#they just make sense together
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cuntleone · 8 months ago
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dua needs to pull a sabrina and put him in a music video i’m so serious
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lukesdefenceless · 30 days ago
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i know its none of my business but i love them and i miss them also im js using this picture cz i wanted a background picture for the lyircs pls dont get mad at me..
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kotallosseashell · 2 years ago
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Late nights at the Grove ❤️‍🔥
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noodles-and-tea · 6 months ago
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Your phineas & ferb + gravity falls art brings back so many nice memories from my childhood, thank you so much for sharing <33
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“You listen to Icelandic pop sensation BABBA? I… I love BABBA…”
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mochasucculent · 2 months ago
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Was looking at refs and since Viktor has two different leg braces I was wondering, do we think he wears them simultaneously?? The refs don't perfectly line up perspective-wise so it's hard to tell but parts of the one he wears during the Hexcore scenes look like they could maybe line up with the brace that he wears over his clothes, but also some parts really don't and look like they'd be super uncomfy. Also HOW does he take these on and off. Experts weigh in
#viktor#arcane#ig my assumption would be that he wears both simultaneously cause in the scene where he injects the shimmer#it seems implied that he just threw off his clothes and kept experimenting#so one might assume he was already wearing the smaller one underneath#tho it is a funny image to think of him just being like 'one sec i gotta go all the way home and grab my other brace to do this'#he can take off the back brace too cause hes not wearing it in the scene where he's in the hospital bed and you can see his shoulder#where the strap would be#but that one seems to make even less sense functionality wise#everything looks like its screwed together#or screwed INTO him#but only the top bolts on his spine are i think#in the close ups of his back brace model it looks like theres cushioning underneath the parts of it that cover the rest of his spine#so he can take it off. but HOW#what parts of it unscrew/detatch to pull open and off#does it not do that at all and he just has to shimmy it off his shoulder and all the way down his legs to get it off like a romper#the shape language of the designs are cool but like. tell me how it wooorrkkksss#forgive me if im just dumb and dont know at all how braces work and theres a very simple practical explanation for all this#any king who wants to infodump about mobility aids at me....the floor is yours#something to be said i suppose about the fact that zaunites have crazy prosthetics with wild augmentations that work flawlessly#and piltover's like. idk heres some fucking uncomfortable ass metal. salo gets wheelchair in non ada compliant place#they havent ever needed to adapt to accommodate disabilities etc etc#or maybe artists were just like 'heres a design' and everybody clapped and didnt give it a second thought#and then they just turned off the visibility on the mesh when they didnt need it knowing thered not be a scene where its taken off#dont even wanna THINK about what that rig would look like#like 40 different controllers#soft body and rigid hard surfaces needing to move together....#a cold chill just shot up my spine#<- guy who is only an animator and doesnt know how to rig#forgive the magic wand tool with zero cleanup. i am lazy
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egophiliac · 5 months ago
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still ruminating over Lost In the Book With Spooky Skeletons Part 1, so here's a selection of some of my favorite little bits! (...some more loosely paraphrased than others) (I just feel like Idia has no room to criticize in general, okay)
anyway, I'm sure we're just going to have a fun time celebrating Halloween and nothing bad is going to happen whatsoever! :)
#art#twisted wonderland#twisted wonderland spoilers#lost in the book with nightmare before christmas#hajimari no halloween#calling dibs on skeleton kisses as the name of my band#man scully is just a delightful little weirdo and i'm enjoying him immensely#(i'm going with scully until we get something official just because it makes me think of x-files)#(スカリー is also how the agent's name is transliterated and i don't know if it was intentional but i love it as a bonus reference)#(i want to believe™)#gosh though#'no one at school likes me because i won't shut up about halloween and jack skellington' i'm feeling VERY attacked right now twst#look scully your people are out there#just get on the forums and -- oh wait you're probably from like the 1800s or something#(my theory is that he's from the past and there's just some Book Magic going on to bring us together)#(LOOK they made a point of saying that the book fair has been held annually for a super long time)#a hot topic goth born before hot topic was invented...so sad 😔#i dunno i could be wrong but that feels like a good working theory for now#if it wasn't for mal sensing twsty ~magic~ on him i would think he's like. a christmas elf who's going to kidnap jack in a reverse-nmbc#(not ruling that out though because it would be amazing)#god all the sprites in this event look AMAZING. loving the desaturated colors and the extra drawn-on lines 😍#i'm genuinely kinda sad that we aren't gonna get to see every character like this#who knows...maybe halloweentown will be imperiled again next year...#come back and destroy my keys again please#(that said i'm doing weirdly well so far?)#(i promised i'd save for sebek and just do cursory pulls to get the SRs and not hope for the SSRs)#(...but then leona jumpscared me four coffins in anyway. halloween magic is REAL)
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chloesimaginationthings · 8 months ago
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Vanessa TOTALLY got those Tapes for the FNAF lore..
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poorly-drawn-mdzs · 1 month ago
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Vibes based grading system.
(for @epistemologys, who wanted some post-canon, teacher WWX)
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frogayyyy · 3 months ago
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they went from "when i feel friendship for you, i feel ashamed" to their souls reuniting in death holding hands watching the sunset
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zivazivc · 1 year ago
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Like a completely normal adult person, after watching the new trolls movie, I obsessively started putting together the brothers' backstory, the deeper reasons for their separation as well as how that all took place without disregarding the fact that they were trapped in the troll tree, which of course evolved into a fic in (forever) progress... yeah
Anyway, even though they aren't actively in the story much, i needed to design the parents, so uh meet Rosiepuff's daughter, Tulip, and her husband Branch.
I designed them based on the brothers' adult looks and in Tulip's case also on her mom's.
bonus baby branch:
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wanderingmind867 · 20 days ago
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Hawksilver or whatever Cyclops and Quicksilver is. I like Cyclops and Quicksilver a lot. Not as much as Hawkeye and Quicksilver, but it's close. Also, it'd probably be weird for me to ship him with nightcrawler. I refuse to read Chris Claremont's X-men, so I know Nightcrawler only from fanon and some animated stuff. I've never really seen him engage with Quicksilver. I didn't know that was a ship. I'm assuming that was what Nightsilver meant, after all.
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platoapproved · 7 months ago
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iwtv ships + book quotes
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spasmolytic-convulsion · 6 months ago
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It irritates me alot when people say that making medic more compassionate is ''missing the point of his character'' when he is literally shown to be in the comics.... did you miss the part where he showed concern for both sniper and miss pauling's well being in comic 5 and 6.
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His actions are a combination of genuine attachment + clinical interest and these things do not cancel out one another. He is always pushing boundaries and going against the grain and i think this is what led to him losing his license in the first place. He felt stifled by the rules imposed on him.
He is shown to be extremely passionate so it makes sense that he would use his endless fascination with medicine as a way to show his affection. He loves his friends so he will find a way to make them borderline indestructible. Malpractice is his love language.
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higuchisora · 3 months ago
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"Jinx left so Vi wouldn't have to choose between them, she left so Vi could finally be happy"
Is anyone else bothered by the implication that a relatively NEW girlfriend would be capable of making someone just as if not MORE happy than healing their relationship with their sister, who they spent YEARS wanting to make up with?
Me personally, I can get over a bad breakup. But if either of my sisters DIED, or simply chose to actively walk out of my life forever, that would fucking break me. I would not, in fact, move on. And maybe it's different for you guys, but Vi consistently spent an entire season trying to find and make up with Jinx. I don't know what the hell happened in season 2, but her saying "the only thing that kept me going was the thought of getting back to you" about her 7-year prison sentence doesn't sound like "I'll be better off with this girl I've dated for a total of 2 weeks".
Why is there an immediate assumption that any romantic relationship holds just as much if not MORE weight than any platonic/familial one? I'm sorry but why is it even a contest? I'm fully convinced that in season 1, had Jinx not demanded Vi kill Caitlyn- aka take a life, ANY life- and instead asked for LITERALLY ANYTHING ELSE, she'd have done it. Remember what she said? She said they could leave the entire city behind, just the two of them, and never come back. She was ready to leave their home, leave Caitlyn, leave all of it, for Jinx. Because at the end of the day, all she wanted was her sister back. But suddenly season 2 rolls around and it's "Caitlyn makes her happier." When? Where? How? I don't see any scenes of Caitlyn making Vi happy. Oh but she did hit her though, after getting upset that Vi didn't want her to shoot at a kid.
I'm sick of romantic relationships being taken as "naturally" being the priority. Maybe if you're married with kids or something, you'll prioritize your partner over your friends, sure (but if you have kids they still take priority over your partner IMO). But a 2-week-long situationship? I've known people who get ghosted after longer than that. Fucking be real with me.
I'm simply not convinced that Caitlyn should matter this much to Vi so quickly. It shouldn't even be a competition. I genuinely cannot imagine Vi, who's SOLE MOTIVATION in season 1 was Jinx, and who's SOLE MOTIVATION in EVERY UNIVERSE and TIMELINE was her FAMILY, would ever "move on" and "be happier" with any romantic partner. Callous as it may sound, she can always get another girlfriend. There's no replacing her sister.
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consultingfujoshi · 1 month ago
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I'm starting to think that maybe outie irving sees his innie in a similar way that helena does, ie. a tool he can use to further his own ends. he's clearly got a plan, and he chose to become severed to advance that plan somehow. is he going to be shocked or even angry to find out his innie has spent the last 3 years worshipping the company he's been trying to infiltrate from the outside? he literally created his innie for the purpose of bringing down lumon, and you're telling him he's actually the MDR hall monitor and lumon's biggest cheerleader?? will he freak out if he finds out he's been down there falling in love and getting his heart broken and wanting to LEAVE because of it instead of trying to find the testing floor hallway? innie irv's reaction to breaking out is like the total opposite of what his outie would have wanted if you ask me based on how he immediately goes to tell whoever he's working with that his innie got the "message" (saw the paintings) and that probably means to expect forward movement in whatever their plans are, and instead of pursuing it innie irv wants to leave the severed floor forever. what would outie irv's reaction be if dylan had let him walk out into that stairwell. would he have walked right back in like helena did on her first day?
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shanastoryteller · 14 days ago
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let the beltane fires burn
The Halliwells are descended from Melinda Warren, are the branch in which the greatest power resides, the line that would birth the most powerful witches to walk the earth.
It's not the only line.
Deanna knows about hunters, knows what they don’t know and don’t understand and that they killed her family. But Samuel didn’t kill her family. Samuel’s a good man who saves innocents, the same way she was raised to, if not how she was raised to do it.
She’s all alone. It’s not safe to be a witch.
The day before her wedding, she binds her powers.
When Mary is a year and a day, she does the same to her. It’s safer this way. Better. The world is so unkind to witches, even ones like them, born into it, with their power baked into their blood. Better to fight evil with bullets and knives than the strange terrible thing she’s destined to give her daughter, that her daughter is destined to pass along to her own daughters.
She never tells Samuel. There’s no reason to.
When Mary is old enough, when she’s talking of running and rebelling and all those things Samuel thinks will never come to pass and Deanna knows almost certainly will – running and rebelling is in her blood as surely as the magic, but there’s no binding potion for that – she tells her daughter what they are. What she’ll have to do to keep her future daughters safe, if she has them. It’s the only potion she ever teaches Mary how to brew, the only one she’ll ever need.
The day after Dean’s first birthday, Marry brews the potion and feeds it to him. He cries more after, doesn’t settle as quickly, and John worries and Mary reassures him and tells herself she’s done the right thing. Whatever it is that Dean feels he’s lost, he’s better off without it. She’s going to be normal. Her children are going to be normal.
She intends to do the same for Sammy, but she burns above his crib when he’s six months old.
~
John sees Sammy levitate a toy towards him when he’s two years old and shouts so loudly that he drops it, tears running down his face and wailing in the face of his father’s anger. Dean comes running from the other room and reaches for Sammy, letting his brother’s chubby fingers tangle in his shirt. “What’s wrong?” he asks, eyes wide.
He doesn’t answer, rubbing his hand over his face and heart pounding in his chest.
What did that demon do to his son?
What did it turn him into?
Is Sammy even human anymore?
He doesn’t react to salt, to holy water, to silver. John loses his temper every time something moves inexplicably and eventually it stops, by the time Sam’s in kindergarten he’s just like all the other kids.
John watches, fear and suspicion and something uglier caught up inside of him.
What is his son?
~
Sam figures out young that he’s a freak.
Dad and Dean just think he’s weak, just think he has nightmares, and he lets them. He only practices the telekinesis when he’s alone and every time he almost gathers the courage to tell his brother or father about it, to finally come clean, he’s viciously reminded how much they hate the things they hunt, how they’d never accept it, accept him, and as soon as he tells them what he is, he’ll lose them.
He doesn’t know what he is, really. Only that he’s not normal.
Eventually he stops seeing things in his sleep, instead getting them when he’s awake, more vivid and real than the monsters that plague his dreams. He sees people being hurt, people who need help, and it goes against everything he’s been taught to leave them to their fate.
But how can he explain it to his family? He can’t.
He’s thirteen the first time he sneaks out and saves a woman from one of his visions, finding her in the dark alley he’d seen her die in. He puts a bullet in the man’s chest, but it barely stops him, and then she and him both are getting a fireball thrown at them.
Sam shoves his hand in front of him, pushing back against the heat, refusing to die the same way his mother died.
The fireball returns to the man, catching him in the chest and he screams, disappearing into the fire until he’s nothing more than a smudge on the ground.
“Wow,” the woman breathes. Sam turns to her, trying to come up with some sort of explanation, when she continues, “I’ve never met a witch with active powers before.”
“I’m not a witch,” he says automatically, thinking of bargains made with demons, of hex bags and rotting meat and blood sacrificed.
She looks between him and the smudge on the ground incredulously. “Are you sure about that?”
Yes. No.
He doesn’t know what he is.
She leads him back to her apartment, stacks books into hix arms, and then makes him a sandwich when his stomach rumbles. His age worries her, his ignorance worries her even more, and everything she’s saying sounds like kooky new age bullshit except for the way that it explains everything he’s never been able to.
There are witches and demons and monsters nothing like anything his father’s ever talked about.
~
It’s easy to research, at least, because his dad thinks there’s a kernel of truth in every piece of supernatural bullshit. Dean makes fun of him for digging into girly, feel-good crap rather than the harder stuff, but his dad just seems relieved he’s taking an interest all. Sam starts taking notes, keeps them all in a folder until Dad buys him a journal, patting his back when he hands it over like it’s a rite of passage.
To Dad, it’s his first hunting journal.
Sam runs his hand down the soft leather spine and knows he’s starting his book of shadows.
The visions don’t stop. He saves more innocents, some witches and some mortal, and keeps the record of all the creatures he’s killed in Latin to discourage Dad and Dean from snooping. He uses his telekinesis on hunts only when there’s no other option, only when there’s someone’s life on the line, and he’s as careful as he can be not to get caught.
It should be a relief, to find out there are other people like him, to know that he’s a force for good in the world.
There’s no way he can explain the existence of a different type of witches to his father without putting a target on their backs.
Some witches have been targeted by hunters, ones who were trying to help but got caught in the crossfire, ones that had turned evil and needed to be stopped, but it’s not often he finds a witch that regards hunters with anything but fear. At least when his family are the ones sniffing around, he can give them a heads up, can tell them how to avoid their attention.
He’s had a lot of practice, after all.
~
Sam is sixteen when he’s a little too slow.
The innocent is safe and the demon is killed, but his chest is torn open and he’s bleeding out on the pavement.
“Oh no, oh no,” the woman he’d saved chants, pressing her hands against him, even though it’s pointless, even though it just sends a bolt of pain through him. Fuck. He doesn’t want to die. Dean is going to devastated. “Paige! Help me! Paige!”
There’s a bright light in the corner of his eyes and an woman around his dad’s age with bright hair red hair is leaning over him.
Then she touches him, but her touch doesn’t hurt.
He looks down and the wound on his chest closes, skin clear and unharmed, pain retreating to only a memory.
“He saved me,” the woman says. “He can move things!”
The redhead’s eyebrows rise. “You have active powers?”
They’re always so surprised by that. Sam’s more impressed with the fact that she just healed him. “I get premonitions too. What are you?”
“You get,” she starts then cuts herself off. “Where’s your whitelighter?”
He stares. “My what?”
She raises a hand to her head and groans. “Oh, someone’s really messed up somewhere. Leo!”
~
Guardian angels are real, called whitelighters, and apparently witches with active powers who go around saving innocents are supposed to have them to help keep them from getting themselves killed in the process.
Leo, who’s something called an elder with a kind face, says an unconventional witch deserves an unconventional whitelighter.
Chris Halliwell is his age, half witch, and also has telekinesis.
Oh, and he’s apparently his cousin. His very, very, very distant cousin.
“Are all witches related?” he asks incredulously.
“No,” Chris says, long dark hair and hazel eyes doing more to aid his claim of family than the spell his mother had cast. He and Chris look more related than him and Dean do. “We’d thought all the other branches of the Warren line had died out. You’re a surprise.”
Great. He’s a freak even among witches.
~
It’s so much easier now that he’s not desperately trying to piece together everything on his own, with only the occasional help from the innocents he saves. Chris is sarcastic and annoying and funny and more than having a guardian angel, Sam’s relieved to just have a friend he doesn’t have to lie to for once.
The Halliwell house, with its potion ingredients and powerful witches and home cooking, is only an orb away. He mostly hangs out with Chris, of course, but Piper always invites him to stay for dinner and Paige checks in on him, feeling somewhat responsible for him since she met him first, and Wyatt’s friendly enough but Chris sends him packing whenever Sam’s there.
He’s pulling doubletime when it comes to saving innocents, doing it as a witch and as a hunter, and he’s still maintaining straight As on top of it all while lying about half his life to his father and brother. It’s a stack of cards that’s bound to fall apart.
Going to Stanford is about more than just escaping his father.
It gets him close enough to San Francisco that he won’t need to be orbed to the Halliwells. It’s supposed to give him some breathing room, to let him focus on being a witch, to let him get his education. He does more good as a witch than as a hunter, but it’s not like that’s something he can explain to his family.
He’d wanted out, needed out, before he gets himself or someone else killed trying to balance it all. But he hadn’t thought his father would kick him out. He hadn’t thought Dean would let him.
He goes to the bus station but doesn’t buy a ticket. He calls Chris and spends the rest of the summer at Halliwell manor, burying all his hurt under training with Chris and saving people and getting ready to start college in September.
~
Jess wears a pentacle around her neck and keeps salt in small bowls in each of the cardinal directions and Sam doesn’t intend to tell her that he’s a witch, but when he ends up saving her from a darklighter attack, that decision is taken out of his hands. Coming clean about the hunter part takes longer, but it’s a bit of an easier sell once the knowledge of the supernatural is already out there. The thing that surprised her most of all is that things like bullets and steel can be used successfully against monsters, rather than the existence of monsters themselves.
Three years later when Dean shows up at their door, Sam can’t bring himself to deny him. It’s one weekend. He’d never wanted to lose his family in the first place.
When he returns home to Jessica pinned to the ceiling, he doesn’t even have to think.
He yanks her down, catching her in his arms just as fire effulges the place she’d been. He pushes the fire away from them, but it fights him harder than demonic fire usually does and leaves his hands burned and blistering. He doesn’t care. Jess is bleeding and in shock but still alive, breath rattling against him. “CHRIS!”
Dean’s yelling for him, but Sam can’t let him in. He throws his hand out, keeping his bedroom door closed even as his brother throws his body against it, still screaming his name.
Chris orbs in, eyes going huge. “Sam, what-”
“Heal her then go,” he snaps, the smoke already hurting his throat. “I’ll explain later.”
He puts his glowing hands over her bleeding stomach and the wound closes, her body going slack and her breathing easing even as her eyes roll back.
Sam tenses. “Is she-”
“Fine, let’s go, your hands,” Chris says, hands already glowing as he reaches for him.
“SAM!” Dean shouts, sounding like he’s about two seconds away from trying to shoot through the door.
“You can heal me later,” he says. “Thank you. Go.”
Chris shoots him a bitchy look that Paige says they share and then he orbs away. The fire’s covered almost the entire room now and Sam finally lets go of the door.
Dean stumbles in, pale, already reaching for him.
Sam stands and finds his knees buckling, gritting his teeth to keep himself upright. “Take her,” he says urgently, pressing Jess into his brother’s arms. “We have to go.”
“You think?” he snaps, but he’s gentle with Jess. Sam shoves him towards the door, slamming it behind him just as it surges after them. Keeping the flames from killing them is one of the hardest things he’s ever done. No wonder he’s exhausted.
They stumble downstairs, away from the fire, and someone’s already called the ambulance.
The story’s an easy sell because it’s not like anyone would believe the truth. They say Jess took sleeping pills and Sam came home to flames. He pulled Jess out and has the burns to prove it. Dean saw the flames in the window and went up, helping to get them both out.
It’s almost true.
“He had yellow eyes,” Jess tells him after. “He was – Sam, I’ve seen demons, I’ve fought demons. He’s something else.”
“Different kind of demons,” Sam says. There’s the underworld, and there’s hell. Underworld demons go after witches mostly. Hell demons go after mortals and are a lot harder to kill, ironically. “It’s the same demon that killed my mother, Jess, and now it’s after you. I have to take care of this.”
Dean’s too relieved about Sam’s determination to rejoin the hunt to question him too closely about all this. He knows better than to think that will last for very long.
Chris agrees to watch over Jess for him even though she’s not technically one of his charges. They layer protection spells on her, including one cast by the power of three, and even this yellow eyed demon will be hard pressed to break through that.
Hell demons are tricky. They’re not as susceptible to witch magic. But Sam’s not just a witch.
He’s a hunter too.
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