#they feel like two VERY different stories to me

[irrealisms]

everyone in mcyt fandom talks about bad inventories but i feel like we don't talk enough about the different types of bad inventory & the ways that inventories can be characterizing. i took most of these screenshots but one or two of them aren't by me and i've just had them saved for a few months sorry. i'm taking inventories from various people across various servers (wild life, dream smp, hermitcraft, lifesteal, and 2b2t) to illustrate my point here

like there are inventories that are bad because they're empty:

but then there's also inventories that are bad because they're full:

and, like-- the different ways an inventory can be bad are also characterizing? an inventory can be bad because the items aren't stacked; or because it's empty of anything useful; or because it's so full of building/fight supplies that there's no slots left for doing anything else; or because it's full of random junk. it speaks to a character's position (compare tubbo's diamond sword and empty inventory to ranboo's netherite sword or zam's full inventory of potions) and the rules of the server they're on (tubbo's not wearing elytra because elytra aren't allowed on the dsmp; zam's inventory has chorus fruit and wind charges but no ender pearls because ender pearls aren't allowed this season on lifesteal) and what their priorities are (building, pvp, lore) and how organized vs scattered they are and so much more. another inventory i like:

like!!! that's so instantly characterizing, for both the character and the server!!!! 5 stacks of end crystals + obsidian. 6 stacks of tnt. 3 stacks of god apples and a stack of chorus fruit as your only food. the bucket of lava and bucket of water for lavacasting. the fact that the flint and steel is enchanted with unbreaking. that's a STORY--of the character but also of the server! this is not the sort of inventory you have on most servers! it's so focused around griefing--explosions, lavacasts--and pvp, and the stacks of god apples as primary food source are an instant warning sign for widespread duping. the chorus fruit not for fights--ender pearls are strictly better, and he's got some so he clearly has access to them--which means it's for escaping traps, which means that's a live concern. it's got a lot of pvp supplies but it's so wildly different from the lifesteal inventory in ways that speak to the differences in server rules and cultures. like, horrendous inventory in many ways. also, very good inventory in some ways. also also, delightful inventory! fascinating inventory!!! inventories are such a delightful source of instant characterization i love them so so much

[elsa-fogen]

Yep. Yeah. That's me. Almost all of it, except, i sleep well (if i manage to fall asleep) Reblogging because maybe some of you didn't know (i also didn't know)

Story time!

Too long don't read: used to sleep on private math lessons because i hate math; it takes hours for me to fall asleep WHEN I SUPPOSED TO, and my sister does it in 3-5 minutes.

I was studying at university and we had MATH there I've always had problems with it. since 5th grade i think (well, i hated math before too but real problems started there) when i changed schools and the new class was behind what I've already studied and i didn't pay attention, until i realized that at some point I was behind. I said "welp, i guess it's to late to try, so fuck it"

So at university we had this very high level math and i just couldn't understand a thing (and we had an awful teacher who was saying evvvvery time something like "yall getting expelled, we're all gonna die") so i decided "if i don't understand, fuck it then, i will not even try" and started skipping math classes.

But i STILL had to pass an exam, we were getting 3 tries and if you fail you're getting expelled. I failed first two what a surprise (i don't know how i managed to pass it after all, i can't remember SHIT, only that i is fucking non-existing number which is square root of -1. Why on earth would you need it i have NO fucking clue.

So i had personal teachers who tried to make me understand at least something to pass the exam. And there was one i remember very well, i even remember that we paid her 10$ per hour (for us that was quite a lot). And i remember her because i was SLEEPING. I just COULDN'T keep my eyes opened. She explains something about deviding by zero and my brain draws the fucking universe collapsing in front of my eyes. She gives me some task, I'm trying to write something and I'm falling asleep and DREAMING about writing, then ahe wakes me up and i see that i didn't write SHIT. It all ended when in the middle of lesson she just kicked me out.

And, what a miracle, I'm leaving her apartments and suddenly, all the sleepiness just wanishes! I'm walking home, thinking about some another AU of mine, roleplaying it with myself in my head, full of energy again.

That's not the only case of this, but it's the strongest i ever felt. But that like happens all the time, EVEN WHEN MY MOM OR MY GRANNY COMES TO ME AND START TALKING ABOUT SOMETHING I'M NOT INTERESTED, IM YAWNING AND FEEL URGE TO FALL ASLEEP. But the moment they leave, It goes away! I was calling it work allergy LMAO

I was diagnosed with adhd in my early childhood (there was also something about epilepsy, but it's ok now so it doesn't matter), not long ago i brought this fact back into my active memory (thanks to Jaiden animations ADHD video for that xD) i kinda used to myself by now and now I'm trying to catch and analyse all moments of adhd kicking in. I know my own tricks and buttons, how to make myself do the thing or just how to force myself into doing something. Because i know if i start, I'll probably lock in and won't get up until it's done (well, if i have at least a tiny bit of interest in that thing, or else i won't), and i hate it when someone interrupts me in the middle of the process. No mom, i can't come right now, i can't finish it later, because i either spend few more hours forcing myself to go back to the task or just forget about it.

But i didn't know that this sleepiness was a legit symptom! I just thought that it's exaderated boredom, that's it, had a joke name for it. That's... Funny to know that this thing is actually also adhd moment.

Also, about sleeping. I have problems falling asleep. I may lie in the bed for hours without even my phone, just rotating my stories in my head, and when i don't have a story to think about, this is just the name of my current hyperfixation with different tones and in different random dialogues that doesn't even make sense. I have no idea how to fall asleep, except when i didn't sleep for like 48 hours (EVEN THEN IT MIGHT BE A PROBLEM AND I START THINKING OF THAT CREEPY PRION SICKNESS AND SCARE MYSELF AGAIN). And my mom told me that it have always been like that with me. She and my dad had the whole ritual to make me fall asleep. Dad would hold me in his arms, his head with me covered with a blanket that i could only see his face (or else I would look everywhere and never fall asleep), and rock me for HOURS while i was SCREAMING and CRYING the whole time like i was tortured. But when I'd finally fall asleep, they could be as loud as usual and didn't have to whisper, because wake me up is a whole different story. And my mom was SHOCKED when all it took to make my sister fall asleep was just pet her back for 3-5 minutes.

I don't think of myself as... Sick or ill. That's how i was all my life, i don't know anything else. That's not a sickness to me, that's just part of my personality. Maybe sometimes some parts of it bite me in the ass and make my life harder, but i don't know other life. That's the only one I've got, and i guess I'm fine with that (tho now that i think about it, i need to pay more attention to how i write the characters, and don't make them all ADHDshers LOL i need to study neurotypical people under a microscope 🔬🔍)

bro im gonna CRY i didnt know this 🥺

[butchvamp]

okay i've played a bit more and i have a lot of thoughts about Taash and the way gender is being handled overall in this game...

first i will say the positives which is that i do really appreciate the attempt at incorporating trans characters both in the world as companions and allowing us to make those options in the cc. and as someone who also writes dark fantasy stories with trans characters i do understand how difficult it can be to incorporate these identities into a world that doesn't necessarily have the same language as we do; but overall the way they've approached this feels very... i've seen some people call it unpolished but i actually feel the opposite. it's almost clinical (therapy-speak in general has been a main criticism of this game) and it's way too polished, in my opinion, which is what makes it so jarring to see.

there has been a trans character established in game previously, there is already a precedent for these identities to exist in this world, and they have never used this language before. the way Iron Bull talked about Krem felt far more realistic and integrated into the world of Thedas comparatively. was it perfect? no, of course not, but i chafe at the idea that it needs to be perfect, anyways. this is another problem the game has; past characters have had their flaws completely ironed out (Isabela is now a paragon of friendship and returns cultural artifacts instead of looting them, Dorian has multiple codex entries wallowing about how he used to defend slavery, the Crows have suddenly become a big found family-- on and on and on) and while i have my criticisms of some of these flaws (Dorian's pro-slavery rant in inqusition still makes my eyes roll) i dislike the way they're handling these changes and just expecting us to ignore all of the lore and worldbuilding from previous games. and all of this "political correctness" only for the game to still be so racist.

which brings me back to Taash.... Taash is very strange character, lacking agency around both their gender and their culture. they are simply a mouthpiece for the writer. while yes, it should always be made undeniable that your character is trans or gay or xyz, Taash really does only exist to be nonbinary. and to be clear, a nonbinary character like them could be very interesting, if their writing wasnt so... white. we know that the Qun has different ideas about gender than Rivain (and elsewhere) and this could have been a very interesting exploration of that; however, it is obvious that the Qun (and Taash's mother) are meant to be depicted negatively, and ultimately it ends with the player (not Taash) choosing between their two cultures. their gender is clearly far more important to the writer and the only facet of their identity they seemed willing to explore, which makes me question why even make this character qunari to begin with...

Neve and Rook are also the two that spur Taash into exploring their gender. this, on the surface, is not a problem for me. i'm playing as a trans Rook and while the dialogue was again very overpolished and clunky i found it kind of endearing. but the way Neve is used as this "foil" for Taash really rubbed me the wrong way. this assumption that Neve has no complicated feelings about her gender or being a woman (which i highly doubt considering the world she lives in & how misogynistic it is) and the implication from Taash that she only dresses the way she does for her mother/other people (which Neve doesn't even get to challenge) is extremely narrow-minded. Taash is the Only character that acknowledges gender; so far, even when flirting with other characters, it's only been Taash that i've been allowed to specify with that my rook is trans, despite Taash already knowing that from our previous conversation (i hope that this changes once i lock in with a specific character so feel free to correct me if it does).

but no one else really seems to have an opinion except that Neve drags Taash around to meet Maevaris, and we get the very goofy note that's just a list of modern gender identities and their definitions. i do partly sympathize with the writers here; again i've had to find a way to incorporate lgbt identities in my own writing and it can be difficult depending on your audience. i understand wanting to be very clear and concise. but this is... just goofy. and this desperation to be so correct around gender while simultaneously writing such an offensively racist narrative is really frustrating.

there's also an inconsistency that comes from this with Taash's character-- they are portrayed as this rough but awkward character that is bossed around by their mother, they are bashful with flirting early on and are almost child-like in comparison to the other characters. and then suddenly you get a scene with them where they very directly ask if you want to have sex and suddenly pin you against the wall. this scene was so jarring to me i referred to it as a jumpscare because WHERE has this character been this entire time? i want to see more of this, more of this character who takes what they want and knows exactly who they are (which they even say multiple times when you first meet them... but then need Neve and Rook to hold their hand about it?)

i do really like Taash, i like the idea of them, of this very self-assured and almost cocky character who is also a little silly, this person who is so sure of who they are but has to deal with their mother undermining them while also navigating a culture they feel disconnected from, and i also like that the player can help them through it... but the execution is awful, shallow, and racist. the idea that someone can only choose One culture is so offensive and also a laughable conclusion when compared to their coming out as nonbinary. the writer clearly understands that people don't exist within these little boxes when it comes to gender, but can't wrap their head around it when it comes to someone's culture-- which is also a very important part of a person's identity and often contributes directly to their gender and how they feel about it. all of these different characters have different experiences, come from different places, Davrin and Bellara are Dalish and even have differing opinions on what that means for themselves, but the game doesn't touch on any of it. all we get is a lecture from the writer that is completely removed from the world it's presented in.

i wish i could understand what it was this character was meant to convey. i stand by saying that it doesn't need to be perfect; i know there are people that had problems with Krem in inquisition, but at least Krem was his own person. Taash doesn't even get that here... i harp a lot about character agency when i give writing advice on my other blog but it really is so so so important for marginalized characters-- both gay, trans, and especially characters of color-- to have their own agency around their identities that is completely separate from the player & player choice, that allows them to exist as their own person within the world you've created, and i think Taash's character and story is an unfortunate example of exactly what not to do.

[aethon-recs]

This Week (x2) in Tomarrymort (25 October – 7 November 2024)

Hello again! We have two multi-chaptered fics finishing this week, highlighted below, as well as a bunch of delicious one-shots and chapter updates as always.

Completed Fic:

Sits the wind in that quarter by @mosiva (M, 61k, complete) “After something of a long absence, Lord Riddle, the Earl of Gaunt, had returned to London.” This is a really cool Regency and Omegaverse AU (how cool is that to see that combined??) that features a lot of courting, gossip and intrigue, social climbing, and Alpha Tom Riddle along with Beta Harry Potter.  Broken Tomarrymort Telephone: Collected Stories by @exquisite-tomarrymort-telephone (E, 109k, complete)  A Tomarrymort version of the Broken Telephone game — passing a whispered word or phrase around a circle, with it often evolving into something quite different as it goes from person to person. “In our version, the starting person received a secret prompt and wrote a fic based on it. They then created a prompt for the next person by summing up what they had written in a single sentence -- with the caveat that their prompt couldn't use the same words as the prompt they were given. This continued through twenty-six (26!) different authors and artists, each adding their own flair and creativity to the exercise. Which brings us to now! We're wrapping up the creation part, so it's time to start sharing it with the world. We hope you enjoy what we've created -- we certainly enjoyed making it.”

In addition, a recap of the author notes from last week. (Please feel free to add some extra context to your fic update in the reblog, such as a little bit about the chapter(s) updated, and I’ll throw it in the update for next week!)

every step i choose to take begins to set the world aflame by @boyneptunee (NR, 4k, WIP) “Tom Riddle wants to become immortal. He will do whatever it takes to achieve it. It gets him in the most interesting situations. (A Phoenix saves his life. The Phoenix is not a Phoenix.)” These Fragments We've Shored by @rowena-rain (M, 31k, WIP) “You call me here because you crave atonement, and only I can give you that. After all, I am the only other who knows what it means to tear one’s soul. Or, as one very astute commenter put it, "Enter Voldemort, the World's Worst Therapist!" (Sorry in advance - Voldemort basically wrote this chapter lol)” Touch of Death by @moontearpensfic (E, 6k, WIP) “An oviposition AU, where Eldritch Harry/Death gives Tom his eggs, which will protect Tom from, well, death. In chapter two, the eggs hatch.” Time Stumbler by @wintumnly (T, 96k, WIP) “One part of my slowburn Harry-raises-Tom series. It ends in Tomarry, but everything building up to that point is unhinged humor, not-good-at-feelings fluff, and angsty plot surrounding Harry and Tom's chaotic and ever growing affections for one another. Update 23 explores Unconditional Love, and there will be familial love, friendship love, flirtatious love, obsessive love and others in future parts.”

*

Tomarrymort One Shots and Completed Fic

Chapters 26 and 27 (Completed) of Sits the wind in that quarter by @mosiva

Chapters 1 through 27 (Completed) of Broken Tomarrymort Telephone: Collected Stories by @exquisite-tomarrymort-telephone

One Shot | Resonating Souls by @endlessburningdarkness

One Shot | Anabiosis by @lee-bella

One Shot | Bites and other Surprises by lemonchase

One Shot | Viticula by @crowcrowcrowthing @cindle-writes

One Shot | Speedrunning Danger by @i-dream-of-libraries

One Shot | Karma’s a bitch by @albondiguilla007

One Shot | It's Like This by @twopenguinsinabox

One Shot | Boulder On by @lumosatnight

One Shot | WTF, Potter?! by BvinYa_Raama

One Shot | a couple inches shorter by @2sidesofthesamesoul

One Shot | bloody money by @00queasy00

One Shot | Cerulean blue by @albondiguilla007

One Shot | It's Not Always What It Seems by dysproporsium 

One Shot | To be Entwined by @cyandenial

*

Tomarrymort Ongoing Fics

Chapter 6 of And the Living Will Envy the Dead by @k-s-morgan

Chapter 18 of A Simple Request by @shyinsunlight

Chapters 3 through 6 of in the silence by @satflesk22

Chapter 7 of Anytime, Anywhere, Always by @moontearpensfic

Chapters 15 and 16 of the stars, my destination by @milkandmoon-ao3

Chapter 11 of Ills of Murder by @shadow-of-the-eclipse

Chapter 2 of In My Lover's Room (i am free) by @hyalith

Chapters 1 through 5 of To the Hilt by @izharmilgram

Chapter 10 of Strings of Fate by dizzydreamer

Chapters 2 and 3 of If I were you by @onehitpleb

Chapter 25 of would that i'd loved (long ago) by @sprst1tion

Chapter 18 of with eyes like these (who sees anybody else) by @cealesti

Chapter 9 of 7 by @moontearpensfic

Chapters 3 and 4 of you speak of the devil (like he's not your friend) by @amuria

Chapter 24 of Time Stumbler by @wintumnly

Chapter 20 of Outrunning the Villain in You by @zenyteehee

Chapter 19 of Of Darkness and Luminescence by @mindchroniclesandbrainfluff

Chapters 6 and 7 of Memories of a Killer by @chemfreakwriting

Chapter 1 of ROOTED by @inhumanbby

Chapter 1 of baby, turn the bright lights on by @ictyn

Chapter 1 of Harry's No Good, Very Bad Day by @2sidesofthesamesoul

Chapter 15 of Double-Aspect Paradox by TimaeusKosmou

Chapter 15 of Saint Harry by @alenablack @chaos-bear

Chapter 7 of Fetters of the Damned by @sc0rpiflow3r

Chapters 131 and 132 of Liquida Tenebris (Remastered) by @dymis

Chapter 1 of Wish by @sri-verse

Chapter 10 of flour power by Kozzie

Chapter 5 of What quickens me is the violence in thee by @i-dream-of-libraries

Chapter 20 of Occultation by TimaeusKosmou

Chapters 21 and 22 of Learning to love by @l-archiduchesse

Chapters 1 and 2 of The Serpent and the Stag by @green-like-the-sky

Chapter 2 of Fake Boyfriend by J0305

Chapter 7 of i am anonymous, you are a concrete wall by Pensievable

Chapter 8  of we made universes out of bitten lips and broken hands by @boyneptunee

Chapter 8 of Lesmosyne by TimaeusKosmou

Chapter 2 of Your Wish, My Command by @moontearpensfic

Chapters 6 and 7 of Venom or Valor by @lightningant

*

[klinefelterrible]

sooo I’m doing it for @k-kizkhalifa :} Do you daydream a lot before you write, or go for it as soon as the ideas strike?

There are times when I daydream a lot about a certain idea, like for example about the one about pairing Ron with Blaise, but mostly it’s just a Boom! and if I don’t write it now, it’s dead and gone.

Where do you get your fic ideas?

I imagine my (as in “original but in my way” or headcanonly or au) characters during certain activities (mostly: fucking) and I add something or someone extra, or I set the scene right before or after - as it comes to me.

Do you share your fic ideas, or do you keep them to yourself?

I rarely have a big idea that is different than a shortie I am writing or wrote already, but in my head it’s like once I say it, it’s done and gone - so sharing is equal to abandoning it most likely forever

How do you choose which fics to write?

Since I don’t understand the question really I will try answering how I feel it: I choose just by how I feel about right now. When I think of Eomer, I write about Eomer. As simple as that.

How many wips do you have? What fandoms/pairings are they for?

GURL YOU NOT READY!

I have many wips, mostly of HP wizarding world, and probably sometime soon I will release another chapter of two halves of Draco’s broken wand and my favourite pairing there is Draco/Bill Weasley and Fred/George/Hermione and since it’s me, it’s going to be juicy as fuck. Literally.

What’s the last line you wrote?

“He’s a cuckoo”

Post a snippet from a wip.

Post an out-of-context spoiler from a wip.

Draco is being blackmailed and fucked by Bill Weasley

Does this word [chosen by asker] appear in your current wip?

Do you work on multiple wips or stick to one fic at a time?

M u l t i p l e

Do you write scenes in order, or do you jump around?

I truly have no idea what I’m doing

Do you outline your fics? If yes, how detailed are your outlines? How far do you stray from them?

It depends. For Lucy I invented a whole new interest and branch of magical creatures for Lucius to be interested in and for the moment I was even sad that I am doing all this work to finish it with some porn scene.

Do you listen to music while you write? If yes, what have you been listening to recently?

Rarely as I am bilingual and most of the music I listen to is English so I get distracted very easily

What is your favorite location and position to write in?

Any. Sometimes I park my car on my driveway and just START WRITING

What’s your favorite time to write?

Any. No particular favourite time. But I don’t like meal time to use on writing if I really must differentiate between this or that

Do you write by hand, on your phone, or on your laptop?

99% phone.

Do you have a writing routine?

I barely have any routines!

Do you enjoy research? Which fic of yours required the most research?

Research yes, sometimes a lot! But for a fic? They don’t require much researching… maybe just checking if I remember something correctly or not.

Do you enjoy creating OCs or do you prefer to stick solely to canon characters?

I like creating OCs based on characters from other fiction and I am not ashamed at all.

Do you prefer writing AUs or canon fics?

Asking that a guy who writes hardcore gay porn from Wizarding World…

Do you prefer writing chaptered fics or one-shots?

Why not both at once?

Do you title your fics before, during, or after the writing process? How do you come up with titles?

I hate titling!

Is writing the beginning, middle, or end of the story easiest? Hardest?

I never know how to end stuff. Ever. Anything. I have to force myself to shut the fuck up.

How do you choose whose POV to write in?

I don’t like POVs

What’s your favorite part of the writing process (worldbuilding, brainstorming/outlining, writing, editing, etc)?

The part when I am just a finger that clicks and my subconsciousness does everything else.

What’s your least favorite part of the writing process?

Making sure it all makes sense! Fuck. That!

What area of writing do you feel strongest in?

Area of writing? As in I AM A DIALOGUE MASTER and a little bitch for remembering what the fuck did I start with

What area of writing do you want to improve in?

I won’t improve in remembering so maybe I can start making sense more…?

What’s something about your writing that you’re proud of?

I can make literally anything about gay men crossdressing or women wearing high heels and sometimes I can even make them sassy. I am not proud of myself at all so whatever

How much do you edit your fics? Do you edit as you write or wait until you finish the first draft?

Wips are being edited hard, especially longshots. I write, I stop, I edit two weeks later, I write and so on and it all depends on my mood.

Do you use a beta reader/editor?

Only for bigger or more serious projects and even then extremely rarely because I don’t know anyone that committed to my writing or weird enough and with so much free time

Do you take fic requests? Why or why not?

I WOULD TAKE REQUESTS ANYTIME BUT BEAR IN MIND THAT I AM NOT VERY GOOD AND YOU WILL SUFFER A LOT OF GAYNESS AND WEIRD SEX IN THEM, hit me up only if you’re ready for some hardcore porn or smut or sass

Is there a specific word count that you hold yourself to/enjoy writing the most?

I never think of that

How much of your personal life/experience do you include in your fics?

Barely anything other than sass and heels and my own stupidity

What’s your favorite fic you’ve posted?

I am currently a fan of my short incorrect quotes, it’s my most recent and most read work on ao3.

What fic are you proudest of?

Two Halves of Draco’s broken wand maybe?

What fic has been the hardest for you to write?

WHAT IS WIP IS A WIP BECAUSE IT IS HARD FOR SOME REASON

What is your most self-indulgent posted story?

Everyone would want a friend like you

What’s your most self-indulgent wip?

all of them :>

What is your favorite world that you’ve created for a fic?

I honestly have no clue!

Who’s your favorite character you’ve written?

From a fic? I enjoy writing young Narcissa, but frankly speaking I loved writing young Lucius and adult Draco.

What’s your favorite title that you’ve come up with?

I hate titling! Next question!

Is there a trope or idea that you’d really like to write but haven’t yet?

Next question!

What is your favorite genre to write?

Genre… as in dialogue-based fantasy weirdness?

What genre/trope do you tend to write the most?

PORN

If you could only write one type of AU for the rest of your life, what would it be?

one type as in the one where guys that canonically don’t fuck all of the sudden do?

Is there a trope that you’ve written before but are now sick of?

naaah

Who is your favorite character to write for? Has this changed since you’ve started writing for that fandom?

my most favourite of all times character is Sam Vimes but I don’t want to write ff about him really that much

What fic of yours would you say is the best introduction to you as a writer?

oh geez if you really need to think of me as a writer, please don’t read my fanfics EVER, I am writing them for fun and for fun only

How would you describe your writing style?

Funny, weird and sometimes even full of meaningful connections between the characters

Does what you like to write differ from what you like to read?

I try to be as good as my favourite writers!

What’s the average word count of your fics?

as me if I care about the numbers again and I will start telling random things

What is the most-used tag on your ao3?

maybe… blow jobs? High heels?

What’s the fandom/pairing distribution of your posted fics?

Harry/Draco!

Have you noticed any patterns in your fics? Words/expressions that appear a lot, themes, common settings, etc?

well yeah, blowjobs, denial, high heels, netorare, crossdressing, getting convinced, girls knowing and getting what they want… stuff like that

Are there any fics that you would change or rewrite if given the chance?

If I had, they’d be done already

How conscious are you about including symbolism or foreshadowing in your fics?

I have no idea. Next!

Do you have a favorite piece of figurative language you’ve written?

No idea. Next!

Have you participated in any fic events/writing challenges? If yes, what were they and did you enjoy them?

not yet! I plan on getting at drarry in january 2025!

Arethere any fics that influenced you to write the way you do?

The only fics that ever influenced me to write anyhow were Guarding Dark and some other fic about Sphene/Zeiat from but it was about writing more, not how

What are your favorite fics at the moment?

previously mentioned Guarding Dark, about death of Sam Vimes and dwarvish mine sign that happened afterwards. A very good fic, really a small treasure.

Are you subscribed to any writers on AO3?

no… I am a terrible subscription reader, I never have time and I always postpone to the point I hate myself

Do you spend more time reading or writing?

lately writing, but it’s a wave

What’s your favorite writing compliment you’ve gotten?

that someone read my book/story/fic and loved it or that it resonated with them somehow

What do you tend to get complimented on the most about your writing?

that it is funny I guess

Do you have a fic you wish got a bit more love?

yeah all the shorties that got little to no hearts on tumblr, it’s always that longer one that someone didn’t read whole I presume… if it’s long I had an idea! Not always a good one, but long idea anyway

Is there a particular fic that readers gravitated towards that you didn’t expect?

yeah my collection of those shortest fics is currently my most read anything on ao3 like wtf

How do you deal with writing pressure, whether internal or external?

there is no external pressure but internally I am in a constant state of chaos so I really have no idea what I’m doing. Sometimes I feel pressure, sometimes I don’t.

Why do you enjoy writing fanfiction?

are you kidding me? It makes me happy, it makes other people happy and it’s an act of creation so naturally I enjoy that. Also that bitch jkr did nothing to make them more interesting so I had to make a stand for them

What motivates you during the writing process?

a thought that “this will be fun”

Do you have any writing advice you want to share?

just write anytime you feel like writing, if you don’t have an idea for a name or some other detail, simply put [name] or [detail] and continue and it will clarify later if the character is Clark Bones, an architect who likes tomatoes or a Roan Desmond Ruttington, a gardener who killed his mother’s lover when he was twelve and noone ever found out; never let yourself stumble on some minor details and change major things AFTER you write an entire chapters or bigger parts, really, you will thank me later. Also if you write sex, please please please remember that fucking is a machine-like activity and courting and talking about it must be witty, with a good taste and if not that, at least dont be gross and remember that there is nothing less fun than gross AND boring sex scenes.

Thank you, Kiz!

Fanfiction Writing Asks

Do you daydream a lot before you write, or go for it as soon as the ideas strike?

Where do you get your fic ideas?

Do you share your fic ideas, or do you keep them to yourself?

How do you choose which fics to write?

How many wips do you have?  What fandoms/pairings are they for?

What’s the last line you wrote?

Post a snippet from a wip.

Post an out-of-context spoiler from a wip.

Does this word [chosen by asker] appear in your current wip?

Do you work on multiple wips or stick to one fic at a time?

Do you write scenes in order, or do you jump around?

Do you outline your fics?  If yes, how detailed are your outlines?  How far do you stray from them?

Do you listen to music while you write?  If yes, what have you been listening to recently?

What is your favorite location and position to write in?

What’s your favorite time to write?

Do you write by hand, on your phone, or on your laptop?

Do you have a writing routine?

Do you enjoy research?  Which fic of yours required the most research?

Do you enjoy creating OCs or do you prefer to stick solely to canon characters?

Do you prefer writing AUs or canon fics?

Do you prefer writing chaptered fics or one-shots?

Do you title your fics before, during, or after the writing process?  How do you come up with titles?

Is writing the beginning, middle, or end of the story easiest? Hardest?

How do you choose whose POV to write in?

What’s your favorite part of the writing process (worldbuilding, brainstorming/outlining, writing, editing, etc)?

What’s your least favorite part of the writing process?

What area of writing do you feel strongest in?

What area of writing do you want to improve in?

What’s something about your writing that you’re proud of?

How much do you edit your fics?  Do you edit as you write or wait until you finish the first draft?

Do you use a beta reader/editor?

Do you take fic requests?  Why or why not?

Is there a specific word count that you hold yourself to/enjoy writing the most?

How much of your personal life/experience do you include in your fics?

What’s your favorite fic you’ve posted?

What fic are you proudest of?

What fic has been the hardest for you to write?

What is your most self-indulgent posted story?

What’s your most self-indulgent wip?

What is your favorite world that you’ve created for a fic?

Who’s your favorite character you’ve written?

What’s your favorite title that you’ve come up with?

Is there a trope or idea that you’d really like to write but haven’t yet?

What is your favorite genre to write?

What genre/trope do you tend to write the most?

If you could only write one type of AU for the rest of your life, what would it be?

Is there a trope that you’ve written before but are now sick of?

Who is your favorite character to write for?  Has this changed since you’ve started writing for that fandom?

What fic of yours would you say is the best introduction to you as a writer?

How would you describe your writing style?

Does what you like to write differ from what you like to read?

What’s the average word count of your fics?

What is the most-used tag on your ao3?

What’s the fandom/pairing distribution of your posted fics?

Have you noticed any patterns in your fics?  Words/expressions that appear a lot, themes, common settings, etc?

Are there any fics that you would change or rewrite if given the chance?

How conscious are you about including symbolism or foreshadowing in your fics?

Do you have a favorite piece of figurative language you’ve written?

Have you participated in any fic events/writing challenges?  If yes, what were they and did you enjoy them?

In [insert fic], what inspired the idea for the plot?

In [insert fic], what’s your favorite scene that you wrote?

In [insert fic], is there a deleted scene/idea you wish you could have included?  Why did it get cut?

What was the hardest part of writing [insert fic]?

If you rewrote [insert fic] now, would you change anything?

If you wrote a sequel to [insert fic], what would happen in it?

What’s a fun fact about [insert fic]?

If a fic was titled [insert made up title], what would this story be about/how would you write it?

Are there any fics that influenced you to write the way you do?

What are your favorite fics at the moment?

Are you subscribed to any writers on AO3?

Do you spend more time reading or writing?

What’s your favorite writing compliment you’ve gotten?

What do you tend to get complimented on the most about your writing?

Do you have a fic you wish got a bit more love?

Is there a particular fic that readers gravitated towards that you didn’t expect?

How do you deal with writing pressure, whether internal or external?

Why do you enjoy writing fanfiction?

What motivates you during the writing process?

Do you have any writing advice you want to share?

Free space - asker can come up with any writing or fic-related question they want!

[malakaie]

had some feelings to write out – for/about @tommyend, no pressure at all to respond

I started watching wrestling – specifically, AEW – in late October 2023. It’s been just over a year since I started watching, and I didn’t expect it to consume as much of my brain-space as it has. When I started watching, I didn’t really know who anyone was. I had heard a few names – Randy Orton, CM Punk, Jade Cargill, Roman Reigns – but had no real concept of the landscape I was entering or what it would mean to get invested.

Truthfully, it was a little overwhelming, and there was more I didn’t understand than I did. In those first few weeks, I received one very helpful piece of advice: don’t try to understand everything. Find a wrestler or two whose vibe you like and stick with them – the rest will click into place eventually, or it won’t, and either way is fine.

And so I did. I think it was around the lead-up to Full Gear 2023 that I started really paying attention. There was something about what House of Black was doing that was different from anything else I was seeing. I could understand just enough to recognise talented athletes when I saw them, but I wasn’t quite plugged in enough to the overall wrestling “ecosystem” that that was enough on its own to get my attention. Now that I understand more of what I’m looking at, it’s easier to understand what I’m meant to be impressed by – it’s easier now to have that moment of, holy shit, how did they do that?

But I didn’t understand yet. I’d been watching wrestling for about a month and was still finding my footing. What I saw, and latched onto, in House of Black was a group of four impressive performers that I could tell were in love with the art of what they were doing. Everything was done with intent – the way they entered the ring, the different but cohesive styles with which each member of the House wrestled, the gear they wore, the ever-evolving paint on Malakai’s face, the evolution and growth of Julia’s character.

It was both the moment that I finally, properly understood that professional wrestling was also theatre—and, I think, the moment that I was magnetised. It felt like a faction that was made for me: a band of storytellers who wanted to take my hand and show me what wrestling could be and was and is, and had the creativity and cohesiveness and physical talent to pull it off.

I could breathe a sigh of relief. I wasn’t lost anymore, desperately trying to catch up to understanding something that everyone around me already seemed to know. I had a guide of some sort, and one that resonated: I’ve been reading since I was 3, writing stories since I was 11, have always been a little “strange,” drawn to creative types and niche hobbies and other people that don’t have many friends. And here was someone who not only felt like me, sounded like me, but was wanted and loved and succeeding. A stranger to me, in the way that performers and public figures always are, but I felt like it was going to be okay. If Malakai could make it—though I didn’t and don’t know him personally, I had no way of knowing if he was ever afraid, or if he doubted himself—then maybe I could, too.

The more I watched and the more I learned, the more true that became. I’ve been depressed and anxious most of my adult life. I have scoliosis that is likely to get worse as I get older, and causes me pain multiple times a week, if not every day. Hearing someone whose work I admired be open about his mental health—especially when sports industries have typically not been kind to people, perhaps especially men, who are vulnerable in that way—and be honest when he’s in pain shook something loose in me that I hadn’t quite realised was stuck and frozen in shame. It’s okay that I’m afraid. It’s okay that I have days where my brain is trying to consume itself. It’s okay that I’m in pain. Did I get out of bed today? Have I been outside? Have I eaten? Have I done something to be kind to myself—or, failing that, kind to someone else? Have I done something creative today?

I started my “gender journey,” for lack of a better phrase, in 2018. There was a lot, a lot, of messing around with pronouns, labels. I didn’t know what I was, only that “just a girl” didn’t feel quite right anymore. And then I felt like I was lying, because, well—I was fine being a girl when I was ten, and thirteen, and sixteen, so why was it suddenly different at 25? Sometimes I still feel like I’m lying. The generation above me often still holds an image of trans people that requires them to have always been miserable, always been “pretending.” A few months ago my mother suggested it was fine if my idea of being feminine had expanded, but she didn’t really believe I was trans, because I’d never been unhappy as a girl child, and besides that I looked like a “clone” of the small handful of other transmasc and nonbinary people she’s met. I must be a pod person. (Newsflash, mom: This is just what queer people look like, a lot of the time. I cut and dyed my hair and got one singular tattoo. How terrible.)

She didn’t ask me how I feel when people call me she, or her—it makes me feel horribly small and unreal, by now—and in fairness to her, I didn’t quite defend myself either. I cringed and shrunk and asked for time to think about it, when what I wanted to say is yes, I know I haven’t had the history you expect to see from me, but this is who I am, and I’m not telling you that I was never a girl. I’m telling you that girl isn’t the place where I stop.

But I was scared, and I felt cornered, and I didn’t say any of that.

What I did have, though, was an artist and a performer and a storyteller who did things with his expression, his clothing, how he presented himself to the world that was like a lightbulb going on. The confidence of a man who told stories with the way that he looked, and who used feminine symbols to do it. He wasn’t any less masculine—but it was an embracing of both that cemented who he was, and I thought: holy shit. I can do that. Our identities are not the same, and I’m not too keen on speculating about the identities of public figures that I don’t know in any event—but it’s reassuring, motivating even, to be able to regularly see someone comfortably expressing his gender (because, yes, cis presentation is gender expression too) in a way that makes sense to him and incorporates the feminine and resonates through his art without doubt or reservation or compromise. This is who we are. Take it or leave it.

I don’t know what’s coming next for any of us. AEW looks like such a different place—in a good way—from when I started watching, and the world is looking pretty scary these days, but I’m still here. The art that got me interested in wrestling in the first place is still here, and I have my theories—unsubstantiated, so far—about where Malakai and House of Black are taking their story, but regardless of theories I’ve been so fortunate to watch them continue to grow and evolve over the past year. There’s a lot I don’t know, but I know the love for the story and the art is real.

I don’t know you personally, Malakai, and I don’t want to claim to, no matter how many scraps I’ve gathered together from interviews and how much of the backlog of matches I’ve done my best to watch so I can understand where you’ve come from and where you’re going next. But your work and your love for your craft has moved me, and I’m glad I stayed alive when it was hard so I could be around to see it when it mattered.

[smilesatdawnmain]

ETERNAL LMK AU (Part 6) (Interactive Story)

Time for some answers

The rules are simple.: I will give the written passage, and then at the bottom there will be a vote on how the characters act next!

Story: Eternal Au

Ships: Shadow Peach

Digging his heels into the dirt to try and slow his speed, realizing the farther Wukong went so did he, Macaque called back angrily to the collectors,

“What is going on? What isn't good??" he demanded.

The collectors cringed, glancing at each other. Rushing to keep pace with Macaque, wearily eyeing the sky in case somehow Wukong did spot them, they nervously smiled. Normally they would never fear, but that golden vision of his- it was rumored to even view the dead if he was looking close enough.

One of the collectors, a stout figure with a chipped jaw and a nervous twitch, cleared his throat. “You see,” he started, his voice wobbly, “That connection you’re feeling? And uh, seeing? It’s… complicated.” He shuffled back a step as Macaque glared, spitting out words like venom.

“Complicated? Explain! I don’t have time for riddles while that fool flies off with me!”

The second collector, a more slender figure, leaned in closer. “It’s the bond,” he whispered, as if saying it too loudly might make his presence known to the flying King above. “Remember before how we said souls can get held up from moving on? One being, their soul is stuck or trapped like yours was?"

“Okay?” he grumbled, slipping his hand just a tad through the ropes these collectors insisted on keeping to hold onto him. Shifting between them he grasped the golden string around him. As much as he tugged and wiggled, it wouldn't loosen. It felt hot to the touch.

It felt like Wukong- his very essence and power.

It gave a strange sense of both comfort and discomfort considering Macaque’s own emotions were torn by the man.

The burly collector continues, "There are other reasons that can stop a soul from moving on. The other two are they have some lingering connection to this world that is preventing them from leaving. Or... a living connection is tethering them down. Honestly, it could be both cases for this one." the two nodded knowingly to each other.

"What does that mean?!" Macaque snapped, standing to try and pull and remove this rope from him, only to gag as it dragged him further rightward to follow after Wukong.

The Collectors followed, “Soulmates,” they summarized.

Macaque blinked, confusion flashing across his features before morphing instantly into indignation. “Soulmates? Are you out of your minds? Wukong and I?” He spat the name like it was poison. Such a thing would once thrill him. Perhaps even now it… still kind of did.

A soulmate was something rumored in the demon community. The thought of something so pure and wonderful was a dream he himself had when he was just a cub. But now, tainted by blood and betrayal, the very idea sent a shiver of revulsion coursing through him. It was horrible. It was impossible!

Something so sacred couldn’t possibly be. A soulmate came once. Not just in a lifetime. As the name implied, it was the one intended for your very soul. To find this person took more then luck.

Wukong was his soulmate??

Wukong was… his?

And he didn’t want you.

The thought made him seethe to avoid the pain that followed, “If that fool is my soulmate, then I’d rather be bound to the netherworld!” With every protest, the golden thread seemed to pulse brighter, almost as if responding to his anger. The more he wrestled against the bonds, both physical and ethereal, the stronger the connection felt. It tingled through him—a sensation that flickered between distaste and a kind of reluctant warmth. Ignoring it was becoming increasingly difficult.

"Well this doesn't often happen with mortals but well uh- demons are a little different." the smaller collector admits weakly, "Certainly makes our job harder, let me tell you. As a demon you live a long time, thus the connections you make are always stronger. Sometimes the magic of demons and their soul mates even mix together making a literal tether-" they gestured to the rope.

Macaque slowly looked down, his eyes flarring. NO.

No no no.

“What does this mean for me? Is there any way to remove this?" he couldn’t be Wukong’s soulmate. He couldn’t continue to be forever tied to that King- that jerk. The man who cared so little for him he would choose everyone else over him!

One of them shrugged, nonchalant to Macaque’s despair, "Soulmates are tricky? Honestly, maybe not until he moves on."

"Moves on??" Macaque repeated. "That doesn't- eleborate!" he barked, kicking his feet.

They held up their hands, "Chill! Chill man." they sigh. "Regrets, lingering desires, many of these things some people can let go once they come to terms with their death. A trip you never got to take, a hobby you never got around to trying- simple things that could easily be put aside. Love and soulmates, that is where it gets tricky. People could mourn all their life and never truly move on or let go of those they have lost. A person soul knows who they are destined to be with, and tend to have an issue with letting go."

Macaque's mouth felt dry. "What does that mean for me?" his mind was reeling, "Are you saying that until Wukong "lets me go" or whatever bullshit like that, I can't move on?"

The two stepped back out of Macaque's range when he tried to swipe at them, "Basically?" they offered sheepish smiles. "Same could be said for you. Sometimes those who are dead can't let go of the living people they are leaving behind.”

Macaque felt his face heat, quickly barking, “I have no issues letting that man go!”

They blinked once, then at each other, not believing him for a moment. “Rightttt.” they trail off. “Either way, usually this problem can be solves by the person eventually moving on, or... the person keeping the tether dies."

They all glanced at the very much immortal Monkey King. Macaque's eye brow twitched. He rushed over to Wukong, yelling, "Move on from me you son of a-!!”

The diyu collectors covered their ears as Macaque let out a long set of slurs.

"I wait and wait and wait- and you never had any problem letting me go before! Ditching me for years- and NOW suddenly you got an attachement issue?!"

He held onto the string attached to his waist, feeling it pull him in different directions like a puppet on a string. Peng had always made fun of him, asking if there was anything Wukong could do to break his grip over him. Well, murder sure felt like it should have done the trick!

So how was he possibly still tied to him??

….he knew how…. But he would rather not say.

Previous

[schoenpepper]

Just like the last anon I kinda do think that your writing and story for Ruggie SMAU was the one I liked the most. Do you think you can turn this into a fanfic? Like a continuation of what's happening in Ruggie's life after the death of his lover if you don't mind? 👀

When the Time After You Comes

Warnings: bad grammar, awful writing, not proofread, angst, major character death (you)

A/N: PSA I opened up a kofi haha it's on my bio. You don't need to tip, but if you like my work and have a dollar or two to spare, I do need to fix my phone :D Not opening comms tho just req if you want me to write anything kkk

Sunlight peeks through cottony white clouds and bathes Ruggie in all its too-bright glory. It’s nauseating, almost. The birds are chirping too loud and every face he encounters in a crowd looks to be smiling. It could be the truth. It could be his tired brain playing tricks on him—one can’t assume that a sleep deprived hyena hybrid would be very alert or active when the bags under his eyes are almost big enough to carry the takeout in his hands and his steps stagger to the point that the single red rose almost tethers over the plastic holding it in place. He’s not a pretty sight.

Oh, but you always are.

He’d asked his grandmother to take the time out of every Sunday to help clean your resting place, so even now—when it’s the first time he’s visited you in over a month—your headstone shines pristine as the day it was mounted. There are wilting flowers that he has to clear away, likely from your old friends in NRC, but he takes a seat on the grass beside you.

He can still see your smile.

“Sorry, I’ve been away forever, I know,” he places the rose atop the headstone, “I just…”

Ruggie sighs.

He ruffles a hand through his hair, fluffing up the brown and blond mess so that the locks stick up with his twitching ears. His tail taps rhythmically against the engraving of your name, as if the fur was gently caressing each and every letter. “I took up another job,” he moves to open the takeout box, “I need to pay off that loan. I know Leona’s not going to ask me ‘bout it anytime soon, and it’s a damn good deal that he’s not even taking any interest, but I can’t just sit by knowing even at your final moments I was still leeching off someone else.” Maybe it was a sick, twisted sort of possessiveness. He chose your coffin and the plot of land, and the flowers and the people at the funeral. Yet he couldn’t bring out a single dime because you would have despised that.

“I’d be dead and gone, but you would still need to live.”

You understood him. You knew he was just about ready to ignore his own wellbeing for you, and you convinced him his money would be better off feeding his family.

He could never win against you.

Ruggie stabs the flimsy plastic fork through the sauteed beef, almost breaking off the tines. It’s too salty. Not nearly as good as when you used to go to that restaurant with him.

“Maybe they skimped on quality control.”

His words hold no merit when he has to wipe the tears running down his chin.

“It’s soupy…”

After visiting, he needs to get to his part time job. Leona pays well, but Ruggie has so many things stacking against him that the world might as well be atop that list. He needs to pay for the money that the lion beastman had shelved out for your funeral. He needs to pay his own bills. He needs to pay to send the smarter kids to school. He needs to pay to keep his grandma on maintenance. In life and in death, the bills are haunting him.

Even the roses he gives every time he visits are expensive.

Red roses.

Not white lilies or whatever flowers the shops outside the cemetery are selling. He has such a different message to convey; he misses you, but most of all, he wants to express that the love he feels for you has not dimmed since the day you left. It still burns with a raging, passionate fire that allows him to keep going, keep moving, keep living and not just slump down in the back of some alley and wait to join you on the other side.

He cleans up the boxes and plastic cutlery.

He stands up, pats the dust off his pants, and looks at your name again.

It’s already carved into his soul.

“Please don’t be mad if I don’t come for another month,” he sighs, “you know I think about you every day. Just, when the finances get a bit better, alright? I’ll buy you a dozen roses in the fancy bouquets.”

For now, he’ll just have to leave you again.

Taglist:

@yummyyummyinmytumny @fsh1 @lemon-koii

[britcision]

I do also agree with OP, although I am gonna throw in a little reframing

TTRPGs and RPGs in general are games; they work based on chance and mechanics which tend not to change based on what would be narratively convenient, because the game doesn’t know what would be narratively convenient

(Notable exception: Abnimals, Travis McElroy’s game which explicitly includes a pool of My Time To Shine dice, which players can add to rolls they think are narratively important.

The dice still don’t care and will still dish you up all failures, but you do get to juice to improve your odds)

And what this means from a narrative perspective is that all the players and the GM need to be ready for big moments to go wrong. For the vital roll to fail, for the wrong character to get the last hit on a BBEG, for a dramatic and impassioned speech to fall flat

And that’s especially a challenge in a short campaign or series of oneshots, where you can’t necessarily just extend and expand the story until the Grand Finale is actually just a Big Character Moment

But it is still a big character moment

As the McElroy’s say… a failure is more interesting than a success

A failure adds free depth, free angst if you’re lucky!

Because… is anyone actually upset and unsatisfied if the story goes too well? If you succeed in a place where a failure might have been more exciting and dramatic?

The key is the kind of story the players (especially western players) are expecting to tell, and will find satisfying… because again, these are games

We go into them expecting or at least intending to win

This means various things for different games, you don’t play Call of Cthulhu for a happy feel good ending where everyone rolls off into the sunset, but you still want to win

It’s a lot more likely for people to feel it was a narratively satisfying story once they’ve gotten the end they wanted, even if some areas fell flat

And trust me, it’s something my players very much also struggle with; it feels bad when we fail something we wanted to succeed on. It feels worse if we built it up to be a big narrative moment… and it doesn’t work

But that is still a big narrative moment

If you’re going to play a game, where chance and mechanics decide the fate of all your dramatic moments, you need to be prepared to tell at least two stories:

- One where it all goes well

- One where it fails

(Maybe one more for a natural 20 equivalent and the stars quake at your passing)

It is hard to lean into failure, but when we do it… what would have been an unsatisfying ending is now just another twist. Free depth and character development, something to wallow in

And we know that those types of stories, even ones where everything goes wrong and the heroes lose, can be so very satisfying

Just look at the prevalence of whump and hurt-no-comfort on AO3

It’s normal and expected to feel bad and dissatisfied when the story doesn’t go the way you wanted it to, but it is your choice to leave that story as something unsatisfying and feeling bad about it

Every unexpected failure is another microwave to toss your blorbo in

Every moment that falls even a little flat is an opportunity for a genre-savvy quip, for a “well that just happened”, for someone to fall to their knees and scream and re-amp the tension

The key is in the player’s flexibility, not the game’s

Even if you are doing a short campaign… you can imply the rest. Let the story not be over, even if your time playing it is.

Let the beaten heroes be ground underfoot, crawl away from the dungeon, have to work and suffer but grit their teeth and know… so long as they’re alive, they can try again

They can have their revenge

(And then you can run the campaign again later, maybe with the same characters a level or two higher than you started last time, and thrive on the new dark and bitter story)

Or let your past characters be an inspiration, either for friends and loved ones who come to avenge them, or to the new heroes who heard their story and heard they failed, but that’s no reason not to try

Prev is also so right about a lot of modern dnd basically expecting the DM to tell a mildly interactive story live to passive players; it’s definitely one a lot of my players came in with, and it’s part of the problem

To tell a narratively satisfying story, you cannot just passively go along and expect the dice rolls to conform to your narrative

You need to actively engage, embrace the rolls as crossroads in the path of destiny, and be prepared to build the narrative no matter which path you take

You don’t go in expecting the right results at the right time to make a satisfying story; you go in knowing where the key moments will be, and what will happen if you succeed or fail

I have told my players several times, and I’ll tell y’all until I die:

I as the DM am not telling the story

I the DM have made the world, the NPCs, the background and setting of events

You the players are telling the stories of your characters, in that setting

There is an overarching plot that the party as a whole will also be telling the story of together… but not only are the players the ones who pick the theme music, you’re the ones who chose the main characters

There’s a reason a prefab campaign will be different for every group that plays it, even with the same GM

Even if you have no idea what’s coming next in the main storyline, you need to know what is coming next for your character

How you want them to grow, what you want them to learn - and then any unfortunate rolls aren’t a let down or a problem, it’s an opportunity.

Sakura has to learn something important about herself and others before she can ever collect a card - which means something usually goes wrong

She tries and fails, and then looks at that failure and learns from it and grows as a person, and that’s what makes the narrative satisfying

Sticking your feet in and sulking if the game mechanics don’t follow the narrative you want will make an unsatisfying story no matter what game you play

Gleefully and enthusiastically stuffing your blorbo into the blender of fate, hitting Purée, and turning every stumble off the narrative path into its own adventure will give you a much deeper, more compelling, more complete story than you might have expected…

But that’s the fun part

The truest mechanism of an RPG or TTRPG has nothing to do what is written into the rules of the game

It’s your own skill at improv, and if you’ve ever been even remotely stage shy, avoided drama class, or thought improv was hard, let me reassure you:

Improv comedy is not the only improv. You don’t have to be funny

And it’s a lot easier than you might think

So long as you know your character, actually really know them beyond the backstory you created… so long as you take the time to think “well what do they do when things go wrong? What would they give to get what they want? What would it take to force them to do the things they’d never do?”

You can bullshit through basically any situation

Because there’s no rule against playing ahead in your mind

Daydream your character into any situation you think might come up, write the fanfiction version of the perfect narrative in your head, and then do the tragic version. Do the slapstick version. The gritty noire version

Because the greatest secret of improv and playing your own character is that you will never be wrong

Only you define success or failure

So long as you know and understand your characters and can be flexible with the mechanics and the story, you can always build a satisfying narrative

This is a lot more work than just being reactive and expecting the GM to tell a story for you, and just rolling dice and “hit big monster” when prompted

That’s what makes the story actually satisfying though; taking ownership of it yourself

The game belongs to the designers

The story belongs to the players, GM and PC alike

There's this idea floating around the general TTRPG space that's kind of hard to put one's finger on which I think is best articulated as "the purpose of an RPG is to produce a conventionally shaped satisfying narrative," and in this context I mean RPG as not just the game as it exists in the book but the act of play itself.

And this isn't exactly a new thing: since time immemorial people have tried to force TTRPGs to produce traditional narratives for them, often to be disappointed. I also feel this was behind a lot of the discussion that emerged from the Forge and that informed the first "narrativist" RPGs (I'm only using the word here as a shorthand: I don't think the GNS taxonomy is very useful as more than a shibboleth): that at least for some TTRPGs the creation of a story was the primary goal (heck, some of them even called themselves Storytelling games), but since those games when played as written actually ended up resisting narrative convention they were on some level dysfunctional for that purpose.

There's some truth to this but also a lot of nuance: when you get down to the roots of the hobby, the purpose of a game of D&D wasn't the production of a narrative. It was to imagine a guy and put that guy in situations, as primarily a game that challenged the player. The production of a narrative was secondary and entirely emergent.

But in the eighties you basically get the first generation of players without the background from wargames, whose impressions of RPGs aren't colored by the assumption that "it's kind of like a wargame but you only control one guy." And you start getting lots of RPGs, some of which specifically try to model specific types of stories. But because the medium is still new the tools used to achieve those stories are sometimes inelegant (even though people see the potential for telling lots of stories using the medium, they are still largely letting their designs be informed by the "wargame where you only control one guy" types of game) and players and designers alike start to realize that these systems need a bit of help to nudge the games in the direction of a satisfying narrative. Games start having lots of advice not only from the point of view of the administrative point of view of refereeing a game, but also from the point of view of treating the GM as a storyteller whose purpose is to sometimes give the rules a bit of a nudge to make the story go a certain way. What you ultimately get is Vampire: the Masquerade, which while a paradigm shift for its time is still ultimately a D&D ass game that wants to be used for the sake of telling a conventional narrative, so you get a lot of explicit advice to ignore the systems when they don't produce a satisfying story.

Anyway, the point is that in some games the production of a satisfying narrative isn't a primary design goal even when the game itself tries to portray itself as such.

But what you also get is this idea that since the production of a satisfying narrative is seen as the goal of these games (even though it isn't necessarily so), if a game (as in the act of play) doesn't produce a satisfying narrative, then the game itself must be somehow dysfunctional.

A lot of people are willing to blame this on players: the GM isn't doing enough work, a good GM can tell a good story with any system, your players aren't engaging with the game properly, your players are bad if they don't see the point in telling a greater story. When the real culprit might actually be the game system itself, or rather a misalignment between the group's desired fiction and the type of fiction that the game produces. And when players end up misidentifying what is actually an issue their group has with the system as a player issue, you end up with unhappy players fighting against the type of narrative the game itself wants to tell.

I don't think an RPG is dysfunctional even if it doesn't produce a conventionally shaped, satisfying narrative, because while I do think the act of play inevitably ends up creating an emergent narrative, that emergent narrative conforming to conventions of storytelling isn't always the primary goal of play. Conversely, a game whose systems have been built to facilitate the production of a narrative that conforms to conventions of storytelling or emulates some genre well is also hella good. But regardless, there's a lot to be said for playing games the way the games themselves present themselves as.

Your traditional challenge-based dungeon game might not produce a conventionally satisfying narrative and that's okay and it's not your or any of your players' fault. The production of a conventionally satisfying narrative as an emergent function of play was never a design goal when that challenge-based dungeon game was being made.

[boltdrake]

Ok about moral greyness in elden ring fandom

I feel like it’s mostly treated as either some kind of badass cosmetics for a GoodGuy (like “my blorbo is cool and good and kind but you know they kill people - bad people, so it’s not bad but it’s not also your Jesus guy which is normal bc who would give their second cheek”) or some kind of euphemism used by bad/problematic/pseudo intellectual people to erase morality

I’m bad problematic pseudo intellectual person so take my opinion with grain of salt, but I think it’s a great misunderstanding or what a morally grey character is in ER especially

It’s usually based on the that understanding of goodness that to be good you just need to do good things and don’t do bad things (which is of course extremely vague and not defined but anyways). It’s seems pretty straightforward and because of that brings a lot of confusion

It’s quite easy for a character to be GoodGood (even with murders but I digress), you can see it in many fix-it fanworks where often every trouble finds its own, well, fixing, and there’s always a way to set things right, maybe just with some sad deaths along the way, but characters often will find this correct way because in these universes there’s always at least one

(It’s not a rant on fanfiction I like it and I like fix-its very VERY much)

And when same logic is applied to the game itself, often arises treatment of characters as GoodGood, MisleadedGood and BadBad ones

But in the stories we see in Elden Ring context is usually such that when a character wants to get something, even something good, like for example make people live forever or cure their own sister, there’s sometimes no way of resolving their trouble without facing some kind of moral choice, even if you’re a literal half-god. You either get what you want with a price, or don’t get it… also with a price. Because fromsoftware stories are build on conflict, tragedy and irony

That’s what makes character grey, the fact there’s no third option or that you don’t have third option just because world is that way and you’re unlucky. And not choosing to get what you want can be as bad as choosing opposite. And that’s what usually makes situation complex and twisted and inherently grey

I don’t want to say that like every person in fandom should treat all the characters as mostly good ones without making some way less sympathetic than others. Making characters twisted and horrible is fun! I’m just tired of the way how people 1) don’t realise there’s often HUGE room for interpretation and make it problem of others 2) hate characters with such a passion as they were real humans who live in your neighbourhood on planet earth 2024 3) sanitise characters into strictly Good and Bad ones etc etc etc

My whole vent on Miquella’s hatebase is in fact divided into two parts, one being me thinking many people just lack understanding of the DLC/base game ideas and plot, but that’s ok we all have different opinions (I’m just the only one who is correct. LIVE WITH THAT.), and second being that vague ??rudeness?? and hatred which accompanies division on Morally Good and Morally Bad, because there’s this subtle idea like. Oh if you like Godrick/Rykard/Post-DLC Miquella / Seluvis then you’re moral pervert/ lover of Dark. Which is rarely true and really annoys me

I also have no trouble with GoodGood characters being GoodGood because, well. it’s comforting and cozy stuff. But often it turns into token of moral superiority, like look I love GoodGood guy because I’m good too and also not stupid. This is also annoying and I wish we had less of this in fandom.

It’s often also a lie to oneself, because even if we approach elden ring from I Can Simp Only Morally Pure ones (which is very boring and butchers the whole thing in my opinion) then we would probably be left with only Boc, Hewg and maybe Roderika. What do you mean you want to simp LITERAL murderers?? What do you mean you want to simp those assholes demigods who think that people are just dolls for their games, who turned the land into land of the dead because they just couldn’t stop war after war after war to decide who will make new order? What do you mean you want to simp the demigod who quit the war to do literally nothing to stop it???? CRINGE

Also GoodGood character headcanon making without self-awareness often results in very weird moral twists of its own, because in this logic character is allowed to make only GoodGood decisions, therefore all the stuff character made in canon MUST be good and morally justified. This leads to something like Marika fans writing essays on the topic You Can In Fact Deserve Genocide

Enough for today have a good day fellow dlc lovers 💪

Upd posted this on main by accident got jumpscared it’s so hard to copy past on mobile for some reason. No edgy on main I promised!!

[miraculouslbcnreactions]

Is there a reason Marinette’s lying to Adrien about Gabriel doesn’t make sense to you from a character-standpoint? She’s lied a fair bit in the show for reasons other than keeping her identity or crush on Adrien a secret, and her love for Adrien has consistently created a blind spot for her in terms of her “general” morals/behavior.

Is there something more specific to Marinette’s pattern of behavior that indicates how her lying about Gabe would be OOC, or is the lie something you believe Canon!Marinette should recognize as too egregious to take part in?

(The closest alternative explanation I’ve seen thus far is that she shouldn’t have any reason to lie for Gabe because they share zero good will, but if we interpret it as lying for Adrien, then I’m not sure if that explanation fits.)

I have, admittedly, not gone through the show and tracked every lie that Marinette has ever told to see if I can weave together a pattern that backs Marinette's behavior at the end of season five. It's possible that there's a lie that I'm forgetting that would totally change my stance and, if you think that's the case, then feel free to respond to this with a comment or an ask on that topic! My "this is BS" stance is based on the overall story of the show and the ways that I've seen people try to justify the season five lies as those are the arguments that I've thought through and found lacking.

We'll start by discussing the two lies people use to try to back Marinette's behavior at the end of season five: the scarf and Chat Blanc. Then I'll talk about the story's lead up to the season five lies and why it makes for a horribly unsatisfying story in my eyes. If someone gave this to me, I'd be suggesting some major edits to make it work on a technical level.

The Scarf

For those who don't remember, the season one episode The Bubbler sees Marinette make Adrien a scarf for his birthday. She drops the scarf off at the Agreste mansion with a note for Adrien and the hope that this will get him to finally notice her. Nathalie then takes the scarf and uses it as a gift from Gabriel instead. Marinette learns about this during this exchange at the very end of the episode:

Alya: Yo, nice scarf, Adrien. Off the chain. Adrien: Yeah, can you believe my dad got this for me? (Marinette looks surprised) it's so awesome. He's been giving me the same lame pen for three years in a row.... Alya:(to Marinette) You gotta tell him you were the one who knitted the scarf. Marinette: But he seems so happy about his dad. I don't want to spoil it for him. Alya: Aw, Marinette. (they hug.) You're amazing, girl. You know that, right? And someday Adrien will figure it out too. Promise.

I can see why someone would look at this and call it a setup for the end of season five. There are some parallels here. The problem is that there are a lot of massive differences, too. Differences that make this a really crappy setup:

Marinette does not lie in this scene. She simply overhears a lie and doesn't correct it. Remove her and Alya from the scene and nothing changes. The lie still exists. Meanwhile, without Marinette, the season five lies would never have come to be.

Marinette knows about the scarf lie for about a minute on screen. She hears about it and tells Alya to let it go within the same scene. That's a gut reaction, not a carefully planned and considered deceit. Once again, wildly different from what season five gives us.

Adrien and Marinette aren't shown to be close friends in season one. They rarely talk to the point that I didn't even know that they were supposed to be friends until we got to Origins. That complicates correcting the scarf lie. How does Marinette approach a random classmate and explain a situation that she doesn't even fully understand herself? That's very different from Ladybug telling a lie to a civilian or Marinette lying to her boyfriend.

Season one Marinette has no idea how messed up Adrien's home life is. All she knows is that Adrien liked her gift, but that he thinks it came from a different person. She doesn't even know that a lie was involved in this confusion! As far as she's aware, this could just be a minor misunderstanding that she'd rather let go because does it really matter who the gift is from? This is extra true because the scarf never comes up again, meaning that this is not an ongoing or damaging lie as far as canon is concerned.

That last point and the issue of Marinette never actually telling the lie herself are probably the biggest points in Marinette's favor. If Adrien wore the scarf all the time and used it as a comfort when he was fighting with his dad, then you'd have a solid case for Marinette needing to say something because the lie is arguably doing actual harm. This is especially true if you let Adrien say things like, "I wear this to remember that my father loves me," to Marinette. But that's not what canon did.

As far as canon is concerned, the scarf lie exists for all of a minute. A minute in which Adrien expresses delight in the gift, but gives it very tepid weight in terms of what it means for his relationship with his father. (Adrien's room is full of nice gifts, I don't think a scarf was going to make-or-break their relationship.) After that, the scarf never comes up again, meaning that Marinette's gut reaction to not immediately destroy Adrien's happiness is all we get. That's hardly a great setup for her being the source of massive ongoing lies about Adrien's personhood and the truth of his father's abuse.

I'll also remind you that this all happened at the very start of the show. The Bubbler is one of the first episodes people see. If this is your best argument for Marinette's behavior five seasons later, then we have a major writing problem on our hands. You should not have to dig back to the very start of the show to justify a major character beat like this. There should be more relevant material. We'll circle back to that problem in a minute. First let's quickly touch on lie two and why it also falls flat.

Chat Blanc

Another thing people point to as foreshadowing for the season five lies is the fact that Ladybug kept Chat Blanc from Chat Noir and, if Chat Blanc was actually affecting her, then I would agree with this take. However, that doesn't seem to be the case. The official story is that Ladybug's actions in season four had nothing to do with Chat Blanc. It was just guardian stress! If that's true, then I don't think she should tell Chat Noir about Chat Blanc.

Why?

Since when do we tell people about all the awful things they did while they were akumatized? There's no point to that. It's cruel. Do you think that Ladybug also needs to walk him through everything he did while under the control of various akumas like Dark Cupid? If no, then how is Chat Blanc any different? What's the value in telling Chat Noir the gory details of what will happen if he ever has a moment of weakness and becomes akumatized? He already knows that it will be bad! Why tell him exactly how bad it will be? I can't come up with a single good canonical reason.

Ladybug has no idea what caused Chat Blanc, so she can't warn Chat Noir what he needs to avoid. You can't even use the "he should know about Bunnyx" argument because that wasn't Bunnyx's debut. Canonically speaking, the only reason that Ladybug should talk to Chat Noir about Chat Blanc or any other bad thing that he's done while under the power of an akuma is if it's effecting her or their partnership and it's apparently not! That's why Marinette never reacts to Chat Noir getting a white makeover (see: the Paris special & Jubilation) and why Chat Blanc is never discussed in the show outside of that one brief nightmare callback in Sentibubbler.

To be clear, I think that's an asinine choice as Chat Blanc's memory hurting Ladynoir would have been semi-decent foreshadowing for the season five lies, but the writers decided to go another route. They also let Chat Blanc haunt Adrien even though he doesn't know about it, which I don't even know how to dissect because it's such terrible writing! If you don't know what I'm talking about, this is the official explanation for why Adrien couldn't make it to the final fight. The reason for the white-and-blue Chat Noir that haunted his nightmares:

Mélanie says that he "could become Chat Blanc" and the others add that even though he does not remember and has never lived it, Chat Blanc still has an influence on his actions.

Quality writing here folks. Quality writing. At the very least have season five Adrien be freaked out about the fact that he cataclysmed a human! That would make this make at least a little sense, but we don't get that. Instead we get Adrien almost cataclysming several akumas like it's no big deal while having nightmares about a thing he's never even been told about (see: Derision and Jubilation and probably other's I'm forgetting.)

The Events of Season Four and Five

As you can hopefully see, we don't have a great, ongoing pre-end-of-season-five lie to point to as proof that Marinette would decide to tell the massive lies that she does. That's a pretty big writing flaw, but it's not a show stopper. A lie like this could still fit her character if the story sets it up right.

The problem is that the story doesn't do that. It actually sets Marinette up to be primed to want to tell the truth.

For all Miraculous' nonsensical and wacky writing, the season five lie still comes at the end of two seasons with relatively clear messages. Those messages were to trust others and avoid lies. Let me show you what I mean.

While season four's writing is an absolute disaster, we cannot ignore the fact that the stated lesson in Strikeback is that Marinette learned to trust others, give up control, and stop lying:

Ladybug: Why don't you just give up on me? I've lost ALL the Miraculous! I'm the worst Guardian EVER! I wanted to control everything, I didn't listen to you, I lied to you, I kept you at a distance! Every time you offered me a helping hand, I never took it! I really made a mess of EVERYTHING! (continues sobbing)

This is what Marinette says to Chat Noir directly after losing the Kwamis. This is the lesson that she supposedly learned. The end note of the season. The word of god meant to be internalized by children everywhere. The show even goes so far as to have Ladybug give Chat Noir more responsibility in the first episode of season five (Evolution):

Cat Noir: Catch, m'lady! (throws the Rabbit Miraculous at Ladybug and she catches it) Only the holder of the Rabbit Miraculous can open a time portal. Ladybug: (contemplates shortly then places the Rabbit Miraculous on his chest, smiling) You do it, kitty. Cat Noir: You want me to control time? Ladybug: It's you and me, remember?

Really driving home this idea that Ladybug is going to be more trusting and open with others moving forward.

The meat of season five sees Marinette and Adrien start dating. During this arc, Marinette learns to be more open with her feelings around Adrien while also being confronted with the reality of just how messed up Adrien's home life is. Marinette and Gabriel clash with each other over Adrien with Marinette fighting for Adrien's freedom and Gabriel trying to control everything:

Gabriel: I don't think you understand, child, so let me put things differently. Life is like fashion. You think you have a choice, but all you have is the illusion of choice. And I decide what choices are given to you. Marinette: You're wrong! (Shows Gabriel her sketchbook.) Fashion is about listening to people, it's about understanding who they are, what excites them and creating the clothes that will help them express their inner world. Help them connect with others and make their dreams come true.

This conflict means that Marinette and Gabriel do not have a single positive interaction in the entire season outside of maybe the final. We also see Adrien defy his father more than ever before. This is not the kind of setup you write if you want Marinette to tell Adrien that his father was a hero. Why in the world would she think that he'd want to be told that kind of lie? Why would he even buy it after all of the things that Gabriel has done? The final literally sees Adrien locked in a padded prison cell!!! Writers, what are you doing??? Why did you write this???

There's also the fact that season five has a major theme of lies = bad. It's the season where Lila's lies are finally outed, but only after they almost cost Marinette's friends their futures. For those who need a reminder: Lila tried to mess with the forms that stated where everyone wanted to go for lycée and would have succeeded in pulling off that harm and blaming it on Marinette were it not for the lies being outed.

On top of that, we also see Adrien keeping the plan to ship him off to London from Marinette, ending in this exchange:

Marinette: (on the video call) Adrien! Adrien: (voice breaking; in tears) Marinette, I should've told you sooner, but... up until the last minute, I thought I'd find a solution. I tried everything, I swear. Marinette: (on the video call) Adrien, what's... what's going on? Adrien: I have to leave Paris. (his voice breaks) I'm not worthy of your love. I feel terrible for hurting you.

Adrien kept the truth from Marinette to try to keep her from being hurt and ended up hurting her more than he otherwise would have because they don't even get a proper goodbye.

None of this is a solid setup for Marinette turning around and lying to Adrien about his father. Why would she do that after all of the harm lies and Gabriel caused in season five? Between this and season four, she has not been setup to want to lie to Adrien. Season five needs massive rewrites to make that choice work! (Note: I have yet to see the London special, but based on everything I've heard, I think it's just going to cement my annoyance at Marinette's wishy-washy writing by continuing to ignore the plot of the seasons leading up to the final and the special.)

Final Thoughts

I don't think that Marinette lying to Adrien about his dad is a terrible idea. It's a believable struggle! It just doesn't fit her character's journey. They've failed to have her tell that type of lie before and they had her tell this lie after two seasons where the main lessons were how much lies have hurt her and the people that she loves. If she hasn't gotten the message that you shouldn't lie by now, then when exactly is she going to learn it? It's incredibly hard for me to get invested in characters that aren't allowed to grow and learn from their mistakes and Miraculous has made it abundantly clear that it will not let these characters grow if growth messes with the plot that the writers want to tell.

I will openly admit that I think that Marinette's lie was a last minute retcon to make there be a cliffhanger to season six, but let's ignore that and give a quick three-point plan of how you could make this ending work:

Really lean into the negative consequences of people knowing the truth about things. Nino knowing Alya's identity outing Alya. Luka getting shipped off to Brazil. Make the truth hurt Marinette at every turn. Basically remove all lies = bad consequences and have Ladybug see losing the miraculous be the result of trusting others because she trusted "Adrien" and lost, leading her to keep pushing people away

Don't let Lila be outed. Have Lila be a good president and make that part of her big plan for the next season.

Have Gabriel and Marinette get along. Gabriel has said that Adrien is like Emilie, let Gabriel see himself in Marinette, leading Gabriel to trust Marinette to be Adrien's support should the worst happen. Let the final fight be a heartbreaking moment between two people who have an actual relationship built around loving Adrien. Have Adrien going to London be a "convenient" trip to get him out of the way on the day of the evil plot and not a prison sentence so that Gabriel doesn't look cartoonishly evil. Make it feel like he cares! Sell the redemption!

Do that and, yeah, I'd buy Marinette's choice even without setup lies because you don't need setup lies! Setup lies don't matter anywhere near as much as selling this lie and the writers simply didn't do that. I don't believe for a second that Marinette would lie for Gabriel or think that this was what Adrien wanted based on the relationship season five gave us for those three characters. It is so glaringly obvious that this is nothing more than a stalling tactic that has nothing to do with Marinette's character and everything to do with the show's rule that "there must always be a secret between Adrien and Marinette." I genuinely struggle to understand how anyone sees it as anything else.

[drawnfamiliarfaces]

Hiya! I was curious, in the HoM AU, what worlds do each of them share, if at all? For example, we know Rex and Ben are from different worlds thanks to the crossover, and likewise that means Zak Saturday is from Ben’s universe, but what others? Is Rex the only other dimensional member of the group or…?

Sorry if this has been asked before, or if you’ve clarified. I’m just curious since in your Jenny and Ben post, you implied that those two exist in the same world, so I wondered if there were any others.

Love the way you draw Rex, btw! I actually have your piece of Ben and Rex sleeping on the couch as my phone home screen. So ye!

Oh, don't be sorry! I uuuuuu yeah I just realized that I never actually specified about the world, I guess? 😌

But, yes, basically all of them share a universe! With exception of Rex, lol. He is a tourist, so to say. xD

So, I guess this AU is technically not a Crossover AU, but more of a Fusion Universe where they exist in one world? Honestly, when I first conceptualized the idea in my mind, it made more sense to me just to make them exist in one world. Since besides Ben and Zak canonically sharing the universe, Kim and Jake share one too, thanks to Lilo&Stitch crossover episodes. It made it easier and more interesting to me personally to figure out how to fit others together into one world, and also gave much more interesting opportunities for complicated relationship builts (like with Jenny and Ben).

Honestly while I like AUs where people cross universes and meet each other in silly adventures, I wanted more of a universe where I can explore the consequences of so many exceptional people existing in one world, if that makes sense? <;D

Rex is a special case, if only because of his canon story. It would have been almost impossible to incorporate the Nanite event into the others world and make it feel organic and make it make sense. Rex's canon story is almost perfect TBH and I didn't want to cheapen it by changing it too much. I've seen a few AUs where creators incorporated the Nanite Event into one world, but I ngl I never particularly? Enjoyed it very much. So I just took the crossover episode and run with it. ;) It would be revealed in more details in the story about why and how exactly Rex found himself in other's universe and the consequences of it, and i know it probably won't make sense to everyone, but i hope to at least make it fun and interesting!

And Awww thank you! <3 I'm flattered that you liked it so much, hehe~ And that you enjoy how I draw Rex! (he is actually one of my biggest concerns design wise, because i hardly changed/made him more interesting, but it is relieving to know that people like him nevertheless ;3)

[di-42]

Adding what have recently become my go-to comfort fics:

The Bookseller And The Garden, rated T, 13k

Fluff, fluff, fluff! Canon divergent fiction where Crowley is a demon stationed on earth, Aziraphale is an angel stationed on earth, but they have never met until present day. There's no end of the world in sight, only an angel and a demon falling in love and not knowing how to break it to the other that they're not human. I laughed all the way through.

The Anon Before Christmas, rated E, 66k

Ah. Where to begin. Every now and then, you read a fiction that just makes you feel at home. Makes you feel like you’re in safe hands. Like you’re in for a real treat. This absolute gem has very quickly become my favourite human AU. For several reasons.  The characterisation of the two main characters is absolutely spot on. I could hear Crowley talking in DT’s Crowley voice and see him moving in DT’s Crowley way, and I could hear Aziraphale talking in MS’s Aziraphale voice and see him moving in MS’s Aziraphale way. The pace of the development of their relationship from enemies to lovers is just perfect. It’s told from Crowley’s POV and you can see how his perspective changes as the story progresses, but the writer is so good that Aziraphale’s change of perspective shows perfectly through Crowley’s POV too. The array of side characters is so good that it actually pains me to call them side characters. I wrote in one of my comments to the fiction that I will forever adore this story’s Bee, and I meant it, but Newt and Ana are equally fantastic (and I loved the other cameos too!). Also, and this is especially important to me, this story is as much a love story between Crowley and Aziraphale as it is a story of true friendship among all the characters. They look after each other, they have each other’s back, they support each other. I am so lucky and privileged to be able to see myself represented in that aspect of the story. Last but not least, this fiction doesn't overstay its welcome one bit. You are happy about how everyone ended up, but still could read more. It’s like you are part of the gang and want to know what your friends are up to. Everything in this story was perfect. I realise I haven’t mentioned what the plot is about, but hopefully by now you might want to find out for yourself!

Wrong Turn, rated T, 37k

Honestly, I don't know why this fiction touched me so much. I just couldn't stop thinking about it for days after I finished it. It's a post season 1 fiction where Crowley suddenly finds himself in a parallel universe at the time the apocalypse is just about to happen. The Crowley and Aziraphale in that universe have a different history to our Crowley and Aziraphale. All our Crowley wants to do is to go back to his universe and his very own angel, but how? As you follow the main plot and focus on Crowley's thoughts and actions, you'll start slowly feeling the other story get hold of you, and it won't let go until the very end and beyond.

Happiness, More Or Less, rated M, 21k

If you read only one story out of this list, make it this one. This human AU moved me so very much I cried. Crowley moves into his new flat in Soho, only to discover the flat in haunted by the ghost of the owner of the bookshop downstairs. I won't tell anything else about the plot other than it does have a very sweet happy ending, and it gets there via a rollercoaster of emotions. This is really one of those fictions that leave me in awe of the fandom's talent and creativity. Read it, read it, read it!

Wavelengths & Frequencies, WIP, rated E, chapters 14/?

If you feel like you're going through one of those phases where you need to curl up on a sofa with a cup of hot chocolate and something good to read, something safe and reassuring, then this fantastic fiction is for you. It's a human AU enemies-to-lovers fiction where Aziraphale and Crowley can't stand each other, but work for the same media corporation as radio DJs and have to attend charity events together. The characterisation is spot on and the humour great. And what an incredible soundtrack! I honestly can't tell you how happy each notification of a new chapter of this story makes me!

Plus my own one shots:

Angel! Angel! They're At It Again! Rated M, 5k

It's the year 2030. The world never ended. Aziraphale and Crowley are living happily and safely together as a married couple. Everything would be well, if it wasn't that lately Aziraphale has been a bit busy. A bit distracted. Now, Crowley can't have that, can he? He seeks the advice of his girlfriends, who unwittingly give him an idea on how to liven up his marriage.

A fluffy story about how we get to a certain cottage.

In Vino Ludus, rated E, 3k

It's the year 2030. Crowley comes to the bookshop drunk, and Aziraphale can finally put all those years of eye-rolling practice to good use.

An as of yet canon divergent fluffy night in the life of an angel and a demon.

Do you have any go to Good Omens comfort fics?

i got u ❤️

stockholm’s other syndrome (T, 5k): aziraphale lets himself get ‘kidnapped’ by a demon. very cute and romcommy

sit tight take hold (E, 150k): formula 1 au that got me totally into f1 while i am not even a car person. the type of au that becomes its own thing and you love escaping to it again

where a canvas blooms (T, 3k): cuddle arrangement au with SUCH gorgeous art too it’ll make you feel so warm inside

manual handling (E, 8k): massage fic. ummm can an e rated fic be a comfort fic? sure why not. definite rereading material so

let me care for you (M, 1.7k) literal comfort — crowley gets cared for

big name feelings (E, 103k): fandom au and SO well done including the art. i followed this while it posted and it was so exciting

the gift (T, 3k): short & sweet they talk about the elephant in the room

my mind holds the key (T, 3k): aziraphale wants to know who the ‘best friend’ was that crowley supposedly lost. superbly written

one night in bangor (E, 17k): a classic and great on every reread. there’s a heaven-hell mixer and omg…. the careful, exciting, fluttering flirtation

slow show (E, 95k): i know i know it’s such an obvious one to rec bc it’s so famous but genuinely one of thee best fics and a lovely reread each time. actors au

empirical study on the principles of snake care (T, 2k): sorry to be that guy but sometimes i reread my own fics and i laugh with the little jokes bc i’ve forgotten them. aziraphale tries out some snake care tips on crowley

as always: begging people to add (self) recs to this post because i’d love to know what people’s comfort fics are. please share the joy

[theweepingangelofcas]

Eat The Rich, Feed Them to the Cats - Moriarty Bros x Reader

Anyone else in the USA having a crisis? Me too! Let's all maladaptive daydream together that our sweet dear Sherlock boys are with us, on our side.

Title is inspired by a fav nonprofit cat shelter of mine, Wonky Hearts Animal Haven. Please go check them out. They have stories that are truly so heartwarming and uplifting, it's a great distraction.

(No, I do not believe all men are bad. I myself have a male fiance whom I love and trust very much. But the election has left me feeling helpless and scared, as though my rights or my body don't matter. I'm writing this to vent. I respect if your political opinions are different than me, but I ask that you do not attack me in the comments, my dm's, etc)

******************

William Moriarty

You two had been together for years now, since you two were teenagers. You've shared everything. Hopes, dreams, ideals... So when he saw someone try to harass you simply because of your gender? That won't do.

"Oi! Pretty broad!"

The random man's words did little to phase you. You didn't even speed up your footsteps. But your dear William stopped in his tracks.

Oh, yes, that's right. No one had ever been stupid enough to cat call you with him around before.

"Y/N..." his gaze had turned to the man, unblinking, "Did you not hear what that man just so crudely yelled at you?"

You shrugged, stopping in your tracks to try and let him catch up to you. He didn't dare move.

"It's nothing, William. Happens all the time to us ladies."

If you didn't know better, you'd say his eye just twitched.

"Is that so? And here I was, thinking it was mostly noblemen who were the rotten part of our society."

He smiled then. Like his mind wasn't 100% alongside you anymore.

His cane left the ground, being weilded in both hands almost like a baseball bat.

Or, more accurately, perhaps he was holding it like a mace.

It was safe to say, no man went within a few dozen meters of you for quite some time after that. After all, you always had your dear William with you now.

Louis Moriarty

Oh, did you think William would be protective?

Ha!

Louis is SO MUCH WORSE

To be completely fair, he was already practically a guard dog for both you and William. You had been engaged to him for a few months, and each passing day he just wanted to spend more time by your side.

This was how he found out how truly awful some men could be.

You two had boarded a train back to Durham, coming back from a lunch date together. You two had managed to score a semi-private spot in the lunch car, meaning that he could hold you without too much fuss from the rest of society. One hand was in yours, the other wrapped around your waist. You had both ordered drinks, his a sophisticated Earl Grey tea, yours a refreshing seltzer water. That was when your waiter came back up to you both.

"Sir, I know this is quite uncouth of me to say, but the gentleman a few seats down won't stop staring at your lady friend there." He gestured to you, specifically your chest, and you seemed to shrink into your seat instantly.

Louis scowled, "Thank you for informing me. You're dismissed, good sir."

The waiter stepped away, and Louis's grip on you got tighter.

"It's fine, darling. You mustn't fret." You tried to comfort him, but his scowl only deepened.

"I will fret." He turned his head, catching eyes with a man a few booths down. He did, indeed, seem to be staring at you. "And I'm going to teach him to respect others, or die trying."

You saw Louis stand, and approach the man in a terrifying calmness. He shook his hand, and gestured for him to follow him.

If you happened to see a person-shaped figure get thrown out of the train that day, no one has to know.

Albert Moriarty

He understands deep, seething rage. He dealt with it much when he was younger. So he understands that the best way to deal with it, is to take care of it yourself.

Normally, women weren't allowed into a prestigious college. But Albert, with his power and wealth, managed to convince the school that having one woman among its ranks wouldn't hurt. Hence, you being halfway through a science and medicine degree. Albert supported you all the way through. Your husband truly was a lovely, understanding man.

"It was fascinating, my love!" Your eyes lit up as you opened your textbook to that day's lesson, "We learned about the chambers of the heart, and all the illnesses and diseases that can correlate to it's health. Isn't that so cool!"

His smile widened at seeing you happy, "It certainly is, my dear. Do go on, teach me more about it."

You nodded, eyes bright, about to keep talking before-

"I'm sure anything is fascinating to a woman. But can she even understand it? Why, she should be at home, not trying to educate herself on something she could never possibly understand."

A man had approached you both. His smug grin was enough to dampen your joy immediately.

Albert blinked, his expression blank, before turning his head back to you, "My dear, would you like my walking stick, or do you want to use your textbook? After all, this fine gentleman seems in need of an anatomy lesson."

Your grin came back, "Your walking stick, please. I'd rather not get my favorite chapter dirty."

The man's eyes flew open as you took the wooden cane from Albert, weilding it more like a weapon than an aid.

"Now," The excitement in your expression was back, "I'll give you an anatomy lesson as I break all of your bones in alphabetical order."

[goldsnek]

So, I saw the question about tips for aspiring comic artists and it actually reminded me that I am curious about the topic as well😅

I like to write stories and I like to draw so it seemed logically for me to try my hand at comics as well but I'm struggling extremely with the layout.

It's seems very daunting when you sit in front of the empty page and you have to consider how to arrange the panels.

I'm the kind of artist that sometimes does big changes to almost finished works, so the idea of having to make a final decision before I even start with the actual drawing process, is kind of terrifying for me.

Long story short, how do you put your drawings into panels?

Do you really have to make a final panel layout at the beginning, the way I've been attempting to, or are there other possibilities I simply haven't thought of?

Last but not least, I want you to know that I absolutely love your comic, both because of your spectacular art and the amazing story! ❤️

Hello! Okay this is going to be long but I'll try my best to explain and be concise (and truly sorry for the english!) So, the first rule you need to have in mind is that you don't imagine the scene PER PAGE but PER SEQUENCE. What I mean is, you don't have to imagine a comic (like ''what I'm putting in this page'') but you have to imagine it as a video in your head, like you're directing a movie ( movies and comics are a lot more similar than we think as a media) For example, try to imagine someone waking up and going to open their window, that's a full sequence. it can be done in various ways, depending on what your character is doing and what's the ''mood'' of the scene. Remember always that your character emotions sets the mood for the entire scene. A thing that helps me a lot is ( like I said XD) watching movies, I focus on the mini sequences, a kiss scene, a fight, I pause the movie and rewatch that scenes various times, trying to understand the mood of the scene and how is shot. A sequence can even take 3 or 4 pages or even 10, it depends from whats happening, even more if it's a fight! But like I said the number of pages comes later. another importart thing to remember is that your characters needs ''a place to live'' If you make a story and never show a single panel with a background, the story is gonna lack something 100%; and I know... backgrounds are hard (I hate them) but you need at least 1 panel where you show the places your characters are living in. That is called establishing shot and it needs to be used when your character are moving to other locations. (or if you're talking about other characters in your comic and they are somewhere else) I'll show u some establishing shots now:

Took 3 different comics (narratively and stylistic speaking) Bone, Batman and TinTin to show you that even if the setting of the panels is extremely different, they still all have an establishing shot. Now, of course you don't have to put this in EVERY page, but like I said at least at the start of your comic, or when the characters are moving somewhere else, it's very important to show that. Also remember that the biggest panel you need to have in your sequence is the one where the most important action is happening. For example, if two people are fighting and someone gets slapped, that's the most impactful scene, so that's the scene that will need the biggest panel on your sequence, because it's the most important. Another rule is to make the camera breathe. Let me explain this properly, you, as a comic artist, are like a movie director with a camera. You need to turn the camera in various ways, up and down left and right, but always remember this : Never make a page of faces only. example, here are character A and B having a conversation, a page like this is extremely wrong, because the camera is basically attached to the character face and the viewer/reader is going to feel like they're suffocating in the room with the story characters :

You as an artist have the power to zoom the camera in and out, showing extremely tiny details or making a big panel that shows how Idk... beautiful or eerie or mysterious the background is. The biggest advice I can give you is to read a lot of comics, try to find series you love and study them, see how they make the panels, how the sequence are shown etc. The last rule (there are a lot more so if you have more specific questions just ask) I can give you and this is about your question in specific is that: Yes. Unfortunately you have to make the structure first and that has to be your final decision, if you make a 10 pages comic for example and you decide you don't like some stuff anymore and decide to change all the pages, you're just gonna end up in a endless cycle of always fixing and fixing and never be satisfied. Remeber this: The sketches and layout of the pages are the MOST important thing in a comic. The coloring, lineart, etc... it's just decoration. So hang on and start making layouts, and focus only on those for a period of time and then when you're 100% satisfied with the structure, you go and start adding the ''decorations'' Hope this helps! I'm not very good at explaining , especially in another language, but I tried my best XD

[lukola92]

Sorry this is a long one! Honestly I’m at the point where I truly don’t care if Nic and Luke ever get together I’m just more concerned about them as people. I mean we have practically seen Luke fade into obscurity and Nicola I feel like her vibe is definitely off lately, I think she’s really struggling with the fame thing. I just personally wish that from the start of all of this Nic and Luke had set more hard and fast lines regarding their relationship. People say well she did say they were friends so you guys are the crazy ones for thinking different, but no. In this context when they were being asked directly about whether they were more than friends the appropriate answer should’ve been “we are JUST friends.” But instead every time it was a damn thesis statement about their relationship, Nic is an English major she knows how to use her words. And frankly even if they were saying they were friends, their behavior was completely unhinged and made everyone think differently. In the past, other leads of bridgerton have made it crystal clear that they are nothing more than friends. I don’t say this to blame them truly, I feel like there’s probably accountability to be taken all around. But imo this could’ve been approached better, if people were clear that Nic and Luke were just friends and nothing more and they made that clear and had boundaries, Luke wouldn’t have been so shit on bc people thought he chose A over Nic and the reaction to Jake likely wouldn’t have been so crazy either. I’ve seen a lot of people lately growing frustrated and confused, mainly from Nic since she has been out and about while Luke has been silent. I feel very conflicted because on one end I feel like they played into the shipping (although they probably didn’t know how out of hand it would get) and on the other hand I really give them grace, this is new to both of them and they’re just trying their best. Nic and Luke both deserve to be happy whether it’s with each other or other people and they deserve to have the freedom to live their lives without their every move being dissected. I just think people need to think twice before saying something and be kinder please we don’t want them to completely disappear!

I think that, they didn't pretend anything at all because everything was true, so, consequently, they tried in every way to hide everything, for me, staging two completely identical stories with two younger people J and A. I'm still here thinking about that night of the glamorous event, the voice was L's, the hands was L's .. and since we realized it, then this stuff about J in NY broke out to distract us, everything is going badly because the thing degenerated because of the paps and so, now N is completely vulnerable and doesn't know what to do .. L continues to stay still to protect both her and himself