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#they did not do the deed btw. its like that one post.
ballercollective · 3 months
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Glecctor save me
Glecctor
Save me glecctor
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vaspider · 5 months
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Hi there! Hope you’re having a good day mama spider. Just dropping by to ask for some info on an addition to a post about Judaism you made. I chose to ask you and not op because i’ve sent you an ask before and know that you answer them. So real quick, why did you type out G-d rather than God or god? Does it have something to do with Judaism? Is it just for the faithful to follow and not goyim? As an atheist who was formerly Catholic i just wanna learn more and be respectful of others’ religions whenever i can. I know next to nothing about Judaism, even though they’re a good portion of my county’s population. Hope this ask isn’t insensitive in any way, and thanks for taking the time to read this <3
This isn't insensitive to ask. It's actually a great question, and I'm glad that you asked if you're curious.
Since those articles cover your asks pretty well, I'm gonna give you some free bits of info to help your quest for respectfulness, which is pretty rad, btw: we don't really use phrases like "the faithful" bc Judaism doesn't require faith in G-d. There is no conflict between Judaism and atheism & there are a lot of Jewish atheists and agnostics. Judaism is an ethnoreligion and a people in a way that a lot of religions aren't, and in fact, the symbolism for one of my favorite holidays emphasizes that we are not complete without all kinds of Jews:
The functions of the four species are defined by both their smell and taste, or lack thereof, along with some interesting imagery from the Midrash (Vayikra Rabbah 30:12): The etrog has both taste and smell, representing people who both perform good deeds and have Torah (knowledge). The lulav has taste but no smell, representing those who do not use their knowledge to perform good deeds. The hadass (myrtle) has smell but no taste, representing those who perform good deeds but lack the knowledge to excel at them. The aravah (willow) has no taste and no smell, representing those who lack both.
"Good deeds" here doesn't just mean "being nice to your neighbors" but refers directly to performing mitzvot/mitzvahs, the 613 commandments that observant Jews observe to varying levels of specificity and intensity.
It's not offensive to use a phrase like "the faithful," just isn't ... correct, you know? Instead, you'd just say Jews or Jewish people. If you're trying to refer specifically to Jews who are religious or believe in G-d... there isn't exactly a phrase for that, I guess you'd say "observant," because there are a lot of Jews who are observant but also atheists, since observant Jews may be observing mitzvaot for any number of reasons that have nothing to do with belief in the existence of G-d.
Anyway, there you go, with some bonus info. As always, I don't speak for everybody, 2 Jews 3 Opinions, etc.
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nyxthejinx · 1 year
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Heya!
I just saw your open for request post and want to commission an Cyno x gn!reader, please? :) a fluffy and spicy drabble would be lovely. Maybe smth like.. the reader is good friends with Cyno and Tighnari but the reader went on a journey thru teyvat and met the Aether (traveler) on their way and since then they traveled together and been thru much so they have a connection ofc and then when the reader and Aether visit sumeru and they meet Cyno - he will get all jealous? Cause he sees how close they are and he fears that he missed his chance with the reader? But obvsly its not like that and yeah. A lil bit of making out at the end, please? cause Cyno needs to let out some steam after his jealously :^)
Thank you for doing requests btw!
FIRST. It took ages but I was able to sell my soul in exchange for inspiration only recently, I'm so sorry. SECOND thank YOU for asking, I wasn't sure about this until the 3am among us potion made it work. THIRD beautiful pfp, akaza bb fr i love him a normal amount I promise. FOURTH it's 5 am, literally I'm not kidding, I tried to proofread and all that but I don't even know what's my name anymore so I'm sorry for typos and shit. FIFTH I hope It makes sense, enjoy 💀
𝐓𝐖: Fluff and obviously spice (making out, vague allusions to the dirty deeds ;) ), use of petnames (dear, love), lemme know if I missed something.
𝐅𝐭.: Cyno, Aether (but he's your homie) - GN!Reader
𝐖𝐨𝐫𝐝 𝐜𝐨𝐮𝐧𝐭: 2.5k
𝐋𝐢𝐬𝐭𝐞𝐧𝐢𝐧𝐠 𝐭𝐨: Rendezvous - Little Mix (god this song is such a banger)
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Cyno fears nothing.
"Cyno, this is Aether."
Cyno fears one thing.
He'd felt so happy after reading your last letter. You said you'd be back in a few days with a special surprise, but honest to Archons the fact you'd be coming back to him - for him, he’d wanted to say, but not dared to- was enough of a present.
He surely wasn't expecting that this "surprise" would be none other than the Traveler who's saved Sumeru, though. A charming blondie who drifts a bit too close to you, in Cyno's opinion.
"We met in Liyue, he's amazing." You smile, squeezing the blond's shoulder. "He's a well known traveler across Teyvat, even in regions he has yet to visit!"
"I just help those who need it, not that much of a big deal."
Aether blushes and rubs his neck. Aether blushes. And you're touching him in a way that only close friends do.
It's fine, Cyno wants to think. You're allowed to do whatever you want in your life, he sure as hell won't stand in your way. He already stepped aside back in the days, as you excitedly told him how one of his worst fears came true you were leaving for adventure.
Everything to make you happy.
But his mixed feelings would always get in the way and unleash endless internal conflicts. It wasn't simply about not having you around, it was some kind of longing sitting inside his chest and screaming at you not to go.
It was the distance that made him realise: he was, and still is, far too in love for his own good.
And Aether could get in the way of that.
"We meet again, Traveller." The General nods, pushing down such shameful thoughts. "I'm glad to see you are both fairing well."
"It's all thanks to [Name], actually." Aether nudges you in the ribs. "They're really helpful, no matter the task."
You smirk. "Oh, what an honour. The traveller complementing me, a common, mortal nobody."
"Hey, I'm not that annoying!"
"Maybe. But you sure snore at night. That is annoying."
"Wh-! I don't. I know for a fact-"
No, you don't sound like close friends. You sound like a married couple. What just happened in this handful of months? Did Cyno hesitate too long and lost his chance? Now that he had decided to expose his deepest feelings?
"You guys! Paimon is starving here."
Paimon's shrill voice cuts short the bicker, as the Matra's jaw clenches. Good time, credits to Paimon, but seeing the two of you stroll towards the tavern didn't ease the knot in his chest the slightest.
Your laughter wasn't addressed to him nor to his uncanny jokes. He wasn't the one making you smile.
He was the moon and he'd just been eclipsed by the Traveller's brightest light.
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Dinner was... Gut wrenching, to say the least.
You'd known Cyno long enough to tell apart his feelings even as he wears that stoic facade of his. While Paimon and the Traveller didn't have a single clue about the situation, you could feel his dry gaze burning holes on both of your figures, as if the sun had ascended back to the skies and everything around had turned desert.
He was feeling something you'd never quite seen within him.
It took you a bit too long to realise that the fair, lawful General Mahamatra was jealous, of all things.
He was so subtle with it, carefully hid his resentment in his voice and choice of words, in his gestures and mannerisms. But worst of all he didn't propose a single joke during the meal, not even when you laid the chance on a silver platter for him.
That had your mind reeling for the rest of your time together, and even afterwards, as you waved goodnight to Aether and Paimon. As you walked these streets you still know by heart with your dearest friend by your side.
As you choked on the thick air surrounding the two of you.
Maybe you should've left Aether out of it, for the first day, at least. Cyno hadn't seen you in so long, perhaps he didn't like the way Aether inadvertently hogged your attention the entire time when all he wanted was to hear about your adventures.
Yeah, you'd been an idiot for that one.
But, you still had an ace up your sleeve. Quite literally. One that would grant you his forgiveness and hopefully help you say the words to him.
Because of course, it took you less than a week far from him to realise you were smitten for this dad-jokes-spitting being.
You patted your side as you approached Razan Garden in all its glory, and sighed at the feeling of the rectangular box still inside. You could do it, you had to! It took you months of preparation, you wouldn't let it go to waste.
"[Name]." Cyno's voice was soft, as if to match the atmosphere lingering in the marble gazebo. He'd stopped a couple steps ahead of you, but didn't turn to meet your eyes. "My congratulations and best wishes."
You alt abruptly at that. Where the hell is it coming from?
"Uh, thank you?" You quirk a brow. "Did I do something special without knowing?"
He chuckles under his breath. Yes, you are special and he's grateful a being so perfect can exist in this world and is part of his life. But he would never tell you that.
He turns instead. His eyes rich with emotion, gentler. "I'm beyond glad that you found the right person out there, [Name]."
Oh. Oh.
"I only ever hoped for your happiness and well-being, during this period of time."
"Cyno, wait a sec-"
He takes a step forward. "If I had to voice my honest thoughts... I must admit I couldn't find peace of mind knowing you would've been out there alone."
"Cyno-"
"But I see you're perfectly capable of handling your own," the man sighs, shakes his head. A small smile curves his lips. "Just like you've always done."
"Oi-"
And then he's placing loose hands on your shoulders, as if he's in some kind of automatic mode and has to finish the speech at all costs.
For a moment you think he's gone absolutely senile. "Still, I'm relieved you have someone who can watch your back, now. He's a kind-hearted person, level headed, the best you could wish for-"
"Archons' fucking sake, Cyno! Will you hear me out a damn second?"
Cyno almost jumps back, taken out of his weird reverie, but you're quick to trap his face between your hands. You're close, closer than you'd wanted to, unfocused in your frustrated fervor. So much his breath warms the apple of your cheek, as it wasn't burning already.
You take a breath and force more words out before you can cower away from it. "I get where you're coming from, I neglected you today and acted like a shitty friend. And I'm sorry for that."
You lower your gaze to the ground. Now or never. "But it's you, okay? It's always been you! I could travel across all Teyvat and even Celestia, but it's you and just you. So drop that thing you're on about please."
That was disgustingly corny. But hopefully did the trick, you guess.
A beat passes. Then two. You don't see his face, you don't have the courage to take a look at the mess you've made. Him being jealous didn't mean he liked you, not necessarily. Maybe you should've given him the TCG deck and call it a night.
Another beat goes by.
"So... You and Aether are not...?"
He's gonna be the death of you.
You groan, a guttural sound that shouts exasperation from the deepest parts of your chest. All rationality goes to hell as you drag him closer and slam your lips together.
You're kissing him. Archons you're kissing him-
There's no time for Cyno to react. You're pulling away in a frenzy, hoping the ground will open for the Abyss to swallow you right now. You kissed one of your friends only to prove that you're single, and in fact attracted to them. Could it be worse than that? More humiliating and disrespectful to him?
"I'm so sorry!" You wave your hands around. "I shouldn't have without your permission! Are you okay?"
You search his expression for any sign of discomfort; he looks absolutely flabbergasted, but somehow weirdly composed like a bronze statue. His lips -god you'd just kissed them- are parted in the slightest, his eyes wide and yet still. The calm before the storm.
He's showing yet another sentiment you've never really seen him wear.
"Again." Cyno says.
You blink. "Uh?"
You feel his hand slither behind you and circle your waist, as he pushes your body closer. His skin is running hot like the desert's sands and you curse at his choice, or better lack of clothes.
His silver hair falls like a curtain, his eyes sharp. Dangerous, even, if you're not careful enough.
"Please, do it again. I think I've just seen the gates of Celestia." He mutters close to your lips.
That sounds more like him. You can't help but snort at his choice of words, shuddering all the same. The implications of said words dig a flaming hole in your chest.
"How can you be so smart, but dum dum at the same time?" You whisper, one hand traveling to the back of his neck, the other busying itself with stray locks of hair.
And you dip in for another kiss. One you sigh into, one that can be called kiss, actually. It's slower, but full all the same, scorching hot, pushed by feelings that were repressed for too long.
Cyno locks his free hand at your nape, never possessive, although firm. Small sounds bubble in the back of his throat when you bite at his lower lip, then backs just enough to mutter a couple words.
"Can you really blame me? It feels like a dream coming true." He pecks your lips, then presses his forehead to yours and closes his eyes. "I was scared you'd chosen him."
"So, all those pretty words from before?" You exhale a breathy laugh, cradling his jaw.
"I'd give away everything I have and am if it meant you'd be happy. I could only wish you the best and support you." Cyno smiles, pouting after the next words leave his mouth. "But it doesn't mean I would be fully content with the outcome."
Your brain has turned to mush. This man is too dangerous for this world, a hazard for you and your poor little heart that feels like exploding. It's a threat to your common sense and rationality. But most of all, it's damaging your brakes.
What he's telling you should not be legal.
"Archons, come here." And you kiss, and kiss, kiss again and again. You map each other's bodies with your hands as if it was the last time you'd be seeing each other. You press your mouths, clatter your teeth, intertwine your tongues.
You're straight up devouring in the dead silence of the night, in a public space. But as indecent the sounds you're both making are, it feels as if the world around blurred and blended into nothingness.
You've found yourself with your back to a wall, somehow, a couple buttons loose, skin hit by the cold air of the night. You -surely more clothed than Cyno- are an absolute mess, whereas his appearance doesn't falter much even at your hands' mercy.
It's unfair, he's unfair. He has no right to be this damn perfect even in the face of chaos.
"Not here, Cy." You manage to utter. "Let's go home."
His hand stops halfway up your shirt and he detaches from your neck with a small grunt, red splotches forming already thanks to his work. He doesn't sound pleased with your choice, but wordlessly complies, knocking you off your feet and picking you up so easily it's unfair.
And embarrassing.
You deadpan. "Seriously?"
He finds your eyes, suddenly composed as if nothing happened. "You seemed quite unstable on your legs, dear."
You're audibly gasping at that, whacking his chest and glaring daggers. "You!"
"Let's continue it home, now."
Cyno is really going to be the death of you, in many ways you'd never even considered.
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It's almost dawn when you finally let yourselves snuggle up to each other in the peace of your home. More like his home, since yours needs more than a bit of cleaning after months of disuse, but he's made it clear already: everything that's his is also yours.
Cyno traces patterns on the bare skin of your arm, as you card through the knots on the back of his head, formed after... Recent activity. He seems too lost in your touch to even be awake, when his fingers stop.
"What was the surprise, in the end? Was it the confession?"
Your hands still, your face tightening at the question. When did you even... Oh, right.
"Would you be satisfied if I said yes?"
He pinches you.
"Owie!"
"You should know that what has been of this night matters more than anything, to me. Of course I would be satisfied." Cyno raises a thin brow, as his hand starts to descend agonizingly slow, leaving a trail of goosebumps in his wake. "Was I not clear enough about my feelings? Perhaps you need a reminder-"
"Whoa, hold your horses, General." You chuckle, planting a kiss on his forehead before leaning over to your bedside table, where your bag had been thrown previously. "There was no way I'd come back empty handed after all these months, yanno?"
You pull out the wrapped box, place it in his hands. Cyno stares at it quizzically, but opens the packaging with care after you nudge him in the side.
Oh, his expression is so, so priceless. Cute, too cute, so cute you could die right now on the spot for excess of sugar in your blood. He looks like a kid who's just received the toy he oh so wanted and ranted about.
"It's not just any deck," You explain. "It's a deck made of cards I've gathered around from different regions. Some were more challenging to get, but I've been playing with you for a long time, haven't I? Of course I'd win."
Meanwhile Cyno takes the liberty to browse its contents, and just like you said, they're not from Sumeru. He's barely ever seen them, some are literally unknown, and he's ecstatic at the sight. How long did it take? How much effort?
"This is…" there's no right term to describe it. "Wonderful. You are wonderful, [Name]."
He goes for a hug and you feel like your bodies fit perfectly in each other's arms, as if it was meant to be. Right now, all that matters is this. And it will always be for all you care.
You smile into his shoulder, smooch the base of his neck. "Is it too early to say 'I love you?'."
"I would actually say we're late, Love."
"I love you, then, you Dum-Dum."
"I love you."
"..."
"..."
"..."
"You are like my asthma. You just take my breath away."
You make sure Cyno slams his head as you throw him off the bed.
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DON'T copy/repost my work. REBLOG instead! ©nyxthejinx
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weirdmageddon · 1 year
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ur davejade posting has me Remembering and goddddd. theyre so good. thank u
i want to make a davejade analysis masterpost but the funniest thing with these asks is that theyre the ones that really prompt me to put my thoughts together in some direction and i ALWAYS find a new implication or connection to talk about. like while i’m writing the connections will just make themselves known. if i made a masterpost i’d have to update it every time i think of something new which defeats the purpose of a masterpost because it’d never be finished. so i just like to spitball into separate posts and just shove them in my davejade tag. i was NOT expecting to get back into homestuck with davejade at the forefront but i can see things now i didnt then
im gonna go off again because it’s so obvious to me on this jumpy scrambled “reread” that dave has a fat fucking heart-on / affection erection for jade. hes tryin soo hard to be cool but hes like this with jade actually behind the screen and she knows it
words and deeds of a court jester dude who totally has a crush on his childhood internet friend and doesnt acknowledge it (btw this is woefully incomplete for the sake of brevity but i could elaborate in another post. i actually have a draft (edit: posted) with a shit ton of more analysis stuff in it on why he acts differently with her than other characters):
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the next day (chronologically) when jade messages him:
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hussie commentary: “Dave's one-pixel-smile there means that there are literally more than ten thousand drawings on the internet of Dave and Jade kissing. That pixel literally made that happen.”
i mean … it sure is easy to assume how he feels about jade based on the way he talks to her and when his sprite only ever smiles one other time in the entire fucking comic and the reality of that other one was arguable since it was during [S] Karkat: Mental breakdown and its likely karkat was hallucinating it based on the content and context of the flash
nah this one was real. and it was from the first conversation we saw between dave and jade in the comic and thus set the standard for their dynamic. and remember old school 2009 dave was kind of a menace so it says a lot
this girl was special enough to him to warrant that pixel
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jade calling dave a “huge baby” for him getting nervous about a piss while she’s his server player. he makes such a big deal about it while shes like oh my god just go:
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and the absurdity of the situation being one of his favorite memories
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i know pesterquest isn’t “canon” canon but it passes my character essence check and still contributes something of substance to my argument. like i can say this is not at all out of place if these characters were plopped into these scenarios. remember this takes place on the same day as the above, 4/13/2009. theyre the same age as above and have the same relationship as they did above, just in a different scenario that wasn’t possible in canon wherein they didn’t play sburb
Jade wanders away from that window and toward another one, whose view is exclusively centered on the rolling blue. She presses a hand against the misty pane and sighs. JADE: you know, dave talks a lot about coming to visit me here. i mean, all of my friends do but dave especially JADE: in his usual davey way of course, which means making lots of jokes and not sounding very serious about it JADE: "yeah im itching to put on my safari hat and come traipsing down to doomdeath archipelago to get my ass murdered by infinidog the eldritch retriever," stuff like that JADE: i know he really means it though! he wants to see me, just like i want to see him JADE: but its just wishful thinking
anyway daves reaction to seeing his isolated online friend for the first time irl cry because she has guests. its even better with the character sprites
JADE: we can play with all my toys and jam out to some music and stay up all night chatting with each other and oh my god oh my god youre here youre all here this is really happening!!!!! Jade's next laugh verges on hysterical and she's got tears streaked down her cheeks. Dave looks a little perturbed. DAVE: wow holy shit uh DAVE: its cool jade no need to get so DAVE: like this DAVE: kind of fucks me up seeing you cry DAVE: not that im trying to make this all about me DAVE: i mean uh
and so after mspa reader’s intervention, who do we see with jade the next time we see her?
dave. and hes goofing with her squiddles while grinning
DAVE: okay so lets see what we got here Jade's room is bright and cheery, fresh flowers in the hanging pots, curtains pulled open wide to let in the afternoon sunlight. Jade sits on her bed while Dave paces in front of a line of squiddle toys, carefully assembled in neat ranks. DAVE: this blue one is clearly in charge look at his dominant posture DAVE: also hes the only motherfucker not tentacle deep in his homie DAVE: hes an untangled buddy that is some shit really cuts to the core of like DAVE: DAVE: emotions JADE: its actually because the magnets in him are messed up, and always have been!! DAVE: harley you are ruining the magic come on
basically what im putting together is that dave was REALLY fixin to spend some time with jade. extending into her sphere of interests that he doesnt express much with anyone else; you can tell he really wanted to engage with her in a less irony poisoned way. he’s softer with her than his other friends and god forbid the trolls, he is much less skeptical about things when talking to her (he even questions why he just seems to go along with her eccentric precognitive statements but he doesnt change his attitude about it), he showers her with his music and raps to the point where jade is expectant of getting poetry from him. rap IS poetry. please realize that dave is sending her his poetry, regardless of how goofy it may be. this is the level on which im viewing this at and once you realize this theres no going back. there comes a time in every homestuck’s life where they have to see how dave interacted jade and conclude that he had a cute little puppy crush on her unbeknownst to either of them. and it was adorable. and now, in the year 2023, it’s your time to realize this too. no going back.
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and btw it all came back around…………………nimblest son of a bitch who had the gumption to glue a nasty pair of latex cat lips to his face
for a reason that wasnt a joke anymore
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don’t think ive seen anyone talk about this parallel at the end to one of their first conversations in the comic. maybe somebody did back in the day but i never saw it
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kharmii · 1 year
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Wow Someone asks nicely for you to remove *their* posts and you throw a callout post at it complaining? FYI, theyre not scared, theyr uncomfortable. A feeling someone is allowed to have when it's their stuff you're associating to incest. Yes it's fictional but some people can still find it disgusting. Its one thing to post in your own little corner but as a reposter, just nut up about artist's wishes about their art LOLHow a proshipper can be an anti at the same time I have no idea. You try so much to act like the rest of the shippers are degenerates for liking what they like that you're projecting at someones polite dm :)
I'm not associating an artist who does ralts line art with incest. This came out of nowhere, btw, as the artist has this for their Twitter profile:
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This is an example of the sort of work they do:
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Ya know, edgy teenager art from someone who is barely an adult. There's nothing about blankshipping making them uncomfortable because they probably don't give an a/b/o micro-dick of damn about the train twins. They're obviously playing stupid shipping politics, otherwise they could have just had their friend tell me to take the post down without a long, drawn-out explanation. Other people have done that, and I've shrugged it off and did what they asked. I just get tired of accusations of being along the lines of a pedo groomer, just because I have this one obscure fetish about cartoon identical twins who dress the same way and have a psychic bond (that's it. That's the specific criteria). It's not like I'm going to fuck my bro irl or groom irl twins to fuck each other. I made the point of writing in the cockroach wife post.....either admit it's all dreck and everybody is retarded or erase your delicate flower ass off the internet for being overly sensitive.
Another hot take on this issue comes from the 'proship was the fandom norm' post where I wrote that I don't have to play politics because both sides have aspects that are retarded af, and I don't have to, say, support pedophilia and gross-ass werewolf dick smut, just because I think psychic identical twins are hot. It gets to the point with proshipping that only the people into the most extreme fetishes are comfortable posting, so a lot of times, one has to sift through a mountain of gross, negative garbage just to see their otp being cute once in a while. That's why I aim to make a mostly cute blankshipping blog with only a pinch of edge.
On that note, it's bold of everybody in the Submas fandom to assume blankshipping isn't the default. When I got into this, I was like, "Wait a minute.....are antis trying to say that these middle-aged autistic train clowns in adorable matching train conductor traffic cone costumes aren't fucking?! WEEEIIRRDDD........" I mean, come on..seriously. It's not like people have to be crass about it. Blankshippers can play the brother fucking smooth, like where they sneak a kiss here and there when nobody is looking and do their dirty deeds behind closed doors. It's not like I'm going to write a fanfic where Emmet be all like, *does endzone dance in the battle car* "I have won against you. -So now I'm going to celebrate by packing my own brother's ass like I'm going on a month-long vacation. -Because I am a Subway Boss. I am Emmet!" *does toy soldier march to Ingo's battle car*
Actually, that might work if someone is into non-con, like a few seconds later, one might hear a tussle with Ingo yelling, "SWEET MOTHER OF GIRATINA! NOT AGAIN!!1!!1!" *extra big frowny face*
LOL, How a proshipper can be an anti at the same time I have no idea. You try so much to act like the rest of the shippers are degenerates for liking what they like that you're projecting at someones polite dm :)
Again, there's a lot of negativity and gross crap in the proshipping community, and yet, certain things are deemed more acceptable than others (see my two links about cockroach wife and such). Again, it's all garbage and everybody is retarded. I'm allowed to not like certain things and complain (this or that) trope gets used too much. I think some content creators are more into the trope than they are the fandom.
There's also a lot of negativity and gross crap in the antishipping community as well. Why is it that cartoon fictional character twincest is taboo, but again, someone can take a human character ship and turn it into two-dick werewolf knotting cumflation morbidly obese furry bullshit? I'd rather have a fetish that's immoral in the context of irl than one that's stupid and disgusting. Do that many people want to see furry fetish plastered everywhere? -Or is it a case where the vocal minority shouts the loudest? Someone on a gardevoir discord once told me one individual single-handedly ruined a ralts line 4chan channel by posting huge-booty inflation smut that nobody wanted to see but the one person.
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Essays are done!! Here’s some Shadow propaganda because the propaganda we currently have sucks and I need to fix that. While yes, Shadow being Catholic is a meme, there is more to outside of the simple “fandub said so” and its not quite stated its Catholicism but just how he behaves and his actions. There’s a lot of Sonic content so I will try to keep this brief. Gonna get headcanons out of the way.
Posting all the asks as one text post :) I'm doing a read more since it's long but tldr: vote Shadow, he's latino and does good works :)
Shadow is Chilean and so are Maria and Gerald Robotnik because I fucking say so and they’re Catholic. He definitely had un rosario next to his like. Bed or test tube whatever he slept in. So did Maria btw. Alright let’s move on because I am 100% correct.
Let’s start with some background for Shadow. Shadow was created as a cure for a girl called Maria and he grew to care for her as a sister and loved her deeply. He was artificially created but still holds a soul that is similar to Maria’s. Long story short, Maria is killed protecting Shadow who watches as she’s shot in front of him. He has his memories tampered by Maria’s grandfather, Gerald, who manipulates him into carrying out revenge on the Earth, even if Shadow ends up as collateral.
Shadow struggles with frequent identity crises, even before Maria’s death and always wondered what his purpose was, what he was made to do. Was he a weapon? Was he a cure? He’s the Ultimate Lifeform, but what does that truly mean? ? He’s Shadow, but what more is there to him? He doesn’t know what his purpose is other than what others have prescribed to him, and he guides himself through the will of others (something that he breaks through afterwards but not yet). Shadow at his core is self-sacrificing and constantly punishes himself. This is where you can see some of that good old guilt that everyone has been using as propaganda, but we also see someone who is giving and kind.
He is snarky in the game, especially when interacting with Sonic, but he’s having what is essentially an ongoing mental breakdown but keeps moving because it is his duty to his sister. He doesn’t believe himself important enough to continue on after her and sees it in himself to act out on “Maria’s wishes”. After the revelation that Maria’s final wish for Shadow was for him to make those on Earth happy and to protect them, he immediately sacrifices himself to do so.
Okay, that’s a lot and you’re probably asking “Okay, you mentioned he is a giving person and yeah he has guilt, but that’s not really Catholicism” and yes you would be right! So let’s go into the more important part of being Catholic. The charity, the community, the kindness, etc. Shadow is a very reserved person and has the habit of being a dumb teenager because well. Yeah. Anyways, he definitely has a soft spot for those he cares about and while his whole arc (in my opinion) is about finding the freedom of self-autonomy, it is also Shadow growing as a person and deciding not to save people because others have told him he needs to, but because he wants to. It is born from his soul and its his nature to care for people. It is who he is, and he knows it now. He’s not doing it because he’s a hero or because he is told to do so. Shadow is a very giving person and I think people tend to forget about that especially due to bad writing from the past decade or so. He is also stated to help out at food shelters and volunteers a lot. He is proud and a bit prickly, but he cares so deeply about those he loves. He is stronger with his loved ones and will always do his best to protect them. These are minor, yeah, but you don’t need sweeping and enormous acts to get attention for the good deeds you do. Most of what you apply of Catholicism is done at the personal level, between your friends, family, and community.He also goes to Mass whenever he can and if he can’t he goes to the capilla and also does the sign of the cross whenever he runs by a church. Cutting this off because this is already 740-ish words and I had to send these across multiple asks I am so sorry Catholic mod
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anne-lida · 2 years
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Hello, Lida *-* I saw some Japanese titles in your WIPs names, so... Do you speak Japanese and never told me??? Do you know I love Japan, Japanese folklore, culture and their traditional food?? Now you know (Nikujaga is on the menu for dinner tonight ٩◔‿◔۶)
So, tell me more about those titles. And... how many languages do you speak? Did I see some Spanish titles too? Mmh.. Interesting!
Aaaaaaaaaaaaa!!!
Hello, dearest Lady Connor!
I'd just ran around my bed in excitement for... maybe two minutes or more after seeing your ask. Really tired, but happy to see you in my ask box! ^^
Anyway, for the ask:
I'll be very honest, I just started learning Japanese last December and I still can't make a proper sentence yet--probably even less knowledgable about Japanese anything than even you ^^'. Really sorry for disappointing you ;_;
Other than their foods, I do really love tokusatsu, especially shows like Super Sentai (and its American adaptation Power Rangers) and Kamen Rider. But last year, I delved into Ultraman franchise and found a... deep liking into a certain character ._.
And that's when I made that first Japanese-titled WIP ^^
(Btw, all of my Japanese-titled WIPs are Ultraman fanfics and for now, they're still written in English ^^)
So, for 限界を超えろ (Genkai wo koero!), I did post the faceclaim of its main character, Kazuki Ōkami ^^
Story-wise, it's a story of Kazuki, a paralympic athlete who was once a big fan of his city's hero, Ultraman Srika. One day, Kazuki lost his best friend during an attack and he found out that his very idol caused it. He was boiled in hellish fury, but far from enough to give him an even chance to survive the giant's blow, if he should fight Srika.
On his lonely walk, he sacrificed his life to save a mysterious young man, who turned out to be a new Ultraman in disguise named Gala. To pay for Kazuki's heroic deed, Gala bonded with him. Reviving him in the process and giving him ability to become giant. A chance to fight alongside Ultraman Srika, or against him :)
Yeah, that's basically what the first episode is ^^
The story of ミスター • ウルトラマン (Misutā Urutoraman) is still not well developed. The main concept is this series' Ultra host is a CEO of a food company. He only turned into giant if the company's properties were at high risk of getting damaged by the Kaiju and often used the catastrophic attacks to create his company's heroic image as "the savior of starvation" kind of thing through food donation xD
強大な翼 (Kyōdaina Tsubasa) popped quite recently. There's a pair of twins who worked in a Kaiju defense force--one is a pilot, and the other's a naval flight officer. On one mission of finding the Kaiju's nest far outside the border of the outmost village, the pilot's team was attacked by a mama Kaiju and the base lost contact with them. As the Kaiju got closer to the populated village, a mysterious Ultraman appeared and saved the day. Yet, after a search, no trace of the fallen pilots had been found.
And this is his story of finding his sister (and the process of accepting the possibility of her death) and, while still in grieving state, helping other living pilots protecting their homeland (along with the unknown gigantic alien).
Btw, on how many languages I speak...
Uh, it's only three ^^'
Japanese and Spanish (and Bable aka Asturian) are not even one of them. So if you (or anyone else) notice any mistake, please correct me xD
Idk if you also ask about the "Spanish-titled" files, but I'll tell you about it anyway xD
It's all under a WIP folder of a very loose Power Rangers fanfic. It was inspired by social-deduction games mechanic (like Mafia, Werewolf, Town of Salem, Among Us).
"During the sickening century of old, there were murderous beasts called "Monscuros". At night, they searched for foods and followers amongst humans and at day, dressed like the humans. The people of Nagüestia didn't have strength to hold off against their devilish power. But under the slightest glare of sun, people took a chance to push anyone who looked like they did the darkest sin last night into trials.
"Those people claimed that was the only way to win. But seeing so many innocent blood spilt before a sinner was caught, some of them silently believed more in the fabled Layenda. The heroes of the stars, who also hid amongst the men until the sun went down, when they would strike the monsters at the heart with their silver blade and starlight spells. Saving humanity from those wretched creatures... and themselves."
And that's the somewhat romantization vibe of that WIP ^^'
Also, I posted a drawing of a Layenda in the past.
So, yeah. Thank you so much for asking me! ^^
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simgigglegirl · 2 years
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...Guess who's the idiot that deleted the wrong folder, thinking it was the project folders that I finished using (BTW! 50+ Male hairs incoming tomorrow! All that's left is defaults but I need to learn how to do that first) and now the recent neighbourhood that I was having fun with is gone 😭
I thought I was fine since I store backups every now and then but the backup I have for it is super behind so I lost a huge chunk of progress... I wasn't in the mood to play all that again so I just did the next best thing. I extracted the in-game-born premade children and decided to post how they came to be. Because most of them were born from love affairs and it was so funny to see the drama unfold in my game haha.
There's no need to read on and you can skip this post since I'm mostly posting for myself so that I can be less upset that I'll have to start another Uberhood again. And one household had so much drama happening that explaining it all got a wall of text waiting below the read more... So I wouldn't be offended if you skip this and wait for the downloads tomorrow. Also, I guess it can be a preview of what type of kids you could get from my GC sims.
So all these children were just toddlers and/or children in my gameplay but I aged them up to Adults because I plan to also use them to display my future CCs that I made to share. And it's the better age stage to show their feature.
Let's start with the most drama-filled household I had while playing their round!
The Singles Household - Family connection with Grunts & Burb
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(left to right) Odin Beaker - (Son of Erin Beaker & John Burb) Alana Burb - (2nd daughter of John & Jennifer Burb) They had her before I started the Single household round, so she was just a recently grown-up child when Odin was born.
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Fiona Beaker - (Daugther of Erin Beaker & Ripp Grunt)
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(left to right) Rosa Curious Luna Curious - Twin daughters of Chloe Curious & Ripp Grunt
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Levin Grunt - (Son of Kristen Loste & Tank Grunt)
Yeah... I'm sure this info alone is proof of what went down in this household. But these kids being born doesn't cover half of it! Chloe ended up getting Family as her 2nd aspiration and Erin gained Romance as hers. These changes become the main reason so much drama ended up happening in this house, good god.
Before playing the Single household I had first finished the Grunt family round so Tank was in Uni and Ripp become an Adult since he didn't roll a college want before he aged. So no teens were going around giving the newly turned adult girls nooboos... ew. Anyway, Ripp that had no luck getting any girls to date him, when he was a teen, suddenly had Chloe and Erin having a massive attraction to him as soon as he was greeted into the house by Lola.
The two of them just kept flirting up a storm with him till ACR did its thing and had Chloe woohoo with Ripp thus leaving her pregnant with the twins, she fell in love with him right after the woohoo and AUTO PROPOSED TO HIM AND HE ACCEPTED!!!! Before I could even progress what just happened, Erin goes and ACR woohoo with Ripp, GETS RISKY WOOHOO PREGRENT AS WELL! And then proceeds to destroy Chloe's engagement as soon as the deed was done since Chloe walked in to see the both of them in bed...
It doesn't stop there. While heavily pregnant, Chloe ended up getting a date offer from the townie that Lola brought back from work and guess who she got as her date...DANIEL FREAKING PLEASENT! And they hit it off!!! To the point, she rolled an engagement want for him and I decided "LOL why not, it's not like he'll accept it" BUT HE FKING DID! HE SAID YES!!! AT A 5% CHANCE, DANIEL SAID YES!!! I sadly won't know if he would have said yes again during the wedding party but man I wish I could have seen that shit show.
How did baby Odin come into the picture? Well after Erin gave birth to Fiona, she got an outing call from Jennifer (During the Burb round, Erin become one of the family friends that Jennifer needed for her work promotion... if only she knew) and since Jennifer brought her whole family to this outing, John was also there as well. It was only after the outing event ended that Erin ACR with John to the photobooth, THE FAMILY WAS STILL AROUND BTW, exposed John as a cheater to his family and managed to make it worst by getting Erin pregnant...
Before the end of this household round, Tank walks by (he must have known that his brother had just become a father of three kids) and since Kristen was sent to greet him, they hit it off really well from there. At least she didn't get pregnant right on the first day but only near the end of the round with Levin.
Lola was the only one smart enough to at least keep to herself and flirt with the newly single Mary-Sue while Chloe and Erin were in their clowning hours, lol.
The Dina Caliente Household AKA 'Dina knows how to get that money' - Family Connection with Goth and Landgraab
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(left to right) Mimi Landgraab - (Daugther of Dina & Malcolm) Elizabeth Goth - (Daugther of Dina & Mortimer Goth) Malcolm V Landgraab - (Son of Dina & Malcolm) Margaret II Landgraab - (Daugther of Dina & Malcolm) She's the one behind Malcolm V. Katrina Landgraab - (Daugther of Dina & Malcolm) Nancy Landgraab - (Daugther of Dina & Malcolm)
Yep, Dina has 6 kids in total. In order by age, Elizabeth was her first child with Mortimer. They weren't even married yet when she got pregnant with Elizabeth but only after she had a belly pop during her date with Mortimer did he finally roll a want to engage with Dina, thus securing that marry a rich sim want she had. However, the marriage didn't last long since she got caught cheating with Ajay Loner (Mortimer was right there Dina... what were you thinking accepting that kiss...) so at the end of the Goth round she was kicked out after the marriage was broken off.
During Malcolm's round, Dina came by on one of Malcolm's business lots and by herself managed to win him over LOL. It was so funny seeing all the interaction from Dina automatically popping up while the dude was trying to run his business, lol. And here's the kicker! During one of the dates Malcolm and her had, she managed to not only get pregnant with Malcolm's baby but got him pregnant too (thanks to this mod) automatically securing herself with the 2nd richest sim in the hood HAHA!
Wasn't so funny when I suddenly found myself needing to help them take care of 5 newborns at once because Dina gave birth to triplets and Malcolm twins...
The Una Household - Family connection with Mole (The father is a deadbeat!)
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(left to right) James Una - (Son of Natasha & John Mole) Alastair Una - (Son of Natasha & John Mole) Alex Una - (Son of Natasha & John Mole)
John Mole is the worst! THE WORST with how he treats Natasha! OMG! The dude has 3 bolts with her, rolls a bunch of wants for Natasha and seems to be madly in love with her BUT HE WILL KEEP REFUSING TO MARRY HER!!! I thought I messed up the rejection chances mod but no... he really didn't want to get married, EVEN THOUGH HE HAD A WANT TO GET MARRIED!!! Every time I foolishly rebuild the relationship because they sooner or latter always roll the wants to get back in love with each other. But John keeps refusing when ITS TIME FOR THE MARRIAGE TO HAPPEN!!!
Oh but he sure had no issues to keep getting Natasha pregnant every time the relationship was back to "ACR woohoo is acceptable now".
#NatashaUnaDeservesBetter
Born from drama-free households - Most were just risky woohoo babies.
Yeah, I'm shocked that only three households I played had the most dramatic events happen... maybe the 2nd round would have proven me wrong but these are the following kids that were born from either married couples, soon to be married or in Kaylynn's case, "Oops, I just wanted to test the RCC mod being able to let unplayable townies have a chance to get pregnant and it worked... well Mary-Sue broke things off because of the affair baby so maybe you can have your happy ending with Da- oh wait Chloe just proposed and he said yes..."
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(left to right) Aberto Monty - (Son of Ajay Loner & Bianca Monty) Lete Shikibu - (Daugther of Cleo Shikibu & Antonio Monty)
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Finn Bell - (Son of Issac & Hannah)
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Arthur Capp - (Son of Albany & Goneril)
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Anson Capp - (Son of Consort & Alexandra) ...I'm leaning on the main reason Alexandra accepted the marriage with Consort was because he could provide her funding for the Pirate lifestyle she wants. They may be 2 bolts but they don't act a lot like a couple. Poor Anson.
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Kimberley Capp - (Daugther of Regan & Cornwall) Victoria Capp - (Daugther of Regan & Cornwall)
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Atom Beaker - (Son of Loki & Circe) Ceres Beaker - (Daughter of Loki & Circe) Thor Beaker - (Son of Circe & Loki) Atom & Ceres are twins (Yea I lucked out that it happened naturally) while Thor is the youngest. Thor is also the only one that doesn't have two points in mean.
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Nelly Aspir - (Daugther of Victor & Elizabeth) Roman Aspir - (Son of Victor & Elizabeth) Marion Aspir - (Daugther of Victor & Elizabeth) They're triplets... send an F in the chat for their poor mother.
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Noah Martin - (Son of Andrew & Elena) Genie appeared in their lot so dead mum came back to life and they ended up having another child.
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Jewel Simth - (Daugther of Jenny & PT#9) Joanna Simth - (Daugther of Jenny & PT#9) Twins and also everyone loves each other so much in this family 🥺
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Parker Langerak - (Son of Kaylynn Langerak & Daniel Pleasent) Sorry about your dad... at least your sisters love you very much.
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Tinkerbell Summerdream - (Daugther of Titania & Oberon)
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Elisa Ramirez - (Daughter of Checo & Lisa)
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Vincent Goth - (Son of Cassandra & Don) Easton Goth - (Son of Cassandra & Don) Twins, hate each other since birth for some reason.
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Florent Delarosa - (Son of Florence & Gilbert)
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Debbie Dreamer - (Daugther of Darren & Darleen) Lol Dirk getting a genie lamp and wishing for his mum back and then using the rest for money was pretty much the reason Darren's engagement got called off. (Well Darren got kissed by Darleen in front of Cassandra but I like to think getting back the things they once had was what made Darren think twice about the engagement).
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Dedric McGreggor - (Son of Leon & Ivy(Adult Townie)) Donald McGreggor - (Son of Leon & Ivy(Adult Townie)) Twins
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Corbin Jocque - (Son of Marcel & Sophia) Gabe Jocque - (Son of Marcel & Sophia) Twins
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Reed Tinker - (Son of Stephen & Wanda) Celesta Tinker - (Daughter of Stephen & Wanda) Rhythm Tinker - (Daugther of Stephen & Wanda) Lyric Tinker - (Son of Stephen & Wanda) Quads, yes they have musical names. Really proud of that part lol.
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Bobby Broke - (Son of Brandi & Skip) Yea, Bobby is my version of the unborn baby. His also around the same age as the kids I shared here. So you can get an idea of how much of a baby boom I got in this save.
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amazing-witch · 11 days
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This is my Dark Urge Mania btw. I don't have good screenshots because I was playing on Xbox. When I made her I just looked up "evil names" lol and thought Mania sounded cool. But I was reading my player's handbook recently and tieflings actually have "virtue names" that can describe either their personality, a goal, or a grim destiny. The latter in this case. So it fits. Of course, she's not really a Tiefling, just a cruel mimic of one made by bhaal.
She started as Oath of Vengeance subclass and that outfit is what I typically picture her "canon" clothes to be. I purposefully made her an oathbreaker by freeing Sazza at the enclave. I thought the spells were cooler. But it fits the lore. She wouldn't have even remembered what her oath was. And then post-game I imagine her taking up an Oath of Redemption. She kills Gortash right before the brain. And then right after Karlach dies in her arms so she's just like "I'm so over all this death stuff". She's fine still witnessing it and being a chaotic vigilante but she'll never be the one to do the deed of killing herself. (That's Astarion's job)
I'm going to cosplay her.
Other stuff:
She doesn't know how old she is. Younger than Abdel Adrian. But definitely older than she looks. She's functionally immortal thanks to Withers.
She's got crazy scars (magic and physical) thanks to victims fighting back, Kressa's months of vivisections, self-inflicted, and bite marks. Is missing several organs and lots of brain matter.
Her favorite weapons were the Everburn Blade and Sword of Chaos. I used a bunch of weapons but those are the standouts.
She was semi-apathetic about killing Alfira. She was more concerned about the lack of control she felt after. She felt a similar wave of unconscious overcoming her at Last Light and tried to warn Isobel about it. She was almost begging to be retrained. But ultimately Isobel didn't make it. She still has nightmares about it.
Closest platonically with Lae'zel because they mutually respect the high-strength stat. (She was nearly always in my party, I was trying to a mostly melee run)
Quickly fell in love with Astarion. At first it was just because she's into biting. But she knows what its like to not be in control so she would fight tooth and nail for his freedom too. Araj and Cazador and the like made her see red more than Bhaal ever did.
Divorced from Gortash. Had a consensual affair with Halsin. Straight😔
She is 5' 3" (at the top of her head).
It looks grey in the picture but her hair is like a darker blue with just gray highlights.
I think she'd like to get tattoos with Astarion after the game but I haven't decided what.
She's prone to mood swings thanks to Orin's "lobotomy". For example some days she hates Orin and draws pictures of her just to rip up but sometimes she cries over her and wishes she could've resisted too. Very extreme in everything she does and says.
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beesmygod · 2 years
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look: the only arguments in favor of webtoons ive ever heard hinge greatly on the idea that the vastness of the audience on webtoons is crucial to one’s success in the “webcomic business” nowadays. people need money to live. to make money quickly in the entertainment business (and i would like to stress that this is the first time the artist makes a choice: when they decide to pursue art as a career. deciding to do this is not a choice that should be made lightly. additionally, i do not believe that people are being forced to turn to webcomics in order to make a living lol. can you even imagine), they turn toward the algorithmically curated and inflated numbers offered by webtoons.
i’ll start this off with my bone fides so i have to clarify any of this in follow up posts: i started workshopping my webcomic on tumblr in 2012 with doodles and by answering asks people would send me. i would also just post lore dumps for funsies. they are so barely related to the comic now, but they created interest and people asked me cool questions that made me think about the world i was creating. i started the comic in 2013. holy shit i really am coming up on a decade of webcomics. hold on i have to stand up and walk around for a second. picture to break up all these words so your eyes dont slide off the page:
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i made enough money on patreon (as a very early adopter) to live in beaverton, oregon (with first 3, then 1 other roommate[s]) living the most spartan lifestyle a person could manage in order to avoid having to go back to my hometown. now i live in confusing moderate comfort in a house my bf and i bought in a burst of sheer market based luck right before everything exploded. we used all of my savings i earned working from age 15-30 as a down payment.
i still try to take care of myself entirely and contribute a proportional amt of my income to the bills. i use government aid and use(d) it get a lot of medical help that i would not have been able to afford otherwise (medicare for all btw its unconscionable that this isnt the norm). i sincerely enjoyed my poverty and i felt like i understood how to live under those parameters with ease and comfort. i was poor but i was free. i do not like that i have to disclose this in order for people not to immediately dismiss me as coming from a place of monetary privilege. this shit is none of your business. im not interested being assigned a perception to my work and character that does not come from my words and deeds. i do not want “poverty artist” to be the signifier attached to me, forever, that people can scrutinize and obsess over whether or not i deserve the adjective i dislike.
but for things i do like: i like my audience very much, and i hope that they understand that they are under no obligation to care for me, keep me alive, finance me, etc. that is entirely my responsibility. but it is through their continued donations and support that i am able to draw my comic full time in a lifestyle i found comfortable, something that i sincerely imagined would not be possible while i was still working and in college. my audience of ~1.5k (i think, google analytics is kinda whack. lotta bots. this is with all that shit i could find filtered out) has been built up gradually over the past near decade and is comprised of funny, lighthearted freaks of nature who make me laugh very frequently. i just cant let them know that or they will become too powerful and use jokes to destroy me. i dont think i have a single bad thing to say about AGS readers. you guys are a hoot lol.
i do not have a discord dedicated to my work because i find the idea pretty unappealing and have had moderator experience in the past on other websites that i did not enjoy. i did not have comments on my comic until this year. previously the only way to contact me was via twitter, tumblr ask or email. i advertise my comic twice on update days, once in the morning and once at night, so i dont flood dashboards. i do not sign up for zines or jobs. i do not promote my work otherwise. well, there’s a link in my sa avatar, but let’s be real. no one’s clicking that.
WITH ALL THAT SAID:
i cannot empathize with the people who pursue the webtoons line of monetization and i find parts of (what must be) their reasoning morally abhorrent. im not even going to get into the predatory and laughable “pay per page” concept, an idea so blatantly evil that if it were pitched in any other medium it would get you laughed out of the room at best. im not going to talk about the ridiculous audacity of a comic host demanding you produce a minimum number of panels “per page” (im old lol bear with me) in order to be granted the golden laurels of “publication” (another choice the artist makes is the choice to pursue becoming a “webtoons original” as a financial goal. i think this is wildly unreasonable for every reason. but whatever. you might as well bet on winning the lottery). im going to talk about the bizarre mentality i cannot wrap my head around when it comes to what people are expecting when they sign up for a website that openly flaunts how disinterested it is in anything other wringing its user base financially dry.
if webtoons is not interested in anything other than financial gain and their purpose is to make more money every quarter at any cost, then why would that mentality not directly impact and poison the relationship between you and your audience, as well as your relationship with your art?
but lets put even THAT aside. god there’s so much i could hammer on. i will just focus on audience right now.
1. the quantity of an audience is not proportional to the quality of the audience. i dont think anyone is going to debate with me that the webtoons audience is good lol. this is because the webtoons userbase is comprised almost entirely of random teenagers and adults under 25. this age range is permitted to act like insane hooligans (to an extent) because that’s what the vast majority of us were like in some capacity or another at that age. i frequently hear complaints from creators about how their webtoons audience are frequently ungrateful, irrational, and impatient to them. this is the obvious outcome when two parties, especially parties that are doing business with each other, are shoved together due to algorithmic decisions and not by their own volition. both parties have been robbed of the opportunity of building up a relationship of trust and respect between the artist and the audience. however, building up this relationship takes time. and people want to be be making money as artists right now. presumably.
2. the primary purpose of an audience is not to obtain money from them. at least, dear god, i really hope this is not the idea driving people’s desire to do webcomics as a career. the creators entering the field with this mindset are DOA, straight up. even if you were capable of hiding your odious motivations, whose money are you willing to pursue? would you change your comic if it meant making more money from the audience? do the highest bidders influence the artistic choices being made? is that the relationship you want with your audience? in that case, why not just take furry porn commissions, a field which makes fucking stacks upon stacks of cash? why bother with webcomics and all this extra work?
3. why would an audience of teens and young adults have money to spare? lol for real tho. teens dont often have unfettered access to cash. college age adults are famously deeply in debt to the nightmare state we live in. to jump into this audience with your hands held open is going to result in disappointment when they’ve already prioritized giving what little they have to artists they already know. i dont know what people are expecting with this one. it’s like panning for gold in a swimming pool.
this doesnt even touch on the uglier stuff. but the choice to go all in with webtoon is foolish, selfish, motivated by greed and childish false promises of fame. i do not have any respect for the artists that line up in the hopes that they can simply “jump the line” and skip one of the most, if not the single most, important aspects of a career in art, as though it’s a tutorial mission they are simply too advanced and skilled to sit through. i am not going to feel bad for or comfort the people who saw a company strangling and smothering everything it touches, a company that is subjecting its customers into increasingly more incremental means of payment, a company that has objectively unreasonable demands for the art they host compared to what they pay out, AND WILLINGLY SIGNED ON TO SECURE THEIR OWN BAG.
so that they didnt have to build an audience! the fuck!
my assessment is that to use webtoons is to have a vast amount of disrespect for your audience.
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astaroth1357 · 4 years
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Unpacking the Angel Event (Through My Own Perspective)
Okay so uh… this was a very uncomfortable seat the Devs have offered us today and like all things that give me moral uncomfiness, I HAVE to analyze it. Blame the ethics classes. A full disclaimer, this is not spoiler-free and is pretty much entirely just me unpacking my own feelings here. What may bother or not bother me could really affect you and there is nothing wrong with that. You are entitled to your own perspective. This is just me trying to walk through all the stuff in this event that just… rubbed me the wrong way. So let's get to it.
The Costumes
So. Let's start at the beginning. Diavolo apparently had the bright idea to put everybody in magical costumes of their angel forms (or something like it in Satan's case). This is… problematic.
The reason the brothers lost their angel forms was because they fell after the Celestial War… who's greatest causality (in their eyes) was their sister, Lilith. So one could imagine that their memories as angels aren't particularly happy ones… By this point in the "continuity" (this is Post-Attic, more on that later), they would have known that Lilith didn't actually die which may soften something like this a little. I dunno, I'm not one of them and trauma is uniquely personal to the individual, but the bigger issue is that Diavolo thought this was a good idea to start with to which I say! - I'm not at all surprised by that. Hear me out.
Diavolo is heavily implied to have had a huge ass crush on Angel Lucifer. He's also uh… probably a little sheltered (as sheltered as the royalty of Hell can be) and probably not used to think of his subjects' feelings on the things he does before he just does them. This is fairly evident in other events where he'll order the brothers to do XYZ task even if they want no part in it. It doesn't surprise me at all that Diavolo would want to see them (Lucifer) as angels again and not take into account how that could affect them. I don't think that'd be malice on his part, just shortsightedness, and he likely would have apologized if any of the brothers expressed an emotional problem with it to him directly.
Do they have problems? Yes. But since the event kind of wipes them of their true selves, that's better discussed elsewhere. Moving on.
The Bangles 
Holy fuck, how do we even approach this? So Simeon, in conjunction with Michael (probably, at this point I have to wonder if he's telling the truth about this) gives the brothers jewelry, presumably to wear to the party, that would… I'm not even sure. Curb their impulses? Force them to be mannered? The important thing is he did not tell them about that little detail before they put the bangles on…
This is… also problematic. First, we can try to establish Simeon's intentions versus what actually happened: 
The bangles were (likely) intended to be removable. It was the mixing of the magic that locked them in place so we can assume he didn't mean this to be a permanent change.
The magic on the bangles was probably amplified by the angel costumes. What this means is though we can assume that Simeon never intended them to become quite so… different, we'll never know just how much influence he was actually trying to put on them. It could have been anything from suppressing their sins to full blown force you to say please/thank you. We'll just never get to know now… 
I won't be the first person to liken this to mind control (nor the last) because… that's kind of how it turned out. Even worse still, it would have been completely involuntary on the brothers' part. Simeon DID NOT tell them what the bangles were going to do. Now, he claims later that he would have eventually, but we don't get to know when that would have been. I presume at some time after the party, because like. These are our boys. They're not going to consent to wearing something like that, they're just not.
This poses all kinds of questions and problems ranging from issues of consent to anatomy and even the worth of good deeds done out of obligation vs. free will and… I mean quite literally when I say Jesus Christ, Simeon, what the hell?!
I could write a completely different post debating whether or not what Simeon did actually had any moral merit but I won't because it'd be very dry and boring. I think the most interesting thing to take away here is that Simeon thought it was okay to do like, at all, and with approval from Michael (maybe) no less… That reflects something on angel society that I doubt will get explored but I need to ponder farther…
This section is all kinds of sticky so we need to move on.
The Development(?)
First off, to new players, don't worry this probably isn't canon (at least to the main story continuity). The Brothers should be back to normal in the new chapters and this won't have a long term effect on anything (aside from maybe a tie in to the next event ala Beach event-> Games). That's how Obey Me has always treated their events it seems and I sure hope they stick to it now. But, these are still the same characters going through a unique situation and that can offer some insight so… Let's discuss.
I mentioned earlier that the brothers had problems with this… Unfortunately, I think we only get to see Lucifer and Satan's thoughts in any detail because everyone else is too far gone by the time we reach them… Lucifer can pretty much be summed up as troubled and unhappy because (you know) not a lot of great memories as an angel. I presume that his wounded pride after the fall may also contribute. 
Satan is… more complex. I’m honestly more bothered by his change than anyone else’s because even he expresses how weird this is for him... (We get confirmation that he never in fact had an angel form, btw). Poor baby is going through a full on identity crisis and there’s a certain part of his mind that he’s not even allowed to use right now... Anger. The Avatar of Wrath, born from Wrath, can’t get angry and… Something about that just bothers me at a deeper level, not even I can express properly…
Everyone else is too far gone once we reach them. Their personalities are completely different and they can’t even acknowledge that’s the case. They think that they’ve turned a new leaf but we know that’s not the reality, that leaf was very much turned for them and it doesn’t make anything feel any better…
This may be my own opinion, but part of me thinks that this portion (and only this portion right here) was actually what the Devs were going for. They wanted us to be uncomfortable by all of this for like, story reasons. It’s a narrative trick. Think of the phrase “You don’t know what you’ve got till it’s gone.” I think they were trying to use the absence of the brothers’ usual flaws and traits as a weird way of celebrating them. Kind of like saying, “We could have given you guys these perfect brothers, but they’re not perfect and we know that’s why you like them. Look at these perfect guys, doesn’t it feel wrong?” The answer is, yes. It does feel wrong. And under other circumstances, it would be affirming like they’d be intending, “I don’t want this emotionally-open non-otaku, give me Levi dammit!” But when you add this intended discomfort with the already sketchy way we got here it just makes it all the worse… 
And absolutely NONE of this is helped by...
The… End?
I think the thing I hate about this event the most (actually legitimately hate) is how it ends. In that it doesn’t. It kind of just… abruptly stops right after Lucifer starts coming to himself again. Though I suspect that’s because they’re putting incentive into getting the event cards, this in NO WAY does the narrative any favors.
Most people are not going to get those cards. Even with Lonely Devil as an option, it’s a huge time/resource commitment to get there. Because of that, the majority of people are not going to get to see the aftermath of what happened. We don’t get to see how the brothers feel about what happened. We don’t get to see if they do, in fact, come to and if they have any takeaways from the experience or if they’re utterly disgusted by it. The player character doesn’t even get the option to comfort them after something that was probably terribly traumatic. It. Just. Ends.
What that means is all of that discomfort that we had just lingers… There’s no resolution or pay off. It just… stays… This is the worst possible thing they could have done. If you want your audience to feel uncomfortable, that’s one thing, but unless you’re telling like, a psychological thriller you gotta settle them back down again! Deep moral conflict is not a turn on!!!
Personally, I don’t hate that this thing exists. I don’t. The part of me that majored in Philosophy loves analyzing media like this so I can’t say that I didn’t get anything out of it. I don’t think all media should play it safe, it’s okay to leave the audience with no good answers or a feeling of unease, but you really got to be self-aware of it. The biggest flaw of this event, in my opinion, is that it rarely comes across as self-aware of its own horror. You get a very brief glimpse of it from Solomon when he comments on how creepy things are, but Simeon’s happy. Diavolo’s happy. And though he’s a little uneasy, Luke’s pretty content, too. Add that to the abrupt ending and we never get to know if ANY of them realize how awful of a thing this was to do to the brothers... It makes it all come off as an endorsement of mind controlling your friends into better people and (to me) that feels really, really wrong.
So in conclusion… I dunno. If the next event isn’t something along the lines of “Angelic Demons Part 2: Fixing What We Fucked Up!” then I think they really botched this one guys… I hope somebody was taking notes.
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milkbaer · 4 years
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love to hate you | Part 1
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“The prince of Prussia asks the princess of Bavaria for a dance; both absolutely hate it.”
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• Pairing: Prince Friedrich x Reader (Princess of Bavaria) • Word count: 2.8k • Warnings: none, except for spelling and grammar mistakes, and historical inaccuracy ✨ we alter history to make it fit the narrative ✨ • A/N: @netflixton on made me write it! Well, somehow. But I really have to thank both her and @onlymexsarah because they did not only bring me much joy with their stories but also lots of inspiration. Thank you so much! Really 🥺💖 I hope reading it brings you as much joy as I had writing it. Oh, and I had planned to post another Friedrich story first, but this one was faster. Ah and btw, I’m not Bavarian, sorry my dear Bavarian friends if I fuck up :’) • Small dictionary: Griaß di – informal, like Hello! or Greetings! Pfiad de – informal, goodbye Eure Hoheit – Your Highness Kruzifix – usually a plastic of Jesus hanging at the cross, but it’s also used as a way of cursing. Here it’s a curse.
Berlin, Prussia, 1812
To celebrate the birthday of her son Friedrich, Princess Frederica hosted a big soirée, a ball like usual. Her son might not be heir to the throne, well he was in line somewhere, but he needed a celebration worth a member of the royal family. If he was the son of the king this ball would be bigger and even more marvellous. For her son Frederica would do anything. So, she has had the ballroom decorated with his favourite flowers, colours and had adorned at least every window with candles. She had gotten the best Prussian musicians for him, and even the loveliest voices of Hanover.
Only the best for her son’s birthday.
With his constant travels to the British Isles Frederica often didn’t see him for at least a month. And she knew that he’d soon sail away again, maybe this time it would be Scotland or Ireland. She didn’t know exactly. But she knew that she wanted to see her son happy. When Friedrich was happy, Frederica was happy too. But she feared that if he’d marry an English lady, she’d see him even less.
Maybe she’d have to settle for England too …
 Friedrich loved his mother and not only because she was the only parent left to him. He loved her dearly. It sounded cheesy but she was the best mother he could’ve ever wished for. He was thankful for the party; he knew how much work his mother has put in it. But this evening was delaying his departure for England by two days.
He loved his mother, really, he did. But instead of dancing with debutantes, daughters of family friends, and cousins, he wished to feel the rocky movement of a ship under his feet. Instead Friedrich had to be careful so that no feet would land on or under his.
After he had danced with three of his cousins, he was in desperate need of a break. Especially after having danced with his cousin Charlotte, who was a very passionate and fiery dancer. Instead of leading her, it felt like she was the one who swept him across the ballroom.
But as a prince, and birthday boy, it wasn’t easy to reach the plate filled with lemonade. Everyone needed to talk to him, and Friedrich was too polite to reject them. So, when he gulped down a glass of lemonade it felt like heaven trickling down his throat. He reached for another one, the glasses were far too tiny, when they announced the arrival of another “important” guest.
“Prince Karl of Bavaria and Princess Marie of Bavaria!” they announced when the couple entered the ballroom. Friedrich groaned, not because of them, but because of what, or better who, had to follow.
“And their daughter, Princess Y/N of Bavaria!”
The devil’s spawn.
Grunting in frustration Friedrich grabbed his glass and sprinted off, vanishing in the crowd. He needed to flee, before one of them saw him and decided to talk to him. Talking to the prince would be okay, but he wasn’t too keen on it either.
He needed to get away them – no, from you, as far and soon as possible.
Of course, his mother had invited them. They were her friends. But couldn’t they have left their daughter at home, far, far away in Bavaria?
Hiding amongst other men silently nipping at his drink, Friedrich hoped that he was invisible. He had avoided the middle of the room and the most obvious corners and pretended talking to other gentlemen. In his mind he was unable to be found.
“Griaß di Friedrich! We haven’t seen each other in ages.” Horrified Friedrich spit out his lemonade. Immediately apologizing to the gentleman, who’s coat he just had stained with the sugary drink.
How the hell did you find him?!
He could hear you laughing, maliciously laughing at him.
Your high, gleeful laughter made his skin prickle with anger, and yes, embarrassment. Only by the sound of your voice he could perfectly imagine how you must look like right now. And when he turned around, gritting teeth, he was absolutely right. You wore the same sly grin and superior face as usual.
Of course, he could tell by your sound how you looked like.
You always looked like this.
Looked at him like that when you met.
Usually Friedrich wasn’t petty when people didn’t follow the etiquette. He preferred not to be addressed as your Highness or Eure Hoheit actually. But he hated that you never addressed him correctly. Since he could remember you called him by his Christian name, always.
He hated how you said his name Friedrich, lightly pronounced with your Bavarian accent and hint of mockery. Especially the way how you rolled the first R made him furious. And it appeared to him, that you knew that and only did that to bother him.
“Eure Hoheit, good to see you,” Friedrich lied through gritted teeth. He never understood why he couldn’t bring himself to call you by your baptized name. According to court, he also bowed to you, but only lightly. He would never fully bow down or worse, kneel for you.
“Hm, the pleasure is all mine,” you replied, but your voice said the opposite. You weren’t pleased to be here, he knew that. But he wouldn’t be pleased to be in Bavaria to face you either.
Oh, and you never curtsied for him. You curtsied for his mother and everyone else but not for him.
“The ball looks lovely,” you said and didn’t sound malicious at all. To his surprise you sounded like you meant it. But he wouldn’t trust you, he wouldn’t do that mistake again. Deep inside he knew that this wasn’t all you had to say. You always had something to add.
Always.
Wary he nodded. “Indeed.”
“It’s good to see that one of you has taste,” you said, examining the decorations with a smile. Frederica made an amazing choice with adorning the windows with candles and adding flowers to the room that matched its colours. You really liked it. Friedrich knew that he was meant by your words. To you he had no taste at all.
His frustration slowly grew to anger. Silently raging with gritted teeth, a strong grip on his glass and a forced smile on his face, he asked you. “What do you want?”
“Nothing.”
Why couldn’t he believe you?
“Just formal greetings. And now my deed is done. So, pfiad de Friedrich!” You bid him goodbye in a singsong with wiggling fingers..
Before Friedrich could say anything in return, you walked off to god knows where. Gulping down his drink, again, in anger he watched you waddle off, until you merged with the crowd. Friedrich sighed in relief; he hadn’t even realized that he was holding his breath. Frustrated he rubbed his free hand slowly down his face.
Why was interacting with you always so exhausting?
 Friedrich wished to enjoy his birthday; he did. Not only for him but also for his mother, Frederica put so much effort in this evening and she was bursting with joy. But with Y/N of Bavaria attending he couldn’t relax. Even now, standing beside his mother, it was impossible for him to loosen up. Somewhere in the back of his mind was you, cackling like the witch you were, constantly reminding him that he did not want to encounter you again.
“I know you wanted to depart for England today,” Frederica suddenly said. “I’m sorry.”
Her apology took him by surprise. She doesn’t need to, sure he had had different plans, but he was enjoying his feast in the presence of his mother.
“For what?”
She smiled sadly at him, looking up at her taller son. “For keeping you here when you could be in England instead.”
Frederica warmed his heart, she always did. He clasped his mother’s hands in his. “Mother, I love it. England will still be there in two days or a week. It can wait but my mother cannot, you’re more important to me.”
Giggling she slapped his arm in a friendly, loving manner. “Oh, you. – I see you’re becoming a real charmer.”
Friedrich laughed at that. He didn’t know if he was that charming.
Princess Frederica looked proudly at her son, a warm smile tugged at her face. His father hadn’t been the best and their marriage a disaster, but she was proud of what Friedrich has become. He was so different than him. She just hoped that Friedrich didn’t end up like them and found love, and happiness in marriage.
 The party was going on for hours, and the prince slowly grew tired. His unwanted meeting with Y/N and the fiery dances with his cousin Charlotte, after the second dance she accused him of being a bad dancer, tired him out. Tonight, Friedrich had talked a lot, danced a lot, bowed and kissed hands a lot. He was tired and hoped to retire soon. Maybe if he talked to his mother …
But to his resentment she had a different plan in mind.
“Do me a favour,” Frederica said and pushed his arm towards the crowd. “And please ask Y/N to dance, will you? – She didn’t get to dance a lot, I can’t let the poor thing leave like that.”
Her son snorted, rolling his eyes. You were everything but definitely not poor.
The last person he wished to see was you, but he was too tired to protest so he marched unenthusiastically to the crowd. It took him some time to find you, to be fair, Friedrich didn’t do his best to find you. His subconscious led him the wrong ways, so he wouldn’t have to dance with you.
But there you were, standing beside your mother and looking almost as tired as he felt. He had no idea if you had arrived this day or yesterday at Prussia, and he didn’t care, but it sure must have been tiring. Sluggishly he approached you and greeted both you and your mother with a friendly fake smile. By the look of your eyes he could see that you were surprised to see him, and as uninterested as he was.
He took your hand, no, he had to grab it and hold it firmly for pretending to kiss it. The day his lips would touch your hands, or any other part of your body, would be the end of the world. Some sort of apocalyptic scenario. As soon as he had taken your hands in his, he had felt a small tug from your arm. You had wanted to pull your hand away, and still wanted to do so. But to your dismay, his grip was too tight.
Annoyed you pressed your lips together, which delighted Friedrich. Most of the time he despised you, but he loved it when he managed to irritate you. Oh, he’d surely frame this picture in his mind and put it to his gallery of ‘Y/N vexed faces’.
“I’d be more than honoured if you’d dance with me,” he lied, and you knew.
“No.” was all you said. And for a second, he taught that it was done, and he could retire to his mother. But your mother, Marie of Bavaria had other plans.
“She’d loved to, more than anything else.” She shot you, her daughter, a chiding look and shoved you right into his arms. Which mother would let the opportunity slide for her daughter to dance with a prince, even if she was a princess herself?
 Both young adults groaned but didn’t object. Friedrich rolled his eyes in annoyance when he dragged you to the dance floor. And yes, he really had to drag you. You put much effort in not entering the dance floor.
To both of your dismay the following dance was a waltz.
Grunting he put himself into the right position, squeezing your hands in his and tugging it with him. His grip was a bit too strong for your liking, but you showed no signs of it. You didn’t even wince. You’d would rather chop of your hand than give him the satisfaction of having power. So, you returned his action, and gave his hand a tight squeeze.
“We don’t have to dance,” you said a bit glum.
Friedrich shared the same excitement, but he had – more or less – made a promise to his mother. It was more of a silent promise.
“Yes, we do,” he grunted. “I gave my word to my mother.”
So, this was all Princess Frederica’s fault? You huffed in annoyance. You liked that woman but maybe not so much anymore. But how could you fool? You’d never despise his mother, for that Frederica was way too nice, unlike her son.
“I forgot that you’re a good son,” you mocked him with a perfectly surprised voice. As if he’d usually disappoint his mother. He’d never.
Following the music and other dancers twirled Friedrich you around, savouring that one second of freedom. But far too soon where you back in his arms and the fight for the strongest grip continued. Friedrich knew that he was squeezing hard, even a bit too hard. But your face showed no signs, not even a flinch. You seemed unbothered by it. And he hated it.
So, he changed his grip, squeezed your hand a tad different and harder. You gasped, not able to contain yourself any longer.
Damn Prussian.
“Pardon me, your Highness. I fear my grip was too strong.” Friedrich apologized smoothly with a charming grin. You gritted your teeth; you knew that it wasn’t an accident. He smiled, enjoying his small moment of triumph.
“You did this on purpose,” you snarled. All your dance partner did was feigning his innocence.
“I would never.”
Friedrich twirled you around again. Your mother might have partnered you together but none of you bothered to pretend enjoying this. You only did it because of them.
You two followed the flow of music, the sound and rhythm, which didn’t reflect your emotions. The tune was elegant and yet cheerful, switching from strong and louds chords to gentle and hush. Waltzing to the song would’ve been lotsof fun if you were only dancing with the right man.
Friedrich flinched slightly, pressing his lips together, when you suddenly trod on his toes. Usually his boots would protect him of the stomps of a light, delicate lady. But you tod on his feet with force, with all your power.
“My mother said you were a good dancer,” he said, ignoring his slightly throbbing toes.
Your foot accidentally hit his leg.
He tried not to flinch.
“I never thought of her as a liar, but maybe she did exaggerate your dancing skills.”
Your foot flew against his other shin.
“Oh, I am,” you assured him with an innocent smile, which he knew wasn’t innocent at all. “I think it might be my partner. A dancer is only as good as the one who leads. – Ow!”
“Kruzifix!” you cursed under your breath.
Now it was Friedrich turn to tod on your foot. Thanks to his boots and physiques, and your shoes, he needn’t much to coax out a reaction from you. He sighed theatrical. “I think you might be right.”
And looked at you with a certain grin, you wished to wipe from his face, stepping on your other toes. You glared at him. If eyes could kill, he would’ve been stabbed a dozen times by now.
“It is me who is the bad dancer. But as you said.” Following the tune, he pulled you towards him, making you gasp in surprise, your chests almost touching. You knew that this move was coming but his movements were so abrupt it surprised you. “It is the leader who has the other in their hands.”
According to the rhythm you had to break of, bring some air between you, only to come together again. This time it was you who stepped on the other’s foot again. Your dance was more of a fight and continued until the end. There was a lot of treading, kicking, and squeezing involved but neither of you thought of surrender. Surely several parts of your body would be bruised blue tomorrow.
 When the music grew silent, prince and princess were glad that the dance was over. Except for a formal farewell they said nothing to each other. Worn out did Prince Friedrich returned to his mother and Princess Y/N shuffled grimly to hers. The prince was more than relieved that this farce was over.
In two days, he’d be off to England and Y/N would be stuck far, far away in Bavaria. You and your spite would be far away from him. Friedrich probably had to encounter you next year, at his birthday, again but he’d make sure to never dance with you ever again.
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warrioreowynofrohan · 4 years
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Lord of the Rings Character Thoughts - Gimli
Taking a closer look at Gimli’s characterization and character arc between Rivendell and Lothlórien, what stands out is how strongly it is defined by defensiveness. Gimli’s aware that elves - certainly the wood-elves, who live nearest to Erebor - mistrust dwarves. He is completely unwilling for his people to be seen as less trustworthy, moral, admirable, or knowledgeable than elves are. This comes up in all his arguements with elves, but there are signs of it even before his early exchanges of Legolas. Gimli, notably, is the one who debates with Elrond over oaths when the Company are setting off, whereas many people would be shy of openly arguing with an elven-lord who’s specifically renowned for his knowledge and wisdom.
Their first disagreement between Gimli and Legolas starts up when Gandalf mentions that in Eregion there was friendship between dwarves and elves.
“It was not the fault of the Dwarves that the friendship waned,” said Gimli.
“I have not heard it was the fault of the Elves,” said Legolas.
“I have heard both,” said Gandalf, “and I will not give judgement now. But I beg you two, Legolas and Gimli, at least to be friends and to help me. I need you both.”
(I find this first exchange quite ridiculous - as does Gandalf, clearly. They’re arguing about why their people aren’t friends! If you both recognize that’s an undesirable state of affairs, then just be friends! Which is basically what Gandalf says.)
The second exchange, outside Lothlórien, is similar in its dynamic, when Legolas is telling the story of Nimrodel:
“[The song of Nimrodel] is long and sad, for it tells how sorrow came upon Lothlórien, Lórien of the Blossom, when the Dwarves awakened evil in the mountains.”
“But the Dwarves did not make the evil,” said Gimli.
“I said not so; yet evil came,” answered Legolas sadly.
Both of these interactions are characterized by Gimli’s defensiveness - any time there’s something like even an implicit criticism of dwarven actions, he jumps in. This defensiveness shows up much more strongly in Lothlórien, when the elves insist he be blindfolded: “I will go forward free, or I will go back and seek my own land, where I am known to be true of word, though I perish alone in the wilderness.”
(Legolas, for his part, seems to be actively endeavouring to avoid an argument in both cases. In the first exchange, he says “I have not heard it was the fault of the Elves,” presenting it as a description of his own limited knowledge rather than a statement of fact. In the second one, he avoids arguing and switches to a neutral, non-dwarf-related statement when Gimli objects. I also noticed that it’s Legolas who drags Gimli away from Balin’s tomb in Moria, after the battle. He seems to be trying to heed Gandalf’s urging that the two of them be friends. This makes me think that Legolas does not have any personal animus against dwarves, or dislike of Gimli; what he does have are unthinking biases from growing up in a culture that’s hostile to them, and that’s what comes out under stress during the argument over blindfolds in Lothlórien. I do love the way Aragorn calls him on his racial generalizations, btw.)
Gimli’s defensiveness is the reason why Galadriel’s words are so transformative to both his attitude and to his friendship with Legolas. In the throne room of Caras Galadhon, Gimli is for the first time in a situation that is too overwhelming and intimidating for him to stand up for dwarves, even when he is offended:
“Alas!” said Celeborn. “We have long feared under Caradhras a terror slept. But had I known that the Dwarves had stirred up this evil in Moria again, I would have forbidden you to pass the nirthern borders, you and all that went with you. And if it were possible, one would say that Gandalf fell from wisdom into folly, going needlessly into the net of Moria.”
“He would be rash indeed that said that thing,” said Galadriel gravely. “Needless were none of the deeds of Gandalf in life. Those that followed him knew not his mind and cannot report his full purpose. But however it may be with the guide, the followers are blameness. Do not repent of ypur welcome to the Dwarf. If our folk had been exiled long and far from Lothlórien, who of the Galadhrim, even Celeborn the Wise, would pass nigh and would not wish to look upon their ancient home, though it had become an abode of dragons?
“Dark is the water of Kheled-zâram, and cold are the springs of Kibil-nâla, and fair were the many-pillared halls of Khazad-dûm in Elder Days before the fall of mighty kings beneath the stone.” She looked upon Gimli, who sat glowering and sad, and she smiled. And the Dwarf, hearing the names given in his own ancient tongue, looked up and met her eyes; and it seemed to him that he looked suddenly into the heart of an enemy and saw there love and understanding. Wonder came i to his face, and then he smiled in answer.
He rose clumsily and bowed in dwarf-fashion, saying: “Yet more fair is the living land of Lórien, and the Lady Galadriel is above all the jewels that lie beneath the earth!”
There are several things that stand out here. First, Gimli does not respond to Celeborn’s remark about the dwarves stirring up evil - the first time he hasn’t responded to a comment of that sort about dwarves. Both the surroundings and the company are overwhelming, and on top of that, Gandalf is dead as a result of the balrog being awakened and he may feel unable - emotionally or factual - to dispute Celeborn’s casting of blame for that on the dwarves of Moria. He’s “glowering and sad”, but he can’t manage to muster a defense.
Galadriel’s words are important because they offer both empathy and respect: she expresses that elves would do the same as dwarves in the same circumstances, countering the idea that the dwarves and somehow uniquely wrongheaded in wanting to return to Moria, and she recognizes the beauty and worth of Khazad-dûm and its surroundings (and implicitly, of the dwarven language). She’s defending Gimli at the very moment when he’s run out of words to do so himself.
And it’s that recognition and defense from Galadriel - that dwarves are both morally and culturally the equals of elves - that frees Gimli from his defensiveness and open him up to also appreciate and praise the beauty of Lothlórien. And Lothlórien is the point where he and Legolas first become friends, because he’s now in a frame of mind where he no longer needs the same kind of knee-jerk defensiveness, because he’s recieved recognition and respect and validation. (It may also be a similar turning point for Legolas, in terms of modelling that respect and admiration for dwarven creations and culture is not a fundamentally un-Elvish sentiment, which is the kind of idea one could easily internalize growing up in Mirkwood.)
This is very important to me, because often Gimli’s regard for Galadriel is placed in terms of admiration for her beauty, but it’s not physical beauty that makes him admire her, it’s her love and recognition and respect for his culture and people, and her empathy for them. (I’ve got another post to work on about the use/meaning of beauty in Tolkien’s works.)
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“Hey Arnold!” and “Miraculous!” parallels
Ever have an idea for a post that you take forever to get around to because 2020 is 
actively 
trying
to kill you?!
 Welp, that’s me. I mean, uh, this is that post.
Long post is long and I don’t like cuts cuz I’ve lost a few posts in the past using them. Please filter the tag “long post” I use it for walls of text like these.
So there’s this show from my childhood called Hey Arnold! 
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Having been on air before I had cable (I and my unsupervised brothers and sisters spent our childhood watching Jerry Springer and Maury because there was literally nothing else on our cheap little TV. How hilarious is that?) I didn’t really have much of an experience with Hey Arnold! aside from brief little glances at it when i visited a friends home or the rare occasion where they showed cartoons at school. By the time I got satellite, the show was no longer on the air save for some late night reruns and the Christmas special which aired in December along with other Nickelodeon Christmas episodes (THE best Christmas episode EVER btw).
Really I couldn’t remember much about it until hearing about the Jungle Movie finally getting a release date (a total flop but at least its no cliff hanger) and decided to re-watch the entire series in preparation for said movie.
By which point I had discovered another show—Miraculous. 
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At first glance the two shows have absolutely nothing in common. Miraculous being a French-born mahou shoujo-esque CGI superhero TV series about a couple of middle schoolers who regularly battle a walking peppermint-frappucino-looking psychopath. Hey Arnold! being a more realistic children’s sitcom about a young football-headed boy who deals out humanitarian aid in the form of advice and simple good deeds to his neighbors, classmates and friends. 
In terms of setting, logic, and animation the two series are as different as night and day.
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So imagine my pleasant surprise to discover a whole post’s worth of parallels shared between the two shows???
And here they are in no particular order:
1)Arnold’s Parents/Adrien’s mom
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Prior to the start of Miraculous, Emilie Agreste disappeared under mysterious circumstances leaving her family behind. Later on it was revealed that she was in fact sleeping (dead?) in a glass coffin beneath the Agreste mansion--unbeknownst to Adrien, or anyone else in Paris save for Gabriel and Nathalie.
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In a similar fashion, Arnold’s parents, Miles and Stella, also disappeared prior to the start of Hey Arnold! and like Emilie were always referred to as “missing” rather than “dead.” 
The Jungle Movie later revealed Miles and Stella weren’t dead, but like Emilie appears to be doing in her coffin, they were sleeping. Having caught a bout of sleeping sickness (apparently they do not need to be hooked up to IVs or other medical devices while in a comatose state cuz fuck logic) they simply needed their orphaned son to come and cure them with the help of the magical golden heart Helga provided him with.
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Perhaps Mari holds the key to waking Emilie? That would be nice to see. 
Not the miraculous of course--but some other key.
Although personally I’m hoping for a hardcore, devastating ending like Emilie dying, Gabriel going to prison where he belongs, and Adrien leaving the country for a bit until the second Hawk Moth shows up because I just like devastating cliffhangers and angst and being in utter turmoil over fictional people. But that’s just me.
2) Their best friends are dating
Smol parallel here: Arnold’s best friend Gerald and Helga’s Best friend Phoebe wind up together in The Jungle Movie after being imprisoned together by Lasombra. Similar to how Nino and Alya ended up together after being imprisoned by Ladybug (for their protection, of course).
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3) The Bag of Money Episode/ The Ladybug episode
OOh boy both of these episodes make me rage. 
Some context about the Bag of Money episode: Arnold and his friends Gerald and Sid find a random bag of money containing almost $4000. Sid is ecstatic and wants to split the money evenly between the three boys, but Arnold worries it could just be lost and convinces them to let him, Arnold, take the money to the police station. On the way he accidentally switches the bag with another one that is identical and contains a bunch of useless junk, and when he tries to explain what happened to his friends they don’t believe him because their bag of money was accidentally taken by an “old lady with pink hair and a peg leg.”
 Arnold’s a good boy and he’s telling the truth--but the truth sounds crazy, even to my ears. Sid accuses Arnold of stealing the money and spreads lies to their classmates, whom Arnold has spent the ENTIRE SERIES helping in some form or fashion. Despite everything he’s done for them though, the vast majority of the class come to believe Arnold is a thief. Even Gerald, Arnold’s closest friend, nearly believes Sid over Arnold but eventually comes to Arnold’s defense. The other kids (save for Helga who doesn’t really make an appearance this episode) gang up on Arnold, but thankfully the old lady with pink hair and a peg leg shows up with an officer and together they explain the bag of money is now at the lost and found where it will remain and if gone unclaimed will be returned to Arnold, Gerald and Sid. 
Pretty much everything is resolved and things return to normal between the kids. 
But I hate this episode. I hate this episode so, so much. Arnold has spent the entire series helping these people out in some form or fashion. Literally thats the entire show. And after everything he’s done for them they’re so. Quick. To. Turn. On. Him. 
Sound familiar???
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4) Hidden Personality                   vs.          Surface Personality
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 I do not refer to the cruddy “true selves” thing half the Miraculous fandom believes in. Depending on one’s individual circumstances, environment and how comfortable they are, said person’s behavior can fluctuate or even do a complete 180. This can be kinda frustrating when dealing on one’s own--”Who am I anyway? Is that me or is this me???”
It’s all you, fam.
Arnold and Helga are themselves too, no matter what metaphorical/actual mask they put on. There’s the side that everyone sees and then there’s the side almost no one sees. The hidden personality isn’t hidden due to a lack of trust, necessarily, but rather it is the result of retreating to their respective “shells”--ones which both Arnold and Helga were kinda punched, kicked, and shoved into. 
Helga’s surface personality: Class bully, puts up a tough front, constantly torments Arnold because she can’t stand him and his niceness
Helga’s hidden personality: Poetic, abused and isolated, is in love with Arnold to the point of being obsessed with him and bullies him via surface personality in order to hide that fact
Of course Adrien is no bully--his reasons for not being the “cunning, funny, ultra-charming Chat Noir” 24/7 DOES have a lot to do with his toxic household, his dad, and the overwhelming expectations which are constantly smothering him as Adrien. 
Adrien is a bug under a magnifying glass (or so he feels)
Chat Noir is a chance for a freedom.
 Adrien’s surface personality was molded by his dad.
 Helga’s is the result of her entire family. Her father is brash and loud, her mother is a confirmed alcoholic, her sister is a gifted prodigy, well-rounded and spends most of the series at university or elsewhere. Although her sister, Olga, has been shown to genuinely care for Helga, Olga is kinda the reason their parents neglect Helga. With their first daughter being the genius and prodigy she is, Helga’s parents poured all of their pride and affection and parental devotion onto her. Meanwhile Helga had to walk to pre-school alone. At four years old. In the rain. Not for the last time. 
Which leads me to the next parallel.
5) Umbrella in the Rain
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squeals in delight over this parallel<3<3<3
If you’ve never seen Hey Arnold! do yourselves a favor and watch this short little clip over how Helga and Arnold first met. If you have seen it, watch it anyway because it is the most adorable clip in the entire show.
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Dr. Bliss: “So nobody’s ever noticed you?”
Helga: “...There was someone.”
The soft way Helga confesses that--you can actually hear how grateful she is to have such a tender memory from such a painful time. 
 In a similar manner, Adrien offered his umbrella to Marinette. Of course Adrien did it because Mari had to walk home in the rain and Arnold did it as a simple gesture of kindness (seeing as they were already at the school)--one of the many kind acts he displays throughout the series. 
 But just like Adrien needed unconditional love coming from somewhere, so did Helga. They were both denied this one common necessity which everyone else around them had. It’s not a lot to ask for, and they should’ve already had it coming from their families--but they didn’t.
 And then, one rainy day, there it was--the unconditional love they needed.
6) Clinginess
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What happens when you take someone, specifically a love-starved abused child from an unstable home environment--deprived of the one thing most crucial to their mental well-being--and miraculously provide them with that very necessity? 
Clinginess. 
I can’t really think of the correct word to describe this. “Clinginess” is pretty close to what I’m trying to describe, if not on point, so let’s go with that. 
 What I mean is Helga and Adrien both need Arnold and Ladybug respectively. That’s not a bad thing--it’s okay to need somebody else. What’s bad is hinging your entire being on this one connection. For if either kiddo were to be left behind they wouldn’t handle it very well.
 It can’t really be helped with either Helga or Adrien. They didn’t really have the option to learn certain things and went deprived of unconditional love for such a long time. They’re kids--nine and fourteen/fifteen respectively. They’re not perfect and they’re traumatized for life. Being denied love from your family--the very people designed to love you--would do that to a person. Naturally they would cling to the first people to show up and provide them with the love they needed. 
 The Hey Arnold! wiki says this about Helga and Arnold’s relationship
Due to her unstable family upbringing where both her mother and father constantly neglect [Helga] and shower all of their attention onto Olga, leaving her deprived of the love and attention she needed growing up. On her way to preschool, Arnold helped her by keeping the rain off her with an umbrella and even complimented her on her hairbow. He even later gave her crackers during their snack time. Arnold's kindness and being the first person to notice her quickly caused Helga to transfer all of her love and attention to Arnold.
Of course Adrien’s tunnel vision isn’t quite as bad as Helga’s.
 He treats his friends better.
 He does love his father--
Even though his father is THE. 
WORST.
 PARENT.
 EVER!!!
--because he’s Adrien and he’s just too precious a cinnamon roll and that’s still his dad even if the man does belong behind bars.
7) Unhealthy Obsession
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I--
I...
Ugh. I am not going to delve too far into this. You’re just going to have to take my word for it. Helga’s creepy stalker behavior is a thousand times worse than Marinette’s. That pic up there of Helga hiding out in Arnold’s room watching him is pretty decent evidence to back up my argument, but it’s hardly the only example or even the worst incident.
 Honestly I’m amazed at what Nicktoons were able to get away with in the late nineties/early 2000s. 
But yes, Helga’s obsession with Arnold is rather unhealthy in the most extreme moments leading her to display behavior which is more often than not disturbing and concerning. 
The Hey Arnold! wiki has this to say about Helga’s obsession with Arnold
Helga is possessive of her love for Arnold and thinks non-stop about him to the point of obsession. This is evidenced throughout the series by the many shrines and poems she makes of Arnold and of her frequent dramatic soliloquies about her love for Arnold.
Again--Mari isn’t as bad as all that. She’s a sweet girl with many healthy relationships in her life. She has ambition, creativity, and drive. But yeah she can be rather possessive of Adrien too, and that needs to stop. Like right now. Adrien doesn’t need another girl being possessive of him and thinking he’s perfect--he needs someone who acknowledges him as a flawed person and loves him despite that. 
As for Helga and Arnold--show creator Craig Bartlett confirmed they are “made for each other” and wind up married with three kids, so I’m guessing Helga grew out of some of these bad habits? Or at least I hope so...
8) Helper/Humanitarian tendencies
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As mentioned before, the plot of Hey Arnold! is more or less about Arnold helping people. As stated by Gerald in The Jungle Movie, “He’s a humanitarian! Like his parents!” Of course not every episode is about Arnold helping people. There are episodes devoted to supporting characters and they’re just as enjoyable and satisfying. 
 But as he is the titular character he spends a lot of time in the spotlight. 
Remember that “best christmas special EVER” episode I mentioned before?
 The reason it’s the best special, in my less than humble opinion, is due to a few things.
 The special is not about Santa Claws. In fact, I don’t think he’s even mentioned, let alone shown and treated like an actual living character.
The focus on the entire episode is again on Arnold helping someone, but he doesn’t succeed. Not really.
The one who succeeded in helping someone was Helga, who accomplished the goal Arnold had set out to do. 
The episode deals with some rather dark subject matter and is actually quite heartwarming as the “perfect present” Arnold was trying to provide someone with wasn’t something you can buy in the store
It’s also one of the episodes where Helga’s love for Arnold leaves her to do good and as her love for him is a secret, she expects nothing in return. She’s just happy to help him.
 Kinda similar to Mari who is, as Adrien puts it in Mayura, “Our every day Ladybug.” Her kindness and devotion to helping others is what drives her as Ladybug and Marinette. It’s what brought Ivan and Mylene together. Is the reason Nathaniel and Mark now have a comic book together. And at the end of the day, that’s the reason for her strange behavior around Adrien--she wants to help him. Even if it’s just as a “good friend.” 
9) There are two main characters
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Although Hey Arnold! is technically a show about Arnold, one could argue it is just as much Helga’s story. 
Similarly, Miraculous: Tales of Ladybug and Cat Noir is named thusly in order to convey the fact that Adrien is just as much a main character as Marinette is. 
Although I must say Hey Arnold! did a much better job of giving it’s co-character their dues. GIVE. ME. MORE. CHAT NOIR. FOCUSED. EPISODES. DAMMIT.
But, yes, in terms of screen time, Helga gets about as much as Arnold does. Her story and struggles were given just as much importance as Arnold’s and many people have even come to believe that the show is really about Helga. I’d say its about both of them.
10) Constantly bumping into each other
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Granted this happens between Arnold and Helga more often than it does to the love square dorks. 
 But yes the two people meant to be together keep knocking into each other in their respective universes. 
 I forget who, but I remember reading that someone a while back theorized that this was the universe’s way of trying to push Arnold and Helga together. Kinda like the “Now kiss!” meme
Perhaps it’s the same for Adrien and Marinette? 
;)
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silverducks · 3 years
Text
Game of Thrones - Jaime Lannister
A rambling character study of Jaime Lannister from Game of Thrones.
Part 1a – Jaime’s Character Arc
This post is going to look at my thoughts on exactly how I see Jaime’s character arc in Game of Thrones, based on just the show. But it’s also to set up my future posts where I explain why I find it so darn hard to understand why he had the ending they gave him. At least beside the obvious - because the writers wanted to.
Yeah I know; I’m late to the GoT train wreck of a final series. But I have a lot of thoughts and hence why I’m here typing away.
(And this is where I start to really go all English Lit exam analysis on you, so a warning for anyone who actually might be reading this post, LOL!)
My Intro to this series of posts btw, is here.
So, spoilers be below.
Ok, so to help explain why Jaime’s ending makes no sense, I firstly need to explain what exactly his character arc is in the show, or at least how I perceive it. As mentioned in a previous post on honour vs loyalty, for Jaime I see his character arc being about two, interconnected things – redemption and identity.
In series 1 and 2, he’s not a nice character – he’s a self-righteous, proud, full of himself, snob. He’s arrogant and cocky and says pretty cruel, snide things to characters we do like. And as we see him through the PoV of characters like *Mr Honourable Eddard Stark, Jaime is pretty despicable to say the least. And that is before we even get started on the whole pushing a boy out of a window because he caught Jaime having sex with his own twin sister. Oh and just as an FYI, Jaime is also called the Kingslayer because he killed the King he was sworn to protect. So yeah, most people watching the show don’t like him at the start, and neither do most of the other show characters we do like.
And from a story telling perspective, Jaime’s character can either get worse, better or stay the same as the show goes on. And in this story, he gets better, with a few slip ups along the way, and it’s fascinating and glorious!!
Like, I can think of nothing that even comes close to the amazing way Jaime Lannister’s character develops in Game of Thrones and how we as a viewer change in our perception of him.
But that only makes his ending so much more frustrating and disappointing…
Before I start rambling away though, just as a point to note; I’m using terms like good and better person and right and wrong quite loosely here. Obviously the world, even in a fictional world, isn’t all that simple. As that would be a whole other massive thematic and philosophical thesis, and it’s not really that relevant, just take the “general” meaning of the ideas, but with the understanding I know it’s a bit more complicated. Where I think it does become more relevant, I’ll expand on the ideas in that particular context. If I sound a bit flippant at times, it’s because of the whole black vs white vs grey, and how there are “rules” in storytelling that wouldn’t necessary apply to our own, real life reality. There are things that we need to take into account when we analyse characters in stories vs actual, real people. And on a side note, this is one of my favourite things about Game of Thrones, the complexity and moral ambiguity of both its characters and its story themes. But yeah, that’s a whole thesis in its own right.)
Redemption Arc
So, redemption. In order for us to start to like this character, and see him as a good guy, he has to go through a redemption arc. Like pretty much rule number 1 of storytelling. That means we have to watch him and believe in him becoming a better person. Conversations like the whole oath vs oath issue, or his chat with his father about his nicknames in series 1 makes us take notice of a character, maybe even be more invested in a character and their shades of grey, but it’s not really redemption. And considering how far in debt he is in the good vs bad guy department, he has a lot of work to do.
And my goodness, he does it. Like, I mean, this guys’ redemption arc is astonishing! He goes through so much, rethinks and challenges everything he once thought/knew about himself and his world, faces all his past wrongs and bad character traits and becomes not even a better person, but a hero! He goes from a bad villain who kills kings and pushes kids from windows, to becoming one of the main heroes we’re rooting for by the end of the story.
(A quick disclaimer here, like I’m not saying Jaime is ever, or ever will be perfect, heck, he’s human and this is Game of Thrones and Jaime’s more messed up than most. But when you think back from where he started and where he’s been, it sure is impressive – if we ignore his actual ending that is, LOL!)
And his glorious redemption arc all pretty much starts around the time he starts his fun road trip with Brienne in series 3.
So, just to give a few of his finer redemption points (and just remember his series 1 and 2 actions and our opinion of him in contrast):
He stops Brienne from being raped and gets his hand cut off for the trouble (Ouch! But suffering, especially from doing something good, gives lots of redemption points.)
He risks his life to save Brienne from being mauled to death by a bear. Like, he’s recently lost his sword fighting hand and has no weapon, but he jumps in the bear pit anyway and puts himself between the bear and Brienne. He then helps Brienne out of the bear pit first and then only just makes it out alive himself. Oh and if that wasn’t enough, he basically tells the bad guys that he’s leaving with Brienne, or they will have to kill him. Like he says this to the guy who not so long ago chopped his hand off. (Just think on that one a minute ok.)
He keeps to his promise/oath to Catelyn Stark and continues to help her daughters by giving Brienne a priceless sword and some stunning armour so she can find and help them. (This also helps Brienne, because he knows she’s not safe in Kings Landing, and gives her a purpose, because he knows that’s what she needs.)
Firstly offers to sacrifice his own life needs and goals and those vows he’s now starting to hold more dear to save his brother. When said brother then screws up that opportunity, Jaime then also helps said brother escape from being killed, going against his sister and father, who want his brother dead. (Yeah, the Lannisters are an interesting family… And you wonder why Jaime is a little messed up?)
Takes RiverRun without any bloodshed. (Like pulls off the perfect bluff in GoT siege history so that he can make sure his army succeeds, but no one is killed. (I don’t count the Blackfish, who chose to fight to the death rather than escape/get taken prisoner.)
Joins the fight for the battle against the dead, even if it also means renouncing his entire house and lineage and putting himself at the mercy and judgement of pretty much all his enemies and all he has wronged. (One of which has a habit of roasting her enemies alive with Dragon fire)
Oh and also risks his life in above mentioned battle against the dead.
A pretty impressive list imho, lots of redemption points there and that’s not even including everything else he does. Following the general storytelling themes of forgiveness and redemption, Jaime basically ticks all the boxes by all the good deeds he’s now done. And that’s one of the major reasons why we as viewers now love him so much as a character.
But that’s not all, of course. As we discover also in series 3 (a pretty important series for our Jaime), it’s not even just about him doing good things, but we realise as an audience we’ve (intentionally by the show) completely misunderstood him! Yes, he did kill the King he was sworn to protect, but only because said King was mad and was about to blow up the entire capital city where hundreds of thousands of innocent people live. And not only did he do this incredible honourable thing, but because it did go against his vow as a Kings Guard, he’s ever since been derided as the Kingslayer, Oathbreaker, Man without honour. A horrible set of nicknames that he’s borne, because he doesn’t think people would care or understand anyway. (Of course, I want to add in here that it’s partly the negative trait of pride too, thinking himself as the Lannister Lion, above having to explain himself to the sheep.)
Anyway, all this has worn him down a lot over the years and it’s messed him up good and proper. It kinda makes your own initial dislike of Jaime through *Mr Honourable Eddard Stark’s eyes seem a little unfair. Especially when the guy was barely more than a kid at the time (16 or 17 I think). And his defence mechanism to deal with this is one of the reason’s he is so cocky and arrogant – he uses his dry, often cruel humour, to mask that he does actually still care. In fact, it’s worked so well, I think at the start of the show, Jaime believes it himself; that he is a horrible, hateful person. But he did have that honour inside of him once; he did care and try to do what was right. And when you think back to his scenes in series 1 and 2, they take on new meaning now. He’s no longer such an evil arrogant, cocky knight we all pretty much immediately hated.
And as this revelation happens around the same time as he starts doing all those good deeds, it all helps work together to make us re-evaluate Jaime and grow to love him and become invested in his redemption arc even more.
(*I feel the need to add a disclaimer here, I do like Ned Stark a lot as a character. But it is interesting that as the show goes on, he almost does the opposite to Jaime – we see he actually isn’t always as good as we thought, that perhaps honour tripped into bitterness and prejudice a few times. That perhaps Ned, as much as we like him, is less full white and more speckled in shades of grey after all...(which makes him a more interesting and nuanced character imho, so rather than undermine him, it makes him more human.))
And when I rethink Jaime’s scene with Robb Stark when he’s captured, where he gives Robb the choice of ending the war if Robb can beat him in single combat, well, it adds even more depth to his character. Of course, Jaime knew he would likely win, as did Robb, so Robb refused. And as a viewer who was all Stark=Good, Lannister=Evil (except Tyrion) at the time, I was glad Robb wasn’t stupid or arrogant enough, like the Kingslayer Mr Jaime Lannister, to fall for that.
But then I remember the parallel in series 6, when Jon Snow (Stark=Good) gives exactly the same choice to Ramsay Bolton (Bolton=Spawn of Satan). Ramsay can either fight Jon in single combat, or they can all send their troops to die in their war. And as a viewer now, NOW! I think Ramsay is weak and awful for not agreeing (because he knows he can’t win too) and so sending all these soldiers to an early grave. Which is like 100% opposite for pretty much the same scenario of its series 2 counterpart. Of course, we HATE Ramsay and he has no, I mean literary NO! redeeming qualities, unlike Jaime, who we never, ever hated in the same way. But it does make you think about the whole idea of perception as well as actual deeds here. And that actually Jaime, you could argue, was doing the honourable thing by asking Robb for single combat, to spare the lives of both of their armies… I mean, obviously he wants to win the war, but maybe, he also wanted to spare as many lives as he could, too – like Jon in the series 6 equivalent. Maybe not so arrogant a request from our Jaime after all…
And another point to add in here, which further adds up to Jaime’s redemption arc, is Lady Brienne of Tarth. Yes, I’ve saved her to last for a reason, as she is, imho, THE catalyst for this amazing change we see in Jaime. If you’ll notice, a lot of Jaime’s good deeds involve Brienne and start happening around the time the two characters meet. And that very fact further proves that Jaime was and can be a better person.
He does not like her at first and she’s not quite your typical maiden. Not only is she a “beast” (to quote Jaime), but she’s a fighter, full of honour, self-sacrifice and steadfast in her purpose, and more than a match for him. Oh and she’s also his captor, dragging him to Kings Landing with a rope around his hands so they can trade him for the Stark girls.
So yeah, not the most cordial of first meetings. He pokes fun at her, trying to get her to snap, to prove she’s not as good as she seems. But she doesn’t, because she is that person, she is true to herself and not pretending. Unlike so many people Jaime knows, she is genuine.  
And he’s impressed by her skill and courage as a fighter as well. She is able to best him in the sword fight (granted when his hands are tied and he’s been sat in a cage for over a year, but he is like renowned for being one of the best sword fighters in the entire realm). Also when she fought the men who had murdered the women they found hung along the road – both as justice and to give the murdered woman a proper burial. She isn’t all talk, she can, and does fight. I bet Jaime wasn’t expecting that! And as sword fights are his thing, what he pretty much defines himself by and is most proud of, that’s a pretty big for tick from Jaime for Brienne right there.
Basically, she is a) an honourable person b) sticks to her oaths c) also able to fight (and therefore protect people) and d) refuses to let him get the better of her. The perfect, chivalrous embodiment of a brave, honourable Knight. A true Knight in all but name, whilst Jaime is now a Knight in nothing but name.
Now, I’ll discuss this more in the identity arc bit, but basically all this challenges Jaime, makes him rethink his own bitter images of himself and his world. She reminds him of his younger self, when he wanted to be that honourable Knight. And seeing this reflection of his younger, naïve and less world weary version of himself in Brienne, it helps to trigger this change in Jaime. It makes him remember who he once was, what he once stood for and believed in; that ideal that Jaime once believed is actually possible - of the brave, worthy Knight people sing songs about. And it started to make him want to be that person again. And this in turn, makes him want to start to do the right thing, to start to put honour first, which paves the way for his redemption arc very nicely.
I won’t talk too much more about Brienne here, because I think her relationship with and influence on Jaime deserves its own post. But I do think it is the specific personality of Brienne, together with the very fact that she is an ugly, “beast” of a woman, that triggers Jaime’s arc in just the right way and enables it to be so profound.
One last note on his redemption – I’ve said before it was partly his Lannister Lion pride that caused some of his suffering in relation to his nicknames. And indeed part of his arrogance is because he does think he’s better than everyone else (although not to the extent we first thought). He is the Lannister’s golden son after all and the Lannisters are basically the most powerful and wealthiest House in Westeros. It is a bad trait, yeah. But even this, even this! gets sorted out in series 8. From my list of redemption points, see the second to last point above – he faces judgement. Like a guy who had too much pride to admit he actually killed a King to help save hundreds of thousands of lives, actually, of his own volition, faces his enemies to be judged and to atone for what he has done wrong. Yeah, he also offers excuses at said trail, but if I’m honest, they do sound quite genuine to me. Is it any worse than what your typical soldier would do in a time of war? Fight in a battle and kill people? Try to capture the person (Ned) who’s wife captured your brother to avert a war? And we already know now he was justified in his killing of the mad King.
So, all in all, with this new insight into Jaime’s character, especially also seeing him through the increasingly positive eyes of Brienne (more on that later), who we know really is good and honourable, we have both a better understanding of his past actions, see his ongoing internal struggles and conflicts as he strives to do what is right and along with all his good deeds as the show goes on, we see him slowly (with lots of unfortunate set backs as well) become a better person. So come series 8, his redemption arc up to THAT scene, is glorious and basically complete.
And then there’s his identity arc. The other side of his character development, which is just as important for me and very much interconnected with his redemption.
(Like, seriously, there’s so much going on with this character that I could write essays, no a whole thesis I bet! I seriously can’t wait until I get to read him and Brienne’s chapters in the books and discover even more sides and shades to this character.)
But I’ve rambled on for far longer than I intended on his redemption arc, so I’ll save his identity arc for another day. (And hopefully it won’t be as long). Then we can get into the fun stuff like that hand he lost, that famous bath scene and his, how to put this, interesting relationship with his sister…
#If you were brave enough to get this far #Thanks for reading #And hope this made sense #Just my rambling thoughts #Yeah, I have a lot
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ziracona · 4 years
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And I hate to do this- So on that thread, not that he's as bad, why do you think Michael is redeemable? (and also Frank) Especially by his main victim? :? I hope that isn't as bad or as judgmental as I think it sounds... - Sleepy (its like 5am here :3 living up to my name i see)
So, these I gave a short and a long answer for under cut, but forgot I’m on mobile and can’t do that. I can tag it “long post” but uhhh, sorry about this. Anyway, thats why Frank comes in two chunks. I wrote it expecting to be able to use a read more. :’-] also ya fine. And I hope you’re in bed 🤣 now. Okay so. Here’s my reasons:
For Michael, to start, Halloween is complicated af. You have to know what timeline people are talking about, because there are like 8+ and Michael has been written as a wildly different character by wildly different content creators, and I would not feel the same ways towards them all. They’re not the same character. When I talk about Michael, unless I’m going on about a specific other film, I mean either H20 canon, or DbD canon, which are in line with each other when it comes to characterization. (This also includes Halloween’s 1 & 2 in the H20 line, and Halloween 1 at least in DbD). In those timelines, Michael has like at best 2% agency and choice in his own life and what he becomes. That’s why I am sympathetic. I still root for Laurie to nail his ass to the wall of course, and everything he has done to hurt someone isn’t okay just because his life is unfair & awful & out of his control, but I still find him a very tragic character. He was canonically suffering violent psychosis his parents refused him treatment for, isolated with a monster as his doctor & only human contact for 15 years from age 6 on, overdosed on medications that when OD’d worsen psychosis symptoms and can cause permanent brain damage, and stuck like that until escaping briefly when he turned 21.
In Halloween canon, Michael tells his parents he hears voices telling him to do bad things like hurt people, but they tell him he is imagining stuff, and ignore his attempts to get help. The voices say they will be quiet, which is what he desperately wants, if he kills his sister Judith. So he does, at age six. Scientifically speaking, that’s literally too young to really have a complete grasp on death and mortality itself, let alone complex ethics. He immediately goes to his parents after doing the deed, so they can do whatever they need to do. Instead of getting him help, he is sentenced to 15 years in a 1960s American sanitorium (hell), until he turns 21 and can be tried for murder as an adult (fucking ridiculous and unfair?? Tried as an adult is for like, upper teens who commit heinous murders. How tf you justify trying a six year old literally too young to really understand murder as an adult for murdering someone??). They give him to Dr. Sam Loomis, a fucking horrible person, who says he spends 8 years trying to help Michael (a fkn lie), but canonically by only a few months of meeting the kid is thoroughly convinced he is evil, the devil or a demon in human form, faking his psychosis and side effect symptoms (trauma induced mutism from killing his sister, onset of catatonia/motion loss symptoms, etc, all of which are common with his disorder & trauma), desperate to kill again, and an evil mastermind doing the devil’s work, and says so. Spends four hours every day accusing Michael as a six year old child on, of planning to do horrible things and faking his illness and being a demon and not a human, and Loomis, from age 6 to 21, is this kid’s only human contact. And the staff knew it and how wrong and disturbed Loomis was, but did nothing. So from age 6 to 21—barring one or two visits from his mom & Laurie before his dad beat 4 year old Laurie for saying Michael’s, who he hated after Judith’s death, name—until she trauma blocked out having had a brother or sister at all, and then both parents died in a car crash—his only human contact in complete isolation was an adult man who told him for four hours a day he was an evil lying demon faking his symptoms and plotting murder and not a human and promised he would kill Michael and stop him, from childhood on, and that was it. He was never given an understanding of what was medically wrong with him, or that anything was at all. He was threatened and abused and kept overdosed on drugs for 15 years since early childhood, and his only understanding of the world taught in that absolute isolation, was that he was a demon who wanted to get out and kill again. And the violent psychosis, telling him if he killed both sisters, they would go away and leave him in peace with no more constant noise. With no normal understanding of the world or people or life like he was owed ever given to him, no understanding at all of what you were going through or were aside from the promise drilled into your head you were a monster who wanted to kill every day for 15 years while drugged up? Like, I’m a firm believe people are responsible for their own actions, but in a case as extreme as that, honestly, how else was that ever going to even be able to end? You forget, as a child. Who you used to be. That’s beyond grooming even, it’s being grown in a lab for the sole purpose of someday walking out, taking a large kitchen knife, and killing Laurie Strode. And it’s tragic. It’s unfair. Halloween is a tragedy, not a horror film. It didn’t have to be that way. He wanted help. He asked for help. Loomis is directly and pretty much solely responsible for the lives lost in 1978. You know he won’t even call Michael “him”? The only human he contact he had since age six on called him “it.” And no one stopped any of that. And even then. Even then, even with all that. With the drugs, and the lab grown killer, and all of it? Michael is pretty much the single least sadistic slasher killer there /is/.
Everyone he kills in Halloween? He kills fast. It’s actually kind of boring if you’re expecting a scary slasher, because there’s no chase until Laurie. He just appears, runs you through, and you die. Very fast. And if there is any emotion expressed towards the act of killing or aftermath, it’s not pleasure or hate or happiness, it’s curiosity, because literally everything is something he wasn’t allowed to experience growing up and just has no practical experience with yet. And on top of all that, he also just doesn’t kill people he doesn’t have to. He kills one man for clothes, kills Annie to re-do Judith’s murder since it didn’t work the first time and he needs both sisters for the voices to stop, and he kills Bob and Lynda becuase they stumble onto where he is & are a threat to success. (This + Judith 15 years prior is all the deaths in Halloween period, btw). Michael routinely only kills his target, and anyone who is a threat to success. Literally doesn’t even jump out to kill Bob or attack until Bob opens the door to the closet he was hiding in, and he has been seen. Walks past a security guard and lets him go in H20 becuase he doesn’t see him, steals keys from a mom with her 4 year old kid and doesn’t even hurt them because they don’t see him really either, steals a knife from an old lady making a sandwich who is one foot away but looking the other direction, so he lets her go. Even with all the possible stakes against him, really, Michael is like, the least cruel and most sympathetic and merciful version of that lab grown killer possible, which can only be a testament to the person he was initially/still somehow has managed to keep faint traces of alive inside.
As for Laurie finding him redeemable, answer is threefold I guess, and I’ll start with the most important. 1: in Halloween canon, Laurie cares for Michael and is incredibly sad about what he turned into and wishes he could be different (once she remembers who he is). That’s established canon, not a choice of mine. In Halloween 2, she tries to talk him down before shooting him, and he hesitates when she says his name and lowers his weapon for a moment. In H20, she talks about him a lot & even asks her boyfriend (a psychologist) if he thinks something so traumatic can happen to someone that they can never recover, bc even though she hasn’t seen him in 20 years, he’s still on her heart. She hesitates to kill him once she has him helpless in the finale, and when he reaches out for her hand, she almost cries and starts to reach back because it’s what she has truly wanted for so long. 2: Michael & Laurie are siblings, and that’s a very important relationship to me. Obviously, there’s lines where you cross, it’s fkn over, but it is special, and I’m weak for it. They were both cheated of the good family life they could have had, and I like characters I care for getting recovery and rehabilitation, and I would like them to be able to recover and have whatever fragments of the lives they wanted which are still possible. And then 3: Laurie is his victim, but they’re also both victims of Loomis, and the system, and her parents, and if she does /wish/ for him to be okay and things to be like they were, which was canon before me, so she does, then I think them finding happiness and her relief and new hope in regained family and him redemption and rehabilitation through the quite literally only person he has /ever/ known who treated him well or like even a human at all & is still living, that’s so good. It’s sweet, and it makes sense. I like broken people putting the pieces together and finding ways to be okay. None of the shit that happened to either of them was okay, and Michael sure did fucking do it, but it’s about as “it’s complicated” as literally possible, and Laurie wants him to be her brother again, and Michael deserves a chance to experience personhood enough to want anything like that again too, and I think it’s sweet. To be able to find happiness and peace and a new life in that rubble. It shouldn’t be possible, because Halloween is a tragedy that never gets a happy ending, no matter how many timelines they create or versions they tell, but I wish it could have one. It needs one. At least one, among all the fated tragedies for those two cruelly cursed siblings. They both had their lives stolen. Michael by Loomis, and Laurie by Michael. And I want them to find those stolen lives again. And if they can do it together, that’s a very odd and unusual set of circumstances for that kind of thing, but it’s a very complete way to tell the story. He tried to kill her, but if she asked him to stop and he stopped, if he himself chose to change on his own, when it really, really mattered—decided that it was what he wanted more than all the things he was before, and she decided that was enough, and they could both have a future as family? I like that. It’s a happy ending stolen back.
Long Frank Answer, in case you /have/ read ILM & thus short answer did not answer your question: So. Again, for me, I always talk about Frank as in the version of him I myself write, and I wrote ILM before the archives retcon, and also just ignore them because they’re usually dumb and blatantly contradict well established and longstanding canon. Even then, I usually don’t like Frank though—didn’t like him when I started writing ILM. But Frank has very little established canon character. All there is for sure is he was a foster kid that went through some bad stuff, he met Julie and changed his mind about desperately trying to be homed somewhere other than with Clive bc he liked Julie a lot, he met Susie and Joey, they became a gang chilling in Ormond’s abandoned lodge, then tried to rob a store Joey was fired from, were surprised by a cleaner who grabbed Julie, and Frank impulse stabbed him, freaked, and ordered the others to finish it with him and be in it together. Then before they’d even really finished burying the body, they got snagged. That leaves a whole lot of personality and thoughts and motivations and future choices and person wildly undetermined. Writing, sometimes characters just do their own thing completely out of my control, and I have to adapt. Frank chose not to kill Meg at the end of Tenacity, Adrenaline, & Grit, which surprised me, because he’d been nothing but a dipshit asshole bastard till one minute ago, but I knew it was because he recognized what she’d tried to do at great pain to herself because she wouldn’t bow down and die, and he connected/empathized or sympathized on some level. He also couldn’t go through with killing Quentin immediately after being helped by him in Distortion/Iron Maiden. Neither was like, planned. It’s just who the character was. I was frustrated. I did not want to like or feel sympathy for Frank at all. Then in The Lost, Jeff just fkn hijacked the whole plot and added 20 pages not in the outline because he wanted to be kind to Frank & it’s not like I can stop characters when they do whatever they do. And while writing it, I got to know that the version of Frank Morrison in the world I was writing—which is always the version I refer to/think of him as & write now myself—was not somebody past saving. He’s a piece of shit and he’s done fucked up and inexcusable stuff, and he pays for it. In many ways, Frank gets away with a lot over the course of ILM, but it’s always because characters choose on their own to forgive him, not because they or he doesn’t think it was fucked. And Frank suffers—a lot—for his choices, and has to live through appropriate and large amounts of regret and remorse about stuff he did before the end. He gets the chance to make better choices several times, and mostly he doesn’t. He continues to fuck up. But right near the end, he makes a couple good decisions when it’s down to the wire, sees where his bad choices got him and what he has to live with, and then he does live with it. He almost dies, and then ends up falling on Jeff’s mercy, which he knows he doesn’t deserve and doesn’t expect to get, for a last chance to make it, and because Jeff is an ungodly kind and forgiving soul, he makes it.
Frank isn’t a good person, and he does a lot of stuff that isn’t remotely okay or justified or excused, but he /is/ a kid—the upper end of it, but he’s not a full grown adult. He has every reason to believe nothing of himself or others, a fucked up childhood and life which isn’t his fault, and the Entity got all four Legion kids before they’d even had time to process the one and only violent crime they did (which was unplanned), and it is historically running a PHD in psychological warfare vs everyone. Absolutely none of that excuses or justifies him, but it is an explanation for some of it that is not as bad as say, doing that shit for fun or cruelty or hate or what have you, which makes him a bad person, but one with a lot more humanity left than say, Kenneth. Who is at -100 or something. If he’s still got a lot of humanity left, that means he could be redeemed, and he eventually chooses that path for himself and hits the appropriate “I did something horrible. Fuck. It was really bad. I should not have done it.” “I am really sorry I did this. I feel awful. I’m sorry.” “I cant change it, but I can try to do better and make whatever reparations I can.” “I want to be better, and I am going to try.” necessary stages of actually trying to improve. So, I like him. He did a lot of really awful shit that wasn’t okay, but he was never without sympathetic elements. He does love his friends and his girlfriend, he is a good boyfriend to Julie and selfless towards her and his crew (overall anyway—has even risked death for them very willingly, even the one who was fighting with/kinda hated him), will keep his word in deals and has some semblance of both sympathy and honor, feels guilt, is a kid, did not choose this life but was rather catapulted into it and too weak to climb out once he landed in the mud. All of that together makes him someone I feel sympathy towards and find quite redeemable, so long as he will decide he wants that, which, in ILM, he does. If you just meant Frank in general then idk how to answer because there’s not much established Frank period it’s kinda a shell like all original dead by daylight characters, and I have no thoughts on it by itself because it’s not a whole person, and so I really only think of Frank as ILM verse Frank now.
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