#they are just two gay dorks in the 60’s ok

[kateksmallcuteowl]

Unexpected entry for inktober day 4. The only exotic thing I could bring my mind to was a ridiculous costume, sooooo here we are. Locked in a horny jail with young Charles who, as a telepath, had a power to prevent dirty daydreaming but not the ability.

[moviegroovies]

oh my go d i swore to myself i would stop until at least tomorrow with the headcanons but now that i’ve opened up the floodgates they just keep coming so here we go, part 2!!!!

out of all the lost boys (other than michael, obviously), paul is the one who would get along the best with sam, if the vampires and the emersons ever figure out how to make peace with one another. in fact, they have pretty similar interests; paul’s into mtv, too, and he hangs around stores with tvs all night trying to catch a glimpse of it, probably running into sam once in a while without even noticing when sam’s out doing the same. plus, he’d never admit it, but he thinks sam’s clothes are pretty cool...

not that he’d give up his rocker style for it

or that david would LET him ruin the group’s aesthetic by giving up his rocker style for it dshgfdhg

in general paul’s pretty good with kids, but in like a “fun uncle” way. he’s DEFINITELY not suited to be a child’s main caretaker, but he likes things they like, so he’d be good at having fun with them: taking them out for ice cream or the arcade, palling around, that kind of thing. he’s probably the kind of guy who dares kids to do dangerous shit without ever considering whether or not they’ll, you know, be okay.

dwayne on the other hand is intensely cognizant of that stuff, to the point of anxiety; even if he doesn’t actually stop the goings on he’s just Super Aware it’s happening and he won’t relax until the kid’s feet are on the fucking ground, thank you. 

which isn’t to say that kids don’t think dwayne is fun. really, all of the lost boys (including star) are more suited to be fun uncles + aunt (or more accurately, fun older sibling types) than actual parents. the whole group is mostly about having good times forever, so it’s not like them to get bogged down in responsibility and adult stuff. that’s not on their radar. 

marko and paul goof around together a lot. you know how i said paul would unthinkingly dare human children to do dangerous stuff? IMAGINE the kind of shit he tries to get an invulnerable immortal to do. half the time they spend with each other is just spent trying to think of increasingly awful things to wish on the other until one of them finally backs down from a dare, which can take weeks.

other people can get dragged into these battles; dwayne is the most frequent victim until michael shows up and does so many dumbass things because he doesn’t quite realize he’s being hazed. 

david HATES it

he thinks they’re all being dumb and immature as hell, but at the same time, he’s no more mature than they are, no matter how much he likes to act it. if one of them goes “i triple dog dare you,” he’s going to hold out for about three seconds before his pride gets the better of him and oops, there he goes, off to do the stupid thing

michael figures this out about him fairly quickly, and one such dare is the way he finally gets his revenge for getting tricked into giving up his mortality and that whole incident with the train on the bridge

one fought shark and two weeks of watching david regrow partially missing limbs later, nobody fucks with michael anymore. go figure.

ok honestly i have even less to go on with jasper than i do for the rest of the lost boys, which is already fairly sparse, but i want to think about him so I Am.

based on the lost boys: the beginning script (what little there is of him in it, honestly--he’s definitely got the least lines, never mind that he isn’t even in the real movie), my characterization of him would revolve around him being a bit of a dandy. kind of thinks of himself as a gentleman thief, the montparnasse of the group, if you get what i’m saying. he’s not actually all that slick (never mind the bad poetry he writes), but he tries to dress a little better than the others, and they let him think he’s a wine connoisseur when they really suspect he’s just teetering on alcoholism. 

underneath the prettyboy poet thing, he has the capacity to be kind of nasty if the opportunity presents itself (on the sliding scale of control to bloodthirst from my last post, i’d put him below dwayne but above marko, making him semi-controlled, but still liable to go vicious on a hunt), but when he was human, he mostly preferred to run from fights rather than fight them--he was the fastest of the group (after his death, david briefly took that place, until star showed up), and had the best hands for pickpocketing.

he’s also a little bit of a dork underneath it all. when he’s had a little too much to drink he’s liable to gush about his affection for his friends, or a stranger, or anyone who gets within gushing distance. everybody gave him a hard time about it, but once he’s gone, they secretly feel like they should have appreciated it more when he was around.

on the other hand, he could be somewhat prone to bouts of melancholy. 

dwayne said Gay Rights. 

when jasper was alive, the two of them were the closest, having a pretty steady (though not entirely monogamous) relationship over the course of about a year of their human lives and around three or four solid decades of vampirism. the other guys knew, naturally, but apart from some mild teasing, they mostly just let it be. it’s not like any of them are particularly straight--if anything, they were probably just jealous that they found each other and had a relationship that made them that happy. not that they’d ever say that, of course.

the end of the prequel script almost made me think that jasper died then, somehow? but then he said something new a few lines after the line that made me think that, so i’m just going to work off the assumption that he lived through that and died later.

instead, i think he was killed by grandpa emerson and some other vampire hunters when grandpa was in his prime.

in the wake of jasper’s death, the whole gang kind of falls apart. even after all these years of killing, none of them have ever dealt with real loss, the loss of a blood brother (or, in dwayne’s case, a dude he’s been in love with for a much longer stretch of his life than the part where he wasn’t) before. the only thing they can all agree on is that they have to get revenge immediately. 

even though he’s never been on the front lines of these hunts, it’s a unanimous agreement that dwayne lead the charge to find the hunters who killed jasper. for once, when they get to the group, dwayne isn’t feeding, he’s just annihilating every single person even tangentially involved. the only person who escapes the massacre with his life is grandpa emerson, who just barely makes it out unnoticed in the aftermath of the thing, when david finally has to physically remove dwayne from the corpses and take him back to the cave for his own good. even then, he’s in no condition to hunt vampires for months, and even when he recovers, he never gets his full health back. instead, he lies low, the thought that the vampires will one day realize what they missed eternally ringing at the back of his mind, and moves his wife and young daughter outside of the city limits, staying away from santa carla as much as he can. 

that’s pretty much it on hunting for grandpa emerson. at least, for the next few decades, that is...

after a few years, things go more or less back to normal for the lost boys, except with the loss of the relatively quiet, subdued jasper, the group’s dynamic takes a little bit of a turn for the worse. dwayne’s more nonverbal than ever, and also a little wilder, a little more inclined toward violence when he remembers the last humans who got too close to their dwelling. marko, seeing the opportunity, tends toward more extreme violence in those days, and paul, who gets easily drawn in by the smell and sight of blood, tends to follow suit. even david finds himself lost in the kill sometimes, coming to hours afterward and realizing that he’d been clumsy, even reckless, in his hunting the night before.

they’re all making mistakes and egging each other on, and david doesn’t like it. he’s got the presence of mind (not to mention the eternal protective instinct regarding his friends) to realize that they’re spiraling, and if they keep it up like this, more hunters are going to rise in the place of the ones they killed. this starts a search for a more level-headed member of their group to replace jasper, a search that, naturally, leads him to star.

her inclusion to the group definitely helps things. the guys, having lived in pure testosterone for some 60 odd years, are a little awkward in her presence, and for the first year or so, they’re quieter when she’s around, trying to impress her. 

they all go out and get the canopy bed especially for her (they do like her, from the beginning) when it becomes obvious that star’s penchant for long skirts will only make things awkward if she tries to sleep upside down with them, not to mention their mutual unease regarding a co-ed bat cave. 

they have no idea what girls, especially girls in the 70′s, like, but they try to dress it up and they’re very proud when they present it to her.

from the beginning, star doesn’t trust marko all that much--she refuses to be alone with him, and forms a habit around being on the other side of the room from him in group settings. it sort of pisses marko off (mostly just because he doesn’t understand why), but david sees this and understands, intervening in such a way that leaves marko no room for argument whenever he tries to confront her about it.

star doesn’t like david, either, mostly due to the growing resentments she builds over the decade and a half she spends with them for him letting her become a vampire. her hatred, given that it was her decision (that she’d asked him specifically to make her a vampire) pisses david off a lot, but he lets her get away with a lot, too, because he remembers how much he fought against being turned, and can understand her moral dilemma. 

star feels the safest when dwayne is around, but she had some fun times goofing off with paul and dancing to the radio. those times were probably the ones where she regretted her decision to join the lost boys the least. 

dwayne’s residual anger and bloodlust from the incident with jasper finally starts to fade when she shows up, which david notices and appreciates

still, her inner conflict over joining them is obvious and leads to a different kind of tension in the group, so he has to keep searching for another member to cool things down. 

hence: laddie

honestly i can’t tell what i think about the origin of his inclusion. part of me thinks it could be a claudia in iwtv situation, where david tries babytrapping star, banking on the idea that she won’t be able to leave if she knows there’s a little kid there that she has a duty to protect. on the other hand, david intentionally condemning a little kid to a kind of stunted half life where he can’t grow up and is taken away from his parents sort of conflicts with the david that unrobbed a dude because he saw that the guy had little kids relying on him, and anyway, up until this point, david had only known star as a somewhat reckless teenage girl; banking on her having a maternal instinct he’d seen no proof of seems like an awfully big gamble. 

so what i’m thinking is more like: david kept looking for a sixth member, but he was looking at the young adults in their age range on the boardwalk, not children. instead, some unforseen event happens around the same time as he’s looking (i’m thinking maybe the boys go too far when hunting one night and laddie got seriously injured in the crossfires, leading dwayne or star or david to take him back to the hotel for blood to save his life), and bam: sixth member.

i think his inclusion kind of does what david wanted it to do and kind of Doesn’t. 

like, as soon as he shows up, star completely lets go of any notion of leaving the group and running away, which is good. at the same time, though, she resents david even more for turning laddie, even if it saved his life (naturally, it was the boys’ fault that laddie was in danger in the first place, so she kind of has a point) and now she’s always preoccupied with questions about turning back and she spends a lot of time mourning her humanity.

so david is still fucking looking for another person to even this new mess out.

i think laddie and star both have instincts on some level (or, if laddie doesn’t, he’s guided by star, and star does) about the safest place to be in the semi-volatile vampire den at any time. like, star visibly doesn’t get along very well with david, but she still knows that he’s got the most self control and at least some semblance of a moral code, so when it comes down to it, she hovers around him. they’re definitely not dating, and never were, but it could easily seem that way to an outsider; on the boardwalk, when she’s with the boys, she sticks as close to david as she can, and if she’s riding on the back of anyone’s bike, it’s his (she also only lets laddie ride with either david, if she’s not riding, or, more often, dwayne. paul and marko are strictly off limits). 

david is also possessive of her, because to david, she’s one of them, and he can tell that half the guys he’ll find her with (the way he found her with michael), she’s just throwing herself at because she wants out of the group, away from the lost boys, and he feels like he’s got to remind her where she belongs. 

it’s pretty toxic, really. over the tense year or so the group exists as we see it at the beginning of the film, david, dwayne, marko, paul, star, and laddie, things only get worse as david’s temper starts to heat up and star clashes with him at just about every opportunity. things are getting to the point where they HAVE to break, and finally they do:

michael moves into town.

at first, david sees him as just another escape for star (the same way star sees him, really). when david issues a challenge and michael responds to it, and not only that, for a split second, he’s winning, beating david’s bike despite being indisputably outclassed, though, david starts to see potential... a potential which shines through when michael shows his anger, picks a fight (and what passion!), and still follows them back to the cave, not because star is going to be there, but because david is. 

on the way there, he decides that michael is the final missing link they’ve been needing. he doesn’t know, yet, about max’s infatuation with lucy, or the plan to put the blood sucking brady bunch together. he just knows, in that moment, that his boys are teetering on the edge of irreconcilable dysfunction, and michael is the final piece he needs to fix it: he’s calm enough that he won’t add to marko and paul’s mania, but still fiery enough that his voice will come into play in favor of more thought-out decisions. plus, he can tell the boys are starting to like him (of course, they like anyone who takes a swing at david, even if they’d be tearing the perpetrator to pieces in seconds if they thought the swing was taken with legitimate malice behind it), and he knew from the first second that star did. michael is one of them.

with this thought in his mind, david is the one who becomes reckless in his need to convert michael. he gets sloppy.... but, since these are my headcanons and i get to choose the rules, i’m just going to say that eventually, things work out, michael becomes the final member of the gang, and everyone lives happily ever after.

holy shit, i just wrote a goddamn timeline.

i mean. wow, i think i’ve written less intricate fanfiction, fuck.

well, if you’ve made it this far, i’ve got a few more fun and low-stakes (ha, ha) headcanons as a reward for you, before i give this post the mercy killing it is begging for

david likes movies.

not just good movies.

david and the gang sneak into the cinema pretty much every time they get something new, and no matter how cheesy the dialogue or how predictable the plot twists are, he’s totally entrenched. it makes sense on a certain level, probably, if you consider that when he was growing up even silent films weren’t so much as a whisper on the horizon, but still, there’s a definite element of cognitive dissonance involved in watching the strict and intimidating leader of their gang clap and cheer at the end of every shitty b-movie that comes to their local theater. i mean, really.

it’s after he goes on a few of these movie nights with everyone that michael finally starts to really warm up to david. he wants to still be mad about the way things went down, but at the end of the day... it’s kind of hard to be scared of a guy you’ve seen cry at the end of working girl. 

marko and paul really like action flicks; paul gets into action-adventure, while marko is more into the slasher genre (although secretly, he’s more than a little intruiged by pretty, indie movies they show in the art house... not that he’d be caught dead there in a million years). dwayne, on the other hand, goes to those movies with them, but in his heart he just really likes comedies. they’re fun. sue him.

david would say he prefers horror, but it’s only barely the truth. he does like horror movies... but at the same time, he likes every other genre and practically every other film he’s ever seen. vampire movies are always his favorites, though, for personal reasons. 

star doesn’t go to the movies with them a lot, but she enjoys the occasional blockbuster with the guys, and she takes laddie to see more family-oriented films when he asks. 

michael..... likes romances. he’s always so embarrassed to be there with all the ladies his mother’s age, but there he is in the audience, hiding his face behind his hand, totally fucking loving this. hey, at least david is there too,  throwing popcorn at the horny couples making out in the row ahead of them and getting just as horrifyingly into the plot as he is. 

they never talk about those movies after they’re over. what happens in the santa carla movie theater stays in the santa carla movie theater. 

not that this is any particular place for a good end for this post, but this is the last thing i have for now: when michael moves into the hotel with everyone else, he elects to sleep in the canopy bed with star, rather than hanging from the ceiling with the guys. they start ribbing on him constantly for this--saying that the main room of the cave must be reserved for women and children--but the joke’s on them, in michael’s opinion--not only is he not hanging by his feet from the alcoves, but he’s also the one who sleeps holding a beautiful girl every day. things could be a lot worse.