#they are so deep down the rabbit hole

[buggybastard]

My dad legit just defended the proud boys

I'm so disappointed

[caramel-flan]

🌙 Sword master & Master diviner

[poorly-drawn-mdzs]

Master manipulator vs Master manipulator

 [First] Prev <–-> Next

[wavesoutbeingtossed]

Ok fuck it I’m so sleep deprived I am going to parasocialize on main:

Champagne Problems came on my playlist when I was in the car this morning and it struck me that “you told your family for a reason, you couldn’t keep it in” kind of parallels how much wedding/marriage imagery was all over the Lover album with her telling the world she was ready to marry this person and in turn everyone expecting it to happen imminently but then by evermore we started getting all the relationship breakdown stories because no one was celebrating anymore 😵‍💫

[benevolenterrancy]

Hii. It's been so long since I've opened Tumblr that I didn't even know you posted MDZS fanart. And let me say, I love it! I originally followed you because of your Cybersix fanart, and I love that now you also draw MDZS. Could you maybe draw Adrian/Cybersix and Lucas making googly eyes at each other? There are not enough Cybersix enjoyers in the world, and even less artists that have watched it. Love youu

adrian and lucas unknowingly fuel a not insignificant part of the school rumour mill

(and tell me about it, i wish more people understood why they should love this series T0T if the comic wasn't absolutely intolerable we'd be unstoppable!!)

[carma-tjol]

alternate opm universe where the suffering isn't perpetual idk

[paletigers]

This ancient yaoi speaks to me.....

[ezra-fell-and-co]

Aziraphale & Shostakovich

The moment in the record shop when Aziraphale said he was picking up a Shostakovich record I had So Many Thoughts.

The symphony he's listening to is Symphony No.5 in D Minor, Op. 47, composed in 1937 and premiered in Leningrad to a thirty+ minute long standing ovation. Prior to this piece, Dimitri S. spent many nights sleeping in the hallway outside of his apartment so that his family wouldn't see if the government police in charge of enforcing Stalin's brutal rule came for him in the middle of the night. His last pieces had been received harshly by critics and called unpatriotic, which was just about the worst thing a composer living during The Great Terror (1936-1938) could do. Those who were not loyal to the regime and explicitly portrayed it in their art were branded as traitors and sent to gulags or were straight up executed.

The San Francisco Symphony describes the 5th symphony as "the story of a fall from grace and redemption.". Shostakovitch has gone from being a golden example to being eyed as a traitor almost overnight, the 5th Symphony becoming his redemption back into good graces.

So basically Dimitri S. was a man with contrasting ideologies to the powers that be, so to say, who was living under the threat of death, torture, or excommunication from his homeland. Haha, so weird that Aziraphale would want to listen to his music specifically.

(If you've never listened to Symphony No. 5, I highly encourage you to go listen!)

To set the scene-

From The Houston Symphony's 2018 Fighting the Barbarian Artist article on Symph. 5:

"In January 1934, Dmitri Shostakovich scored one of the biggest triumphs of his career with the premiere of Lady Macbeth of the Mtsensk District, a work official critics hailed as the first great Soviet opera. Based on a nineteenth-century novella by Leskov, it follows the misadventures of Katerina, the illiterate wife of a well-to-do country merchant who is driven to murder in order to be with her handsome but unworthy lover, the laborer Sergei. By turns satirical and tragic, Lady Macbeth explored themes of oppression with a potent combination of sex, violence and some truly beautiful music that played to full houses for two years. Then on January 26, 1936, Stalin went to see it. Two days later, on page 3 of Pravda (“Truth”—the newspaper that continues to serve as the official mouthpiece of the Russian Communist Party to this day), Shostakovich found an anonymous review of Lady Macbeth headlined “Muddle Instead of Music.” One representative quote declared that the opera “tickles the perverted tastes of the bourgeoisie with its fidgety, screaming, neurotic music…”" ...

There is debate about if Stalin himself wrote the review to make a point, or if he just signed off on it being printed. It's also unclear if Shostakovitch was being targeted specifically, or just because of his notoriety to prove that no matter how big a name you are you're not safe if you don't fall in line, or if he was just being used as a pawn in the ongoing power struggles of the day.

Either way, he was very aware that he was in danger. A friend of Stalin's was vanished when he wrote to Stalin in defense of Shostakovitch's work after the fateful review.

The 5th was a result of Dimitri knowing he needed to get back into good graces, so he had to give them something that they wanted. Or at least something that sounded like what they wanted.

Symphony No. 5 is very sneaky in how it subverts the expectations and requirements of Stalin's Russia.

For one, it's form- a symphony is a very structured form and very Western, popularized by Beethoven and co. It's also instrumental, which allowed Shostakovitch to hide a lot of references, subversions, and musical sarcasm/critiques without the untrained critics and government officials being any the wiser.

D minor, the main tonality of the symphony, has been described by various music theorists about what kind of emotional experience it portrays. John Mattheson in 1713 described it as "Serious, Pious, Ruminating. Melancholy, feminine, brooding worries, contemplation of negativity."

However, for our purposes, Aziraphale is listening to the fourth movement, which is also the most political. (More excellent write ups about the entire work can be read here, here, here, and here. There is a PBS documentary about it here.) ((It also shifts to an ironic D Major as one point, which Mattheson describes as "Triumphant, Victorious War-Cries. Screaming hallelujah’s, rejoicing in conquering obstacles. War marches, holiday songs, invitations to join the winning team."))

The fourth movement is bombastic, letting the brass section loose right at the start. The main theme in this section is from an unpublished song that Shostakovitch had written as a setting for a Pushkin poem. The piece as a whole and specifically this movement is a direct critique of Stalin himself.

The poem?

With sleepy brush the barbarian artist The master’s painting blackens; And thoughtlessly his wicked drawing Over it he is daubing. But in years the foreign colors Peal off, an aged layer: The work of genius is ‘gain before us, With former beauty out it comes. Thus my failings vanish too From my wearied soul, And again within it visions rise, Of my early purer days.

Which I think speaks for itself in what kind of mentality Aziraphale might have listening to the symphony.

I'm not sure which recording he listens to, but in the record shop we are shown that it's a record with a blue label on the disk. There are several recordings that have blue labels including the 1972 Moscow Philharmonic with Kiril Kondrashin and the 1989 Scottish National Orchestra with Neeme Jarvi. Leonard Bernstein and the NY Philharmonic have a very famous recording as well.

But I think the most likely is the 1962 Vienna Philharmonic with Constantin Silvestri. Why? Well, here's the record:

[leonsliga]

I thought that was an old pic of manu, his cheeks looks so rosy 🥰 sometimes I honestly can't believe we got him back. he's BACK!! with the shoulder thing and the knee and covid and then HE HAD CANCER but didn't take a day off and then he GOT HIS LEG SNAPPED ON A MOUNTAIN and I just can't believe he's still playing. Superhuman.

I swear, if anyone’s found the fountain of youth, it’s Manu. There’s been so many times where I’ll look at him and think he’s barely aged since 2014, especially when he’s smiling. Thomas was spot-on when he called Manu’s smile ‘boyish’; I can’t think of a better word to describe it, especially when his cheeks are all rosy and his eyes are all crinkly 🥰

We really are so lucky to have Manu back in our ranks, aren’t we? Between the shoulder injury, the knee injury, that covid spell, his skin cancer diagnosis, and the skiing incident that nearly ended his career not too long ago, the fact that he’s back and playing in the form he is is nothing short of a miracle. Even after all he went through, he never stopped fighting. Not once. We may never know how deeply any of those circumstances affected him, but the fact that he managed to shake off all the doubts and defy the odds (more than once at that!) is nothing short of extraordinary. It really just goes to show how far self-belief, willpower, and passion can take a person.

Throughout his career, Manu’s spoiled us with his with his unique brand of boldness—with his composure in the face of what many would surely consider insurmountable pressure. So maybe we shouldn’t be surprised that Manu has given us yet another miracle to remember him by. Still, it never ceases to amaze me. You put it so beautifully, anon; Manu and the resilience he’s shown us are simply superhuman ❤️

[kiras-monkey-bum-face]

"what about you, what do you do outside of work?" okay so there's this woman on youtube called amberlynn reid right and-

[brooks-heart-sunglasses]

i’ve been drawing this stupid triangle all DAY!!

[hopefulleafva]

Gregory Horror Show

That’s it that’s the post

[itspileofgoodthings]

.

[g0nta-g0kuhara]

WAIT there's a SHUICHI WATCH TOO????

[incorrect-ikevamp-quotes]

do you think leonardo or comte is older? i can’t remember it being specified but i’m not sure. i mean we have leonardo’s age but how old is comte??? i haven’t played comte’s route so idk if cybird mentioned it or made one up but his real historical birthday/place was pretty much unknown i think??? thoughts?

I always thought Comte was the older of the two? But to be honest I was never sure if that was just my bias talking or it was actually the case. So naturally, because I am So Normal, I did a little digging through all the stories I've read up to this point to see if there were any concrete indicators. The most promising lead I was able to find was from the "Tell Me Your Story" collection event.

Meta under the cut, since I was left unsupervised and it got long:

The contents that are most pertinent to what I have to say are as follows:

In this story, Comte speaks a little bit about his childhood because MC found him playing the violin. He talks about how he originally trained as a young boy on an instrument called "a rebec." Mind you, Comte says that he still has the first one he ever bought--he remembers because he acquired it the day he was told he would stop aging forever. In due course he takes it out to show her--and later plays for her, at her request.

Now, looking at all the facts. The violin was said to be introduced between 1540 and 1560, roughly speaking (I'm not a historian, this is all based on rudimentary research). This doesn't tell us too much though, as Comte does say the instrument he trained on and first purchased was much older. Many sources show the rebec dating back as early as the 10th century (meaning anywhere from 900-1000) in Spanish courts, a supposed mashup of the Arabic rebab and the Eastern European lira. The clearest written records (the few that exist) begin from the early 12th century and on, though it was at the height of its popularity towards the 15th/16th century.

Aside from the fact that that's fuckin crazy, that would place Comte as being born anywhere from 900-1100 (1200-1500 at the very latest). Now I know what you may be thinking. How the hell does that narrow anything down, Minnie?

Given the cultural implications surrounding the rebec's emergence, the context actually does allow certain tentative conclusions to be drawn. I've seen indications that musical talent with a rebec was considered a big deal as an indicator of wealth/higher status in the earlier years of that time frame. Taking Comte's childhood into account--that he was raised to effuse aristocratic breeding and poise--I think that makes it highly unlikely he was learning when it was most associated with street performers (during the latter portion of my posited time frame). Everything about Comte's family pretty much screams old money (aka wealth they were born into, not curated during the rise of the mercantile class trying to be posers), so I really can't see them raising their son to play commoner music.

Another very telling bit lies in the phrasing of how he found the instrument: "he discovered the old rebec among other goods from a foreign trader." Remember that in the latter end of the time frame, it was so commonplace it could probably be found among local vendors/craftsmen--there would be no need for them to be imported from foreigners. I imagine his family only had access to the instruments in accordance with their social standing; naturally the rich would have their connections, but not just anybody would have the money or means to get their hands on one.

If my beginner's dive isn't too far off the mark, that would make Comte anywhere between approximately 400-1000 years old. I get this hunch that he's probably somewhere in the middle, I just don't know where exactly. I wish I had a better estimation since that's a pretty huge range, but considering the lifespan of the rebec it's hard to tell.

The only great anachronism in all this is the existence of Comte's pocket watch which was gifted to him by his tutor (I believe that's what she was, I know it was one of the human people in his house when he was young). The first pocket watch is said to have been created in Germany in 1510 (and shortly after distributed in Italy), but honestly it feels a bit out of place compared to all of the other evidence available to us. If that's the case, then Comte could have been born in the 1490s (since he received it when he was like 12, somewhere around there). Honestly I do feel the game suggests that he's older than that, so there's some dissonance there. But I leave that up to personal interpretation, since I'm not 100% sure about it either.

Lowkey, I feel like they might have gone so hard with the timepiece imagery for Comte that they forgot the historical practicalities attached to them, so that's half the reason I don't know what to do with this information. I get that vibe of like something something rich people cop out, unless purebloods have weirdly long childhoods--

Leonardo I don't have as many receipts because I'm just a poor Comte stan trying to live (his collection stories are pain), but if we go by the indication that his in-game life loosely follows the historical figure and simply continues on with his faked death, that means he was likely born somewhere around 1452. I can't remember super clearly, but for whatever reason my only memory of age indicators for Leonardo was around 400 or so (which tracks with that interpretation). That would actually make him potentially younger than Comte, younger than I initially anticipated. Or, if Comte was born on the latter end of my estimations, they are at the very least close in age.

Also please don't hesitate to let me know if I'm missing any receipts on Leonardo, I have only one brain cell and she is trying so hard, my friends

As to the place of Comte's birth I haven't the slightest clue about that. It's pretty obvious he's of European ancestry, but as to where he was born/raised exactly, it's difficult to tell. Given all the talk of the rebec there's a decent likelihood he originates from the Mediterranean area/Southern Europe, as it is an Arabic instrument by origin that was adapted into something new by Spain. (This could mean he was born anywhere between France, Spain, Italy, or even the countries a little further up or closer to the Middle East.)

I considered Northern Europe/England, but honestly the evidence doesn't really seem to lean in that direction. Comte mentioned that he once lived in England and made friends there, but the way he talks about makes it sound like he was a visitor/traveler, not a native. And frankly, Comte isn't insufferable enough to be English lmao, he has a conscience. There is actually some tentative evidence for Irish descent, as the vampy mind persuasion/compulsion is termed "geas" in the game, which is a word that stems from Irish gaelic/folklore. The only reason I don't think there's a real connection is that there's no further evidence tying Comte to Ireland; and I don't think the etymology necessarily guarantees ancestry (though there is something to be said about the Irish gothic and vampiric origins).

Admittedly it feels like the game makes his nationality vague on purpose, and I think this has a two-part intention. The first is that historically he was shrouded in a great deal of mystery, so it only makes sense they would be reluctant to name a singular place. The second is that--and I don't remember where the screenshot is, I saw it a while ago--the game describes him as belonging to no one place (that he belonged to all and none). Keeping his character construction in mind, I feel like this aligns with his general theme of contradiction. He's a greater vampire who prefers to keep company among humans, he's a powerful being with a fragile/sensitive heart, he has strong convictions but hesitates constantly, he's able to blend in almost everywhere he goes but never truly feels like he belongs. It would only make sense, narratively speaking, to keep with that motif/trend.

Also quick aside, because I can't help the music nerd in me. Rebecs are bitchin?????? Holy shit slay. Fun fact: they appear to have been primarily used for festivities, played for dancing. That gives a whole new impression to the fact that he bought one the moment he found out he would never age any further. I guess I just think about how that's a pretty joyous purpose for the music (beyond the pedigree aspect). That he clung to this specific artifact as a way to remind himself of his connection to humanity, that it was about people gathering and enjoying each other's company (and yet at the same time, all the political games that come with such leisure)...what a reflection of who he is today. I think it's fascinating how much people are at the heart of his personal motivations and feelings, considering how easy it is for purebloods to become lone wolves (power and secrecy would lend itself to that.) Instead, Comte chooses to hide in plain sight and actively works to stay engaged in the times and among the population. Then again, if I were hundreds of years old I would probably also beg for a distraction from the encroaching madness so like ajkhslgfkjhfslakjh it's very sweet but also mood...

In short:

Thank you for the ask, lovely!! 💛💛💛💛 I hope this answers your question? I love any excuse to talk about my one and only 👀💍

[mumms-the-word]

so at what point do I do an elven statues/mosaics deep dive for dragon age