#thetis did no hate patroclus

[corvid-ghost]

I am Eugammon of Cyrene, Ovid and Madeline Miller's biggest haters

[harleyyquinnsgf]

sometimes i wonder if thetis maybe wasn’t a little bitch how achilles wouldn’t have had to go to troy and patroclus wouldn’t have gone either and they’d be alive and happy and back living with chiron and they’d get married and live happily ever after but NOOOOO thetis is literally the #1 patroclus hater and i hate her

[kittzuxp]

Honestly i am NOT a Thetis hater. The comfort of knowing that she isn’t like this in the iliad is just nice.

(Spoilers)

I haven’t even read the iliad yet and from what i see from tsoa (which i remind myself isnt ‘canon’ so i ignore it) she is a godess who loved her son. Her son that would become greater than all.

I think she might have heard of how and why achilles dies from the fates so that’s probably why she dislikes* Patroclus. She does not want her boy to die in this way, she wants him to be glorious because he deserves it.

So she meets him and is blinded by the prophecy, she does not look past that, all she would see regardless of how equally glorious and brilliant Patroclus was would be the reason why her son would die at war, i think.

*“In the book it’s clear that she hates him!! Wdym dislikes??!!111” ok so, in plain text it might say ‘hate’ but by how it is shown i see it more as dislike, indifference, — after the scyros arc— tolerance . Because if she just disliked him for no fucking reason that would just be— bad writing — but anyways, i’m going off topic. I think she begrudgingly tolerates Patroclus because her son likes him, she might already know of their downfall — she tries to separate them, in hopes of him moving on, in hopes of his fate changing but is doesn’t work— but Achilles desires for them to be together, so she doesn’t object again.

I think of Patroclus and Thetis in tsoa to have more of a ‘ in-laws dislike-tolerate’ dynamic because, let’s be honest, madeline made Thetis be a bitchy (homophobic?) mother for probably no reason and i am just delulu at this point. So that is what i choose to believe

Boo and tomato me all you want i just thought i might share an opinion.

[wolfythewitch]

Hiui it is 8am and I'm on the zcholl bus and my broam has not shut up about them

There's a lot of discourse about the achilles portrayal in the song of achilles which I agree with for the most part because the sanitization I feel erases the suffering of women and slaves the period was built on by minimizing the raping and violent nature of war hero achilles that Homer wrote - - however, I don't think tsoa ought to be read as a stand alone; tsoa is entirely written from patroclus' pov and I think that idealisation of the man is brilliant because of how grossly codependent they were

I think I really liked one redditors take on it, being [in context of 'the silence of girls'; a breseis pov of the iliad, where in achilles participated in the culture which used her as a bed slave of war] The tsoa protector achilles which defended women who mattered to him and was endlessly devoted, and the achilles that was complacent in the ritualistic abuse of the women he enslaved by pillaging their homes are both coexisting, and possibly one and the same

I personally view the Greek cast as sort of vocaloids, they're tools by which we understand the culture of the ancients, the way we envision their interactions is just a means for our practicing the pragmatics of how we come to understand the period

Okay frankly I'm not the best person to discuss this because I've only read like half of tsoa, but there's two disagreements I have I guess, based on what I Have read

One, as much it's not meant to be a standalone or something like that (to me, it is meant to be a standalone), because of its popularity in contemporary media it is being taken as one, and many people will have Achilles and Patroclus' image forever frozen as tsoa' portrayal. God knows how many comments I've gotten on my videos treating tsoa as fact. I can't really blame the author for that, but it is what it is.

Two, the idealization of man through patroclus' eyes would hold more weight if himself was not changed for the narrative either. Patroclus was a soldier, he was a healer, and he also had his fair share of women (who he slept with). Both of them did. Violence was not shied from, and slave women were war prizes. There are these insidious little rewrites throughout the story to further the narrative of Achilles and Patroclus' only loving each other, and in turn erasing what they've done to the other women in the story. (Taking in slave women because they wanted to save them is. A choice.) Deidamia in the myths, they range from at best her and Achilles falling in love to the point of intimacy, and at worst Achilles raping her. In tsoa, Thetis forced Achilles to sleep with her. Deidamia also forced Patroclus to sleep with her. That flip in the narrative is kind of fucked up, seeing as how both in the myths and in tsoa Peleus raped Thetis.

Trying to make a statement that it is written through the idealized eyes of man, well it doesn't really work here. If anything, it feels more like an author writing with the intent of not having her MCs be morally reprehensible. So Patroclus cares when the plot demands it (saving briseis, outrage when she is taken away. Asking Achilles to save the other slave girls) and not when it doesn't affect him (talking about his mother nonchalantly, questioning why thetis hated Peleus when he also acknowledged how Peleus was involved in her rape).

[dootznbootz]

I don't think Greek Mythology retellings/adaptions/inspired/etc. are necessarily "evil"...but I DO think people REALLY need to understand that there's a huge difference between the actual mythology and certain media.

I feel like people have to basically do a "Fandom ___" to say the different versions. Like "PJO ___", "Hades game ___", "TSOA ___". For it to be understood that these depictions are DIFFERENT. I'm saying this as someone who grew up reading PJO and still has a soft spot for it. But as someone who really loves Greek Mythology as well, I sometimes get really SAD.

I'm going to use the comparison of Howl's Moving Castle with it's Book Vs. Movie. I enjoy both!!! But they are honestly very different. In the movie there is no "sister swap", Markle isn't a young teenager, Sophie doesn't throw weed killer at Howl, and many more moments. But I enjoy both because even though there are changes they still keep components that are ingrained into the characters!

In some Greek Myth retellings/adaptations/stories/etc., characters are...SO different from the source material. That's fine...Choose what you want with your story... But folks should know that the modern adaptations are NOT the source material!!!

It bothers me that a lot of these wonderful myths and stories are twisted up and seen so differently because of a modern version of them. You can have that character be "awful" or a certain way in your story. But I almost feel that as fans, it's not good to generalize them or see it as "This is the truth". People are hating the mythological figure when it's only in that interpretation they are like that.

In PJO, Ares is "Zeus' favorite", isn't a good dad, a misogynist, etc. The actual myths? One of his Epithets is LITERALLY "Feasted by Women", in the Iliad everybody basically bullies him with Zeus literally saying he hates him. He cries when he learns one of his sons is killed in the war. He literally kills someone about to rape his daughter. Ares isn't perfect but it makes me sad with how he's viewed and talked about when it's only in PJO he's like that. Same with Dionysus. Read the Bacchae, you'll love it.

In Lore Olympus, Apollo rapes Persephone (noticing the fact that modern takes on the myths add rapes where there never were hmmmmm) when he never did in any of the myths.

In TSOA, Thetis is cruel when in the Iliad, she is such a loving mother to Achilles. She grieved alongside her son over Patroclus. Also with Agamemnon. In Ipheginia at Aulis, Agamemnon is a MESS. He adored his children.

In Circe, Odysseus is viewed as a selfish man who ONLY hurts others and doesn't care about his family when that is LITERALLY his one consistent character trait. HE is actually the one who is the victim of rape. Circe was never raped.

Medusa is only a victim in Ovid's, a Roman man, works. Not in GREEK mythology. She was just a cool monster. Leave Perseus alone. Poseidon and Medusa actually had a consensual relationship in Greek Mythology!

These adaptations/retellings/inspired by/etc. whatever anybody wants to call them, are not the real myths! They may be similar in some ways but to just generalize them or hate the deity/mythological figure because of something they did in the new media feels fucked up!

You can enjoy these new stories. There's nothing wrong with that!!! But know they're not the real myths. Maybe even label it as "I hate ____'s version of ____". As that makes it clear what version you're talking about.

[ismaeldrawsthings]

Still thinking about Thetis now her in TSOA and specially at the end

(I'll always defend tsoa Thetis btw)

Thetis hatred for mortals is a key factor of her character in the book. That's why she hates Patroclus in the first place. The only mortal she truly holds close to her heart is her son. That's why she says "he's going to be a God and you'll die soon" when she meets him. She was stating a fact; a bitter one, yes, but a fact nonetheless.

One of the main themes of the book is Achilles' conflict between humanity and godhood. Patroclus represents his humanity and Thetis represents his godhood, as she is the reason godhood is a part of himself in the first place. And something about Gods and goddesses is that they, more often than not, don't really care about mortals. They see earth as their playground and mortals as their dolls they can destroy and torture if and as much as they want to. They don't care. They shouldn't care. A mortal's life is too short to care. One way Thetis can bring Achilles closer to godhood is to make him care as less for mortals as possible so he doesn't mind having to kill them.

But that's not what Patroclus wants. Patroclus wants Achilles to be as human as possible. He wants him to keep being gentle, to be kind-hearted and empathetic and capable of love. Achilles follows Patroclus' path during his years prior the war because he loves him. And what's more human than love? But then the war comes. He fears to be forgotten, and follows Thetis' path. And we know where that lead him.

At the end of the book, when she's talking to Patroclus, she wants to learn more about Achilles. Human, not God. Because she wants to learn other virtues one can be proud of apart from the power of taking a man's life, like she knows Gods do. And Patroclus teaches her. He tells her stories about a golden boy who juggles with his food and plays the lyre and sings and knows how to take care of wounds and likes to run to the shore and swim and make up games and and so much more aspects that compose one's humanity.

"I couldn't make him a God"

"But you made him"

I feel like the reason some people hate tsoa Thetis and felt like Madeline Miller mischaracterized her and that her intention was to make her evil either just know Thetis from The Iliad or misinterpreted the book altogether. TSOA is written from Patroclus' POV and she fucking hates Patroclus in this book so what did you expect lmao she wasn't gonna be likeable, and she doesn't have to. Thetis doesn't like mortals, indeed; that's not something MM made up. TSOA is also the first Iliad retelling where Achilles and Patroclus are explicitly lovers and Thetis is not fucking stupid so it makes sense for her to dislike Patroclus because she already finds her marriage with Peleus a nightmare, she doesn't want that for her son. The first time she appears she's just bitter towards Patroclus and after that she doesn't do much. But after they kissed she obviously starts to hate him 😭 a mortal lover is the LEAST Achilles needs to reach godhood. Don't piss her off.

[cjbolan]

Thoughts after finishing Chapter 15 of TSOA. Boy this was a long chapter…

*WARNING: SPOILERS *

1. Gotta love Madeline Miller’s writing style. She writes succinct vivid imagery , fantastic subtext, and plenty of clever foreshadowing based on her source material of choice. Say what you will about her taking artistic liberties , but you can tell she did her research.

2. Thetis is giving Blue Fairy energy. Sending Patroclus off to stop Achilles from doing anything stupid like he’s Jiminy Cricket 😆

3. Makes sense Athena’s favorite is renowned for his cleverness while Aphrodite’s favorite is renowned for his beauty.

4. Seems the majority of gods are siding with the Trojans. Will have to keep reading to find out.

5. Odysseus sounds like a modern-day homophobic parent telling his gay kids that they’re just going through a phase. Guess Ancient Greeks thought the same way. No wonder Achilles hates him now.

6. I thought Odysseus having a figurehead carved in his wife’s likeness was so sweet…until he reveals he sent the artist to stalk Penelope for reference 😆. Fits his “anti hero” image he’d do something that shady even to his wife. You’d think with him being so good with words, he could perfectly describe his wife to the artist.

7. The imagery of Pelops being sewn together and brought back to life brings to mind Frankenstein’s Monster.

[random-krab]

TSOA rant

I think it is time i bring up my change of tags If you don’t know or haven’t noticed I have changed most tags on my Iliad and “TSOA” posts tags to Anti-madeline miller, there are multiple reasons for this for one re-reading Tsoa her blatant fetishism of gay men is clear and she misuses the mythology and each characters original characterization, But i’m getting ahead of myself.  I’m going to start with Patroclus because he is a protagonist in this, which I admit isn’t a bad idea in itself but she changes so much about him that is hard to recognize but let's start with his age, while we don’t know his exact age we do know that he is older than Achilles because he was a squire, role model, and counsel to him, But she changes this which I admit makes sense when trying to appeal to a modern audience but in doing that you strip him of any solo characterization and authority, He goes from an angry boy to a generally calm man who can make good decisions which really makes his choice to go into battle in disguise really impactful. But she changes that and therefore changes his original personality. Speaking of personality she does something bluntly homophobic which is the feminization of Patroclus’s character, Patroclus goes from a very good warrior, strategist and medic to only a medic in her “Retelling” it is very reminiscent of the “Warrior husband and Healer wife” trope as pointed out by @booklover42 on my "Tsoa isn't accurate" Post; fun fact; most death counts either end with Patroclus having a higher or same body count as Achilles and It is never hidden that he is a fighter.

Speaking of Achilles. Achilles is probably the worst in this. A Lot of his personality, relationships, and actions are retconned which is weird for someone like madeline miller who claims to care about the mythology and accuracy of her “retellings” to do. The first thing I really hate is his relationship with Thetis, his mother. Her overall characterization is horrible, in the iliad she is a caring mother who might be slightly overbearing but she isn’t nearly as bad as she is in this. Her interactions with Patroclus automatically turns the reader against her even after finding out she was forced into marriage.

AND SPEAKING OF MARRIAGE. I will say this over and over and over again. Achilles was sexually attracted to women and men (or at least patroclus). You have no idea how angry I get when I see posts talking about how Achilles was gay. Because 2 things 1. No he wasn’t, he was just Greek literally no one would care about him having a male lover (expect maybe Peleus even then it would be more about the heir aspect of yk having a wife) the only point anyone has a thing to say about his relationship with Patroclus in a negative light is in  that one Shakespearean play where they just complain that they are having too much sex and aren’t doing anything. And Actually saying he was gay is weird because they didn’t have a word for it (Well actually that's kind of a lie they had pederasty, eromenos, and Kinaidos but uh) and 2. He had a wife and at least 1 sex slave of which I will get into later. But on to the marriage thing, His marriage to Deidamia wasn’t her sexually assaulting him or really even forced by thetis like it's implied (actually in one account its said that Achilles sexually assaulted her) but like no, in most versions they just started a intimate relationship while he was in disguise and eventually got married and then he left for war. She wasn’t a big character in the Iliad but she was nowhere near as antagonistic and Madeline miller describes her as. Another fun fact actually Neoptolemus was never taken by thetis?, I don’t know where Madeline got that from but it was in none of the sources I read. But Deidamia actually begged and tried to convince Neoptolemus not to go to war just like Thetis did with Achilles. And Actually let me get to the sex slave  Briseis, someone everyone loves in tsoa but her original character is nice, like actually she doesn’t have a lot of screen time but she is a good character, she was someone of decent standing reduced to a sex slave and a prisoner of war and a thing to be passed off and taken away at a king's wish not to mention she was promised that she would be married but achilles died before they had the chance and when his son arrived and wanted her she would rather try to run away and die in the process then be handed off to him. She is an amazing character and she is a good representation of what war looked like for the people taken captive but in tsoa she is made to be a pity character only used to make the main characters look like good men. I have nothing else to say at least right now anyway I may add to this later but yeah

[aficionadoenthusiast]

if there's one good thing to come of constantly seeing antis and hate in the tsoa tags, it's that i've realized patroclus is a really unreliable narrator (which i knew already, i just finally figured out how to put it into words).

so when i search the tsoa tags, there's all these anti tsoa posts about how horrible and evil it is that miller depicted the two of them as 'soft uwu gay boys' (their words, not mine. i've seen this phrase in almost every hate post about the book), and like, that's fine, that's just one interpretation of their relationship (it's really not, actually. it's homophobia and a bit of sexism), but also, that's the whole point of the book.

we already know they were cutthroat soldiers that fought in a war. that was never up for debate. the whole point of tsoa is to show another perspective of their story, the perspective that shows that these soldiers were capable of loving and being loved. since this is what miller wanted to portray, obviously she showed them as softer and gentler than in the iliad. besides, if she had just gone off of the iliad exactly, it would just be another translation, not a retelling.

i saw a post a while ago that said tsoa is actually patroclus telling his side of achilles' story to thetis at the end so she would let him finally be at rest, and i really liked that (if i ever find the post, i'll link it [i found this one, but i don't think it's the one i'm thinking of]). but thetis knew all about how important they were to the war. what she didn't know was how her son could care, and create, and love, so that's the part of his story patroclus focused on, so, of course, he left stuff out and downplayed the violence and fighting.

and then, since it is in patroclus' perspective, he was eternally aware of his physical inferiority to achilles, and, again, that's not the story he wanted to tell. based on his narrations, he was deeply self-conscious, to the point where he felt that doing anything for himself felt like he was stealing or doing something wrong, and the only thing he was ever sure of was achilles' love for him, and even that took years to finally cement within him. he was never going to focus on his own achievements because he didn't think he had any. he was never going to focus on the things he did that achilles could also do since there was no point as achilles was always better than him.

and it wasn't out of jealousy. he literally said why should he be ashamed when achilles was better than everybody? agamemnon was the one that couldn't accept that

but, anyways, my point is that patroclus was never going to tell the whole story, and, really, he went through all of this for y'all to call him a 'soft uwu gay boy'? as if one the most respectful and healthy gay relationships i've ever read is too soft? because men aren't allowed to be soft? fuck you

[rosquinn]

Hi Roski! I have a question, would you mind to help, please?

Okay, so the other when I was wandering through the shelves of my local library I found our that they have a copy of Madeline's Miller Circe... And I was thinking that maybe I should give it a try? 😅

I know that it's not mythology accurate but as long as the plotline is well-written... Idk maybe I will enjoy in spite of it 🤷🏻‍♀️ Do you is it a good idea?

I just wanted to know if you believe is worth the time or nor

Also, same goes for Achilles's song. They don't have it at the library, but I thought that if I enjoyed Circe I should try it to? 🤔

i used to be a huge madelline miller fan *vaguely gestures at her short story about galatea i still have in my bookshelf for some reason* but i realized she, well, uh, sucks

it's not about her writing, (it's excessively "poetic" and decorated in my opinion but that's subjective) it's that her interpretations are kind of. bad?

i'm gonna elaborate under the cut about why i don't like her (long rant and tw for *mentions of s/a*)

-she victimizes her female main character and makes her go through traumatic experiences to erase and excuse all the bad stuff she's done... "circe turned odysseus' men into pigs bc they tried to assault her" yeah. no. she forced odysseus to sleep with her and turned his men into pigs because she felt like it. i understand you want a feminist badass witch but just. no. she isn't a cute uwu unfairly exiled goddess. what she did to odysseus is sexual abuse.

-she apparently hates women that aren't circe. made thetis, i repeat, our thetis, MOTHER thetis, a homophobic and overprotective mom who wants to kill patroclus in SOA for some reason (wasn't she literally the one who sent patroclus to the war with achilles..... miller..aren't you a classics major..). she did to her what other adaptations do to demeter, basically. and for no reason at all. but i guess her cute baby achilles who is doomed by the narrative can't have a nice mom who let him do whatever he wanted to because that would make him RUDE and EVIL and her character(s) can't have bad qualities. she also made achilles's wife, deidameia, who in some versions is raped by him, a “slut that gets in the way of your gay ship” archetype. she also made her rape achilles for some reason??? and that is fucking horrible

-baby-fied patroclus. he speaks like a stupid teenager girl stereotype in soa and is pretty much a useless human being whose entire personality is simping for achilles. that is not him. he DID fight in the trojan war, he was a SKILLED fighter, not a useless twig, he is described as tall and handsome, he healed some warriors, he is SAVAGE, bro literally broke kebriones's head with a rock in front of his brother and made fun of it??? he tried to climb the walls of troy and conquer it by himself??? he told achilles to stop being a bitch and move his ass??? and then in soa he's a useless piece of shit who DIDN'T EVEN FIGHT IN THE WAR, thinks of himself as weak and was thinking about achilles until the moment he died. sorry to break it to you but his last words in the iliad weren't "omg achilles no😥😥". he threw a whole essay at hector about how he didn't kill shit, it was apollo who beat him and hector's about to get dragged. and when his ghost came back to talk to achilles, it was to tell him to STOP CRYING and KILLING PEOPLE and BURN HIS BODY ALREADY. she completely erased his character. sorry.

-glorified achilles wayyy too much. one thing that i hate about her is how she can't let anyone make mistakes. achilles isn't “noble and doomed by the narrative”. he knew pretty well where he was stepping in and didn't give two shits. he literally says in Iliad book 1 he's there for the mass murder, glory and nothing more. “why would i kill hector what has hector ever done to me” MY ASS. he also was kind of an insufferable bitch in the iliad. i'm tired of people making his decision of stop fighting look “heroic/noble/tragic/etc bc agamemnon is evil” because it was not. he stopped fighting for selfish reasons, treated everyone really bad and let his friends die. also, agamemnon isn't “evil” and achilles isn't “good”. they're both war criminals who act like 8 year olds and kidnap women. every achaean character is a bitch, has killed at least 6 people and enjoyed it. yes. even babyboy patroclus (book 16)

-i'm not even saying this as a person with greek ancestry or a pagan, because i am neither, but her depiction of the gods is TERRIBLE. just what is that whole thing of "gods want mortals to fear them so they worship them"??? that's not even how religion works??? gods can be and in fact are very nice to their worshippers?? why would you villainize cultural figures like that?? and why tf it always gotta be a EVIL FEMALE GODDESS trying to fuck up her main character's life for some reason?? athena wants to kill circe's son in circe and i'm pretty sure they don't even interact in the odyssey?? (maybe they did, i don't remember, but if it happened it was definitely NOT because of that) and why is hermes a manipulator?? and why is ODYSSEUS a manipulator??? you literally sexually assaulted him??? HELLO????

idk, it just feels like mc victimization and random female character villainization (she also put the whole blame of the trojan war on helen because she was “vain” and “selfish”??? didn't she spend the whole iliad blaming herself for the war and wishing to die??)

i don't really like it. it's not a good adaptation

also i'm not the best person to expand on this topic because i am not a gay man/mlm/nblm but some people on tumblr have explained why tsoa is basically mlm fetish and wattpad fujoshi looking crap and they do have a point (the relationship is so stereotyped tbh) so i encourage you to read their posts. i don't have them rn but i can dm them to you later if you want

AND finally, most people in her fanbase can't separate a wattpad fanfic (because that's what tsoa is) from the original text and think tsoa and circe are just like what homer wrote. “hector didn't know it was patroclus” HE FUCKING DID PATROCLUS KILLED 20 PEOPLE IN FRONT OF HIM IT'S UNDERSTANDABLE “patroclus died bc he wasn't a skilled warrior” HE HAS THE SECOND HIGHEST KILL COUNT IN THE WHOLE ILIAD AND WAS FULL OF HUBRIS. HE DIED BECAUSE HE TRIED TO FISTFIGHT A GOD “deidameia raped achilles” “thetis is homophobic” “odysseus is evil” “it was all helen's fault” “circe did nothing wrong” “athena is bad” no (and they act like not shipping patrochilles makes you homophobic which is. cmon. i personally think they def had something going on but it's never explicitly stated and you can't act like it is)

ik i got too aggressive but it's just bad imo, if you want to enjoy a good iliad/odyssey adaptation go play hades or listen to epic the musical or even play limbus company because i swear lc's odysseus, a literal old woman who committed identity fraud, is at least 80 times more in character than miller's babyboys

ADDITION: no i'm not going to dismember you for liking tsoa or circe. this is just a personal opinion. enjoy whatever you want i'm just a little guy and i can't stop you. have fun!

[johaerys-writes]

WIP Wednesday

I haven't done one of those in a while! This is from the next chapter of you're a walking disaster and yet-- which is finished and should be up tomorrow:

Patroclus is sitting on his bed, History textbook in his lap and his back against the wall, Laika curled up beside him, when his door opens and Achilles walks in. He looks just as tired and disgruntled as Patroclus feels; he climbs up on the bed and nudges Patroclus and Laika aside to flop face down between them with a groan. 

“I hate this,” he mumbles, voice muffled through the pillows. Laika gives his ear a lick. 

Patroclus turns the music down a little, sets his book aside. “Did they always argue like this?” he asks quietly. “Before…”

Achilles’ back rises when he takes a deep breath. “I guess. Kind of. For a time. It was… different, though. There were times when it was so quiet. Dead quiet in the house. Before she left… they wouldn’t even speak to each other.”

“Is it better when they argue, then?” 

Achilles lets out a sharp huff of a laugh. It sounds weary more than anything. “I don’t know if ‘better’ is the word I’d use.” He scratches Laika behind the ears, staring longingly at the wall. “God, I just wish they’d stop and listen to each other for a minute.” 

Patroclus sighs. He wiggles down on the bed to lie next to Achilles. Achilles shifts to face him, his eyes so trusting and sad and lovely that they tug at Patroclus’ heart. 

“Do you think there’s something I could do?” Achilles asks. “Speak to them, maybe, or—”

“No,” Patroclus says. Then he amends it to a much softer, “It isn’t up to you, Achilles. What your parents do, what they say to each other. And it isn’t your fault if they argue. It’s up to them to fix things between them.” 

“I know,” Achilles says morosely. He blows at a golden curl that’s hanging over his nose, only for it to land messily across his brow. Patroclus reaches out, without thinking, to tuck it behind his ear. Achilles smiles, and something inside Patroclus grows warm and fuzzy at the sight. 

“It sounds rather quiet now,” Patroclus remarks, taking back his hand. “Do you think it’s time for dinner?”

“Fuck, I hope so. I’m starving.” 

They stay in Patroclus’ room for a while longer, listening to music and taking turns playing tug-of-war with Laika—most of her toys, as well as her dog bed and her food and water bowls, once strewn all over the house, are in Patroclus’ room now, once Thetis declared that she doesn’t want the dog anywhere near the kitchen or the living room or wherever else she or her family might be— before they finally decide it’s safe enough for them to go downstairs. 

I also have some doodle offerings, from a collection of doodles I've been working on featuring Disaster Achilles and his pink hair tie:

Tagging forth to @baejax-the-great @juliafied @elveny @pikapeppa @mogwaei @midnightprelude @gwensparlour @mary-aries @figsandphiltatos @annalyia @alibonbonn @darlingpoppet @in-arlathan @gloriesunsung and anyone else who wants to share a snippet of their work! Let me know if you want/don't want to be tagged for these things, I always draw a blank 😅

[tsoa-incorrect-quotes]

Guys I have an AU idea, so when I was rereading The Song of Achilles, I found this:

"She would take him to the caves of the sea and teach him contempt for mortals. She would feed him with the food of the gods and burn his human blood from his veins. She would shape him into a figure meant to be painted on vases, to be sung of in songs, to fight against Troy. I imagined him in black armor, a dark helmet that left him nothing but eyes, bronze greaves that covered his feet. He stands with a spear in each hand and does not know me."

This is what Patroclus thought would happen when Thetis kidnapped Achilles. Before he found out that he was taken to Skyros.

So, what if this is what actually happened, I'll just make a few minor adjustments...

So one night Achilles has a talk with his mom on Mt. Pelion and he decides to ask her if she can see him and Patroclus in the Rose Quartz Cave. Out of curiosity she lies to her son to see what he might do with the knowledge that she is not watching.

She is disgusted and ashamed of her own offspring, she decides to make some dangerous actions. She knows how warriors are raised, she knows her child's potential, she knows he will be a God, and she knows Chiron's magic has limits.

Patroclus wakes up to an empty cave, he searches all throughout Mt. Pelion, but he can see no sign of the blond headed boy. In desperation he asks Chiron, what has happened. The centaur can only look at him in sorrow.

To his horror the centaur tells him, that Thetis has manged to get the attention of Zeus, the king of the Gods, and through desperate negotiations, Zeus has given her permission to take her son. Patroclus is horrified.

"But where?" The dark haired boy cries in desperation.

"If I knew, I would have told you immediately, but alas, she must've taken him to where mortals cannot reach..."The centaur said with much sorrow in his voice.

Patroclus contemplates his words for a long and excruciating moment. At that moment his heart must have been a broken glass, thrown carelessly to the floor. His light, his love, his heart, his world, his everything was taken away from him, and now there is nothing but an empty abyss of darkness in it's place. He moves his head up and looks at the centaur directly in his dark eyes. "Teach me how to use his spear".

...The centaur, has trained Hercules, Perseus, Jason, all the greatest heroes in all the kingdoms of Greece, and yet he has never seen anything like this.

Patroclus is a menace, his love was gone with his heart. Achilles must've ripped it out of his chest, and a human with no love is nothing more than a beast, he fought with no mercy, he looked at the lives around him like they were nothing more then empty, pathetic, soulless beings that, call themselves humans, he trained tirelessly, he was not tired, he did not need to be, even when he was forced to rest he would no longer feel peace.

Patroclus was hurt, he felt betrayed, he could not direct his hate at a Goddess, because he knew the consequences of that. He was more focused on the boy the took his love and never gave it back. "How could he do this to me", "I gave him everything", "he was all that I wanted", "all that I needed", and he just left me here to suffer. "HE LEFT ME".

When the battle against Troy comes, the soldiers of Sparta speak of a dark haired, monster, to him the heads of the Trojan soldiers were wheat, they were brutally harvested and thrown to be eaten by vultures. He would shower in Trojan blood, and he fought with nothing but a golden spear.

"Disgusting!" "Weak!", "Pathetic!", "All of you" The boy with dark curly hair shouted, above the screams of the men dying around him.

"Please! No! I beg of you! Mercy! Do you not pity your fellow humans!? You are a monster!!!. These poor excuses, of soldiers would wail at his feet.

"Humans!?" " HA!" "They dare to call themselves humans? When they have not felt love like he did! When they did not feel the pain that he did! When they could never imagine what he had to go through!" "Humans are determined through the emotions that pain their thoughts, their minds, and their bodies he is more human then anyone else here..."

The Trojans would cower at the name... Patroclus, the nightmare of the Myrmidon camp.

This news reached the ears of three princes, Agamemnon, the general, leading this war, controlling the soldiers, he was as brutal as he was disgusting, Hector, a prince that was prophesized, to kill or be killed, a hero within Troy, and a boy in black armor, and a dark helmet, hiding his long Golden hair.

So anyways, I call it the shattered au

Feel free to reblog and add some stuff, and please give me more ideas, I might write a fic

[allthehumanflaws]

And in the end Thetis sat and listened to the man she hated so much and she heard him talk of her son so amazingly and beautifully

She finally learned everything about her son who he was how he was what he felt how he did and to honor him she carved on his tomb what felt most right she carved what made Achilles Achilles

She wrote Patroclus

[marsdeathdefiances]

Do you like The song of achilles? Why or why not?

This is a complicated and lengthy answer so stick with me on this one. I have a very love-hate relationship with tsoa for several reasons, like the characterization of various characters or how it seems like x, y, z characters can never do anything wrong and it’s everyone else (that’s at least how I’m interpreting it, granted everyone has different takes and views on things) and all that. Now I might be biased because I did read the Iliad and the Odyssey and was already very thoroughly into Greek mythology before I read tsoa, but still. And also let me preface this by saying this is all just my interpretation of the book, you don’t need to have the same thoughts and feelings and opinions on it that I do. I don’t care. Like we’re not all going to have the same feelings and opinions on it and that’s okay. This isn’t me trying to sway anyone’s opinion on it. If you love it you love it, if you don’t you don’t.

Like I have serious beef with the way Patroclus is written in tsoa. Like in the Iliad he wasn’t the scrawny, flower boy, pacifist equivalent shadow of Achilles that we get in tsoa. Like tsoa does get right that he was a good healer and that a lot of people liked him and all that. But there was a lot more to him. He was very friendly and sociable and well had a life outside of Achilles (granted tsoa is about them, I’ll give it that, but still). Like in the Iliad Patroclus is referred to as ‘equal of Ares’ for a reason! He fought too, he didn’t just stick in his and Achilles’ tent and all that. So yeah, I have beef with that characterization and think we still could’ve gotten the beautiful story of their relationship even with Pat not being watered down to Achilles’ shadow.

I also have some beef with Achilles’ characterization and that’s just…I don’t like how Miller tried to justify (idk if that’s the right word here but I’ll go with that) everything Achilles did. And again this may go back to my bias from having read the Iliad and all that beforehand. Because technically all those characters are supposed to be morally grey. And I think that keeps it more interesting and compelling. So when you run behind a character trying to justify every little thing they do even if it doesn’t need to be or shouldn’t be then it just kinda…makes the character and story less interesting. Like and this is beef I have with all modern retellings of Greek mythology in some capacity because we are looking at these characters through the moral lenses of our time then clocking them into modern boxes based on our definitions of good, bad, neutral, etc. and personally I am a firm believer that the Iliad is an anti war story and all the characters in it kind of portray certain things that come with war. And to me Achilles’ character is the dangers of pride. Like he was mad that Briseis was taken from him so he withdrew from fighting and we all know what follows. So when Miller kinda runs behind him to justify things or unjustly vilify him (however you wanna view it) it kind of takes from that and I think it makes his character and his story much more interesting when you leave that morally grey/let’s not explain the reasoning for his actions kind of stuff. Again, that’s just me and my take on it.

And yes I also understand that tsoa is a YA story and again it’s about him and Patroclus and their relationship and all that but again I think we could’ve left some of that in and it still could’ve been good.

Now this is an opinion of mine that most people usually have beef with me over, and that is I hate the way Thetis, Deidamia, and Briseis are written. Hate it. And yes I’ll grant you Thetis’ characterization in tsoa makes the end (where she finally puts Pat’s name on the tomb) much more emotional and poignant, like I get that 100% but to me it seems like all the women were written to be just…in the way. And that kinda irks me a bit. Like he’s every mother wants best for their son but I fail to see where Thetis would reasonably do all she did like for a mother who was written to always want the best for her son and want him happy she sure did have a lot of unnecessary beef with Pat even when he was a child lmao. And the whole Skyros thing was to protect Achilles from getting pulled into the war but in tsoa it’s kind of also written as trying to get Achilles away from Pat which is weird and rubs me the wrong way. Like the Skyros thing is very interesting and is probably one of my favorite pre-Troy writings. Like I love it. I do. But tsoa also ignores the whole part where canonically (if you want to call it that) in some versions Achilles was ready to just reveal himself for who he was on Skyros. Like he was over it. He’d pretty much accepted what was going to happen and felt the whole thing unnecessary and weird and all that. And I think that could’ve made the story much more interesting.

I also hate the Deidamia situation. For various reasons and if you’re familiar with the original myth you’d know why. And again I recognize tsoa is a YA story and it’s about patchilles but still I have my beef with it. I hate who she’s just seen as annoying and rude and entitled and somebody that’s just in the way of our ‘main boys’. She’s actually quite a complex character herself and even in a few versions of the original myth she disguised herself as a man and follows Achilles to Troy! Or she’s the one who keeps him from revealing himself too soon! Like again we have someone that’s a good strong solid character that’s just…watered down.

And last but most certainly not least there’s Briseis. Another character that’s seen as in the way. Now this is gonna piss a lot of people ofc most likely but technically Briseis and Achilles did love each other. He even goes so far as to consider (if not call her) his wife. And I feel like that chemistry only adds to the whole decision of his to withdraw from the war when Agamemnon takes her. Otherwise in tsoa it doesn’t make much sense. Like in tsoa he had almost nothing to do with her at all. And I know it’s a pride thing but in tsoa he really didn’t care much about her and only did because Pat liked her. And (if I remember correctly it’s been a bit since I’ve read it) he kind of saw her as something of a threat. Something that was getting between him and Pat. So like…why was he mad that she was taken? Let alone mad enough to pull back from the war? It makes no real sense to me.

And I think she does just kinda miss the complexity and multifacetedness of all these characters. Like a lot of them to me seem very one dimensional and that makes for a boring story to me. Like I have never in my life read a flatter Odysseus and that’s saying something because Odysseus is an inherently complex and interesting character. Same with Agamemnon. Same with literally everyone. Like yes Pat is a wonderful healer and we know that from the Iliad but he is just as capable of taking life as he is saving it and he did both.

That’s really all I have for the beef I have with tsoa or at least the issues that I have a huge problem with (problem enough to talk about it) but otherwise I do think it’s a cute story. Y’know it’s an easy read that I can get through in like 2-3 days. I love seeing them growing up in Phthia and on Pelion like I love all the Pelion scenes and seeing their relationship go from one of friendship to a romantic one. Like I love that. I do. But it could definitely use some doctoring up in my opinion. So would I say that I hate it? Not entirely. But like when I recommend it to anyone I recommend they read the Iliad afterwards. So make of that what you will.

And again if you love it and have no issues with it, that’s great. I have no issue with that. Again we all interpret and see things differently and I’m not gonna bash anyone for enjoying it. Cause again it’s a cute story. And it’s tragic and all that. Like it still has that part down but how can you have patchilles without tragedy? Y’know? But I do just hope somewhere down the line comes maybe a better version of something like tsoa. Granted it would probably have to be for but if an older or more mature audience but still. Like I think it can be done and done well.

So, yeah. Sorry for my little tangent but I hope this answered your question and again I did say I have a complicated answer. Also tsoa and Hades are the only ‘modern retellings’ (if we wanna call Hades a modern retelling idk but like y’all know what I mean but as much as I love Hades I do have my beef with it as well but again I’m looking at it from the perspective of a Hellenic polytheist and somebody who has always been very into Greek mythology so I am definitely biased) that I am familiar with like I have read Circe or Percy Jackson or Lore Olympus or anything like that so if you wanna know my feelings on those I wouldn’t be able to give a good answer because I’m not familiar with those.

Thanks for the ask!

[peggy-sue-reads-a-book]

Soldier On, Achilles

Captive!Patroclus AU

rating: 18+ | violence, character death, slur

Additional tags: hurt/comfort, angst, soulmates, whump

Summary:

Regret sets in as Achilles waits for Patroclus to return from battle. Thetis is rude. Agamemnon throws a tantrum.

Chapter I

He did not know why his mother took the form of a sea monster around others. Probably just to be obtuse. In fact, she is graceful, glossy hair like a Persian warhorse, fair as new milk. But she did not like to garner attraction.

Achilles cannot not decide if he is relieved or irritated to see his pretty mother now. “Six hours,” he grumbles, aware of the sullen note in his tone, “I wish you had gone with them.”

“With him,” she corrects, mocking, “You don’t care about them.”

“You don’t either,” he bites, jerking around to face her. She stands only a little taller than him, softened in this form. A willow where she had been pine. Her eyes are not black but deepest green. Human. She looks at him as in childhood, ready to comfort. Something is wrong.

Achilles grits his teeth, flinching away. It hurts her visibly.

“Mother, if you let him come to harm—”

“If I let him?”

Her eyes darken, narrow. An eel poised to strike.

Achilles’ heart drops ten feet. His blood roars.

“He is injured?” He looks every direction, ears suddenly at twice their sensitivity. Any sound. Any sense at all. But there is only the empty camp. The murmur of girls, ignoring him in their tent. Slaves and grunt-workers who pass him as if invisible.

“I see you are not a favorite,” she says, “Achilles.”

She emphasizes his name: pain of the people.

“If you think a despised man earns favor with—”

“Gods be damned!” he shouts. It is foolish of him. “Can you speak of nothing else? Where is Patroclus?”

He does not wait for an answer. He shoves the flap of the women’s tent open, barking for any of them to follow, to help him arm.

“Why?”

Their collective reproach sounds through Briseis’s voice, a creeping python.

“Patroclus is hurt,” he says, attempting the curtness of a prince, “I will go.”

A sharp inhale. She follows. Briseis works quickly, but her hands are unused to buckles and bronze. Achilles clenches his teeth against the rockslide harsh words. Couldn’t she go any faster? He thinks of his love, his boy, a medic. An untrained soldier in armor not fitted to him, a sword balanced for Achilles’ alone. What was I thinking?

Competing answers:

I was not thinking

and softer,

I was thinking of myself.

Briseis keeps her eyes lowered like a slave. But he cannot mistake the flush of hate in her cheeks.

“If Hector kills you,” she hisses, shoulders trembling, “I will only be sorry for him.”

His prize has no leave to address him thusly. He raises his hand to strike her. Then lowers it.

“If Hector kills me,” he says, “You will say I punished you. No—that I took you to punish him. It is unseemly that my companion should take liberties I have not with my bed-slave. You will say you are pregnant and without your honor.”

“But I am not,” she says bitterly.

“Then lie!” he yells, cowing her, “You will lie, and he will reproach me. It will dull his grief. Honor will compel him to leave Troy with you as his wife. I’m telling you to save his life.”

“He won’t believe it,” she says softly.

“It will be easier than you think. You’ll enjoy spiting me,” he snarls, stomping out of the tent. She is alone among the men’s things. He was right on only one front. Deceiving Patroclus into marriage would save him. But defaming his lover would only sharpen the grief. And that was if he believed her.

The creek of chariot wheels. Horses’ crying sharp and panicked. A six-hour campaign. What could have happened? But they were returning now. His boy would be with them. Bruised, perhaps, even broken, but here. Tears stand in Achilles’ eyes and he all but runs to meet the returning army. They move slowly – he sees a shrouded body hefted between Odysseus and Diomedes. Their faces are creased, exchanging heavy glances. Someone of importance, he supposes. This does not matter. Not now. Achilles searches the company, escalating from fevered to frantic. Where was he? He would flog Automedon if it was he would had failed to make all haste. A horrible thought: the walls. An image, as if from a remembered dream. Of pair of them, Patroclus had always been more adept at climbing trees.

And on Scyros – he had been so upset. To upset to notice his feet cut to shreds when he had scaled that cliff to what – to howl Thetis into being? No.

Achilles dives into the crowd, elbowing past his own men, knocking them into the dirt without looking. He shoves soldier after soldier aside. If he fell. He would have caught himself, known to tuck his chin and roll, but there would be broken bones. His back, perhaps, or both arms. Both femurs, even. That would explain why he had been carried so slowly. Achilles shouts, howls his name. “Patroclus!” then, “Automedon!”

There was no way he had not been knocked unconscious by a fall like that. No way for him to hear Achilles’ voice, to be comforted at all. And it was his fault.

What was the word he had used again in their quarrel?

Hubris.

He nearly crashes into Odysseus and would have upset both counselor’s and their burden had Odysseus not stopped him with a firm hand, flat to his chest. A fatherly gesture. The prince of Ithaca looks in his eyes, stern, unintimidated.

Achilles stops in his tracks. The blood drains from his face as his eyes lock onto the shrouded form.

Your Grace. Automedon’s voice is blurred as if by a sudden strong wind. Achilles screams, and screams, and screams, pivoting to strike the boy in the face. The blow knocks him to the earth with a squealing cry. The crunch of a wrist breaking. Shame laces its way through Achilles’ rage. Reproachful eyes – he does not know whose—as a larger man helps the injured boy up, dragging him into the throng where he will be hidden.

When he raises his fist again, Diomedes catches it with a face full of scorn.

“Enough.”

Odysseus raises and deepens his voice at once. It is a king’s voice.

“You disgrace yourself and him, prince,” Odysseus says with cold authority.

“He is mine,” rasps Achilles, his face contorting as he stares at the body, just barred from his reach, “My companion. My right.” Two more have him by his other arm. He does not look to see their faces.

“I think not.”

The prince of Ithaca lifts his chin, arms folded calmly.

With an inhuman roar, Achilles wrenches himself from the other men. Odysseus steps deftly out of his way as a performer from a charging bull. It occurs to Achilles that he is being mocked but it does not matter. All that matters is to reach him. To see punishment for those who mistook his Patroclus for dead. For dragging him home shrouded when he needed immediate medicine, needed Achilles. They would all be beaten. Their women with them. He tears off his helmet, scraping his knees raw in the sand.

“I’m here,” he cries, voice finally breaking with tears. Everyone can hear him. Let them. “Patroclus—my darling—my precious boy, my love.”

He lifts the body into his lap, tearing the cloth away. Red hair, dulled with grey spills across his legs.

There is quiet. The crowd has stilled, backed away. Odysseys and Diomedes look at one another again, this time with held breath. Men part to clear a path.

A grim voice rumbles, close now.

“Faggot,” it sneers.

As Agamemnon approaches, one foot at a time. Heavy, yet noiseless. A tiger stalking. Diomedes snaps to attention, leaping on the opportunity to clarify loyalties.

“You sully the King of Sparta,” he says in an affected pitch, “I’m sure you can find another boy to dote on.”

Tentative laughter rustles through the army. Achilles is frozen where he kneels. His face that of a startled little boy.

“Silence!” bellows the general. Then, to Achilles. “Prince of Pthia. You indeed dishonor my brother with this . . . display. And so twice dishonor me. I will consider what to say to you when my grief has eased. You will leave now.”

Achilles moves to his feet, slow and trembling, anemic with terror.

“Go!” Agamemnon’s shout carries down the beach. “Men of Sparta! Your king is dead at Hector’s hands because the famed Myrmidon’s princess would cower behind his mother before doing what was necessary!”

Menelaus is dead.

Hector had killed him.

As Achilles darts through the crowd as a deer weaving past hounds he asks endlessly:

but where is Patroclus?

*Author’s Notes:

Yes, this is the fiction I began over a year ago and was unable to continue due to a depressive episode during my pregnancy. All seven completed chapters are posted to my AO3 but I also plan to release periodically on Tumblr. From the bottom of my heart, I appreciate the kind and encouraging comments and emails I have received on this project while my mental health was in the toilet. Comment if you want to be tagged. Minors will not be tagged.

@nambnb @withlovefromolympus @ygnoe @human-still-developing @hycinthrt @johaerys-writes

[bookishthoughst]

THE SONG OF ACHILLES by Madeline Miller

So, believe me when I say I tried to like this, I really did, because queer love stories and greek mythology are both so high up my ally it's ridiculous. Nevertheles, this book fell so flat for me. I can't help but believe that the only reason so many people love it is purely because of the greek and the queer. And I get how that also just is the story, but I think possibly people put it on too high of a pedestal just because of this fact, and because it is one of the first of it's kind. Like everyone had been waiting for something like this for so long they refused to accept the result wasn't all that good.

I know my share of greek mythology, but I won't go into how and what about this book was incorrect in that aspect. I simply don't know enough about it to not make any mistakes myself.

My biggest issue with this story was that I did not feel any of the chemistry between Achilles and Patroclus. I feel like it was all nicely put in place so that on paper they would be compatible, and they would become friends, and they might even fall in love. Except to me, that last part never happened as far as I could tell. Yes, it was written in the literal pages, but no interaction or conversation really made that true for me. I missed all the depth and chemistry.

I also feel like Madeline Miller made a mistake in making pretty much the whole story about Achilles, and what Achilles does and allegedly thinks, but then write it from Patroclus's point of view, who therefore is only in the story to think of Achilles every second of every day. She uses Patroclus as the narrater she herself was supposed to be, and I don't think it works very well.

I'm a fan of mean and fickle gods, I'm a fan of unhinged behavior and characters who make questionable decisions, yet I failed to like almost anyone in this book, everyone felt so 2D. The only people I did like were Odysseus and Chiron.

I'm being negative, but I didn't hate this book, it had it's moments. What made me so sad to read this was that those moments were fleeting, they grazed the page but nothing ever materialized, or it did, but only for a moment.

I did think their life on mount pelion was quite wholesome, and I held back tears at the end during the conversation between Patroclus and Thetis. I enjoyed the beginning and the end, apparently, everything in between just wasn't it for me.

All together I thought it was very repetetive, the exact same things with the exact same descriptions in every chapter. There was too much said without actually providing much information.

I know a lot of people like this book and bawled their eyes out, and I want to make it clear that I don't mean to judge anyone who adores this book, this is only my personal opinion.