#they could have been friends :((

[completeoveranalysis]

[1]

ARE YOU KIDDING ME AHHHHHHH

THIS CHAPTER COVER HAS FOLDED ME INTO THE PUFF PASTRY AND SHOVED ME IN THE OVEN

Chapitre 211 - The Burned-In Smile / The Scorched Smile

THE SMILES.

Just like how Syaoran mentioned each of the people most important to him in his final moments and ended on Lava Lamp, the chapter covers also went through Syaoran having a nice moment with each of them AND ENDED HERE WITH LAVA LAMP. 

IN A WONDERFUL IMAGE OF THEM SMILING AND HAVING FUN TOGETHER IN A WIND SWEPT FIELD

THIS NEVER HAPPENED. THEY NEVER GOT TO HAVE THIS MOMENT. 

BUT IN THEIR HEARTS THEY WERE THIS CLOSE, DESPITE IT ALL. 

AND THE SPLASH TEXT?

Supreme friends, and the supreme smile

H E L P

[cacw]

I am writing down the most important notes

[loregoddess]

the lady running the tavern, glad for the money, but extremely concerned for this blue-haired rebel-leader and his army who he keeps having sit down to eat the exact same meal for like, several in-game days straight

[htchhiker]

personally i think nubbins actually kinda liked franklin ....

[heronoegg]

The main story of Vigilantes takes place about 5 years before canon (close to the AfO vs All Might fight), or about 6 years before Izuku went to UA. Kirishima would be 10, Himiko 11, so the timeline lines up.

then they are pop step fans thank you for validating me

[susie-dreemurr]

Sorry but ch4 broke me when I played V3 and the fact we can actually see Kokichi & Gonta being genuinely good friends on this new mode is so…OUGH to me!!!!

[malinaa]

if i think about the hunger games in peeta's perspective i WILL start sobbing

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[soyochii]

Quick doodles before I evaporate.

[dollypopup]

the absolute unbearable cruelty that the writers foisted upon Cressida

a woman taught from the beginning in her home, by her own mother, that she cannot trust any other women, who finally, FINALLY felt she had a friend- who didn't care for her much at all. a woman who grew up in a house that is more akin to a mausoleum, a woman dressed up as a doll and made to masquerade and sing and dance for the attention of a half decent man, never to be considered seriously. a woman who is foisted onto a man old enough to be her grandfather, who wants 4 children from her, and intends to keep her locked up in his estate with at most 1 social outing a month, who didn't believe in listening to music, or art.

a woman who goes to the only person she ever considered a friend, saying 'I need to save myself. Run with me. Write with me. Help me.' only for that friend to turn her back on her, and talked ill of her for the rest of her time in her society. a woman who tried to claw her way out of a horrible circumstance, only to be told she's too stupid to do so. a woman who's mother wrote the article that insulted her friend's family, an article she still regretted. a woman who tried to save herself and was then sent off to an aunt even less warm than the circumstances she'd grown up in.

what was Cressida meant to do? she had no one to turn to, and when she tried, she was turned away. she had no options left to her, she exhausted all of them. yes, blackmailing Penelope was harsh, but I would have done almost anything to save myself from sexual assault at the hands of a husband old enough to be my father twice over who was clearly intending on mistreating me, especially if I was dropped by the only person I ever considered a friend.

Cressida's story is so fucking tragic. My heart cracked clean in half for her

[valtsv]

the thing about "callout/cancel culture" that convinced me it's rotten to the core is the dehumanisation you face once you become the subject of a campaign like that. a lot of criticisms of callout/cancellation attempts appeal to the humanity of the subject, pointing out that it's unfair and unproductive to treat a person, a fellow human being, regardless of how much harm they've caused and how genuinely unlikable they are, like that. but unfortunately the reality of being the target of a mob mentality often means facing the very isolating and traumatising experience of realising that you've ceased to exist as a person in their eyes. you're a representation of your transgressions, an embodiment of harm that needs to be erased like a blemish, a spectacle for entertainment, a means of earning social approval by publicly condemning and humiliating you in what quickly becomes a competition to see who can strike the blow that knocks you down so you never get up again. nobody cares about who you are outside of what you did. people make mistakes and hurt one another, but there is always the capacity for change, for regret and reparations. you are an irredeemable monster. you can't change. the only way to make sure you can't cause harm ever again is to neutralise you entirely. to drive you off and hurt you so badly that you never consider coming back. and it often succeeds. but it doesn't make the world a better or safer place. it just tells everyone that certain behaviours will be punished, so you should conceal them, and harshly condemn them in others so that everyone knows where you stand; nobody will stand up for you if you're accused and brought out for judgement, so you shouldn't trust anyone, and always be on the lookout to take them down before they can do the same to you. you're not creating a safe, welcoming community. you're creating a panopticon built on fear and punishment.

[adaki]

GIRLS NITE OUT >_< ((clockwork could not make it)) (wip)

[letsplaythermalnuclearwar]

Homer!Odysseus and Epic!Odysseus would try to kill each other if they ever met

[technically-human]

Part two of the reverse verse is here! The reverse boys meet the original boys. They're not really getting along as well as I had hoped...

Again, this was a commission for @i-am-as-normal-as-you-are and they asked for angst/funny vibes... I think it's mostly just angst though. Oh, well...

Part one

[ducktracy]

there are a lot of evil people in the world and a lot of darkness in the world and so it’s very important for me to stress that now more than ever is the time to spread kindness and compassion. combat the evil by not only not partaking in it, but actively refuting it. destroy the notion that being compassionate or generous or kind to someone is uncool or embarrassing or even scary. be the change you want to see. start a chain reaction. positivity only breeds more positivity. do an act of kindness for someone so that that person who is too afraid to do it themselves can see you, realize that they’re not alone, and perhaps sheepishly follow your example. and then the next person who is too afraid but sees that person can do the same. when bad news comes out about bad people or horrible atrocities in the world it’s such an easy impulse to despair, and obviously it’s important to feel what you need to feel. grieve. be angry. be sorrowful. be empathetic. but dust off your pants and get up and be a part of a chain reaction that, no matter how small the scale, and spread compassion and love and care. all the reasons why you might not—“it’s hard! it’s scary! people will make fun of me! it’s useless because there’s too much evil!” are all grade A arguments as to why you should. you have no idea how many people you could inspire to do the same. even if it doesn’t get you anyway far, you can at least say you have the nobility of trying. please choose love and please choose life. you are worth loving and you are worth inspiring others to love

[crabsnpersimmons]

i'd love to celebrate my birthday with y'all! no pressure to say or do anything, just wanted to share and "invite" you all 🥰