: If I knew this post was gonna get 1000+ notes I would've tried to word it better or something, this was a rant I made on the way to the grocery store 😭

It's not about making Batman kill either. When Batman says he won't kill, Jason adjusts and goes, 'Let ME kill the Joker or kill me to stop me' instead. The test is all about Batman choosing him. The whole final confrontation is Jason's first death again. The parent, The Joker, and the explosives. It even ends with Jason unable to move as a bomb goes off right next to him again because the parent didn't choose Jason. And instead tried finding an option that'd benefit them and (consequencely) letting the Joker walk, again, lol, lmao <-in agony

[mimimar]

only you

(art prints)

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[wuntrum]

2025 horror pin up calendar!!

print version | digital (/print it yourself) version

a labor of love, truly <3 prepare for the new year with 12 suggestive (and silly) horror characters :) featuring characters from: american psycho, bride of re-animator, the evil dead, hannibal, jason x, frankenhooker, alien, an american werewolf in london, jennifer's body, saw, the thing, and scream! to see the full specs of the calendar, check out the pages above!

[cherrywhite]

hey silt verses? I just want to talk

[chloesimaginationthings]

Michael Afton draws FNAF tape girl for Vanessa,,

[paristandard]

back on my silmarillion kick!! this time it's the Death of Fëanor with the first Dramatic Death By Fire in the family

[mohntilyet]

still i think the one of the more fun differences drawn between illario and lucanis that was lost would be illario's ability to endear himself to others but serious lack of empathy, vs. lucanis' (self perceived) inability to be charming but how much he cares. it's interesting that the game has gone with the "lucanis' ability vs illario's lack thereof" because i think illario being the dellamorte 'best in show dog' vs. lucanis' attack dog would have made me so unwell.

lucanis is... awkward. he's not unlikable, because he is usually very polite, but he doesn't speak much and only seems to care about the other dellamortes. he once sent viago de riva a knife with no note (who knows what he could have meant by this). he does what caterina asks of him, and by his own admission, cannot say no to her. he is a dramatic and prolific killer, and that makes how untouchable he is even worse.

and the crows like illario, sure, AND he's a good assassin! he's even a good crow! he's so good that he can make lucanis smile, and so he is the charming, sociable one. he's the one that stays in treviso and can be relied upon to care, illario's even the one people prefer over caterina and lucanis!

but illario is decoration. he's the prize poodle, and even if poodles were bred to be working dogs, nobody will ever pick him to protect the house over the german shepherd that regularly mauls intruders. anyways the analogy is getting away from me. the point i'm trying to make is that i want illario to have a different kind of jealousy/hatred that's not just over 'being bad at killing' but also an arrogant loathing for everyone around him that is getting harder to hide, because they've forgotten he can bite and is just itching to rip someone's jugular out. illario is very good at hiding his family resemblance to caterina, while lucanis suffers under his grandmother's, and his own, reputation.