#they make me so sad i cant

[demelly]

Diggin’ the dancing queen!

[daisychains111]

Thalia doesn’t keep many things in the hundreds of years she’s been alive. 

But long ago, there were people, their names all but distant memories, who mattered in her 1st lifetime. It’s their things that stay hidden in her bag, reminding her of her mortal life. 

A blue hoodie, worn almost threadbare. The scent of its original owner, long since leached from the fabric. But if she closes her eyes, she can almost see the blue eyes of her first and only love. 

A pair of glasses. Frames cracked and crooked. A reminder of a brother she never got to truly know. 

A baseball cap. It’s magic long faded, branded with a forgotten logo. Memories of a blonde girl laughing hidden deep within. 

A letter. Ink fading, paper yellow. The last words of a dying friend. Words that wish her well, words that wished her well in a world they had fought side by side to save. 

Thalia doesn’t keep a lot of things, but even after all this time, Luke, Jason, Annabeth, and Percy will stay with her forever. The memories of her first family to remind her why life is so beautiful.

[stromblessed]

Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show:

[belobogindustries]

PHAETHON

[maskofnova]

The other homestuck post I had in me, its the year of the cringe weirdo couple, my beloveds.

[electronicmail]

Firefox-official vs electronicmail

Hydrogen bomb vs coughing baby

okay come up with a better idea then. firefox-official is gone asshole it’s electronicmail or nothing

[ghost-bxrd]

Prompt:

Instead of going for Tim, Jason goes for the easiest way to utterly destroy his Replacement and kidnaps his civilian boyfriend to demonstrate just how easy it is to lose something (or someone) you love in this line of work.

And while the whole “make the Replacement beg” part of the plan is going amazing…. Jason really didn’t plan the whole “keeping a conspiracy theorist teenager hostage” through to the end.

Bernard just wants to know what the new crime lord’s deal with Robin is. And why— and how— exactly he’s supposed to be a bargaining chip when he can count the times he met Robin on one hand. oh! and could someone maybe tell his boyfriend, Tim, that he’ll be late for their coffee date on Tuesday?

[sunny-knight]

@forgettable-au I HAD TO TAKE THINGS INTO MY OWN HANDS AFTER ALL THE ANGST, THIS WASN’T MY FAULT, THIS WASN’T MY CHOICE

[musubiki]

.🖤🔄🤍.

[tubbytarchia]

I don't know what this is all I know is that LimL Joel makes me really emotional

[ruporas]

the song of humanity will continue to be sung

[monhiio]

whoops gay awakening part xx

[skunkes]

[razzafrazzle]

real smooth moves!!

[image description: a reanimated gif from the music video for experimental film by they might be giants, drawn with human versions of strong bad, homestar, and strong mad from homestar runner. strong bad is depicted as a tan-skinned trans man with messy blue hair poking out from under his mask, homestar is depicted as a dark-skinned man with curly dark brown hair and freckles, and strong mad is depicted as a tan-skinned bald man. the three of them each dance back and forth before jumping out at the viewer, at which point the animation loops. end id]

[skrs-cats]

rut was really good im such a sucker for anything that just wants to be uplifting and genuine. so, here is them :3

[infernal-lamb]

more doodles, since I've been so busy! Sketched out Shamura finally....along with exploring the idea that Shamura's prophecies also appeared in abstract webs they've weaved along the years....I think its just Neat(tm)

also: when ur vessel keeps dying just to stare at you with unyielding saucer-like eyes filled with an indescribable bloodlust silently. just fucked up lamb things