#they are so important to me it’s not even a joke…

[moonstruckme]

I don’t know if you currently accept requests but if you do could you write something with Spence where reader isn’t really a touchy kind of person and the team goes out for drinks, r gets drunk and is super touchy with Spencer and he is so flustered but secretly loves it?

If not don’t worry about it<3

Thank you for requesting angel <3

cw: alcohol

Spencer Reid x bau!reader ♡ 759 words

“Dave,” Prentiss says firmly, “I’ve got it.” 

“No, you got it last time.” Rossi’s trying to put his credit card down on the tab the waiter left, but Prentiss blocks him with a hand. “Let me take this one.” 

“I don’t care which of them gets it,” you say near Spencer’s ear. “Just glad it’s not me.” He laughs. 

Luckily, you’re not loud enough for anyone to hear but him. You’ve become surprisingly mumbly after a few drinks, imparting your observations and witticisms to Spencer alone, your cheek on his shoulder. Surprisingly tactile, too. 

“What are you doing?” he asks as you trace the creases spanning the insides of his fingers. He doesn’t think you’re doing anything really, drunk enough to be susceptible to whims and mindless fiddling, but Spencer likes to hear you talk. 

You make a muted humming sound. “Reading your finger lines.”

“You mean my palm lines?” 

“No, I mean your finger ones. I’m inventing a new science.” 

Spencer smiles. The tip of your nose is touching the knit of his cardigan, he wonders if it itches. You might not notice, though, with the way you’re so concentrated on his hand. Your lashes shadow your eyes like heavy clouds. 

“You know,” says Spencer, “there’s been some disagreement among biologists about palm lines. They’re called palmar flexion creases, and while it’s largely agreed upon that they form before birth to allow freedom of movement without stretching the skin on our hands, some also think that certain lines can indicate certain medical conditions.” 

“Huh.” You trace your finger down to his palm. “So, sort of like telling the future.” 

“Well, modern medical practitioners can usually identify those conditions early after birth anyway—but sure, if you want to think about it that way.” 

“That’s okay, I’m not that invested in palm line science anyway.” 

You say it placidly, even though you’re not moving away, like nothing is really all that important so long as you’re touching him. The dim, orange bulbs of the lamps in the bar cast shadows under your lashes and in the dip of your cupid’s bow.

Your finger keeps moving absently, past Spencer’s wrist until you’re nudging up his shirtsleeve. “You have really nice forearms,” you murmur. 

Spencer’s skin prickles with a blush. He takes your hand away in an effort to deter you, but you only go along with the deviation, linking your fingers through his. He glances at Garcia, relieved when she’s not looking. Just last week, she’d asked Spencer and Morgan if you secretly didn’t like her. 

I tried to give her a hug, she’d said, pouting confusedly, and she went as stiff as a board. It was the worst rejection I’ve had since high school.

Morgan had laughed. Not everyone is as warm and fuzzy as you are, babygirl. Don’t take it personal. She’s just not the touchy type.

You feel for Spencer’s other hand under the table, seeking to add it to your collection. He gives it over to avoid a fuss. 

On the other end of the table, Rossi seems to have successfully paid the bill. 

“Okay.” He gets up with a sigh, grabbing his coat. “I will see you kids tomorrow.” 

“Bright and early,” JJ agrees with joking weariness. 

As your team starts to get up, say goodbye, and (in Garcia’s case) hurriedly slurp up the remainders of their drinks, Spencer gives your fingers a tentative squeeze. 

“Time to go,” he tells you. 

You sigh heavily, warm breath permeating his cardigan. “Okay. I guess.” 

Spencer’s not entirely sure where your reluctance is coming from—if he were you, he’d be eager for his bed—but you stand without complaint, immediately looping your arm through Spencer’s and leaning comfortably against his side. 

Morgan raises his eyebrows. “Need some help there, pretty boy?” 

“That’s okay.” It’s out before Spencer can think it through, and heat comes to his face when Morgan’s lips lift with a knowing grin. 

Thankfully, Hotch spares him any elaboration. “I can take her home.” He’s watching you severely, the way a strict parent looks at their teenager before reluctantly getting them ibuprofen and a glass of water for the next morning. “She can’t drive.” 

“That’s okay,” Spencer says again. “I can drive her.” 

Hotch’s face is impassive, but Spencer can tell he’s not overly surprised. “Are you sure? I live closer than you do.” 

“I’m sure.” Again, his face heats at what he knows his answer is revealing. But Spencer looks down at you, contented and half asleep against his side, and it’s worth it. “I don’t mind.”

[kriimuline-blog]

Wait, I have so much to say about it that it frightens myself.

First: this is true. No arguing.

BUT

I have actively working to get rid of my self-sabotage habits for last 10 years. And oh, what a wonder: I got and still get accused for being selfish, full of myself, thinking too much of myself. Surprisingly none of people I have asked for help were angry or disappointed or whatever. But other people who were just bystanders - oh, they were. "So, other people must help you to live? Who even are you to expect that???"

I don't reject praise but if I seek attention for a work that is not absolutely perfect, guess what people say? Bad things. You wrote a book and want it to be reviewed? Well, from time to time book sounds like badly translated from English - for example this one phrase. Bro, it was this only phrase! I even thought about it and decided that as it was joke about publicity in USA diner, I can leave it! Why you concentrate on this one phrase that is not perfect? Because I HAVE to be perfect to be good?

No one actually says bad things about me if I say no. BUT. If I'm not active, not on the picture, if I take care of MY need to be alone and rest, no one remembers me. Isolating myself when hurt? Not exactly, I am isolated to take care of my needs, but if I seek attention and help when hurt, most people are: "Nope. To say good things when asked is not sincere, not can do." Or "I'm kinda busy right now." Or they say nothing. Just ignore me. If I want to be part of circle, I HAVE to participate in the events. Other people? Hey, they have many more circles, this one is not an important one even. But I have only two main circles. if I pass the possibility to do more there, people just ... forget about me. And that's true, not just my own imagination.

So it's not self-sabotage that person should stop and live happily ever after. It's actually trying to fit in with other people, to be what they want you to be. So that they would accept you.

Yes, most people does not help you anyway. They just criticize. You can't be liked by everyone. And maybe sometimes to be in the pack is not even worth the trouble. But to try to fit in, to be loved and liked is natural. I am extreme introvert and diagnosed autist and still I have this drive to fit in. Not just a self-sabotage. More like trying to be what others want, even if it's hurting myself.

Ok, I don't watch news. Maybe this is only self-sabotage =)

[p0orbaby]

In Vino Veritas

summary: you’re drunk, aitana is missing and whose house is this?

warnings: alcohol

a/n: this is cute, and it’s made me want to write for tana more

word count: 2.5k

-

The music pulses around the house, loud and relentless, like it has a personal vendetta against silence, and you feel it vibrating through your bones. It’s some mainstream electronic track, too cheerful for the kind of reflective mood tequila usually grants you. Everything around you is a little hazy, a bit too bright, and you’re squinting at it all, like you’re looking at the world through frosted glass.

The wallpaper here is too clean, too deliberately “vintage,” with little pink roses blooming in neat, identical rows. You imagine, briefly, peeling the wallpaper back, layer by layer, finding more roses, more decades of them, stacked on top of each other like memories no one wants to talk about. But that’s a thought for another time, another you, one not stumbling over someone’s overly expensive thrifter rug and nearly tripping on a pair of boots discarded in the hallway.

Where the hell is Aitana?

It’s around the fifth time you’ve drunkenly circled the house when you spot Sunglasses Guy, a figure that almost feels like a test placed here by some malevolent spirit—an obstacle on your journey. He’s in the kitchen, leaning against the counter like he’s in a photoshoot, arms crossed, eyebrows raised. Indoors, sunglasses on, even though it’s dark outside. He’s got that air of self-importance, like he’s convinced that sunglasses are mysterious, that people look at him and think, Wow, who’s that? In reality, they’re thinking, Why is this guy wearing sunglasses in the dark?

He nods at you, a slow, deliberate motion, clearly trying to make you feel “seen” in some profound way, as if this is a moment the two of you will remember forever. But all you remember is your drink, the way it sloshes precariously as you shift your weight, and the way he leans in, smelling faintly of something vaguely woody and way too expensive.

“Do you know what NFTs are?” he asks, his voice low, a little sultry, like he thinks NFTs are the new “what’s your sign?”

You stare at him, and the words that spring to mind are “sunglasses,” “pretentious,” and, inexplicably, “parsley.” You’ve no idea where “parsley” came from, but your mind clings to it like smoke on cotton. “NFTs,” you repeat, as though it’s the punchline to a joke he hasn’t told. He takes this as an invitation to launch into what sounds like a memorised TED Talk, and you wonder, briefly, if you could just interrupt him by throwing your drink on his shoes.

“Aitana!” you yell instead, desperate, cutting him off mid-monologue, which he handles with a slightly indignant flick of his eyebrow.

“Where’s my girlfriend? Have you seen her?”

The phrase my girlfriend makes you beam internally. There’s a glow that forms when you think of her, a warmth that starts in your chest and blooms outward. She is, after all, the reason you’re here. The reason you even pretend to tolerate these kinds of social gatherings, with their sunglasses indoors and their endless monologues about digital assets.

He blinks, trying to recover from the abrupt derailment. “Uh, blockchain—”

“Ugh,” you mutter, interrupting again, giving him a very distinct dismissive wave, the kind of wave that says Please stop talking or I will find a way to escape this dimension entirely.

A girl nearby spills beer on your shoes. She mumbles an apology, not that you’re in a state to care; you brush it off. Aitana is the focus, the centre. Shoes don’t matter when you’re looking for someone who does.

Then, finally—finally—you see her. She’s leaning against the far wall, her posture so casual, like she’s posed there on purpose, like she’s an ad for the kind of life you’re pretty sure only exists in those short films that play before foreign films at independent cinemas. She’s listening intently to some guy in an aggressively patterned shirt, nodding along like he’s actually saying something worthwhile, and you can’t help but marvel at the patience it takes to look interested when you’re not.

“Oh my god, she’s so beautiful.” It’s supposed to be a whisper, but it comes out loud enough that a girl nearby laughs. You’re only mildly mortified; who cares? Aitana has just noticed you across the room, and now she’s looking at you with that expression, the one that melts your insides, that says, There you are.

You start walking toward her, though “walking” might be generous. It’s more of a determined stumble, like a baby deer on its first attempt at standing. Your brain registers that you’re approaching her, but your legs aren’t quite sure if they’re fully on board. At some point, you even have to pause and grab a nearby chair for balance, flashing a sheepish grin at a couple nearby who look half-amused, half-concerned.

“Aitanaaaa,” you call, drawing her name out like you’re serenading her. She’s already moving toward you, though, weaving gracefully through the crowd like it’s easy, natural. You think, Of course she’d come to me. Of course she’d know that I need rescuing.

“Hi, cariño,” she says softly, her voice lilting with that soft Spanish accent that, even now, sends a thrill up your spine. And it’s so gentle, so warm, like she’s wrapping you up in some invisible blanket. You lean into it, the warmth, her presence, like a moth to a flame.

“You’re so pretty,” you blurt out, your words tumbling over each other in their eagerness. “Like, stupid pretty. Like, why are you even with me?” Your voice drops to a conspiratorial whisper, as if the two of you are sharing a secret in a room filled with strangers. “I’m a disaster. I can’t even find the toilet in this place”

She laughs, this soft, lilting sound that feels like honey, thick and golden, spreading warmth from your chest to your fingertips. Her hand settles on your shoulder, steadying you, pulling you closer, and you realise how desperately you want to bury your face in the crook of her neck and just exist there, where things are quiet, soft. She smells faintly floral, and you realise it’s that same perfume she always wears, the one you borrowed once and promptly drenched yourself in until she told you, with a smile, that subtlety might work better.

“Why am I with you?” she echoes, the question hanging there between you, laced with a smile, with that familiar mischief. “Because I love you. And because you’re funny. And because you make my life interesting”

“Interesting?” You narrow your eyes, leaning back slightly, pretending to be offended. “I thought I made your life amazing. Like, top-tier, VIP-section amazing.” You’re about to launch into a whole speech, but your brain hiccups, lost somewhere in a thought that doesn’t quite finish. You grin at her instead, and she just shakes her head, amused.

She grins, and it’s that cheeky, self-assured grin that makes you both melt and want to argue. “That too”

It’s at this moment, this little pause, that you get an idea. It’s not necessarily a good idea, but it’s there, persistent, because your tequila-fuelled brain won’t let it go. “If you were a sandwich,” you say seriously, “you’d be the kind with all the best fillings. Like, avocado and caramelised onions and, like, artisanal cheese. And I’d eat you every day and never get bored”

She laughs, that infectious, melodic sound, and you feel a swell of pride that you can make her laugh like that, even in your current state. Her eyes soften, that look of adoration flickering there, just for you, and she reaches up to brush a strand of hair off your face. Her fingers are warm, soft, and your eyes flutter closed for a moment as they linger on your cheek.

“Come on, let’s get you some water,” she murmurs, her voice gentle as she takes your hand in hers, and there’s a comfort in that touch, in the way her fingers intertwine with yours.

As she guides you through the crowd, you find yourself staring at her hand in yours, marvelling at how naturally it fits, how perfect it feels, as though it’s always meant to be there. The thought makes you feel almost childlike in its simplicity, but you hold onto it.

“You’re the best, you know that?” you say as Aitana threads you through a crowd that’s moving with the sludgy, undulating rhythm of a creature with too many limbs. Faces pass by in flashes of laughing mouths and narrowed eyes, pupils blown wide by God knows what, maybe tequila, maybe… more. None of them matter, though. They’re simply the backdrop to this little tableau: you, lit up and fizzing, tethered to the only person in the world who’d think to take your hand and lead you to salvation (water) instead of just letting you unravel on the sticky floor of someone’s overpriced house.

She looks at you like you’re amusing, like she’s doing you this great favour by holding your hand in public. “I know,” she says, her mouth quirking in that way that makes your chest feel both hollow and unbearably full.

And then you stop—there’s an odd elegance to it, almost like a dance, because she half-turns, looking back at you as if she knew this was coming. Like she’s been expecting you to stop her and do something wild, something foolish. The patience in her eyes, well, it almost feels like she’s giving you permission to make an idiot of yourself. Again.

“I want to kiss you,” you announce, dead serious, as if declaring something truly revolutionary.

“We’re in the middle of a strangers house.” She says this lightly, but she’s already leaning in, her chin tilting, the light catching in her hair just so, like it’s the climax of some impossibly chic music video.

You want to tell her that kissing her here, now, with people everywhere and the taste of cheap tequila in your mouth, is the single most important thing in the world. That nothing in this moment matters, except her—your Aitana, who has somehow, against all reason and logic, decided to love you back.

So, when she presses her mouth to yours, soft, barely-there, like you’re made of fine china, you think you might just melt into the floor. The crowd around you recedes; they fade away, just shadows in the periphery, and it’s as if you and Aitana are standing in a bubble, suspended in time. You’re floating, really, an ethereal, drunk ghost of yourself. She’s kissed you like this a thousand times, but right now, it feels so outrageously perfect that you think, absurdly, that maybe you don’t deserve it. Like you’ve somehow won this cosmic lottery.

When she pulls back, you’re vaguely aware that your mouth is still open, probably looking ridiculous, but she’s smiling at you, all fondness and amusement, as if to say, “Yes, you’re a total disaster, but you’re my disaster.” It’s a little terrifying, if you think about it too long.

“See? This is why you’re the best,” you mumble, clutching her a little tighter, almost swaying in place.

She tilts her head, giving you this look that’s so completely Aitana, so fully her, it borders on cliché. “You’re a mess,” she says, but her eyes are bright, shimmering with something almost mischievous.

You shrug, proud, defiant. “I’m your mess”

“Yes,” she agrees, not even trying to hide her smile, “you are”

And with that, she’s tugging you along, moving with a fluidity that makes you wonder, briefly, if she’s choreographed this entire evening just for you. You’re half-convinced she’s orchestrated the entire universe to align with this moment—the sounds of people talking too loud, the stickiness of the floor, the faint scent of stale beer and expensive perfume all melding into a cocktail that feels uniquely yours. Aitana, your perfect Aitana, leading you through this mire like she’s guiding you through a rainforest or a canyon, somewhere treacherous and fraught with danger.

You stumble into what you desperately hope is the kitchen, but honestly, it could just as easily be a poorly-lit hallway or an oddly-configured living room. Someone has drawn a Sharpie mustache on a framed photo of a golden retriever; the countertop is littered with crumpled napkins and red Solo cups, each one bearing the lipstick marks of strangers.

“I’m gonna drink, like, four litres of water,” you declare, full of bravado, as she hands you a slightly dented plastic cup that smells faintly of gin.

“Good idea,” she replies, crossing her arms and watching you with that expression she gets sometimes, like she’s trying to contain her fondness, keep it manageable, as if loving you too much would somehow be irresponsible. Like her heart could actually explode if she indulged herself too much.

You take a sip, but you’re not really tasting the water. No, you’re watching her, the way she brushes a loose strand of hair out of her face with her pinky, the way her eyes are this exact shade of dark that you’ve spent hours trying to name in your head. Like burnt caramel, maybe, or wet soil. It’s frustratingly poetic, the way she looks at you, like she knows every ridiculous thing you’ve ever thought and loves you for it anyway.

“Aitana,” you say, fully serious, as if you’re about to impart some life-altering wisdom. “You’re my favourite person ever”

“I know,” she replies, but there’s something so gentle in her voice that you’re pretty sure she means it as much as you do. She reaches out, smoothing a stray hair behind your ear, a little gesture, the kind that’s both tender and practical, reminding you of the time she told you to cut your nails because you scratched her during a tickling fit. Practical, pragmatic Aitana, the girl who brings you plasters when you’ve tripped up the stairs and curses in Catalan when she stubs her toe but tries to blame the wall for it.

“No, but like…you don’t understand,” you say, stumbling over your words, the alcohol making you louder and sloppier than you’d like. You lean in closer, conspiratorially, like you’re about to reveal some great cosmic secret. “I’m so in love with you. It’s, like, a problem”

She laughs softly, the sound low and warm, wrapping around you like a blanket. She pulls you into her arms, your head pressing against her shoulder, and you breathe her in, that familiar scent that’s all her—floral and a little musky, layered with the faintest hint of some expensive perfume you’ve never bothered to learn the name of.

“It’s not a problem,” she murmurs, smoothing a hand down your back. “It’s perfect”

And it is. Perfect, that is. You’re here, tangled up in her, your thoughts swirling in a chaotic, messy cloud of tequila and love, and it’s perfect in this fragile, unsteady way. You’re her mess, her drunken mess, and there’s something so intensely beautiful about it, you think you might actually cry.

“I’m never letting you go,” you mumble, your words muffled against her shirt, which is soft and smells like laundry detergent.

“Good,” she replies, holding you a little tighter, as if she means it more than anything. “Because I’m not going anywhere”

[rosenclaws]

Hi!! I’d love to see you do the prompt “Don’t tell me you love me unless you mean it.” with Logan! Was thinking of the reader who’s so self loathing of her own powers opening up for the first time towards Logan 🥺

warnings: angst/fluff, Logan has interesting teaching methods lol

600 follower drabble masterlist

wc: 1.2k

a/n: So this also...turned into more than a drabble oops. I got carried away I can't help it asdflk;h. Anyways I totally got inspired by ATLA for some of the logan pep talk if u can tell lol.

The mansion was so lonely. It shouldn't be but it is. Especially for you. Brought here as a child you grew up here. You were excited, hopeful that maybe you could start a new life here. But then your powers went haywire.

Just when you thought things could be different your emotions got the better of you. Fire raged through the mansion and you couldn't stop it. The more you panicked the worst it got.

When the flames were put out all you could see was the destruction that ravaged the once spotless mansion. It was an accident. Charles knew it and so did everyone else but that didn't stop the whispers, the fear. You never wanted this.

You did all you could to suppress your powers for years. Leaving the school and never looking back. Years passed and you managed to live a quite life. You went to work and went home. It was a lonely life but you couldn't hurt anyone so it you learned to live it.

Then one day you got a letter from Charles. It was a matter of such importance that you had no choice but to return. It was weird being back.

It was in the dead of the night that you found yourself alone. Just as you remembered. This time wandering through the halls of the mansion. Your fingers traced the familiar paintings and furniture. A frown coming over your face as you trace the faint scorch marks that still remain.

"So those were you." A deep voice startles you.

You feel a light flame escape your fingertips as you shove you cross your arms and hide your hands away. There stands Logan with a cigar in his mouth. You breathe a sigh of relief as you lower your arms.

"Sorry, didn't meant to scare you." He holds out his cigar and you roll your eyes. He's been trying to get you to use your powers, to light his damn cigars because he's too lazy to reach into his own pocket.

"Come on, just a little flame." He says with a smirk.

"Can I help you Logan?" Though you're glaring he can see that small smile.

You and Logan were unlikely friends as you put it. The two of you understood each other. Understood the want to hide away. Don't get close and you won't get hurt. Even with that mantra somehow you were each others exception.

Maybe it was stupid but having Logan was nice. He was nice in his own weird way. Looked out for you, joked with you on the rare occasion. Plus he was easy on the eyes, but you don't let yourself go there. Love...it's just not meant for you. You don't do love and neither does Logan. Even if you want it, even if sometimes he finds his way into your dreams.

"Nope." He gestures for you to follow him so you do. Walking quietly through the halls until he leads you outside. A chill washes over you step outside.

"Just a little light for me sweetheart?" Okay the first time was charming but now it's getting annoying.

"Will you quit it." You snap. Logan raises an eyebrow and you sigh. Sitting down on a bench and looking down at your hands.

"You know I don't use my powers anymore."

"I know."

"So why do you keep asking?" He shrugs and sits down next to you.

"Because, I think you're being ridiculous."

"Excuse me?" You scoff. You clench your fists as you glare at Logan.

"So what you burned some wood big deal. That really all it takes for you to run?"

You're hurt and confused where the hell this is coming from. You thought he'd understand you but clearly you were wrong.

"You know what Logan fuck you." You hiss as you stand up.

Logan grabs your wrist before you can walk away and in a fit of anger you push him away. Flames coming out of your hand and hitting him square in the chest. You gasp as his flannel catches fire. Without thinking you press your hand and kill the flame.

"Logan I-"

"Stop." He grabs your wrist and points to an empty fire pit.

"Light it."

"Logan I can't."

"Yes you can sweetheart," He tilts your head towards him. Looking at you with a sparkle in his eye.

"Trust yourself." You take a deep breath and send a fireball into the pit, lighting it up.

Your hand tingles as you use your powers for the first time in a long time. You wait for the other shoe to drop. For the fire to rage past what it's meant to be but it never does. Slowly you hold your hand out focus, the fire slowly gets smaller until it's snuffed out. You stare at your hand in awe. Control. You had control.

"Fire is destruction." Logan interlaces your fingers with his. He's got this smile that you've never really seen before.

"But it's also life, it's beautiful. You're beautiful." You bite your lip as he squeezes your hand. There's a fear that you'll burn him without thinking but he heals. You can't hurt him.

"Why are you helping me?" Why does he care this much? He didn't have to do this, you're not a student and yet here he is. Pushing you past your worries.

"I..." Logan tries to find the words. You're right he doesn't do this but he did for you because, well because..."I love you sweetheart."

Your eyes cloud with tears as you take in his words. He doesn't mean it can he? I mean, it's does he understand what that means. What it means to love you.

“Don’t tell me you love me unless you mean it. Please." You don't think you could handle it. He's already got your heart and it won't take much to crush it.

"Are you doubting me? I'm over a hundred years old I know what love feels like." Logan brushes your lips with his thumb, he's not great with words but he knows what he feels. No one can tell him any different.

Your eyes flutter shut as he kisses you. He smells like cigar smoke and he tastes like honey. The kiss a little rough, you can tell he's trying to hold back. To be gentle which he's not always great at. You pout when he breaks the kiss, already wanting more.

"Later." He promises after noticing the look on your face.

You walk back through the mansion hand in hand. It's better at this hour, no prying eyes and whispers. For now it's just you and him. Though something does cross your mind as you reach your room.

"Did you...Were you trying to make me mad on purpose?" He smirks and pulls out another cigar from somewhere.

"It worked didn't it?" Unbelievable.

"You're an idiot Logan, what if I couldn't control it? What if I burned down the mansion, again?!" Logan rolls his eyes and kisses you again. Pushing you against the door. Your thoughts turn to mush as he kisses your neck.

"You aren't the monster you think you are." He whispers and you freeze. His words hitting you like a brick. Logan knows what it's like to be a monster, a weapon. He's the monster if anything. But you? You could never be. Not in his eyes.

Before he leaves he hands you his cigar. You shake your head and laugh. Holding out your hand you produce a small flame and he lights his cigar.

"Was all this just so I could give you a light?" You ask teasingly. Logan chuckles and presses another kiss to your cheek.

"Absolutely." As much as you want to invite him in your room, you decide to wait. Rushing anything with Logan is the last thing you want. You want the time to be together. A good fire needs to grow before it becomes a roar.

"Goodnight Logan."

"Goodnight sweetheart."

Your fingers slowly unlace as he walks away. You don't want him to go, fearing that this is just a one off night. There's no way you can have control so easily but then he looks back at you. He's got this look on his face that makes you feel like everything is going to be alright and for once you believe it.

[shantechni]

Related to your post about Mikey "accidentally delivering low blows when stressed" (Aug 2023) would you hc that it's related to his emotional awareness of his family? Like when he blamed Splinter for letting them go up to the surface, he would know Splinter was already questioning his decision to let them do that, or he calls Splinter out on not being affected by his mutated appearance (when Splinter looks uncomfortable being seen by humans/Shredder)? Basically, what are your further thoughts on it? Has he done this elsewhere?

The post in question for the curious cats

This compilation video as well because my big brain remembered me doing that and it's related to this topic and I meant to do a part 2

Oh, that behavior is 100% related to Mikey's emotional awareness. I'd hardly even call it a headcanon, it's just canon lol.

After not only botching their first fight above ground but failing to stop two kidnappings on their watch, the boys immediately start playing the blame game by pointing out each other's rash decisions and dumb mistakes that led to such an outcome. Obviously, the idea of Splinter's decision being yet another mistake of the sorts was hanging somewhere in the air waiting to be grabbed at, but no one readily went for it as something that needed to be acknowledged as mistake. That's why it's so fascinating to see the writers establish Mikey right out of the gate as someone who isn't afraid to comment on Splinter's decisions and his emotional state when he's making those decisions.

He was certainly aware of their father's doubts concerning them going above ground for the first time because a comment like that doesn't just come out of nowhere.

Granted, this instance was him speaking his mind in the heat of the moment and only realizing how much his words would sting after the fact (especially since they're the ones who convinced Splinter to send them off with their begging), but this becoming a continuous trend of his throughout the series further proves the fact of him being more aware of things than a lot of people pegged him to be.

In Mikey Gets Shellacne, his remark about Splinter telling him not to fret about his appearance when he could hardly bring himself to do the same can be interpreted as a more apparent example of him knowing more than he lets on. It's made rather obvious from the start of the series that Splinter wasn't keen on roaming the streets looking like a giant rat, but that's more of a show and tell deal where both the audience and the characters are left on their own to pick up on such an important yet minor detail. Splinter never tells anyone about his insecurity, nor does anyone in the series talk about it amongst each other, so a moment like this can be a bit jarring when it's framed as Mikey calling out Splinter's opinion on his own appearance.

Though the intent of his comment was to simply call Splinter old, the underlying insult is there and Mikey regrets saying something like that to their father of all people.

Other than letting his frustrations get the better of him and unintentionally plucking at Splinter's insecurities, Mikey is greatly in tuned with the emotions of those around him and will usually pick up on any changes rather quickly. Take these two moments with, funnily enough, him and Splinter near the start of Serpent Hunt.

I previously posted the first clip as a funny little observation, but the scene is more intriguing than my jestful sentence made it out to be. Mikey's attention is split between hanging his goofy pieces of artwork on the wooden boards and listening to April as she announces how the restaurant is starting to look like a makeshift home. It's not until he turns around to joke with her about his drawings that he finally has Splinter in his sights, and his attention evidently begins to drift to Splinter as April is responding to his question (you can literally see his head following Splinter's movements while April is speaking to him😭). And just look at how taken aback he is by Splinter's melancholic expression being on full display:

While Splinter answers Mikey by stating that he's concerned for Casey, Leo and Raph because they've been gone for a while, it's pretty obvious that's not all he's bothered by, and him not being subtle about his troubled mind like usual had enough flags raising in Mikey's mind for him to hop up from his spot. Once the scene transitions to the second clip, Mikey lingers with Splinter in the front of the restaurant while April ventures to the back in search of Donnie to check on his progress with the retro-mutagen, as well as to see if the others made it back yet. Mikey and Splinter decide to follow April as soon as Donnie utters Karai's name, and Mikey is visibly bracing himself for another look of heartbreak on their father's visage:

Splinter moments aside, Mikey recognizes when something is up with his brothers and friends, as well as whether or not he should step in. Of course the prominent moments of him demonstrating his ability to calm Leatherhead and Raph down count among the times when he steps in, but the times when he chooses not to step in shouldn't be understated either.

Take the pre-intro scene in The Cosmic Ocean for example, when April breaks the silence and questions where Leo ran off to. We understand where Raph is coming from when he says that it can't be healthy for Leo to confide in a simulated version of Splinter since it could just make him miss their father more than ever, but Mikey suddenly pops from his laid back position off-screen and joins the conversation:

He's knows as well as Raph that speaking with a simulation of their father isn't exactly ideal, but he also knows that Leo is used to coming home to confide in Splinter for advice whenever he feels his confidence as a leader beginning to waver. The whole gang knows all of this, but once again, Mikey's the only one to verbalize it. Sometimes people need to hear something so obvious outloud to really understand or remember its importance, and Mikey seems to know that best.

I don't really need to mention how his emotional awareness extends far beyond simply knowing when someone is down, or when he is or isn't in a position to help them, but it makes for a decent epilogue to this analysis so-

Him being the least (read: least) temperamental of his brothers automatically puts him in the position of a mediator when there's tension in the group, and it's common knowledge that he'd often go out of his way to ease that tension in his own ways. He sometimes makes jokes, both corny and intelligent, just to get everyone's minds off of the heaviness of a situation, even if that moment of reprieve only lasts for a minute. He attempts to break up fights before they get too far, which sometimes doesn't work because they're a stubborn bunch of turtles (literally the entire first five minutes of New Girl in Town lol), but his efforts are commendable and genuine.

He's exceptionally conscious of changes in the atmosphere and a swing in someone's mood, which could go hand in hand with his sixth sense for weird Kraang stuff if you think about it. But all of this comes together to paint an undeniably clear image of Mikey having a great amount of emotional awareness, and just all around being one of the most emotionally intelligent characters of the series.

[brooklyncircus]

"Until you..." part. 8.

Hiromi Higuruma x reader.

Until you came into his life, Hiromi Higuruma had occasionally considered making a change within himself—mentally, emotionally, and physically—but he had never taken the idea with the seriousness it truly required.

Until you came along.

And now, here he was, tossing and turning in his bed, the blankets strewn about at his feet and tangled between his legs. Low grumbles and muttered curses escaped him as he rubbed his hands over his face, almost violently, and made a faint, barely perceptible pout.

“I just want to sleep. God, please help me sleep…” he whispered under his breath, attempting once more to close his eyes, only to open them twenty-eight seconds later.

He stared up at the ceiling, once again thinking about how, indeed, your presence had changed so much in him. So much so that he was making a mental list of the things he considered wrong in his life and that he might change.

But part of him thought this whole situation was rather ridiculous and amusing. Who would have thought he’d be planning to alter his routine, his habits, his surroundings, even himself... just because he’d met you?

But it wasn’t a joke, not in the slightest. In fact, he took it as a sign that he should do it. It wasn’t that he thought of you as “ridiculous and amusing.” No.

No.

Not at all. That would be the last thing he’d think. He felt that way about himself—about how he was feeling now and how he wanted to change because of your presence.

Reflecting on it more deeply, something he was reluctant to do out of fear—fear, obviously, of discovering the truth—he realised it was entirely because of you. Thanks to you. Because of you.

For you.

Hiromi had come to realise he had good qualities, clear values, and “positive” things. But putting it all on a scale… What weighed more? His good or bad traits? His good or bad habits? Was he worth it? Could he be “someone important”... to someone?

Could he… be the right man for someone?

For you?

He swallowed and turned over in bed, his charcoal-coloured hair becoming even more dishevelled. He found himself curling up into a small ball, feeling more vulnerable than ever. And, at that moment, two tears escaped his eyes.

“What should I do, God? What do you want me to do?” he thought, his hands covering his eyes, ashamed at the idea of crying again.

And the answer appeared in his mind, clear as the first glimmer of dawn, like a light at the end of a dark tunnel, like a choir of angels in the midst of an infernal storm…

Don’t be afraid. Make the changes you deem necessary. Do it for yourself.

And it was at that moment he opened his eyes, staring at the ceiling—frightened, yet euphoric at the same time. His heart felt as if it were about to leap from his chest. He sat up in bed and then let his legs dangle over the side.

He stood, and with slow but steady steps, turned on the light in the small living room. Rummaging through the papers, he found a small notepad and a pen. “Damn, this is real,” he muttered aloud to himself.

Almost running in his nervousness, he went to the table and sat at the edge. With trembling hands, he wrote:

“Things I want to change about myself.”

And he felt that his world, in that very moment, had indeed changed. He had taken the first step. Thanks to you. Thanks to your existence. He found himself writing item after item, planning everything, and his trembling gradually subsided.

Another list. “Things I want to change about my flat.”

Yet another. “Things I want to change about my office.”

“Things I want to learn.”

“Things I want to do.”

“Things I want to improve in.”

And from the early hours of dawn, where the stars adorned the beautiful night sky, to when the first rays of sunlight began to seep through the windows, Hiromi Higuruma was planning, researching, and making changes.

When he finished, he decided it was finally time to prepare to go to work. And he did so lightly, feeling more at ease with himself. Happy, expectant, with a faint smile.

And until you came into his life, Hiromi Higuruma had occasionally considered making a change within himself—mentally, emotionally, and physically—but he had never taken the idea with the seriousness it truly required.

Until you came along.

[deiastormborn]

Gale of Waterdeep; A much needed look beneath the surface 

Hey all. This is a script for the video I made in defense of Gale. I never had a place to put the text version of it anywhere else, but... if Tumblr isn't a good place for it, then what is?

Warning: Long Read!

________________________

Hi, my name is Stormborn. I’ve been playing Baldur’s Gate for some time, enjoyed it quite a bit. As much as I can appreciate every companion that the game has introduced, Gale of Waterdeep, a charming lil’ wizard, has caught my attention the most. At glance, he is this sarcastic happy-to-go man, always joking around, trying to do the right thing. But, the more you get to know him, the more you slowly uncover his trauma, as much as he, himself, is trying to deny it.

Honestly, I thought that Gale would be liked by many people, I genuinely expected him to be one of the most chosen companions, and one of the most romanced ones. But, to my surprise, I’ve been seeing him getting more hate than I anticipated. Some people call his way of speaking way too annoying and complicated, some people call him clingy and creepy, mostly due to the glitch that would skyrocket his approval of you, probing him to romance you. Genuinely, it is okay to dislike some companion in favor of the other one. But I could not get rid of the feeling that people just despise his guts unjustifiably. 

One of the main reasons, besides the ones I covered earlier, is that people hate his ‘obsession’ with Mystra, the goddess of magic he happened to romance. I saw people complain that he just cannot stop talking about her, even while you romance him, and I can’t help but wonder if people were paying attention to his story at all. And I cannot blame them, as Gale always portrays his romance with Mystra as something so special, so unique, and as something to be proud of. But, let me explain to why you should be able to judge his story for yourself, rather than simply listen to what he is saying.

Gale is a talented wizard, so talented that he got attention from Mystra herself for his talent of channeling the weave. The story says that he is so powerful, that he could potentially destroy a whole village by basically sneezing in its direction. However, we all need to remember that he got attention from Mystra at the very, very young age. If I am not mistaken, the first time Mystra clawed onto him was when he turned 16. Ever since then, Mystra was feeding him all kinds of praise, prompting him to seek power, ensuring him that he can become Mystra’s chosen, and, mind you, *started romancing him ever since*. It is not a secret that Gale was not the first, however, if you really think of it, such revelation can seriously mess with a mind of a teenager. Not only it might boost the self-esteem, but also make him think that he is better than anyone else. And, I assure you, it is exactly what Mystra wanted. By giving him some form of attention, minimum affection, she had Gale on the hook. And Gale, as a boy obsessed with magic, who has been worshiping Mystra before he even met her, didn’t require much effort in getting hooked. But here comes the problem: as much as it is uplifting to get a praise from a literal Goddess of all magic, it is also as equally devastating to get any kind of critique or a cold shoulder.

Mystra was messing with his mind, making him feel like, no matter how well he does, he can always do better, as he has so much potential. With such authority, Gale would believe her. And it would make him always chase something more to impress her, rather than settle and appreciate what he has. It is also a reason to why the whole mess with the Orb began in the first place. People seem to call Gale power hungry, which, as any companion in the game, it is possible for him to go down that route. But they seem to forget one important detail: Gale thought that the Orb was a missing relic of Mystra’s magic, and he wanted to, yet again, impress her by bringing it back. Please remember that Gale was still a young adult, if not a teenager, when this happened. And it would all be resolved if Mystra would not shatter his self-esteem as much as she did. So, he made a mistake, and the Orb became his burden. And yet again, rather than explain this to her ‘chosen one’, she basically banished him, and left him with no answers for many years to come.

Gale isolated himself to keep people around him safe, with nothing but the books and the cat for the company. I think I do not need to mention on how that can play with your mind, too. But, in spite of all, Gale’s blind loyalty and obsession with Mystra kept him wanting for more attention, more answers, so he kept seeking more power, and more ways to get Mystra’s approval. At the day you first meet him, this is the first time he has been amongst people. Yet he still kept his jolly appearance, messing around with Tav, and appreciating everything that surrounds him.

I do not know if this is obvious just yet, but Mystra has basically groomed the kid. If we look at the very definition of grooming, Grooming is when someone builds a relationship, trust and emotional connection with a child or young person so they can manipulate, exploit and abuse them. And it is most prominent when it comes from the place of higher authority. I think I do not need to explain that, in the fantasy setting, there is no higher authority than the God or a Goddess. Yet, for one reason or another, this seems to not be taken serious. And I think I have an explanation as to why.

When you talk to Gale about Mystra, or when you let him talk about her first, he is still full of admiration, obsession, and the unending pride. There is still some bitterness lingering somewhere in him, yet it Is not as powerful as any other feeling he has towards her. I’ve noticed people basically hating him for saying something like ‘Yeah, I banged Mystra, that’s pretty cool, right?’. But think of it this way: wouldn’t Mystra *want* him to think that it’s ‘pretty cool’? And who are we to say that it was the real Mystra he had an intimate moment with? For all we know, she might have conjured an illusion, to satisfy him and feed into his ego. If the romance between them was as real as Gale thinks it was, do you really think Mystra would just abandon him with no answers for a mistake such as this? After all, Gale was young, and had barely any experience. All he had was wizards, such as him, or more powerful than him, and her. If she truly cared about putting him to a right path, rather than using him for her needs, the outcome would be ever so different. 

I would also like to address that people do not think of it as a simple coping mechanism. Even if you look at the society these days, most of the time, when a man comes with a confession of, say, a woman taking advantage of him, it is often met with ‘wow dude, you got lucky’, rather than with a serious concern. Who are we to say that Gale, rather than simply try to reflect and recognize his relationship with Mystra as an illusion, didn’t just decide to get along with it and be proud instead? Even then, when you romance him further, he is slowly realizing that it was not as real as he once thought. In Gale’s own words: ‘there is no love between us. I was not the first, and I certainly won’t be the last’. Gale finally, ever so slowly, starts to understand that he was simply used by Mystra for his talent. Being a deity means that you are only powered by the followers you still have. It is in the god’s interests to keep people interested in them, or they will loose power. Using Gale, knowing he was an extremely skillful wizard, was in Mystra’s interests. She does not give him answers, but keeps him interested in her enough to keep him in her claws, spreading more words of her, attracting more people to follow her godhood. There was no real romance, she was interested in his power more than himself. And you can help him realize that.

But, with such dynamic comes a price, which also becomes more prominent when you play the game further: Gale never feels good enough. With the first chance he can sacrifice himself for a greater good, he takes it. He has no real appreciation of his life, he does not take it as something valuable. He is deeply depressed and traumatized. When a person moves away from the environment that scarred them, it can become extremely overbearing, difficult, and overwhelming. People also seem to act as if it is weird that, with any kind of hurt, Gale’s first reaction is to ‘blow himself up’. It doesn’t take much to know that he won’t do it if it were to mean that someone can get hurt, but he is saying that because, maybe, partially, he *wanted* to die. He has finally found appreciation amongst other people, who are not wizards like him, people who do not know him well, and people who do not want him to constantly be the best version of himself. He falls in love with Tav, because Tav is showing him kindness, and proving to him that he does not have to be someone that he is not to be loved. In that very vulnerable state, any kind of hurt or rejection hits you more. Not to mention that, the only time he ever says it, was after the night he spent with you. After he opened up, shared his fears, more of his past, even said out loud that, in truth, he does not want to die. He let himself be vulnerable, the most vulnerable he has probably been in years, so it is not a question of his ego being hurt: it is a situation where a man, who always kept to himself, has finally let someone in, and got hurt. I am sure one of us, at one point in life, said something like ‘well guess I go die’ as a joke. This is the only way Gale knows how to respond: joking about his pain. He does not mean it, but says it anyway, because it is the first thing that came to his mind. He has been a very reserved companion through the whole time, always seemed to know what to say, and he acted on an emotion after a very emotional night. 

It is also a fact that, even while he is slowly realizing that Mystra used him, he does not mind dying because she asked him to do so. That does not only prove a point that Mystra does not have any real regards to him other than a tool, but also that she was using him for her own sake. With The Absolute getting more followers, her power also weakens. The Absolute is a threat, not only because of the infection and danger to mere humans, but also to her godhood. And who better to deal with it than the man she has so methodically conditioned to do as she wishes? You would think that, a goddess as powerful as Mystra, could try to take care of things on her own. And yet again, the only time Mystra ever gives him any answers, is when she needs him to be used. That is, yet again, a definition of the grooming.

Gale will do anything for a little bit of appreciation, anything to be noticed, and we cannot blame him. This is why you, a player, as a Tav, have a power in you to make him realize that he, as he is now, is valid. It is almost as if Gale forgot that he is such a talented wizard after all the stuff with Mystra. You, as a player, have it in you to remind him. And once you do, Gale slowly separated himself from Mystra as her ex-lover, and only answers to her as his deity. After all, she is a goddess of all magic, it will be hard to reject her entirely.

Victims of grooming or any kind of abuse often can’t let go of the person who harmed them. They will talk about them, they will mention them, they might even try to grasp onto good things, or make it seem like bad things that happened weren’t really all that bad. Combine that with a constant feeling of never being good enough, and not knowing a genuine kindness outside of his very small circle, and you have Gale. A charming, sarcastic, jolly Wizard, who is also as ever troubled. 

Moving on to other topic that people seem to judge Gale for, is that, once a chance arrives, he starts grasping onto Godhood, wishing to become a God himself. It is also in that situation where he starts to say that he would have the power to completely overthrow Mystra. People seem to criticize him for his hunger for power, and also, altogether, call him ungrateful. I would like to add another opinion on that: while Gale is slowly realizing that he was being used, he went through all 5 stages of grief. But here comes the other one, that is mentioned much less: revenge. He wants to show Mystra that she was wrong about him. He wants to prove to her that, after all this time, he *was* good, if not better than her. On top of that, he is still trying to fix his never-ending self-esteem issues. While he is seeking godhood, he still thinks that, him, as he is now, will never be enough, and only by becoming God he can truly become worthy… of anything. If you romance him, he later apologizes to you, but also asks to let him explain to why the Godhood would be good for him, and you, as a couple. Gale wants to give you everything. The entire world. He wants to be the very best version of himself, for you, his lover. He thinks that he can only achieve that by becoming a God. He doesn’t realize that, maybe, without it, he can still be a valuable partner. He even talks to you about it, openly, saying that you deserve better. It is, yet again, in your power to remind him that you do not need him to be anything more than he is now. And, rather than with anger, he answers to you with a surprise. He truly, genuinely, can’t believe that you would take him as he is now. This is how deeply his trauma runs in his mind. And, once he finally believes you, this is where he finally calms down. This is finally when he accepts himself, and lets it all go. He is not repaired, but he is on his path towards healing. All because you, a player, convinced him, and reminded him of his value.

I think Gale’s approach towards things have deeply changed the perception of the players. Because he is in so much denial, people seem to just go along with what he says. He is proud of sleeping with Mystra - so people take it for what it is. Gale might not be your type, or even the most interesting companion to you compared to others, but I truly, genuinely think, that the hate he has received has been a little too much. Every companion has a burden, everyone expresses it differently, on their own pace. Gale has chosen the approach that makes the most sense in his situation. He is just a guy who was thrown into a mess made by the Goddess he worshiped at the young age. He is just someone who is trying to do good. And I hope that a small essay such as this helped and shed some light on his story. 

Men can be groomed, they can be taken advantage of. I think it is our duty to also recognize it, and show a little patience. After all, Gale is not the first example of such abuse. And, sadly, won’t be the last.

Video: https://www.youtube.com/watch?v=HAnZHJtYkcg

[heretherebedork]

You know what the scene in the school where Jack left Joke to be surprised by his father cemented in me?

That the show is more interested in specific class commentary than in the commentary that the characters themselves offer about their situations.

Which is to say...

Joke's trauma is being underwritten and turned into something funny because Jack's trauma is the serious part of the show, because Jack's trauma from poverty overrules Jack's trauma from his struggles with school and with feeling like a constant scapegoat and unworthy of being loved.

Jack is allowed every trauma, he is allowed to say that he has never dreamed and that being poor means you don't dream even when he's the one who dreamed where Joke never had a thought of his own future in his mind but that wasn't important because he wasn't poor and he wasn't trapped in that way and so it doesn't matter as much ans his lack of dreams is never commented on.

Jack leaves Joke standing in front of a class full of children with a problem he can't solve and it's played as funny, as lighthearted, as if Joke on the verge of a panic attack is something that everyone should be laughing at because his trauma isn't treated as deep or serious. His father, who is the reason for most of this trauma, is sent in to rescue him and then they resolve their relationship. And... that's that! He's invited home. It's over. None of that trauma matters anymore and it was all meant to be funny, to be a joke, to be something Jack did for him... you know, humiliate him because he's bad at school. Funny.

The show is more interested in making class commentary than it is on character commentary and that's why I'm worried that Jack won't be the one to go after Joke but that Joke will have to come back again, that Joke will have to fight for them again, that it will always be Joke fighting because the show doesn't care about Joke's trauma except to solve it as quickly and unimportantly as possible so they can focus on Jack and his neighborhood.

And I'm not saying Jack doesn't have trauma or that commenting about that is wrong or that class commentary is wrong but what I am saying is that Moonlight Chicken did it better and deeper and faced down the fact that trauma happens no matter how much money you have and that trauma might be different depending on class but it's all still trauma all the way down.

Jack has his trauma but so does Joke but the show doesn't care about Joke's trauma because they want to make a commentary on classism and class issues and that means that Joke's issues can never be as bad or as important as Jack's because he's not part of the commentary or at least he wasn't. Now he is and so his new trauma is allowed but the old things? They have to just... stop.

I am struggling with this a lot so I'm making this post to get words and thoughts out. This doesn't mean I hate the show or the characters or the creators or even that I'm not enjoying it! This is just a specific aspect of the show itself and an ongoing issue in Thai B: that has frustrated me for a while tbh because it's so often that they can only honor the trauma of one of the characters in a relationship so the other gets brushed aside (see also: Mhok of Last Twilight).

I also really think that if the show had been more invested in the specific struggles of the characters we could have gotten even more painful social commentary about Rose's trying to help that never does and Jack's struggles with failed dreams and Hoy and Tattoo being trapped where they are and Aran arriving and just so much that would have been just as interesting as The One Ring of Crime.

[yu-huuuu]

Genin Sasuke, Neji, Gaara, Naruto, Rock Lee, have a crush on the reader and the reader pretends to be a boy like I am they react when they discover that the reader is a girl?

[ 🌸 ] This really got me excited so… thanks anon <3

characters: sasuke uchiha; neji hyuga ; gaara of the sand ; naruto uzumaki; ; +itachi uchiha ;

genre: fluff ;;

warnings: none;;

...

..

.

sasuke uchiha

Sasuke, usually distant and distrustful of other people's emotions, would have a somewhat neutral reaction on the surface, but with a slight hint of internal confusion. As someone who keeps his feelings under control, the fact that the person he likes is a girl would not radically change his feelings. However, he would probably feel a mix of surprise and frustration for not having realized it sooner. At first, he might think he was tricked or that, somehow, something about their relationship had been a lie, but those thoughts would fade quickly.

"It doesn't matter if you're a boy or a girl... Why didn't you tell me from the beginning?" he asked, his expression serious but curious.

neji hyuga

Neji has a serious personality, but he is also very aware of the importance of fate and the destiny of the people in his life. Upon learning that the person he likes is a girl, he might feel a little taken aback at first, as the deceptive nature of the situation challenges his sense of control and rigid perspective on the rules. However, once he reflects on it, he would feel ashamed that he hadn’t noticed it before. This wouldn’t change how he feels about her, but the initial shock could be significant.

“I never imagined that someone could hide something like that…” he said with a serious look. 'But that doesn’t change how I feel', he thought to himself.

His emotions doesn’t change.

gaara of the sand

Gaara, who has a somewhat gloomy worldview and is extremely introspective, would likely be the most surprised, as he has never had a deep connection with others. The idea that the person he likes has been pretending to be a boy might make him feel even more isolated or confused, but he wouldn't take it personally. After all, the emotions of others have always been a mystery to him. However, upon discovering the truth, he would probably feel a sense of relief and happiness, because, in his heart, his affection for that person wouldn't change, and he would also learn something more about her.

"Why lie? But... it doesn't matter. It's you, in the end." He said with a soft and slightly more relaxed expression—something he doesn't often show.

naruto uzumaki

Naruto, always a bit clumsy and emotionally honest!, would likely have a reaction ranging from total surprise to shock. Although he might initially feel a bit offended by the lie (feeling deceived), his love and affection for that person would not change. He might make embarrassing comments or joke about it to ease the tension, but deep down, the important thing is that what he feels for her is genuine. In the end, he would probably be happier to know the truth and would continue to have feelings for her.

"Eh?! Wait, really?! That means that...! I like you because you're pretty, not because you're... uh, a boy?" he exclaimed. When he realized what he had said, he smiled with some embarrassment and scratched his head.

rock lee

Rock Lee, a pure-hearted guy, would be greatly surprised, but he would likely feel even more excited to realize that his feelings are reciprocated. He might be a little confused at first, as the idea of his crush posing as a boy would challenge his view of sincerity and honor. However, after the initial shock, Lee would probably embrace the situation with positivity and determination. Being an incurable optimist, the revelation would make him see things in an even grander light.

"The true essence of love is not seen with the eyes, but with the heart! No matter if you're a girl or a boy, I love you just the way you are!" he exclaimed with a bright smile and raised fists in excitement.

(+) itachi uchiha

Itachi, who has lived with so many secrets and regrets, would have a more controlled and observant reaction. His analytical mind would likely lead him to believe there were reasons for keeping the real you hidden, and the first thing he would do is try to understand why that person felt the need to hide their identity. His reaction would be calm and thoughtful, not showing much surprise. Given his calmer and more mature nature, he would not be upset by the revelation at all. Instead, he would likely see this moment as an opportunity to deepen his understanding of the person he cares (and that he loves) for.

"I understand. There are many reasons why someone would hides their identity. It doesn't bother me", he said with a deep calm, his gaze still as penetrating as always.

He literally said: 'gtfo, my feelings for you remain the same.'

literally, nobody the reader:

[crowwithapapercrown]

Don't get me wrong I love incorrect quotes/Twitter posts for the maze runner but ever time I see newt dumbed down to "wish I was dead but I have a something more important haha" jokes a losses my mind a little more. Newts character is so much more than when he tried to kill himself in the maze, and his death was way more than a fulfillment of a wish to be dead.

Newt would not have been one of the gladers to escape the maze if that's all he was. If newt didn't want to be there he wouldn't have been newt is stubborn (not as much as thomas but we are shown this fact many times in the books and movies) newt decided he wanted to live before he even met thomas because if he hadn't he wouldn't have been there. He fought like hell to live and to see a world outside of the maze and wicked. To see everything he did and how much he had to fight be dumb down to "sad boy wants to die" is really a huge misread of his whole character.

[pines4thetwin]

shower sex with any variation of pinecest is so funny to me b/c mabel/stan is the only version where it’d work out in the sweet and fun way it’s been imagined. half the group just doesn’t want to fucking shower and actively fights against it. it would effectively be like wrangling cats

So very real!! (Theres a lil bit of all the flavors of pines family ships in here so....pines4thewin?)

Dipper avoids water like its his lifes mission and Ford doesnt even know what a shower is atp.

I can see stan seducing Ford into the shower but also they're old and any attempts at (satnding and doing) shower sex are short lived. I can see them soaking in the tub and getting their freak on. Ford would still be reluctant to be in the water.

Mabel can and will try to coax each and every one of them into taking a bubble bath with her but she'd be too busy make sure they (dipper and ford) wash their stinky asses to have any soft of fun.

Stan will wrangle dipper into a shower himself cause he refuses to let that boy get as bad as Ford is. He has got bitten more than once and there are scratches on his arm cause dipper acts like a feral cat if you put him next to water but if it takes him stripping down and getting in to wash dipper himself, he will make sure that boy is clean.

Dipper and ford, when left alone together, will make eye contact, shrug and ignore how bad they smell. Science is more important or smthin like that. Like dipper could be sitting in fords lap, whole basemant humming while they work and both of em can smell it but they just dont care (fucking weirdos)

Sometimes stan and mabel have to tag team them/divide and conquer. They both have diferent methods. When it comes to her own twin, theyre mathing energy. And by that i mean, if dipper starts acting a fool and hissing at her she's going to hiss right back and wrestle him into the tub kicking and screaming. (Imagine warrior cats kids) With Ford shes just gonna wear him down with puppy dog eyes till he agrees to take that bubble bath (even its just so she can shut up about it. He definitely doesnt end up enjoying it every time)

With Stan... if Ford wants to stubbornly refuse to take a fucking bath? Stans going to stubbornly carry his twin right into the water. Dipper's just gonna get grabbed like a baby cat everytime. And it works so...

As for Stan and Mabel, they get up to the most elaborate bathtime fun. They're cracking jokes, singing, playing with the bubbles, acting put scenes from their favorite shows. The whole nine. They are having all the fun (and are the only pair that would ever regularly get to enjoy show sex) they get to be sweet and loving and take their time. The end!

(I might actually have to write some pinesot4 shower antics lol)

[glisten-inthedark]

It kills me that the GA doesn’t fully understand or appreciate the significance of Mike being in the shed with Joyce and Jonathan in s2.

They could have easily had just Joyce, Jonathan, and Hopper in there because Joyce and Jonathan are his family and Hopper is there to ensure their safety and help restrain Will.

But Mike is there.

Despite the fact that Dustin and Lucas are also Will’s friends, Mike is there.

Will was unconscious. He didn’t ask for Mike to be there. Mike was there. Mike wanted to be in there. The writers chose him to be there, with Dustin or Lucas.

They could’ve had a scene where each member of the party recounts their first or most precious memory of Will. It would’ve been beautiful! But other than Will’s family, they only wanted Mike there.

Only Mike.

Once again separating Mike as Will’s most important relationship outside of his family. Once again having Mike show that Will is special to him—their their bond is significant and goes beyond just best friends. Because in s1 Mike insists that Dustin and Lucas are his best friends, which would implied that they’re also Will’s best friends. So why aren’t they in the shed too?

Why just Mike.

Oh, to add more about Mike being in the shed:And to reference this ask you got a while back because I just rewatched the shed scene and thought of this ask: https://www.tumblr.com/glisten-inthedark/766608866928623616/joyce-informs-will-of-his-birthday-and-how-heJoyce says Will drew a rainbow ship when he was little. Which adds to that other anon pointing out that every memory they mention to Will has become significant later (Will coming out and also the rainbow room and how that + the other rainbows peppered throughout the show is likely used to reinforce the queer symbolism & narrative within the show)Well, Mike also brings up a campaign that involved sewers and insects, and iirc there’s a sewer-looking tunnel w/ a ladder like from a manhole in the bts video for s5. He also says that Will cast “fog cloud” and “saved us. You saved the entire party.” And I would love if that’s somehow foreshadowing something Will does involving a smoke bomb/screen in s5And Jonathan playing Should I Stay Or Should I Go foreshadowed the significance of music “reaching a part of the brain words can’t” in season 4Also once again even after they figure out Will is using Morse code, the writers don’t have Mike stay with the others in the house helping to translate/transcribe. He stays in the shed and we see him once again being shown as one of the integral, essential people there to help reach Will. And again, Will didn’t choose for him to be there! This isn’t an example of Will being in love with Mike. This is an example of Mike’s love for Will. (And honestly this whole thing probably helped facilitate Will falling in love with Mike because Mike did so much for him in s2 out of his love and care for Will, how could Will not fall for him??)

Hello! Oh, I think you may have read my mil*ven post? And yes, that's one thing I legit don't get too!

Like, did absolutely no one stop and ask themselves why did the writers choose to have only Mike there when it wasn't a choice Will made?

Because I'm not joking, I was already pretty suspicious of Will and Mike at that point but that scene pretty much solidified for me that there was something there. I'd be always like: OK but why is he the only one there?

So yeah, I'm constantly wondering how no one seems to notice it that he didn't have to be there, so why is he?

[anachronisticcrab]

I can't win with fucking allo people.

I love being aroace. I'm proud of it, I'm not ashamed of it, all of that. I don't want romance or sex or anything along those lines, and I'm happy with that.

But in a society that puts romantic love at the highest peak of importance, I'm left out

I've lost more friends than I can count because they got a partner and no longer wanted me around as much, because they asked to kiss me so I would know what it's like cause how could I not want to, because I wasn't comfortable playing dating sims with them.

I can't win with cishet allo people because they can't conceptualize it. They want things to be in their field of understanding, and I don't fit into that, so they question me. About everything. Then they get a partner and I lose them to some degree.

Its possibly even worse with queer people. My queer friends place so much of their identity in their sexuality that it's nearly impossible to fit into those spaces when your sexuality and romantic preference is nonexistent. Queer liberation has massively been about how love is love, but I don't fit into that and I never will.

Allo people would prefer it if I wanted to want a romantic relationship, I think. If I wanted to want it, then I wouldn't be broken. Then they could make dirty jokes about me instead of just with me. Then they could joke about how we were basically married without me ever recoiling in disgust.

Then they wouldn't feel as guilty when they forget about me when they get a romantic partner.

But if I wanted to want, allo people would double down on how I haven't met the right person or that I'm confused. If I'm not 100% happy being aroace all the time, I'm not aroace enough. And I'm clearly wrong.

Side note: Why do allo people think it's ok to wish they were aro and/or ace? It's not funny to joke about it when u are one of the people who fucking ostracize me for it. It's not funny when youre not dating anyone and call yourself aroace, it's not a choice and it's not silly. It's not cute when straight women call themselves lesbians because they're annoyed with men, it's not cute when straight men call themselves gay because they're annoyed with women, it's not funny when people joke about being aroace because they're annoyed with romance. Also, why do allo people not think before they say shit like 'if u don't fuck/date, what do u do? How are u human?'

I don't put a ton of stock into my new friendships with allo people anymore because I just fucking can't. If I do, I will be completely fucking crushed when they leave because I know that when I do value a friendship, I will always care more about the allo than they do about me. I am sick of caring about others more than they care about me, but this won't change until I meet another romance repulsed aro, who I haven't met yet because (shocker) being aro? Not the most common sexuality.

Tl;DR: I just... I can't fucking win. I'm too queer for straight ppl, not queer enough for queer ppl, too aroace if I don't go along with amatonormativity and not aroace enough if I don't. I'm lonely, my allo friends will always value others over me, and I constantly have people undermining my sexuality with stupid jokes and offhand comments. I'm sick of allo people.

[cvnticon]

L-O-V-E! 𝐛𝐬𝐟!𝐜𝐡𝐫𝐢𝐬

a/n: this is my first official fic, so please be kind! leave me some feedback!

contains:: bsf!chris fluff! kissing, a lil angst if you squint and nick being the best triplet ever!

you sat on the edge of the bleachers, watching your best friend, Chris, run across the field, laughing as he kicked the soccer ball toward his brother Matt, who’d just stolen it from him. you could recognize that laugh from miles away—the easy, infectious laugh that somehow made everything seem better, even on your worst days. Chris had always been that way for you, a light in the dark, someone you could rely on. But the truth was, your feelings for Chris had started changing a long time ago. you weren’t sure when exactly it had happened, but you knew now, without a doubt, that you were in love with him.

You two have been best friends since middle school. Chris and his two brothers, Matt and Nick, had moved into your neighborhood one summer, and since then, you have been inseparable. As triplets, the brothers were always grouped together, but each had a unique personality that set them apart. Matt was the driven one, focused and competitive. Nick, always easygoing and warm-hearted, was unapologetically himself, And then there was Chris, somewhere in the middle—a blend of kind, adventurous, and unpredictable. He was your safe place, your best friend, and your secret crush.

you knew it was silly to feel this way; you’d tried to convince yourself of that countless times. Chris had always seen you as a friend, a sister almost, and you were terrified of ruining the bond they had. But it didn’t make your heart hurt any less every time you saw him smile, laugh, or hug you goodbye a little too long. you could feel your heart throb with unspoken words you’d never dare to let out.

One afternoon after practice, Chris jogged over to the bleachers and plopped down beside you, his face flushed from running, strands of his dark hair sticking to his forehead. “You’re coming to the bonfire tonight, right?” he asked, nudging your shoulder.

you shrugged, trying to keep your voice steady. “Yeah, I guess. Are you bringing anyone?”

“Just you,” he replied casually. “You’re my best friend, remember?”

your heart sank a little at that word—best friend. It felt like a constant reminder that friendship was all he wanted. But you mustered a smile, pushing the ache aside, and nodded. “Of course. It’ll be fun.”

Later that night, they gathered on the beach with friends. A fire crackled as laughter and music filled the air. Chris sat beside you, close enough that you could feel the warmth radiating from him. you looked over at him, watching the way the firelight danced across his face, casting soft shadows along his cheekbones. He noticed your gaze and raised an eyebrow.

“Something on my face?” he teased.

“No,” you replied quickly, looking away as your cheeks flushed. “Just…thinking.”

“About what?”

you hesitated. “Nothing important.”

Chris studied your face, but before he could press further, Matt and Nick appeared, laughing and jostling each other. Nick plopped down on the sand next to you, tossing an arm around your shoulders.

“Y/N, have you ever thought about dating anyone? Like, seriously?” Nick asked, a mischievous glint in his eye.

you laughed, trying to brush off the question. “Well…maybe.”

“Interesting…” Nick said, shooting a look at Chris, who was now very interested in a stick he was poking in the sand. “You know, Chris is single. Just saying,” he added with a wink.

Chris rolled his eyes, chuckling. “Nick, please stop matchmaking.”

your face grew warm. you wished you could tell them how much you’d thought about it, how often you’d pictured being more than just friends with Chris. But instead, you just laughed it off, playing along with Nick’s joke.

A few days later, Chris showed up at your house unexpectedly. He looked uncharacteristically serious, his usual playful smile absent. “Can we talk?”

you felt your stomach twist. “Sure. What’s up?”

They walked down to the park nearby, silent for most of the way. When they reached a quiet spot, Chris finally stopped and turned to you, looking almost nervous.

“Nick told me something the other day. He thinks… he thinks you might have feelings for me,” he said softly, his gaze searching yours.

your heart plummeted. you didn’t know how to answer. you felt like you’d been caught in your most vulnerable moment.

“Chris, I—”

He took a step closer, his hand reaching out to hold yours. “Look, Y/N, I…I don’t know what I’d do if I lost you as my friend. But, if I’m being honest, I think about you all the time. I keep trying to tell myself we’re just friends, but I don’t know if that’s true anymore.”

you felt your heart pounding, your mind spinning. you looked up into his eyes, unable to believe what you were hearing. “Really?”

Chris nodded, his thumb brushing over your hand gently. “I don’t want to mess this up. But I also can’t pretend I don’t have feelings for you anymore.”

Without thinking, you leaned up, closing the gap between them, and pressed your lips to his. The kiss was soft and tentative, full of emotions you’d kept locked away for so long. When they finally pulled back, Chris looked at you, a soft smile spreading across his face.

“So…what now?” he asked, his voice barely above a whisper.

You smiled, feeling a warmth spread through you. “I guess we see where this goes. Together.”

They stood there, hand in hand, knowing that things between them would never be the same. But for the first time, you felt that maybe, just maybe, everything was exactly as it was meant to be.

sorry guys i tried my best 🤍🤍 ik rn some people are craving fluff!! gimme some feedback please!! please ask me in my inbox if you want to be tagged once i post!! i made this while listening to the song L-O-V-E for literally over an hour!

[jason-dean1989]

OOC//

May or may not be someone's birthday...with this I think comes an important discussion. I'm 18 now. So with that I want to make it clear that if you have an issue with something I say, or a joke regarding something sexual or anything of the sort, tell me because I don't want to make people uncomfortable. I know there's not that much of a difference between 17-18 but some people might still have an problem so I want to make it clear that it's not my intention to make people uncomfortable or grossed out. I'm still in high school so even though I'm technically an adult I'd still consider myself a kid at least for now, but I just don't want to cross over someone's boundaries.

[twistofstory]

Newt and Wolffish, the silly exes! I initially wanted to just draw a picture with them, like I did with Whale and Stargazer, but I had a joke in mind, and... Well, nothing new for me, plus I had fun with this comic, even if it took a while. For me them being together at some point started out as an elaborate joke relating to Newt's plotline - which I forgot at some point... - and now I'm way too invested in these goobers :3 Side note, Wolffish usually doesn't wear his horn prosthetics in the camp, but he did at the start of his and Newt relationship as a confidence boost (he's a trans guy) Also Newt has his winter coat here, that why he's extra fluffy and has ear tufts. (A brief dive into their relationship plus some backstory to both of the characters under the cut)

There is no surprise that they had a thing. Newt at the time of joining the gang was very lonely and stressed out, and meeting this flirty and handsome guy surely made an impression. I'm sure Wolffish wasn't just flirting out of habit and also thought that the newbie was cute, but for him Newt represented something more - an opportunity to reconnect with his native culture. Like in the old story version, Wolffish grew up in an adoptive family at the coast. One big change - he haven't been able to visit his homeland, as with the start of the war it closed it's borders. The same event that got young Newt locked in the outside world without being able to contact his mom... But that's a talk for later, today I'm talking relationships. Their break up wasn't even dramatic (AU is a whole other thing...). The "honeymoon" phase ended and, after some months of dating, they realised that they simply don't work out as romantic partners. Sure, their romantic endeavor was short lived in the main story, but it brought them closer and, most importantly, let Wolffish, usually acting so self confidently, show his sweet and excitable side. Also Newt in need of recognition and being useful and Wolffish, desperately clutching to his own loyalty to dragons around him, are not so different from each other as it may seem. So now they are friends, and fairly important to the story at that! We'll see where it'll bring them, now enjoy the silly hehe