#they don't feel anything. they are not the person they look like. they're not even people. the alternative is much much worse

[smollsmule]

Ok my queue spit this out after I saved it for later, so let me add some nuance here. Because this is a very importand issue, actually.

Of course nobody is prohibited from readin the books they enjoy. Hell, I like me some easily digestible fluff too! Some of my favourite book series are ya (and genuinely great books despite being “easy to read”).

There is something to be said however about limiting yourself to only engaging with that level of difficulty in reading. And before you come at me, I know that many people don't read at all and to many others reading is simply a hobby to unwind after a long day, where they just wanna turn their brain off and have some fun. Which is a totally fair reason to read. BUT. Reading (or more broadly, literacy) will never be just that. You live in an age of (mis)information and you WILL be confronted with texts (speeches, video clips, what have you) that are hard to dissect. Especially the ones that don't seem like it at first glance.

Media literacy is not only about how quickly you can summarise a paragraph or being able to pull quotes to show how maybe a character could be read as queer (although both of those things are a very good indicator of having advanced literacy). It's the VITAL skill of filtering and assesing information presented to you before so you can make an informed choice to internalise or discard it. It's being able to understand the information in the first place by grasping a complex thought presented to you in writing or in a speech because the simple truth is that not all truths are simple.

Media literacy gives you the ability of identifying that someone is trying to make you believe something and parsing why they're doing it by identifying the tools they are using. Which means you also need to know the tools they have at their disposal. It also means being able to connect points brought up before in the same or different texts to see if there is inconstencies or leaps in logic or if the argument someone is making only looks good because they use big words and a sentence structure that “feels” smart, but actually falls apart as soon as you poke at it a little.

Forgive me sounding alarmist, but if you can't read at that level people who have these tools WILL have power over you and you won't even have the tools to notice that they do. Even if people are not actively trying to harm or manipulate you, if you're unable to engage with their ideas you will get left behind in certain vital discussions and that not only feels like shit because everybody gets it but you, but it also again makes you incredibly vulnerable to those who do have bad intentions!

Now does that mean you only get to read Proust from now on? Of course not! I still do believe that a piece of literature can directly and fundamentally change your life. I know it has for me. However, that is a personal opinion and it doesn't mean I can force anyone to engage with deep philosophical manifestos on what it isto be human in this world. And even less that I want to do that, despite me thinking that literally ANYONE could benefit from reading that kind of thing. But you NEED to be able to read complex texts outside of your comfort zone for honest to god survival. I am so fucking serious.

And, hey! The good news is that this is not some secret mystical power you either get blessed with or not. It is a skill you can train, by reading challenging material. Books with more complex sentence structures, more nuanced ideas or arguments. Books that force you to think about them. I hate to say it but the only way to get better at reading is to read. It doesn't have to be fiction but i will be very real with you, I doubt that - if you're putting down a book because it's unreadable to you based on the chosen perspective - you'll be the type to pick up scientific essays or anything like that.

Don't cut yourself off from vital skills by locking your mind in a box. You are capable to handle those more complex texts, and I'd wager you'll even enjoy it once you find your niche (yes! you still get to have preferences!). You just need to give yourself a chance to learn.

[starkasaaa]

omg I liked your last capitano fic so much🥹🥹 maybe you can do nsfw alphabet with him? thank you:3

Capitano smut alphabet:

A = Aftercare (what they’re like after sex)

At first, Capitano leans back against the pillow with a soft groan, trying to catch his ragged breath. His arms are tightly clasped around you, holding you close as he kisses the top of your head. He prefers to just lie quietly with you for a while, and then he’ll carry you to the shower. His favorite thing to do is sit with you in the warm water and gently lather your back with some sweet-smelling gel. He also loves it when you help him wash his hair, the feeling of your soft fingers sliding through his strands is so comfortable that he practically falls asleep every time you do it.

B = Body part (their favorite body part of theirs and also their partner’s)

The Captain is the type of man who loves absolutely everything about his woman, but if he had to choose one thing, it would be your tummy. He loves to put his head on your lap and bury his nose in your tummy after long missions. He also likes to run his big and cold fingers over your tummy, teasing you on purpose and not going lower, where you crave his touch the most. He loves when you impatiently grab his hand and put it between your legs, squeezing him tightly there.

In himself, Capitano loves his hands. They are big, strong, and can easily make your legs tremble in 2 minutes, and oh, there is nothing more pleasant for him than to first make you weak from his hands, and then carry you to the bathroom on those same hands.

C = Cum (anything to do with cum, basically)

Capitano is a very responsible man, he will not cum anywhere without your consent. If you want him to be in protection, he will definitely be, but to be honest, doing it inside satisfies him more, but don't worry, Captain is a man who will not run away from responsibility, so if you get pregnant from him, he will only be happy to become a father.

E = Experience (how experienced are they? do they know what they're doing?)

He is not the type of man who will use girls for one night. He didn't have time to think about relationships before, so I dare to assume that he has no experience. Of course he had little intrigues with women, but it never came to sex.

He does not really know what he is doing, he just does what he thinks is right, closely watching your reaction to know whether things are going well or badly.

F = Favorite position (this goes without saying)

Capitano is a pretty simple man, he prefers traditional positions like missionary. He likes to be in control, so being on top suits his nature. He likes to throw your leg over his shoulder to make the angle of penetration even deeper, or to gently hold your hands above your head so that you can't cover your embarrassed face or your mouth.

G = Goofy (are they more serious at the moment? are they humorous? etc.)

At first, he will be very serious. His main goal is to satisfy you. The first few times, he will be serious because of his own inexperience and fear of hurting you, but even as his experience increases, he will not become more relaxed. He is simply not used to showing much emotion, and you will have to talk to him about it, and then he will try to be less serious during this.

H = Hair (how well groomed are they? does the carpet match the drapes? etc.)

Capitano doesn’t see much need for daily shaving, and he doesn’t bother much about it. The hair on his partner's body is also not a problem for him, and if one day you suddenly tell him how tiring it is to shave every day, he will simply raise an eyebrow and look at you blankly.

"-…Then why are you doing it? I mean... Doesn't everyone have hair there..."

I = Intimacy (how are they during the moment? the romantic aspect)

He is not the most gentle person, but he tries very hard. Long years of training and battles made him a very closed person who is not used to taking off his tight facade in front of everyone, but he will try to learn to be more romantic. His care and love is more likely to be shown in actions than in words. For example, changing dirty bed linen after you make love, or helping you wash up+ changing you into clean clothes.

J = Jack off (masturbation headcanon)

He didn’t really do this before, since then any physical intimacy even with himself seemed to him to be something not particularly necessary. But then, as the relationship with you progressed, he realized that this is a pretty good way to relieve tension and it is generally pleasant. So, like any other man, he does it. He just never devotes you to the details of this. It happens that the longing for you during long missions becomes so aching that he has to touch himself, imagining that you are here with him.

L = Location (favorite places to do the do)

As I said. Capitano is a simple man, and he prefers to do it traditionally on the bed. He doesn’t really want to risk his status, and just the possibility of being caught in such a position doesn’t really pleasant to him, so doing it at home for him is the best solution.

M = Motivation (what turns them on, gets them going)

You don't really have to do anything to get you going. Capitano is always hungry, but he won't admit it. He likes it better when you pull him into bed, because sometimes he finds himself getting turned on too often. It's not that it embarrasses him, it's more that it makes him think he's forcing you, but when you drag him into the bedroom yourself, it turns him on even more.

N = No (something they wouldn't do, turn offs)

Something that involves pain. The Captain knows he's big and strong, and the thought of accidentally overdoing it and hurting you while doing it drives him crazy.

O = Oral (preference in giving or receiving, skill, etc.)

There's nothing more beautiful in the world than the nervous nibbling of your lip and the trembling of your thighs as his tongue deftly circles your sensitive bundle of nerves. The way your thighs squeeze his head between them makes his cock press hard against the fabric of his pants. He throws your leg over his shoulder as his fingers slide from your entrance between your labia, feeling like he could cum just from the look of you needing him.

P = Pace (are they fast and rough? slow and sensual? etc.)

He'll go slow at first, giving you time to get used to the pace. Once you've more or less spread out around him, he'll go harder, but not faster. Capitano prefers sensual sex, trying to enjoy every moment with you.

Q = Quickie (their opinions on quickies, how often, etc.)

He prefers more full-on sex, with foreplay, a relaxed atmosphere, and the likelihood that he won't be disturbed. But if you're really needy, he won't mind doing it. If he wants it, the Captain will rather wait until you get home.

S = Stamina (how many rounds can they go for? how long do they last?)

The Captain can go as long as he wants. He just never wants to burden you with it too much, so don't try to find out where his limit is. He'll be hungry for you forever.

T = Toys (do they own toys? do they use them? on a partner or themselves?)

He's not really into this, but if you bring a toy into the house, he might be willing to try it. He'll probably like handcuffs to finally prevent you from covering your face and mouth during this.

U = Unfair (how much they like to tease)

Depends on the situation. Normally, he might be willing to stretch out your pleasure a bit, not letting you cum until he thinks you've asked him nicely enough. But if he's coming home from a long mission, there's no teasing. He's been waiting too long and he needs you.

V = Volume (how loud they are, what sounds they make, etc.)

The Captain is quite reserved during this, and the only thing that comes out of his mouth is quiet groans. This is rather because he is not used to being emotional, so he needs time to stop holding it in.

X = X-ray (let’s see what’s going on under those clothes)

It is quite big and thick. With a bright pink tip. (sorry, I don’t know what else to write here😭)

Y = Yearning (how high is their sex drive?)

Before, he didn’t feel any desire for sex at all, and probably the amount of excitement and desire that he feels now is all accumulated over those years when he didn’t experience it, well, or rather didn’t notice it. But now… He feels like a wild animal, especially after a long separation from you.

Z = Zzz (how quickly they fall asleep afterwards)

For Capitano, the most important thing is to make sure that you fall asleep first. He tries to make up for his taciturnity with actions. He will put a glass of water on your nightstand, fluff your pillow so that it is softer, and wrap you in a blanket. He will stroke your back and kiss your forehead until you fall asleep, and only then will he fall asleep himself.

[hyperions-light]

hey I was planning another post today but instead let’s talk about how much I love that there’s not really a ‘good’ ending to the companion plotlines in Veilguard. It reminds me of Leliana and Alistair’s plotlines in DAO in that what you choose says more about the player/protagonist than anything

I just finished Isana Negat a second time, and I did the other ending and I thought it was just as good. Like, yeah, Harding does deserve to be angry! They did fucking get everything taken away from them! It’s so painful and horrific; yes you can, and should, be mad! But also Harding prioritizing her very real love for and compassion towards other people is not wrong. It’s just different! It’s just Rook’s friend/lover asking them for advice, and Rook giving it! You know, like in real life except with huge magical rock giants

And okay I’m never going to kill Illario because I think it would make Luca really sad and he has enough problems, Whoops I misremembered this, I don’t think you can kill Illario actually. I love that for Luca <3 But yk, I’m probably still not going to imprison him. but I can see it! Because the cycle has to end, right? The violence and infighting of the Crows endlessly attacking each other over power is part of what allowed the Antaam to get a foothold in Antiva, because there was like a double agent or something (if I’m remembering right from Tev Nights). Some kind of ending needs to be made to this endless violence. And I suppose it depends on how retributive Rook is, which is a great question to ask of the player (one that is asked repeatedly throughout the game). It’s not like Illario didn’t do anything, you know! He probably deserves punishment. But Rook, as they always can at various points, can be merciful, can choose absolution. Wow no, I’m glad I was wrong I love it more like this.

And oh boy, I LOVED the ending of Emmrich’s quest, don’t even get me started! Like!! I thought it was going to be ‘well obviously we HAVE to save Manfred’, but how Emmrich talks about accepting his death and his sacrifice convinced me! I was like alright man, this is a real choice! I actually did make him a lich last time (made a lot of sense from a Watcher perspective, imo) and not only was the cutscene sick as hell, but the follow-up was so funny and I got some really sad Spite dialogue which fucking wrecked me. It was great— seriously, his plotline is one of my favorites in the whole game.

And Davrin’s! I’ve already expounded at length about how much I like his quest line and how it ties into the Grey Wardens, but I really think both of his options for the griffons are so workable, because you know the Grey Wardens, especially under Antione and Evka, aren’t going to hurt those little guys again! But also the scenes with Eldrin are so endearing, and Davrin’s hope for a brighter future for them is so sweet and genuine. It’s hard to pick! It’s about Rook's perspective!

Neve's I'll admit I don't vibe with as much just because of the like 'trust the authorities' angle, but i haven't tried saving Minrathous yet and I think it would be sooooo involving as a Shadow Dragon especially. Because that's what they're fighting for, right? That better Minrathous where they CAN be sure that if they send the insane cultist lady to prison she’s going to stay there? But there’s always the practical consideration of people’s lives being at stake NOW, of Neve needing her friends safe NOW. And just killing Aelia ensures she will never be an issue again. So I can see both angles for sure

And Taash ;-; oh, Taash. I haven’t posted about them that much yet because they make me very emotional and it’s hard to organize thoughts like that. But I really love their quest, and their struggle to define themselves. And look, I know people wanted the option to tell them they could be both, but like as a person who has lived a similar experience, it really feels sometimes like the world is making you choose. It can feel like you’re not enough of either thing for anyone. And there are parts of your identity that you will have to make a choice on, and I think it’s trying to speak to that. I did the Rivaini one, and it’s like… well, they’re embracing the culture of Rivain, but it’s not like anyone is ever going to look at them and NOT see a Qunari. You can’t get away from that. What you choose to do in response is a real dilemma and I think that if you engage with the text genuinely you can see what Trick was doing. Also, there is a really great dialogue from Rook that I think gives more context to the discussion; they can say that they have been many things, and it’s important to take what works from each experience and make it part of yourself. So I don’t think Taash’s plot is trying to make them throw away any of themselves, just defining priorities. (Sorry, that got long. Feelings, opinions about that one)

And I don’t think Bellara’s is obvious, either, especially with how they involve the Nadas Dirthalen in her personal plot. This is a thing that is really emotionally and culturally significant to her, but at the same time it is part of what hurt her brother and ultimately took him away from her. She’s really preoccupied with not causing harm by her actions; she spends the whole game worried about it! And even though Rook doesn’t see the dangerous elements of the repository, that doesn’t mean they’re not there. The puzzle quest you can find in Arlathan proves that other people besides Cyrian were taken in by Anaris. And also, there’s the plot thread they briefly touched on in the last game which is that the culture the Dalish have built, that they have RIGHT NOW, is not wrong. But it’s also important to remember history, even if it’s unpleasant or could be dangerous, which is another thing you can discuss with Bellara during the game. So there’s no wrong choice! It’s just about Rook and Bellara and what’s important from their perspectives.

Anyway it was super refreshing to have these kinds of choices! It reminds me of the best character choices in DAI and DAO, especially, and I’m so happy they carried those things forward and improved on them.

[stevishabitat]

From the perspective of a customer-facing tech support professional, I feel like panic is actually pretty reasonable at this moment.

My company doesn't even have a chatbot, but because they've become standard across our industry, there's no longer an expectation that there will be a live human available via chat or phone 24/7. So they've cut our hours, laid off all our overnight and evening workers, and lean staffed us nearly to oblivion.

The level of customer service across the industry is abysmal, but because so many of them are relying on chatbots, the bar for acceptable service is on the floor. I have managed to survive the culls because I was in the sweet spot of having enough experience to be valuable, but not enough seniority to be too expensive to keep. The layers of people above me and below me are pretty much gutted.

I can't even actually help my customers as well as I used to. Because I can no longer get in touch with publishers or distributors in real time, and there's no such thing as live tech support either.

All of that has been replaced with chatbots and automated ticketing systems neither of which can answer anything I need In Real Time, so it's a constant cycle of acting as a go-between and hoping to eventually get the answers I need in 1-3 business days. At which point someone's system automatically closes the ticket without doing anything at all and without any actual person having looked at it (probably because they're as understaffed and overworked as we are) and I have to submit another ticket or start over with the chatbot gatekeeper again.

I've been doing this for 11 years, and this is fucking DIRE. And although there was kind of a gradual drop in standards for awhile, I would say since about 2018 things have really accelerated and it's like 2020 was the excuse all the companies needed to just gut customer service to the bone. And the availability of chatbots and the acceptance of how BAD they are has changed the entire climate of customer service and tech support.

The attitude towards customer service in general just... Unbelievable. It's like every company is saying "yeah we know bots and automated shit is not actually good at helping people with what they need, but at least we don't have to pay someone to do it better, so I guess that's how it's gonna be"

And when that's the industry standard, there's no point in any one company trying to do better. Even where there are still humans on staff, without the network of other people across the industry, it means our hands are tied as far as what we can actually do ourselves.

And sometimes we talk amongst ourselves about where we could go if the pinch gets any harder, and there's just.... Nothing. I mean maybe I'm a fucking coalminer complaining about green energy stealing my job, but... Shit, I just like helping people with their ebooks so they can get an education. And apparently that's just not a valuable thing to aspire to anymore.

so like I said, I work in the tech industry, and it's been kind of fascinating watching whole new taboos develop at work around this genAI stuff. All we do is talk about genAI, everything is genAI now, "we have to win the AI race," blah blah blah, but nobody asks - you can't ask -

What's it for?

What's it for?

Why would anyone want this?

I sit in so many meetings and listen to genuinely very intelligent people talk until steam is rising off their skulls about genAI, and wonder how fast I'd get fired if I asked: do real people actually want this product, or are the only people excited about this technology the shareholders who want to see lines go up?

like you realize this is a bubble, right, guys? because nobody actually needs this? because it's not actually very good? normal people are excited by the novelty of it, and finance bro capitalists are wetting their shorts about it because they want to get rich quick off of the Next Big Thing In Tech, but the novelty will wear off and the bros will move on to something else and we'll just be left with billions and billions of dollars invested in technology that nobody wants.

and I don't say it, because I need my job. And I wonder how many other people sitting at the same table, in the same meeting, are also not saying it, because they need their jobs.

idk man it's just become a really weird environment.

[ceilidho]

Me: I don't like fauxcest so I'll avoid the tag/ block any accounts.

Also me: I want a daddy Dom who's really big on being a prodiver, probably got daddy issues himself, is an older man and financially secure. Makes sure I'm fed, well dressed and happy. Maybe even makes me live with him so he can just freeuse me and have something to look after because he just really wants to-

Like. I know it ain't the same but everyday it feels like it's borderline treading into that territory and idk if I can face myself or have the strength to accept that about myself. Like I use to be a puritan prude in my youth so the fact I ended up with a daddy kink would make my teen self disgusted. But ya know, shit happens.

I probably won't ever pass over that territory as I do get icked out by the idea of referring to a sexual partner as 'dad' or anything like that. So it's clearly not for me but I need some people to look at themselves TRUELY look at the stuff they're into or want in a partner coz probably like me, they are one kink/good fic/wild fantasy away from the "gross icky kinks!!" They wanna ban so much

Ever since I became an adult and started exploring what I like, letting myself read fics I was like "I'm not gonna like this but I'm desperate for content" and then come out of a changed person - I do start caring less. Do I still have my own opinions and icks and such? Yeah but like, the best thing about the Internet is that you can just block tags, block people or images that don't agree with you. Keep to your bubble of people who agree with you and such, but like, if you're not atleast aware or open to the fact your views may be hypercritical or even abit weird or taboo yourself - that's just destined to fail.

I think a lot of people can't separate identity from interests either, or they feel incredibly locked in with their identity.

like, you're allowed to find things gross, block them, or enjoy reading certain topics but only to an extent (like you won't allow yourself to enjoy anything beyond your limit because you're scared about what you'll uncover about yourself). it's also fine to one day come back to those same things and reevaluate your original opinion.

I'm not sure how to describe this but I feel like a lot of people have this tendency to equate any Thing they enjoy with subsuming that thing into their personality/identity, and if you think that way, then obviously any potential interest seems like a Threat to the persona/identity you've been meticulously building your entire life. which is terrifying! i do understand that there's a large group of people that probably equate reading/enjoying any content that's remotely dark to a real life want.

I personally think the most generous thing you can do for yourself is say "okay, I enjoyed that. it doesn't have to mean anything." you can read the kinkiest erotica ever and then go on to enjoy a vanilla sex life (or no sex life! tons of asexual people enjoy erotica). it simply doesn't have to be a big deal.

and this is also not saying you have to enjoy or force yourself to enjoy content that disgusts you. the brain is just complex. if you're living life in a way that is compassionate and avoids causing harm to other people, but some of your interests/kinks tend to veer towards the dark/taboo, just give yourself the grace to realize that an interest is not this Big, Horrible thing that'll destroy you and turn you into something monstrous.

[bengiyo]

Your Sky: It Seems I Wanted a 2gether Retread

I watched this on a whim yesterday evening and enjoyed it immensely. Not to be the Boss Baby tweet, but I enjoyed how this show set up some of the same parameters as 2gether without making key characters unlikable, or relying on mean humor.

Right off the bat they calibrated the Teerak character well. He's essentially an adorable younger brother all the time. He's clearly coddled, and requires a lot of supervision. However, they made sure to confirm that he's actually an extremely kind character, and that most of his adventures result from him maybe going too far to complete an act of kindness. This character has real potential to be annoying, and they're doing a great job with the line.

Additionally, they've given Teerak a great supporting cast around him. I liked the teamwork dynamics between Lee, Joy, and Type. I liked seeing them fulfill different roles in the group, and I'm excited to get to know them more. Teerak's relationship with Babe is also compelling; I'm excited to see what we get from a caring big sister. I especially loved their meeting the laundromat owner. I hope we see more of her, and that they continue the trend of introducing every new character with a beauty zoom.

Thomas Teetut is also doing a great job with Muenfah. He's playing this character so differently from Gun in The Middleman's Love that I didn't even recognize him right away.

Unlike with Sarawat (2gether), they didn't withhold this character's affection for Teerak for multiple episodes. Like Sarawat, they've gone for cool, aloof, and disinterested in women. I'm curious to learn how long he's had this crush, why he hasn't said anything about it, and why his brother (Lee) is keeping the confidence about it.

I also want to know whose ass he kicked years ago that created this reputation about him being leader of a gang. It's intriguing because we watched multiple people running interference on Oh's pursuit of Teerak. I was wondering at first if Teerak needed to properly reject this man, but based on Oh stealing the outdoor reservation at this restaurant, drugging Teerak's friends, and trying to fight Muenfah, I really don't like this man. They did a great job building to the reveal that Oh ain't shit. They made me feel bad for a Mike character at first, and then validated why I instinctively do not like that man's characters.

I really like the impetus for the fake dating in this one. I like that Muenfah pulled Teerak out of a dangerous situation, and also that a drunk Teerak created a major misunderstanding online from people stalking (please stop filming people in public). It's so much better than we know Muenfah has feelings for Teerak already, and has been protective of him. I'm excited to see how Teerak grows into a shared affection, and how the veneer of fake dating complicates the development of their feelings.

Also, this show is beautiful. Sarawut Chuparkpanich shows always look great. However, every single person linked on the crew has been part of projects that I think showed real potential before flopping badly before even the midpoint. I don't want to get my hopes up too much because of the track record, but damn did I really like this first episode. This is the most engaged with initial characterization I've been with a Thai BL in months, so I hope this one works out. I am still fond of 2gether, despite the missteps of that show, so I'd like to have a better version of it.

I'll pick this up as a regular watch and check in after a few weeks to let you know how I'm feeling about it. Thank you to the gifmakers!

[imperatorrrrr]

Why is Jack public enemy number 1? Sorry I don’t go on twitter but I keep seeing it here on tumblr

According to some folks on Tumblr, Jack Hughes didn't smile at them or was rude to them or something at the team signing event last night.

Anon, you're in for a treat, because I will be defending a white man on main. lets go!

I want to first reiterate a few things...

this was a team signing event. not a meet and greet. meaning, Jack Hughes and the other players were there to sign things, any further interaction or anything would have been a plus. I think someone actually shared the rules of the event on twt, posted below. you couldn't even take selfies or pictures with the players. it was literally just a line where you handed over something that you wanted signed and it got signed. of course, there were players that personalized the signatures or let people take selfies and posed with them, but this wasn't actually a part of the experience nor should it have been an expectation.

2. this is not "part" of Jack's job or any hockey players job for that matter. I think people need to realize that although hockey players are celebrities in a certain sense of the word, their interactions with fans are not a necessary part of their job. I'm seeing a bunch of people say that he's being unprofessional and if he can't be good with fans than he shouldn't be a hockey player, and thats, frankly, idiotic. Jack's job is being a hockey player. that is what he gets paid to do. anything on top of that is on top not a part of his job. please understand that a hockey player does not need to have a social media presence to do their job, doesn't ever need to interact with fans to do their job, and actually can play a hockey game without any fans and still get paid!

3. I genuinely don't believe any of the things being said on Tumblr are actually true or if these incidents of him being "rude" did occur I don't believe they're being interpreted the right way or are being relayed in the right context. Rather, I feel like this is just another instance of folks looking for a reason to dislike or even hate Jack. he's a very easy player to dogpile on because of how he plays and how he is portrayed by the media and his fanbase. you don't need a reason to hate the dude, go on and hate him, but please stop making up stories.

anyway...

as far as things I have seen and first person accounts I've been told, Jack was perfectly normal with everyone and especially nice to the kids.

folks are just mad that he didn't rise to whatever lofty expectations people had of Jack during a team signing event where everyone's time with the players was incredibly short and heavily policed. maybe be upset with how it was organized (like why did they have three player tables, it didn't make any sense!).

plus, I have seen several accounts of people hearing folks in line talking shit about Jack while waiting for him, so like what exactly do you expect to happen when he hears you waiting in line for his autograph and being entitled to his time and his generosity and you're chatting shit? like that he's gonna be all sunshine and roses with you? naaaaaaaah.

and finally, we speak so often about respecting the privacy of these players, taking into account their mental health, etc. but then you're gonna turn around and judge someone because they didn't do exactly what you wanted to do when you met them for fifteen seconds? so we're giving grace to players on one end and turning around and blasting other players. make it make sense.

this is essentially the "people pay to watch me play" incident all over again where that quote is taken out of context and then everyone and their mother runs with it because Jack is a very easy target.

[troglobite]

(i agree w op and it's a good point; i'm pushing back against a couple things in this second addition/rb & some implications in the op, as well. still not trying to be argumentative, but push the conversation further & challenge certain entrenched ideas. bc again, i agree & am coming from that angle.)

hotter take: the demonization of "ultraprocessed foods" is damaging no matter what. highly recommend this nutritionist for any info abt that. if [general, not op/rb] you won't listen to me, maybe [general] you will listen to a thin and licensed nutritionist.

the intent here is good: don't deprive your child of unifying and delightful social experiences. let them enjoy food. don't give them complexes about food. don't micromanage your child's diet to the point where they resent it, etc.

but also, maybe, just let them enjoy food. and teach/show them how! they are CHILDREN. unless they have allergies, sensitivities, or other serious health concerns, they will be FINE if they eat some candy MOST days of the week for various stretches of time. or ANYTHING sweet. or salty. basically every person in the world (with medical exceptions, exceptions for taste/preference, etc.) would be fine having at least 1 dessert every day. (and also this is only using "health" as a reference, which is a Whole Thing in and of itself)

maybe, also, as is the solution to most things: simply treat children like people who are just learning how things work.

instead of limiting what they eat without their involvement, instead of demonizing food and scaring them away from it or shaming them, or even acting like certain kinds of diets are even accessible to most people, how about we instead:

teach kids abt what we currently know abt how food works. why do they crave sugar and salt? why do these foods taste really good, and these ones don't? can we make them taste better? sometimes tastes change over time, so every few years we can try this food again, if you're up for it. how do you feel after you eat A LOT of food, regardless of what it is? what do you want to eat at different times? how do different foods make you feel? what kinds of tastes do you like? here are traditional and culturally relevant foods, and how/why they're important. how do we MAKE food? what abt food safety?

give them knowledge and choice in what they eat and how they eat it and when.

this is only possible if we education ourselves abt food, as well! which is why education around this is so important. but even the basics: hunger is this, food gives you energy, you need different kinds of energy, you probably should have a wide variety of it, etc.

for example, there is no such thing as junk food, there's just food. nutrition isn't just about calories or vitamins, etc., it's also abt social connection (covered well in this post), cultural connection, and emotional regulation.

it also looks different for everybody. no two people will require the same kinds of food in the same amounts prepared in the same ways. and what we know about nutrition is actually quite limited! not to say what we have is Completely Wrong, but that it's silly to paint with such a broad brush when we keep having to research and revise--and there are so many factors to health and diet that are difficult to account for, and make each person's needs individual. food & movement aren't the only two. and your socioeconomic status & geographic location control what you eat way more than anything else.

"ultraprocessed food" serves so many purposes: it lasts longer, it's typically more reliable and widely available, it's generally more affordable, and it's, crucially, more consistent and predictable, which is a HUGE thing for children (not even speaking of neurodivergent people in general). for ppl who can't afford the money or time of fresh foods, "ultra processed foods" are GREAT. (and they're also great for anyone who loves them)

if you have a problem with them, take it up with the government! we can have "ultra processed foods" that don't hurt people--it's the hormone disruptors and unnecessary food dyes that are the problem. they're outlawed elsewhere. we could follow their lead. preservation of foods isn't inherently bad. (and on the labor side, again, take it up with the govt: all workers deserve to be safe at work, protected, have a more than livable wage, benefits, etc.)

all of this is an overarching pipe dream about how we talk abt, teach abt, and interact with food, particularly as it pertains to raising our kids. but that's the point i'm going for here.

op is completely right, as is the addition; my hackles rise against "more wholesome foods" and "ultra processed foods" and the "let them have it every once in a while". you can go a month eating "junk" food (again, no such thing), and unless you have particular allergies or health concerns, you'll probably be fine.

determinants of health are so much bigger than what we eat and what we physically do.

so when it comes to teaching kids about food, we have to stop categorizing some foods as bad and others as good. it seems to be easier, but oversimplifying things for kids never goes well. if you're gonna simplify, at least be accurate and at least don't give them fucked up complexes abt shit.

tree nuts are WIDELY considered a Good Food. but they hurt me and could possibly even kill me, because i'm allergic.

fresh greens are WIDELY considered a Good Food. but they're raw, uncooked, and staring down the barrel of fewer safety regulations--so not only are they inconsistent in quality and texture (bad for kids & anyone with sensitive tastes), but they're also riskier. and ALSO, i have hEDS, and my body Cannot Digest fresh greens very well. (if accessible, an opportunity to teach kids abt where food comes from and maybe grow your own! but also [stares at heavy metals in most of the US soil] so y'know. ymmv.)

they're no better or worse than an "ultra processed" version of greens. that includes things like salsa, flavored veggie smoothies, premade soups, frozen veggies, etc.

the sum of my response to op & addition is: yes, absolutely. but also, there are no bad or good foods, and nutrition is more complicated than that. as per uszh, the solution is to treat kids like people and give them what knowledge you can, then let them make their own choices.

and the sum of everything else is: basically what i wish more people knew so that they COULD teach their kids that stuff. and also for themselves! and also this doesn't even get into the concept of "health" as a Whole Fucking Thing.

This is a controversial take that everyone will hate but it's one thing to feed your kid better, more wholesome food than twinkies and hot pockets daily, it's another thing to force them to adhere to a crunchy granola beige colored diet where they cant share the snacks their peers are eating or have a normal childhood or have fun. None of you were raised like that and if you were you know what im talking about.

[gowns]

the economy in los angeles rn is kinda um.... unprecedented levels of what da hell...

i initially wanted to be a filmmaker, playwright, actor, writer. i was just fascinated by film and theatre and knew that people made a living doing art -- i mean, my dad's a musician, so i personally knew people making a living doing art. but i was particularly drawn to storytelling and performance mediums.

so, i'm going to focus on film here: it's always been difficult to find work in hollywood, but there was still kind of a method of getting work. there are tons of studios and production companies. let's say out of 100 hopefuls, like 60-70 of them could find consistent work in one way or another. a lot of people end up in post production, smaller crew work, whatever, but they're grateful to be working in film in any way that they can while they (usually) nurse their secret dreams of funding and screening their own projects. and let's say like, 10 out of 100 of these people end up making short films for festivals (that are usually bids to make larger features), and 1 out of 100 could make a whole feature (i'm just pulling out random vibe-based statistics, i'm just typing up something quick here and don't want to look up / don't know if it's possible to see stats based on "dreams")

well the thing is, that hollywood is imploding. i know a lot of people who work in production and post-production. you live gig-to-gig. usually it's like, several weeks or maybe months of intense work on a project, then you're done, and floating free in a kind of nerve-wracking way, and then you get another gig, and then you're booked again. very feast or famine.

but lately it's just.... famine??? i keep seeing EXPERIENCED film industry people posting that they're looking for a job, any kind of job, and they have so much skills, but there's nothing.

like what i'm trying to say is... nothing is being greenlit. there are very very few new projects being made, in film or tv. it's going all the way back. some people say it's because of covid and production halting, other people say it's because of strikes, other people say it's all AI, other people say it's because of tiktok and how "anyone can make a video." and it's all of the above, combined with increasing costs of living -- it's not enough to just make a few thousand from a film gig and coast on that for the rest of the year, because your entire MONTHLY RENT is a few thousand dollars.

--

back in february 2020, i made a joke to a group of film production people, gesturing at posters for movies that looked terrible to me -- "god, they just keep making movies, and they all suck. i think what hollywood needs is a sabbatical. like, everyone should just stop making movies. there are already so many movies. we don't need anymore!" and there was a laugh then a sort of awkward silence, and i could sense a monkey paw curling just out of sight. and i quickly added "oh right, but like, there should still be movies of course, ha ha. like, you guys should still have work."

--

i think about this a lot.

like, film as a medium, film as a place in our culture, hollywood as the nexus of storytelling with a budget and many skilled hands.

it feels so present and eternal to me. but it's so new as a medium, and also predicated on so many factors. and a lot of those factors are like a crumbling cliff!

was it ever sustainable?

--

i sometimes envision my life with all these possible paths, and how i somehow picked this one random path (freelance photography), thinking that the other paths would still be open to me. "of course, anyone can do anything at any point in their life! :)" <- ever the sunny optimist.

but as i get older, and the economy gets worse, and the industry continues to implode -- and boy, if you think film is suffering, let's not even get into theatre or publishing -- i'm like wow. actually, all those other paths have gnarled dead trees and tumbleweeds. no matter how much i "dream" about XYZ, we're at a point in history where those things might not be viable anymore.

and then, outside of film as a medium, there's also the empire that we live in, the basis of all this material wealth that has been able to fund big-budget movies. and i love the things that can be done with hundreds of people and expensive cameras. but is that kind of storytelling going to continue to be feasible...?

and i get kinda freaked out because there's THOUSANDS of people here in california working in the film industry. and if they all lose their jobs....?

and if everyone i know loses their jobs...?

ummmmmmmm

like i said every day i wake up and see another "please for the love of god i need a job i have 4000 skills and no one is hiring" post and i just start sweating and going .... "what is happening..."

[qveenpoppy]

things i noticed in my pilot rewatch:

wolf almost immediately grabs a glass of champagne when he walks into the wedding with his first patient. i know the show's hinted at him having drug issues, but maybe he has some alcohol ones too? (unless that idea was abandoned since the pilot was written/filmed.)

"except now we're prescribing drugs instead of taking them." "speak for yourself." yeah he's definitely still dealing with those drug issues. i feel like the show's mostly implied for that to be a past thing (we've only seen him take anything twice, to my memory? not counting 1x09's upcoming flashback sequence) but i wonder if/when that'll become an issue again (maybe another patient loss that hurts wolf harder than roman's did? like a father figure, that'll bring back his feelings of guilt over his dad's death?)

it's tiny but i feel like van's crush is hinted at here, with him offering ericka an extra pair of scrubs (while jacob cockily jokes about his being too big for her) and the way he sneaks a glance at her while she changes (not in a creepy way, it's like a nervous/shy kinda way).

he also smiles at her when she yells at jacob while they're searching for hannah's childhood home, after jacob un-empathetically says the kids would be better off with their dad (guess van likes strong women; girlboss/malewife vibes? lol)

"do i ever have to talk to him again?" (wolf talking about nichols.) lmao, you're gonna be in love with him in about 6 episodes from now. also someone write me some pilot era wolfnichols hate sex.

"name one person you like who's not a patient." "you, i like you!" he's so autism-coded ❤️

wolf still uses cassette tapes in his car (which is also quite old, since it still plays tapes), what a grandpa

carol has a picture with michelle obama in her office (not really an important thing to notice, but i thought it was cool)

there's a line in one of the flashbacks (apologies for not quoting it verbatim) from muriel about "keeping our differences to ourselves", which probably explains why wolf isn't super open about his facial blindness. (and probably applies to all of his other traits that make him "different", like his sexuality, or popularly headcanon'd autism. i mean, i know he's open about his sexuality now as an adult, perhaps as a way of rebelling against his mom, but, as we may see in more flashbacks, he probably kept it to himself for quite a while.)

van is completely frozen when hannah has her seizure, he even backs up a little when she falls out of her chair. probably didn't wanna touch her and experience a phantom seizure.

whoever directed the ep made zach & teddy look like they're the same height when nichols confronts wolf and kicks him off the case. i guess it keeps them, literally and figuratively, on the same level in the dispute. but now we all know that wolf's actually shorter, and it's funny how that's been primarily highlighted when they're fooling around with each other. (i know it's an intentional directing tactic, though, bc a similar thing was done in the batman v superman movie when bruce and clark stand eye to eye - henry cavill is also 3 inches shorter than ben affleck. emphasizing the height difference would imply a power imbalance, which you don't want in these sort of gray zone conflicts!)

"the only way this will work is if we open up to each other." [nichols walks by and catches wolf's eye] foreshadowing

(i don't mean just like foreshadowing their romance, but maybe also the impact that nichols will have on wolf, getting him to open up about his past and whatnot. same, perhaps, for nichols, since we still hardly know anything about his background, besides his military experience and implied own closeting.)

(could also quite easily and literally refer to their work relationship, as we learned from that interview with teddy that, despite their romantic connection, they're still going to have some disputes about patient treatments in future episodes/cases.)

[princess-nobody]

"The na'vi look too human to be believable as an alien species"

This criticism has been something I've always felt pretty blasé about; as in, I personally see no issue with their designs (love them in fact) but I can see why some people don't like them and I've never been bothered by fanmade redesigns (I find some to be rather cool actually).

However, since the release of TWOW, I've been rolling my eyes at this "critique" (nitpick imo) as well as redesigns because the movie actually provides a non-humanoid race of alien people: the Tulkun. In the film, as well as supplementary material, the Tulkun are described as being a group of people with their own culture, language, belief system, art, music, poetry and law. Sure, they're a whaling metaphor, but as opposed to portraying them as really smart whales, they're actually a native community of people.

Yet, let the people who watched the movie – fandom or otherwise – tell it, and they're just really smart big fish the Metkayina bonded with 😭 people talk about Payakan like he's a wild animal Lo'ak tamed and not a person he befriended, I've even seen fanwork where they humanize Avatar and have Payakan be a pet he adopts or a feral animal he tames and not a guy he forms a friendship with. I remember reading a oneshot where the writer claimed Lo'ak named him and I was like? No, Payakan introduced himself to him!

People claim that Ronal losing Ro'a is some sort of parallel to Neytiri losing Seze, but – not to downplay Seze's death btw – based on Ro'a being an actual person and a familial bond to Ronal, wouldn't it be more of a parallel to Neytiri losing Sylwanin? You know, her actual sister? Or her son Neteyam? It's like saying a character losing their pet hamster is the same as a another character losing their twin sister. 💀

Idk, I just wonder if the people who claim the na'vi look "too human" would have actually empathized with them if they looked more alien and less humanoid, because if the Tulkun are anything to go by, it was a great decision to anthropomorphize them because people would have dehumanized them if they hadn't been (at least, more than they already do). Audiences seem to struggle to empathize with or humanize characters that don't look anthropomorphic in any way.

Sorry for this long ass yap session 😭 this is just something that has bothered me for a while and I needed to get it off my chest.

Bonus point: It becomes more horrifying when you acknowledge that historically, indigenous and native populations having their body parts/organs harvested by colonizers and invaders for medicinal and ritualistic purposes is actually a terrifyingly common phenomenon. Indigenous people having their skulls, scalps and organs harvested by settlers, mummified egyptian people having their bodies stolen and consumed, and many more examples of this happening make it so claiming the Tulkun to be "just a whaling metaphor" feels deeply reductive. Yes, they are a whaling metaphor, but it's a lot deeper than that, yet no one acknowledges it because they look like whales I suppose.

[nocturnaclysm]

I'm going to start off by highly, highly recommending What is Body Horror? by Shannon Lewis if you want to know what body horror entails, because the above definition is far too simplistic. It also fails to take into account why we love body horror so much, and fails to acknowledge how it's being utilized so cleverly in Mouthwashing.

Body horror holds a mirror up to the person, saying “this is you”; the person’s reaction is to reply, “it can’t be.”

Body horror is complex, but at its core are two crucial ideas: 1) loss (loss of autonomy, loss of self, loss of control, etc.), and 2) confronting your own mortality and vulnerability of the flesh. These two things are precisely why the devs chose to use Curly's circumstances as a storytelling device; his disability functions to parallel the loss of autonomy and vulnerability felt by Anya, not as a punishment but as a consequence of his own inaction. The horror is on Curly's end, as he's forced to look in the mirror only to not recognize himself, to realize that he's not the person he thought he was - not because he's disfigured, but because his disfigurement is a physical manifestation of his complacency in a system that functions to strip others (i.e. women) of their own autonomy and safety. Only when he's finally able to acknowledge this does he lose the ability he once had to do something about it, and all he can do is watch his inaction unfold before him, and to him, powerless now to stop it.

"Even the most natural process can feel like a perversion to the person to whom it is occurring."

Attributing ableism to this interpretation of Curly's character shows a lack of understanding for what body horror really represents. Body horror isn't horror because the body in question is disfigured or itself scary. It's horror because it forces you to confront your own vulnerability, because it's in our a nature, a primal instinct, to fear the "unnatural transformation, destruction, or degeneration of the human body or other creatures." It's in our nature to avoid it, to want to prevent it, and fear is a universal, primal emotion that's helped get humanity far enough to contemplate it. One could (and many, including myself, do) argue that having a body at all is inherently grotesque and horrific; our bodies smell, leak, decay, we're crawling with bacteria, we're susceptible to infection and disease, our insides spill out, shed, excrete. Most of all, we feel pain. Pain is a concept crucial to understanding Curly as body horror; the sounds he makes when you're feeding him his pill, the wailing you hear when he needs it, the blood-soaked bandages trying and failing to conceal the raw, exposed flesh underneath. The unbandaged eye following your every move, his only form of communication outside of agonized moans. It's horrific because he can't do anything but endure it, because there's no escaping it, not even in death. Jimmy took that from him, too. (The horror is on Jimmy's end just as well, while we're at it. He has to stare his sins right in the face and reconcile with them, but he fears it. Fears him. Again, not because he's disfigured, but because his disfigurement represents something much larger, much more horrific - the consequences of his own actions and the need to "take responsibility" for them.)

As the article touches on, though, there is a way to paint certain bodies that can be read as ableist (ex. "stories that position becoming disabled as a “fate worse than death”, antagonists with marked visible disabilities when compared with the “heroes.”"). This is an important distinction to make, but interpreting Curly's circumstances as body horror does not align with this (unless they're expressly saying he's horrific himself for being disabled, which I don't think anyone is arguing). Mouthwashing is a horror game after all. The use of Curly's disfigured body to instill fear in the player is deliberate, a perfect representation of what body horror represents. Whether or not you agree with its use is another conversation entirely, but make no mistake - Curly's disfigurement is horrific, in more ways than one.

body horror is defined as a horror subgenre depicting "the unnatural transformation, destruction, or degeneration of the human body or other creatures".

mouthwashing things that are body horror (or adjacent):

giant womb full'a horse fetuses

hallway full of giant curly eyeballs

climbing out of a giant disembodied curly head

polle centipede

jimmy dismembering and eating parts of curly (cannibalism; the dehumanisation and consumption of human meat)

mouthwashing things that are not body horror:

curly being a burn victim & amputee

[pyjamaart]

Every time someone complains about Fully Charged Airmans design, my love for him grows even stronger.

I feel like most people are mad that he isn't blue. Like back in 2014 when people complained that Sonics arms were blue in Sonic Boom. But I honestly don't think it's that big of a deal.

But if you see Fully Charged as an alternate universe to the classic series (which it is), then I don't really get why you'd have to complain about Airman not being blue. I think it's good they tried something fresh with the robot masters. They didn't have that much personality in the classic series, to be honest, compared to Fully Charged. I just think he needed a little more screen time to focus on his character. Just like many other robot masters on this show.

Okay, I have to admit, I did change around his colors a bit for a joke that would have gone along the lines of "Just hire fans, lol", but it actually ended up looking pretty cool, so I can't really make that joke anymore……. Really shot myself in the foot with that one. Anyway, here's blue Airman:

I still think that an episode featuring an air race would have been really really cool. They could have introduced a robot master like Gyroman as his rival. Maybe losing that race could have been the start of his character arc where he finally confronts his inferiority/superiority complex. Along the lines of "Flying is all I have left! If I can't have that, what else am I supposed to do?" Well, now that we're already in headcanon territory, I might as well tell you about all my other ones involving Airman. I believe his family is suuuuper rich. All his siblings have well respected careers and probably make his parents buckets of money. Meanwhile Airman is like the youngest sibling who dreamed of becoming a professional racer, which his parents didn't support at all. Kinda reminds me of another robot master under Lord Obsidians command whose dreams were crushed by his parents......

And as we've seen in that one episode, Airmans siblings are assholes. They just pretend he doesn't exist, like he never belonged to their family at all. Like they're ashamed that he's such a failure.

Oh damn that got dark again, sorry. But just like Drillman, he gets better in the end. While Drillman gets Woodman to look out for him, I've had the headcanon for a while that Airman gets taken in by Blastowoman, since she's also a flying robot master like him. Maybe she even gets him a job as a cargo bot alongside herself. I feel like he really needs someone supportive who's not afraid to call him out on his bullshit in his life. And because I have another headcanon that Blastowoman actually has an adult child (Blastman, lol), she's like the perfect woman for the job. ;)

Coming back to Airmans design, I did change some things about it for this particular piece of fan art. When I was trying to come up with an awesome pose to draw him in, the first thought I had was "Damn, I gotta give this man some heels." And that's exactly what I drew.

Sorry for not posting anything for 2 months btw. I got addicted to Metaphor ReFantazio ;) If that doesn't become game of the year, I'm gonna be real mad.

Jenny out.

[silentmouthpiece]

I hate to say it, but i might as well.

It would be so easy to become a Jimmy. Hell, there are Jimmy's everywhere, but no one wants to admit or even realize that it would be easy to be just like them.

A problem we have as a people is that as soon as someone commits a horrible or unforgivable act we dehumanize them call them monsters. I'm guilty of it as well. It makes it easier to separate them from us, to believe that no real human could commit such acts. The thing is...they are human. They are like us and we are like them.

Jimmy is human. A severely fucked up one who's gone unchecked to the point of catastrophe, but he's human like us. He sounds and acts like a human, and his actions are very fucking human. His issues that spiraled so out of control are so very human that when I look at them in a certain way I see my reflection in the mirror. I see Jimmy in the ways some people walk and how they talk, but no one ever wants to see Jimmy within themselves. I wish I could say I'm nothing like Jimmy, but I can see all the ways I'd turn out like him if just a few things were different.

If I were a man, would I have absord the toxic masculinity of the fathers and guy friends in my life and all that entails? If I was less empathetic, would I let my resentment at the state of my life control me to the point I can only see the worst in others instead of force myself to maintain a sliver of compassion and optimism? If I wasn't desperate to be self-aware, would my crippling fear of failure and lack of self-worth blind me to the reality that I allowed them to hollow me out and leave me with nothing to be proud of? If a younger me didn't convince myself that I can only punish myself for anything that happens, would I have turned my anger and listlessness into a blade that cuts others instead of turn it inwards or share it with my friends? Would I inflict pain on others once I realized I could fullfil a need by doing so? I could go on.

I am also ashamed to admit that one of my knee-jerk reactions to hurting someone badly (albiet unintentionally) or realizing I was increadibly wrong about something is denial. It doesn't last forever but I will obsess over it for a long time afterwards. It's a nasty feeling and it's an instinct that literally feels like a chain yanking my brain to follow it. Primal fear feels like that as well, and it rears it's ugly head when I'm faced with confronted with reality and consequences of my actions.

I want to go back to college, but whenever my mother brings it up I get locked into a state of primal fear, insecurity and hopelessness because I crafted a reality where I have no skills, goals or ability to pursue a higher education or a life that suits me. Confronting that reality sends me spiraling down a very strong wave of depression that often debilitates me, though I've gotten better at climbing out of it so I can at least focus on my job. It still feels like I'm being compelled to enforce that reality, and that instinct overrides all better senses. It's an unchecked issue that controls my actions.

When I talk to my friends all I can see is that they have something they're skilled at or passionate about, and that they're doing what I told myself I can't. I never thought I was a jealous or envious person, but I think that's because I never resented anyone for what they had. However, I see so many instances and depictions of resentful and malicous envy/jealousy that I know they are typically linked. In a world that's more competitive than I ever was, these emotions drive people to harm each other all the time for any reason one could think of. The worst part is those people can also happen to be friends and family who love each other deep down. It's so damn common that it must be human.

I don't understand the need to force myself on anyone for pleasure or control, so I can't relate or speak on that. It's happened often enough that others can speak on it and that's terrifying, and what I see is so beyond my ability to comprehend as an actual thought process or mentality but it's still very real and human. Animals do it to and humans are animals, but we're not talking about that. I suppose the closest I can get is the callousness I can feel sometimes when I'm absolutely out of patience with someone.

All that to say is... I think I get Jimmy and his inability to accept responsibility and the cognitive dissonance of wanting to be seen as good and capable as he destroys everything and everyone he touches. I get his resentment and jealousy of Curly and that it's so tied deeply with his love for him that it twists into something noxious and all-consuming. I get how his warped perception of others didn't stop him from caring for others (mostly the guys), but it affected how and how much he cares for them. I get the casual cruelty he can dish out and I understand being locked in the worst mental autopilot to avoid the fallout of your reality that you made because couldn't accept yourself.

I hope that all made sense. Jimmy really got me thinking.

[toxicanonymity]

I'm catching up on Raider drabbles, didn't realize I missed a few and it's a very pleasant surprise! One thing stuck out to me during Joel's POV for the first chapter. In regards to him being a r*pist: "He's the last person who'd want it forgiven or excused"

Is there a point Raider!Joel actually admits to himself how badly he treated her in the beginning? Or is it all subconscious?

I know you've said this storyline isn't going to get light, so I don't expect him to have a full breakdown about it or give any sort of apology. In my mind I'm drawing a line to canon Boston QZ Joel, who's still extremely gruff and closed off, but doesn't seem to feel the need to overcompensate for his fears with performative violence. At some point he decides he needs his own moral lines back that he won't cross (he mentions not working with snitches to Henry), even if they're still dubious. So somewhere in between meeting sweet pea and the QZ, he has to have that realization.

The line I quoted from your drabble tho, makes it sound like he's further along than I expected. I know he feels badly about the day she ran off, but to actually hate himself for his treatment of her on day 1 feels like a HUGE step. I guess I'm wondering what that looks like in your mind - when does he pass the point into actually feeling ashamed for it? Does it happen as he starts to see sweet pea as an actual human being rather than a prop? Is there a defining moment that makes it hit him?

My favorite Joel is one suffering from regret 😈

Hi! Ty for taking the plunge into the rest of their world. I'm moved that you put so much thought into this. 🖤

There are moments that stick out, but overall I think more gradual/subconscious as he begins to care about her feelings.

For example, you can see glimpses of self awareness when she tells him she loves him and he says she's confused, when she's talking about her late dog and he speculates it was a guy like him.

As for it not getting lighter for the most part: They've become more like each other. Due to their extreme attachment, they're more dangerous together because they'll do anything to stay together. His self hatred has made him more violent because he projects it onto other men. And lastly, dark external events/context could serve as a crucible for growth.

I wouldn't rule out some form of apology from Joel. In the drabble where she snaps, when she refers to when he said he only wants her if she's good - he almost apologizes for what he did when she escaped (instead, he asks if they're past that).

Tysm for reading and reaching out 🖤🖤

If anyone else wants to chime in they're welcome to.

[universalzones]

"Since you're so obsessed with freedom how about you give me the freedom to do what I want with my life. If it involved turning myself over to GUN then I'm going to do it." Surge had data that Sonic had always pushed for freedom, though seeing it in actions made it came of as some sort of obsession, at least to her. "Besides, I gotta clear Kit. I get arrested, tell them Kit had nothing to do with the town attacks or anything, and you back that up. Hard to deny two people saying the same thing."

"I personally don't know much about GUN, though if this is how they normally act then I agree with Sonic," Belle said, which earned her a death glare from Surge making her take a step back. "Though I completely respect your choice and have nothing else to say." The tinkerer doubt she could even say anything to convince the tenrec anyway. Though her attention went to the speakers along with the other speedsters. Why did she get the feeling this wouldn't stop Surge?

"I ain't going, so you can have fun. I'm going to dash my happy ass over to the check point and stand right in front of it. Dare them to attack and see what happens. They want to be all big and threatening let's see if they can handle someone like me staring at them right in the face." Surge then dashed off, kicking up a fair amount of dust as she did so.

Belle was quick to stand in front of Sonic. "Please, don't chase after her. It sounds like she isn't going to attack them first, and it's not the worse idea. If they're only on standby until Lanolin gives the word we're standing down then they shouldn't attack Surge. Having her just standing at the check point and looking scary isn't that bad." The tinkerer was clearly used to the hedgehogs impulsiveness to be so quick to stand in front of him.

"We'll see what Lanolin wants first, and hope there's a plan to at least leave peacefully. Besides, it'll give you a chance to talk things over with Tails and see if he has a good idea, right?" Belle wasn't sure how much Sonic was willing to listen to her, though was sure he'd listen to Tails much better. "And yes, I could use a ride. Even if I might feel a bit sick afterwards," she said, holding out her hand. Moving at the speed of sound wasn't a fun experience, though it was only a short run and they were short on time.

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"Not an option to add that upgrade right now. My hydrokinesis is more of a chaos skill, and while I can control water outside of my pack its not as good because when I suck water into my back the chaos drive inside pumps it with chaos energy. This allows me to control it a lot better. Though to slowly add at a time would require more power to be used, and that'd deplete the chaos driver faster. That's why I always add the water to my pack first before using it." Kitsunami didn't expect Miles to know that, though didn't want his input.

"Not to mention we just want to look tough, not like we're gearing from battle. If the numbers suddenly double it might make GUN more hostile. The turrets are stationary so if they see more it'll just make them nervous at best." Kitsunami didn't want to put too much pressure on GUN as they could easily backfire on them. The fennec then looked hearing Lanolin request quite a few people to the command center.

"Just get the holograms set up and then head to the command center. It shouldn't take that long as I doubt you'll set up that much." Kitsunami was just guessing with that one, though wouldn't be surprised if Miles didn't have that many on his person. "I'll go on ahead." The fennec's not so subtle way to get away from the vulpine. He was dealing with it so far, though really didn't like being around him. With all that said he left and began making his way to the command center.

Honestly? Listening to Surge's plan it wasn't as awful as she made it out to be. her intent was to give herself up no matter what right? So if that was the plan, one last hurrah wasn't awful if he was being pragmatic. Did he like it? No, of course not! He hated the idea of her giving up her freedom to anyone! But she was pretty set on it and if it allowed them plausible deniability then it was a way forward. Even if he was sure it was also an excuse for her to have one last shot at him. She was as eager to throw hands with him as he was to throw hands with her... weird how that worked wasnt it? As for the soldiers they weren't sure what to think. Most of them didn't look ready for a real fight with GUN.

" You are right i don't like it, but... If we had no choice i guess it's a good plan. I just don't know if GUN will buy it or worse try and take us both out... "

He sighed and gripped his wrist rubbing it as if it was sore

" I still think this is a whacked out idea, you giving yourself up and all... Belle will agree with me i'm sure! Giving yourself up to GUN no matter the good intentions is bound to be bad for you... i know you are dead set on this--- but i wanna say it one last time! there has to be a better way..."

Surge wouldn't even get a chance to respond before Lanolin came over the intercom. Calling Sonic, and the others back to the Command center. Which had sonic looking up at a nearby speaker. This was either Lanolin having a killer idea, or bad news for everyone. Sonic was leaning toward bad news... he just felt it in his gut.

" Looks like we might not get a say either way... you need a lift Belle? i bet she'd want you there to..."

He'd hold his hand out to Belle offering to take her to the command center with him. Either way it seemed like this was the end game, either they pulled out victory or GUN Won and restoration came crashing down.

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Miles tried to ignore how displeased Kit was with calling him his friend. That said he didn't intend to stop calling him that, he wanted to be Kit's friend. But seemed like no matter what he did they'd always be enemies. Chaos was he pulling a Sonic on this one? He didn't want to think about it. But Kit was right about seeing through the holograms but the idea was just to buy them time to form a counter offensive.

" You aren't wrong a sharp eye can see through them, but its meant more to just make the enemy pause. This is a deterrent after all not a means of attack. "

He tapped his chin and slowly looked up to the roof

" As for water... if things do get dicey we can set off the sprinklers. That should flood the room with water and give you enough offense to push back any attack. Heh you ever thought about hydroscopic water filtration for your pack? is always water in the air, you could probably pull water in that way, slowly refilling your pack over time. "

The head Nurse only smiled at the two seeing the tension and fidgeting with her Wispeon. She let the two speak before placing a hand on her hip and speaking up with a cheerful tone!

" Why holograms? I can alwaos duplicate more of myself! i can do around 200 at max... though that's stressing myself a bit. The more i create the less intelligent the copies become. but if you just need me to stand around and look intimidating... we can do that! Though i'd prefer not getting myself killed as it were--- i kind of remember when that happens... its not pleasant. "

She squeaked as if remembering several moments her copies died, and she had to deal with the consequences. Miles figured anything the copy experienced she also experienced. So they were probably a sort of hive mind, the more copies there were, the more connections she made the more of her was spread out among the copies. So this was how Altiss kept his base safe--- his nurse was a real power house when you thought about it from a numbers game. Though clearly she was acting brave, and probably not a good fighter.

" Neat... i gotta say that's a killer gift... but let's not put you in more danger then your in. Plus, you have patients to care for to... let's just stick to holograms... unless we need the extra firepower. "

Miles stopped as the intercom went live, and Lanolins message went out calling all of them to the command center. He gave Kit a glance wondering what changed but, guessed they should grab the belle bot and head to the command center. though he hoped Dawn and the others would be ok till they returned.

" Guess Lanolin is up to something... might as well put our plans on hold for now... "