#these have all canonically been said

[slimewashingau]

slimewashing incorrect quotes

all from tiktok or incorrect quote generators!

curly: hi! welcome to 7Zee corp! i dont work here..

daissuke: i have several bees in the place youd least expect them.

jimmy: could a slime love a man? anya and bea: .. <:| curly: …should a slime love a man?

curly: i think i have a condition of some kind and i dont know which one-

bea: AND WHO CRASHED THE TULPAR?

…the baby??? (jimmy)

jimmy: your phosphor iss dead. but your honey slime is also dead-

swansea, talking to ogden: the company had to let be go on account of all the product i kept eatin. its hard to work at a mouthwash delivery company ogden: o_O

bea when anya told her what jimmy did: who. him? no. what? GASP. au-

anya: im pregnant. ..with my own baby- (bea: damn 😭.)

bea, pointing at curly: look, a person from earth! .. oh his views are mostly centrist

ogden: my coupon for 7Zee expired… (looking at jimmy) AND SO WILL YOU.

daisuke: the crash was fatal, but we survived.

jimmy: I crashed the tulpar! there was a meteor ahead of us and i got scared! eep!

bea: drowning? more like.. drowning- someone save him! (save daisuke 😭)

bea: Why can’t we all just get along? anya: Because most of us are assholes, bea.

bea: I've been expecting you, anya. anya: How did you do that without turning around? bea: Let's just say the first few people I did that to were not you.

when the Squad drops food daisuke: Eh, oh well. swansea: FIVE-SECOND RULE! jimmy: FUCK! curly: just gets more food anya: drops to their knees and mourns the food bea: eats the food off the ground

anya: A mouse! daisuke, pulling out a knife: Go back to where you came from or I'll stab you. jimmy, pulling out a frying pan: It'll make a nice meal! bea, giving the mouse cheese: You deserve a treat, little guy. curly, gasping: It's Ratatouille! swansea: His name is Remi, dummy. anya: …I was going to say to just trap it and throw it out the window… what is wrong with you people.

daisuke: What's worse than a heartbreak? curly: Waking up in the morning and your phone wasn't charging. anya: Waking up in the morning. swansea: Waking up. bea: Waking up in the morning… bea: And seeing jimmy. jimmy: Hey! Rude!!

jimmy: Who the fuck added me to a fucking group chat? curly: >:O language bea: Yeah watch your fucking language anya: Okay, who taught bea the fuck word?! daisuke: 'The fuck word'. swansea: Are you stupid? You guys use the f word all the time bea: Oh my god they censored it daisuke: Say fuck, swansea. bea: Do it, swansea. Say fuck.

curly: How do you sleep at night knowing people don’t like you? mochi: With the fan on.

[doesromandoart]

not fixing each other not making each other worse but a secret third thing

[hinamie]

siren!megumi concept sheet i whipped up in a single-minded fever state fr @uriekukistan

[shepherds-of-haven]

wish it was cool and acceptable to write fanfiction of your own work, especially before the original work is actually done 😂

[ace-and-the-rpg-horrors]

if you ever feel stupid please remember that there's people out there who think that there's "queerbaiting" in DEAD BOY DETECTIVES

[o3o-lapd-o3o]

DINNER IS (finally) SERVED

3000ish words later and part 8 is here! hope you guys enjoy!

(p.s my headcanons explainations are in the tags if you're curious)

(p.p.s credit also goes to @rin-solo for the first headcanon )

the post/thread that started this whole au

dinner scene: part 1 | part 2 | part 3 | part 4 | part 5 | part 6 | part 7

there's a masterlist now!

*odysseus is making his way to the dining hall, while athena and poseidon are following behind*

poseidon: *looking around at the decorations/tapestry dotted around*

poseidon: *see’s a tapestry of what looks to be a very much younger odysseus in full king & armour attire*

poseidon: *stops walking, and turns to look at the actual odysseus in front of him, then back at the tapestry*

poseidon: *to odysseus with a sardonic tone* do your weavers like making you look like a boy, or was that a decision you made to make yourself look younger?

odysseus: *pauses his walking to see what poseidon is talking about*

athena: *also pauses and turns to poseidon*

odysseus: *sees the tapestry in question*

odysseus: *sighs* of course you point that one out 

athena: *who knew odysseus before he was king*

athena: *glaring at poseidon* uncle, you shouldn’t make assumptions, especially when you don’t know the facts

odysseus: *pats athena on the shoulder as he passes her*

odysseus: it’s fine athena

odysseus: *next to poseidon and looking up at the tapestry* if you must know, that is actually the age i was. 

poseidon: *not believing him* yeah right, you couldn’t be older than fifteen in this

odysseus: *turns to him with a sharp look* you’re correct, i was fifteen

poseidon: *slightly wary of odysseus’ mood* so… you became king at fifteen? isn’t that a little bit young for a mortal to rule a kingdom?

odysseus: *turns back to the tapestry* i was already the king, i was actually crowned when i was thirteen

poseidon: *shocked and confused* why would a child be given a kingdom to run?

odysseus: *looks down with a sad smile, at the memory of his father telling him about him losing his mind, and how sorry he was to place such a huge responsibility on his young son’s shoulders*

odysseus: well, i had no choice, but i would do it again if i had to… 

odysseus: *turns to athena* besides, i had athena to help guide me

athena: *smiles with a nod at odysseus*

odysseus: *starts walking in the direction of the dining hall again* anyway…enough of that, can we please just make our way to the dining hall now

*they all continue making their way down the hall*

poseidon: *notices a stain on the floor tiles not far in front of them*

poseidon: *points* i think your servants missed a spot

athena & odysseus: *both look to where he’s pointing*

athena: *chuckles to herself in knowing*

odysseus: *smirks* 

poseidon: *sees both their expressions, and is confused* 

odysseus: oh that..oh don’t worry it’s clean

odysseus: *shrugs* it’s just so hard to get bloodstains out of white titles

poseidon: *wide eyed* blood?

odysseus: yeah.. not long after i finished with you, i arrived back on my island to find my palace overrun with 108…mutts… all vying for my wife’s hand. 

odysseus: *waving his hand like it was a simple issue* so i made sure to deal with them all myself… unfortunately one of them left a stain.

odysseus: -oh look we’ve made it

odysseus: hope we haven’t kept them too long

poseidon: *shocked at all the new odysseus lore he’s unlocked*

athena: *laughing at poseidon’s expression*

odysseus: *opening the door* come on let’s head in

poseidon: *shakes away the shock*

odysseus: *to poseidon* i guess it’s time to introduce you to my wife

*they all walk through the doorway into the dining hall*

*there penelope and telemachus both stand not too far from the dining table; which has quite the feast laid out, and from the steam coming off of it, it had not long be put there*

odysseus: *heads over to his son & wife*

odysseus: *looks at poseidon* poseidon, you’ve met my son telemachus before.

telemachus: *can barely keep in his excitement* 

telemachus: hi- i mean good evening lord poseidon, i’m so happ- grateful you accepted my father's invitation for dinner. 

telemachus: *puts his arm on his chest, and leans forward in a  bow of respect* i hope you enjoy the evening.

odysseus: *narrows his eyes at poseidon, silently threatening him to not be rude to his son*

telemachus: *looks back up at poseidon, smile on his face*

poseidon: *quickly nods his head in greeting to telemachus* good evening prince, your father tells me that this was all your idea 

telemachus: *raises a hand to nervously scratch under his chin* um… yes i guess it was

poseidon: well then, thank you for the idea to invite me.

telemachus: *hand leaves his chin and a big smile breaks out* well of course! you are my father’s friend after all!

poseidon: *eye twitches before he quickly composes himself* 

poseidon: yes… friend.

odysseus: *coughs* yes and now that you’ve both reacquainted yourselves again… telemachus why don’t you go speak with athena for a moment

telemachus: sure!

*telemachus makes his way to athena, and they start talking amongst themselves*

odysseus: *puts his arm around penelope’s waist* now, please let me introduce you to my wife; the queen of ithaca, penelope. 

penelope: *doesn’t bow like telemachus, but nods in greeting* welcome to our palace lord poseidon

poseidon: *nods back* thank you for having me queen penelope

penelope: *smiles but her eyes have a certain glint to them* 

penelope: my husband has told me all about your part in his journey home to us

poseidon: *totally not panicking a little* uh-

penelope: *glint leaves her eyes, but her smile remains*

penelope: -and also how you have helped out on his and my son’s fishing trips lately.

penelope: of course, i would also like thank you for taking the time to attend tonight

poseidon: sure… no problem?

odysseus: great, everyone has met everyone! 

odysseus: *to everyone* now, shall we sit down and eat the lovely feast the cooks have made us, before it gets cold?

odysseus: *moves to pull out one of the chairs at the head of the table for penelope as he normally does, when he notices that, there is only one chair instead of two*

odysseus: *looks up at the table and sees a piece of parchment with ‘mother’ written on it* 

odysseus: huh?

telemachus: *makes his way over to his father* oh! there’s a different than usual seating plan for tonight! i’ve put everyone's names where they should sit.

odysseus: *smiles at telemachus* oh ok, sure!

odysseus: well, i guess i should look for mine then, hey?

telemachus: yes, and please everyone else too!

*everyone makes their way to the table to see where they’re sitting (even though three of them already know)*

odysseus: *sees the parchment with ‘father’ on it* 

odysseus: *expecting to have either athena or telemachus next to him*

odysseus: *watches as athena stands in front of the seat opposite him*

odysseus: *thinks it’s weird to put athena & poseidon together, but thinks telemachus has done is as they are uncle & niece*

odysseus: *then sees telemachus stood in front of the seat next to athena*

odysseus: wait-

poseidon: *sees his name and heads towards it, only to look up and see odysseus standing in front of the seat next to him*

poseidon: wait-

poseidon & odysseus: *both look at each other in horror that they're stuck next to each other all evening*

telemachus: *not noticing the looks of doom on their faces* isn’t this great? it’s a family dinner, so what better than friends sitting together? 

telemachus: *turning to penelope* sorry you’re by yourself at the head of the table though mother

penelope: *smiles and waves her hand* i don’t mind

penelope: anyway, let's sit and eat!

*everyone but odysseus and poseidon sit down. both who have a death grip on the back of their seats*

penelope: *clears her throat* odysseus, lord poseidon… would you both please sit down.

odysseus: *snaps out of his staring at poseidon* 

odysseus: uh sure…

odysseus: *sits down and look back to poseidon, nodding his head at poseidon’s seat in the motion for him to also sit down*

poseidon: *still doesn’t sit*

odysseus: *a millisecond of a flash of red eyes* 

poseidon: *sits*

odysseus: *internally to himself* oh this is gonna be a long evening

odysseus: *to everyone* ok, everyone dig in!

odysseus: *to poseidon* can you get what you want for yourself, mighty sea god? or do you need a mortal’s help?

poseidon: *grabbing a lamb chop off a platter and tearing into it savagely in defiance*

odysseus: *rolls his eyes at poseidon, but goes to place a filet of fish on his plate*

*everyone has been eating and talking*

poseidon: *looks at penelope (who is talking to telemachus & athena) and then looks at odysseus*

poseidon: *thinking and then looks back to penelope*

odysseus: *to poseidon* is there a reason you keep looking at my wife?

poseidon: *jumps at little at being caught looking* 

poseidon: *turns to odysseus* oh do not worry yourself, i have no interest in your wife

odysseus: *unimpressed* why do you keep looking at her then?

poseidon: im..curious 

odysseus: *narrowing his eyes* about?

poseidon: normally you mortal men choose women younger than them for their wives… yet clearly your wife is; from my estimates… about a decade older than you

poseidon: *now with his hand under his chin, leaning on the table* 

poseidon: do you perhaps…prefer older women odysseus?

odysseus: *hands tighten in grip around his cutlery*

poseidon: *notices odysseus hasn’t responded yet*

poseidon: i’m right aren’t -

odysseus: no.

odysseus: *his eyes may not be red, but are clearly full of anger*

poseidon: *eyes widen in worry* whoa whoa! no need to get angry, it’s just a simple observation…. anyone if they pay attention can see the age difference

poseidon: *moves his hand to flick his hair back over his shoulder* it’s not a bad thing

odysseus: *takes a breath in to calm down and then slowly releases it*

odysseus: we are- were the same age… physically at least

poseidon: *confused* i don’t follow

odysseus: *looks at poseidon* during the 10 years it took for me to get home… i found myself stuck on a goddess’ island for 7 of them…

poseidon: ok…

odysseus: *closes his eyes* caly- the goddess had full control over everything on the island… her magic influenced everything… including a mortal's ability to age.

poseidon: so you didn’t-

odysseus: -age? yeah

odysseus: *sighs and opens his eyes* when i realised i wasn’t… i- i- 

odysseus: lets just say i didn’t handle it well

poseidon: *blinks at this new information* oh

odysseus: yep ‘oh’ indeed… 

odysseus: *looks back at poseidon*

odysseus: didn’t you think it was odd that i looked exactly the same when we met again, almost 10 years after our first meeting?

poseidon: in my defence… i was angry and trying to kill you, i wasn’t really paying attention to how you looked

odysseus: *rolls his eyes* i guess that's true

telemachus: uh lord poseidon? may i ask you a question?

poseidon: *happy to not continue his conversation with odysseus*

poseidon: *to telemachus* ask away prince of ithaca

telemachus: is it true that you gave achilles his horses balius & xanthus?

poseidon: *amazed at telemachus’ knowledge* 

poseidon: not directly… but yes i am the reason he came to acquire them. you see i gave them to his father peleus, as a wedding gift for his wife thetis…

*poseidon continues to tell the tale, and odysseus speaks with athena and penelope while more time passes*

*the meal is continuing smoothly as can be*

poseidon: *notices that odysseus has only been eating the fish. not touching a single bit of pork, beef or lamb that's also on the table* 

poseidon: *who has continuously eaten all meats available*

poseidon: *to odysseus* is there something i should know about the meat?

odysseus: huh?

poseidon: *points at the selection of meat in question* what's wrong with the meat? you’ve only touched the fish.

poseidon: if i hadn’t seen the others eat it, i’d worry you’d asked your cooks to poison it or something. 

odysseus: *raised eyebrow* poison won’t hurt you though? 

odysseus: *pointing a fork at him* also, why do you care about my eating habits?

poseidon: *frowning at the fork* i don’t, i’m just-

odysseus: curious? poseidon, i thought you were the god of the sea, not curiosity…

poseidon: *huffs* forget it-

odysseus: i can’t

poseidon: *now his eyebrow is raised* you…can’t?

odysseus: *now using the fork to push the food on his plate around* i can’t stomach eating lamb, pork or beef anymore

poseidon: *forever confused by odysseus* uh why?

odysseus: *gives poseidon a ‘do i really have to explain everything?’ look*

poseidon: *just stares*

odysseus: *once again sighing because of poseidon* well i thought you’d understand lamb… after the whole sheep incident with… your son.

odysseus: then after i escaped you with the wind bag-

poseidon: *rolls his eyes at the memory*

odysseus: we wound up on the sorceress circe’s island… where she turned my men to pigs. 

odysseus: i managed to convince her to turn them back, but it now feels weird to eat pork

odysseus: as for beef, short story is my men ignored my warnings and killed the sacred cattle of the sun god… so yeah beef is a no go for me also. 

poseidon: *wondering how one mortal managed to interact with so many gods on a journey to get home*

poseidon: *laughs at odysseus* and you’re letting that affect your eating habits? i expected you to be stronger than that odysseus

odysseus: *narrows his eyes at poseidon* oh just like how you let my handling of your trident, affect you into doing as i say?

poseidon: *now glaring back* 

poseidon: *turns away from odysseus* whatever, more meat for me

*dinner continues, with telemachus asking poseidon more questions. poseidon loving the interest in him and telelmachus’ knowledge, answers the all the questions with surprising enthusiasm*

*eventually what was once a giant feast of food has nearly been cleared from the table, thanks to having two gods eating most of it*

telemachus: have you enjoyed yourself so far lord poseidon? 

telemachus: *smiling* it’s been really fascinating and fun to learn so much more about you

poseidon: *almost letting a small smile appear on his face in return*

poseidon: *instead just nods* yes, it certainly has been an interesting & knowledgeable evening

telemachus: what about the seating, was it a good idea to put you with my father?

poseidon: *wants to answer no, but feels a kick from under the table. clearly from odysseus*

poseidon: yes, you came up with an ok-

odysseus: *gives another kick* 

poseidon: -great idea

telemachus: *laughs in happiness* 

telemachus: oh but i can’t take all the credit

odysseus: *raises an eyebrow in curiosity* 

athena: *who is sipping wine next to him*

athena: *slightly chokes* wai-

odysseus: *suspicious* son, you must make sure to tell us who else to thank for this

telemachus: *not understanding the bombshell he’s about to drop* oh athena actually came up with the idea!

athena: *suddenly nervous with the two very intense stares directed at her*

athena: w-well it was just a suggestion really…

telemachus: no ‘thena! remember you said as it’s a family dinner, friends should sit with friends!

odysseus: *to athena with the fakest smile* oh athena, how considerate!

penelope: *who has been quiet this whole exchange*

telemachus: *as if he hasn’t already unknowingly thrown one person to the wolves* but i of course had to run it by mother first, as she was helping me with all the planning!

penelope: *eyes have totally not widened*

telemachus: she said it was a great idea!

odysseus: *now to penelope* oh my dear wife, a great idea eh?

poseidon: *just chugs back his cup of wine at the revelations*

*after a awkward moment (at least for 4 of them) they continue on finishing the meal*

*eventually the food is finished and the dinner has come to an end, everyone has moved away from the dinner table and are now sitting on cushion chairs or standing around them talking amongst themselves*

poseidon: *looking out the window seeing just how dark the night sky now is* 

poseidon: well this has been a lovely evening, but it is getting late and i have been away from the sea for as long as i can.

poseidon: *turning to penelope and nodding his head in actual respect* queen penelope, thank you for your hosting

poseidon: *without nodding at them* athena, odysseus… good night.

*before poseidon can turn to bid telemachus good night, the prince runs out the room*

telemachus: *yelling before he leaves the room* please lord poseidon, wait a moment! i forgot something!

poseidon: *turns to look at odysseus in confusion* 

odysseus: *just shrugs also confused* 

poseidon: *turns back to the door, telemachus long gone* uh sure.

*not long later telemachus runs back into the room dishevelled but holding something in his hand*

telemachus: *walks up to poseidon* 

telemachus: *bows and holds out something covered in a silk cloth to him*

poseidon: uh-

telemachus: it’s a gift! i’m not expecting anything in return, and i’m sure you have better things… but i saw it and thought you’d like it

poseidon: *blinks, but takes the gift from telemachus’ hands*

poseidon: *carefully unties the silk cloth*

poseidon: *breathes in sharply*

telemachus: *not sure if that's a good or bad reaction* uh if you don’t like it that's fin-

poseidon: *holds his hand to stop telemachus* 

poseidon: prince of ithac-

telemachus: telemachus- sorry for interrupting. please my lord, call me telemachus

poseidon: …telemachus. thank you, this is a very thoughtful gift. 

poseidon: i will cherish it.

penelope & odysseus: *curious over what's got the god of the seas ‘cherishing’ something*

athena: *small smile as she knows*

*penelope & odysseus move closer to poseidon who is still staring down at his gift. once close enough they can see in his hand is a a handcrafted glass/crystal hippocampus*

*poseidon ended up wrapping it back in the silk cloth, and placing it in his chiton. He then thanked telemachus again and bid him good night & farewell. odysseus offered to walk back to the cove with him, but poseidon waved him off and told him to stay with his family*

[turtleblogatlast]

No but like every time I think about Splinter and what he had to go through just to keep the boys alive, my heart hurts for him so badly. Is he perfect? No not at all, but none of them are and by god does he love his sons.

The fact that all of them are alive, and grew to thrive despite the circumstances surrounding them is a testament of how much Splinter loves his boys. He raised four babies following the most traumatic time of his life, all alone with nothing but the sewers to house them (to hide them.) I feel like he’s not given the credit he deserves for all he’s done.

And I get that it’s easy to hold up his flaws and faults when it comes to parenting, I myself like looking into them because flawed characters are super interesting and said flaws make them more realistic and engaging, but he tries, and again, so many others would have given up on the boys or failed along the way but Splinter didn’t.

He’s their father, for all his faults he did his damndest to make sure they survived.

[kathrahender]

If you watched Top Gun (1986) and you think Tom Kazansky and Pete Mitchell are 100% straight then you are blind or you didn't watch the same movie as me because there's no way you can't see the chemistry between them and their UST.

[poorly-drawn-mdzs]

One last devastating blow

[First] Prev <–-> Next

[royalarchivist]

Fit: Where are you, Pac? I got you, I got you, I gotchu!

Pac: I'm in- I'm in- I'm in heaven, Fit! I'm in heaven...

Fit: No, you're not in heaven yet! You're not going to heaven, no no no–

Pac: I'm gonna go for... I'm going- I'm going to the light, I'm going to the light...

Fit: Stay with me, stay with me! Stay with me.

Pac: I'm going for the light– [Sighs in relief as he's revived] I'm here.

Fit: You're good, you're good.

[Full Transcript ↓ ]

—

Tina: Wow, the radius for that is huge.

Pac: [Steps on a mine and gets blown up] Whoa!

Fit: Oh, those are all mines, arent' they? Those are all mines, you bastard.

Aypierre: Let- let- let me fix this road... [He starts placing blocks]

Foolish: See? This is why mines need to be allowed, they're too fun.

Fit: [Laughs]

Pac: Yeah, actually.

Aypierre: Look, look– it's perfect, it's perfect.

Pac: [Steps on one of the blocks Aypierre placed, which was a mine, and immediately blows up]

Fit: Pac! No, Pac–! NOOO!!!

Pac: [Laughs and then shouts at Aypierre]

Aypierre: Where are you, Pac?

[Time skip]

Foolish: Did you get your stuff, Tina?

Tina: I will... I'll find a way... [She steps on a mine and blows up] AAAAAAAAA–

[Fit and Pac laugh]

Tina: PLEASE!

Fit: Those are all mines!

Tina: No, please! My stuff! I gotta go– [She gets lit on fire and screams again] PLEASE!

Pac: God damnnit!

Tina: Please, I just want my stuff back!

[They all laugh]

Fit: Jesus.

Tina: I'm gonna go get it! I'm gonna get it! Aghhhh–

Foolish: [Jumping in after Tina] Wait, there could be another landmine!

Tina: I want my things, Foolish!!!

Pac: [Jumps in too and steps on a landmmine, which immediately downs him] AAAAA!!!

Fit: Sht– Where are you, Pac? I got you, I got you, I gotchu!

Pac: [Overlapping with Fit] I'm in- I'm in- I'm in heaven, Fit! I'm in heaven...

Fit: No, you're not in heaven yet! You're not going to heaven, no no no–

Pac: I'm gonna go for... I'm going- I'm going to the light, I'm going to the light...

Fit: Stay with me, stay with me! Stay with me.

Pac: I'm going for the light– [Sighs in relief as he's revived] I'm here.

Fit: You're good, you're good.

Tina: Oh god... I'm scared, I'm scared!

Foolish: You did it!

[windcarvedlyre]

I've been following @druidposting's DR2 playthrough on discord and we just had a really good discussion about DR's Closing Arguments. Specifically the way the murderer is depicted as grey and featureless, which until now I found a bit annoying.

In Danganronpa it's repeatedly the case that we don't have the full picture until the talking actually stops- which always goes beyond the end of the trial. We generally vote first and come to understand what the murderer's actual motive was, sometimes filling in important pieces of the timeline in the process, afterwards.

But none of that matters for the killing game because characters' emotions aren't directly relevant to who was the 'blackened'- the only thing that matters to Monokuma- so it comes out afterwards and does nothing to change their execution. It doesn't matter how sympathetic they are (basically everyone) or whether other people share responsibility for the situation (eg. Hanamura, Pekoyama, Momota) or whether they intended to murder at all (Nanami). They objectively pulled the trigger and nothing else matters. Nothing about them as a person matters.

The Closing Argument mechanic might illustrate that problem- literally. They're a dramatic, conclusive summary of the entire case... constructed before the vote even happens, before we know if we're actually right, and they're missing something really important:

The actual perpetrator.

We quite literally don't even begin to see the real person behind the crime, any real exploration of their mental state, anything besides the cold, hard facts of the murder that are necessary to convict them, until the comic finishes and the protagonist makes their final accusation- replacing the grey figure with their real appearance in a shot that's often intensely emotional.

And these comics lack crucial parts of the case's timeline and sometimes important parts of the very scenes they depict that we only find out about afterwards. And those are what we know; characters may die with some pieces of the truth and prevent us from ever learning them. These aren't objective depictions of the murder, they're the protagonist's subjective attempt to connect the facts they have. A join-the-dots portrait of someone with missing dots and no colour.

Even characters' expressions may not match how they truly feel, with the grey placeholder potentially looking way more confident and sinister than they were in reality. Pasting Falter's commentary here since they put it well.

For obvious reasons this could especially be a problem for characters that die before the trial- the ones we never get a post-vote testimony from. DR1 chapter 4 really highlighted that in the way Asahina's huge misinterpretation of Oogami's feelings took up a lot of the post-trial discussion, only for Monokuma to reveal Oogami's real suicide note and recontextualise everything.

It might really be a problem for how Komaeda's depicted in DR2 chapter 5. While he isn't greyed out, we get panel after panel where he's either level-headed or maniacally evil, and even the depictions of his self-torture and death don't humanise him:

But we know that his real feelings were more complicated than that. We have his actual corpse to compare the last page to.

He died afraid.

If we approach the comic as Hinata's mental image of him instead of reality, he died without anyone truly understanding him. He was alarming, very hard to relate to, actively fought against people doing so, ensured even the killer didn't watch him die, and the survivors couldn't begin to understand his motive until a chapter later. The Closing Argument reflects that.

Early in DR1 Togami calls out the rest of his class for judging others by their own standards. However, he, too, is doing this, maybe more so than many other characters; his inability to view other people through anything but the cold, brutal logic of the killing game bites him in the ass in chapter 4. In DR2 chapter 2 voting without a good understanding of Pekoyama's motive or Kuzuryuu's involvement nearly got everyone killed. Komaeda's a walking embodiment of the problems with flattening people into caricatures and not empathising with them, suffered from people doing that back to him, and his case- the Closing Argument for which turned everyone else into grey placeholders- was impossible to solve with objective facts. It was only survivable because the survivors cooperated and one person tried to analyse things the way he would.

The games have always been a critique of the justice system and Japanese society and push us to care about others as individuals, not reduce them to- and judge their right to exist by- something they've done or their net impact on society. There are always consequences when someone neglects to do that, and the above might be yet another way the games explore that theme.

[chiropteracupola]

A very fine captain, and a finer friend.

[unganseylike]

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“Love Like Ghosts" // The Raven Cycle

When your true love is destined to die, is already dead, or will always be leaving. And other moments of ghostliness. 

[waitineedaname]

brought myself to tears thinking about luo binghe and his loneliness. during all the worst times of his life, he was alone. when his mother died, he had no one. when he was being abused on qing jing, he had ning yingying but there wasn't much she could do for him. in the abyss, he was alone. when he was grieving sqq for five years, he had subordinates but he didn't have anyone to hold him and comfort him

and it's that loneliness and isolation that xin mo capitalizes on. those feelings of loneliness and isolation make his self esteem worse and his emotional state more unstable, because deep down is a miserable and lonely child that wants to be held and comforted and love

luckily for him, all shen qingqiu wants is to hold him and comfort him and make him feel loved! I think post-canon, they'll spend a long time confronting those wounds left by loneliness, except now instead of having to bear it alone, sqq will be there to hold him in his arms and tell him I'm sorry you were hurting, I'm sorry you were alone, you never should have gone through that. and there's the promise that he won't ever have to be alone again because that's the promise sqq made to him. from now on, wherever binghe goes, shen qingqiu will follow

[jacketpotatoo]

I'm stealing this from my lit teacher but he posed that something certain characters in arcane s2 missed were 'Zuko Alone' moments. Moments where characters took an extended amount of time to introspect, face the consequences of their actions, and connect with the wider world. This, to me, is why Caitlyn's arc wasn't as effective as it could've been. After a switch-up, after a big 180 like hers, it is simply necessary to track the progression of her arc. It's easy to say "In hating you, I've hated myself" and "no amount of good deeds can undo our crimes" but when you don't see her face the Zaunites or acknowledge the class-privileges she exploited, it all rings a little hollow. Arcane usually does a good job of tying the personal with the political and I think that's hidden in Cait's arc. She works as a character when you're understanding her actions in relation to her love for Vi and forgiveness of Jinx. She doesn't if you think of it on a wider socio-political scale. It's just a little odd when the show is such an arbiter of 'show don't tell'. That line has to do alot of heavy lifting. Alas, what time restraints does to an arc.

[lunarharp]

What led to this (orufrey comic, cw an uncomfortable/creepy scene)