#they ship it just as much as we do
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alt-ernativewonderland · 4 months ago
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people who don't think charles rowland is bisexual i need you to watch these clips real quick because there are A LOT of these moments in interviews and I'm tired of y'all saying he "friendzoned" edwin on the steps of hell
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kaahmbem · 4 months ago
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legend has it that the young witch circe and the once beautiful nymph scylla shared a complicated past...
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pseudophan · 30 days ago
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out of the closet dan and phil preaching about how rpf is great actually is just so funny. like yeah man you guys just get free porn written about you and your boyfriend, of course you're pro rpf
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jazforthesoul · 7 months ago
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every time someone reduces CAPTAIN !!! elizabeth "lizzie" lafayette down to "a sad lesbian" a fairy dies bc i shoot it with my gun. like you're telling me you were spoon-fed a character that has one of the most realistic and RAW representations of grief and perseverance in the series and all you got from that was "she's sad" ????
is she a constantly happy character? Fuck no! that's acknowledged!! but to take EVERYTHING that she is, which has positive and negative aspects THAT ARE BOTH SHOWN, to take the fact that she is THE DRIVING FORCE OF THE MAIN BACKGROUND PLOT, and reduce her down to NOTHING but her relationships?? ?what the hell!!!
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brutally-loving · 9 days ago
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"I'm normal about my friends and their selfships!!!" Said the stupid bitchass liar
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inamindfarfaraway · 5 months ago
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I would find Blondie Lockes very annoying in real life, but I love her in fiction. She's a genuinely good journalist in terms of both skill and ethical integrity, who only occasionally forgets to check the facts because she's fifteen and holds herself accountable when she does. She has incredibly high standards for everything and believes herself to be the ultimate authority on quality. She has magical lockpicking powers because her fairytale is about Goldilocks breaking into a house. She somehow completely ignores the story's moral that Goldilocks was wrong to break into the house, feels entitled to go wherever and help herself to whatever she's able to and cannot comprehend why people dislike this. She's been terrorizing an anthropomorphic bear family with her cheerful disrespect for privacy and is convinced that they love her. She has a non-anthropomorphic pet baby bear. Her motivation is dependence on external approval rooted in deeply internalized classism. She's desperate to be useful and important to those with higher social status and feels the need to lie that her family is technically royalty to fit in with her royal friends, even though they treat commoners like equals all the time. She positions herself as a conduit of true greatness; closer to it than the masses, but never the hero, always reporting on other people and evaluating what they've done. Because what she's done isn't enough to be worthwhile. What she is isn't enough. But this performative lifestyle makes her anxious about being judged as a fraud and an interloper, and ashamed of selfishly transgressing against social norms. Her microphone head looks like an adorable little bear head. That's one hex of a character alright.
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fl00mie · 6 months ago
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honestamente, no sé
to prevent confusions i'm giving credits of every fankid in order (starting with the tall one)
layden (fresh x ink fankid) by @/sugary-alienn dot (cross x ink fankid) by @/yo-honne abstract (reaper x ink fankid) by CATA-824 on wattpad gradient (error x ink fankid) by @/askcomboclub paper jam (error x ink fankid) by @/7goodangel palette (dream x ink fankid) by @/angeutblogo blueprint (swap x ink fankid) by @/pepper-mint aiden (zack x ink fankid) by ariscastleart
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dykedvonte · 2 months ago
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You ever just see a Mouthwashing take that makes you want to bang your head into a wall? I literally just saw someone claim Curly couldn't have been emotionally abused by Jimmy before the crash because he was in a higher position of power than Jimmy.
-Shrimp Anon
The mouthwashing fandom has shown me that people genuinely do believe that certain types of abuse are not as detrimental as other types especially when they deem those immune/resistant, ergo, believing one is objectively worse no matter how it affects the person nor the intersections of power, history and dynamics at play.
Get ready cause this is a yap session:
Cause like it's heavily implied that Curly and Jimmy's friendship was toxic and abusive, pointedly in the direction of how Jimmy uses Curly's belief/comfort in him. Curly wasn't forced to enable Jimmy but he was emotional and mentally on edge around him in almost every scene in some way. Mental and emotional abuse are not contingent on what positions you have at work. Yeah, he's Jimmy's boss but he was Jimmy's friend first and it's like getting into Psych discussion to talk about how social power tends to overshadow any perceived organizational power in the human mind. People are concerned about their jobs ofc but they tend to hang onto and put more value/investment into their personal relationships, hence why there tends to be laws and restrictions around mixing the two.
I always see the sentiments that "Curly is a grown ass man", "Curly is bigger than Jimmy", "Curly is Jimmy's boss", "He just needed a backbone" as criticisms of Curly and while I do agree that on the surface level all of these to be true and viable ways Curly could've taken more control of the situation, I often look at the parallels of Anya and Curly as victims of Jimmy pre/post crash.
The way Jimmy talks to Anya post crash is how he talked to Curly in the pre-crash segments. It's hard to pin-point mainly because we know he hates and wants nothing to do with Anya compared to his contrary but similarly handled obsessions with Curly. It's a weird sort of "honey-moon" effect of abuse Jimmy does in terms of emotional and mental victimization. He is always horrid to Anya, always talking down or questioning her abilities and thoughts in a situation, this of course includes the harassment and assault. However, he has a moment of attempted gentleness/conditioning when he question her about the mouthwash when she's contemplating drinking it at the table. The key difference is he has no personal investment in Jimmy outside wanting nothing to do with him, meaning there is no sort of romanticized version of him that he can condition her off of. He knows this, hence, why he always reverts to trying to make her to scared to oppose him.
This sort of give and take of "kindness" doesn't work on her because she knows he is just doing it to take more from her than whatever he could possibly give but it reflects even the "softer" scenes between him and Curly where he always rewords or rephrases Curly's sentiments and concerns to sound more shallow. He is feigning a deeper understanding by reworking Curly's emotions into something bad and needing to be hidden. Everything is laced with envy and resentment, an outburst just around the corner, I mean he even slams the table in the birthday party scene, a tactic in emotional manipulation to set the victim on edge and cloud their ability to respond. Even if Curly knows Jimmy won't get physical in that moment, the physical actions is intended to make him back down in the confrontation in case it does. This is something that is just not person specific. It ingrains itself into how you interact with the world and life and it shows in major and minor ways with Curly.
Post-crash, the abusive nature is more in tandem to the physical victimization Anya went through and the stripping of voice and autonomy we see take place. Like the parasite in HFIM, Jimmy speaks for Curly most of the time and puts words in his mouth, similarly to how he takes Anya's plans as his own. He very commonly, with the both of them mind you, supplements the worst aspects of himself into them; pettiness, selfishness, lack of understanding... And tries to cover himself with their best qualities; kindness, planning, initiative, etc...
These parallel are just to say that positional power has little to do with if a person can be abused and how it can even be flipped to further the abuse. There is no doubt that Curly could've picked up on Jimmy's envy of his position hence another reason he never confronted him as a Captain but as a friend as doing so would immediately put Jimmy in a space to be confrontational/combative.
I think the disdain some people have when they talk about the heavily implied if not implicitly stated emotional/mental abuse Curly experienced being Jimmy's friend is when treating it as an excuse to why he didn't do more. I can understand that completely because it is not an excuse to why he didn't do more but is a very real reason people in his position in these scenarios can experience whether in the context of a work or social environment. However, I also think the way people talk about it really does demonstrate a bigger problem when talking about abuse when somehow who is/was abused is either part of the issue or enabled it.
Harkening back to the sentiments about Curly's inaction regarding Jimmy, I think the exact phrases I used/have seen show how there is an inherent belief that it is easier to overpower the effects of emotional/mental abuse that go in tandem with the perception of Curly as someone who should be able to. There is not an age you suddenly stop being susceptible to abuse nor a set point or low where you realize how it has affected you. You don't suddenly know to stand up or put a face on to face your abuser nor admit that you inadvertently enabled them to subjugate someone else to the same treatment. Maybe it's my psych brain but their is this growing belief that direct action is somehow easy or always the best method with the game shows you instances where it is not always the case. In real life that rings true too. He should have done more, but it's not impossible to see why he struggled to find a way or didn't even if it makes us mad.
It's not easy to suddenly gain a "back-bone". You don't immediately want to resort to aggression, especially if it mirrors the type you were a victim to. You don't want to believe you allowed yourself to be treated this bad, let it get that bad or allowed something bad to happen to someone else. It is easy to be in denial, to retreat to your thoughts or make excuses to avoid the painful truth. It's frustrating but in a way we know is relatable. It why we both hate and love Curly for it. We know we'd be better, we think we'd be better, we like to think we wouldn't falter in the same ways but it's always easier to say that from the outside looking in. It's easy to see what he was doing wrong because we are seeing it, not him, but the game really does make you picture what you would do if this was your raw reality and it's why this debate about Curly seems so never ending/contradictory. We can all say what we'd do but bottom line is that's much different when you're in the moment with all the emotions and human feelings attached.
I personally think Mouthwashing tackles the themes of rape culture, enabling, toxic masculinity, types of abuse and patriarchy in ways that are meant to deconstruct the typical straightforward views we mostly have of these concepts and how little subtilities of them are just as, if not more, detrimental than the overt/obvious parts. The game deals with the idea of little details and bigger picture in a way to show that sometimes the bigger picture is not the issue but the little details that make it up. It's why I have a personal dislike of depictions of Jimmy as the typical horrible person who would of course do something like this because the game is about noticing the little warning signs, the foreshadowing and foresight.
It's why I dislike the typical discussion of "bro code" and "boys will be boys" for the game because the game makes a point to avoid the standard depictions of such. It is about the type of men who still enable despite not condoning, agreeing or even perpetuating harmful beliefs because they can't see the little details or the ways it seeps into their everyday. The severity is not obvious to them as it was not obvious to Curly, Swansea or even Daisuke the way it was to a woman like Anya. There are little details about Jimmy that should ring alarms but if you are too naive like Daisuke, too distant like Swansea or too conditioned like Curly, they are just off markers.
There is 100% more constructive/concise ways to say "Curly was a victim of Jimmy's abuse on an emotional and mental aspect that clouded his judgements and perceptions in the scenario" while also critiquing on the side of "Curly still had a responsibility to protect Anya as a crew mate and Captain that he failed to do due to biases and stigma's he failed to surpass" without the weird condemnation people give him about should've knowing better than to let himself be manipulated by a person he considered a close, if not family/best-friend and had his own reasons to trust initially. Also stop being weird about victims of abuse in general with this fandom, like sorry not everyone has a like social epiphany the moment someone's nasty to them. People are treating it like you immediately know when you are in a toxic relationship immediately or comprehend when a person is actively dangerous and either it's your fault for not knowing how to leave/cut them off or you deserve it. Like the hypocrisy of people believing how certain fans treat the story reflect their irl views but not their own is crazy.
End statement is: I honestly don't even know man, I've been writing this too long and just like no man on that ship was perfect or really helped Anya when it mattered and I feel like pitting them against each other in discussion on who did the least or most or how it was justified sucks cause in the end Anya always did the most and best thing for herself.
#i also think it is because mouthwashing is first and foremost a game about rape culture and the patriarchy especially in work spaces#regarding women and centering conversation around Curly a man rubs people wrong because it does overshadow that commentary#but it still mixes other topics into its initial theming and message on how abuse conditions you to accept certain things that are harmful#and how getting used to a culture/enviornment does not mean you are happy healthy or most importantly safe in it. I personally like to#explore those aspects where it mixes all the themes so we can discuss the ways you have to watch out for things because there is a differen#in the idea Curly enabled Jimmy just because they were bros and because he was an example of another man afraid to step out from what#is a still oppressive system that does try to punish those who act against it even if they fall in the category of those who would benefit#from it as Jimmy and PE 100% represent that sort of misogynistic system where men that would be “good” are altered until they follow line#in a way both on the personal and professional level as PE is the corporate lock out and Jimmy represents the social and its just the issue#that the discussion of it sounds like “in defense of men” when I am more so trying to discuss how it is much deeper than men being scared t#upset other men but complacency is rewarded by not becoming another person subjugated hence as all the moments Curly does try to do#something we can tie it back to how Jimmy reacts and a possible penality from PE where we now need to address the ways to combat those#two concepts so we dont get cases like Curly or Daisuke or Swansea where male avoidance of the issue is considered neutral or even good.#i think most of this boils down the perfect victim mentality to where if someone who underwent or is being abused is not a perfect example#or accpetible type than their abuse can not be considered a valid or substantial reason for effects on their behavior compounded with the#fact that Anya's abuse at the hands of Jimmy is a systematic issue that Curly is a part of even if unwillingly and was more physically#violating and topical cause sometimes i have to remind myself that all media is still critiqued through the lens of the culture it came out#in cause i do think about what if this game came out inlike 2014 like the conversations would be sooooooo different could you imagine it?#but back the before statement Curly isn't perfect but I feel like boiling it down if hes a good person or man is not the point of the game#but more so good people can still be part of the problem and the idea of condemning a person for one act creates a false sense of#rightouesness and justice that does not aid the victim and in fact aids the abusers in escaping blame for their mulitple behaviors as we se#how the men on the ship tend to blame Jimmy for just one act against them including himself while there is a plethora of things Anya is#concerned about with Jimmy#and its not that Curly just made one mistake with Jimmy but more so we consider his actions more damning because he didn't stop Jimmy#instead of focusing on the fact Jimmy did what he did regardless of Curly and the consequence because we already know he's bad n maladjuste#which is problem in the conversation where the individuals are blamed but the system and perputrator are overlooked in a sense of acceptiab#complacency as we know how they are and the lack of tangibility to personally affect them on a larger scale like I should just make a post#on like cutting out the face when it comes it confronting systems of oppression rather than tag talking but just ask me to clarify if#you want that like im jus trying to say we avoid talking about Jimmy and PE so much cause it is obvious what they do wrong that we make#the initial and inherent problem out to be one aspect someone in this case Curly does and the the constraints they use to force actions
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erinwantstowrite · 21 days ago
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is this a safe space to admit i don't really like jayroy,,,,,,
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abyssalzones · 28 days ago
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can I say something is this a safe space. it's kind of fascinating that ford is meant to read as a deeply repressed character and a capital s Scientist no less but he leads this other half of his life entirely dedicated to the occult. in the 70's-80's. like the historical connotations of the occult and what they represented in the united states at least seems kind of interesting in this context. for no reason in particular I find the dual aspects of "extremely dedicated to presenting as a logical, steadfast researcher trying to earn respect and social acceptance to the point of hinging all of his self worth on this vision for the future working out" and "deeply tied to the paranormal and "unsavory black magic" and everything Weird/freakish but feels like he needs to hide this aspect of himself from even the people closest to him" Very interesting. hiding six-fingered hands compulsively behind his back even if it's the emblem he puts on his journals. "what are you attracted to?" and "maybe you're simply attracted to things that hurt you" from two different points in the book. sweet dreams (are made of this) on the record player. hey does anyone know what that tarot card with a snake on it is meant to represent
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nerdy-hyperfixations · 4 months ago
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Listen, I love Fiddlestan as much as the next guy, but where did we start getting the idea Ford was cold and dismissive towards Fidds during their time working on the portal???
I could totally be wrong because I haven't read every single GF related thing (hell, my journals aren't decoded because I'm a slacker), but like??? The first time he saw him, he bought him his favorite snacks *and* a whole ass banjo and said he'd make it his mission that Fiddleford would be comfortable in his home.
They go adventuring together and talk about things like fashion trends and the future and go stargazing.
Ford is *so* happy when Fiddleford returns that he hugs him immediately. Abd then he feels bad that Fiddleford feels bad about his failing marriage that he throws him a holiday party even though he doesn't celebrate and hates the holidays honestly. And he put on Fiddlefords favorite song (which he despises and honestly? ME TOO FORD. I HAVE BEEF WITH THAT SONG) and drank seemingly spiked eggnog with him despite not usually liking to drink. So that he could make Fiddleford feel better.
He also just openly adores everything Fiddleford does. Maybe it's only in his journals. You could argue he doesn't say it out loud but, like, he exclusively describes him as impressive all of the time-
And I get where it's coming from in like a "oh he's a workaholic who has the pressure of Bill breathing down his neck that he has to be working on the portal 24/7." And like yeah, but in the pages he's a workaholic he's a workaholic practically begging Fiddleford to stay up with him because he loves working along side him. Fiddleford and him work *together.*
Like the page where they're sorta fighting with each other because Ford wants to work more its not "leave me alone Fiddleford, I have to do this" it's "hey! How come you won't stay up with me! Ugh this is so unfair that you're going to bed even though you know I plan to continue working for another hour."
I'm just saying if Fiddleford wanted to cuddle, I imagine Ford's response would be "Oh! Awesome, I love spending time with him 🥰🥰🥰" but he'd just end up using Fidds' back as a table for his studies. Or they'd do that thing where one of them is working on a desk and they sit on one chair in each other's arms.
And, while we're here, realistically? Emotionally stunted, slapped by more women than He's dated, "I can't cry in front of people, and the only thing I'm good for is my fists." Stanley Pines??? He's not cuddling shit. He's got that toxic masculinity ingrained into him. It doesn't matter how incredibly touch starved he is, cuddling is too emotionally intimate and "girly" for him. Honestly if Fiddleford tried to cuddle him he'd probably throw him in a headlock because he's also been on the streets for years now with people constantly trying to attack him.
And I'm not saying this to diss on Fiddlestan. Again, I *like* Fiddlestan! But when I read "Ford could never appreciate him like Stan could" I don't understand it.
They so clearly bonded well together, and if Ford truly was being an asshole (or not an asshole, but just generally unpleasant even when he wasn't possessed) the whole time, I doubt Fiddleford would've stayed. Nostalgia and physical attraction can only get you so far, and Fidds is already facing the horrors in Gravity Falls, Stanford has to be a hell of an amazing person to make someone want to stay. Like, he's a grown adult. Sure he really wanted to impress Ford and allotted himself to be "the tech guy to Ford's smarts" but if he wanted to leave, he could've. And there didn't seem to much keeping him there. Especially when he was having doubts on the portal.
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myuminji · 1 year ago
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[not ship/ not romantic]
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nai who's full of love instead of hatred. Nai who's full of love instead of fear. nai who knows only to love, that all he knows is love. and he hates that it's the only thing he can do—loving. being alone. loving. never loved.
and he hates the things that made him love: his love for rem, his love for the plants, his love for his brother. all his life he'd loved and love and love, and he's tired of loving despite never knowing what love is.
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xanderscollection · 4 months ago
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"Growing up is realising a (random ship) you loved is actually weird and bad"
Yeah? Is it? Great, I love it even more. The worse it is the Better.
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a-most-beloved-fool · 3 days ago
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Kira has a nightmare, one night when she's staying at the O'Brien's. Miles and Keiko, sleeping in the other room, don't hear her get up - but Molly does.
And Molly, being clever and kind, knows exactly what to do when someone has a nightmare. (Or, at least, she knows what her parents always do for her.) So she sits Kira down and brings her a glass of warm milk, and sits by her side as she drinks it.
Then, she takes Kira by the hand and leads her - to her parents bedroom. "I always sleep with mommy and daddy after a nightmare," she explains, when Kira stops outside the door. "It helps! Mommy chases the scary things away. And Daddy is warm."
"Molly," Kira says quietly, a little embarrassed, "I don't think your parents want me in their bed. Even if I did have a nightmare."
"No, they won't mind!" Molly assures.
Then, of course, Miles wakes up.
"Molly?" he asks, voice rough with sleep. "Did you have a nightmare?"
"No, but Miss Kira did!"
And now Keiko's awake, too, sitting up and saying, "Nerys? Are you alright?"
Mortified, Kira says, "Yes, I'm fine, I was just - on my way back to bed. Molly brought me here. I'm - sorry for waking you. I'll just be-"
"You can stay, if you want," Miles offers.
Kira doesn't quite think she heard him right. "What?"
"You can sleep here, if you think it might help," Keiko says.
"Or even if you don't!" Miles adds.
Kira opens her mouth, then closes it again. "I, uh-"
Keiko gets up, and takes Kira, gently, by the hand. Her palm is soft, Kira can't help but notice.
"Brr, it's freezing out here!" Keiko says, tugging Kira along. "You'd better get in before you catch your death of cold. Miles is practically a furnace, so you'll be nice and warm with us."
"And, Molly, you'd best go back to bed, too. You've got school in the morning," Miles says, as Keiko bundles Kira into the bed between them.
As Molly makes her way out, Keiko swings a lazy arm over Kira's back. "Sleep," she hums. "We'll be here in the morning."
Kira, feeling warm and cared for and more than a little overwhelmed, does.
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aroaceleovaldez · 5 months ago
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i think the thing i'm most disappointed about with riordanverse fandom now versus like 2014 is not only has the fandom not gotten any less racist or queerphobic or ableist (in fact in some regards its gotten worse!) but now it's just boring too. like there's no fandom infrastructure anymore - the community these days is almost entirely source material-driven - and you deviate from canon even slightly people get weird about it. whatever happened to the post-HoO fanon boom. the fandom needs to get weirder again. and self-sufficient. and less offensive.
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fountainpenguin · 3 months ago
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Dimmsdale Rich Families Analysis
Misc. musings that haunt me daily...
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I love Dimmsdale's rich families... You've got the Dimmadomes who are all about real estate, fancy buildings, hosting city events, and (Thanks to Dale) they got into tech and shipping.
Contrast that with the "old-fashioned pencil and paper" vibes of the Leadlys, plus the Buxaplentys running the trains... It's a triangle of supporting each other's businesses (and thus, the rich get richer).
This post written under the assumption we're treating these episodes as canon, though I cherrypick "Country Clubbed" in my worldbuilding and I use Dimmsdale's founding year from Season 3 over the one given in Season 9.
General Background
Several flashback episodes imply the FOP world exists in a timeline where the English settled at least part of the west coast in 1665 (as opposed to the Spanish).
- Presumably, this is one of the unique things a universe-hopper like Jimmy Neutron would identify this world by. - On that note, people are heavily implied to "stand differently" in the FOP world, which is why visitors from other dimensions react with surprise when they see their bodies (and fall over before they get their footing):
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Just some fun "alt reality" vibes. Enjoy your visit; sea legs required.
Notably, this is also a universe where trains existed on the west long before they existed in ours, but we'll get to that.
Today I'm discussing the Dimmadomes, Leadlys, and Buxaplentys, but for anyone who's interested in learning more about rich families, Season 9's "Country Clubbed" namedrops a bunch.
Dimmadome Family
We know the Dimmadomes for their impact in the modern world- they're always innovating, hopping from one thing to the next. Dale does seem to have consistency in the businesses he owns (though I am DYING to question what his plans are for that indoor amusement park).
Doug doesn't seem able to commit to anything for long, though we know he's very proud of the Dimmsdale Dimmadome. He hosts many events throughout the series, from music shows to wrestling to demolition derbies.
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Dimmsdale was founded in 1665, named after Dale Dimm (following him throwing Alden Bitterroot the witch down a well). It's possible Dale Dimm is an ancestor of the Dimmadomes, given what we know about:
- Dimmadomes having their hand in things (including the founding of Dimmadelphia). - One Dimmadome ancestor using the surname Dimm ("Lost and Founder's Day"). - Dale Dimm's very tall, barefoot figure is a hilarious ancestor choice for Doug "tall hat" and Dale "boot obsessed" descendants when you think about it.
While it's heavily implied Dale was born into generational wealth, we can't confirm whether that was (or wasn't) true for Doug. It's possible his family helped him get his start, but he seems to have kicked off his own success story by mining for gold (Presumably at a young age given that was back in 1953 and the main FOP series kicks off in 2001).
I like to think Doug (prior Dale's birth) changed his family's surname to Dimmadome to move away from the negative connotation of Dimm and commit himself fully to his big and shiny brand image.
Doug's a pretty interesting character! He's not afraid to get involved in his projects and work hard personally, as opposed to outsourcing- a trait he and his son Dale seem to share.
Doug also seems pained to surrender a check to Timmy in "Odd Ball" (even asking for a minute to say good-bye to his money), which isn't far off from Dale's attitude towards stocks.
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He was even down to move to Alaska to follow the Ballhogs basketball team. He loves throwing all his chips on the table and doesn't back out easily. He also goes all-in with promotional outfits, like the parka above or his chicken costume in "Chicken Poofs."
That said, he might have some "sunk cost fallacy" views towards some of the stuff he buys. While the basketball team cheered they'd won the game by a close shave, Doug's first remark was that now he'd have to figure out what to do with all the stuff he bought in prep for their move to Alaska. He immediately started eating the Blubber Nuggets he would no longer be able to sell.
In "Chicken Poofs," when Doug sees the town inside his restaurant's chicken-dunking cages, his first thought isn't "Oh my gosh, I have to save these people." It's "These people stole my chickens- I'm ruined!" However (at Timmy's advice), he comes back from the loss of his chickens by selling the eggs they left behind. He wasn't about to go home empty-handed.
I'm obsessed with Doug's chicken-dipping machinery having labels so the thing one step up from Deep Fry is The Sun, and the step up from Sun is Lava. When would he ever need a dial that goes that high?
A "waste not, want not" attitude is fascinating in contrast to Dale being so incredibly wasteful, he brought two single-use helicopters on his trip to the park in "Stanky Danky." Is Dale rebelling against Doug's "We have to make the most of everything" parenting style? I think that plays really well into my vision of Dale being the first born into excessive wealth, while Doug possibly worked his way up after striking gold in 1953. Dale is wasteful, Doug more practical.
Doug is also over-the-top ridiculous and would sooner work around his love for tall hats than stop wearing them.
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He owns a boot-shaped phone and a laptop with an armadillo logo, apparently. I'm not sure what they were going for with the armadillo - it's probably just random or meant to represent high security - but I looked it up and in Mayan folklore, armadillos are perceived as cunning critters that outwit people and dodge consequences thanks to their shells, which... Yeah, I think that sums the Dimmadomes up pretty well. Fun fact, but armadillos are one of the only things Fairy magic can't affect ("Teacher's Pet") because magic bounces off their shells. My Anti-Fairy biology incorporates pink fairy armadillo biology because we know Anti-Fairies are also immune to most Fairy magic. Just kind of a "Hm" implication, especially since "Crock Talk"' here and "Teacher's Pet" are both Season 7 episodes. I guess the other horrifying option is that Doug eats armadillos the way you eat apples, but...
I'm also of the opinion that Doug torched things in the Learnatorium, given what we know about the Learnatorium's interior ("Totally Spaced Out") and this scene of Doug "destroying childhood memories" in "Odd, Odd West"
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In fact, it's not even a reach to say Doug takes pride in destroying people's cherished childhood memories. He seems to "look down on wasteful, childish things" and seems to value anything that is more useful in performing a task or turning a profit. Again, that's big "Everything must be useful and we can't waste space" energy (and presumably reflects on his offscreen parenting).
Where my fanworks are concerned, I love the idea that Doug paid for personal tutors to help Dale adjust to society and/or some basic schooling. Say... maybe an elementary teacher to start with? I don't think it would be unreasonable to theorize Crocker was involved with that, at least at first, as it helps justify the money he would've needed to expand the Crocker cave in the early days. -> We know from S4's "Genie Meanie Miney Mo" that Mr. Birkenbake states he can't afford a garage because he "doesn't make Crocker money," implying resentment... which is pretty interesting when you consider that Crocker also doesn't have his own place because he moved back in with his mom after university, and not even to his old room (Instead to a room above the garage). -> We know from S6's "Wishology Pt. 2" that Crocker stole the money intended for "the school's new science wing" and used that to pay for some of his tech, like his rocket. Both these episodes come well after S2's "Nectar of the Odds," so it's interesting to consider Crocker getting money earlier to support his tech pursuits in Seasons 2 and 3.
Dale seems to feel strongly about his dad- If it's not love, it's obsession and Grade-A Daddy Issues. His tent is shaped like his dad's head - despite Doug not being present at the event as far as we know - and even his house features statues of his dad.
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Considering the nervous, over-the-top, aggressively money-chasing person Dale turned out to be, it's no surprise we can see a lot of Dale in Doug. While Vicky did a number on Dale's psyche, there's definitely some Doug influence in his behavior too.
Fun Fact: The Dimmadome gives off Roman Colosseum vibes, so it's fitting that one of the ancestors we saw in "Lost and Founder's Day" is an ancient Roman!
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I would also be remiss not to look at the Dimmadome fortune, glance at the sheer number of businesses Doug is constantly opening... and question if there's some money laundering going on there. Seems kinda sus, ngl...
I'm just saying, Doug with a ton of "disposable income" (gold) because he ended up with a lot of it very quickly seems like a "great" way to get into gambling. Shout-out to the Dimmadomes and their obsessions that hint at addictive personalities. Actually, that makes Dev's game addiction so much darker and now I'm horrified. He could get into trouble so easily...
Also, in "Engine Blocked," Doug literally tries to pay Vicky with a bunch of [I assume fake] money with his face on it, so that's questionable...
One last interesting note is that the Dimmadrones (called such in "Stanky Danky" when chasing Cosmo, Wanda, and Hazel) are clearly based on the early model of Amazon delivery drones.
I think the obvious assumption is that Dale* built them for Dimmazon, but repurposed a few of them for Dev's caretaking (as opposed to them being built for Dev in the first place).
* It's possible the robots were built by a team, but knowing Dale programmed the statues in "Lost and Founder's Day" & Dale's seeming preference to do things himself rather than outsourcing, I'm going with the "Dale built them" theory.
This repurposing might be backed up by Dev referring to the ones that hang out with him as au pairs - a phrase meaning "caretaker" - and even claiming his au pairs are Au Pair #1 and Au Pair #2. While that might just be convenient shorthand since those are the two he interacts with, maybe those are a different type of Dimmadrone that was designed (or tweaked) specifically for Dev's care.
In a previous post, I discussed my headcanon of Dev having hypoglycemia and referenced the au pairs having the ability to "alert on him," or at least use both visuals and noise to signal him, as in this screenshot from "28 Puddings Later" showcasing a glowing exclamation point:
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We also know Dev has specific food needs (Lactose intolerance), that he's very picky with his food (Even a treat like cupcakes that you would expect a 9-year-old to enjoy regardless), and that the au pairs are capable of food preparation (since Dev tells Hazel in "A New Dev-elopment" they can make sushi).
The au pairs are probably the most advanced, expensive, time-consuming models (compared to the ones that simply need to be mass produced for package pick-up and put-down).
I do like the thought that - for all his faults I didn't touch on here - Dale does care enough about Dev that he took the time to design two robots that could look after Dev in his absence... and specifically, took the time to think of what a child actually needs.
Dale probably thinks "I spent 7 years struggling... I would've loved the comfort of knowing my base needs like food were taken care of."
In my hypoglycemia post, I said the au pairs seem to know what hugs are and can recognize when Dev wants comfort. That implies Dale put a lot of thought into the design of the au pair and its ability to assess Dev's needs. Dale's not oblivious to what a child needs, like safety, appropriate food, and physical affection... He just lets the au pairs handle Dev.
Dale definitely gives the impression of someone who's making a genuine effort to parent, considering he missed out on healthy role models for at least 7 years of his life (Not to mention Doug is a wild character and probably fell short of being an excellent parent himself).
Along with designing the au pairs to look after him, Dale involves Dev in his projects, greets Dev, and answers his questions, and that's so interesting when you compare him with people like:
- Remy's parents (after the shipwreck in "Fairy Fairy Quite Contrary"'s closing scene) opting to count their surviving money and open a luxury hotel while still dressed in rags, forcing Remy to forage for his and their survival - Vicky and Tootie's parents opting to stay with perceived cannibals rather than disobey Vicky ("Timmy's 2D House of Horror"); they consistently let Vicky run the show and beg her forgiveness when they upset her. You could 100% make an argument that Vicky is Tootie's actual caregiver. - The "Fairy Idol" alt version of Bucky (Chester's dad) who lost his house and went off to party instead of securing food or shelter for his son. Also, Regular Bucky canonically feeds Chester animals he stole from the zoo or aquarium ("Who's Your Daddy?") and I think we should talk about that. - A.J.'s parents are fantastic in many ways, but there's something incredibly dark about the way they don't like A.J. going outside where there are germs ("Who's Your Daddy?"), they have a laser set up in front of their house to vaporize visitors ("The Big Scoop"), and A.J. seems to believe they dislike Chester (given his long silence after Chester asks why A.J.'s parents' security system got more aggressive after finding out he was Chester). - Later-season neglectful Timmy's parents (though I acknowledge I don't love that flanderized aspect of their character unless viewed from the 'got burned out after 50 extra years of parenting' lens, personally). - Clark and Connie who walked out on their daughter having an anxiety attack (and sent Chloe into a dissociative episode 3 times in the first episode they appeared). - A distracted adult Timmy ("Channel Chasers") leaving his kids with a robot Vicky babysitter despite the sight of weapons and his children begging.
Dale IS an antagonist and a neglectful parent. This post is not meant to take away from that or excuse it, but I think it's interesting that within the bounds of FOP characterization... He is pretty consistently in line with how parents in this show behave, and he does have many positives alongside his flaws. I totally understand why child protective services have not taken Dev from him.
Disclaimer: All characters are morally gray and this list is for amusing discussion purposes. I'm not calling these characters "bad parents" so much as highlighting interesting behaviors for consideration.
FOP's characterization leans into adults being foolish and neglectful - Dimmsdale is named after the idea that the adults are dim, after all - and I think it's worth evaluating all the FOP parents within that framework.
Related Dimmadome Posts:
- This post where I had the thought that Doug might have ADHD/OCD comorbidity (Hilariously, something I'd already decided to do with Dale and Dev...)
- This post comparing Doug and Dale body language
Leadly Family
S9's "Dog Gone" is a bonkers episode, and I love it so much. Notably, it's the episode that confirms Leadly is personally rich- Not just Pencil Nexus as a company, which has multiple branches in other states and can afford a jet.
In fact, Leadly is so rich, he offers to buy Sparky from the Turners for 17 million dollars, just because Sparky gave him the Heimlich maneuver and Leadly thought it was neat.
My personal headcanon for Leadly is that he's somewhat aware of magical beings and is actively seeking them.
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The Leadly mansion is pencil-themed, of course.
The Dimmadomes and Buxaplentys are both confirmed to have generational wealth. We have no proof one way or the other for Leadly. It's likely his is too, but it's not impossible he founded Pencil Nexus and committed to its branding because he's proud of what he does.
Leadly doesn't have many appearances, but we know some very important things about him:
- He's convinced he's being haunted by a hot tub ghost, reason being that Cosmo likes to use his hot tub at night (whether Leadly's in it or not). Sparky also claims that he had an accident on Leadly's lawn (Crashing his car), but that Leadly blamed the hot tub ghost.
- He's super buff.
- His company is literally the only thing keeping a [presumably magical] forest from overtaking Dimmsdale, considering that when Pencil Nexus reduces their tree chopping in "The Boss of Me," the forest overtakes the city within a couple hours.
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Did some godkid out there just wish for renewable trees and now Dimmsdale is cursed and suffering??
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Leadly just flexes like this and has massive muscles, but his aren't as big as the people affected by the Everleadys.
The episode makes it explicitly clear that people's massive muscles are magic and aren't going away (Hence the lawsuits and decision to remove Everleady pencils from the world), but Leadly's muscles do fade when he stops flexing. His are natural.
Despite the jokes that he flies the company jet around to goof off, it's not unreasonable to think he's out there personally chopping trees and I respect him for it.
Y'know, I did wonder how on earth selling pencils made him rich enough that he can afford to spontaneously buy things for 17 million dollars (and keep a pet snow leopard that he apparently rides, considering it was tame enough for Timmy's Dad to ride it home from work and he parked it outside his house and it just stayed there).
Did he fight the snow leopard? Did he raise it? I'm afraid of him.
Conclusion: Ed Leadly has a monopoly on an infinitely replenishing wood source. His company can never take a break or the city will be overtaken by magic plants. Big "curse of Midas" vibes.
I can't stop thinking about how in "T.U.F.F. Puppy," it's implied that Petropolis exists in the same general location as Dimmsdale... Los Angeles county:
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- Los Angeles' population in the 2010 census was 3,792,621. Dimmsdale's hillside letters parallel the Hollywood sign. - 91502 is the Burbank area code, where the Nickelodeon studio is - Jorgen claims in "Meet the OddParents" that the power he has to do that was vested in him by both Fairy World and Whittier, California. This seems to match the city borders seen in "Fairy Idol" while he's zooming in on Chester to assign Norm as his godparent.
This implies parallel universe vibes, though in my lore, I have all four Hartman shows blended into one continuity.
See my 2019 post, "A T.U.F.F. Timeline" or the shorter "How Hartman Shows Co-Exist" post if you want details on that
Here's the thing... In "T.U.F.F.," it's implied the forest near the city has been allowed to spread and evolve. Its bizarre flora and fauna certainly give a "non-natural evolution" vibe, so it's not implausible magic could be at play.
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It's made very clear in "T.U.F.F. Puppy" that this show is still set on Earth, yet "Flower Power" refers to the Petropolis Rainforest. That implies this forest exists around the city. In fact, we know it's separate from the Amazon, which is referenced in "To Bee or Not to Bee").
Interestingly, the episode "Til Doom Do Us Part" depicts Petropolis being overrun by brightly colored flowers once weddings are mass canceled-
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- which implies the florists are keeping the creep of nature back from Petropolis.
I feel like this is especially cursed in my lore where "T.U.F.F." exists in a post-FOP future... Leadly, your woods!! Oh no, he can't hear us... He's been gone for 2,000 years...
Shout-out to Pencil Nexus keeping Dimmsdale safe, one pencil at a time. And shout-out to Leadly's unique body language of gripping the sides of his coat, because he does it a lot and it makes me smile every time. He is just some background guy with a pencil-themed gimmick, but he has a special body language quirk and I love it.
Related Leadly Things:
- If you haven't watched S9's "Dog Gone," I recommend it. It's silly. There are some late-series episodes that give secondhand embarrassment vibes, but for some reason "Dog Gone"'s bizarre energy is so charming to me.
- Leadly appeared in these one-shots of mine, if you're interested in my portrayal of him hunting down magical creatures (and just generally being entitled and getting in the way): "Opportunity" & "Trying Too Hard"
Buxaplenty Family
The Buxaplentys have been running the railroads ever since Dimmsdale's early days, with Orville Buxaplenty the first to do so. Timmy's distant grandfather (Ebeneezer) mocks trains by claiming they're "just a fad" and there's no future in them- Thus, he chooses not to involve himself with trains and leaves Orville to do so alone.
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This establishes the Buxaplenty wealth as being generational through these trains. Presumably, Dimmsdale has a large train station, as this seems to be where the Buxaplentys have set up shop.
If the Dimmadomes have businesses spanning Los Angeles to Dimmadelphia, it's very likely the trains play a key role. Assuming we take the 1665 founding date of Dimmsdale as canon ("Which Witch is Which?"), the trains may have been essential at moving resources from Dimmsdale to later found Dimmadelphia. -> See also, respawning magic woods (?) Rich people crossover of the centuries??
Notably, their family takes some heavy hits in "Country Clubbed" when Mr. Buxaplenty is forced to watch the destruction of the club, his mansion, yacht, and limo in quick succession.
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The surname Buxaplenty is clearly a play on the phrase "bucks aplenty" (and I want to shout-out a 'fic I read many years ago - but unfortunately do not remember - that had a whole thing about Remy's surname actually being Buxley and everyone just calling them Buxaplentys in a derogatory way, because that's hilarious).
A neat detail about Remy is that in the Spanish version of Fairly OddParents, his surname is Cajallena, which (to my understanding) translates as "full cash register."
In my lore, I made Cajallena the maiden name of Remy's mom.
I did some poking around. Apparently, Remy is based on comic/cartoon character Richie Rich, popular from the 60s to the 90s or so (and who still shows up in modern reboots of things today).
I'm not familiar with this series, but both are blond, the only child in their family, and wear big red bows. After brief research, I get the impression Richie was at least a little associated with trains... even owning a toy trainset that costs 1 million dollars (and paying 8 million to buy the factory that makes a part of his set that broke).
I want to highlight this comparison:
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From the Hanna-Barbera cartoon, I believe, and it looks like Richie owned other gold vehicles like a boat as well.
As for Remy himself, I believe I read a few years ago that he's designed around the concept of "green-eyed envy," so he has literal green eyes. I think envious is a very good way to describe his character, considering that his immediate reaction to learning Timmy has fairies was "If he has fairies, he could wish himself richer than me; I wish his fairies were gone."
This is a minor detail, but I rewatched some Remy scenes (especially the lunch scene in "Remy Rides Again" and the breakfast scene in "Stupid Cupid") because I could've sworn Remy said at some point that he likes caviar. That might be true - I didn't find it in my hasty rewatch - but I definitely laughed when I checked and saw that instead of eating caviar for lunch like I'd remembered, he ate steak. Kid knows what he wants.
We also know Remy enjoys Crimson Chin and Crash Nebula. Specifically, we know that he's a fan of Cleft the Boy Chin Wonder, but that when Remy ventures inside the comic world, he made the character more relatable to him by making Cleft rich... in addition to minor costume changes, such as slapping the Buxaplenty logo on him in place of Cleft's usual C.
Remy sees something in Cleft that connects with him, but that extra "I want Cleft to feel like me" bit is interesting. Admiring Cleft isn't enough. He needs to be "I am Cleft's secret identity. I, Remy Buxaplenty, have this alt life." The Crimson Chin can't seem to tell the difference between Timmy and Remy as Cleft - unsurprising since he's a comic character playing his role - but Remy saving the Chin from falling is one of the only acts of kindness we see him engage in. That implies Remy does value the Chin and/or feeling like a hero in some way... or if nothing else, he values the praise the Chin gives him.
As parents, the Buxaplentys are pretty interesting. Even by "dim FOP parents" standards, they're exceptionally bad at being loving - or even effective - parents.
- Remy's dad is so awkward, he's not even sure how to address Remy when we see them in "Fairy Fairy Quite Contrary." It's his wife that suggests he try "Son." Also, Remy's parents time themselves so they spend no more than 2 minutes per day with him, which they tell him openly.
- Remy's dad calls him "Liam" later, which isn't close to his name... but Remy's grateful to be acknowledged anyway, which has interesting implications. Remy takes anything he can get; putting up with what little scraps they offer to avoid the risk of turning them off the idea of reaching out to him.
- At the end of the episode, Timmy wishes Remy could spend more time with his parents. We can assume Cosmo and Wanda didn't want to hurt the Buxaplentys on purpose - especially given what we know (from episodes like "Boys In a Band" & "Go Young, West Man") about Da Rules preventing godkids from harming others directly.
So that begs the question... Was shipwrecking the Buxaplentys the only option to get them to pay attention to their son? That's kinda dark... Angela will turn down a book pitch to care for sick Hazel, but "Remy gets sick and a parent tends to him" was seemingly not on the table. Which does make sense in-universe- After all, there are plenty of butlers and staff who wait on Remy.
Remy even tells us that his parents stopped paying attention to him after about 3 seconds despite being stranded with him on a desert island, which is pretty bad... but it gets worse when you realize Remy was stranded between Seasons 2 and 5.
When he returns in "Remy Rides Again," he asks Timmy to "guess where he's been," and informs him he "just got back from an uncharted island."
Combining that with Remy's claim that his parents only paid attention to him for 3 seconds - and looking at the scenes of Remy foraging for food while he wears rags and his parents get involved with business despite being stranded - That's..... just awful.
That's a long time for Remy to be without the comforts of home or the comforts of Juandissimo while struggling to survive (and keep his parents alive along with him). Depending on where you personally place Timmy's time freeze, it can get way worse.
And Remy was just happy he had time with his parents... Happy to forage for food... Happy to get a headpat... and for what? They don't deserve you, kid.
For all his greediness and schemes, he is pretty grateful for what little he has. In addition to looking forward to spending time with his parents, when Remy is venting to Timmy at the end of "Remy Rides Again," not once does he mention "And I didn't have my nice things." He says "I didn't have my fairy, Juandissimo, to comfort me."
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Remy's parents don't even take care of themselves, let alone pay attention to his needs. They chose not to leave the deserted island - and apparently took their sweet time calling for clothes to be delivered - and Remy seems to be the one in charge of food.
Also, the implication here is that Juandissimo gave some part of his physical form up so Remy could eat, which is horrifying?? Did that happen multiple times, considering these scenes take place immediately after the shipwreck and later after Remy's mom opens her luxury resort, so definitely different days? Did... did Remy reach the point where he was struggling to find food - or the more awful option, struggling to find food for himself because he was giving it to his parents first - and Juandissimo said "F that" ??? ... help.
On top of all this, the official canon is that Juandissimo couldn't hold a job after being separated from Remy because he was so hung up on Remy's situation (and his own shame that he failed), he couldn't stop crying, so he bounced from job to job.
It's the thing I love most about Juandissimo, because when he's introduced in FFQC, he's a huge lapdog for Da Rules, even going off about how not following them would lead to madness. But we learn one very, very important thing about Juandissimo in "Remy Rides Again"... which is that Juandissimo openly broke Da Rules to return Remy's memories.
He's very clear about this: "I decided to help you no matter what Da Rules say, so I gave you back your memories." Because he loved him... and he knew Remy's situation wouldn't get any better if he sat and did nothing. The godparenting program and Jorgen weren't going to help, so Juandissimo - who LOVES Da Rules - broke them.
We know Juandissimo returned those memories while Remy was on the island. That suggests Remy's parents had no intention to return to Dimmsdale... and presumably, they also didn't care Remy was missing school.
We know Remy got real clothes again at some point on the island, and we can assume he had food and a bed because his mom opened a luxury resort, but there's more a child needs... Schooling, medical care, social interaction with peers... everything about that situation just screams neglect. Serious neglect. "We literally do not care" levels of neglect.
Even when Remy's parents do return to Dimmsdale and care about his schooling again, they send him to a military school full of older kids and adults. And that seems at least a little reasonable on the surface - After all, Remy's been a brat, so of course they'd send him to a school for ne'er-do-wells - but that begs the question...
... What has he ever done to upset his parents?
Remy's envy leads him to be rude, sure. And he's presumably committing some kind of fraud or deception crimes in the background due to the implication in "The Big Bash" that he bribes people with checks, but puts stops on them later so they don't go through. These are things that happened when he was doing magical stuff away from home.
But all signs point to him being extremely respectful towards his parents even when they're very dismissive of him... even when he's been placed in terrible, scary situations like being shipwrecked on an uncharted island, not knowing if they'll survive. Remy is polite, does what he's told, never talks back, and volunteers to find food.
It's almost worse that his dad acknowledged Remy finding food was a good idea and still didn't lend a hand in that. The Buxaplentys are such concerning people, and that's just my recap of things that happened in Season 2 and Season 5.
According to Season 9's "Country Clubbed," Remy's dad hits "classless saps" with his limo on purpose every month - which sounds horrible even without the next part - and he does that so he has an excuse to invite them to the Fancy Schmancy Country Club and he and his friends can mock them (under the guise of allowing them access to the club in exchange for them not suing). He heavily implies he'd like to hit Timmy later since he didn't get him while hitting his parents.
That's really messed up... WHAT is going on in the Buxaplenty parents' heads?
The only slightly relieving thing from that statement is that presumably, they don't run over Remy because we can assume Remy isn't a "classless sap," but I don't think "choosing not to run your son over because he shares your wealth" is a real point in their favor.
I make no claims that Dale is a fantastic parent, but the weird thing is... I don't think Dale is outside the range of how other subpar parents in the FOP universe act. Except the Buxaplentys- They're pretty much the lowest of the low.
There are so many concerning things going on in the Dimmadome house, like terrible safety rails, and Dale does cut his son off, dehumanize him, and make him feel unwanted. This is all true.
But at least Dale knows Dev's name and calls him that. It's very possible he's aware of Dev's lactose intolerance (seeing as Dev had to get his allergy card from somewhere). At least Dale provided the au pairs to look after Dev and gave them the ability to cook and recognize when he wants a hug. Even if Dale doesn't go out of his way to hug Dev, he seems to like him enough that he's happy to clap a hand to his shoulder and talk to him. At least he seems interested in talking to him and hearing about his day.
Dale even tries to get Dev outside, but didn't snap at Dev when Dev lay down to play his game instead in "Stanky Danky." That was their father-son thing, though it would've been easy to leave Dev at home.
Dale arguably took charge of Dev's care during that event, seeing as the au pairs don't hover around Dev. idk if Dale made his 9-year-old walk home himself across a very busy road while he chased after Danky, but that's not the point.
The implication is that Dev tags along on Dale's walks to Signal Hill - and has done so many times - because Dev knows Dale's calls drop up there. It's implied Dev plays on that hill when his dad is on a call because Dev knows the grass makes you itchy if you roll down it. He'd probably played there recently since that was the first place to come to mind during the treasure hunt with Hazel, and he remembered the itchiness of the grass.
Dale even makes donations to Dev's school, which is more than the Buxaplentys ever did (See also, Remy likely missing school while shipwrecked).
Remy could die and his parents probably wouldn't spend a cent on his funeral... or get his name right in a eulogy without a lot of note-checking and effort. In fact, it wouldn't shock me if they hid his death so no one found out, because a dead son would be bad press.
Actually... It's very sad to imagine them putting more effort into hiding Remy's death than into caring for his life.
Shout-out to Chapter 10 of the 'fic "Buy Me Love" by DeliverUsFromEvie where Remy addresses two mansion employees by name, but they're confused to find out their boss has a kid and that said kid has been in the house this whole time. I think about it constantly. hey. what on earth.
This 'fic has one of the most brutal interpretations of Remy I've ever seen, and Evie has this and several other awesome works, so consider checking them out!
All of this said, there's something else that's interesting here, so let's talk "Turner Back Time."
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I can't stop thinking about how when Timmy wished his ancestor (Ebeneezer) had decided to work with trains rather than dismissing them, that led to a timeline where the following things happened:
- Timmy's Dad still married his beloved Timmy's Mom (lol). Yeah, you're not prying him away from the love of his life for anything.
- Dimmsdale fell to ruin because Timmy's Dad wouldn't play the Rich People game right (Supporting the city's growth) and instead opted to drive trains off the tracks and crash them through buildings.
- The Turners lived in a mansion, but Timmy's bedroom is exactly the same, presumably because in the timeline where his family's rich, he needed a safe space untouched by his parents' branding.
- Despite Timmy's effort to become miserable, Dad kept showering him with affection and toys, so Timmy didn't qualify for fairies until he was tied to railroad tracks with a train hurtling towards him.
- The first thing Timmy did in his attempt to become miserable enough to qualify for fairies was decide not to eat... Same energy as when he felt guilty and refused to sleep in Season 1 ("Dream Goat").
There is something here about Timmy's Dad ignoring the train system, but being attentive to his son, while the Buxaplentys ignore their son, but Dimmsdale isn't in ruins.
I'll say 1 and only 1 positive thing about the Buxaplentys: At least their trains are on the tracks instead of careening through hospital walls. Honestly, the bar is so low, it is below the floor.
Timmy's Dad became a greedy person in that timeline, but he still chose to marry someone of lower social status, have a son, and be kind to his son- He's happy to greet him, encourages him to enjoy their wealth, and gifts Timmy lots of nice things. In that timeline, it's the Turners who have generational wealth. Dad was raised by generations of Turners and he still makes time for Timmy. Come on, Buxaplentys... Is it THAT hard to speak to your son like you're happy he exists?
Closing Thoughts
The Buxaplentys are definitely an old money family while the Dimmadomes and Ed Leadly give off new money energy (to me).
Neither Doug nor Ed was seen at the Fancy Schmancy Country Club in S9's "Country Clubbed." All the people who were there have names that play on wealth. They also dress in a much more "upper class" way than Leadly with his flashy yellow suit or Doug with his Southern/Western theme.
The Dimmadomes represent business-related wealth and big company vibes, and I'd call them eccentric. Compare Doug's precariously perched cliffside estate (S3's "Engine Blocked") to Remy's telescope-
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I really hope he decorates that hat for the holidays
The energy I get from this is "Doug doing whatever he wants just because he can"... which is also the impression I get from the "Crock Talk" scene that shows his hat stretching through the limo roof. Doug does business things and hosts events, but keeps to himself unless he's doing business things.
Comparatively, Leadly is all-in on his pencil branding, and the Buxaplentys flaunt their wealth in everyday life. As in, they buy the most expensive version of anything they want and like to showcase their wealth.
But while Doug and Dale have "Do what I want" energy, the Buxaplentys seem more restricted by social expectation.
That is, the Buxaplentys dress very nice and dine with fancy people- even their 11-year-old wears a tux, bowtie, and cummerbund. Buxaplentys are very "Flaunt wealth & do what people expect of us." They don't go out of their way to do "silly, eccentric" things like putting a hat on their mansion, but they sure will buy golden, diamond-studded things.
Well, that wraps up my analysis on Dimmsdale's wealthy families, who each intrigue and frighten me in their own unique ways... whether that be money laundering, holding back a magical forest, or being absolutely awful parents.
Thanks for reading!
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