#they can sometimes be so completely heartwrenching
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iamthewanderingbard · 1 year ago
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I love Lucy and Elissa so goddamn much. They are so much fun to write for. 🤣👏
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endearing-dalliance · 1 month ago
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Just like Piltover, Arcane's beauty hides its fundamental problems. Its ableist, antisemetic, acephobic, classist, and worst of all, it doesn't initially seem that way.
Firstly, I want to say that this post and my problem with all of this is due to the real-life references, biases, and viewpoints of the team people who created the show, made the design decisions, wrote the scripts, and continue to defend what many have pointed out are genuine problems in their stories and characters. This nothing to do with the VAs, individual animators, supporting crew, or even the characters themselves. I'm genuinely heartbroken for all those people who proudly worked on the show, did their parts beautifully, supported the viewers, and are met with a fanbase disappointed, hurt, and angry about something completely out of their control.
I wrote up a different post about Piltover vs Zaun in the original lore and how that version is such a different situation than we we got.
Despite everything they did to make the Arcane undercity/Zaun this horrible place, they keep referencing the positives of LoL Zaun (an equal and respected society) and attributing them to Arcane Zaun. All of this is straight from the AoA:
"When you look closely, Piltover and Zaun are not entirely dissimilar" (y'all literally designed them as polar opposites)
Zaun is a refuge for outcasts who don't have a home, and there is the thrilling sense that anything is possible. So pretty much the exact opposite of what Vi was trying to show Cait?
In Piltover everything is heavily regulated; Zaun is wild and more pure meritocracy. "its is not completely lawless, though there are some issues with the mob." That's certainly one way to put it.
Zaunites "make magic out of nothing. nothing is precious, everything can be recycled and be reworked to make it better" I'm sure it has absolutely nothing to do with the fact that people can't afford to replace things when they break. Nope. Completely plausible reasoning. No real life parallel at all.
One example of innovation is a jeweler from Zaun who makes unique gothic work. Not only did they never showed us this side of the undercity, I maintain NOBODY in Piltover is putting on a gas mask to go jewelry shopping in a slum.
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"Even though they were oppressed, they can innovate in ways Topside can't. Like well let's take this freedom we have because they don't care about us, and use it to find beauty and innovation. That's where Ekko's little conclave came in." Did they forget the literal orphans he rescued from those "shady streets"? What were they free from, their parents? Cause Piltover's enforcers seem to kill a lot of those despite "not caring". This is straight from Ekko's LoL lore where he spent his days being a kid running around with the Lost Children and inventing for fun. Arcane Ekko got Misfit Toys as an intro song. The Firelights were called a gang. These are not happy, healthy kids enjoying their world. They're vigilantes taking care of other kids who have nobody else.
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"Ekko emerged as one of the unlikely heroes of the show, rising to meet tough, sometimes heartwrenching challenges, and becoming a charismatic and beloved leader" His LoL lore is that of a self-educated genius described as "The Hero of Zaun's Youth". Beloved pretty firmly established already. Also charismatic...are we really not past the point where its not supposed to be a shock that a black guy can be articulate?
Sevika's arm is specifically described as "flamboyant", which was the same word used to describe Piltover's augments
This gave me the vibe that they were trying to glorify or romanticize Zaunites' suffering and environment, but on further reflection I think that's giving them way too much credit. Christian's reply below makes it pretty clear he doesn't understand his own story, and Alex's indicates they weren't even trying to tell it and are surprised by this interpretation. Because to them, the Zaunites were the bad guys all along.
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(Cool cool name one team member who has personal experience with living in under an oppressive ruling class that is either ignores their suffering or actively worsens it. I'll wait.)
Also, I think its very telling that a cocreator admits to having difficulty distinguishing between a group of systemically abused people fighting for their right to live on their own terms and people breaking the law because want power and influence and money. I don't think Peaky Blinders and the French and American Revolution (among others) are really compatible stories.
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"It was an impossible pipe dream if you ask me." Well then. All the nations that successfully rose up and freed themselves from their oppressive overlords were just flukes I guess. Also I'm not sure how they managed to figure out the alien invasion lack of relatability and not realize that's basically what they ended up with. Also, the fact that they keep framing it as a civil war rather than a revolutionary one is mindbogglingly out of touch.
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So they were trying to comment on the two party system, but also the point wasn't to comment on the real world. They wanted to show the widening wealth gap in a "fun way", but also that's not what they were shooting for. Over and over we've heard about how the show is about duality, the struggle of Jinx and Vi and the struggle of the two cities. If they didn't want to comment on the real world, didn't know enough about politics to even realize what they were doing or what message they sent, DON'T MAKE A $250 MILLION STORY ABOUT IT. Thanks to their contributions, we now have a story about two girls brutally traumatized by their environment enveloped in a pro-oppressor, forgive your abusers theme. Well I aint forgiving any of this.
I get the idea of "show, not tell", but some things do need to be explicitly told. Oppression is objectively wrong no matter who the oppressed are should not be left up to interpretation. Its not the viewers' job to piece together that Zaun's problems are ultimately caused by Piltover, especially since what they are shown is that death of a child makes the world a better place. Not once in 18 episodes do they ever explicitly condemn Piltover. Not once did they validate Zaun's right to independence. We got "forgiveness" (forgiving your abusers? great message) and "finding your way back to each other" (which none of the duos actually did. They're all "dead"). And my personal favorite, the important lesson that asexual people do not have happy, healthy, nonplatonic relationships, so TAKE THAT JAYVIK SHIPPERS.
Since they ended Arcane with a reference to a Japanese proverb, in the spirit of duality I'm ending with a quote by someone who actually has personal experience on the subject:
“If you are neutral in situations of injustice, you have chosen the side of the oppressor."- Desmond Tutu
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causenessus · 7 months ago
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love notes
part 0.05. intros
EXHIBIT TWO: RIDE OR DIE BROS FOR LIFE
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suna rintarou °❀⋆.ೃ࿔*:・
middle blocker for the msby volleyball team and wanted to major in something art related but ended up going into athletic training with sakusa. in high school, atsumu, osamu, and him would very frequently sneak out at night usually to graffiti a wall and atsumu and him have kept up the tradition. whenever they travel to other cities to play an away game, they’ll try and find the time to go out and leave their mark on the city. in college, he started to do things like leave little snippets of lyrics from romantic songs on walls in sharpie or spray paint </3 he first met y/n in high school and they didn't talk much despite being in the same friend group. he a her from afar but never said anything because he didn’t feel like she knew him well enough that she would return his feelings if he told her. as a result, ever since graduation, he’s been finding small ways to be closer to her. although he isn’t majoring in art, he started to hang around the art department more, and would follow her around whenever she came to develop photos. she’d let him come with her into the department’s dark room and explain the process to him. he tries his best to listen but most of the time he get distracted while looking at her <3 eventually he started to invite her to come wander the city with him in search of street art and told her he’d start sending her photos of art that he found in other cities (which he's totally not making and then sending to her as if he's just randomly stumbled upon the most heartwrenching, romantic art ever). as long as he’s with her he couldn't care less what they're doing; to him, the real artwork is right next to him <3 she’s taking photos of something written on a wall while he’s looking at her <3
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miya atsumu & miya osamu °❀⋆.ೃ࿔*:・
atsumu
setter for msby <3 made his bio in retaliation to his brother and then got upset when osamu didn’t care. didn’t even want to go to college but really wanted to play for msby and didn’t want to be left out of everyone else going to school so he’s chilling in communications with bokuto. loves to come to onigiri miya on days y/n works because she gives him discounts and he jokes that she’s a better cook than osamu (which psychologically, for him, is probably true. samu cooks for tsumu and curses the food while y/n tries to put at least a little bit of love into what she makes for him). at some point tried to flirt with y/n and then realized she did not love when he visited because of him but bc he would bring suna. often comes by himself to onigiri miya or brings bokuto with him to ask yn how things with suna, completely ignoring the fact that she has a boyfriend (which leaves her confused about every single life choice she's made) and then will immediately text suna being like “y/n and me are talking about u rn LL sucks to suck i bet ur wondering what she thinks of u"
osamu
always gives suna discounts when he comes and will immediately take over whatever order y/n is working on so that she can make suna’s foof <3 he’s like a double agent for both sides but doesn’t get too involved because things with suga are making it difficult. he’s definitely someone suna goes to a lot for advice and although suna tends to only come on days when y/n works, sometimes on late nights after practice when osamu is the only one left working, suna will come in and they’ll share a drink and talk about y/n and more
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bokuto koutarou & oikawa tooru °❀⋆.ೃ࿔*:・
bokuto
wing spiker for msby and self proclaims himself as the ace <3 sakusa and him beef a little bit about it but the entire team is made up of doubles anyway so they kind of share the title. he’s matching users with atsumu and oikawa and also asked akaashi if they could have matching headers <3 akaashi sent him his current header which bokuto immediately started using <3 my guy has got so many friends and is loved by everyone so he’s actually having the best time of his life in college!!! besides when exams come around. then he’s hiding under a table and it takes the collective effort of akaashi, atsumu, and oikawa’s to get him out.
oikawa
second setter for msby! atsumu and him actually lowkey connected immediately and the team often uses a 6-2 rotation to utilize two setters and it’s been working out pretty well. other volleyball teams quiver hearing about msby’s lineup LMAO. he’s also a photography major which has led to suna often asking him how y/n is doing <3 does a lot of portraits and posts his works on a separate photography account. has started to join atsumu and suna when they sneak out while on away games to find somewhere to leave a piece of art.
extras <3
suna, atsumu, osamu, bokuto, and oikawa all live together
it is either very peaceful or a living hell
atsumu and bokuto will get riled up about something together and start having an energetic burst while suna isolates in his room (or more often is slipping out to go hang with y/n)
oikawa’s pretty chill and is in his actually-studying-for-exams era
osamu’s usually busy at work
so it’s peaceful (according to their definition) when not everyone is home but sometimes atsumu will start beefing with osamu about something and shit hits the fan
suna is heavily heavily heavily inspired by this guy named @/greg_goya on instagram
when i had this idea for street art i really spent an hour on instagram and google combined looking for this guy bc the art he does is totally what i was going for
and when i say inspired i mean suna is literally greg goya. i will probably use screen shots from my man greg in this smau so ty to him in advance he's a king 👑
both "exhibits" or friend groups are lowkey one big friend group but there's a small natural divide bc most of the ride or die bros are from inarizaki and some of them (cough atsumu cough bokuto cough suna if he didn't want to be around y/n 24/7 cough) said that they NEEDED a bros only gc
taglist: @wyrcan @oyasumeii @froyaoya @gyuijns @nbcvs @milkteade @eggyrocks @0moonii @guitarstringed-scars @makkir0ll @mylahrins @cherrypieyourface @vivian-555 @sharkerino @bluebeanbee @r0seandth0rns @staileykout @lunavixia @thvvluvr @elliott0o0 (form to be added to taglist! <3)
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wayfayrr · 1 year ago
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This fic was originally inspired by the song Kerosene by tart, as it fits got the strong vibe of a yandere needing more in my opinion and I would recommend listening to it while reading <3 but eventually it spiralled into a full on self-aware sky x reader
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And with that tone, they ask me 'If I'm ready…'  
Impatiently asking me to throw away my entire life for them, to cast aside everything I've ever known for the chance, the meagre chance, to stay in Hyrule. To join their duet of death, a fight that seems never-ending.
With only Sky offering me an alternate way, offering instead something more valuable than his own life to me. The offer to follow me, of his own regard instead of a twisted love demanding it of me. 
Yet, still sitting here with Sky has its own charm to it. I don't feel pressured to talk or do anything unlike how it can get with the others at times.
"You know my dove, with a touch of your life I was filled with envy… The fact that I haven't been able to live with you, know you longer than I have. I scare myself sometimes."
His chuckle wasn't as reassuring as he would thought it should be if he were trying to be reassuring to me. He could just be nervous after what he simply just admitted to. I know I would be.
"How would you scare yourself with that Sky..?"
"..."
"... I don't - It's just - I… Sometimes I uh- have thoughts. This really isn't easy to say."
Why is he looking at me like I should already know what he’s talking about like he’s going on about an inside joke? 
“It was a catastrophe, as a result of your sanguine vanity. Your confidence that everything was just a game, when you really knew better didn’t you?”
“...Knew better? What do you mean?”
“That I could see you… that from the moment outside the academy when I was told what buttons you would need to press to control me I started to connect everything, that I was alright with you being the one who had this ability to puppet me? You knew, didn’t you? You fell in love with me at the same time didn’t you?”
“Sky I - I don’t know what you’re talking about.”
Is he - No he can’t be. He couldn’t have known he was in a game. He can’t have been in love with me since then… even if he did know… He should hate me. At best, this is some broken-down mechanical love, some remnant of stray code… Oh what am I doing lying to myself, nintendo made Link as a blank slate, there would never have been any failsafe like that. Because it shouldn’t be possible for him to become self-aware.
“When I first woke up that day it was like there was this other part of me, you it was you, but it didn’t take me long to realise that you weren’t a part of me. You were you and you could control my every single action.”
“My world at that point was a plaything for you but I wouldn’t have had it any other way.  I didn’t need to eat nor sleep when you were there for me, it was like I was complete. I was blinded by looking for Zelda for so long that I wasted the time I could’ve spent just basking in you.”
“I love you more than I need to breathe because you complete me… but you don’t feel the same.”
“Because I’m just a toy to you aren’t I? Be-because you left me. You just left, you left me behind and didn’t come back.”
Everything, he knows everything. Where do I start, how do I handle this? I can’t leave him spiralling like this, it’s not fair to him. Would he even believe what I’ll tell him? Do I want to tell him? 
“Sky I’m not going to lie to you. I did see you as just a game, I didn’t know that you were a person that you were alive. But I know better now. You’re not just a toy.”
“But I was just that to you…  you - you were just like a god that was sent from above to help me in my darkest moments. I didn’t- I mean I know, I shouldn’t have been able to have known any of that but I just - I don’t - I- I don-”
Tapering off into the most heartwrenching sobs after all of that isn’t something I could ever have imagined coming from the hero of the skies. I can’t comfort him. I’m not a monster.But I’m not a god either. Even if that’s what he saw me as, even though that’s what he wants me to be.  
“Sky I’m not a god. I never was, but I do care about you, I’ve said it before and seeing as you need to hear it now more than ever. I love you Sky. The you, I’ve gotten to know over this whole thing with the shadow.”
“But I - [Name] I just -”
“I know this is a lot to go through. It must’ve been absolute torture going through all of that. Can you breathe for me? I’m here to listen to you but I can’t if you’re too stressed to speak properly.”
“I - Thank you.”
The tears staining his face are starting to dry now, leaving streaks as proof of his own sadness, ones that have too much emotion behind to have been faked. All of this has to be true, there’s too much detail on things I’ve never mentioned to him for him to be lying to me based on one thing he’s heard about my own world. Which means he’s been aware of me for so much longer than he’s let on. That he might have known me for far longer than he’s let on. There’s no safe way to ask this now though so I’ll just have to hope he brings it up on his own. 
“I first figured out that I was this character after the dream I had about demise, after I woke up, when Horwell was talking to me about the lost remlit and how he told me to press z to target him, not even calling me by my name he called me Sky. But what made it even worse is I could remember fighting demise, making up with Groose and getting the triforce yet I was back to the start and being called something different.”
“That’s when you knew? Did you realise it was me immediately or did that take longer? You don’t have to answer of course, just talk about what you’re comfortable with Link.”
His breathing is slowly evening out now, clearly his earlier panic is starting to subside. Although now I don’t have my past option of being able to move away from him anymore, not with how he’s leaned all his weight against my side in, if he wasn’t so deeply upset about all of this, what I could call a desperate attempt to keep me by him. With all of this only seemingly proved more by how he’s tangling his fingers in mine to hold my hand tightly against his chest. 
“I first knew it was you when Zelda pushed me off that landing again. Your disgust at her doing that, at her not trusting me even though you already knew it was going to happen at that point. It wasn’t until I was first in the temple with Fi that I saw you properly though. I couldn’t even spare more than a second to bask in your beauty because, well I was scared that if I acted too differently from what you expected then you would just abandon me, but I wanted too more badly than anything. What I wouldn’t have given at that time to just have been able to spare more than a simple glance at you. Who I wouldn’t have killed to get the faintest chance to simply hold you.”
“...What was that last thing you said?”
“What do you mean my dove? The fact I would’ve given anything to spare a glance at you?”
“No that other thing you said.”
“That I couldn’t act differently out of fear that you would abandon me to a lifeless world where everyone was acting like soulless husks only repeating the same line over and over and over.”
“No that very- you know what, don't worry about it.”
The last remains of his tears finally fade away now as he nuzzles himself further into my shoulder and brings up our intertwined hands to kiss my own. Drawing out the moment as long as he can, fitting as he’s spent so long pining for this very touch. What’s going unsaid here is more than enough to be unsettling now, with how overbearing his feelings are getting and how desperate and cheery he’s sounding now. It’s a terrifying combination.
“I realised pretty quickly that it was your second playthrough. That I’d missed out on basking in you because I was too focused on saving Zelda,  but now I’m done with saving. I don’t want to go back to my own world, I don’t want to go back to her with how she’s always asking for more. I wish I could’ve just crawled through the screen and into your arms instead; burn away my past but I never could. I was stuck in that damned game, watching as you were so happy with me even though I wasn’t a person to you - just a toy. I could hear all the things you were saying from you complaining about your day, to how you kept calling me your precious baby girl.”
“Oh so… you heard everything… everything I was saying?”
“Everything. From the sweeter things like when you would apologize for me getting hurt even though I would never have held it against you, to how you thought I looked good in 'that green', how you'd let me do that to you as I finished off a skulltula, even how you thought ghirahim was fatherless. By far the best things to hear were you just talking about your own life, hearing you going on about your day made me feel more real than anything else did. I could imagine myself there with you, as a real part of your life.”
The chill down my spine at that admission didn’t go unnoticed by him as he coiled tighter into my side as if he was attempting for my touch to consume him fully. Like he’s gotten a taste of this touch and he’s wanting some more, like a hit of kerosene or something sweeter. 
"I don't want to go back to how it was before [name], I can't go back to Skyloft. I don't ever want to be pulled apart from you again, because when you finished the game? it felt like nothing was worth anything any more. I'm convinced I would have been better off dead than how I was without you."
He seemed not to be fond of my stunned silence, even still he respected it, letting me have precious moments to gather my thoughts. To say what? Where would I begin with handling this? I can’t question him, he’s so fragile right now and I’m too scared to break him. Maybe just…
“I’m sorry, Sky I’m so sorry. I’m sorry that I didn’t know earlier… that I couldn't help you through all of that, that I didn't treat you like an actual person. Is there any way I could possibly make it up to you?"
If that wasn't the best worst thing to say then, I don't know what I could have said instead. Luckily he seemed to like it if how he’s burning himself further into my side is anything to go off of, proven more by the contented hum he’s let out. 
“Please, just don’t leave me again - I- I won’t hold it against you if it's not your own choice, like how the shadow brought you here to me, but I never want to have to be apart from you again. I want to go back to your own world with you, a brand new life with you is all I need.”
“I promise link, I won’t leave you of my own choice from now.”
“If anything happens so that you get torn away from me - can you start a new save on your switch?”
“What..?”
What good could that be - what if it only made things worse? What if that got rid of his memories? No. [name] you have to trust him on this. He knows so much more about it, he’s the one who’s lived this. If that’s what he thinks the right option is. Then it’s the best option.
“If you make a new save then this time - this time I won’t have to be worried about you overreacting and deleting me - I don’t know if I’ll be able to talk to you -  There has to be some way I can get out of that game and into your arms again my dove. I just know it.”
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babalu3rd · 2 months ago
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Agatha All Along finale spoilers
Okay wow, this was a rollercoaster of emotions. Honestly I was most afraid we wouldn't get a hopeful ending but we did and for that I'm happy. Biggest downside to the ending is that we didn't get the AgathaRio origin story we wanted but I'm hoping against hope that they'll make it a mini series or something or that they plan to use it at a later time. Perhaps in a 2nd season of AAA? There's enough meat on the bones for a few flashback scenes in between the Agatha and Billy shenanigans we'd get from a 2nd season of AAA. I need need need to see how AgathaRio met and fell in love and then their rift. (And how they will go forward from here on. They obviously love each other but their hurt and anger is still not completely solved). Agatha as a ghost gives me the hope that she'll at one point get her body back, anything is possible at this point! Agatha and Rio's story is far from over.
The Billy/Agatha scene in the last trial was so heartwrenching, when she helped him guide Tommy to a body. "Sometimes...boys die" Just take my heart and stomp on it why don't you Jac. And Kathryn Hahn's delivery??? Give her all the awards right now!
Or the unbinding of Jennifer Kale (the worst type of vegetable hahaha).
Also Agatha saying to Billy he wasn't the one to get her out of Wanda's spell, hinting at it being Rio's doing! Shivers!
The good thing about the finale in my opinion is the amazing AgathaRio kiss we got! I've seen people speculate it was their first kiss because of how it ended but I believe it ended the way it did because Agatha was draining Rio's magic knowing it would kill her, something she wouldn't have done in the past.
All their delicious dialogue;
Agatha calling Rio: "My love"
"Power looks good on you" -"Honey, everything looks good on me"
"Congratulations my love" followed by an insane cackle
Blowing a kiss to disrupt Agatha's spell lol these dramatic hoes I swear
Just realized they both call each other "my love" Kill me now guys
Agatha ordering Rio :"Now put my yard back. Why don't you plant a few azaleas on your way out" Woof it's like they've done this a million times, fighting/foreplay rinse repeat.
The tears in Rio's eyes as Agatha sacrifices herself/found a loophole to her deal with Rio.
They way Rio flicks Billy away like he's a pest while they are flirting I mean fighting.
Other highlights; it was Billy All Along by making the road manifest and of course it was Agatha All Along making up the Witches' Road myth to murder witches!
Nicky and Agatha's backstory was so sweet and heartwrenching.
The fact that Death gave Agatha six years with her/their son before collecting his soul.... kick me while I'm lying down...
The Witches' Road being Agatha and Nicky's song truly ripped my heart to pieces.
And how gently Rio took Nicky with her to the afterlife while holding hands...
Conclusion
Agatha All Along was an amazing series, full of intrigue, worldbuilding, found family in the shape of a coven, heartbreak, complex lesbian relationships and a compelling and flawed main hero.
And while it didn't deliver on everything I wanted it as close to a perfect series as it gets in my opinion. It will remain as one of my favorite series for a long long time.
Some questions I still have
When and how did Agatha get the Darkhold
Why was Rio so angry with Agatha
How did they meet and fall in love
What happened in Salem and what was the power/knowledge above her station as stated by Evanora
Where's Wanda
Why couldn't Rio kill Agatha in the first ep? The "It's not allowed!" Line
Now that Agatha is a ghost does that mean she can go pester Rio and then finally get back together?
Or will the fact that she helped Billy get Toby Tommy a new body mean they will face off again?
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shavynel · 1 year ago
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Writing comments for fanfic
tl;dr -- Write one thing you liked about the fic (a phrase or moment) and how you reacted or made you feel! Also, keep it fun! Make no demands of fic authors who write out of love and Owe Us Nothing.
It took me a while to figure out how to write comments. I went through an evolution. There's lots of stuff on how to write stories, probably even giving crit and feedback, but commenting? Not nearly as much. So here's my not so short ramble on writing comments for fic. Includes my Ways of commenting and Tenets of commenting.
Examples here will be T-rated (by AO3 standards) and most are taken from or newly written with specific fics in mind. They are, ahem, almost all Genshin Impact.
Commenting is, I believe, a personal thing. I've been told I have a bit of an enthusiastic presence, so what feels true to you may vary. I also like to write words (can you tell?). And smash keyboards.
Leaving comments is, in fact, effort! But it's also a skill that can be learned and honed. And honestly, I think my fic experience is improved by it. I don't always leave a comment. But, I don't know... that random internet person authored a Whole Thing. For Free (likely). And I just get to read it?? Yeah, I'm going to leave a little appreciation. Just a little snack in return for this fulfilling meal you have fed me.
I also find writing a comment is also a way for me to just bask in a fic a little bit longer, linger in that feeling of oh, wow, this was so good, and I don't want to leave yet. (And then sometimes there's a response, and then I get a bonus dose of nostalgia!)
Ways of commenting
These are roughly ordered by amount of effort required. I would say the comments I leave are a mash up of these, really. There aren't actual hard lines between them.
1. An extra kudos.
Kudos are nice. Knowing the kudos button isn't enough is one layer deeper! Comments like
"Thanks for writing!" "<3" "i mash kudos button but no more kudos come out what's wronnnnggg????" "yay an update!" "this is so good"
Level of effort: slightly more than a kudos.
Honestly, copy-pasteable. Personally, I would always write these out. Somehow, to me, as a commenter, feels more real if I tippy tappy the letters myself even if Author can't tell. It's a nice way to let an author know you're coming back chapter after chapter when we can only kudos once on a fic. I like to leave a little something more, but I still often start or end with this.
2. Fic reaction.
Sometimes a fic just leaves me a certain way. Invoked a particular mood or visceral reaction. So, I let the author know!
"Awww, my heart is warm!" "Jaw on ground. WTF!" "Literal chills." "My eyes are wet. How did that happen?" "This fic is pure comfort." "AHHHHHHHHHHH!" "Heart on floor, smashed." "WHOLESOME!" "This has left me completely feral and ready to punch something."
Level of effort: you need some emotional intelligence or other awareness of you reactions.
As a starting point, was the fic -- wholesome, sweet, chaotic (in a good way), funny, heartwrenching, sad, delightful, shocking, calm, peaceful, I just want a hug now, terrifying, creepy, comedic?
How do you then turn this into a comment? "This was so ___!!"
Honestly, my crutch here is to just keyboard smash. What does it mean? Your guess as good as mine. I'm speechless, and I cannot words properly, but please participate in these Feels I'm having.
3. One detail I like. (My default comment style)
This one covers a lot of scope. If I read to the end of the fic, there's probably something I liked. Maybe
a turn of phrase. "Diluc drinking grape juice like a man chained to an interrogation table. sfjfskkdz" "Bedsheets twisted up like cooked spinach is SO accurate." "Itto-to is such a cute mashup name!" "We have years ahead of us. That was just one day in the past. The feeeeeelllssss" ":) as punctuation" "Barbatos and Nobles as a bookstore. Sdjjsfjdw I love it"
a particular character moment, action, interaction, or dialogue. quote or paraphrase it! "Diluc kicking Childe into the water was hilarious." "Childe is such an adrenaline junkie. I can't believe he would lean out the window while he was driving." "I'm so proud of Zhongli for actually admitting his feelings!"
some specific moment you emotionally reacted to. I've only recently trained myself out of stoic facing through fic. I mean, it's a useful skill, don't get me wrong (especially in public), but it's less useful when it's just me by myself. I now laugh at 3am reading fic, and my life is brighter for it. Comedy fic writers, you are my fave. "Can't get over when Diluc walks in on Kaeya and Childe. AHHHHH!" "Qiqi drying Childe's hair was so sweet!"
Level of effort: you have to actually remember something you liked or reacted to.
The number of movies I watch and number of times someone asks how's my week, and I just stare blankly because I know it was good but don't know anything else? High. So yeah, this isn't trivial.
I've gotten to the point where usually while reading I notice a moment of "wow I love this!" I don't go looking for them (because I want to stay in fic headspace not comment material hunting headspace), and I don't spend much effort trying to remember. If I forget, that's fine. Not like I'm not writing a book review for a grade or anything.
Just, what's a moment you just got to call out? (And bonus, what's your reaction?) Authors out there seem to like to make us feel things. Show them we're just dangling from their puppet strings!
I usually leave comments like this. Just popcorn style, as many things as I remember, whatever comes up as I recall it. I'm aware that sometimes I end up basically quoting a fic back to its author completely out of order interspersed with commentary or keyboard smashes. I'm occasionally embarrassed by how much I'm smashing into their comments, but the reception seems overall positive.
4. Between the lines and spin off thoughts.
Sometimes fic make me think. I mean, canon makes me think, and then people go and make fanworks off of that, so of course I'm bound to run into fic that makes me think. Sometimes the things I notice or think about aren't directly in the text, but implied or spin out thoughts. An interpretation, a mini analysis, or a reflection. Like,
a new thought or take on a character. "Aro-ace Venti! I like this take!" "Please don't break Klee. She's just trying her best to hold all the adults together. Oh no. You've already broken Klee. T_T" "I bet Jean is the only person who could have kicked Diluc's ass, and he really needed it." "Kaeya what are you doooinggg?? Why is he like this???" (An extra note, it's cool to disagree with a character, but not the author. Character did that makes you want to scream? Go for it. Author wrote the character in a way you disagree with? Don't comment. Leave the fic if it bothers you that much.)
noticing foreshadowing or a detail that isn't fully explained / only alluded to. "Is that Scara working at Scarabucks???" "Wait, something about what Venti said makes me think this isn't just a modern day AU ..." "Did that count as a geo construct for the purposes of the contract?"
some sentence or moment somewhere that just hits you in the brain. This one I don't actually know if author's like. On the one hand, I can imagine it being flattering. On the other, maybe it's too personal? I'll usually center these on the characters, kind of like character analysis. "Diluc sharing his anxiety with Kaeya, and that being what made Kaeya look at his own anxiety... really hits. Like, I don't even think Diluc could have said something sooner without Kaeya running, which says so much about how Diluc loves Kaeya. And the fact Kaeya can see this as a mirror of what he's doing and learns something from it. Just. Oof. Wow." "The conversation between Zhongli and Childe is just so real. Like Zhongli is trying so hard but his ass just can't understand Childe just wants him to tell them things and his not telling things is Not Helping even though he just wants to protect the boy!"
Level of effort: some amount of analytical thinking, reflection, or willingness to share when you get sucker punched by words.
This one I absolutely never go looking for, so I don't leave many such comments. When it does come up, it usually smacks me in the face, and I let it (roll with the hit and into the comments). On occasion I am wailing in the comment box when the revelation (like having broken Klee) just dawns on me. Am I Feelings Processing in comment boxes? Uuuhhhhhh, no comment. (Don't mind the lack of delivery on the pun.)
I'd like to think authors appreciate when we reflect back to them we get their interpretation, but I can also imagine it might be a little too much for authors if we get too personal. In which case, sorry. Your work is great! Please take it as my intention to flatter you since you've touched my heart or brain or soul with your words.
5. Craft appreciation.
This one, *head scratches* yeah, I don't often end up here. But sometimes it's not one moment, but something about all the moments, something underlying, or something in the way it was all put together. If I do end up here and write a general statement, I like to point to specific bits that made me think that (which is where I lean back on One Detail I Like). Actually, yeah, usually I use this as flavor to One Detail I Like, but I think it's sufficiently different to pull out separately. It's a writerly meta layer. What falls here?
dialogue. "Your dialogue is so good. I can hear it in in the VA's voice." "I love the contrast between how Zhongli talks and Childe talks."
imagery. "Can't get over the imagery of Childe releasing dandelion scenes. Such a kid!" "Childe sleeping with Tranquil Statlight is just so peaceful."
characterization. "The little nuggets you give characters like Rosaria doing community service at the church for Crimes just gives me life." "I love the way you write Childe. He's so aggressive!"
setting, world building (more for AUs but wow there are some authors good at expanding on canon lore). "Your world building is so cool. Like the abyssal graffiti on the walls?? HNNG!"
writing style. "Your style is very dreamy. <3" "This is genuinely so heartwarming, and yet at the same time what is this underlying feeling of something is wrong????" "I feel like people appreciate the art of comedic one liners but you've got angst one liners. AND THEY SLAY."
pacing, timing. "This fic reads like a high speed express train. It just never stops or slows down!!" "What is this cRaFT! Like. Para 1, comedic. Para 2, thoughtful. Para 3, WHY DO MY HEARTSTRINGS HURT."
use of language. "Using he for POV character and they for the other is LINGUISTICALLY MIND BLOWING." (Please, I want this to catch on more. I do absolutely respect people's pronouns. These fictional characters (and people who have pronoun flexibility)? She and they instead of she and she?? THE CLARITY WE COULD HAVE??!? I'm incredibly greedy for it.)
premise. "Pierro Dad gives me so much life." "The Bachelor but it's Diluc?? Let's go!!"
plot twist, or cliff hanger. "The reveal!!! *screaming*" "I can't believe you would do me like this." (No, I can't in good conscience leave a specific example and give a fic away. Yes, I am thinking of specific fics still.)
Level of effort: be able to map details you like to writer's craft.
Let's not pretend we're here to do crit. Even if we're using writerly words, we are not here to do crit. Well, I am not because I don't believe the comments box is the right time or place for it, but I am happy to lay on the praise and point out the things that worked for me.
Usually, I think it's harder to look across a fic and be like, yeah, the dialogue hit, or this writing style or pacing really does it for me. It's more nebulous. And sometimes it kicks you out of fic reading headspace and into a writerly meta land to notice, so I don't, and I just let the fic wash over me. And if something here strikes me, I will offer my praises. Again, I think it helps to think of this more as an additional kind of One Detail I Like.
Tenets of commenting (and a little of reading)
Okay, so those were some do's, but I also have don't's. These are my boundaries that I keep. Maybe yours are different. I suspect most of these stem from the place, Author did this for free and Owes Me Nothing, so that's the one real tenet. I keep these in mind so that I can keep fic a nice, fun, safe place for me (and hopefully the authors too).
1. I will never ask for updates. I never expect a next chapter.
I've seen enough content creators stressed out and burnt out about putting something out over and over again. I feel for them. That sucks. They probably just started doing it for fun, and now ... The demand and expectation they continue to perform for free? Yeah, it's not going to come from me.
Once upon a time, because of this and a desire to have complete stories, I wouldn't read incomplete fics. I now am The Biggest Fan of incomplete fics. Yes, hang me off the side of a cliff. I will scream at you. And if you don't haul me back up? Well, fine. I'll live. Some other author's got my back. Probably. There's still so much to love between world building, characterization, good moments, jokes -- and you sometimes get the experience of seeing familiar faces screaming at the fic with you update after update. It's precious. It's fleeting. I could go on, but maybe a different day. Back to commenting!
Flip side, as an author, I will say the desire for more is, in one case, why I plan to continue a fic from years ago. I was very firm at the time I would not be extending the one shot, but I guess time changes things, and the fact people were like, I would read more story contributes to that.
So this one is very much a personal tenet. There's some line between I love this so much I want it to continue, and expecting there to be more. Where is it? I don't know. So I just stay away. Surely Author will get I want more if I just say how much I love everything and have commented on their latest chapter. Rather than leave snacks that taste like burn out to some authors, I will focus on other flavors of comments!
2. I will not say what I dislike.
Not my ship? I probably won't read. Not my preferred ship dynamic? Tropes I don't like? Characterization not hitting it for me? Paragraph formatting not doing it for me? I just x out of there, find something I do like. People be writing things for free! Let them have their fun!
If I did read it, snd I stayed, something else must have grabbed my attention. I'll focus on that. Writing style not quite doing it for me but I love the details added to the world? "Wow, the world you flesh out is so complex." No mention about how much of a drag it is to read, because hey, I still read it, and I had reason to not put it down!
3. I will not give corrections.
Authors (and maybe a beta) have put in tremendous effort and time, and to be like, "you missed a typo" or "actually, the canon lore says X" often detracts from the beauty of the shared fic experience. I interpret random grammar and misspeaks and typos in daily conversation and texts all the time. Surely I know enough to employ this skill. And if I figured it out, other readers probably will figure it out too. If I can't, I usually assume the author was too big brain for me and skip merrily along to the next sentence. (And if it's too much for me to handle, I click out.)
Yeah I get it! I get the urge to want to be helpful and contribute to other people's experience! I know that feel! Because, well, I learned this one from experience. I tried once. Watched an author wilt a little when what I wanted was to be helpful. Yeeeaaah, not doing that again.
So, I suspect this often comes off as a little entitled that just by that bit of you say something and kinda underlyingly expect the author to do something about it, and again, Author Owes Me Nothing! Even if the author is asking for a beta, I'd reach out first and make sure they are now in a headspace to be expecting beta thoughts from me.
Wrapping it up
I love fic, the world is rich with it, and I am full of love for authors and their craft. It fills my heart with joy to know I can return a little smile to someone who has let me hop on their ride for free.
It does take effort. Writing comments, turns out, is writing. Writing is a skill, therefore writing comments is a skill. And writing takes practice to improve, so, guess what, writing comments takes practice to improve. Who would've thunk. (Not me, I assure you.)
I've wanted to write this for me for a while, capture what I've learned because I noticed my ability to write comments change over time. Then recently, I was rec'd a fic and told to definitely leave a comment because the author deserves it and I write good comments. Dispatched because I write good comments! Now my commenter feathers are fluffed up, and so I have actually written this. But I definitely didn't start out the comment writer I am today, so I wanted to share that, surprisingly there is a progression path! (Maybe this is only surprising to me.)
I do find commenting adds to my fic reading experience. And I love reading other people's comments. Sometimes other people notice things I didn't or have very cool interpretations, and that is an extra wow right there. (And look at all these other people who like the thing I like!)
And if I leave a comment, sometimes I get a reply! Author noticed my little comment! Extra dose of happy for everyone!
And sometimes, sometimes, (and again I would never expect it, but it is a gift much like fic itself is) an author will write back full of their notes and what they were thinking about writing those moments, and I treasure that so, so much. It's both a delight because of the usual Author saw my effort commenting and I get an extra behind the scenes! The craft behind the craft! (Now how do authors leave good replies? That is still a mystery to me.)
Sometimes I write a lot and then it goes into a black hole, and that's sad. Hmm. I'm pretty sure this is what authors feel when we don't leave comments. Hmm. Guess it's time to write more comments! (Sometimes, like fic updates, replies show up months later, and that's honestly <3)
So, let's go leave some comments and show those authors love and tell them how much they delighted us! Or ... how they smashed our hearts into the ground with angst/no comfort because sometimes that's just what one wants to read.
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dotthings · 4 months ago
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Started my spn S6 rewatch. Couple of thoughts on 6.01
While soulless Sam was a huge nope to me--I wanted actual Sam back and couldn't enjoy soulless Sam--the S6 gestalt overall interests me. The noir feel. The horror intruding into suburbia, which is very core to spn.
Dean's in a classic Hollywood archetype role, the one honest guy who finds himself caught up in a noir plot. No one he can trust, everyone hiding something.
Soulless Sam isn't a reliable narrator. But he is an observer and he has all of Sam's memories and he seems to believe Dean has a yearning for a family, a home, something other than just hunting, and he's not wrong. spn has played on that theme for Dean over and over. It swings back and forth. He yearns for it, he yearns for hunting. It's not simple.
Bobby's reasons for not telling Dean that Sam returned are pure and completely out of love, a dad protecting his son, wanting to give his son a chance at a life outside of the brutal world of hunting.
The show's series-long theme on addressing the brutality of hunting and the exploration on what else there is gets passed over a whole lot in fandom commentaries. I don't think the show idealized hunting. While there has to be hunting for there to be a plot, for there to be a show, this rumination about the toll hunting takes and what else is there is canon, those are ideas canon planted and explores, so it's weird that sometimes gets treated as going against canon somehow.
While Soulless Sam still gives me the heebie jeebies, rewatching him is interesting to see how Soulless Sam functions. He performs. Trying to be Sam, to act and feel how Sam would, and he can't. When Soulless Sam confesses he wouldn't even try, that's flatly untrue, we know Sam would. We've seen Sam race in to save people. But Soulless Sam is hollow, and the caring and the willingness to race in is embodied in Dean. And Soulless Sam may be empty yet he feels the pull toward Dean's warmth. He has Sam's memories after all, even if he doesn't directly feel it.
We know Dean doesn't fit in this new life and he's not going to stay, but Dean also is genuinely drawn to this life with Lisa and Ben and he isn't completely miserable. He also tries make it work, he doesn't ditch the Braedens the moment Sam returns, first he tries to find a balance. Moving back into hunting, while keeping a home base. And it doesn't work out, the point is he wanted that. Not an all or nothing.
While I don't think Dean and Lisa is some big epic love story, they do get along well and he cares for her and for Ben. Lisa's meant to represent a certain kind of life, she's a symbol and cipher, but for all that, he does also care for her for herself. I'm not ever going to be sorry Dean went to Lisa, after the horror he went through in S5 and the crushing grief. He had someone who cared for him, who was there when he had nightmares, who kept him from falling into the abyss, and he's doing better than he must have been those first few months. He's a carpenter. He's made a friend. And he likes being around Lisa and Ben.
I don't buy the "wasting away in the back of a pool hall" idea for several reasons, and there's one right there present in 6.01, because Dean loses Sam and he manages to function--he can't do it alone but that's kinda the point. He forms connections, he cares for people, he carries a sadness in him always but he doesn't just curl up and give up and waste away. He keeps going and finds comfort. Of course it turns out he tried to save Sam. But he didn't break the world and spiral either.
Dean's brain on djinn-poison hallucinations cooks up the YED referring to Cas as sugar to counteract all the spice of demons. In Dean's brain, Cas is one of the good guys, and he associates Cas with sweetness. (Which just makes the S6 story even more heartwrenching, but Cas's motives are good, Dean isn't wrong, exactly.)
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aesterblaster · 2 years ago
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Ik you said to send hot takes but what about your hot takes 👀👀
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NYAHAHAHA THANKS FOR ASKING
*clears throat*
IsagiRin as a ship just doesn't work for me. Odk why just. Sorry I can NOT see your vision bestie. Half of the Blue Lock ships don't work for me especially when centered around Isagi because that boy switches side characters like they're pairs of shoes. In Blue Lock one or two sus or even sweet moments doesn't really amount to much to me because everyone has them here. That doesn't automatically mean date on a riverside resturant. On the other hand I totally could see Bachira x Isagi but I just think of them as really close friends because that's what gives me the most comfort being as some of the people who really saved my life were friends. I think it would be better if Bachira had a friend first and focused on himself before getting into any big relationship. Idk I guess that's more of a personal preferance
SPEAKING OF, I hate people who write Blue Lock smut w a burning passion. I'm not even gonna hit the whole iTS IMMorAL train it just usually sucks all the fun and personality out of the chosen character and is just trying to be as gross ans shocking as possible and twist them into somehow being pervs just bc they get all hyperactive when they play soccer. Like GET THERAPY. Half the time I go to the bllk tag im just scrolling like HE WOULD NOT FUCKING SAY THAT.
The anime gets a lot of slack but like... It's very difficult to transfer things from one medium to the other especially things as philisophical as Blue Lock
Fandom interpretations of Shidou are usually weirdly ooc because they wittle him down to like how cray cray he is or whatever and completely ignore for example, his respect for people who are also creative and out of the box or his ability to deal with lonliness and being othered by everyone
Characters that shouldn't be hated nearly as much as they are: NOA NOEL. You heard it here folks. I genuinely believe he's just trying his best and honestly most coaches would've asked to drop half the player he has to deal with by now like cmon you got an emo gymrat who was forced to become like you, you got a playee whos EYESIGHT IS FAILING but will literally start falling apart if you bench him, you got..kaiser and his lapdog ass cronie who dont listen to your plans at all, you got an entire rift between new and old players. Like how do you even fix that when you can't send people home (i think)? He gives good advice sometimes ngl and they're winning games so like...
Cont. Sure he isn't as funny or amusing to read as Lavinho or Chris and he isn't as open as Snuffy but DAMN IT he's doing his job ok? And all the dad son moments between him and Isagi are to die for.
Naruhayas little miniarc is honestly has the saddest backstory implications to me. THERE I SAID IT. Rin's is indeed tragic and heartwrenching but can be fixed, he can move on and heal if he so chooses. Bachira...ok nvm bachira's ties with it. Hiori's is an absolute tear jerker but he is still in Blue Lock. He still has some time to grow. Naruhaya? There's nothing that could be done to fix his position or bring him up or cut him from the weights dragging him down. We see so many characters in the Blue Lock universe rise from their poverty through soccer but DAMN IT NARUHAYA EXISTED TO SHOW THAT THAT IS A LUCKY AND FEW 2 PERCENT. HE PROBABLY HAD TO GIVE UP ON EVERY SINGLE ONE OF HIS DREAMS JUST TO SUPPORT THE VERY FAMILY HE LOVES SO MUCH. HIS PARENTS LITERALLY DIED. DO YOU UNDERSTAND? BACHIRA STILL HAS HIS MOM, RIN AT LEAST HAS HOPES OF RECONCILING WITH HIS BROTHER AND HIORI MIGHT ONE DAY SAFELY CUT HIS PARENTS OFF BUT HIS ARE IMPLIED TO BE GOOD PEOPLE JUST..STRAIGHT UP DEAD. AND THE WAY HE STOLE FOOD ALL THE TIME???? IM GOING INSANE.
Ok thats all for now LMAO
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elenirlachlagos · 2 years ago
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SangCheng Fanfic Rec List
This list is definitely not exhaustive, I'm sure there's some I've forgotten because I neglected to put them in my bookmarks. I just dug around in there and tried to make it a little diverse and covering different authors.
I'm trying to word this post in a way that it doesn't get flagged, so please also mind the tags on the fics.
Sorted by word count, starting with the short ones.
the strangest, dampest embrace by Anbessette
Rating: teen and up
tags: crack treated seriously, shapeshifting, squid!NHS, friends to lovers, interspecies romance, Cloud Recesses study arc
POV: WWX
word count: 3.020
chapter count: 1
status: completed
AU or in universe: canon divergence
summary: Squid Yao Nie Huaisang is learning to shift into human form. Jiang Cheng is having the weirdest 'oh no my friend got hot' crisis in teenage history.
personal opinion on the fic: This sounds ridiculous, I know. And it kind of is. And it's also... kinda cute? This one fic is rather short, but it's the start of a series. Other fics of this series are rated explicit and with NHS being a squid, you can decuce what that means...
dark water by Morgan (duckwhatduck)
Rating: explicit
notable tags: drinking, loneliness, lots of feelings but no talking about them, hopeful ending
POV: JC
word count: 7.055
chapter count: 1
status: completed
AU or in universe: in universe
summary: Sect Leader Jiang invites the freshly appointed Sect Leader Nie into his chambers to have a drink, and it leads to more.
personal opinion on the fic: This is basically pwp, but filled with emotions. JC discovers, in a way, his sub nature, but he's also an emotional mess, and while NHS keeps it together more, he's also not 100% confident and in control - and this is actually one of the aspects I like about this, it feels much more authentic like this.
He's no bully, he's my friend by JaimeBlue
Rating: General audiences
notable tags: homelessness, dog!Jiang Cheng, unspecified city, , podfic available
POV: NHS
word count: 8.976
chapter count: 1
status: completed
AU or in universe: urban fantasy/modern cultivators AU
summary: Nie Huaisang has been living on the streets for almost two years since his brother's death, just trying to get by despite the 'things' he sees that scare him, though nobody else can see them - it's been that way since he was a boy. Then one day he chases some kids away from harassing an injured pit bull, and he finds in the dog a friend and partner in surviving life on the streets. But there is more to his dog than meets the eye, and maybe the companion he'd saved might just save him in return.
personal opinion on the fic: This fic is different. First of all, there's not much romance in it, just a hint of SangCheng at the end. Not surprising since Jiang Cheng spends most of this fic as a dog. So it's NHS-centric, too. It's very heartwrenching, but also sweet and hopeful (and I'm not even a dog-person).
the cold read by offlight
Rating: teen and up
notable tags: fake/pretend relationship, drunk making out, set in USA
POV: JC
word count: 12.022
chapter count: 1
status: completed
AU or in universe: college/university AU
summary: JC is annoyed by WWX constantly going on about his relationships, while he never had one. NHS comes up with the seemingly brilliant idea to start fake dating; for not entirely unselfish reasons.
personal opinion on the fic: It's a cute, fluffy fake relationship fic. Maybe things go a little too smooth overall, but sometimes you're just in the mood for that. However I do think the anger directed at JC towards the end is a little unfair; he genuinly didn't realize. There's a hot little drunk make-out scene in the middle, that doesn't go too far (so the teen rating is still correct, in my opinion).
the light of autumn by crooows
Rating: general
tags: canon compliant, hurt/comfort, talking, drinking, angst with a happy ending
POV: JC, NHS
word count: 13.845
chapter count: 5
status: completed
AU or in universe: in universe, post-canon
summary: Nie Huaisang arrives a week early for the conference which will be held in Yunmeng to discuss the position of chief cultivator.
personal opinion on the fic: This is a short one, so you can't expect a long built up and maybe the big "oh!" realization comes a little too fast. But the story shows both of them broken in ways that make them understand each other, and they're so sweet and cute together. Haha, that poor Jiang disciple.
Lights, Camera, Kiss by MissMagus
Rating: explicit
notable tags: 5+1 Things, dom/sub, brief Nie Huaisang/Wei Wuxian/Lan Wangji, bottom Nie Huaisang, service top Jiang Cheng, top drop, (plus a few other tags for the "movie" they're filming)
POV: NHS
word count: 15.377
chapter count: 1
status: completed
AU or in universe: adult entertainment industry AU
summary: When Nie Huaisang gets paired with straight Jiang Cheng for a five-part series, he’s sure it will be an utter disaster. Until the cameras start rolling and their chemistry alights like wildfire.
personal opinion on the fic: Alright, this is pretty much pwp; most of it is set during filming. Also this is of course most probably not in any way representative of the real industry. My favourite things about this is how the whip was incorporated (not done enough, imo) and the top drop JC experiences, something I've never read before.
Just Let Me Stay Here by Your Side, That Would Be Enough by xcourtney_chaoticx
Rating: teen and up
notable tags: friends to lovers, arranged marriage, canonical character death, post-traumatic stress disorder - PTSD, non-sexual intimacy, Jiujiu content, OCs
POV: NHS
word count: 15.822
chapter count: 1
status: completed
AU or in universe: canon divergence
summary: In the wake of the Sunshot Campaign and the sworn brotherhood of Nie Mingjue, Lan Xichen, and Jin Guangyao, it is decided that Nie Huaisang should be married into the Yunmeng Jiang. He is married to Jiang Cheng.
personal opinion on the fic: Sweet, fluffy slow-burn arranged marriage - sometimes you just need something like this. (Ok, maybe not always only fluffy, some of the dark things of canon still happen and there's the PTSD tag...)
Neutral Territory by Pyrria
Rating: mature
notable tags: movie violence, everyone lives/nobody dies, no Golden Core transfer, gangsters, bar/pub setting, drinking
POV: NHS
word count: 19.185
chapter count: 2
status: completed
AU or in universe: cyberpunk AU
summary: A series of conversations between Nie Huaisang, the overlooked, underestimated, playboy younger brother of the former leader of the Qinghe gang and Jiang Wanyin, a lowtek bar owner who knows more than he should and is connected to some very dangerous people. Is Jiang Wanyin someone Nie Huaisang can trust as he tries to unravel the attempt on his brother's life? Or is he one of the many moving pieces acting against Qinghe? If he's already fallen, does it even matter?
personal opinion on the fic: I really like the idea of the loss of a Golden Core being changed into not having cybernetic implants. I love the description of the AR technological world contrasted with the "old-fashioned" real worldness of JCs bar - it makes me wish I could actually see this (as film, animation, whatever). Plus it's always nice to have some uncle/nephew interaction and Nie Zonghui included. Yay for family. The mature rating is for the violence that the whole gang theme includes; I'm really bad with gore and violence and such but it hardly bothers me, so I'm sure most others will be fine.
a loving kind of boy by artsy_alice
Rating: teen and up
notable tags: tooth-rotting fluff, coming out, Jiang Cheng and puppies, 5+1 Things, childhood friends getting together, asexual Jiang Cheng, minor WangXian
POV: mixed, it's a bit chaotic (but it works out)
word count: 19.740
chapter count: 7
status: completed
AU or in universe: modern cultivators AU
summary: Or, 5 Times Nie Huaisang Comforts Jiang Cheng Through the Power of Cuddles, Heart-to-Hearts and Cute Animals, and the 1 Time it was the Other Way Around
personal opinion on the fic: I love the world-building in this. It's basically a collection of scenes from their lives, so there's not much development or plot or anything, and the SangCheng just kinda happens, so don't expect big romantiv events. Make sure to check out the author's social media accounts, though, because there's lots of cute art from this AU.
bright sunlight filtered by givemebaretrees
Rating: explicit
notable tags: arranged marriage, hopeful ending
POV: JC
word count: 20.175
chapter count: 1
status: completed
AU or in universe: canon/in universe
summary: Wei Wuxian and Nie Huaisang are arranged to marry each other by Jiang Fengmian and Madame Yu, which seems to make everyone happy—up until Wei Wuxian's life is changed by the Sunshot Campaign. Jiang Cheng is left to pick up the pieces of every broken promise his brother left behind, and some of his own, too.
personal opinion on the fic: I really like how the story weaves itself between the events we all know; it mentions them but doesn't do any unnecessary retelling. JC and NHS slowly dance around each other, getting closer, and then again further away. I kind of wished the NSFW part was a little expanded, then again it also fits like this.
Four Days in Lanling by halotolerant
Rating: explicit
notable tags: first time, mastermind!Nie Huaisang, grief/mourning, drunkenness, podfic available
POV: JC
word count: 21.020
chapter count: 6
status: completed
AU or in universe: in universe, partly post-canon
summary: During his first Cultivaton Conference as clan leader, NHS does some scheming that doesn't directly pay for his masterplan, and after the events at Guanyin temple, JC begs him to help his nephew again. And maybe also something else that happened between them can be rekindled, too.
personal opinion on the fic: The fic treads a fine line in making JC the oblivious and inexperienced and passive one; this could go very wrong - but it doesn't. He does have his expertise and he's growing into his role. They both have their obvious traumas and weaknesses, too. I do love how clever NHS is in this, it's a joy to watch how he manipulates and no ones notices.
Heart opening flow by gekidasa
Rating: teen and up
notable tags: yoga, college/university, background WangXian, awkward boners, jealous!JC, established NieLan
POV: JC
word count: 27.002
chapter count: 10
status: completed
AU or in universe: modern AU
summary: Jiang Cheng agrees to do a class at Cloud Recesses Yoga as a favor to Wei Wuxian. He was only planning to go once, but then Nie Huaisang walks into the class, and Jiang Cheng is immediately smitten. Unbeknownst to Jiang Cheng, the feeling is entirely mutual.
personal opinion on the fic: This is one of those fics where clearly the author pours in much knowledge about their interest. There's reference pics for yoga poses and all (it's pretty advanced yoga, though, so don't try this at home). NHS tries his hardest with flirting, but he is up against JCs insecurities. They dance around each other for a bit, but it's so sweet. It's seperated very conveniently into short chapters.
A Sweet and Vicious Cycle by Kendershire
Rating: explicit
notable tags: sugar baby/sugar daddy, emotional manipulation, pretend relationship, scheming Nie Huaisang, protective Jiang Cheng, panic attacks, terrible Jiang parents, demisexual!Jiang Cheng
POV: NHS
word count: 37.192
chapter count: 12
status: in progress
AU or in universe: modern AU
summary: After his life was upended and his brother incarcerated, NHS has to make a living with a generally disdained job - and uses it for his carefully planned revenge scheme. He intends to use his childhood friend for his means, too; but it doesn't quite go as planned.
personal opinion on the fic: The JC in this fic is what all those rude young CEOs in Asian dramas should be and never are. He's so noble that it'd be easy to condemn NHS for what he is doing, if it wasn't obvious that NHS is not unaffected. I so love the idea of the Crisis Blanket! Everyone should have one. This fic is not completed and has slow updates, but it's not abandoned.
perfect pretenders by skyestiel
Rating: teen and up
notable tags: WangXian, Gusu Trio shenanigans, practice kissing, making out, getting together, friends to lovers, mutual pining
POV: NHS, WWX, JC, LWJ alternating
word count: 60.549
chapter count: 15
status: completed
AU or in universe: in universe, canon-divergence
summary: During a drunken get-together, wei Wuxian has the glorious idea of a kissing competition between him, JC and NHS. Later, and still drunk, JC has the equally glorious idea that him and NHS could outdo WWx with the help of - each other.
personal opinion on the fic: Yay, Gusu times trio/quartet content! Happy innocent youth. I love all their interactions, I can very well picture them like this. It's so cute, but also sensual - I think chapter 5 has to be one of my favourite SangCheng content.
Shorelines in the Moonlight by Emrysian
Rating: teen and up (but there is an outsourced NSFW scene that has an explicit rating)
tags: hurt/comfort, suicidal ideation, Junior Quartet, qi deviation/unrest, loneliness, anxiety, slow burn, angst with a happy ending, family feels, JL/LSZ, healing, relapse
POV: alternating (JC, LWJ, JL, LSZ...)
word count: 62.854
chapter count: 27
status: completed
AU or in universe: in universe, post-canon
summary: A year after the events at Guanyin Temple, everyone seems to be moving on with their lives and learning how to live as they are. That is, until Sect Leader Nie's health is brought into question at a Discussion Conference, and soon everyone realizes that there are some things that have yet to be addressed. Grief takes many forms. What happens to those who are left behind?
personal opinion on the fic: Completely self-indulgent, but I love how everyone starts worrying about NHS. He even gets those infamous hugs from JC - since CQL this is something I'm jealous of. I love how the juniors crush on NHS, it's so cute and also hilarious. The time everyone spends together in Qinghe at the festival and in Lotus Pier, is so sweet to read with its family feels and budding love... Not everything goes smooth, though, there's a little more realistic approach to healing.
Come Go With Me by roseclaw
Rating: explicit
notable tags: set in USA, therapy, moving away from family, surfing, chronic pain, mentions of a being in a car accident and witnessing death (chapter 13), yunmeng sib feels, accidental kitten acquisition, small town vibes, lots of food preparing, house renovation, lots of ogling, making friends
POV: JC
word count: 102.289
chapter count: 15
status: completed
AU or in universe: modern AU
summary: Six years after he was in a car accident that killed his parents and left him with hardware in his knee and chronic pain, former competitive surfer Jiang Cheng quits city life, takes his parents’ inheritance, and buys a dilapidated inn on the ocean to fix up.
personal opinion on the fic: Everyone is mentioned in this fic, seriously, everyone, including Zonghui; there's kittens and even Wang Yizhou's thigh tattoo gets a mention, too. Personally I think that JC (often very relatable) and NHS (who stays mysterious throughout) feel a little OOC, though it may only be the vastly different setting. I do love the setting. I don't know a thing about the area in which this is set nor the surfing community, but it has a certain atmosphere I really like coming back to. (Somebody do a mood board?) The relationship between the siblings is really well done. When I first read this, my mother had a knee surgery, so a lot in this sounds familiar, especially how a lot of things that are normal to others are out of the question, and how overdoing it on good days can easily lead to bad days.
we both know better (maybe we don't) by captain_apostrophe
Rating: explicit
notable tags: fake/pretend relationship, demisexual!Jiang Cheng, slow burn, rich families, nobody is dead, background WangXian, occasional smut (often XueSang), Jiujiu content, robbery, sexuality exploration, angst and hurt/comfort, terrible Jiang parents, family dynamics, childhood trauma, non-sexual intimacy, divorce, skip codes for explicit content
POV: NHS, JC alternating
word count: 281.873
chapter count: 56
status: on hiatus
AU or in universe: modern AU
summary: NHS was hired to paint a mural on WWXs pizzeria wall but then WWX has another job for him: be the fake date for his very attractive brother to get people off his back about marriage and kids. The problem is that WWX didn't inform JC of his plan - and it goes how you might expect it to; or even worse. But since the worst damage seems to already been done, JC decides "why not" and the deal is on until WWXs wedding.
personal opinion on the fic: The "JC is a martial arts instructor" content you didn't know you needed. NHS is so thirsting over JC in this, and he's taking us all on that trip with him. The growing casual intimacy between them is so lovely to read (I'm a little jealous, really). I was a little worried about the addition of an OC to the family, but it works. The big "oh!" moment is so cheesy, so tropey - and so, so good. There are a couple of flaws. Sometimes it tries too desperately to be woke, like there's some secret plan to squeeze in a whole modern sex ed curriculum, to the point that it feels like in school books when the authors try to put some kind of story around a math problem (in this case the other way around) but it ends up being awkward. The demisexuality of JC is really well done; some other parts not that much, in my opinion. The more obvious problem is of course the current status. I'm not surprised, it had this vibe the last couple of chapters... But if you don't mind the uncertain future, do read. Or you could always stop after chapter 42.
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rosehippiefield · 1 year ago
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Mental strength part 3: Kanna and Shin
The other posts on this topic:
Part 1: Sara and Nao
Part 2: Reko and Alice
Part 4: Keiji and Gin
Part 5: Kai and Q-Taro
Part 6: Joe and Mishima
This time I want to discuss our greeblings: a meek girl that misses her sister and an extremely scared guy that just wants to live, as they also display signs of unbelievable will and undying determination. Sometimes you need it to survive, and sometimes it helps you to stay yourself and be kind. Also warning, this post is quite long
Kanna seems so weak and fragile, grieving after her sister and being manipulated by Shin. But is she realy weak if she continues to hope, to bring out the best in people? She lost her close person, being 14 years old, then is kind of isolated from majority in chapter 2, believes she needs to be useful to the point of readily taking a deadly card from Sara and offering to be killed in second main game. Note, by the way, that her motivation there differs from the first main game: at first she just wanted to reunite with Kugie, basically to give up, now she makes a conscious sacrifice to save somebody else and help the group. The best thing is, if this little girl lives (which would cause her brother figure's death), she is finally determined to see it through, to defy Midori of all people even after learning horrible truth about her wish! Despite her struggles she tries to help, and her kindness is her strength - she is the first to see glimpses of real Shin Tsukimi, she is the one perceptive enough to know Sara is in danger and to actually take action, and in her last moment she still wants to assure everyone she loves them. Kanna goes through a massive character development, and she would never do that if she was truly weak.
Nearly whole fandom loves affectionately making fun of Shin's weaknesses, both physical and mental. The infamous 0.0% makes this completely understandable, as does the act of abandoning himself. Self-esteem of this guy has reached depth of the Mariana trench, his own shadow talks to him, his social skills are nearly non-existent. Heck, how is he still alive? On the other hand, his desire to still fight for survival despite all odds is intense. Shin could end it all in a black room, there was a sharp object, but he didn't. Sure, his shenaningans are... something, but to be able to replicate someone's behavior drastically different from his original personality is honestly impressive. I must add, it is difficult to know where "Sou" ends and "Shin" begins, but he considers himself to be weak and meek, hiding it quite well after "frying pan insident". In third chapter he loses his cool way more often, but what surprises me is his ability to quickly get back to his bravado. For example, after learning Midori manipulated him to sign consent form, Shin panics for a moment, and almost immediately reverts back to fake smile. I probably shouldn't remind anybody that Midori was akin of a brother to him, so to see this person on kidnappers' side is heartwrenching. Not to mention his health problem, I am sure something serious is going on. Of course our deathnote evader didn't go to gym to get better, but after being hit with a blunt object and presumably fainting in chapter 2 he still goes on despite his weak body. Finally, the mere fact Shin kind of wants to believe in group despite being hated by it, no matter the distrast sowed by Midori and 0%, shows me that hope is eternal, as does the fact he can still sacrifice himself for the sake of others. In second main game he on purpose tries to sway everybody to vote for Kanna, knowing she would pick Sara. Is this weakness, if his desire for survival is strengh? Not completely. He is fighting with his own ego to save someone else. And then he finally opens up, which is painful and scary. And afterwards he offers his life, admiting he was being awful (so he can also self-reflect). In short, this originally insecure fellow changes in the wrong direction, but he has strengh to not give up despite 0% and to still, despite cynicism, work with others when needed.
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7salty7 · 5 months ago
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Hey handsome<3
If I remember correctly from a post you made last year (if not just see this as a casual thank you without an occasion) today should be your birthday so I just wanted to send some well wishes and congrats your way. Your writing always brings a smile to my face and I’m so grateful you are here sharing these beautifully heartwrenching, silly, funny and lovely stories with us. Like I’m not even kidding. When I’m having a really rough day they always have the power to make me forget for at least a little bit, sometimes they even turn my mood completely. And when I was having a good day before I’m just walking around smiling like an idiot afterwards (or going to sleep like that). I love that for me. I hope you continue to enjoy writing them as much as we love reading them and that my comments maybe also bring a smile to your face. I wish you the comfort your characters give each other, and proper working communication, and a loving community, and all the fun in the world, and that you can achieve your dreams, and get a lot of rest, and that you always pull the photocards that you want, and that you find somebody that gets exited with you (when you show them your stuff), and that you still can live happily even tho the world seems to be against all of us sometimes (or all of the time but that seems a little negative for today). And all the other good stuff. I could yap on forever but this is already going to be a chonky boy so I’m gonna move on.
As a little thank you I wanted to draw you something. It was my first time drawing 3 people and using a 3D model to make the poses which was actually quite fun. Im gonna keep experimenting with that. It’s not my best work but I still kinda like it. Like I always do, I startet planning this since said post but haven’t started it till yesterday, oops. Since I didn’t have as much time as I had liked (because of beginning that late and me being exhausted from work) it endend up being black and white without real shading. Maybe someday I’m gonna at least shade it (and do the hands more than this sketchy style lol). Still this was actually the perfect opportunity cause I have a list of scenes I wanna draw from your stories some day (but you know how it is sometimes when it comes to actually making the plans reality, especially if it’s a lot of work). One of the more recent scenes being the Yungi x Woo sandwich is currently living in my head rent free so at least I didn’t have a problem deciding on which one to do for ones (I am indecisive). All of that to say
Happy birthday, I adore the heck out of you, I hope you have a lovely day<3 You rock!
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Omg this is the sweetest ever. Thank you so much ♥️
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miniconsuffrage · 2 years ago
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i still believe. by @sibella
ERROR. Story not found. ‘ANATOLY’ not in this system.
fic rec friday!!!!!!!!! it's still friday I have 15 minutes left!!!!!!!!!!!!!!
I may not do this Every friday but I love making banners and I love recommending fics and I've been wanting to combine those 2 things together for a while now. and MAYBE I am biased. but that doesn't matter the fic kicks ass and I had a good image for it 😌
CHOBOTS......... chobots is an alternative retelling of chess inspired by kencen/choncert (the new york 2022 concert) in which anatoly and viigand are robots manufactured at the evil soviet chess player factory. there's a LOT of good viigand content.
is sooo so good. it is a literal rollercoaster. there are high highs and low lows. there are twists. it's hilarious. it's heartwarming. it's heartWRENCHING. things keep happening all the time. genuinely it is a stressful read but in such a good way. maya is a master of dangling enough information in front of you to encourage you to start putting puzzle pieces together, but maybe sometimes she's throwing in some pieces that look like they're from a different puzzle. and maybe they do fit somewhere, and maybe at the end you have completed one big puzzle and another little puzzle, which is a delightful surprise and WAY more fun than having just one puzzle. this is nothing sorry
genuinely though. it's so good. it gets absolutely wild but then the ending is so cathartic. and you care so so so so much about everyone involved (except molokov he can die). maya's writing style is such a delight to read. it's very whimsical generally which, combined with all the drama going on here (I say this so so lovingly, I love drama), is absolutely fascinating and soooo much fun to read.
and there's ROBOTS which is basically my favorite thing. so. you should go read it right now immediately!!!!!!!!!!!!!!! 🎉🎉🎉🎉
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monstersinthecosmos · 1 year ago
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I am sooo happy I sent that ask!! Your reply was everything I could have wished for and more. I didn’t know anything about the VC universe (I did see the movie adaptation as a kid, but all I could remember were the ~vibes), and now I might actually want to check out the books. I mean I can’t believe how much of it is canon LOL, traumatized kinky asexual vampires wtf? sign me up??? Which book(s) of the series would you recommend to me? :o
In the meantime, I will DEFINITELY be giving your VC fics a try, thank you so much for the pointers!!! I’m already weak just reading your reply, esp. that parallel of post-disaster Armand and Marius being kind of like an AU where Shiro *does* give up on Keith - that actually broke me. A lot of what I love about your fics is how you characterize Keith so realistically and in a way that’s meaningfully informed by his upbringing/subsequent abandonment issues and that’s a thrill to read because, well, it’s just good writing - but also because it makes so much sense, not just abstractly but in a very real and personal way. And while the ~relatability~ of it all makes for a super intense reading experience, it can also be weirdly and sometimes incredibly cathartic imo - which is one of the reasons why I think I keep revisiting your fics (sorry if tmi LOL 😭). But!! In the case of Sheith it more or less all works out in the end because, like you said, it’s such a wholesome ship and they love and prioritize each other so much that (as a reader) they’re kinda like a safe space, delectably complete with all the angst and hurt and fuckedupness of their circumstances/selves (you know, for flavor). However, thinking about a timeline where it does NOT all more or less work out, well that’s kinda super heartwrenching! But yummy? And I kinda can’t wait to get into it but I’m also genuinely scared for my heart LMAO. Anyway I’m sorry for rambling!!! With your permission I will definitely come back and scream about Sheith and vampires because I sorta already am lol.
Re: the teaser xmgdknfnrmsmgdk I can’t even gather enough brain cells to form coherent sentences, I’m just squealing and awaiting my resurrection I guess. Thank you sooo so so much! I got so excited I haven’t even been able to finish reading it 🫣😳😵😵😵
!!!!! Thank you again for such a thoughtful and delicious response! <3
Dgahskjdl g GOSH THANK YOU AGAIN
So this post got really long I’m so sorry asdghkads  TLDR: I recommend all of them but I also don’t LMAO and you can skip around and won’t be confused but it will spoil stuff. This is a LOADED QUESTION.
It’s wild like I was thinking about the fic i could stop dreaming and also just in general AGAIN IF WE CAN TALK ABOUT COMMON SHEITH TROPES/FANON like I’ve read many S8 fix-its where Keith is drifting around and he’s just like so cold and broken and empty!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! And that’s how Armand feels to me! Even a fic like heart nailed open where Keith is just so fucking empty! Or SOURCE DECAY??????? Like I think there’s tons of Sheith AUs or S8 fics where Keith is like Depressed Guy Keith and !!!!!! God it fucks me up lol. Armand is kinda like if Depressed Guy Keith was also like a 500 year old fucking weirdo.
And like BECAUSE they’re vampires and they’re immortal they’re sort of always coming in and out of each other’s lives so like there’s always a hypothetical future where they can work it out. Like i could stop dreaming is about them working it out, right? And what it would take to heal that injury. And there’s a lot of stuff in canon where these characters commit absolute fucking atrocities to each other and still manage to work it out and I think it’s again just an exercise in empathy and asking if we can still deserve love when we’ve fucked up. The characters have CENTURIES to get over stuff (and some of them STILL DON’T LOL) but sometimes they do. Famously & without spoiling too much of IWTV, Armand does something pretty fucking atrocious to Louis and they still have a long relationship and still love each other very much!!!
But ON THE QUESTION OF WHICH BOOKS, jfc hold my beer
I think in Sheith you see people like almost universally dismiss S8; the only fics I ever see of it really are like just gratuitous whump or fix-its LOL which is valid. And VC has FIFTEEN FUCKING BOOKS and you could honestly ask ANY fan in VC which books “count” and which books are skippable and I think everyone has a different answer.
I also think you can read them out of order and there’s always a little bit of exposition to catch you up so you won’t be lost; the only downside is that you’ll get spoiled on the previous book. For example, if you jumped in and read Armand’s book first, it would make sense, but it would spoil what happened at the end of the book before it.
Also to get the movies & show out of the way because it’s faster than committing to fifteen books:
The 1994 movie is a pretty solid adaptation; you can tell they condensed some details for time or whatever but it’s pretty faithful. There’s also the show that came out last year which is …………….. not so faithful lol. The show also heavily focuses on Lestat & Louis which is the juggernaut ship of the fandom but they’re also like the missionary position of the fandom so who the fuck cares lol. (Loustat fans lurking in this extremely niche post I am so sorry, I'm kidding ilu LMAO it's just not my thing!) And tbh the show wrote Armand & Daniel’s characters SO POORLY it like absolutely killed any motivation I had to continue watching so as an Armand stan I can’t really recommend it but it’s kinda like silly and fun if you don’t take it too seriously. And tbh if this entire fact finding mission is to understand VC more, the show literally changes EVERYTHING; it changes the time period, it changes the lore, it changes the story, it changes the character ages, etc. Basically it just kept the names lol. It's a completely different canon so I think even show fics & book fics aren't compatible either.
There’s also a movie of Queen of the Damned from 2002 which is like SO BAD LMAO but also silly fun. It’s a really bad adaptation but I’d put it in between the movie and the show. Marius is in it and the characterization is really strange LMAO. Armand is an extra.
The thing about VC is that it’s very sort of like non-linear and nontraditional storytelling. Most of the books are narrated by Lestat but several of them are narrated by random other people, and a lot of times the same story is retold through other people’s POVs. Like you get the story about Marius & Armand in three different books and each version is a little different because everyone has a different perspective. And regarding reading out of order and having spoilers, I do think it often creates like a suspense vs surprise element because we circle back and revisit the same stories so many times; you might get a spoiler and read a book knowing that a certain thing is going to happen and there’s still the tension of waiting for it to happen haha. Like when I mentioned the cult raids Marius’s house—you learn about that in Book 2 so you read Armand’s book later going into detail about his life and you’re just SWEATING because you know it’s coming. AND THEN YOU READ ABOUT IT IN MARIUS'S BOOK AND YOU'RE JUST DEVASTATED ONCE MORE.
I will say that for me I always recommend just fucking read them lol. Just read all of them. LOL!! But they’re weird and like, you’re gonna hate some of them, but I don’t think you can take someone’s word for it on Tumblr, it must be experienced. But I do understand that it’s a lot of material to get through and so I can give a fair cheat guide I think.
Most fans agree that the first three books (“The Trilogy”!) are solid and worth reading. Those are Interview with the Vampire, The Vampire Lestat, and The Queen of the Damned. IWTV is like this gloomy gothic tome about Louis’s life that started this whole thing and was written as a conversation about grief because Anne Rice’s daughter had died. It absolutely reads like a book someone writes about their daughter dying and it’s REALLY beautiful but it’s also a bit dense at times. If you’re put off by the vibe IT GETS EASIER when Lestat shows up because he literally bursts into the series like Ebony Dark’ness Dementia Raven Way ready to like tell you how blonde he is and how he’s gonna fuck everyone’s lives up. The books are still very heavy on existential questions and angst and grief but the text gets a bit lighter and super absurd LOL.
The first three also establish the universe and lore, though, so I think it would give you a pretty solid foundation to understand that type of stuff.
After the trilogy the books just go off the rails like there’s a few about Lestat having stupid adventures and doing dumb shit, there’s a few that cross over with Anne Rice’s witch series (so add three more book so if you truly wanted to read all of them!), then Anne Rice went back to the church and stopped writing vampires so there’s a huge gap, and then she quit the church again and returned LMAO. There’s a final trilogy she wrote before she died that are like, not the heaviest reading and they’re just kinda like silly good times with lots of Easter eggs and fan service. I feel good about the final trilogy being how it ended, just really silly times about them trying to use iPhones and shit, completely wild.
As far as ARMAND CONTENT THOUGH.
Armand does feature heavily in the trilogy so that’s also a good Armand foundation. And it’s REALLY FUN because he shows up in IWTV as sort of a chill mentor to Louis, but then in TVL you get the story about how Lestat met him when he was still in the cult and he was a feral little monster!!! And I love the duality of how Lestat and Louis describe him!!! It’s framed as unreliable narration a lot of the time because like Lestat’s resentment & Louis’s respect for Armand absolutely color the way they describe him, but idk like 100 years go by in between the two meetings so you also see a lot of character growth and see how Armand is doing!!!!!!!!!!!!!!! God. My heart.
Anne Rice also very often uses like texts inside texts so like, IWTV literally is an interview with a vampire where the bulk of the book is in quotes as dialogue LOL and then in other books you often meet a character who will talk for like 40 pages at a time to tell a story. So in TVL when Lestat meets Armand, Armand takes over for a chapter and tells the story of his life, and then later he meets Marius and Marius ALSO tells the story of his life.
QOTD is a modern story (modern in the 1980s when it was written haha) about how the whole vampire world has to deal with Lestat’s bullshit and they all come together for a common cause. This book features the little novelette about Armand & Daniel as one of the chapters!! It’s so good!! (The chapter is called The Devil's Minion and basically if you needed to understand Armand & Daniel you could just read that one chapter and that's basically it bc then it goes to shit!!! Not to spoil anything but also don't get your hopes up about like heaps and heaps of ship content because there isn't any lmfao fml)
It also features Marius and Armand reuniting with each other after 500 years!!!!!!!! HEARTBREAKING! It’s really good and very preposterous but the writing is so lush and takes itself so seriously you kinda forget that it’s preposterous.
Armand has a POV book later in the series, it’s called The Vampire Armand, it details his life as a human and some of his early years as a vampire with Marius. IT’S SORT OF LIKE A LONG EXTENDED VERSION OF HIS CHAPTER IN TVL.  
I do want to say that regarding the BDSM and whatnot that I mentioned; this book is quite controversial because there’s not good BDSM etiquette LOL and like part of the genius of this book is that it can be read as abuse, even when Armand isn’t setting out to tell you the story of how he was abused. I have a lot of thoughts about this because Anne Rice was also an erotica writer and her erotica books were all noncon BDSM; I WROTE ABOUT IT HERE I DON’T WANT TO GET INTO IT NOW but I think depending how people go into this book they either see the kink & sex stuff as explicit abuse OR you can read it as like, fantasy from a porn writer. As a Sheith fan I’m going to assume you’re not that sensitive lol. (But also por que no los dos, that's the flavor baby!)
Personally I think you could read this book as a standalone and like, it’ll be a little whacky without context, but I think I’ve given you a lot of context. It’s basically about his sad sad life, the religious trauma, and all the freaky sex he had. (Also just so you’re not disappointed, the sex isn’t graphic haha but he’ll be like “And then I went to the brothel and they licked honey off my nipples and I came home and Marius sucked my dick in the bathtub” but not like crazy sex scenes.)
Marius also has a POV book called Blood & Gold and it’s my favorite in the series!! IT’S MARIUS’S LONG EXTENDED VERSION OF HIS TVL CHAPTER. I think it’s the one that handles IMMORTALITY the best; the other books often focus on a short period of time or a specific incident and don’t often span someone’s ENTIRE life. IWTV spans Louis’s entire life but he’s only like 200 years old. Marius is 2,000!!!! He’s from the Roman Empire!! So like it’s really exciting to me to read about his whole life and all the eras he lived through!!!!!!!!!!!!
In his book you also get a few chapters about his time with Armand and it breaks my heart!!!!!!!!!!!!!!!!!!!!!!
There’s also a third secret option which is the book Pandora which isn’t part of the main series; VC is like actually 13 books and 2 side books? LOL So Pandora is one of the side books. But she was the first vampire that Marius made and they were lovers for like 200 years. This book to me feels like Anne Rice had a lot of leftover historical research and wanted to park it somewhere so a lot of the text is her talking about history stuff but there’s really great Marius content here and Marius/Pandora is one of my fav ships.
A lot of the fandom are more into the original trilogy and the Lestat/Louis content but I’m all about Marius so I’m into the DARK TRIAD of The Vampire Armand/Blood & Gold/Pandora. This to me is the more interesting section of the series but it’s an unpopular opinion so don’t take my word for it.
Other than that I’d also say Memnoch the Devil is my absolute least favorite VC, I think it’s so weird and boring lol but there’s some absolutely incredible Armand stuff in it and the stuff Armand does in this will be spoiled immediately if you check out Pandora or TVA. All in all it’s like idk 10 fucking pages of Armand LOL so if you got an ebook you could probably word search him. BUT YKNOW WHAT? Again don’t take someone’s word for it from Tumblr because like I find this book very weird and boring because it’s the most religious and I was raised atheist; there are people who were raised religious and say this one is their favorite. So what the fuck do I know!
Marius & Armand & Daniel are all in the final trilogy as well if you make it that far. Daniel is sort of always shuffled to the side because Anne Rice didn't care about him so like every time Daniel shows up I like feast on the breadcrumbs LOL but I'm glad to get some context about how he's doing and what's going on with his life.
ANYWYA I’M NOT SURE IF THIS ANSWERS THE QUESTION OR MAKES IT MORE CONFUSING LOL but ! ?!
They’re very weird books, they’re also kinda outdated and racist, but very queer, beautiful prose, incredible characters. They were my first hyperfixation that I can never seem to shake even when I’ve done all the work to dismantle all the ways they’re problematic and imperfect, it’s just yknow sometimes something gets its claws in you LOL. And I go out and explore other fandoms and still always come back to Marius and Armand and Daniel lol. I say that to say I wouldn’t be offended if you didn’t like them LOL but don’t judge me if you give it a shot and you’re like “what the fuck is this”
I just think Armand is like the most incredible character of all time okay!
SORRY FOR THIS VERY LONG REPLY LOL love you, patience yields focus!
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chainsawmascara · 9 months ago
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THINGS THAT I WOULD LIKE TO KNOW ABOUT MY FELLOW WRITERS
Thank you for the tag @lewdisescariot
I tag: @angelosearch @beaubambabey and anyone who wants to participate!
Last book I read: “Merrick" by Anne Rice (i have not finished, it is a slog, I'll finish it eventually), a book chronicling the works of Boticelli, "Go Ask Ogre," I'm in the process of reading "The Rebel" by Camus for the fifth time.
Greatest literary inspirations: John Keats, my former spoken word mentor and activist Jared Paul, William Blake, Anne Rice, Jose Saramago, Albert Camus, insert any 18th and 19th century gothic horror writer here.
Things in my current fandom I want to read but I don't want to write: mutually toxic bloodweave, disgustingly toxic bloodweave, mutually obsessive and manipulative toxic bloodweave, i need them to be their worst selves, i need them to fuck nasty, i need them to take advantage of each other (not sexually but also sexually with consent or begrudging consent to get what they want DO YOU SEE THE VISION)
Things in my current fandoms I want to write but I think nobody would be interested in them but me: Let's focus on bg3. Disgustingly violent, manipulative psychosexual vellioth/cazador. Utter monsters. Twisted power hungry fiends destroying each other where love is too kind, obsession is too shallow, hatred is too soft. Modern aus of them being awful, wretched creatures. Canon compliant awful, wretched creatures. Dead dove do not eat, would get me ostracized, self indulgent horrors.
Modern aus of Astarion being a mess and a menace in every way possible. Everything is wrong with him. He lives with Shadowheart, I need them to be perpetual roommates, she's the only thing keeping him from complete self destruction. His coping skills are atrocious, he cannot be fixed, no one knows how he isn't dead yet. Gale is sometimes moderately better if he's there, they cannot fix each other, there is no magic happy ending. Nobody dies, but they probably should. It doesn't necessarily start as a dumpster fire. It may creep up on you until it's too late and the sunk-cost fallacy has set in. Surprise, it's trauma! It's not pretty trauma! It's not "love can save you" trauma!
Also: long, lyrical canon compliant (mostly) pieces of everyone's suffering, of redemption and damnation, of character studies, of heartwrenching beauty in the tragic fates they cannot escape - they never wanted, leitmotifs in phrasing, a chorus of chosen words, the agony of everything, the love they seek, endless run on sentences, unyielding prose, allegories, their characters boiled down to fever dreams. Symbolic, headspinning, pitiful, reverent, songs that aren't songs, poems that aren't poems, stories that tell themselves yet say nothing without scrutiny, you will leave in awe and madness and hell and hope. Slant rhymes everywhere. It's accidental, it's intentional, it's everything everywhere nowhere at once, it's a spiral, it's linear until it isn't. GOD.
You can recognise my writing by: Please see the above third paragraph.
My most controversial take (current fandom): This answer from my dear friend carries over - "You aren’t better than anyone for hating their favorite character or how they love them. Just let people live."
90% of the Astarion headcanons I see convince me we have not played the same game. He does not become a better person, he is better to you. Ascending him does not remove my sense of irl morality. You're thinking of Wyll, everything you project onto him is a part of Wyll. Astarion is an awful person, he's a mess, he's full of bitter hatred, he needs to kill, he wants everyone to suffer, I love him. Cowards.
Cazador is SO FUCKABLE. He's a horrid, monstrous, contemptible, vile, wicked creature and while i cannot fix him, I can indulge in hedonistic blood filled psychosexual madness and honestly that's close enough for me. Larian, please let him rail me. Cazador romance WHEN. Self preservation? WRONG. Dancing with death for a hellsent vampire.
Top three favourite tropes: "i hate you, i need you." They are suffering, but they are suffering together. "You are so far past saving, yet i will not leave." Bonus: psychosexual obsession, have you figured this out yet, have i made it clear, are we on the same page. DO YOU SEE THE VISION.
What’s your current writing mood (10 – super motivated and churning out words like crazy, 0 – in a complete rut): it's 10, but chronic fatigue/where do i start with this and how does it end, it has to end eventually, I GUESS.
We're working on it.
Share a fandom frustration: As per my last email, refer to the astarion hot take.
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SEL……………………
i finally got around to reading this!!!! :3 im sorry it took so long PJDJD bUT honestly im glad i took my time w it because this fic really does deserve a thorough reading!!!!! and i think i needed time to just….. Absorb a lot of it. to be in a good headspace. i still cried though i dont even know where to begin honestly!!! 
sel……….. something about your writing just makes me sob. I DONT KNOW WHAT IT IS BUT…….. its just always so painfully soft. to the point where it hurts a little bit? 😭😭 in a VERY good way to be clear, but reading ur fics feels a little like going to therapy…. i cried a LOT reading this. so much of it is soooo heartwrenching but you never fail to patch it up w more softness and that’s just.
i take back the therapy comparison actually bc reading this felt more like going thru surgery…. getting scalpel’d and then sewn back together again….. but like. in a gentle way.
if u cant tell im a bit delirious rn bc there’s just so much i want to say 😭😭 but!! overall i am just in AWE of your writing style. always always always. how effortlessly u mess up my emotions…… i really do think its such a wonderful talent for a writer to have!!! i always without fail feel SO much reading ur fics :’3 if sel has a million fans i am one of them if she has no fans i am no longer on this earth 🙏🙏 u r so so so talented!! (but i expect financial compensation for every single tear i shed reading this PHDJD)
anyways!!! onto the actual fic… gosh. sel what have u done to me. i honestly truly dont know where to begin, i loved so so SO many things abt it, my notes are a mess, this might be a little incoherent but pls just know i adored this fic from start to finish…….. DEFINITELY one of my favorite depictions of gojo ever.
BUT OK im just gonna try to get all my thoughts out in a … somewhat ….. cohesive manner ….. i just hope u can feel the love i have for u and this fic <333333 im gonna take a page out of ur book and format this the same way u do when u rb my stuff!! and Hope that it turns out semi-structured… I FEEL A LITTLE LIKE IM WRITING AN ESSAY RN but im so unbelievably serious abt this sel. im treating this like a paper worth 80% of my grade.
When Gojo has love for the taking, he makes no move to reach for it. <- how DARE u start with this line u immediately shattered my heart 😔😔 this set such a distinct tone for the entire fic and its such a genius take on gojo….. his approach to love. his choice not to reach for it as a contrast to his somewhat greedy nature. more on that later though!!
BUT ON THAT NOTE………. gosh sel. i knew i was gonna love ur depiction of gojo in this obviously but i was really so so awestruck by how thoughtfully uve written him here 🥺🥺🥺 hes sooooo cute but he also feels so heartwrenchingly real, so vulnerable AND AND AND: soooooo human. i was completely enamored by so many lines and moments in this, when he gets shy and nervous and when his boyish side shines through. when you get a peek of who gojo Really is, when you strip away the godhood and resonsibilities and he feels safe.
You’d think this a rejection, if any, but he doesn’t move away from you, and the blush blooming at the tips of his ears says more than he ever could. 
Your eyes trail to the side of his neck, hidden in the shadows of his jawline; there’s really nothing, but sometimes you blink and see crimson, oozing, gushing, leaking—you shake away the thought.  
He looks cozy, almost boyish, beaming against the autumn breeze blowing on his thick gray hoodie. 
Gojo continues to eat, blabbering about a site visit he’s assigned to next week, but you don’t miss the way his ears are fully red and how he’s biting his lips to death. <- THIS ONE IN PARTICULAR…. literally had to take a breather after this hooowwwwww do u write him so cute. tell me ur secrets. hes so cute im literally tearing up writing this hhhhhh 😥😥😥
its a side of gojo that i think a lot of people dont explore, bc he never really shows it in the manga, but i really do think that its exactly how he’d be in a situation like this!!! one thats completely unknown to him and hinges on that raw, unguarded, human part of his heart…. its such an interesting side of him.
it can be super cute to read, like all the moments in this where he gets a bit awkward and blushes and everything, but other times its just….. Unbelievably Heartbreaking. like when he gets downright desperate and openly afraid. its so chilling in a way because gojo as a character is always so calm and collected and chill, but then u have these moments of unfiltered emotion that are just….. so hard to read? but also so interesting and just. so Good. so wonderfully written i was FLOORED….. this moment in particular:
“Wait,” he swallows, a franticness you’ve never seen before. His head stays down as he bites his lips, sunglasses hanging by his fingertips. You wonder what he wants to say, that even if it comes out messy, it’s okay. You want to tell him that it’s just you—that you’ll always want to hear it all anyway. 
What comes next is unlike any version of Satoru you have ever known—nervous and uncertain, almost like he’s afraid. He lowers himself, slowly coming down to his knees in front of you. A giant of a man so small in your presence. 
“I don’t know how.” he mutters, dropping his sunglasses to the floor. 
GAHHHHH……. PDJDJDBXBC ……… can u hear my heart breaking sel. a giant of a man so small in your presence……………. the way he opens himself up here. (and the way he drops his sunglasses!! the symbolism hhhh its so satisfying.) he comes off as almost helpless and thats just………… its so tough to read LMAO like truly!!! it gutted me!!!!! but i love it so much. and reader being so so SO patient (more on that later but sel shes literally my Wife i love her to death)
i think gojo is very much afraid of love, and that wounded part of him shines through so effortlessly in the way u write him here….. its such a realistic and grounded take and it just feels so right. which is probably also why it hurts so much :’3 but ive been thinking abt this a lot tbh, not just in regards to col but ALL your fics, just….. how good you are at really looking at a character and seeing their human side. and capturing it!! expressing it!!! lil habits of theirs, or vulnerable aspects that others might stray from…… im sure ive already said this and ill definitely repeat myself LMAO but!! youre such a wonderful writer sel. i really was so floored by all this!! how u make gojo feel so genuinely human, just in the way his ears go red or he bites his lip….
ohhhh also!! before i forget!!!!!! the divinity theme……. the god theme……. (explodes). literally every single time u write abt it i picture our braincells connecting PHDJDF i LOVE ur take on it so much!!
How does he tell you that he must be fucked in the head? That every second in his mind is another step closer to insanity? That he’s lost your tether on Satoru in pursuit of Gojo—of being a god? 
^ LIKE………….. this entire paragraph. how he feels himself seeking the ’gojo’ in his name instead of the ’satoru’… n how reader always only calls him satoru!! he is slipping away!!!! n distancing himself from the person who makes him feel most human!!!!! im rattling at the bars of my cage sel. 
BUT okok. lets talk abt my favorite part of this fic. there are Many bUT…… i think overall what affected me most and had me crying most (and obv also the main theme of the fic!!) is gojo’s relation to Love. his fear of it. but also his yearning for it. u show everything so subtly yet vividly and it feels so grounded and real!!! such a bigbrained take on him. how he loves reader but also fears how she affects him, how HE affects her…….. the softness he feels but also that panic. and just how closed off he is….
aaaaa there were just SO many lines that explored that part of him in so many different ways and i loved them all to bits:
It’s dangerous, he thinks, how you make wanting something so complicated seem so simple.
“I’ll tell you,” he starts, “but you have to look away." (....) “I’m fine,” he says to the back of your head, “you have nothing to worry about.” <- THIS… gahh… how he has to physically avert his gaze to lie to her. the symbolism here too… how his eyes reveal how he truly feels. im so weak for it sellllll ;w;
Gojo’s a pretty bad communicator; for how much he talks, he doesn’t really say much—and maybe that’s the root of all this. There are too many things he wants to say but can’t formulate in the right way. 
“I can’t.” he speaks softly. What hurts the most is that beneath his sunglasses, his eyes still hold the sky. You think you want to cry. <- ME TOO READER ME TOO .. the helplessness here. the helplessness and discomfort that gojo must feel….. oughhh
It’s threatening, he thinks, how you can say so much with so little. 
(…) how Gojo is now afraid of love, more than anything else, not because of loss but because he might not know how. <- if u listen closely u can hear my muffled sobbing in the distance
But it doesn’t come. You feel Gojo’s breath stilling before speeding up into little exhales. Something is wrong.
You realize that it must be true then, what they say, that those who love to be feared, fear to be loved, because you’ve never seen anyone afraid of something so good as Gojo is of this. <- (SOUND OF GLASS SHATTERING) SELLLLL I AM GRABBING U BY THE SHOULDERS…. this is sooo… so………… i cant speak just know i resonate a lot w col!gojo + i cried LMAO
Gojo hates it, how you’ve always had to adjust for him. He hates that he can’t give you this one thing, hates that you’re still so patient, that he’s still so afraid. He swallows, closing his eyes tight before opening them again.  “I want to,” he chokes out, “I just don’t know—”
^ this entire moment…… GOD. the fact that he isnt incapable of it or anything, he just literally doesnt know how!!! and the frustration of that…. someone like gojo, who is good at Literally Everything EXCEPT for giving and receiving love. ack. it hurts but its such a real aspect of his character and u depict that side of him so well…….. how he wishes he could give u this One thing. when ur so patient. :( hes a sweetie and hes flawed and hes trying his best.
i know ive said this before but…. i really do identify so so much with col!gojo!!!! im kind of in love w col!reader bc of that LMAOO she’s just….. to have someone love you so gently and patiently……… with so much care. yeah. i get why gojo is literally gutted by her presence. hes so Me. 
and THATS my segway into col!reader <333 my beloved. my angel on earth. i love her!!!!! so so dearly!!!!!!!!! she has this older sister vibe that just makes me want to hug her ☹️☹️🤧 
i talked abt this a tiny bit before but she really has this resiliance abt her!! shes so so strong and kind and those traits melt together so seamlessly. i love how gojo is physically the stronger one, but when it comes to the emotional aspect reader is just so much more brave and willing to be vulnerable….. even when its scary for her too.
and how that rubs off on toru!!!! i adore their dynamic SO much and you wrote it so thoughtfully sel!!! i lovelovelove them. and its so perfect for gojo too…. i know u and i agree on this but i genuinely dont think any trope works better for gojo than slowburn/friends to lovers…. u just Get it
there’s just something so sweet about the way they interact, how they help each other!! their love is so so so tender and gentle and just. loving. its a slowburn and thats comfortable for both of them. there is just so so much care between these two!!! and getting to see the way their relationship slowly blossoms was such a treat 🥺🥺
“I think I’ll always want to be with you, Satoru.” When you offer your heart to Gojo, he looks at you softly. 
^ this gutted me like a sad fish. ive said this before but ur ability to turn my heart into sashimi w only a couple of finely chosen words kills me every time
Once Gojo turns to give you the cone, you reach for his other hand tentatively, shyly—your fingertips grazing his palm lightly. You want to give him an out if he can’t take this, but he doesn’t move. He twitches a little, as if he’s been caught off guard, but that’s it. <- FUCKKKK . sorry. im just ;; shes just ;;;;; the way she ALWAYS gives him an out in case its too much. she loves gojo so patiently and tenderly and thats exactly how he deserves to be loved :(
You choose to show him slowly, gently, like the trickling introduction of water to a man who is first learning how to drink. <- THISSSS GOD ur choice of words sel….. u really get such a good grasp on their dynamic and love just from this single sentence
It grows organically that way: knuckles brushing as you both reach for the stapler, pinkies touching whenever you walk side-by-side during site visits—until you’re able to hold his hand fully again, leaving that little infinity between your palms for him to close (hopefully, one day). <- THE SUBTLE INTIMACY;;;;;;;
Shoko asks what you are and you don’t know what to tell her other than you’re happy and it’s good. <- SHOKO MENTION but also i adore this line. stuck out to me a lot while reading!! tbh i think this is all love needs to be; it doesnt have to be labelled to mean something. theyre happy and its good!!
(i always get so giddy when i see how much our views of gojo overlap also .. i have a fic thats literally just this one line!! a relationship w gojo that isnt quite a relationship but the love is there and thats enough :’3 im just. aaa. im so thankful for u sel!! our gojo discussions mean the world to me <3)
You chuckle, without judgment, “I don’t either,” you lean forward, foreheads touching, “but do you want to try together?” <- MY HEARTTTTTTTT SHES SO….. shes like if someone gathered a bundle of the softest sweetest loveliest flowers n turned em into a person :< theres so much love in her heart!!
if i was gojo i’d be bawling LMAO just!!! to be treated so tenderly!!!! so patiently!!!!!! i doubt he’s has ever been met w so much tenderness and love :( it must feel scary to him but reader is just always so reassuring… to me the One dynamic that will always make me crumble is a patient, kind person who chooses to love someone who’s damaged and afraid. its difficult and tough but!! the love is there!! and the patience is so healing to me.
and needless to say u portrayed it soooo wonderfully…. u show how hard it is for both of them, how much theyre both struggling but still willing to bare their hearts to each other… how reader has to tiptoe that line between fondness and love and intimacy, not get too close but not too far… how its kinda like trying to take care of a wounded animal — if you move too quickly itll try to stumble away.
CAN U TELL IM NORMAL ABT THIS phddjjd i just. sel………… there is a tiny lil portion of my heart that belongs entirely to u and ur gojo and ur delicious takes on him <3333 
but angst and hurt/comfort aside theyre also just. SO cute. i was gushing over them the whole time!!!!! im especially weak for shy nervous gojo SEL HES LITERALLY SO…… i dont know who im more jealous of at this point. theyre both so cute. u can sense their history and fondness for each other just in the way they speak, and the air between them is just so so so warm. i want them to adopt me i think. or just be their friend. or join their relationship 
It’s always like this with Gojo: he pulls you in and you follow. No matter the distance between you, when you sit down together like this, it still always flows so easily. The banter you’ve built together over a decade and more shines through no matter what state your relationship is in. 
“You know…” he looks to the side, pouting, “whatever you do….” “Like…?” you coax lightly, trying hard to hide the small smile forming on your lips. He grips his pants tighter, fabric bunching under his fingers, “When you hold my hand… those things. You get it.”  You wonder how many versions of Satoru you’ll meet in your lifetime, and if this one, shy and nervous, will be one you’ll fit into the crevices of your heart just like all the others. 
^ GOOD GOD (i exploded.) sel im literally so serious u r DAMAGING my brain hes way too cute. i think that if i flustered gojo like this i would simply fall to my knees and cry. hes just the cutest guy in the world i think. blushy and sweet. its embarrassing how down bad i am for him
You nod, opening your mouth. Gojo’s eyes widen, nearly dropping the spoon at your request. You see the flush of his cheeks and smile, corners of your mouth extending wider. The spoon is shoved to your mouth too quickly, almost like he’s embarrassed to feed you.  <- cutiepie 😭
“Too sweet.” “Like me, right?” he winks. “Sure,” you drawl sarcastically and Gojo smiles like it’s high praise. 
You turn to him, a shy smile on your face. The tips of his ears are blush red but he looks at you the same, “Your hands were cold,” he pouts, “is this– is this okay?”  “Yeah, it’s warm. Thank you, Satoru.” you nod, beaming.
^ CUTIEPIEEEEEEE 😭😭😭
“There’s a secret ingredient.” He swallows before he scoffs, “What?” (...) “Love?”  You’re surprised because he says it so casually, and Gojo’s never talked about love, has never even mentioned the word since this shift in your relationship. He realizes a beat late by the expression on your face and gets flustered, thinking immediately of ways to brush past it.  (…) “if it is?” you whisper, pretending to stir your coffee.  Gojo doesn’t know how to approach this, really, but he’s come too far to back out now. He clears his throat, mentally running through what he wants to say, then, “Good. ‘Cause that’s what I put in your coffee too.” 
^ this whole scene……. psjdksbxjdbjxkzkz. so cute.
When he leaves for missions, you kiss his cheek, pull him in by the hand and linger there, shyly. He gets embarrassingly red but tries to cover it up by telling you not to miss him too much (even though you know you will, and he knows he’ll miss you more).  Your near-kisses with Gojo happen more frequently, and it comes to a point where he even manages to land one on your forehead, while you fall asleep next to him on his office couch. 
^ sel 🤝 the most gutwrenching heartfluttering depictions of subtle intimacy i have seen in my life
You stand there stunned for a good minute before you shake out of it, laughing. Gojo yells about how you’re being so mean, making fun of him when he’s like this, but you aren’t—not really. <- the banter!! the playful teasing n laughter!!!!!!! theyre so comfortable with each other and its so fun to read. :>
and sel…… just as a final note; this should hopefully be obvious atp but i ADORE ur writing. so so so much. i love the way this is written and i had to stop literally every two seconds to write down a line that i loved. i think the only ones i havent mentioned yet are these!!:
There are crescent indents on your palm from squeezing your knuckles too hard. You think, is this how you form shallow cuts on your heart? <- SO PRETTYYYYYYY
You learn that Gojo sees himself so differently from how you do—and maybe that’s everyone, but Gojo tends to say things while doing the other. He says he can’t bother with kids, but continues to take so many of them under his wing anyway; he calls your cereal concoction disgusting but tastes it regardless; and he says he can’t think about love, doesn’t know how, but proceeds to try so much harder, everyday.  When you look at Gojo, you see a heart so big, so capable, that he can’t see it himself. 
^ this one means so much to me. ive run out of brain juice atp but like … sel ….. 🥺🥺🥺😥😥 the way u just understand him. hes not perfect, hes not a saint, but he loves and he loves and he loves even when it only ever hurts him. there’s something so human about gojo and ironically i think it hinges on how isolated he is? just… the fact that he continues to love despite that gap is so telling to me!!! i agree w reader so much, he doesnt understand how kind he is :( but he has a lot of love in his heart too.
u can probably tell but this rly did just tear my heart right out of my chest sel………….. im sniffling. tearing up. but im so so so happy and grateful that i found u and ur fics <3333 this really felt so healing!! im so excited to read more col sometime soon <33
give col!reader and col!gojo a lil kiss on the head from me pls 🥺
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₊˚⊹。 tell me about love (show me how) | gojo satoru
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wc: 7.4k
summary: you teach gojo how to love. 
contains: f!reader in mind but no pronouns mentioned, descriptions of blood (typical jjk canon type stuff), shibuya onwards manga spoilers, implied minor character death, there are swears, suggestive bit at the end (but it’s funny!), lots of internal thoughts/dialogues, kind of canon divergent
a/n: relates to my short blurb, do you believe in love?, explores a lot on how i think gojo would be when it comes to love; ambiguous but linear timeline (jumps through scenes)
collection masterlist: conversations on love 01. do you believe in love? <- you are here -> 2.5. and my body keeps saying (it's yours)
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When Gojo has love for the taking, he makes no move to reach for it. 
It’s unusual for him to be so restrained, being born into greed and predetermined purpose—a one-man clan fated to hold power close to God. There exists a hunger within him, insatiable and stubborn, unstoppable until he gets what he wants. It’s all he’s ever known: to take and devour, simply because he can. 
Yet with this, he doesn’t. He can’t seem to. 
“I think I’ll always want to be with you, Satoru.” 
When you offer your heart to Gojo, he looks at you softly. 
You catch his eyes and see the sky, bright, with flecks of light floating on his irises like cotton clouds in its periphery. It’s different from the piercing blue you’re used to—a terrifying riptide that washes you away. 
It wasn’t intended as a confession, but Gojo always takes whatever you have to say. He commits it to memory each time; how could he not? Words that come from you flow so naturally, so earnestly that the air around you shifts all on its own.
His lips part slightly, red spatterings lining pink inner corners before they close again. He doesn’t say anything, but you know Gojo and the fingerprints of his soul—the way he bites his lips to withhold himself from speaking. 
It’s dangerous, he thinks, how you make wanting something so complicated seem so simple.
He takes a small breath, then you feel it, pressed against you—the faint signature of his cursed energy overlaying his entirety. It tickles your skin a little, the effects of it brushing. You don’t remember the last time he put it up around you.
A million things run through Gojo’s mind for every split second he breathes, but at this point in time, he counts a million and one—one thought that if he touches you by infinity instead of his hands, he can have this good thing for now, that this is the only way how. 
You’d think this a rejection, if any, but he doesn’t move away from you, and the blush blooming at the tips of his ears says more than he ever could. 
.
.
.
The subtle intimacy you share with Gojo grows sporadically, from knuckles brushing to pinkies touching. He stands next to you more often, a few inches closer than he used to and sometimes, still, with an infinity connecting you.
.
.
.
When you hold Gojo’s hand for the first time, he jolts very slightly, as if you’ve shocked him. He’s started to put his infinity down around you again, and you continue the limbo of whatever it is you both are—except this time, he’s made it clearer, just a little bit. 
During the last few leaves of fall, Gojo skips to an ice cream stand like a pre-schooler on early dismissal. You trail behind him slowly, shaking your head affectionately; he’s the only adult you know that still acts like he’s 5. 
“You’re like a horse.” you jest, stopping next to him in line.
“You’re a snail.” he huffs, side-eyeing you, like a child.
You gasp exaggeratingly, hitting his arm. He fake-winces, but that’s all it is; Gojo’s the strongest and you don’t know of any human touch that has managed to hurt him, except—
Yeah. Your eyes trail to the side of his neck, hidden in the shadows of his jawline; there’s really nothing, but sometimes you blink and see crimson, oozing, gushing, leaking—you shake away the thought.  
When he receives his ice cream cone stacked with vanilla-strawberry-vanilla and rainbow sprinkles on top, the smile on his face parallels the sun. He looks cozy, almost boyish, beaming against the autumn breeze blowing on his thick gray hoodie. 
You wonder if he feels just as warm.
(Maybe that’s why you do it, then).
Once Gojo turns to give you the cone, you reach for his other hand tentatively, shyly—your fingertips grazing his palm lightly. You want to give him an out if he can’t take this, but he doesn’t move. He twitches a little, as if he’s been caught off guard, but that’s it. 
His eyes widen briefly, just a bit, before turning into the same soft skies frequenting them lately. 
“Sorry, is this okay?” you whisper, peering up at him. 
He stares at you for a while, his hand in yours unmoving. You leave a sliver of space between your palms–your own version of his infinity–just in case. And he takes it all in: how tiny your hand is wrapped around his, how gently you speak—how warm he feels now amidst this autumn breeze. 
“The strawberry’s really good,” he finally replies, pressing the dessert closer to you, “try it.” 
You give him one last look before you indulge in his request. Gojo’s always been good at that: pushing and pulling—pushing you away with non-answers only to pull you back in with something else. 
But he doesn’t let go of your hand, so you keep yours there, palms nearly touching. (You make a point not to mention how the parts that do touch become clammy for the rest of the afternoon). 
.
.
.
You start to think that your relationship with Gojo is going somewhere, then he disappears (‘gets sealed’ might be the more proper term). 
His absence is deafening. You’ve all lost so much, and it hurts, but you carry on knowing full well that this is what being a jujutsu sorcerer means. There aren’t many left to fight his fight, so you do what you can to. You stay with Shoko, mostly, if not going back and forth with Utahime. You can’t afford to be crying when the students, the kids—you can’t even bear to think about what they’re going through.
Nights are the hardest, when the world is quiet but your mind is loud, throwing far too many questions you can’t find the answers to.
What will Gojo come back to? Then the scarier thought: Will he even come back? 
You don’t want to doubt him, ever, but your mind continues to play back that day, like a final memory. The unintentional confession; his eyes like the sky. 
You don’t want it to be the last important thing you tell him. 
“I should start looking into retirement plans, like Nanamin.” you raise an eyebrow, questioning. Gojo’s never spoken this far into the future before, most especially his. 
“Work is shit now for you too?” you scoff, leaning back on the wooden ledge. 
Gojo rolls his eyes, skipping the coverage of his blindfold today. 
“Well, after I remove the old geezers and change everything, there won’t be much left to do.” 
You hum in response. He does make a point. 
“Also, Megumi won’t need me anymore,” he pouts, whining, “who else will want me around?” 
You try to hold back your laugh, wanting so badly to tell him that Megumi doesn’t even really like him around to begin with—but you figure breaking Gojo’s heart isn’t really something you want to do if you value your peace. 
“I don’t know,” you reply, shifting your weight, “I think I’ll always want to be with you, Satoru.” 
Even now, especially now. You wish you were with him, too. 
.
.
.
The day you hear of Gojo’s potential return, you drop your breakfast outside the 7-Eleven near Jujutsu Tech. You’re supposed to meet up with Utahime for a weekly check-in but your feet take you to Shoko, and the footsteps in your heart have never echoed louder. 
This is the first good news in a while—especially after finding out about the state of Megumi and what happened to Tsumiki, your sweet girl Tsumiki. 
When Gojo comes back, it’s like he never left. He pops out of the box joking the same way, talking the same way. He proves himself to be the strongest all the same, and when he wins—there are scars, but he wins and that fact stays the same. 
So, when you reach for his hand now and he moves away, you’re stuck wondering what’s changed. 
.
.
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You let it stay that way for a while, your understanding extending to Gojo the way it always has—you don’t push, and he gives you what he can. It honestly isn’t all that bad, because at least he’s still talking to you like he used to. 
Jujutsu society is still shaken from its core. You and all who have survived bear the task of building everything from the ground up; it’s exhausting, especially since most of you are still mourning. 
Megumi’s been put in an induced coma; you understand why but it still tugs at your heart when Shoko tells you it might take a while. Everyone else has been assigned to sweep through the rest of Japan to ensure that any remaining curses are taken care of. 
You see Yuuji and Yuuta visit Megumi sometimes, along with Maki and Toge when they’re free. Gojo’s there pretty often too, using healing sessions with Shoko as an excuse to see the boy he’s practically raised at 17, with you. 
But while Gojo’s smiles to everyone else remain as charming as ever, you can always tell when they’re untrue. 
.
“Are you okay?” 
You find Gojo a little after midnight on the rooftop of the faculty building. The city always looks pretty from up here—a sea of lights reflected up on the sky. It’s a running joke that rooftops are Gojo’s ‘thing’, but you know he really only comes to places like this to think. You wonder what’s on his mind now, coming here every single night since being unsealed. 
Despite how quiet you try to be, sneaking up on Gojo is almost impossible; he senses you before he hears you, sees the familiar traces of your cursed energy through his Six Eyes. 
“Can’t sleep thinking about me?” he teases, looking straight ahead.
The steps you take towards him are careful, afraid of running him off like you seem to be lately. You sit beside him, leaving a space larger than you usually do, then shrug, “These days, yeah.”
It’s times like this when Gojo forgets how honest you can be, how he takes your word for everything, completely. 
It’s threatening, he thinks, how you can say so much with so little. 
“Well, maybe I can suggest—” 
“Seriously, Satoru,” you grip the ledge tightly, knuckles turning white, “please.” 
You tend to let Gojo dodge your questions a lot of the time, his elusiveness a hallmark of who he is. So you never sound like you do now, serious, pleading. 
Gojo fiddles with his fingers, pondering. He hums lowly before speaking, “Does it matter?” 
It hurts you a little, how that’s even a question. He should know better than to ask that to you. 
“It matters to me, Satoru,” you sigh, “you know it does.”
You barely catch the way his brows furrow at your response, but there are creases on his blindfold that can’t be created by anything else. And Gojo knows—is so painfully aware of the way you care. 
Since coming back, he’s never felt like he’s fully returned. It’s an odd existence of in-between, like he breathes everything and nothing all at the same time. The emotions are even worse, overloading his senses with feelings he can never pinpoint. 
How does he tell you that he must be fucked in the head? That every second in his mind is another step closer to insanity? That he’s lost your tether on Satoru in pursuit of Gojo—of being a god? 
“I’ll tell you,” he starts, “but you have to look away.”
You’ve always treated Gojo tenderly, patiently, and he knows, without a doubt, that no matter what he says you will continue to do the same. But he can’t allow that, not anymore. Not after the way you looked at him that day.
“Okay,” you mutter, turning your head the other way. 
He breathes out and you can almost picture it: half-bitten lips and eyes like low tide. 
“I’m fine,” he says to the back of your head, “you have nothing to worry about.” 
A breeze picks up and brushes past your neck. It’s a lie. He knows it, knows you know it too, but—
it’s easier this way, he thinks, to give you answers when you’re not looking.
Gojo’s never found a weakness he can’t work around, but he might have just found one with you—in your eyes, that read through his every lie. If you turn around now, he’ll want to tell you everything.
“Satoru,” you whisper, letting his name fill the air. You get it—him, and even when you don’t, you try damn hard to because you refuse to let Gojo carry all of it on his own. 
There are crescent indents on your palm from squeezing your knuckles too hard. You think, is this how you form shallow cuts on your heart?
“It’s just me,” you continue, facing him when you say it. 
He takes you all in—your eyes that hold the city lights, your lips, the only vessel that handles his name so delicately. It’s that look on your face again and Gojo’s hit with an ache in his chest—the overwhelming truth that whatever it is, he feels the same. 
.
.
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There’s a secret Gojo keeps, one he’s certain he’ll never tell you: that when he looks at you upon his return and finds an emotion he refuses to name, he’s never felt so afraid.  
He takes in the shadows under your eyes and the sunkenness of your cheeks—the number of blinks it takes you to reign in tears on the brink of leaking. The way your voice shakes when you say his name.
Shoko tells him about it because she knows you never will—about how you’ve been running yourself dry, speeding through colonies to gather intel for any possible way to break the seal. She tells him about the sleepless nights, how she catches you standing outside his office at 3 a.m. before travelling to Utahime the next morning. 
And he cannot comprehend it at first, cannot understand how he’s caused you to crumble this way. 
If this is all because of him, how you’ve broken yourself all for his sake, he can’t allow it. To see you ruin yourself over him, over anyone ever—you deserve better.
So, when Gojo has love for the taking, he makes no move to reach for it; he cannot possibly take any more from you if this is what is left of you when he does. 
.
.
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“You’ve been avoiding me,” you catch him by the door of the conference room. 
Rebuilding an entire society requires work and apparently a lot of meetings. Gojo doesn’t usually go to most of them, leaving you and Utahime to carry the chunk of his attendance when he’s not there. In the rare times that he does show up, he makes it a point to be the last one in and the first one out. Utahime hates him for it but you don’t blame him—he isn’t exactly amicable with other figures of authority.
He pauses when he steps out of the door, hands in pockets as he turns to face you. 
You’re not mad or anything, just stating the fact. He’s always known you to speak this way. You lean against the wall next to you, keeping your arms crossed. More people continue to file out of the conference room, some eyeing the two of you curiously as they pass by.
Gojo glances at them, suddenly self-conscious as he clears his throat, “Right, I’ve been avoiding the paperwork you left in my office,” he emphasizes, practically announcing it to everyone in the vicinity, “let’s finish it now.” 
You don’t know whether it’s irritating that Gojo’s so terribly bad at acting, or comforting that he still can’t, for the life of him, successfully lie in front of you. 
He motions for you to follow him as he strolls down the hallway, but you intentionally lag a few steps behind, careful not to encroach on his space lest it make him avoid you any more than he already is.
Stepping into Gojo’s office after so long feels weird, like you belong here but only to a memory of it—as if closing the door behind you feels like activating a muscle you haven’t for a while. It’s been months after all. 
Your eyes skim over the entire room, zeroing in on the stacks of paper lined up on his desk; paperwork has always been Gojo’s least favorite part of the job, often leaving you to do them with him (or alone, when you’re feeling generous). Not much has changed in his space; the mini living area still exists to the left of the room, with little bits of you in its interiors—the pillows, the coffee table books. 
Gojo plops down on the sofa chair and props his feet up on the ottoman, giving four scrolls to his phone before pocketing it. He has the audacity to casually offer you the seat across from him, as if nothing’s wrong—as if he hasn’t been avoiding you for god’s sake. 
Ever since the rooftop, he’s canceled lunch with you six times for reasons that you’re now realizing are less likely to be true. He’s kept a distance of at least one person in between you at all times, and to this day, you still don’t understand why. 
You sigh, taking a seat and leaning back to cross your legs. 
“You’re so bad at acting.” you start.
Being with Gojo for so long, you’ve come to realize that there’s no point being angry with him when your heart can never take it. 
“I technically wasn’t lying.” he replies, sticking his index finger up. 
“Yeah, I can see that,” you snicker, nodding to his desk. 
It’s always like this with Gojo: he pulls you in and you follow. No matter the distance between you, when you sit down together like this, it still always flows so easily. The banter you’ve built together over a decade and more shines through no matter what state your relationship is in. 
Neither of you say anything until Gojo replaces his blindfold for his sunglasses, placing the piece of cloth on the coffee table. 
You break the silence. 
“Why have you been avoiding me?” you ask quietly. Gojo aches at that, how you still choose to regard him so kindly. 
Why has he been avoiding you? It’s a good question, completely valid with how he’s been treating you lately, but he could draw up every answer he has, all one million and one, and still not know what to say.
Gojo’s a pretty bad communicator; for how much he talks, he doesn’t really say much—and maybe that’s the root of all this. There are too many things he wants to say but can’t formulate in the right way. 
“If it’s something I did, can you at least let me know?” you continue. Gojo frowns, how can you be wronged yet still think of yourself as the one to blame? 
“Why do you do that?” he tuts, head tilting sideways as his hands dig deeper into his pockets. 
“Do what?” you furrow your brows, confused. 
“You didn’t do anything wrong, so don’t worry about it.” he says dismissively. 
You arch an eyebrow; he has it all mistaken. 
“Satoru, I’m not worried because I feel guilty,” you sit up, inching towards the edge of your seat, “I’m worried because you’re pushing me away.” your voice is level, but your pupils shake.
Something grips at his chest seeing you this way; together or apart, he seems to be the main contributor to your heartache. 
You wonder if confronting him like this is any good if he’s not going to say anything anyway. 
“If you want space, that’s okay, I get it, but,” you exhale, “at least just tell me why.” 
This entire time avoiding you, Gojo’s had you on his mind—the million and one. He’s come to terms with what he feels when you’re together, and how it amplifies when you’re not. 
It’s shitty of him to practically ghost you, not just in text but in real life too. But he’s thought about it logically, really, that removing himself from your life should be just like ripping off a bandaid—painful but quick. At least that way, you’d get over it fast. 
He’d been resigned to doing that and that was the plan—until now. 
All it takes is seeing that look in your eyes, and his resolve falls apart. 
“I can’t.” he speaks softly. 
What hurts the most is that beneath his sunglasses, his eyes still hold the sky. 
You think you want to cry. 
You take this as your answer and close your eyes, taking a deep breath before getting up to leave. If this is goodbye, you don’t want your last interaction to be an awkward memory of him watching you bawl in his office chair. 
You push yourself up with the armrest only to sit back down—because Gojo is right in front of you, blocking your way. His infinity is up but touching, a tingling sensation sweeping across your knees. 
“Wait,” he swallows, a franticness you’ve never seen before. His head stays down as he bites his lips, sunglasses hanging by his fingertips. You wonder what he wants to say, that even if it comes out messy, it’s okay. You want to tell him that it’s just you—that you’ll always want to hear it all anyway. 
What comes next is unlike any version of Satoru you have ever known—nervous and uncertain, almost like he’s afraid. He lowers himself, slowly coming down to his knees in front of you. A giant of a man so small in your presence. 
“I don’t know how.” he mutters, dropping his sunglasses to the floor. 
You blink once, twice, still surprised by what’s in front of you. Gojo has always towered above you, has always known how to do anything and everything so effortlessly without fail. 
Watching him now, with every inhale and exhale dragging in slow motion, you do your best not to startle him. 
“How to what?” you whisper, the moment so fragile. 
He looks up, eyes locking with yours. A reaction happens in that moment—the split second of all his thoughts collapsing into one. You see a clear sky, blue and bright as day, the Satoru he saves for you—while he sees you, with that look on your face, the one that he knows has always only meant love. 
The sincerity in your gaze overwhelms him—makes him look away before it becomes too much. Red blooms at the tips of his ears as he bites the inner corners of his lips, fingers grabbing at the fabric of his pants. You’re afraid he might run away again, but he doesn’t and stays right where you are. 
“You know…” he looks to the side, pouting, “whatever you do….”
“Like…?” you coax lightly, trying hard to hide the small smile forming on your lips. 
You wonder how many versions of Satoru you’ll meet in your lifetime, and if this one, shy and nervous, will be one you’ll fit into the crevices of your heart just like all the others. 
He grips his pants tighter, fabric bunching under his fingers, “When you hold my hand… those things. You get it.” 
And you do (get it), so you don’t push, taking whatever Gojo has to give you like you always have. 
The tension relieves from you slowly, comforted by the fact that at least he’s given you his reasons now (no matter how vague they still seem to be). That at least there are no non-answers this time. 
You tell yourself that it’s okay, that you’re content as long as Gojo’s in your life even without the possibility of becoming something more. 
“Ok—”
But there’s always one thing you forget about Gojo—
“So show me how.”
—in the moments you least expect it, he speaks the words that matter most. 
.
.
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You choose to show him slowly, gently, like the trickling introduction of water to a man who is first learning how to drink. 
In the first few weeks of you and Gojo readjusting to one another, he turns on his infinity again—but only when he gets close enough to touch you. Lunches together happen more often, dinners sometimes too. Then he puts his infinity down, indefinitely. 
For the most part, your relationship falls into the usual steps of your dynamic with Gojo; there’s no pressure for anything and he likes that, appreciates the time you’re giving him to learn things at his own pace. 
It grows organically that way: knuckles brushing as you both reach for the stapler, pinkies touching whenever you walk side-by-side during site visits—until you’re able to hold his hand fully again, leaving that little infinity between your palms for him to close (hopefully, one day). 
.
.
.
The faculty room is cold, especially during winter. The heating system is never warm enough to keep your hands from shaking whenever you mix your morning coffee. 
“So loud so early,” Gojo saunters into the kitchen, hands in pockets as he approaches the pantry. 
You stop mixing, ceasing the clinking of the spoon against your mug. “How are you not freezing?” 
He shrugs, grabbing his box of (heavily sugared) cereal. “I guess I’m just hot.” he says, turning to wiggle his eyebrows.
You roll your eyes and set your coffee on the table, Gojo following with a bowl brimming with cereal and milk. 
Mornings usually consist of you and Gojo, with an occasional new hire who has an early class that day. Most of the time, it’s just you two though, with Shoko coming in much closer to lunch time already. 
“Want some?” he asks, holding out his spoon.
It’s routine—Gojo asks and you decline, choosing to save yourself from the cavities that he somehow manages to evade despite having a diet of 80% sugar. 
Today though, you’re feeling a little adventurous. 
You nod, opening your mouth. Gojo’s eyes widen, nearly dropping the spoon at your request. You see the flush of his cheeks and smile, corners of your mouth extending wider. The spoon is shoved to your mouth too quickly, almost like he’s embarrassed to feed you. 
“Too sweet,” you scrunch your face, swallowing down the copious amount of sugar you’ll feel for days. 
If there’s one thing you’ve learned about Gojo throughout this whole relationship trial period, he recovers from any state within a nanosecond. There’s no end to how shameless he can be. 
“Like me, right?” he winks.
“Sure,” you drawl sarcastically and Gojo smiles like it’s high praise. 
You sip your coffee slowly, revelling in the heat that flows down your throat.
“Can I have half of that?” you point to his bowl. Gojo looks at you, confused, but slides it over anyway.
What happens next is an abomination to Gojo’s eyes—pure absolute disgust: you pour half of his cereal into your coffee and mix, sipping and crunching on a few pieces every now and then. 
His face contorts into complete distaste, horror and revulsion in the way his mouth hangs open. 
“What are you doing? That’s gross!” he nearly yells, reaching over to bring your mug down. His hand covers yours for a moment, the contact still causing gallops in his heartbeat. 
You laugh, giggling as he processes what you’d wasted his cereal on. It honestly doesn’t taste that bad, you think. 
“You’re weird,” he says to you, the grin on his face uncontained. This morning, he feels fond, like the butterflies in his stomach are warm, tickling him from the inside. “Give me.” he motions to your mug. 
You hold it up for him to take a sip but he keeps his hand over yours when he tastes, sticking his tongue out once the bitterness of your coffee hits. You set the mug down, preparing to reach for your spoon, but he takes your hand in his, long fingers slotting right between yours, interlacing. 
Gojo doesn’t normally reach for your hand, much less interlace them together (a recent evolution to your hand-holding), but this feels nice, how your fingers fit right in the spaces of his. 
You turn to him, a shy smile on your face. The tips of his ears are blush red but he looks at you the same, “Your hands were cold,” he pouts, “is this– is this okay?” 
“Yeah, it’s warm. Thank you, Satoru.” you nod, beaming. And it’s not a competition but he hopes you see the light in his eyes, how it feels to be ignited within him only when he’s spending breakfasts like this with you. 
.
.
.
Shoko asks what you are and you don’t know what to tell her other than you’re happy and it’s good. Gojo’s existence is loud and vibrant, easy to spot from miles away—but he cares for you discreetly, in the hand that gently rests on your lower back while crossing the street, and the seemingly unlimited supply of your favorite coffee when you have no recollection of restocking it ever. 
He gives you a new mug for Christmas, one with little cereals painted all over while you give him his own tube of hand cream that he claims always smells like you. 
During the faculty New Year celebration, you overhear one of the new hires make a move on Gojo. You aren’t bothered by it or anything, simply walking past to sip your sake by the couch. You can hear them talk a bit from the kitchen, but you try not to pry despite how curious you are about his response. 
Until—
“I’m taken,” you hear Gojo say bluntly. 
Everything rings in your ears after that. The countdown music is loud, but your heart beats louder; there are murmurs and footsteps around you, but only one man crouches down to check on you, glass of water in hand. 
You snap out of it and see blue, the sky—a familiar light; you don’t think you can control the smile on your face, the alcohol lowering your inhibitions to paint on something lovesick. 
And when he smiles back, pink lips stretching wide—oh your heart can’t take it. He places one hand on your knee, rubbing gently. You hear it faintly, how he asks if you’re okay, but all you can do is nod, words failing to express how you feel right now.  
The countdown starts. 3 — and you take his face in your hands, squishing his cheeks to an image of him on your phone from many, many years ago. 2 — you go closer and his eyes go wide, a mixture of panic and surprise, but soft at the same time. 1 — you lean in and his eyelids fall shut, his chest on rampage. Then it lands, there, on the tip of his nose: a delicate peck and the smell of sake mixed with mint (like the lip balm you always carry around in your pocket). 
When you pull away from him, you’re smiling the biggest he’s ever seen, and he can’t feel it from how numb his cheeks have become, but he’s doing the same. 
.
.
.
That kiss to his nose serves as the catalyst to the months that follow: Gojo becomes more comfortable touching you now, and though he blushes every single time, there’s nothing to be ashamed of because you do too. Shoko can’t believe the slow burn this is taking you both, having watched this on the sides since you were both 22, but you think you like it—like the slow drizzle of honey on Gojo’s favorite breakfast waffles. 
“How is it?” you ask, watching as Gojo takes a big bite. 
“D Beft.” he replies, mouth full as he chews. You take the seat beside him and take a spoonful. 
“There’s a secret ingredient.” you say mischievously, wiggling your eyebrows. 
He swallows before he scoffs, “What?” cutting up another piece, “Love?” 
You’re surprised because he says it so casually, and Gojo’s never talked about love, has never even mentioned the word since this shift in your relationship. He realizes a beat late by the expression on your face and gets flustered, thinking immediately of ways to brush past it. 
You had meant to say that you used that infused sugar he buys whenever he goes to Kyoto, but… you suppose love works too. He should know by now, right? 
“If it is?” you whisper, pretending to stir your coffee. 
Gojo doesn’t know how to approach this, really, but he’s come too far to back out now. He clears his throat, mentally running through what he wants to say, then, “Good. ‘Cause that’s what I put in your coffee too.” 
You laugh and the tension dissipates; there are hearts in your eyes for how hard Gojo has tried after denying himself of this for so long. 
He stares at you—at the laugh lines by your eyes and the soft curves of your lips, the moment moving much too slow, stop motion in his mind. He’s drawn in until you’re all too close, a few centimeters from your noses touching. 
Your laughter dies and your cheeks feel like they’re on fire; he’s so close you think he might kiss you. The signs are there—his eyes scaling your face to focus on your lips, his tongue peeping ever so slightly to wet his lips. 
So you wait. 
But he doesn’t, because he moves away after wiping his thumb on the side of your mouth. Even though you know there was nothing there. 
Gojo continues to eat, blabbering about a site visit he’s assigned to next week, but you don’t miss the way his ears are fully red and how he’s biting his lips to death.
.
The tension this time is different; instead of a growing rift, you can’t seem to be close enough. Every time you part ways, he lets go of your hand more reluctantly—as if he wants to say more, do more, but stops himself while he still can. 
When he leaves for missions, you kiss his cheek, pull him in by the hand and linger there, shyly. He gets embarrassingly red but tries to cover it up by telling you not to miss him too much (even though you know you will, and he knows he’ll miss you more). 
Your near-kisses with Gojo happen more frequently, and it comes to a point where he even manages to land one on your forehead, while you fall asleep next to him on his office couch. 
It’s driving you crazy, this tension—the mixed signals of it all. You try to kiss him a few times on the lips, but he evades them each time. You’ve caught Gojo staring at your lips more times than you can count; if that isn’t a sign, you don’t know what is. 
Now that Gojo thinks about it, he’s come so far yet the prospect of kissing you properly still scares him. What if he fucks up? Doesn’t do it right? What if it’s not how he wants you to be kissed? 
There’s that secret Gojo will never tell you, of how seeing that look on you has never gotten him more afraid. And he’s worked through that now, but it’s evolved into something else: how Gojo is now afraid of love, more than anything else, not because of loss but because he might not know how. 
And kissing you, loving you this way—he’s never done it before, doesn’t know how to make you feel love without his lips shaking and heart palpitating; how to do it while letting you know he feels the same. 
.
It happens during an assignment out of town. Curses aren’t as bad as they used to be, but they’re still stronger than what any of the available sorcerers right now can handle. 
You don’t remember the last time you saw Gojo use his technique that way—almost forgotten how powerful and ruthless he can be. Every time since, holding your hand, keeping you close—he’s just been your Satoru. 
Your apartment for the weekend is a two-bedroom unit with one bathroom and a decently sized living area and kitchenette; Gojo always chooses the room in front of the bathroom because he tends to wake up in the middle of the night to pee (information you know from your many other assignments with him before). Still, going as what you are now—it feels different. 
There’s a charged air between you as you move around the unit; you make your nightly tea while Gojo looks through the groceries for some crackers. It’s peaceful and quiet—domestic almost, but there are goosebumps on your skin for reasons you can’t explain. Being around Gojo lately has felt that way.
He brushes past you to throw the finished packet of crackers and the feeling intensifies; it’s not awkward, just tense, like anticipation sitting deep in your bellies, waiting on each other to make the first move. 
He announces that he’ll use the bathroom first, if you don’t mind, and you motion for him to go ahead. Your mind is fuzzy and having Gojo around seems to only make it worse.
When you walk past the bathroom and straight to your room, you hear Gojo humming that soft pop tune from a popular girl group on the radio earlier. You giggle, thinking it’s sweet—how he sings obnoxiously around everyone else but is admittedly pretty good when it’s just him, alone. 
You still have the rest of the weekend in this area, having agreed to monitor the site and any nearby locations for other suspicious activity, but at least the worst of it is over (maybe just to you though; Gojo hates paperwork). 
The sound of running water stops and you hear the bathroom door swing open. You don’t see Gojo when you exit your room but he leaves the door open to release any remaining steam.
There’s a reason why people say showers are good for the mind. You’re happy for those who’ve found it, but that couldn’t be you, because the only thought plaguing your head right now is Gojo—and whether you should greet him goodnight, if you should kiss his cheek or hug him tight. The tension between you now is palpable, an electric current waiting to zap on both ends. 
Your mind is so out of it that you don't realize you’re missing your skincare bag until after you finish brushing your teeth and dressing for bed. You open the bathroom door with the sole intention of going back to your room to get it, but instead, you’re met with a wall of chest.
Gojo’s eyes are wide, bright blue with damp strands of white falling like curtains barely shielding the sky. He’s just as surprised as you are, toothbrush in his hand as you hold up the towel wrapped around your head. 
You’ve seen Gojo in his pajamas many times before—white long sleeves with gray cotton pants, but your eyes trail to his collarbones and the way the bathroom lights cast it under a soft glow. The redness on his cheeks, a visual manifestation of the heat on yours. 
Gojo can’t stop staring at your lips, at how soft they look—at how soft you look fresh out of the shower. The little baby hairs sticking out under your towel are cute, and he leans in without knowing—a pull he can’t seem to resist. For once in his life, Gojo’s mind is still. 
You try to meet him halfway, tiptoeing, but you’re a little out of your element; you don’t know where to put your hands and your heart’s about to explode out of your chest. When your noses touch, you can’t breathe, closing your eyes while you wait for it. 
But it doesn’t come. 
You feel Gojo’s breath stilling before speeding up into little exhales. Something is wrong. You open your eyes and find him staring back at you, a version of Gojo you haven’t seen in a while—that you rarely see ever, except that day during your confrontation in his office. 
Concern laces your features and you move back a little, hands coming up to caress his cheeks. His eyes still look frantic, but they focus on you when you cup his face so gently. 
“Satoru,” you whisper, voice grounding. His breaths slow down a little. 
You realize that it must be true then, what they say, that those who love to be feared, fear to be loved, because you’ve never seen anyone afraid of something so good as Gojo is of this. 
“Satoru,” you repeat, massaging his temples with your thumb, “we don’t have to if you don’t want to.” 
Gojo hates it, how you’ve always had to adjust for him. He hates that he can’t give you this one thing, hates that you’re still so patient, that he’s still so afraid. He swallows, closing his eyes tight before opening them again. 
“I want to,” he chokes out, “I just don’t know—”
You chuckle, without judgment, “I don’t either,” you lean forward, foreheads touching, “but do you want to try together?”
You learn that Gojo sees himself so differently from how you do—and maybe that’s everyone, but Gojo tends to say things while doing the other. He says he can’t bother with kids, but continues to take so many of them under his wing anyway; he calls your cereal concoction disgusting but tastes it regardless; and he says he can’t think about love, doesn’t know how, but proceeds to try so much harder, everyday. 
When you look at Gojo, you see a heart so big, so capable, that he can’t see it himself. 
You nudge his nose with yours and he breathes deeply, closing his eyes once again. If he doesn’t do this now, how much longer ‘till he does? 
Gojo hums before nodding his head slightly. His hands come up to cover yours, toothbrush wedged in the spaces between his fingers; they’re clammy, he’s sure, but he’s kept you waiting long enough. 
When you kiss Gojo for the first time, everything trembles—his pupils, his lips, the breath he takes. It’s all shaky and nervous, but your lips touch and all you know is that you like it there. He’s a little bit stiff but you don’t mind, pressing closer just for a little bit before pulling away. 
Gojo keeps your hands in place, half-lidded eyes staring at you lazily. His ears are fully red now but he’s giving you a look you’ve never seen before—like lightning crackling in the gaps between his eyelids. 
When you kiss Gojo for the first time, you don’t expect it to be by the bathroom door of a rented apartment, while away on a mission. You don’t expect it to be in your pajamas, towel wrapped around your hair as you’re getting ready for bed. You definitely don’t expect him to guide your hands down his neck while he places his on your lower back, squeezing lightly before pulling you in to kiss you again. 
This time, his lips move more pliantly, parting yours slightly; he tastes mint, mixed with the strawberry candy he had earlier and it’s nothing he could have ever imagined before, but is now everything he’s ever wanted. The push and pull between you is magnetic, soft lips and the intermingling of held breaths. All Gojo can think of now is to take, to devour—to keep you with him, like this, always. 
You wonder if Gojo is lying—that he’s never done this before, because you don’t think you can kiss anyone after this and not think of his lips on yours. 
By the time you part, the air is significantly warmer. Your fingers thread through the hair at the base of his neck and you smile, sighing. Gojo looks warm, with his swollen lips and flushed cheeks. 
“That…” you trail off, nudging his nose. 
Gojo looks at you fondly; to ever even think he could have this now, with you—he doesn’t believe in any higher being but you must be his prayer come true. 
“We can practice a bit more, I think.” he pulls you closer, hands gripping your hips. 
You feel it against you, something solid and firm against your stomach and your eyes go wide at the realization; Gojo does the same. 
“Satoru, you–” he moves back and freezes, untangling himself from you completely. There’s a faint outline on the crotch of his pants and your whole face goes red. 
“Let me use the bathroom real quick.” he panics, rushing past you and closing the bathroom door. 
You stand there stunned for a good minute before you shake out of it, laughing. Gojo yells about how you’re being so mean, making fun of him when he’s like this, but you aren’t—not really. 
It’s been a long time getting to this point with Gojo, but considering all things, you think, this might just be the beginning.
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thank you notes: i would also like to shoutout @stellamancer for leaving such lovely comments on dybil that it actually kinda pushed me to write this longer piece connected to it!!
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comments, tags, and reblogs are greatly appreciated ♡
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00towns · 3 months ago
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it's all true
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I could say something catty about why I didn’t have many words for September, but I have the feeling that I will be unsatisfied – words will never be enough to explain a lack of them. In The Argonauts, Maggie Nelson writes that she had once been devoted to the idea that “the inexpressible is contained – inexpressibly! – in the expressed.” By this, she means that words are enough, and that inner selves that feel impossible to put in words are present anyway – of course, in a way that is impossible to be described. Does silence communicate in that same, tricky way? Could I make my silence at the very least mean something? That month was about practice over theory, acting without reflecting, macheteing through the forest without worrying about what was being cut down. 
It’s all true, by the way. Every chiding from my mom, every wholehearted recommendation, every condensed two-sentence story that was once an hours-long epic best told over dinner, or drinks. They’re all true. More than I realize, everyone is always minimizing themselves, but sometimes the fact is striking and sobering – that it’s all true, every faded feeling was once a scream, that some stories are written in blood, that all choices are thousands of years of the same lesson learned over and over. The artist who has spilled themselves into their art does so because it’s all true. Every trite love song is a feeling that you don’t understand, all the way up until you do. 
I think this has been the goal of practice over theory, straying from overcorrection. How can I understand You more? To a point, I’m not sure if there’s anything that I can read that will help me do that anymore. I’m tired of reading and feeling like an outsider to a character’s interiority. I want to live, even just in service of prose. What can I do that will make this theme sting more? This scene more heartwrenching? 
I wrote at the beginning of this summer that I wanted to cry about something, among others. This is both a very specific and very vague bucket list item, in that I was more focused on an emotional outcome of an unspecified event than an actual thing to be completed, making this item actually quite unambitious. In late September, weeks after the autumn equinox I cried watching the Great British Bake-Off. In Collection 14, the bakers are challenged to make a showstopper of braided breads. A baker shows off her experience: she wears a long, dark braid down her back, and has been braiding her twenty-one year old daughter’s hair since she was a child. She thinks of her, paused mid-action at her workstation, just for a moment. ‘Oh! My baby girl,’ she exclaims. I shake and sob on my little brown couch thinking about that feeling. I haven’t cried like this in over a year. The next day at work, I’m a mess. Between classes, I go to the English club room, lock the door, and cry a little more. A day later, I get my period. This helps things make sense, but only faintly. It feels strange that there needs to be a biological imperative in order for me to cry, it feels strange to laugh and write about a version of myself that was alive and breathing yesterday. Those feelings were real; this rationality about my hormonal system is real. It’s both me, and it’s not. It’s All true. 
In early October, I visit two more temples on the Saikoku Kannon pilgrimage. It pisses rain all day, and I get caught out in my outdoors clothes that are more style than substance. Soaked, I find shelter under the overhanging roof of the main hall of Soujiji, and feel flushed and sticky in my thin rain coat, and am struck with a flash of soul-crushing, creature misery. It’s the kind that even the can-do spirit that has turbo-charged me over the last year cannot conquer, and I feel like sitting down and screaming like a child. I’m sweaty, soaked, and tired. Maybe throwing something would help. Then I turn around, and the Goddess of Mercy, standing on a turtle’s back, peers out at me from the dark wood of the main hall. I look back at her. Her thousand hands hang steady in the still air of the inner hall. I won’t pretend that I experience a revelation here, but I do feel something. Maybe it’s the smell of the old teak and cedar. Maybe finding her has reminded me that she’s who I came to see. Maybe the rain lets up just a hair. Whatever it is, the Kannon has done something to make the frustration feel farther away, and the moment of anger dissipates. This, like everything else, is true. I press the palms of my hands together, and breathe in and out a few times. One day I’ll stop being surprised that a certain peace that has grounded people for thousands and thousands of years grounds me too. I remind myself that the solace in places that others have too is not an affront to my individuality, but a thesis asserted over and over again, in thousands of soft bodies blown here by some divine wind, relief so light I could cry out of the eyes of past giants standing here in need of something. It’s all True. 
On an unimportant Sunday afternoon, I plug in my guitar and watch a few more videos in the Youtube series I’ve decided will teach me how to play it. The instructor on the screen teaches me an exercise in changing chords quickly, which I am told I should practice for a minute before writing down the number I’ve completed on a piece of paper. He recommends this to track progress, and adds sincerely that seeing the number of changes increase over time with practice is extremely motivating for beginners. I set the timer for a minute and begin, making it about halfway before stopping. I sit for a strange beat of wired silence, wondering why I have stopped. The minute feels long. I go back to the video again, listen to the instructions again, waffling back and forth between the screen and my fingers against the metal of the strings. I end up having to force myself to do the one minute exercise and feel strange and disembodied the whole time, even though I’m alone and no one is keeping track. On Monday, I try the exercise again, and am happy to see that I’m able to complete more chord changes in a minute than I was the day before. I cannot for the life of me figure out why I am surprised. It strikes me as so absurd that this feels new and exciting, that I’m inspired to continue improving, just like he said would happen. I think I’m surprised that I have been successfully emotionally managed by someone who does not know me. I suddenly hate this trite man and his gauche techniques; they are effective and helpful. How does he know that it’s all true, and I do not? 
Why are the simplest truths the most difficult to realize? A concentrated effort will lead to a desired outcome. My emotional state is impacted by my hormonal cycle. I will be uncomfortable if I am sweaty and damp. I’m sometimes lonely. I need to write things down or I will not remember them. I need to exercise. I cannot shoulder my way through a life here. The biggest truths are big for a reason. I don’t know why I insist on having that proven to me. Words can do their best to communicate this, but some things aren’t quite true until they feel true. Am I being best served by learning this on my own? Who will teach me if I choose to listen? This is what I’ve gathered, until now: it’s all true. 
Reader, I’m lonely! I miss my parents! I miss my brother! I miss my best friends at home! It is lonely to live alone in a foreign country! I am not above it! I have resisted this truth for the longest and I am learning it now in real time, bottled up and now spilling everywhere, a year overdue. This is true! 
ref:
Maggie Nelson, The Argonauts (United States: Graywolf Press, 2015)
SIDE CORE: Concrete Planet [Exhibition]. 2024. Watari-um, The Watari Museum of Contemporary Art. Tokyo, Japan. http://www.watarium.co.jp/en/exhibition/202408/
Confusion Song - Luna Li
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