#these thoughts are gorgeous

[fanaticsnail]

I swear I've been sitting on this idea for so long cause I'm too lazy (or busy) to write it, and I just HAD to share it with someone. I have a feeling you might enjoy hearing about it, so I hope you don't mind me sharing it with you.

So, this chaotic train of thought started with seeing a gorgeous fanart of Sanji as Flynn Rider from Tangled. Wouldn't a tangled au with him fit so well??? Long story short, It'd be fun to continue it with other characters, kind of like your storyteller series (I swear I'm not trying to copy you 😭). After that, I've kinda been connecting characters with specific stories.

So far, I've got Sanji with tangled. Ace with Little Mermaid (it sounds cute to me). ZORO WITH MULAN.

For some of them, I was thinking about keeping it within the one piece universe while others would be in a separate au, just for funsies.

Now, here's where the brainrot begins. I've been fixating Katakuri for a HOT minute, I have no idea why. Then, out of nowhere, I was like, "OMG, KATAKURI, AND CINDERELLA." I also thought of beauty and the beast, but I'm leaning into Cinderella a bit more.

It just fits so well. It doesn't even have to be in an AU. Like, Katakuri is described as the perfect man in one piece already anyway and the son of an Emperor, he's basically a prince. Plus, I don't even have to make up a fake ball. Just make it BIG MOMS TEA PARTY.

I swear I've been hyperfixating on a Cinderella story with Katakuri for way too long... I really wanna write this but I told myself I would write the tangled fic with Sanji first 😭

I'm so sorry for the long ask, I won't be mad if you ignore it or don't like the idea.

Hello my love! I adore this idea!! I have been thinking long and hard about several Sapsorrow spinoffs, absolutely about the beautiful giant Katakuri - Cinderella is a gorgeous contribution!! I am a sucker for a fairytale au.

Could also very much for an Alice in Wonderland with him also. Tea parties, size differences, an overbearing ruler of a small land who screams and tantrums when she doesn't get her way.... I feel like I'm hindering.

Tangled spinoff with the handsome rogue Sanji, actually being a prince in disguise, travelling the land with his heroine who fights off foes with tales of dreams, songs, and sheer willpower... Sign me up. I want to read this.

[jade-len]

yeah twink shen yuan this hunky binghe that, in all honesty the image of some scruffy awkwardly tall lanky mid 20's nerd with a half shaven tired face standing next to a seemingly perfect almost androgynous gorgeous beauty of a man is 5x more hilarious, bc imagine witnessing an absolute supermodel influencer (who's known to be a ladykiller) crying and clinging to some guy who looks like he's on the verge of having a midlife crisis at only 24 tiredly patting said supermodel's head and in a deep dead pan voice saying, "no dumpling, you can't murder that girl just because she said my xianxia themed legos were stupid." like you can't tell me that the stark contrast and impact would be nearly the same if it were your typical twink sy and hunk binghe.

[columboscreens]

[sinshiney]

K A B E D O N (+ no paint under the cut)

[troutpaws]

fishtober day 03:

california golden trout (oncorhynchus aguabonita)

[beccawise7]

A Perfect Friday Night. 💜🖤

[chalkrub]

attack for @plaiesancier !

[plague-vulture]

painted wooly bat my beloved. she fuckin orange!!

[izacore]

... Oh. You made it all yourself?

[evanpetersgfhihi]

[squidokja]

So start by saving me... Itadori.

[cuddlytogas]

So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.

See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.

But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...

What is the difference between this and this?

Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?

Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.

But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.

And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.

But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.

See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!

As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.

And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:

So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?

Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.

In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.

In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.

This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).

Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.

More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.

This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.

A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.

But also. At least it fucking says something with its leather.

[limesquares]

some (only slightly inaccurate) TOTK studies :D

[parkercore-69]

I finished playing melody of moominvalley- it was a very interesting experience

[epickiya722]

I'm sorry, but let's talk about the ladies of the now Class 2A!

[wedarkacademia]