#these guys are minor characters so i don’t consider it spoilers to tell you stuff about them | Explore Tumblr posts and blogs

hanaseispeach · 3 years ago

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hq men and domestic headcannons

hey hey hey guys i’m so sorry that i haven’t posted in like a billion years, i sorta went through a writers block but i had so much i want write ! but i am back and hopefully this will make up for my absence !

warnings: mature language, all characters are 18+ considering this is after the time skip, semi- sexual themes, gn reader, fluff with minor angst, spoilers for the characters since this after the time skip, if there are any i have forgotten please let me know !

gif credits: @cercasinomeworld , @geokitties

characters: atsumu miya, kotaro bokuto & yamaguchi tadashi

kotaro bokuto-

~ i just want to start off by saying that if you’re married to bokuto then you’re married to volleyball too sorry not sorry

~ this man is a professional volleyball player he kinda has to be in love with his sport to make it this far

~ being married to bokuto is like finding a sunray on the stormiest day

~ he’s so full of life that he can bring happiness to anything

~ bokuto as a husband is so sweet omgomgomg

~ he will literally do anything you ask without a question

~ you need the laundry done? the floor may be a little wet but it’s all folded and put away (messily but with love), you need to dishes done? all of them are air drying while he wipes up the water that was spilt and he promises to buy another bottle of dish cleaner because he used it all “but sweetie every dish needs to be extra cleaned so i used all the dish soap :(” give him a hug an kiss rn :(

~ i can imagine that you both have a dog after moving in together and being married for a while

~ he’s a husky named max and jesus christ i can’t tell who’s louder bokuto or the dog

~ your dog sleeps in the bed with you and it is a nightmare !

~ bokuto sprawls himself out when he sleeps and that’s normally fine but add a huge 50 pound dog into the mix? you are on the edge of the bed all night

~ but bokuto always apologizes for it and how can you not forgive him :(

~ bokuto always wakes up before you no matter what to go jog or walk the dog nd before he leave he gives you a kiss on the lips or forehead depending on what’s available

~ after you get up and ready for work bokuto comes home and wishes you goodbye while he goes and get’s ready for practice

~ now in almost all of the hq fan fics i read, they talk about how volleyball practice is all day but that isn’t necessarily true. i looked up how much volleyball players practice and it’s only for 3-4 hours at most for practice with practice 5 days a week so that’s what i’m using here

~ going by this information, bokuto will definitely be home before you and he takes this time to clean and do whatever needs to be done like grocery shopping, laundry etc..

~ you will need to write a list or else bokuto will get things you guys don't need !!

~ i personally headcannon bokuto as an ok cook. he can really only cook easy stuff or the basics

~ so when you get home bokuto will have something cooked or you guys will cook together, which is him prepping the veggies and you doing the cooking

~ after you both eat you guys would take the dog on a walk as a method of rewinding for the day where the two of you will talk about y’alls day

~ when you get back it’s time for a shower or bath (9/10 times it’s a shower because you don’t want to clean all the water on the floor wink wink)

~ bokuto definitely sleeps on the side of the bed that is closest to the door so he can keep you safe

~ as mentioned before, the dog, bokuto and yourself all sleep in the same bed and it’s cramped but you wouldn’t have it any other way <3

atsumu miya-

~ being married to atsumu is probably the biggest honor in your life tbh hnnnn /j

~ just look at him *drools*

~ anyways,,, atsumu is the second best hq boy to marry if i’m being quite honest

~ very strong beefy man, i mean he is the moment

~ also get’s up before you but not a long time before you like bokuto, only by a few minuets and at that he’s still in bed when you get up just staring at you bc you’re just so pretty

~ the type of guy to tell you his dream in full detail and his dreams are so bizarre man, i’m talking aliens came an abducted him and took him to the grocery store type of stuff, things that make no sense

~ ^^ but it’s okay because you love him and all his weird little dreams :)

~ i, again, personally headcannon atsumu as a good cook, his brother is a restaurant owner and would make osamu teach him how to cook for you

~ so for breakfast atsumu makes a big breakfast for the two of you and it’s so good i’m jealous hnnnn

~ after brekfast you guys get ready for the day and when it’s time to leave he makes you give him at least 5 kisses before you both part ways for the day

~ when he comes home after practice and you’re still at work, he will do some small things around the house like pick up any trash that’s out or feed y’alls dog

~ ^^ you both have adopted a corgi and named her strawberry because she’s so sweet and red

~ he won’t do the larger chores like laundry or washing dishes bc “but it’s better to do them together” atsumu says

~ when you come home he already has the things for dinner out but not prepped bc he also wants to do that together

~ after dinner it’s shower time for the both of you and yes you guys shower all the time together, with this man baby as your husband you get no privacy

~ need to use the restroom? atsumu is in the doorway talking to you still. you need to shower, well guess what so does he or sometimes he’ll just sit in the bathroom with you and talk to you

~ you asked him about why he always want to be near you and he told you it was bc he doesn’t want you to feel like you’re alone :(

~ tbh when y’all shower together, it’s not even sexual. mostly just you holding onto each other and talking about your days

~ unrelated but related, atsumu totally pretends his dick is a baseball bat and your ass is a baseball and will hit his dick on your ass bc he thinks it’s so funny to watch you try and get away

~ after showering you guys get into bed and strawberry comes and joins you

~ facing each other and just staring at each other while whispering soft ‘i love you’s’ as you both fall asleep <3

tadashi yamaguchi-

~ literally the best underrated hq husband omg omg omg

~ i’m love him <3

~ anyways, being married to yamguchi is so wholesome but yall remember, he’s best friends with tsukishima so he’s also teasing but that’s no harm

~ yamaguchi is so sweet and caring that you feel loved just by being around him

~ since this is post-time skip, he’s already been working at the electronics company for a long time, he will get up around the same time as you

~ will wake you up by stroking your arm and kissing your forehead

~ once you’re awake you and him will go to the kitchen to make a light breakfast

~ he’s such an amazing cook too !!

~ after breakfast and getting ready you both say goodbye to each other and are on y’alls way

~ since he isn’t a pro volleyball player, he works a regular 9-5 so you guys get off at the same time, roughly

~ since you guys aren’t home all day, chores are usually done on sundays, unless of course one of you have the day off or both,,,

~ as for dinner, being home relatively early means you guys can cook together and talk about your day, or you stop and get something to eat on the way home

~ yamaguchi loves teaching you how to cook (if you don’t know already)

~ will do the thing where he places his hands on yours and guides you while standing behind you

~ you both have a cat !! i see him as such a cat person tbh. she’s a siamese cat and her name is willow

~ has so many pictures of you and willow sleeping together im-

~after dinner he runs a bath for you, you are always first in his eyes

~ ^^^ hnn he’s so perfect eeee

~ after your bath he’ll shower and get ready for bed

~ laying down, you spoon him bc he deserves it jshdhs

~ willow usually joins you but she’s a cat so i mean she’ll be somewhere else if not in y’alls bedroom

~ falls asleep with his head on your chest, listening to your heartbeat<3

omg guys im sorry if this is short, i didn’t want to write something long bc i knew i would have been burnt out,, but thank you for reading and please like and reblog if you liked this !!! i appreciate everyone who reads what i write !! <3

#haikyuu x reader #haikyuu #haikyuu oneshot #bokuto kotaro x reader #miya atsumu x reader #bokuto x reader #atsumu x reader #tadashi yamaguchi x reader #yamaguchi x reader #haikyuu headcanons

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cjsinkythoughts · 4 years ago

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Flaws

Written for @honeysucklesteve’s 4k writing challenge! If you haven’t, go check her out because she’s amazing!

Pairing: Mickey Henry x fem!Reader

Summary: You hate his music taste. He hates yours. You have a bad habit of stealing his gigs. He has a bad habit of fucking you until you can’t walk straight. Everyone has flaws. What are you to do about it?

Word Count: 3822

Warnings: Cursing, hate sex, semi-public sex, unprotected sex, hair pulling, slight edging, there’s a mirror involved, drugs, alcohol, clubbing, smoking, one mention of lung cancer, mentions of Monday’s plot, so slight spoilers; (I hope I’m not forgetting anything. These kinds of warnings are new to me. If I am, feel free to tell me.)

18+ PLEASE!!! MINORS DNI!!!

A/N: I know I haven’t posted in a while, but here you go! I’m so nervous about posting this. Honestly. I feel like I kinda rushed it a little? I dunno if it’s good. Uhm, I will say that Mickey is not soft in this. You know how he’s all cute and flirty in the movie? Yeah. Not here. I have plans to write for him later on where he’s more on character and adorable and all that, but it’s enemies to lovers and he hates reader and reader hates him. So. Yeah. Have fun with that.

This is a few firsts for me; first published smut, first Mickey Henry fic, and first enemies-to-lovers ever! I’m attached to friends-to-lovers (my parents’ fault), so going in the opposite direction is exciting and I hope it works out! (We’ll see what it can become after it’s been written.)

Also! Yes, I’m adding the link to the inspiration of the remix here. You’ll see what I’m talking about. I imagine more bass, but that’s basically it.

As always, all mistakes are mine and please excuse them as it’s not beta’d! Be kind to yourselves and others! Stay tuned and enjoy!

Part Two - Addictions

My Masterlist

*****

Between the tumultuous, voice losing cheers and the pounding, headache inducing bass, it’s a miracle the occupants of the building can hear anything at all. The large room is doused in bright pinks, purples and blues, glitter getting into every pore and crack, the smell of cigarette smoke and booze lingering in the air.

Bodies pressed together uncomfortably tight, breath and sweat mixing in a way that can’t be enjoyable, but no one notices because they’re all too high and drunk. There’s a couple swallowing each other in every dark corner of the room. A group of guys looking to get some are laughing rather obnoxiously at the bar, having consumed far too much alcohol to be safe.

Bouncers are escorting people out left and right; a streaker who decided to get on a table and dance, a couple who took it a bit too far over the bar counter, a group of girls who were no doubt too young to be in such an environment. Boisterous, chaotic, borderline dangerous.

There’s no place he’d rather be on a Friday night.

Up on the center stage, playing around with his tracks, messing with the turntables, pulse connecting to the music, head bobbing with the beat. He’s in control.

Every party. Every Friday, Saturday, Sunday night. Every weekend.

He’s in control.

It’s what he liked so much about doing what he does. Once he’s booked, he’s booked. It’s his night. He controls the sounds people hear. He controls what they dance to. How they dance. The pace of the night. The feeling of the night. And no one can take it away from him.

No one, that is, except you.

He hears you before he sees you, which is nearly impossible considering how loud the music is, but you somehow manage to take control of the room the moment you walk in it. You always get what you want with a bat of your eyelashes. And if you aren’t given it, you take what you want without regard for other people.

It really really pisses him off.

You’re laughing with a group of your friends, guys and girls’ heads swiveling to stare at you, captivating every heart in the room as per usual. You always show up with the same group, but he doesn’t even know any of their names even though you run in the same circles. It’s not like you end up hanging out with them for long, and you never leave with them. No, no. You always leave with him.

And that pissed him off too.

He can’t help it. He has absolutely no control over himself when it comes to you. And he hates you for it. He hates that he lets you take over with only a few snarky comments in his defense. He hates that you always get into his head. And he hates that you’re the best fuck he’d ever had and he can never get enough of you.

But most of all…he hates your music.

“Hey, hey! There he is!” You send him that infuriating smile of yours, a drink in your hand. It’s a flaw of yours. One of many, but probably the biggest. Alcohol. Like him and his cigarettes. He watches you with narrowed eyes as you effortlessly move through the crowd, your girls and guys seeming to vanish into the mob with every step you take.

You end up in front of the stage, leaning on it and giving him a smirk as you sip on your beverage choice of the night. It’s always something different. The only common factor is the alcohol you crave, letting it wash over your tongue, burn down your throat and slip into your veins.

“Heya, Mouse!”

“Don’t call me that!” He shouts with a growl over the music, pulling his headphones down around his neck. “What the fuck are you doing here?!”

“I got called this morning! Said there was a gig tonight!”

He shakes his head, gesturing to the set up. “You’re a bit too late there, sunshine! Gig’s booked!”

You shake your head back at him. “I’m taking over from here, Mouse!”

“Says who?!”

“Argyris!”

His jaw clenches, his forehead creasing, a skeptical scoff leaving his lips. “Fuck you! No he didn’t! He said this one’s mine!”

You just give a shrug, no cares in the world, downing the rest of your drink. “You can fuck me later! For now, if you wanna whine about it, Daddy’s over there!”

Another growl leaves his chest as he scowls at you, eyes darting to where you’re pointing. Argyris is by the bar, of course, swaying on the seat. Barking out a laugh, he looks at you with a shake of his head. “He’s so drunk he probably shit himself again! You can’t take his word for it!”

“I can when he called me this morning, sober as he can get!” You shoot back, hopping up to stand besides him. “Besides! Someone’s gotta make sure these people have an actual good time!”

“Don’t touch anything until I get back!” He snaps, pointing warningly at you as he starts to walk towards Argyris.

You smile innocently, even though he knows you’re anything but. “Yes, sir!”

He marches over to his asshole friend and grabs him by the shirt, turning him around. “Mickey! Havin’ a good time?!”

Mickey glares, feeling his blood boil and his ears heat up, not from the proximity of strangers around him. “What the fuck?! You told sunshine over there that she could have my gig?!”

“I thought you’d wanna break! Dance and relax for a little bit! It’s only a two hour slot I gave her!”

“You should’ve fucking asked, Argyris! I don’t want her anywhere near my-” His sentence is cut off by a change in the music and he whips over to the stage where you’re grinning and jumping with the crowd. You catch his eye and throw him a wink, holding one of the headphone cups over your ear. “ Oh for the love of - she’s messing with my stuff!”

“I thought you liked her!”

Spluttering, Mickey gapes at the other man in disbelief. “Like her? I can’t stand her! She’s so fucking annoying!”

“What’s so annoying about her?!”

Mickey snatches the drink Argyris was about to gulp down and slams it on the counter. “She’s a spoiled fucking brat! Everyone lets her do whatever she wants! She steals half my fucking gigs! And her music is shit! Listen to this!”

Argyris looks around the room and shrugs. “Everyone else seems to like it! Sure it’s different than your disco-”

“It’s not disco!”

“But it’s a crowd pleaser! Just relax! Have a drink and go dance!”

“Argyris!” Wanting to scream in frustration, he watches the man stumble off to get another drink down the bar. “Dammit! This is fucking shit.” Grumbling to himself, Mickey storms back over to the stage, easily pulling himself up.

You bite your lip and raise an eyebrow at him. “So?! How’d your date with Argyris go?!”

“I hate you so fucking much! Use your own fucking headphones!” He snatches the pair from your neck, pulling the cord out. “Why do you always have to steal my gigs?!”

You shrug, leaning forwards to brush your lips against his ear. “Yours are so much fun.”

His tongue darts out to wet his lips, eyebrows furrowing. This always happens. Every time. The moment he feels in control, you do something and he feels every ounce of himself slipping away. It’s the reason he fucks you. To take back that control he so easily gives to you. To make sure you understand that on the weekends, he’s in charge.

But not tonight. No, no. Not tonight. He refuses to get caught up in that game tonight. You wouldn’t end up in an alley or some bathroom with him. He wouldn’t end up on your couch or in his kitchen with you. He refuses to let it happen. Again.

Instead, he lets out a chuckle and nods. “Yeah. Okay. Whatever sunshine.” He takes a step back, giving you a smirk as your eyebrows shoot up in surprise. “You have fun playing your shitty music!”

“Have fun moping!” You call back, turning to the table and ignoring him completely as he groans and jumps off the stage.

Good God. You’re infuriating.

But so is he.

You hate Mickey Henry. You just do. You hate that he has zero responsibilities and gets away with it. You hate that he can charm his way out of any situation. You hate how immature he is and how no one ever forces him to grow up. And you hate how easily you let him take charge when he’s with you. After a life full of people making choices for you, you crave control, but with him? The moment he tells you to get on your knees, you fall, no matter where you are or what you’re doing.

But most of all…you hate his music.

You take his gigs to save people from listening to it, but also so he knows he can’t talk every situation into his favor. That Argyris can’t always take care of his job for him. He never checks up on gigs once Argyris tells him he has them. So it’s really his fault for not taking some responsibility.

Watching from the stage as your music flows through you, vibrating your bones and sinking into your skin, you’re not surprised to see him get out a cigarette as he heads to a mutual acquaintance of yours. He has many flaws, but that’s a major one. Like you and your alcohol. Him and his cigarettes. You wouldn’t be surprised if you learn a couple months from now that he has lung cancer.

Mickey is talking low to the guy and you already know what’s going on. That was a flaw you both shared. Drugs. He is much more intense than you though. While you’d be fine with some pot, he almost always hits hard with cocaine. Not that you’re innocent from that type yourself - you’d done it multiple times with the man himself if you ended up at each other’s place. Never in the bedroom. You never made it that far, and you don’t really care to. But after those times bent over the table, being pounded into the couch, hanging against the wall, you’d get high with him before one of you takes off.

You’re not exactly sure what happened earlier. You were a bit shocked when he stepped away. Not that you usually left so early, but he didn’t even stay to bicker some more.

Not that you care. You’re just…curious. Maybe he’s finally growing tired of the game you’ve been playing. You’ve been playing it for a few years now. With that weird little pause last year.

You actually thought he had changed.

Having run into him at a party, you prepared yourself for the arguing that no doubt would end in sex. But it didn’t. It didn’t even start. He was with someone. Like, steady with someone. As in dating someone. Living with her. To the point where his baby mama actually agreed to let him keep his boy in their apartment as long as they were together.

It was a weird six months. You two actually had real conversations. You knew how soft and goofy he could get; you had loads of mutual friends and often went to the same parties so you’d seen that side of him. It was just…odd because it never came out with you. But it did then. And you…liked it. You didn’t see him as often, especially once his kid was cleared to live with them. He stopped going out on weekends, started just attending the small shindigs your friends hosted, worked from home instead of DJing.

But then his girl - what was her name? Claire? Caitie? You can’t remember - left for a job in the States just a few months ago and he was back to square one. His baby mama took back the custody privileges, he went back to partying every weekend, and you fell right back into your petty bickering and rough fucking.

You feel bad. Really, you do. You heard that he’d actually loved that chick. And you know he wanted to see his kid more. You knew about the room at his place. But that almost made you hate him more. That he went right back to his old self. He didn’t even try. He got a taste of being a responsible adult, and then let it go.

Because no matter how hard people try, flaws are flaws. And no one can change that much.

As the night goes on, more booze enters your system, while more cocaine enters his. There’s the occasional glare or immature finger raising between you two. Mickey even sticks his tongue out at you while dancing with some broad, a smirk lifting up the corners of his mouth as yours twist down and your eyes roll.

Your features quickly morph into smug amusement as an idea pops into your head and his eyes narrow. What are you up to? He quickly finds out as you stop the music and bring a microphone to your lips.

“Hey, hey, party people! Everyone’s night going fantastic?!” Cheers are your response. Mickey scowls, not liking where this is going, and starts heading your way. You wink at him. “I’m gonna change it up for just this one song! It’s a dedication song to a good friend of mine! It’s a bit different than the usual stuff, but it’s a bop, I promise! Here’s to the Mouse!”

He immediately freezes as the song starts. “Meeska! Mooska! Mickey Mouse!” He feels his face heat up, his fists balling up at his sides, glaring at you and your shit eating grin as you roll your body to the beat, his feet taking him to the stage.

Effortlessly lifting himself onto it once more, he grabs both your wrists in one of his larger ones to stop the music without you interfering, his rings digging into your skin. “Aww! But, Mouse! We didn’t even get to the roll call!”

“Shut. Up.” He grits out through clenched teeth, putting something else on absentmindedly. He didn’t want Argyris on his ass later for leaving the crowd without music. “God. Stop being a fucking pain in my fucking ass for one fucking minute.”

You roll your eyes, but he’s pulling you away before you can reply. Next thing you know he’s shoving you into the bathroom, growling at the girls that were smoking up the place to get out.

“You think you’re so cute, don’t you, princess?” He hisses in your ear, slamming you against the door once the girls left. He’s so tired of giving in to you, but he can’t help it, crashing his lips against yours messily. Teeth and tongue, the taste of smoke and the fruity drink you had chosen for the night mixing, only making him press closer. Your hands get pinned above your head and he’s pulling your skirt up, bunching it at your waist. It’s rough and careless and fueled by loathing, but when is it not? “Think you’re so funny? Huh?”

“Yeah.” You breath, smirking as he slots a thigh between your legs, squeezing your hips and pressing you down against him, flexing the muscle and making you squirm.

His teeth are biting at your bottom lip and tugging, his hands dragging your clothed core along his thigh. “Let’s see how funny you think you are when I’m fucking you so hard you forget how to breathe.”

Your breath hitches and your hands previously above your head clutch onto his shirt at the friction against your clit. It’s not enough and he knows, but you don’t tell him. “All this over a silly song?” You jest.

He sneers back at you, ignoring your tease. “Did you get jealous, sunshine? Is that what happened? Is that why you decided to be a little shit?”

“Jealous?” You scoff as he attacks your neck, your hands quickly undoing his belt before he shoves his pants down, his briefs following along with your panties. “Jealous of you, maybe. That girl was hot. Way outta your lea - oh shit.”

You always forget how deep he reaches inside you, how much the stretch is. He’s not soft about it, entering you in one swift thrust, your hips connecting. His hands are dimpling your bare thighs, hefting you up so your legs wrap around his waist, rings on his fingers no doubt making imprints. The door against your back starts rattling with every movement, but the music outside was too loud for anyone to hear it.

“Not so mouthy now, are we?” He snaps in time with his hips. He can feel you tightening around him, your fingers dragging down his chest, trying desperately to pull his shirt off.

“C’mon, Mouse. That's all you got?” You pant out, a little whine leaving your lips when he leaves you suddenly, dropping you to your feet. “Mickey! What-”

He cuts you off by pushing you against the counter, a shout leaving your lip when he takes you from behind, making you surge forwards, your head almost hitting the mirror, pelvis hitting your ass with every piston of his hips. His hand is tangled in your hair and he tugs, making your head snap up. “Look at you. So fucked out. I did that. I’m the best fuck you’ve ever had and we both know it.” He isn’t wrong. Your makeup’s a mess, your hair is wrapped around his fingers.

“You’re the one who keeps fucking me.” You argue back, your spine arching as he hits that perfect spot inside you. Over and over and over.

He growls, leaning forwards to fold over you, his lips by your ear. “And who keep being a fucking brat? Huh? Who keeps coming to my gigs, fucking up my weekend? Practically begging me to fuck you.”

You scowl at him in the mirror. “I don’t beg.”

The chuckle that leaves his lips makes you shiver and you whimper when he tugs your hair harder, the sting of your scalp mixing with the pleasure his cock was giving you.

“You will. You may get everything you want from everyone else, princess, but I’m in charge here. Don’t. You. Forget.” His words are punctuated with a hard thrust, making you lurch forwards, your thighs pressing harshly against the counter.

“Oh God…Mickey,” that familiar tightness in your stomach appears, your eye clenching shut as your toes curl. “I’m so close…”

“Open your goddamn eyes. Look who’s doing this to you. Who fucking owns this pussy? Huh?”

Your eyes snap open and meet his again, his breaths fanning across your face, rapidly becoming less steady. “You.”

“That’s right. You wanna cum, sunshine?” You nod vigorously. He takes your lobe between his teeth and tugs as he stills his hips, keeping himself inside you. “Then beg.”

And, just like the many times before, you do. You do because you don’t actually care about begging. You care about him ruining you. That’s what you want. And you always get what you want. Fuck your dignity.

He starts up slowly again as you plead, stopping a couple more times when you feel yourself getting close. “Mickey! Please, for the love of God!” He’s never edged you this much. Not this intensely. And not in the bathroom at a club. Usually it’s just a quickie before you take him home or vice versa.

But you pissed him off tonight. More so than usual. It was a good night and then you came along. Took his job. Played that dumb song. So he needs to remind you. Put you in your place. “You may be spoiled by everyone else, princess, but I’m the only one who can give you what you really want.”

“God, you’re so annoying.” You grind out through your clenched teeth.

He just smirks. “That wasn’t a denial. Let go, Y/N. Make a mess of my cock. Watch yourself fall apart for me.”

You do as he says, watching your jaw go slack in a silent scream, your body tensing, your legs shaking, as he finally lets you have what you want. Body going slack against the counter, he keeps rutting into you until he groans, a string of profanities leaving his lips as he spills inside you.

The both of you stay there, with him folded on top of you, his forehead resting against the nape of your neck, his grip on your hair loosening.

“That was fun. A little different.” You hum as he gets up. He’s glaring at you as you straighten and fix yourself. “Good orgasm though, so thanks for that. But I gotta get back to work now.”

“You’re such a pain in my ass.” He mutters, tucking himself away and pulling his pants up.

“Kinky. Maybe next time.” You wink at him through the mirror and his jaw ticks. He’s so fucking tired of it. Of you. How you let him have that one bit of control and then your right back to controlling the room once you get what you want. There’s so many nights where he wonders if he should just stop giving it to you. But then he’s inside you and he can’t help himself.

He watches you touch yourself up, although you still look thoroughly fucked, but you don’t seem to mind. This is new. You going back to the gig you stole after sex. He wonders if that was the last time for tonight, or if you’d be leaving together later too.

“I fucking hate you.” He spits out as you open the door, wanting to get the last word in.

You just smirk the same way he did to you earlier. “Yeah…but you love fucking me. Later, Mouse.”

Just like always, you’re the last comment as you walk out nonchalantly, even though he could see the slight wobble in your steps, the door shutting behind you, leaving him alone.

You hate Mickey Henry. You loathe him. You wish you never met him. But you can’t get enough. No matter how many times you convince yourself you have him where you want him, you know you don’t. You’d let him do anything to you. But you can’t stop. Like him and his cigarettes. He’s your flaw. And no matter how bad he is for you, you’re addicted.

Mickey Henry hates you. He loathes you. He wishes he never met you. But he can’t get enough. No matter how many times he convinces himself he’s in control, he knows he’s not. He always gives you what you want at the end of the day. But he can’t stop. Like you and your alcohol. You’re his flaw. And no matter how bad it is for him, he’s addicted.

*****

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alltooreid · 4 years ago

Text

Invisible String

Although Spencer Reid and the Reader don’t find themselves in a romance with each other until well into their adulthood, their relationship has been decades in the making. Almost as if something as been pulling them together all these years.

A/N: sorry for such a long wait but i’ve been struggling a lot mentally as of late. i hope you guys enjoy this one shot!! As always requests are open and heavily encouraged!! And of course this is inspired by the taylor swift song of the same name :)) Also keep in mind although the following scenes are heavily inspired by some scenes in Criminal Minds, elements of them have been slightly altered to fit in Y/N as a character.

Pairing: Spencer Reid x Reader

Type: a cute strangers to lovers fluff fic!

Word Count: 3.9K

Content Warnings: typical criminal minds case discussion, mentions of child trafficking when discussing this case, but no real detail. slight spoilers for season eight (beginning maeve stuff) and tiny spoilers for season fifteen (briefly mentions max but nothing really important to the plot at all)

“Time, curious time Gave me no compasses, gave me no signs Were there clues I didn't see?”

You had met Spencer Reid 3 times before you had really met him.

It was almost silly to think about it now. Now that you and Spencer have been dating for 3 years, it was strange to believe there were so many chances for you two to meet years earlier.

When you were sixteen years old, you got your first part time job. You worked at a self-serve frozen yogurt shop called Iced Dreams. You hated it so much. Your manager was a total creep, your older coworkers were rude and condescending to you, since you were one of the youngest people working there, but most of all you hated the uniforms.

Consisting of a very stupid looking hat, bright pink with randomly embrodiered teal patterns, an outdated bright teal shirt, it had been given to you from a dirty bin in the back, and judging by the sewn in shoulder pads, it had to be at least a couple decades old.

So one day, you didn’t wear the hat.

It wasn’t entirely purposeful. You couldn’t find it, you searched your room, you searched your car, so eventually you had to leave without it to prevent being late. Still, as you clocked it and passed the box of extras in the office something made you decide to leave it alone.

You were about 8 minutes into your shift when your manager approached you. “Y/N? Where’s your hat sweetheart?” You hated this man so much. You had gone to your parents time and time again, recounting his creepy behavior towards you and the other teenage girls who you worked with, but they refused to let you quit.

When you had started working there, he used to enforce this ridiculous rule that all the female workers had to wear skirts as part of their uniform, but you had gathered all the sixteen and seventeen year olds who worked there and all threatened to quit if he didn’t change the policy. So you were no stranger to breaking and defying the rules.

“Yeah I couldn’t find it, sorry.” you shrugged.

He chuckled and reached his hat out to touch your face. You jerked back, you almost wanted to refuse to wear one of the stupid extra hats just so that you could get fired.

“Well, Y/N its policy sweetie. No matter how special you are to me you still need to wear the hat. There’s extras in the office.”

“No way I’m wearing one of those. I bet they have like lice or something.”

He pursed his lips and sighed “Well I suppose that beautiful hair is just too pretty to wear a used hat huh. . . What do you suggest? If you’re working you have to wear it.”

You laughed, “Well you could let me go home.”

He paused, “Why don’t you go sit in the office, I’ll come talk to you in a minute.”

So you did, for about 10 minutes you sat in the office, surrounded by frozen yogurt flavor marking posters and boxes of old uniforms, and each passing minute you feared for the worst. Maybe you were actually getting fired? You really didn’t want to go that far, because, as much as you hated it, you really needed this job.

When your manager finally came to talk to you he held a small salted caramel frozen yogurt, your personal favorite flavor, and a twenty dollar bill. He handed them both to you.

“You seem so stressed Y/N, why don’t you take the day and go get lunch. My treat,” he said, smiling that weird twisted smile that always made your full body shiver.

However you were broke as hell, and no teenager in their right mind would ever pass up free food, so you took it, grabbed your keys and started to leave

Yet as soon as you walked out the back door you dropped your frozen yogurt, cup fully upside down, onto the pavement. You cursed, you hadn’t even taken a bite of it yet, and it looked like he had put coconut flakes on it, and you loved coconut. Still, you had your twenty bucks, and that was a pretty sweet pay out considering you were only clocked in for about 20 minutes.

So you got Chinese food, and spent what was supposed to be your shift in the shopping mall across town, completely and blissfully unaware of the fact the Behavioral Analysis Unit of the FBI was dragging your manager away in handcuffs.

➽───────────────❥

Young Spencer Reid had only joined the FBI about a month ago. Despite being a genius, and providing crucial information to the solving of cases, he was aware of the most obvious. He was only twenty two years old, and he was scrawny as hell.

He felt this intense need to prove himself, especially to make Gideon proud.

So when they got a case about a the kidnapping and sex trafficking of teenage girls, he saw it as something he could really involve himself in. Based on the profile, it wasn’t going to be a large, strong, confident unsub who Morgan needed to tackle. This man would be ugly sure, but he would be a manipulative mastermind. Reid could work with that, he could prove himself.

He surprised everyone with his sheer work ethic and determination to find this man, and through consistently revising and delivering the profile soon enough they got a hit. A young woman in her early twenties called the tipline and reported her own manager. Insisting he fit the profile perfectly, and described how strangely he treated the minors who worked there, and how he almost exclusively hired young girls, treated them great and then switched as soon as they became legal.

So Garcia did her magically digging, and soon enough the FBI was tearing up a frozen yogurt shop, looking for any evidence of pedophilia. Garcia was even brought along, as she was pivotal to discovering any secret files in his computer.

At first, all they could find were strange compilation videos and under employees skirts. Spencer, and the rest of the team, were struggling to connect how he could get so many videos from an angle like this without anyone noticing or reporting him, until Gideon uncovered an old dusty pair of shoes, in which the right one held a small camera at the toe.

Although this was absolutely disgusting, it wasn’t enough to prove he was running the ring or kidnapping the girls, so Garcia kept digging. Meanwhile, Spencer tried to make himself useful by checking out the back of the store.

That’s where he found your clock-out receipt.

“Hey guys, we might want to take a look at this,” he shouted out.

Morgan grabbed the paper from his hand, “Ok, I don’t get it kid, it’s trash.”

Spencer pointed to the details on the slip, “Yeah but it says here she clocked out 18 minutes ago after only working for 23 minutes and 46 seconds. If this guy is our unsub, this girl could be in a lot of trouble.”

“Maybe she’s still here, has anyone checked out the parking lot yet?”

Spencer shook his head, and followed Morgan out the back door. There they discovered some almost completely melted salted caramel frozen yogurt.

Morgan bent down to investigate, “Yeah, we gotta get this to the lab, but I can tell you right now that there’s clearly more than just coconut topping this yogurt. It also means we have another victim.”

Spencer crouched down as well, “Not necessarily.”

“What do you mean kid? We’re missing a teenage girl and we’ve already found illegal evidence on this guy's computer. She’s in trouble.”

“Well judging the shape and inscription of these pills it appears to be some pretty strong rohypnol, almost certainly prescription grade. And ingesting it like this means she probably would have begun to feel its effects fairly early, I would predict 15 minutes. She clocked out 18 minutes ago, so even if she left exactly at that time she would have certainly crashed her car on the way home. The nearest residence is 8 minutes away from here, we’re in a complete shopping district. There’s only two cars out here and neither have a passed out driver, so I would bet she didn’t eat any of it. Also, the only spoon out here is still wrapped in plastic, “ Spencer analyzed.

Morgan sighed, “Well what do we even do then?”

Before Spencer could answer Hotch opened the back door. “We got him.”

Spencer turned to Morgan, “I’m sure her phone number is somewhere inside, I say we call her and make sure she’s ok. She probably doesn’t even know this is happening right now.”

So he did find your phone number, and although he initially pushed the phone to Morgan, he just chuckled and pushed it back.

“No way pretty boy. You’re the know-it-all with all that profiling out there, you can call her,” and before he could protest Morgan left, so Spencer was left to call you.

And strangely, for it being the first time he would ever interact with the love of his life, he thought nothing of it.

And that was the first time you had met Spencer Reid.

➽───────────────❥

The second time was years and years later, when you were waitressing night shifts to make extra money. You had never forgotten meeting Spencer Reid the first time, but this was the first time you would ever see his face.

You were slightly concerned when you got a call from a man, whose name you had now long forgotten, claiming he worked for the FBI. Although you weren’t incredibly surprised to hear your manager committed such heinous crimes against children, you were taken aback by how close you had come to becoming one of his victims.

But that was 9 years ago. In your college days it became a fun story you told at frat parties, but you were 25 now. Sometimes you would think about the incident when you couldn’t sleep, and if you were feeling feisty you would use it as an icebreaker or a “two truths, one lie” statement, but otherwise you didn’t really think about it.

You had plenty of other things to worry about, in fact, that’s exactly why you worked so much. It was so much easier to forget when you were constantly preoccupied with complaining customers and terribly awkward blind dates.

You had just sat this man, incredibly handsome, however it was clear he was on some kind of date. His reservation was for two, and he spent way too much time adjusting his clothes and table setting for him to not be trying to impress someone special. He also brought a gift, which judging by the packaging and shape, seemed to be some kind of wrapped book.

Even though he was 15 minutes early for his own reservation, he still looked really nervous, almost like he already believed she might not show up. You couldn’t help yourself, you had to go talk to him.

“Anyone ever tell you you should model?” you started with.

He looked up “Excuse me?”

“Sorry for being so bold, you just look so familiar,” he weirdly sounded very familiar as well, but you didn’t tell him that. “Are you sure you haven’t modeled? You have excellent bone structure. I bet you could.”

He laughed to himself, “yeah I’m sure.”

“Well your date is very lucky either way. I wish I had a boyfriend as handsome as you. Actually I wish I had a boyfriend period, but that’s a whole other story.”

He chuckled, and although you knew in your heart that you shouldn’t be flirting with him considering he was 15 minutes away from being actively on a date talking to him made you feel something you hadn’t felt in a long time. “What happened with your boyfriend? Do I even dare ask?”

“Well I kind of always knew he wasn’t super interested in me, but I really liked him, so I did my best to ignore his wandering eyes,” you sighed. “That didn’t stop him from leaving me for his coworker though.”

“That’s terrible.”

You smirked, “That’s not even the worst part, he broke up with me over a 27 second phone call. He didn’t even let me respond, he just kind of hung up.”

“I’m sorry, no one deserves that. Especially not you. I’ve only been talking to you for a couple minutes and I can tell that.”

“Oh really? What makes you so sure?”

“I’m pretty good at reading people.”

You smiled, “Well I should probably stop flirting with you now, considering your date hasn’t even started yet. And don’t worry, she’ll show, you’re so handsome she’d be stupid not to.”

He looked confused. “You were flirting with me?”

You laughed, “I thought you were good at reading people?”

He smiled back at you, and it made your heart soar, this silly, pure goofy smile that made you want to replace his date and have dinner with him right then and there.

You walked back to your hostess stand. A couple minutes later you noticed the handsome stranger on the phone. You thought nothing of it until later when a woman came in, clearly nervous, holding a gift bag.

“Can you give this to Spencer Reid for me please?” You recognized the name, the man you were just speaking with had filed his reservation under it.

“Um, yeah sure, aren’t you going to go in? He’s at that table over the-” but before you could finish your sentence the woman was gone. Your heart sank, poor Spencer, how could someone drop their date off a gift but stand them up anyway? That’s just cold.

When you get up to bring the gift to him, he’s already heading out of the restaurant himself.

“Sir? Spencer? Dr. Reid?” he turned his head. “A lady came in and dropped this off for you.”

His face dropped, it almost looked like he was about to cry. “Thank you,” he said as he looked up at you before leaving.

He ran out the door, both gifts in hand and whipped his head around a few times before sighing and speeding off in one direction. Even before you learned what happened after that and leading up to it, you felt terrible for the handsome stranger.

How could you not for someone so clearly distressed? Someone so clearly in love?

➽───────────────❥

7 years and a divorce later you were spending your Saturday in a park, strangely contemplating love itself. Although you barely remember that night all those years ago when you spoke to Spencer, he did. Vividly. In fact, on this Saturday you both were in a public park, contemplating your many failed attempts at true love.

It was your first wedding anniversary without your husband. Although you had only been married for two years, you still were having a hard time navigating life without him.

You started to wonder if you would ever find the true love you had been wishing for since your youth. Was 32 too late? Had you lived out all of your opportunities?

When you were little your mother had told you that all soulmates were attached at the left ring fingers, by small, incredibly thin strands of gold string, invisible to the naked eye. She insisted that these strings were constantly trying to pull you and your soulmate together, and that when life was ready for you two to meet, you would.

Until then, you would have small, mindless interactions. Things you wouldn’t think about, maybe even things that weren’t interactions at all. You would get the same commercial jingle stuck in your head. You would both get an intense craving for the same food. You’d have the same dream.

As a kid you were obsessed with this idea, you thought it was so romantic, and you fully believed everything your mom told you about it. You always asked her for more stories, and at bedtime you refused to sleep unless she would tell you more.

But now you were sure soulmates, true love even, didn’t exist. The invisible pretty gold strings your mother weaved fantastic stories with were completely fabricated. If they weren’t, you would have seen the clues by now.

Right?

➽───────────────❥

Spencer Reid was given an assignment from his therapist. He had to spend his Saturday off trying to interact with a stranger. Making friends with someone other than his colleagues may seem like a simple task for some, but it was something the young genius had almost no experience with.

He understood that it was probably for the best. He wasn’t exactly great with relationships of any kind, but especially not romantic ones. It didn’t take a genius to know that a couple of flirtations, a dead girlfriend he had only seen once, and a long time unrequited (or at least he thought unrequited) infatuation with his best friend and godsons’ mother was not a very great track record.

He, just like you, was also beginning to believe that he was hopeless when it came to love. That 38 was too old, that his time to meet someone and have the children he dreamed of had long passed.

But right as he was about to call JJ, to see if she would invite him in on the case Garcia had started to work on, he saw you.

Unlike you, he remembered your face and your interaction vividly. That almost date with Maeve was one of the biggest defining moments of his life, and what are the chances that the waitress from that very night was now less than 30 feet away from him, reading under the green leaves of a tree.

He wasn’t going to say anything, until he saw the book you were reading.

The Narrative of John Smith.

It must have been a sign, for what he wasn’t exactly sure yet, but it just had to mean something. The universe had to be reaching out to him, he had experienced crazier things.

And just as he was about to walk over to you, to close the gap between the gold strings tied around your ring fingers, a child interrupted his train of thought.

“That’s a strange haircut.”

➽───────────────❥

Derek Morgan and Spencer Reid were finally reuniting after many years. They barely got to see each other these days, but even though he was teaching and working at the BAU, Spencer still was willing to clear his schedule to second Derek suggested they meet up.

Morgan was excited as well, both to see his friend and to hopefully help him get a date. Sure, he had liked what he had heard about Max, but he wasn’t exactly surprised it had only lasted a couple months between her and Spencer. They just seemed too different.

Plus, now he got the chance to play wingman again, and he was ecstatic about that. Spencer not so much.

“I don’t know Morgan, it’s only been a couple months since we broke up. Wouldn’t it be too early to start talking to other people?”

“Pretty boy, you and I both know that the rate in which you’ve had relationships is not even close to the average. You need to balance that out somehow.”

Spencer sighed, he knew Derek was right, but he still felt strange.

“Morgan, have you ever heard of the red string of fate?”

“No, but I’m sure I’m about to hear all about it.”

“It’s an East Asian philosophy, based on the discovery that the ulnar artery connects the heart with the pinky finger, actually that’s where the belief in pinky promises come from. The reason it’s integrated in so many different cultures is that-”

“Kid, you’re losing me here,” Morgan interrupted. “Finish your thing about the string.”

“Oh yeah, sorry. It’s the idea that human relations are predestined by a red string that the gods tie to the pinky fingers of those who find each other in life. Legend has it that the two people connected by this thread will have an important story, regardless of the time, place or circumstances. The red string might get tangled, contracted or stretched, as surely often happens, but it can never break. Essentially, the idea is that although we might not realize it, our lives move in a pre-ordained direction, guided by invisible strings that are woven into the fabric of the Universe itself. And all the while, the red thread connecting us to our distant soulmates is getting shorter.”

“Well it’s an interesting theory kid, but it’s a lot to think about. I mean, we’re in a bar, let loose a little bit. Not every interaction has to be about getting closer to your soulmate. And sure, maybe you’ll meet them one day, maybe even soon. But you’re here now, and just because your one true love may not be, doesn’t mean it’s not worth it to be here.”

Spencer sighed, “You’re right. I don’t even know if I believe in that anyway, maybe I’m just looking for something to explain this all.

Derek patted his friend on the shoulder, “okay pretty ricky, this is how it’s about to go down. I’m going to buy you two drinks. You’re going to take both of them, and go find someone, anyone here to go talk to.”

“Ok, I think I can do that. Who?”

Derek looked around, trying to find who he believed would be the best match for his friend. “How about her?” he asked, pointing at you.

Spencer couldn’t believe it when he looked. There you were, the girl, the one he had met three times before, even if he could only remember two. The woman he knew was some sort of universe sent sign that Saturday he saw you underneath the greenery. The girl he was so close to talking to before he was interrupted by Max’s nephew. The woman who (and he obviously did not know this at the time) he would marry 3 years later. The one who would carefully knit the baby blankets for all of their friends and exes. The one who he would adopt 3 children with. The woman who, he was now sure, was at the other end of his invisible string. The girl he needed to talk to right now.

“Is it just me,” Morgan said, “Or does she look kind of familiar?”

“Yes,” Spencer responded, “yes she does.” He got up quickly and started making strides towards you.

“Wait!” Morgan called, “You forgot your drinks!”

“I don’t need them!” he shouted back. When he sat down next to you, you smiled. It made his heart soar, you had this silly, pure goofy smile that made him want to ask you out right then and there.

Instead he settled on the only conversation starter he could think of.

“Have you ever heard of the invisible string story?”

And you couldn’t help but laugh.

“A string that pulled me Out of all the wrong arms right into that dive bar Something wrapped all of my past mistakes in barbed wire Chains around my demons, wool to brave the seasons One single thread of gold tied me to you”

- Thank you for reading! Please reblog and let me know what you think :))

#spencer reid #spencer reid fanfiction #spencer reid fluff #spencer reid one shot #spencer reid x reader #spencer reid x you #spencer reid fanfic #reid #Criminal Minds Reid #Criminal Minds Spencer Reid #reid fanfic #reid fanfiction #Criminal Minds #criminal minds fanfiction #criminal minds fluff #reid x reader #spencerreidxreader #spencer reid taylor swift

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multi-fandommm · 3 years ago

Text

Soft Spot

MINOR SEASON 4 SPOILERS (sorta)

Pairings- Full Metal (Scott Carter) x reader

Warnings- Character injury, (not death because I refuse to accept what happened).

Your froze, heart dropping into your stomach.

Metal was down.

Your brain wasn’t quite processing what was happening. Bravo six called out the RPG, coms went silent for a minute, and then they were calling for medical evacuation. For Full Metal.

You’d been working for the CIA with Mandy at DEVGRU for about a year. You’d gotten to know the team pretty well especially since both you and Mandy got deployed with them. You cared about all of bravo team, it was hard every time they got spun up but that’s just part of your job. But this was the first time since you started working with bravo that one of them had been seriously injured.

This couldn’t be happening. For some reason you’d never considered a guy named “Full metal” could get hurt like every other person. Metal may have been one terrifying dude, but he was still human like everyone else.

You could understand why everyone thought he was frightening, he certainly looked the part and was definitely not someone to mess with, but he also adored reading was a quite calm and level-headed person. Trent always said that Alpha 1 had a soft spot for you, considering one time you referred to him as “Carter” and you were still breathing.

He had to be fine you thought. Sweat began dripping on your brow. You don’t know what you would do if he wasn’t. Don’t think like that, just take a deep breath, the doctors will do their jobs and he’ll be fine and that it.

Helo had arrived and picked up Metal, Jason and Clay, all three were headed back to the ship now. Shit, how long had it been since the call came in? it felt like seconds ago, in your panic you’d frozen completely. Bravo 1 radioed in to tell havoc that Metal was stable but in bad shape. The medics would be waiting for them to arrive. Your sure Metal would be fine, he’d survived stuff like this before. Part of the job. Just take a deep breath and get back to work. So you did just that, inhaling shakily before turning back to the your screen, nothing you could do for Metal, you just had to trust the doctors.

•••••••••••••••••••••••••••••••••••••••••••

Bravo team had just finished clearing the areas and were prepping for exfil, it was mission success. Except for Metal. You hadn’t heard anything after he arrived in critical condition. Surely if he hadn’t made it someone would have been in to tell everyone. Blackburn had just gone to check on him and should be back any second.

You turned back to you work, making sure the rest of the team got home safe until Blackburn came back in, “Doctors say he got here just in time, mostly shallow wounds. It looks like he’s gonna make it.”

You leaned back in your chair releasing a large breath. He was fine, but the rest of the team wasn’t back yet and you couldn’t let him wake up alone so you shut off your work and started making your way towards the sick bay.

When you got to his room, he was still asleep so you decided to just sit and wait until bravo got back or Metal woke up. You entered the room and stood beside the bed, looking down at the unconscious SEAL. “Please get better,” you whispered, “I can’t stand to see you like this.”

You took a seat in the chair beside his bed and just waited, as you recalled old memories like when him and sonny both fell off their horses during an op, the idea of Full Metal on a horse ,let alone falling off one, always brought a smile to your face. You heard a light groan from beside you. You got up and moved towards the side of the hospital placing a hand on his arm. “Hey, its Y/N. Look try not to move it could rip your stitches.” You didn’t even bother trying to keep the relief from your voice, thank god he was fine. The doctors said he would wake up a piece of you couldn’t believe that until he really did.

He began trying to sit up, still groggy from the meds he’s on but clearly distressed. “Clay…Jase, I need to-“

“They’re fine,” you reassured him, “the team is on their way back to the ship now alright? No need to worry about it.”

“How bad is it?” He asked, closing his eyes and laying back in the bed.

“You’ll live, definitely need some recovery time but the doctors say it was all pretty superficial, you body armor took most of it and you should be back with bravo in a few months.” He stayed silent for a moment, eyes screwed shut. You remained next to the bed, hand still on his shoulder, you couldn’t understand how he must’ve felt, the fear for his brothers and fear he might have been out of operating. You’d seen what sitting on the sidelines could do to operators.

After a few moments of quiet he spoke up, “Please don’t tell the rest of the team.”

“Don’t tell them what?”

“I’m not really made of metal.” He groaned, smile tugging at his lips.

“Well I hate to break it to you, but I’m pretty sure Clay and Jase know that now.” You laughed, “and all the medics who treated you. I’m afraid they may have to go back to calling you Senior Chief Scott Carter.”

“How do you know that?”

“Know what? Your name? Doesn’t everyone?”

“Most people would end up finding out why I keep a shovel and bag of lye in my car if they ever used my full name.” Honestly you thought just Ray and Trent remembered it, even Lisa and Blackburn called him “Metal”.

“I’m assuming the fact I’m still alive has to do with your current medicated and bed ridden state?” You joked.

“No,” he responded, eyes now open and looking at the hand you had on his shoulder, “I said most people, not all.”

You removed your hand, “Sorry I was just glad you woke up, honestly I would’ve hugged you if that would’ve been appropriate.” You cleared your throat and took a step back from the bed, “I’m gonna go let everyone know your awake, see how long it is before Bravo is back. You should go back to sleep.” You walked towards the door, worried you’d overstepped, no one else on the team would’ve touched him that long like that.

“Wait,”

You turned around at the door, “Yeah?”

“I suppose if it would make you feel better, I could suffer through one hug.”

“What?” You asked.

“You heard me, I’m willing to make that sacrifice.”

Before you thought it through you walked toward the sick bed and placed your arms around Metal. This was definitely at least a little inappropriate but it made you feel better. He was fine, he was alive, he was going to get up and operate again.

“Thank you.” He whispered in your ear. “For being here when I woke up.”

“I couldn’t stand the thought of you walking up here alone, wondering what happened after you passed out.” You removed your arms and and sat up straight, still on the edge of the bed. You looked down at him, eyes still watering with relief. You could see see his jaw clench and eyes turn away from yours.

“Please stay here, atleast until I fall asleep and the team is back. Can you… just hold my hand?” He asked, voice taut. “You make me feel better.” He confessed.

“Yeah. I think I could do that” you whispered taking his rough hand in yours, eyes still swimming with tears. The two you stayed that way, you perched on the side of the bed, his hand entwined with yours as he slowly drifted back to sleep.

#seal team #seal team season 4 #full metal #full metal seal team #scott carter seal team #Sonny and Metal both fell off of their horses #Seal Team Season 2 Ep22 Minute 5 #seal team cbs #seal team fanfic

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hartrathaway · 4 years ago

Note

Hii I'm interested in Hartley's story but I know literally nothing about him except that he was Wally's gay bestie in the 90s, what's his deal? Do you have any comic recs for him?

HI IM SO SORRY THIS TOOK SO LONG!!!!!!!!

Okay, so really brief, his dealio is: born to ‘incredibly rich’ parents (we never get a specified ballpark, but Hartley states that he was ‘born with two silver spoons in [his] mouth’ if that helps context wise), Hartley’s deaf! His parents had him get cochlear implants when he was a child, which ‘medically healed him’. (His deafness has been treated extremely ablest by writers who actually remember he’s deaf, I need to warn you of this now.) He’s a music and sound waves guy, a former villain (it’s an on again off again relationship, but a lot of his character is defined by his time as a hero) and he’s very leftist. Gay best friend in the AIDS crisis turned Wally West from a midwestern conservative to a leftie as well. (Wally’s wife, Linda Park, was a major contributing factor, but we’re focusing on Hartley for this, so I’m gonna talk about him.)

I’ve got a mix of good reading from all over, so I’m gonna break this into sections, and do my best to describe which is which. (all my screencaps are from this website right here, because i do not own all the back issues and it would have taken much, much longer to do this post, and as such, some of them are not sized or formatted correctly) Click the read more if you’re interested! Please note: I am not a 100% authority figure on Hartley, and I know there’s a few stories I have left out (the story with Bart Allen’s first appearance is a good one that Hartley is in), but these are the gist of who is he, what he’s been up to, and what is the family drama.

So for New Earth (otherwise known as post-Crisis on Infinite Earths), is where Hartley actually becomes Wally’s friend, and is a hero! I’m going to focus on this section first. Unfortunately, due to being a minor character, a lot of stuff is broken into small stories, or things that are happening behind the scenes, so there’s no real issue x - y that’s gonna help much.

The Flash Vol 2 #31, #32 Quick summary: In issue 31, supervillain here is killing homeless people, Hartley has been helping these same people get up on their feet by helping them get squatter’s rights. They skip the fighting because a kid asks if they’re going to fight for a half hour and then team up, and go right to the team up. They get Linda Park in, supervillain ends up backfiring his powers. In issue 32, Wally, Hartley, and their pal Mason officially move to Keystone city. Hartley’s folks are in trouble while the three of them are trying to freeload (off of Hartley’s parents, his and his parents’ relationship is better now than it had been, for a multitude of reasons), Wally and Hartley rescue Hartley’s parents, we also meet Jerrie, Hartley’s sister, and all is resolved there. Yay, the family loves each other again!

(issue 31)

(issue 32)

The Flash Vol 2 #53 Special mention this is the issue where Hartley comes out and also has to inform Wally that Wally cannot tell who is a homosexual. Also Wally’s an IRS agent here, for shame Wallace. At least Hartley gets to cosplay Wally at the end, so that’s fun. Content warning for this issue specifically is some casual homophobia, just so you know that going in.

(issue 53)

The Flash Vol 2 #170 In 170, Hartley’s being contacted by his father to call in ‘a favor’ that Hartley owes him. The main plot line includes (one of) Wally’s ex(es) showing up, a former hero and teammate, Frances Kane, otherwise known as Magneta. A person has been found murdered at Keystone Motors, and supervillain Goldface begins rallying union workers (which seems to just be a poorly timed coincidence). The story itself (170 - 173) in and of itself is really fun, but I’m only going to talk about Hartley, or else I’ll be here all day.

(issue 170)

The Flash Vol 2 #174, #175, #178, #179 And here we get some drama! I’m grouping all of these together, since it’s all the same chunk of the story for Hartley, but since it’s the Flash, Wally’s center stage. In 174, the people who were living with the Rathaway family aren’t exactly big fans of Hartley. They know he’s changed his ways, he’s a hero now, but it’s just… something feels off. There’s loud music sounds, and bam! Suddenly Hartley’s there and oh boy is this gonna be a hot mess. In issue 175, we see some footage, and Hartley’s the lead suspect in his parents’ murder, considering that the footage has Hartley onscreen. 178 rolls up, and after Wally’s getting Gorilla Grodd taken care of (and that fight is a doozy), Wally gets to find out Hartley’s been arrested for the murder of his own parents, and Hartley confesses on-screen to his parents’ murder (Also Hartley’s got a beard now, that’s how you know he’s depressed.) 179 opens with Hartley being processed. Linda and Wally go to see him, and although Hartley confessed, he said “I think I did.” (emphasis is mine; in the panel Hartley says “I think I did.”) Joker? He’s got some Joker-fied people, and poor Hartley gets it too :( Hartley straight up nearly kills Captain Boomerang (it’s okay, Wally stops him), and surprise! Welcome back to Iron Heights Hartley. Gonna have a fun time :)

(issue 174; this is the least messy part of the panel, but it was intended to be that way)

(issue 175)

(issue 178)

(issue 179)

The Flash: Iron Heights Brief interlude from the main comic line, we’ve got a one-shot that’s taking place in Iron Heights. This takes place before Hartley gets arrested, presumably (since, y’know, they’re breaking in and all). Fun one-shot honestly, keeps me on my toes the whole time. Hartley’s a main character, and it’s less personal drama and very story driven. You don’t need this to enjoy Hartley regardless, but I enjoy it!

(The Flash: Iron Heights, which you can read here.)

The Flash Volume 2 #189, #190 189! Now we find out how Hartley’s parents were actually murdered! No spoilers, but we do get a prison breakout. This is where we get some origin story! Don’t read this first though, because you’re going to be spoiling yourself the plot of his arrest. In 190 we get more origin, including the way DC treated his deafness. (It’s ablest, and I’m still mentally grappling how you wouldn’t notice your child being deaf for two years, but okay Rachel and Osgood, you keep being bad.) The story goes on for now, with Hartley on the run from… well, everyone.

(issue 189)

(issue 190)

This is pretty much it for New Earth Hartley up until Countdown.

I don’t like Countdown at all. I’m much happier pretending that Countdown doesn’t exist (both because of how it treats Hartley for a multitude of reasons, and how Thad Thawne is treated leading up to Countdown). More happens with Hartley’s storyline in Countdown, but I hate it with such a passion that I wouldn’t recommend it at all. Countdown leads into Final Crisis, and I’m not a fan of either. However, should you wish to read and make your own opinions, here’s Countdown and here’s Final Crisis. Please note, Countdown’s issues are done in reverse order (so from issue 51 to 1, rather than 1 to 51)

And now I’m going to tell you the gospel truth:

I do like New 52 Hartley! A lot. Unfortunately, he’s not as much in the n52 Flash run as I would like (but I’m biased, as obvious by my url). What you need to know is that Hartley’s a musician now, like orchestra director, and he’s in a relationship with Barry’s boss, David Singh. (power move, honestly) Unfortunately, we don’t get a whole lot in the main line. Also at this point, the Wally West of New Earth hasn’t transitioned to the n52. Wallace West of n52 is an entirely different character, and that’s a whole other issue for another discussion. Wally West as we know him from New Earth doesn’t come back for a while. Wally and Hartley haven’t talked since before Flashpoint, and that’s a shame.

So read the Crimes of Passion Anthology he’s got please I’m begging you. The only downside is that the artist gave him a haircut.

(Crimes of Passion: Secret Admirer)

I haven’t read anything DCeased related, and while I know Hartley gets his time to shine and kiss David, I can’t tell you much beyond that. I’m pretty sure there’s other people who can tell you more, but it’s not me I’m afraid. (This is me saying guys, please tell me about Hartley in DCeased, someone tell me about my fictional lavender marriage husband.)

#Anonymous #ask #hartley rathaway #pied piper #pied piper dc #dc #(for my own records)#i'm biased and i hope the read more keeps the worst of this off of my followers' dashes #hope this helps!!!!

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bloodstained-ballgowns · 3 years ago

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Things I... didn’t like as much, about Black Widow (2021):

Disclaimer: I loved this movie. I would give it 4/5 stars overall. This is a lot of nit-picking. Most of the choices I’m talking about here I still really enjoyed, but this is how I would change them to improve it *for me*. If you disagree, that’s fine! Obviously, spoilers.

I said in my ‘Things I Loved About Black Widow’ post that I consider the first 53 minutes to be perfect, and the rest to be not-so-perfect. This is where I complain about the not-so-perfect stuff. They didn’t drop the ball on the third act, they just...fumbled it a bit. It stayed dark, but to me, it lost a bit of its grit. Cate Shortland’s influence really shone through in the first act, but it got lost around the second and third acts for me because of how Marvel-y it got.

Firstly, I’m considering the hand-to-hand combat here to be second only to CATWS. So why did that element basically dissolve towards the end of the film? She barely fought anyone in the prison breakout. Yes, Natasha fought the Widows, but that was all slowmo-y and widows-bites-y and did not have the same level of choreography. I wish they’d carried it through.

Talking of action, there was not enough of it between Natasha and Taskmaster (who is getting a whole other post, because that is a bag of mixed feelings I don’t want to delve into here), particularly in the third act. Action isn’t something I’m particularly interested in but I was excited for this dynamic. Antonia wasn’t the villain, but like, the bridge fight did not effectively demonstrate her whole mirroring deal. Yelena and Nat’s fight had more mirroring than her and Tasky’s. Antonia’s skill set really shines in hand-to-hand onscreen, but as I said, I felt that kind of dissolved in the third act. They completely cheated us out of an impressive showdown when Natasha let Antonia out of the cell and moved backwards and I totally thought they were going to duel...which would lead into the sky fight...and then...the room cracks and they’re blown apart?? Hmmm.

Why was the Red Room in the sky??? I get that they were moving around a lot and this movie needed to have some kind of Marvel explosive finale and it looked cool and everything but I prefer the comics’ more grounded version. I just think it would have been more effective for Natasha and Yelena to walk through the old halls of the building they grew up/were trained in, find the new facility underground or something and then blow the whole place to smithereens. It would have actually cemented the whole ‘going back to where it all started’ thing.

Now I know the reason for Dreykov’s off-screen demise was to show how a man as purely evil as him didn’t deserve a major, glorified death. He deserved the death of an afterthought. But I would have liked to see Nat plunge a knife into his heart. Or to see him try to go after Yelena somehow and Nat just shoot him in the back of the head. It didn’t feel like they gave us any closure on that front, particularly as they made a whole deal about Nat not seeing the body in Budapest...and then we didn’t see the body here either. I almost feel like his death was made so insignificant that it was forgettable.

The whole flashing back and showing that actually they did have everything figured out did not work for me, it felt like lazy writing. It gave me “BET YOU DIDN’T SEE THAT COMING, BET YOU UNDERESTIMATED HER, LOOK HOW CLEVER NATASHA IS! DIDN’T YOU UNDERESTIMATE HER? SHE HAD IT ALL FIGURED OUT YOU FOOLS HARHARHAR” vibes and I was just like...I know. Literally, I know how clever and calculated she is. I knew she wouldn’t have been outplayed like that at Melina’s. Maybe other people didn’t, but come on guys, think up with something a little less ‘gotcha’.

What the hell happened with Nat and Ross before they cut to ‘two weeks later’? *confusion intensifies*

Again, this is getting long. See the read-more.

This movie had a lot of bases to cover and a lot of information to convey and I think the script managed that pretty well overall, but it did lapse into a bit of ‘show-don’t-tell’ syndrome at times. Show me Nat’s mother being ‘relentless’ in her search, don’t just tell me about it. I did not want Renner’s Clint Barton in this movie, but they could have made the Budapest flashback a smidge longer, for my liking.

Disney would never do this, but I would have loved an R-rated Black Widow movie. Yelena is absolutely a character that would yell ‘Fuck!’ really loudly (think Florence Pugh in that cactus video). My suggestions above for Dreykov’s death were me being reserved: Nat stabbing him repeatedly would have been so cathartic (for me, idk about her).

Y’all know I’m a slut for Nat’s everything in this movie, particularly the hair, but goddammit the hair. Riddle me this, if Nat had in a perfectly good braid when she got into the helicopter, why did she emerge with flowing locks and one tiny useless plait on the left side of her head?? And then she redid that into the ponytail with all the little braids while preparing for battle at Melina’s (never mind the fact that Nat’s hair would not have been long enough for them to reach much past her shoulders as well as being tied up) and fit it all under a Melina-wig! HELLO, LOGISTICAL NIGHTMARE SPEAKING.

I’m pretty sure the whole Nat-not-understanding-science-speak thing was only there for the “In English”-*replies in Russian* gag but it still seemed a little ooc since she’s never had a problem with it before. Idk if I would class this is as Nat ‘playing dumb’ to get more information like she does later with Dreykov since Yelena is readily giving her that info, and Yelena is also good enough to realise when she’s being manipulated like that.

Ummmm whole separate post for reasoning and such but the magic dust antidote? Not a vibe. No thank you. Lazy. Unrealistic.

So...Alexei and Melina. It’s not that I don’t like them as characters - I really enjoyed them, I think they’re great characters. Fascinating to analyse. Did I love the Ohio mission sequence? Yes. Did I really appreciate the family dynamic and all the fanfic possibilities it gave us? Yes. But do I wish they weren’t in this movie at all? Yeah, kinda. The family dynamic was funny, and it was heartwarming, and it was heartbreaking, because it was executed so well, but the fact is that it was added by Kevin Feige to make this movie more palatable for the wider audience. Alexei’s dad jokes breaking the tension were probably an imperative for most audiences to enjoy the film. (Yelena’s dry sarcasm could have filled that role easily for me). But I didn’t want the tension broken. I didn’t want people to relax. I wanted them to come out and have to decompress because it was so intense. It’s easier to market a film about ‘family and going back to the past’ than ‘female subjugation and exploitation’. I don’t appreciate it, but I get it. Making this into a quasi-ensemble piece in the second and third acts just irritated me though. I wanted all the screentime possible to be on Natasha and Yelena. They could totally have pulled it off without their parents.

This really is nitpicky, but would a Liho mention have been too much to ask for? It would have been so easy, when Yelena asked “did you ever wish for kids?”, Nat could have replied with “i have a cat”, which is a good deflection but also informative, or her lockscreen could have lit up to show a tiny black kitten. Idk, this movie used a couple of good comics references and I guess I was hoping for one more.

*whispers and runs away* Bucky should have been here. Goddammit.

In conclusion, a lot of my critiques could be fixed if we didn’t live in a time where this film still had to be palatable for wider audiences who do not care about characters nearly as much as they care about action or humour or plot or spectacle. A lot of the strong choices paid off (they’ve riled up dudebros enough to prove that). The Marvel-y ending and Alexei’s humour did not. The rest is just logistical errors and missed opportunities.

This is a lot of complaining but I promise, these annoyances are much more minor than I’m making them out to be. The movie is magnificent even with them.

#please don't come for me #polite discourse pls and thank you #black widow #black widow spoilers #black widow comics #natasha romanoff #yelena belova #melina vostokoff #alexei shostakov #antonia dreykov #the red room #general dreykov #liho the cat #my post #black widow analysis

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akrona · 3 years ago

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thoughts on deltarune chapter 2 (spoiler-free)

great things:

the writing is excellent as always. laughed out loud at many points, had Feelings at many points. but it's a toby fox game so that's par for the course.

ch1 and undertale had a problem where the overworld puzzles are just repetitive obstacles slapped on to make it feel more like a game and less like a walking sim. ch2's puzzles are more integrated into the setting, and more varied to keep it interesting.

fun battles. the s/r-action makes for more strategizing and the mercy/hp meters were a great addition. spare requirements are fun to figure out. great new bullet patterns, doing a lot of creative stuff. battles were more challenging. i am reasonably good at bullet hell but i actually lost a couple times (only time in ch1 that happened to me was against jevil).

game's a lot longer! love to have Content, babey

liking the plot so far, and the pace at which it is progressing. obviously there's a lot of unanswered questions, but that's good considering it's not close to finished. it can be very hard to get the pacing right for a work released in sections; you need to consider how it will come across both for people playing as they're released and waiting years for the next installment, as well as for later players who will experience it all at once. this is extra hard when the fandom is prone to analyzing and speculating on every little detail. how much do you reveal? what cliffhangers would be really awkward if you got the answer five minutes later? (i suspect it helped being involved in homestuck which had to thread this needle constantly)

the art is consistently good. temmie's stuff has always been solid but in the previous games it was obvious which bits got attention, and the rest was pretty lackluster. this one has so much stuff to look at, and it's all part of a cohesive whole. i absolutely loved the whole overworld and the enemy designs.

relatedly, there's a lot more sprite animation on the overworld which is nice. makes everyone seem like solid characters instead of just static walk cycles sliding around the map.

soundtrack is full of bangers but, again, it's a toby fox game so that's not surprising. i was head-bobbing for like half the game

that ending???? that particular reveal had not even occurred to me but it makes a lot of sense. i said 'oh dang' out loud

thank you for the disaster lesbians toby (does that count as a spoiler? i don't think so, it was obvious in ch1 that was going to be expanded on)

criticisms (these are all very minor):

the recruit mechanic is barely explained and i don't really get it. i have no idea what switching characters in the cafe is supposed to do. i assume this will be expanded on in later chapters, but some indication of the actual benefit of recruiting would have been nice.

i found the controls in the punchout sections hard to use. like, i couldn't tell when i was dodging, what counted as a hit, etc. maybe i'm just bad at punchout though

not enough lancer. give me the round boy. (i was hoping he'd function like the undertale cell phone, and he sort of does, but he has much less to say, and he barely interacts with susie)

there are a couple sections of auto-dialogue that i wish would slow down. i mean the one where [character] is monologuing at you in the middle of a difficult timed puzzle is obviously supposed to be annoying, but there's way too much expository dialogue in there for something you can't fully focus on. and there's no reason for the other one (the long hallway) not to wait for confirmation to continue, and i missed a few lines.

could have used a few more save points imo. in particular i would have liked to have one right before the bumper cars, as a warning that a big battle was coming. (i wasn't healed up so i lost first try and it would have been nice to respawn right in front of it)

i've had problems in all three games with navigation. despite the fact that "just go to the right to progress" remains generally true, backtracking can be hard because it's hard to remember where things are.

this is a problem with delatrune as a whole: i wish the keymapping options were at the very beginning, and globally applied. i find wasd much more comfortable but you have to get through the first chunk of the game before it even gives you the option to change it

conclusion:

it good.

it's literally free so you have absolutely no excuse to not play it. even if you haven't played undertale you can still understand it just fine.

toby put a warning not to play if you haven't gone through undertale, due to spoilers, but honestly given the weird AU relationship between the two i don't think that's a huge issue. there is admittedly one big spoiler in ch1 (without giving it away: your dad) and that might hurt the emotional impact of a late-game reveal, but if you've seen much fanart you probably already know about him. otherwise it's mostly like "oh hey it's that guy, i know them!"

i am going to replay it right now brb

#deltarune #this playthru i am going to choose VIOLENCE #i behaved myself and didnt do any FIGHTing in my first playthrough but this time... >;)

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off-in-the-moors · 4 years ago

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Joseph Kavinsky analysis, part 2

aka no voice and no dream pack

Warnings: spoilers for the whole Raven Cycle, mentions of: drug-use, abuse, death, s*cid, xenophobia

Part 1 // Part 2

Before starting, I wanted to thank for likes and support, not only on part 1 but also on my other posts. I was writing this more for the catharsis, after months of seeing and not really speaking about a lot of stuff. It’s nice to know, somebody read it. Some say, Kavinsky is their comfort character and, well, he will stay with me for a very long time. But enough of that. Let's talk about the point of view, xenophobia and the Dream Pack.

PoV

The running motif in TRC is, all antagonists get PoVs. No matter if they appear in one book (like Whelk) or reoccur (like the Greenmatles). The reader gets multiple chapters with their backstories, internal thoughts and goals. This move by the author is a double-edged sword, on one hand we get a better understanding of them but on the other, by knowing them better they become less effective antagonists and the air of mystery and surprise of what they're up-to/what they know is lost. E.g. In TDT we are first told about Colin Greenmatle and what is he capable of, making him a good threat for our main characters. But when we finally meet him in BLLB, with his attitude and scenes like dissing Ronan's Latin grammar or making cheese crackers while his wife is held at gun-point, he becomes more of a comedic antagonist than a villain to fear.

But here's the thing: I already lied to you. In TRC, all antagonists get PoVs, except for Kavinsky. It's a odd exception from the rule, considering Gray Man in TDT and The Wasp Demon in The Raven King, also got PoVs. But why? There are two things to look at. One I already mentioned. By giving a character PoV, the reader gets better understanding of them. By not giving Kavinsky one, Margaret didn't give anything to make K or his actions clear or understandable. By not knowing his motivations, K is left to pure interpretations, but how the reader will do it mostly will be influenced by his demonetization. Of course, not everybody will just accept what the book tells them without thinking for themselves but most fans don't.

"Bang", he said softly, withdrawing the fake gun. "See you on the street."

Alone, this single line can be interpreted in many different ways. Is it K being angry and threatening Ronan? Or maybe Joseph breaking inside because he was proofen, he really has no one? It all depends on the reader.

Second, when asked on her tumblr, if she'll ever write anything from K's pov (in 2015, before The Raven King was published), M*ggie said she won't, because: she already explored that type of character ("the thoughts and motivations of a powerful, suicidal, creative person with few inhibitions") in Sinner (2014, spin-off/companion book of her older series, The Wolves of Mercy Falls, 2009-2011 for the main three) with Cole St. Clair; that writing through PoV of such character is emotionally and mentally draining for her (which is understandable); and even if she wanted to explore it again in the future, she would through a different character's lenses than K's.

Let's talk about St. Clair.

The characters of Cole and Kavinsky have some similarities: both are drug addicts, who are rich.

That's where they end.

Cole was a famous musician, having the stereotypical rock-star life (drugs, alcohol and sleeping with fans included) with good family relationships, while K was a son of a mobster who tried to kill him and a mother who was a drug-addict herself. While their perspectives would have similarities, there is also other problems. Cole St. Clair already got PoVs in his series and a stand-alone book, Joseph Kavinsky got nothing and will get nothing. Cole had friends that cared for him and helped him, Joseph Kavinsky had his Dream Pack (which whom we don't know what type of relation he had) and his customers who we can safely say, only cared for what he can provide them with, he tried to befriend or start a relation with Ronan who rejected even the idea of it and no one even reached out to him. Cole got his happy ending and (hinted at) a girl he loved, K got rejected by everyone and committed public suicide. (Now, I heard a opinion that K didn't commit suicide, because the dragon killed him. Here is the thing, K could move out of the way multiple times, even Ronan shouted to him to move. But he didn't. He watched the dragon fly towards him and just said "The world is a nightmare.". He choose death.)

People wanted K's PoV, because they wanted to know, what pushed him to do what he did in TDT. But, in my opinion, even if M*ggie gave K pov, she would use it to further demonize him than to make the reader understand him more. She already did write a whole post exaggerating and straw-manning the canon, just to also say "Kavinsky has a very logical backstory that leads him to this place". A backstory we as the reader never truly see and one she forgot to write into her book. At the end, she truly cared only about Ronan.

Xenophobia

The Raven Cycle is a very flawed and problematic series, there are already many other posts taking about racism, misogyny, lack of diversity and many other issues with it, but in regards to Kavinsky, I'll only touch on the xenophobia. (I could talk also about portray of metal-illness, but I'm not the person to talk about it and I would feel comfortable with it.)

Kavinsky is a stereotype of a Slavic person, one we see in American media since the Cold War, especially in 80s movies. The Evil Russian trope. The son of the mobster, drug-addict, forger who can get you anything even illegal stuff, a thief.

When describing Kavinsky, one of the things Ronan mentions is: "refugee's face, hollowed-eyed and innocent". One could argue, "refugee" has many meanings, but boiling it down, is a person who came to the country to escape and seek a refuge. Many people moved to America to find a better life, in the believe of the American Dream, and many of them where driven to do that, especially from ex-Eastern Bloc countries. Kavinsky's Bulgarian, unknown if an immigrant himself or a son of immigrants, but the point still stands.

About Blue’s comment "import from somewhere else" I don't need to say much. First, obvious: You don't import people, only foreign goods, like cars. Second: this shows, he is "the other" in the eyes of the characters.

There is more to it, then just the physical description. We need to look at the outfit he wears. White tank top, white sunglasses, a small earring in one ear and a gold chain around his neck. This gives two images: one of a typical douche-bag, party asshole and the rich kid; the second of a Slavic stereotype, especially of a Russian criminal. If Margaret wanted to make K even bigger stereotype, she would dress him like a dress/gopnik, in a tracksuit.

The thing is: M*ggie could had saved the situation if she had subverted the stereotypes. E.g. K didn't wanting anything to do with the crime live, his family was forced into by circumstances or K being the guy to get stuff from, but he isn't doing it for any gain.

The truth is, K being Bulgarian doesn't add anything to his character, except for xenophobia. (Personally, I tried to find where the surname "Kavinsky" came from. It is Slavic, that much I can tell you for sure, but the rest is my speculation and searching. My best guesses are: Russian (it appears most commonly in Russian, after USA and a use in Russia set novel) or Polish (because it has uncanny simulates to the surname "Kawiński", if it was anglicized like e.g. "Kamiński" into "Kaminsky"). This isn't a common surname and with Peter from the To All the Boys trilogy and the musician, it's hard to find any information.)

But for now, K's portray is one of the many issues.

The Dream Pack or the lack of it

The Dream Pack is the unofficial name for K's group, with whom he parties and races (the canon name is "Kavinsky's Pack of Dogs" which is ugh). They're unfortunately, a non-characters. It's bolt to even call them background characters. Their portray, or again, lack of it, leaves them as props, their only role is to be K's followers and to show K as a leader on a equal ground as Gansey. We're lead to believe, they are like Kavinsky, yet another raven boys, and to make are main characters so “not like the other raven boys”. Problem rises in connection to the previous point, out of four members, only one has an English surname.

Prokopenko is a Ukrainian surname and for his description, we get "ears like wingnuts", "crooked shoulders" and his voice as "milky with drugs". It's said he had "recently attained official crony status", and was noted being in close desecrate to K for a while. Later we discover Proko is a forgery, a dream creature like Matthew and Aurora. It's heavily implied the real Prokopenko is dead, but if K had something to do with it, is unknown. He is the only character to "chortle", which Margaret said she hates and also "fratty boys and the chortling men they turn into". From this we can deduce, that not only the Dream Pack and people at K's parties but all raven boys (with the exception of the main characters) were writen like this on purpose as the personification of everything M*ggie hates. We are also informed, he drives a Golf.

Skov, who according to a deleted scene, full name is Blake Skovron, is polish (or at least anglicized version of it). In said deleted scene he's described as "major asshole, minor bigot" (unfortunately I couldn't find it to confirm it). The only canon stuff about him is: he drives a RX-7 (Mazda RX-7).

Jiang is Chinese, making him one of three canon Asian characters we see in the series (not counting Henry's father, because he's just mentioned, same goes for the Vancouver crowd). Like Proko, his role is a little bigger. In the Raven King, after Ronan finally returns to school after a long time of skipping, he tells him: "Hey, man, I thought you'd died". Ronan doesn't respond, but tells the reader he doesn't want to see Jiang outside of his car, racing. The only other thing we know about him: he drives a Supra (Toyota Supra).

Swan is the only one with an English name, but all we know about him is: he drives Volkswagen Golf, one that matches Proko's.

(For future writers: what car a character drives, isn't a personality trait.)

With the already minimal diversity, this shows the non-Americans as the antagonists or at least "the worst". On the opposite side, we have our main characters. Richard Campbell Gansey III, who has the whitest and British name I ever saw; Adam Parrish, born and raised in Henrietta, Virginia; Ronan Lynch, son of a Irish immigrant, whose Irish identity starts and ends on tit-bits; Blue Sargent, who is half-tree and ambiguous, but was drawn as white by the author multiple times (Yes, I am aware of the Instagram post, but Margaret herself said, she isn't confirming anything that isn't already written in her books. She couldn't even confirm Adam's hair color and made a joke out of it.) The only exception is Noah Czerny, whose surname is Slavic (probably Czech), but this bares no effect on his character.

The Dream Pack are the whole communities babies, created by head-canons and fanons, their relations with Kavinsky and themselves are explored, who they are as people, their appearance, their interests... This is beautiful how many different versions and interpretations of non-existing characters is there. (I, myself also made a version for a rewrite, based partly on the fanon.)

But at the end of the day, the fans did the author's job of creating believe friend group and in the end, their only function was to show, Kavinsky is a king, just like Gansey.

#joseph kavinsky #the dream pack #anti maggie stiefvater #anti raven cycle #anti trc

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shlbigbang · 4 years ago

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FAQ

Who are the mods?

The mods are symphorine (@symph0rine on tumblr and twitter, symphorine on AO3), shards (@shards-of-divinity on tumblr and AO3), kep (@huldraism on twitter, drifloon on AO3) and vesh (@dryadfangs on twitter, decidueye on AO3)

Is this only for the show?

No! We realise the name might be misleading, but this is for people who have seen the show, read the book, or both! You don’t even have to have seen/read it all, but in that case, beware of spoilers.

Is this only for certain pairings?

No! As long as what you want to write about is within the rules, you’re good! You don’t have to write a pairing, either. Gen fics, with or without background ships, are absolutely welcome!

What is the minimum wordcount for fics?

The minimum wordcount is 8k words. There is no wordcount cap; you can write as much as you want!

What kind of art can artists participate with?

Drawings (both digital and traditional), fanvid, and gifsets/manip set are all accepted! They will have different requirements.

What are the art requirements?

For drawings: at least one finished piece, according to what you'd consider fully finished in your style, and a second piece that can be less finished (i.e. maybe you don't add a background or shading) For fanvids: a video at least 30 seconds long. For manips/gifsets: at least one 8 gifs gifset, or two manips, or a mix (for example, 4 gifs gifset and 1 manip). Of course, if you feel particularly inspired by a fic, feel free to do more if you want!

If I am a writer and already have a beta, do they have to sign up as well and claim my fic, or can they stay “exterior” to the event?

They should sign up as well, and you should both contact us to let us know you’ll work together! Your fic then will be marked as already claimed by your beta during the claiming rounds. This is mostly so we can keep track of who’s involved, and have a way of contacting your beta for check-ins and in case of problems. This also means they will get an invite to our discord if they’d like to join it!

Will this bang be allowing NSFW or dead dove content?

We will be allowing NSFW (as long as it isn’t about the minor characters, i.e. Chengling and any kids), but not dead dove content that exceeds canon typical stuff.

For example, there are torture scenes in both the show and the book, so it’s okay to include equivalents in fics or art, but if you were planning on writing 8k of only detailed torture, then that wouldn’t be allowed. If in doubt during the event, you can always ask a mod if what you’re thinking of would be allowed or not!

Do writers get to choose what kind of content they do/do not want for their fic? (Like yes to drawings and no to vids, for example?)

No, writers will not get to choose what kind of art they will get. That’s in the interest of fairness, but also so no participating artist gets left out! Of course, as a writer, you can still discuss with your artist what they’re intending to make, but they will have the final say on that.

Can we participate as an artist and writer team that is predetermined?

No, sorry, artists and writers cannot form a predetermined team. It kind of would go against the idea of the event, the forming of the team and working with new people is most of its purpose. Of course it would be easy to “cheat”, but we are trusting participants to not do that!

Can I sign up as writer and artist?

Yes, you can! We will have a separate signup form for writers, artists, betas, and pinch hitters, so you’ll just have to submit both a writer and an artist form!

I want to write an AU, a friend who is very familiar with the AU setting is already helping me brainstorm and would be up to sign up to beta it but they haven’t watched SHL. Could I still have my fic up to be claimed by someone actually familiar with the characters?

Yes! Although this is a bit of an edge case, nothing is technically preventing you from having several betas; we simply want everybody to have at least one, which is why we are providing one through the event. In this particular case, we would still like your friend to sign up so they can give us ways to contact them, and for you both to then contact the mods to let them know. If they are unfamiliar with SHL, though, they should tell us, and will not participate in claims. You will also be quite low priority if we end up lacking betas (in which case one of the mods will probably pick up your story for beta reading).

Are there options to go forth with if I am not comfortable working with my beta?

Yes! If you aren’t comfortable working with your beta (or if as a beta you are not comfortable working with one of your writers), contact the mods and we will arrange for you to get a new beta (or if you are a beta, we will arrange for somebody else to take your place).

How fully made will the fics be when artists claim them?

You will claim fics based on summary and/or outline, as well as AO3-style tags that would apply. Tags will indicate pairings, main characters and tropes, so you will have a general idea of the focus of the fics! We might also indicate the writer’s rough estimation of their final wordcount, but you will not know how far along each writer is in writing their fic.

If I already have an idea for a fic and I would like to “claim” that idea, would that be possible? Or are you guys okay with accepting multiple entries of the same premise?

We are not regulating fic premises! You don’t need to claim your idea or make sure nobody else is doing anything similar before you write it. Technically, if everybody wanted to write a fluffy coffee shop AU, then everybody would be free to write that. The “claiming” part is only for artists and betas to say which fics they’ll work with.

If we are not comfortable working with minors, is there any way for us to know in the claiming process?

We do not have a particular system for this. A safe bet, if you’re claiming fics, would be to claim NSFW works, as we did establish that people should be 18+ if they want to depict NSFW. If you’re a writer, you can always message us and say that you do not want your fic to be claimed by a minor, and we will add that as a note during claimings.

As always, though, if after claims you find that you do not work well with the people who claimed your fic/whose fic you claimed, you can always message the mods to try to arrange something.

Do you have contacts for any sensitivity readers in addition to betas who may sign up? It’s my first Chinese fandom so i want to ensure i get someone(s) to look over it from a culture perspective.

Unfortunately, no, we don’t have any particular sensitivity readers contacts. You may try to find somebody to do that by yourself (in which case, good luck!). You can also look around for resources, I have seen a few threads and links pop up recently. Finally, you can also look for a beta who would be able to do sensitivity reading as well. It’s not guaranteed that someone who can do that will sign up as a beta for the event, but we can put it as a note during claims so betas can see it and claim accordingly!

Other than that, your best bet would be, I think, to ask on the BB Discord server if anyone can do sensitivity reading/knows someone who can.

Can ongoing works in AO3 be submitted?

No, ongoing works can't be submitted. We would like writers to submit something that hasn't been published yet; a wip, or even a complete fic, started before your signup time is fine, as long it hasn't been published elsewhere. Of course, a new fic is fine as well.

With everything going on currently, is the schedule going to remain the same for now?

It will stay the same for now, yes. However, since our next check in is next week, we will reevaluate the schedule after people have checked in, and might modify/extend it depending on people’s answers.

However, regardless of whether we make changes to the schedule or not, you can still ask for extensions or any other arrangement or help you need! That’s what we mods are here for.

#faq #just trying to set up links for mobile users dont mind me

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wendibird · 4 years ago

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SPN 15X14 Observations

So, for whatever dumbass reason, when trying to use my actual television, the cable refuses to work properly 8 times out of 10. BUT I was able to stream tonight’s episode on my computer with my cable network’s app. So, there’s that. Because of that, and since it’s easier for me to type on my keyboard than on my phone, I actually took quick notes and observations during commercial breaks. Here are those, then some more of my thoughts following. (And I’m sorry if any of these seem a bit incoherent. They were more my observations to myself. *LOL*

(everything else under the keep reading line since I got a bit rambly, and just in case anyone wants to avoid spoilers)

- Brothers being written a bit like characters of themselves rather than just themselves. (trying too hard?)

- Love Mrs. Butters. Actress really good. And the minor ret-con works with what we've seen.

- Sam more concerned about Jack. I think he understands him better, even though he hasn't seen much of him.

- "Ignoring your trauma doesn't make you healthy." (or something like that.) Good quote!

- Waiting for the catch.

- "Enjoy the world you're fighting for." (compare with Kevin's similar line: "I can't enjoy a world I need to save.")

- Mrs. Butters knows Jack isn't human.

- BOY did the shoe drop! But it was Sinclaire involved. Not surprised he took advantage of her natural protective nature.

- Wanted more plot for WHY exactly they still have Thor's Hammer. Have they had it this whole time? Last we saw Sam dropped it in 8X2. Or did Mrs. Butters conjure it up because they might need it? Was cool though that Sam was using it. Because we already know he can.

- Jack figured out on his own how to use the projector. (love that boy!)

- liked hearing him talk about what happened with Mary and how he feels.

- Mrs. Butters knows from experience about needing "second chances" I think.

- Why were they ALWAYS wearing the same clothes during the "We got one!" montages? Assuming it was supposed to have taken place over several days at least if not longer. (I highly doubt they went out on THAT many hunts in one day.)

- Yeeeah... So I get she's protective, but JACK IS BABY! She can clearly see his power levels but she has to have seen how he he actually IS? But she gave him the smoothies from the start, so she's been planning it from almost the start. Hrm.

- idk what anyone else says, I'm thrilled that Sam and Eileen had a date. Also, THIS is where that sweater-vest comes from. Bet we'll see him going for his gun too. (That clip was hotly debated in one of the discord servers I’m on)

- Dean is obviously still having some issues with Jack, but he also seems to know that they're his personal issues and he knows that Jack is good. (Expanding on this thought post episode, I was seeing this as Dean recognizing the difference between what he knows and what he’s feeling. So, yey! Personal growth!)

- DEAN JACK IS NOT A BATTERING RAM!!!

- Dean sees Jack as a weapon. He used him as a battering ram. He'll use him as a grenade to throw at Chuck. (More on this after the notes.)

- Sam sees him as a person. His argument was that Jack was someone he cared about. That killing him would HURT him.

- Also, did they HAVE to go for the fingernails again?!

- Poor Sam, getting tortured. And being the "favorite" of something bad.

- Also, SAM WAS RIGHT! To be cautious of her at first. Too many times he's had things/people seem good and turn out opposite.

- And because Dean had decided it was all okay, they both stopped looking up on her.

- Maybe Sam will realize that he doesn't always have to follow Dean's lead. He can pursue his own paths. (Not talking about them separating. Just, if he wants to look into something, he should do it. If he wants to follow a different lead, he should check it out.)

- I know he lost a lot of confidence last season but I hope he realizes that he doesn't by default make bad decisions.

- Okay, that was a good resolution. I'm glad she's going back to her people.

- Interdimensional geoscope: Dean saw nothing. Because ALL the other universes are gone. *sad-face*

- Love Sam and Jack. Wish we got a bit more. But it was something.

- Also love that Dean tried. That felt real to me. (the birthday cake)

More thoughts!

So. Overall I liked this episode. It was lighthearted mostly, but touched on some serious topics and wasn’t completely disconnected with what is going on with everyone, despite the random holiday montage. *LOL* (Yes, I know she wasn’t bending time or anything, she was just choosing to celebrate some holidays with her boys regardless of when this is all taking place exactly.) It did feel a bit to me, at the start anyway, like the writing at least was trying too hard to “Sound like Sam and Dean” instead of just them being them. I mentioned that at the start but what I mean is, in this season especially (but not exclusively) I’ve noticed a lot of times where it feels to me like the writing/directing/whatever leads to the sum total of what we see is trying too hard to present this idea of who the characters are, like caricatures of them. The things associated with them get emphasized, sometimes out of proportion. Though in this episode, it only felt like that during the opening scene and maybe a few places elsewhere. Overall I thought the writing and especially the acting on the parts of the main 3 guys and the guest actor were well done and had a lot of nuance when needed. Like, as an example, when Sam and Dean sussed out that this being that they didn’t even know was a bit behind the times, they were actually pretty gentle with bringing her up to speed. And her reaction to realizing that everyone she knew before was dead felt very real.

I liked what we saw of where each of the characters were emotionally this episode. It was the first one after Jack has been re-souled and it had definitely been weighing on my mind how everyone was doing. (Though I REALLY wish we could have actually seen Sam and Dean’s reactions to Jack tearfully begging their forgiveness last episode. But lacking any other input, I’m headcannoning that Sam gave him a very long, warm hug.)

I also agree with Sam, I think there’s something more that Jack hasn’t told them yet, probably some details about Billy’s plan that he or her are sure the brothers won’t like. (Now, what exactly that could be is very much up in the air. I can think of quite a few options, but the details aren’t really important to me just now. Just the fact that something about it is weighing on Jack. More than just Mary’s death and the prospect of having to kill God. Which, in and of themselves would be more than enough.)

Speaking of Sam, I liked that we saw all those little nods to how he feels about Jack, how he’s still worried about him, and seems to understand him.

I also get where Dean’s coming from. And I thought it was well-portrayed. And let me just say, I am GLAD that he just outright told Jack where he was at. He didn’t sugarcoat it, but he also didn’t blow up at him, or reply with sarcasm or bring up other, unrelated stuff. Dean knows that Jack is trying, but he himself has some emotional stuff he needs to deal with. That he is dealing with. And it’s going to take him some time.

I do however stand by my observation made during the episode that at least at that point in it, Dean considered Jack a weapon. An asset. He literally used him as a battering ram, and in a more meta way, he’s planning on using him as a grenade to throw at God. Even when arguing with Mrs. B about it, his response was in reference to Jack’s usefulness. Whereas Sam was arguing that Jack meant something to him, that he cared about him, and hurting Jack would hurt him. Now, I do think that Dean’s POV had shifted a bit by the very end. Dean’s love language has almost always been shown by doing things for people, and taking care of them. So him making that birthday cake for Jack really felt to me like him trying to tell him that he does actually care about him. And I think Jack got it. And true, the cake might not have been as neat and pretty as Mrs. B would have made it, but I thought it was beautiful because of all the thought that went into it. (Dean’s more of a cook than a baker too.)

As a side note, something I thought about after the episode: when Mrs. B stepped in, she kind of took over that care-taker role. AND the research role. She made them lunches, cooked them dinners, decorated for holidays, and overall made them feel comfortable and safe. And she also pin-pointed where monsters were and made sure they were all stocked-up and ready to go. All they had to do was show up and get it done. And yeah, it must have been a nice break from the norm. But I also think about how much Dean finds his identity beyond hunting in taking care of people. And how much Sam finds his identity in researching and figuring things out. And with her doing that, they both took it easy on those ends. Dean didn’t have to make burgers for everyone since Mrs. B made a roast. Sam didn’t have to research since she could tell them where the monsters were and what kind. I almost wonder if both of them were starting to feel like those parts of themselves were all of a sudden unnecessary. (Which makes me a little sad, because it reminds me a bit of the “two cakes” concept in fandom. Who cares if someone else can “do it better”? If you do it, then there’ll be even more of the good thing!) And as I observed above, Sam also stopped looking into HER. I mean, he didn’t even know what would kill a wood nymph. And I do think part of that also goes back to him having recently fallen back on letting Dean make the big decisions. Because last season so many of his blew up in his face. (Though I don’t think most of that was his fault. But Sam tends to blame himself for a lot.) And I do hope that maybe he’ll remember that he does have good instincts when he listens to them. And he can keep looking into something even if Dean thinks it’s fine. It’s not a betrayal to be prepared.

ALSO! Being the absolute Saileen hoe that I am, even though we didn’t Eileen in this episode, I was thrilled that Sam went out on a date with her because she was in town! And true, we don’t know what all went down, but regardless, I see it as good that they’re at the very least still friends, and that hopefully Eileen is sorting out her own feelings vs whatever she might think could be Chuck’s manipulations. Even if Saileen isn’t Engame (and honestly, as much as I love it, I don’t think it will be) I would still like for them to be on good terms with each other. (And for her to NOT get fridged again!)

Another thing I was pondering afterwards and a bit during: I wasn’t surprised that Sam held up to the torture fairly well. I mean, it still obviously hurt! (And again, WHY with the fingernails again?! As someone in one of my discord servers mentioned, we didn’t need THAT particular call-back to the Christmas Episode of Season 3!) But he was listening to what she was saying. And he understood the implications that she had been tortured into acting how they wanted her to act. And Sam understands torture, and how it can mess someone up. And despite what she had done to him, and was trying to still do, he validated what she had been through. He empathized with her. And that.... it’s just SO Sam!

I will say that the resolution felt a little... abrupt. Like, her expression had changed a little during the fight/argument. Then back from the commercial break and she’s all packed-up and ready to leave and they’re all saying goodbye and wishing her well. I feel like there might have been some more scenes or parts of scenes that were originally there connecting things up more, but were cut for time.

I wouldn’t say this was a groundbreaking episode, but it WAS fun, and it did have some seriousness at it’s core, and I think it did what it needed to do.

(And I apologize if this is just a big rambling mess. I’m not used to doing structured episode reviews. *LOL* Feedback and opinions are welcome though!)

#spn 15x14 spoilers #spn season 15 spoilers #episode review #my thoughts #ignoring your trauma doesn't make you healthy #sam winchester #dean winchester #jack kline #mrs butters #i still need more sam and jack

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spookyc · 4 years ago

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*spoilers for heathers the musical and danganronpa 2 goodbye despair*

*tw for mentions of death and suicide*

Okay so I know it's been a minute since I've posted anything substantial so here's this:

I've got an heather's au for dr 2 that id like to share. Its not a completely fleshed out one but I have a good idea of most of the main characters in the story. So the easy choice would just be to make hajime, veronica, and make nagito, JD. Especially nagito for jd with the whole, well, bomb thing as well as them both being mentally unstable and having rough childhoods. Hajime fits the role of veronica because, like veronica, he wants to fit in and not be ostracized constantly. More specifically though, it would help him become confident, which is literally his whole arc in the second game. The heathers and the rest could then be determined by a lot of different characters and so on and so forth. I respect this interpretation and it does make a lot of sense, however, I would like to propose my own interpretation.

Let's start with the two main characters, veronica and jd. So for my au, I have decided that fuyuhiko will be veronica and peko will be jd. Let's start with my choice for jd. So, after my binge of the second game's playthrough, I remember that one night I was listening to heathers, specifically the song, our love is god. And as I listened I realized how similar peko and jd actually are. Now to preface, I'm not saying jd and peko are the same character, jd attempted to bomb an entire school and peko simply made the calculated decision to kill in order for fuyuhiko's safety to be assured.

What i am saying though, is that jd and peko's thought processes are very similar, and if peko was just a tad more unhinged, they would be hard to distinguish. How are they similar? Well, first you have the whole, "I worship you" mentality. Now, peko doesn't necessarily kiss the earth that fuyuhiko walks upon but this could be connected more to their actual relationship. That of a master and his servant. I servant must serve, much like a believer would to a god.

And right after that line jd says, "Id give my life for yours." Which peko literally does in the canon story, she gives her life in order to save fuyuhiko, and even protects him with her body in her own execution. Secondly, they both are delinquents, or socially awkward. They are both standoffish and seen as intimidating by others, and they both don't exactly know how to communicate well. Thirdly, they have somewhat similar backgrounds. Jd lost his mother, and peko is an orphan, they both know what its like to not live with parents, or at least not favorable parents. For example, peko had to constantly interfere with mr. and mrs. kuzuryu fighting to insure fuyuhiko's safety. And jd and his father have a tenuous relationship, with jd's father mostly being a near non-present force in his life. Additionally, im sure the leaders of a yakuza clan weren't exactly doting parents.

And lastly, their mutual feelings of self worth, or more so, the lack of it. Both jd and peko believe their lives to be meaningless without the existence of their veronicas. The only good things in their lives are their veronicas, and they would do anything to hold onto that happiness, even if it resulted in their deaths. But enough about jd and peko, what about fuyuhiko? This may seem like an odd choice and solely made on the prospect that jd is peko, but that isn't exactly the case.

While yes it seems unlikely that fuyuhiko would bother himself with the heathers, or even have a martha, i think it fits more as a visual metaphor of his character growth shown in the game. Its just that in this au, he's a popular dick that learns to be a better person after his gf dies, which is almost what happens in the actual game, minus the popular part. But mostly I'd like to tie in fuyuhiko's role as veronica when it comes to jd. This is where the similarities really start to shine. This is shown mainly in the song, seventeen, where veronica yearns for a normal relationship and to just be normal kids that aren't surrounded by murder. Sound familiar? Well it should, that's literally fuyuhiko's whole speech near the end of chapter 2.

I doubt this needs repeating since this scene is the equivalent of the g note in the dr fandom but for the sake of the argument I will go on. Fuyuhiko in his parting words says this, "You didn't need to be a tool, you just needed to be yourself." And, "I never wanted a tool, I just wanted you....Only you." Which is him saying, "Peko I don't what you to serve me, I don't want this kind of relationship. I just want you to be yourself, and I wanted you for you, not to be a tool for murder." Which could then easily be implied that he doesn't want to murder anyone anymore. This is a near exact mirror of the feelings expressed by veronica in seventeen.

Sure im probably looking into things a bit, but still fuyuhiko's speech near the end of ch. 2 and veronica's feelings in seventeen share a lot of similarities. Both veronica and fuyuhiko simply want to have a normal relationship with their respective partners, but this ultimately fails because their partners worshiped them and this fatal misunderstanding would lead to their deaths. As for the others, I don't have nearly as deep anlaysises of them and I don't have all the characters but I'll briefly discuss my choices for the heathers, kurt, ram, and martha. Also, this is purely in the universe of dr 2, so possible better choices for characters in other games would not be possible in my au.

So heather chandler is the ultimate imposter, this was a pretty obvious choice, while the UI isn't quite as big of a dick as byakuya he's still a jerk, but more importantly, just like in the game, he is a great leader for the heathers and without him the other two descend into chaos. Now this pick is gonna be a strange one but I will explain. I chose mikan to be heather duke. Now I know yall may find that to be an unfitting choice but I personally chose mikan to be heather duke mainly for the shine a light reprise. This is because I chose heather mcnamara to be hiyoko.

Most of the other girls also didn't fit this role, akane would be hard to see as any of heathers and I also think she's far too carefree to urge someone to commit suicide. Ibuki is completely out of the question, and considering how her death looked in the game it would be quite ironic as well. Chiaki also wouldn't make sense for obvious reasons. Mahiru also would obviously not make sense either and she's already a choice for another character anyway. And lastly, sonia wouldn't fit either. I could see her having a secret nasty side but I dont think she would tell someone to commit suicide and she also was always kind to hiyoko even when hiyoko lashed out at others.

And just to cover my bases, I don't think any of the boys would fit either. Maybe kazuichi or nagito but kazuichi is too much of a pussy and nagito would be more likely to say that stuff about himself rather than direct towards anyone else. Heck I could also even consider that after the ultimate imposter dies that's when mikan reverts back to her personality as the ultimate despair, so instead of her reverting because of some disease it would be at the death of her "friend" and the role of leader getting into her head. This would then influence her to tell hiyoko to commit suicide, causing peak despair and blah blah whatever. Hiyoko as heather mcnamara was a pretty easy choice thanks to lifeboat, it also especially fits if you consider hiyoko's backstory. She's the sole daughter of the saionji family, which is a very prestigious family in dr. This along with her talent as a dancer means that she is held to a much higher standard than other kids of her age and that she goes through constant pressure each day due to this standard.

"If I say the wrong thing, or i wear the wrong outfit, they'll throw me right over the side." This is what hiyoko has to deal with on a daily basis from her family as well as her fans. She also could likely be projecting this fear onto the other students. Alright, last three. For kurt and ram, I chose mahiru and sato and if you want my honest opinion it's literally just because peko gets to kill them both in our love is god and that's pretty much canon in the actual game. I say pretty much because, technically fuyuhiko is the one that kills sato but this is an au and that's honestly a pretty minor fix.

Lastly, I haven't thought a lot about martha's role in this au, but if I had to choose it would most likely be kazuichi, he fits as the social outcast and especially as the frequent punching bag for the heathers, especially considering that hiyoko is among their ranks. And that's about it for my dr heather's au! This post definitely went on longer than I intended but I had fun with it and I think you guys deserve a lengthier post since I haven't made as many actual posts besides birthdays in a hot minute. Let me know what yall think of this, and if you'd like to hear me infodump about more of my dr aus or thoughts than I would be happy to oblige.

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timetravelingshark · 4 years ago

Note

So what exactly is this "The Arcana" you keep reblogging stuff for and what's it about? I am curious.

Okay, so I haven’t played it too much yet (I’m only like a fourth of the way through Julian’s route and that’s it, RIP) but the gist of it is that it’s a visual novel where you can romance six different characters. It’s set in a fantasy world, primarily in the city-state of Vesuvia, which is based off of Renaissance Venice with some definite Middle Eastern and Indian influences as well. Tarot is an overarching theme in the stories: the main character, each love interest, and all of the supporting characters have different cards from the Major Arcana that represent them and give insight into their character. The Major Arcana has some pretty interesting forces at play within the world and greatly influence the story. There’s a chance of getting a good, aka Upright, ending, and a bad, aka Reversed, ending. It all depends on the choices that you make while playing.

The main plot is that your character, who is a magician in training (in this world, magicians can actually use magic and are considered very valuable) who is summoned to the palace by the Countess Nadia. She tasks you with finding out who exactly is responsible for the murder of her husband, Count Lucio, who was burned alive in his bed on his birthday three years ago. (What a way to go, yeesh.) The lead suspect is a man by the name of Julian Devorak, who was the head doctor for the palace and treated many Vesuvians during a horrific outbreak of plague within the city a few years ago. He confessed to the murder before disappearing, but his guilt may not be so set in stone..... You’re assisted in the investigation by your somewhat flighty but extremely talented and mysterious Master, Asra, and Portia, one of Countess Nadia’s most trusted servants. A few other very interesting figures pop up along the way, each giving their side of the story of Lucio’s death.

Along the way you meet a cast of amazing characters, all of whom have really awesome designs and fun, unique personalities. I’ll describe the love interests below the cut because holy SHIT I ended up writing way more than I originally thought and also while I haven’t played many routes this is what I’ve picked up from browsing the tags.

First: Asra Al-Nazar

Your Master and one of your dearest friends. Very enigmatic and a man of few words, and is definitely one of the more subdued and laid-back love interests. He tends to disappear for bits of time to places unknown and has a deep understanding of magic and the magical realm itself. He’s got History™ with many of the major players in the story and knows more than he lets on. He’s very Somft™ to the Apprentice and cares about them greatly. Just generally a very sweet if mysterious guy. Lotta people really like him and for good reason.

Countess Nadia

The widow of Count Lucio and the ruler of Vesuvia. She’s very poised and generally keeps a cool demeanor about everything. She’s a very competent ruler and loves her people. Has, hands down, some of the absolute BEST outfits in the game. Like this girl ALWAYS looks good, and like a wealthy aunt, is always willing to make her loved ones look good, too. Very intelligent and crafty, and loves horseback riding and music. Doesn’t care much about the class of a person, and rather their talent and character. However, like all people, she does have flaws. She holds grudges for a very long time and holds them with a white knuckle grip. She’s also extremely reserved and finds difficulty in trusting people, expressing herself, or making herself vulnerable. Like Asra, is very Somft™ with the Apprentice and is very easy to simp for.

Julian Devorak

The man I’m currently simping for. And yes, you can smooch the accused murderer! He’s a very tall goth doctor who cares way too much and has a massive guilt complex that he hides under a mask of drama and suaveness. Very much a protector type and would do absolutely anything for the people he loves. This man tries not to worry the people around him but at the same time probably survives off of like an hour of sleep and caffeine and he really looks it. He likes being very smooth and cool but if you throw him off his game this boy gets FLUSTEREDDDDD it’s great and hilarious. Kind of has Flynn Rider vibes. Love him to bits. (Can you tell that he’s the only character whose route I’ve played so far???) He wants to find out who killed Lucio, and why. (Minor spoiler: he doesn’t know if he did it or not and would rather like to find out) Feels as though he’s failed everyone he loves and can swing between joy and melancholy very quickly. He’s also ridiculously self-sacrificing. Despite all this, very loveable.

Portia

Nadia’s most trusted servant and also my homegirl. Very sweet, bubbly, and snarky, but is also a total ride or die. Very loyal to Nadia, but will side with the Apprentice over her on certain issues. She knows pretty much everything that goes on in the castle and all the secret nooks and crannies. She lives in a little cottage in the middle of the palace gardens alongside her kitty, Pepi, where she has a huge garden full of fruits and vegetables and flowers. She’s definitely a cottagecore type girl. Also pretty adventurous and willing to go do crazy shit if need be. She’s rather secretive, though. Her personality is quite a bit like my own, which is probably why I don’t really have her on my to-romance list, but I’ll still do her route to satisfy the little completionist gremlin that is my brain.

Muriel

Count Lucio. Or at least, his ghost.

Ah, the BEEG BOI. At a whopping 6′10, he’s the tallest and most muscular of all of the love interests, so if you’re into that Muriel is absolutely your man. He’s very stoic and grumpy, and almost always has a furrowed brow, even when he’s happy. Very much a hermit and likes to keep away from civilization and society. Underneath it all, he’s very gentle towards the ones he loves and especially loves animals and nature, especially dogs and his beloved chickens. Seriously, this boy loves his chickens. When he smiles it’s absolutely adorable. Kind of afraid of his own strength but has no qualms about using it if necessary. Don’t piss him off, he’s scary when he’s angry. Like Nadia, holds a grudge for a long time and is again, very antisocial.

And lastly (and most surprisingly),

Ah, this trainwreck. He’s such an asshole, but such a loveable asshole. Full of himself and with a flair for the gaudy and dramatic, he’s one hell of a piece of work but with the Apprentice’s help becomes an actually good person. Despite his vanity, cruelty, and pettiness, when he decides he likes you, you’re one of his people and he’ll love you wholly and move the heavens and earth for you. Still kind of holds a flame for Nadia despite everything, which is actually really sweet, fight me. He’s kind of got a hero complex and runs headfirst into things without thinking and desperately needs someone to hold him back by the collar at all times because while not pure of heart, this man IS dumb of ass. His facial expressions and dramatics are absolutely hysterical and he’d rather die than admit it but he’s such an ugly crier and it’s hilarious and also very endearing. He’s also kind of in denial about being actually dead, and instead refers to his state as a ghost as being an “Oopsie” and that he’s “Just stuck >:(” He actually doesn’t know who killed him, but is determined to find out. Underneath his pomp and circumstance he’s actually pretty vulnerable and super lonely and could probably do with some hugs and actual human connection. As I said, he does become a good man, or at least a better man, but it takes work on both his end and yours. A pretty divisive route among fans. I’ve personally played the first two chapters of it and honestly I really love him. At the same time, I’m pretty sure if I met someone like him IRL I’d try to strangle him, so there’s that. He’d probably be into that though, the kinky bastard.

So yeah! There’s the main characters and a bit of the plot. Sorry for such an essay but I really wanted to explain all this since you were curious (^^;) I’d definitely recommend playing it, I've had a lot of fun!

(Also, tip: the scenes that you can buy with coins are just little add ons and treats for the player- the game is very explicitly NOT pay to win and what matters when it comes to getting a good or bad ending is what non-paid dialogue options you choose while interacting with them.)

#the arcana #Anonymous #long post #long #Seriously tho anyone reading this PLAY THE ARCANA IT'S GREAT #ALL THE CHARACTERS ARE GREAT AND THE ART IS GORGEOUS AND ITS VERY WELL WRITTEN

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that-banana-headed-bovine · 4 years ago

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Knight Rider 2000

WARNING

This post contains spoilers for Knight Rider 2000, the 1991 film which attempts to expand on the canonical universe of Knight Rider (1982-1986). Key word, attempts. I know that this film came out almost 30 years ago at this point, but I also know that this fandom grows a little bit every day, and there will ALWAYS be people who haven’t seen every episode (myself included), let alone every movie! I happened to catch it on Charge! for Hoff's birthday (yes I'm hella late posting this LOL) with my good friend @trust-doesnt-oxidize, and boy let me tell you, it was… Something.

From here on out, I’m not holding back from sharing my impression of the film based on specific details from it, so if you want a spoiler-free viewing, go watch it and come back!! Or… don’t, it’s kind of awful. I can only think of one thing in canon that it may spoil, and even that appears in early Season 2 and is fairly minor, so if you are curious about it, I HIGHLY recommend watching it BEFORE reading this. The scenes with the most impact are touching because they come as a surprise, so even if you know the general plot of the film, I would recommend watching it first.

Also this is really rambley because I have a lot of emotions about this series and, by extension, this movie. I really don’t blame you if you click away here, but if you DO read it all the way through, I would love to hear anything you would like to add, agree or disagree!

OKAY! Knight Rider 2000 is a movie that exists! And I hate it!

The film sets up an interesting argument between two groups of people whose names I don’t remember because they were boring (except for Devon, I know his name at this point). In this interpretation of the “future,” gun control has been implemented to,,, some extent, I can’t entirely tell if there have been some policies implemented across the country or if it is all localized in this one city that even the Wikipedia page for this movie doesn’t bother to mention. And no, this city is NOT in California for once! Usually I would be happy to see a change of setting, but considering that everything in this film felt so foreign to the Knight Rider that we know, it would have been nice to at least have a familiar setting. Anyway, gun control stuff. The debate between whether these gun control policies are ethical or not is very interesting. Innocent people are dying because the wrong people have guns and the police are rendered useless when they themselves don’t have access to weapons. This argument happens to support my perspective on the issue, so I appreciated how it took a look at that side WITHOUT it sounding like we are crazy murderer people, but I digress. It makes sense that the ban happened in the first place, because much like how the main conflict in Pixar’s latest film Incredibles 2 revolves around society’s over-reliance on superheroes, I could see Knight Rider’s society becoming dependent on technology to save them. It can be easy to seem like the most advanced tech in that society is present only in KITT and KIFT, and to SOME extent that is true. However, Shawn does say that it is relatively common in this society for people to have memory chips in their brain. That counts for something. And the police DO have a defense mechanism according to the Wikipedia page for this movie, it’s just nonlethal.

So as you can see, I am very interested in the conflict this world sets up. I sure hope they expand on these conflicting ideologies throughout the film, giving us a clearer idea of why the bans were set in place AND giving us insight into what exactly has caused some revolt against it. That subject is seemingly timeless, and with how decently the introduction tackled it, I have some confidence that this film could pull it off in a tasteful way. Wouldn’t that be amazing? It’s some of the most serious subject matter Knight Rider has ever tackled. It’s so interesting!

Yeah they pretty much abandon that plot in place of a very, very bad copy of the original show’s “Hearts of Stone” (season 1, episode 14). Illegal guns exist and are bad, but we don’t really know why. I may know a little better if I had been listening closer, but I was trying to not get so bored that I missed Kitt’s parts!

At some point during this sequence, we are introduced to Shawn, a happy police officer who is happy to have a family on a happy birthday. And then she gets shot! Due to head force trauma rendering her unconscious, she’s sent to the hospital. She goes in for a risky operation that miraculously saves her life against all odds.

Then, Michael wakes up with Garthe Knight’s face and hears a great story about how one man CAN make a difference!… I mean what?

Jokes aside, it’s kind of amazing how much this very Michael-esque sequence comes across very differently. It’s almost the perfect example of why I don’t like this movie. The surgery is weirdly realistic for a Knight Rider entity. There’s blood and screens and surgeons and a sterile white room for operations. Michael woke up in a Medieval castle with one doctor and two random people he’d never met at his side. Shawn’s situation clearly makes more sense, but is it half as fun and whimsical? No, no it’s not. This whole film comes across as depressing to me, and it’s only worsened by what’s to come. Apparently, she had KITT’s CPU/Microprocessor/something sciencey implanted into her brain. That’s especially strange since all that I saw was a yellow liquid being injected directly into her skull! That’s a lovely image, and definitely gave me the idea that there was a full computer chip going in there??? (It may have actually been explained more clearly, and I just looked away because eek weirdly bloody operation scene) This caused her personality to do a full 180. So, Shawn is going to be fun, snarky, and full of personality like KITT is because they share memories now! Right? Right???

I think they tried to do that, but it came across flat. So flat. She speaks in a purposefully monotone, robotic voice and delivers downright mean comments that leave Michael and KITT scratching their heads. She seems to lack basic empathy until her own memories start flooding back, and at that point, the emotions she show seem so foreign to the character we see that it’s not remotely believable. You want me to believe that this robotic woman with -10 personality points started nearly crying after one string of memories, albeit a very traumatic one, entered her mind? This would have been believable if she was entirely changed afterwards, coming across as far more human, but that was only the case sometimes. It also would have been believable if the film had the same energy that the original Knight Rider show does, where suspending one’s disbelief is necessary to make it past the opening credits. However, this movie tries to be so grounded that the kind of dramatic beats that would work in the original seem forced here.

Shawn is not the only character who I take issue with, though. Let’s start with the most potentially problematic change from the usual canon in the entire film: KITT’s personality. I have very mixed feelings on how he is portrayed. If you’ve seen as much as a spattering of quotes from this movie, you probably could sense that KITT was… off. When KITT first comes on screen, he slams Michael with a wave of insults, and none of them come off as their normal joking around. However, I don’t necessarily have a problem with that because he has the proper motivation to be very, very upset. He is sitting on a desk as a heap of loosely connected parts that have just enough power to make the signature red scanner whir and make an oddly terrifying red light eyeball thing (Hal???) move. The first thing he hears is Devon nonchalantly saying something along the lines of, “I’m afraid he was recycled” to explain why KITT has been deactivated for OVER A DECADE and is not currently in anything that moves (my Charge! stream thing lagged at this point but @trust-doesnt-oxidize has since told me that Devon DID appear upset about KITT's being sold, but KITT likely wouldn't have heard that and what Devon said seemed to be moreso directed at HOW the chip was sold and not the fact that it was sold in the first place). KITT is justifiably mad, and if they had kept KITT’s actions in character while his emotions said otherwise, I would have no problem with it at all.

However, once KITT’s CPU is somehow implanted into Michael’s Chevrolet, KITT does not act in character. Shawn drives, not Michael, so it stands to reason that he would not necessarily listen to her. She stole his CPU, his life for over a decade. KITT does tend to listen to human companions, regardless of whether he is programmed to or not, but I can see where this would be an exception. However, Michael soon intercedes and essentially tells him to cut it out. Based on everything that the original Knight Rider told us, KITT no longer has a choice of whether to listen or not. Michael is ultimately the one who calls the shots because of KITT’s very programming. And yet, in this scene, KITT doesn’t listen to Michael and apparently gets so angry that he downright stops functioning. Because that happens all the time in the original series!

And if you’re wondering where I got the conclusion that KITT frustrated his circuits to the point where they could no longer work, he said that. KITT. Admitted to having feelings. In fact, he did not just admit to being angry in the moment. He told Michael that, while it may seem like he is an emotionless robot, he does have a “feelings chip.” A FEELINGS CHIP-

I am for recognizing KITT’s obvious emotions as much as the next guy. I think they are often overlooked when discussing his character. While I don’t think that real artificial intelligence will ever reach the level of human consciousness, the entire energy of Knight Rider comes from playing with this concept by portraying an AI character who clearly emotes interacting with a human who doesn’t seem to know that. But the thing that makes this show feel so sincere is that neither character plays too heavily into that trope. While not always knowing how much KITT feels and by extension hurting those feelings alarmingly often, Michael recognizes it enough to work in concert with KITT, apologize for his more major flubs, and consider KITT a friend. And KITT subverts the trope by never recognizing that he has feelings to begin with. He will say that he cannot feel sadness but, in the next breath, say that something upset him. He will say he cannot hold a grudge only to immediately rattle off a string of insults directed at the person he clearly has a grudge on. The show is magic in how these two characters display a subtle chemistry that always has room to grow because both characters are slowly coming to see each other for who they truly are and supporting one another along the way. From what I can tell, the original show never fully concludes that arc, and it may even start regressing after Season 1. However, we can feasibly see how Michael could slowly come to understand that KITT really does feel things just as much as he does. And we can imagine the relief KITT would feel knowing that Michael was never bothered by that possibility.

So, you can see where I have a big problem with KITT spelling it out so plainly. The audience gets full confirmation about what has been displayed to us through nuanced hints throughout the series, which sounds a lot more satisfying than it really ends up being in this film. But worse than an underwhelming conclusion to a thrilling story, Michael knows it plain as day. There is very little buildup to KITT admitting this. He barely even sounds moved. Instead, in this movie, the “feelings chip” is a fact of life that does not need to be covered up in the slightest. Michael himself doesn’t really… react. He just kind of nods along, as if he’s saying, “Huh, makes sense, alright.” After everything these two have been through, if there really was such a simple explanation for why KITT is the way he is… why arguments went south, why the mere mention of a Chevrolet was enough to get a seemingly jealous response, why inconsequential things like music taste and gambling were subjects of debate, why KITT had always acted so exaggeratedly dismissive when topics of emotional significance struck a chord, why every little sarcastic banter had a hint of happiness until it didn’t… don’t you think Michael would do something? Whether that something would be a gentle, “I always knew that, pal”; a shocked, “Why didn’tchya tell me sooner?!”; or even a sarcastic, disbelieving, “Yeah, right” is up to interpretation. But there would be something.

And yet, even that concept is flawed. We learn a lot from KARR’s inclusion in the original series, and what I take away from it boils down to a simple sentiment. FLAG never meant for their AIs to be human. I do realize that directly contradicts what Devon says within this film, but I see that as another way for the film to steer the plot in this direction, not as a tie in to the original. When Wilton says that one man CAN make a difference, he means that. He isn’t considering that KITT is just as much a person as Michael. He’s not seeing that, at the end of the day, teamwork is what makes the show work, even if Michael is the glue that holds it together. So, I think that to say that there is a “feelings chip” is to disregard the entire point of the original, that in this world life finds a way of inserting itself and that KITT’s (and KARR’s for that matter) humanity is an anomaly, not the rule. At the end of the day, KITT’s humanity can’t be explained away with science. And really, I don’t think it should be explained away at all. The show has had an amazing trend of showing us how KITT feels, in all its unorthodox glory, alongside private moments that had me sobbing like a baby. The movie should just be like a longer, more complex episode of Knight Rider… Although I cannot pinpoint exactly how it should be done in the context of this film, I know there are ways that Michael could have been shown that KITT feels rather than being told.

One last complaint, albeit a more minor one, is the idea that he has to listen to what Shawn says over Michael's authority. I have spent a decent amount of time thinking about this one point, which has caused a lot of the delay in posting this. There's multiple reasons why this flies right in the face of what is canon in the original series. Perhaps the most obvious of these problems is the fact that, in the original pilot episode, it's made very clear that KITT can't assume control of the Knight 2000 without Michael's express permission unless Michael is unconcious. Devon makes it quite clear in this episode that KITT is programmed specifically to listen to Michael, not just anyone who happens to be piloting the vehicle at the time. In case there was any doubt about this, KITT ejects two people who are attempting to steal him later in the episode (well, ok, later in the two-parter, I don't know if it was the same episode or not). The show isn't SUPER strict about this in future episodes, but it does at least acknowledge Michael's authority in a few pivotal moments throughout Season 1 (I can't comment on episodes that I haven't seen yet, but I suspect that this pattern continues). Of all the rules set up throughout the series, it actually seems to be the most loyal to this one. One moment that stands out to me is in Trust Doesn't Rust when KITT attempts to stop Michael from causing a head-on collision with KARR, but Michael then overrides him and the climax unfolds. If one of the most iconic moments in the series is caused by this one bit of programming, to throw it out in the film is to disrespect the basis of the original series.

Speaking of KARR, he provides yet another reason niglecting this detail is such a big problem. From what we can tell, KARR isn't programmed to one specific driver (at least, not anymore[?]), and so he can override anyone in the pilot's seat. This is something they seem to highlight in TDR as well, although not so plainly as the previous point. KARR ends up ditching Tony to gain speed and get an upper hand in the chase with Michael and KITT (although a scene they deleted would have made this a mUCH MORE SENSIBLE ACTION THAT R E A L L Y ISN'T A BETRAYAL but y'know what this post isn't about that) whereas KITT has to listen to Michael even to his own detriment. If this one feature is indeed one of the major things that separates KITT from KARR, the idea that Shawn can override all of that cheapens the original conflict between KITT and KARR.

...Well okay, let's be real, KARR was never that compelling as an antagonist to begin with because he's a LOYAL SWEETIEPIE-- I'll stop.

And finally, we have the biggest, most bizarre reason that this is a problem:

If Shawn can override Michael's authority, that means KITT can override Michael's authority.

Why? This would be the first time (outside of episodes where some sort of reprogramming or mind control was involved) in the series that KITT had not only listened to another human instead of Michael, but also listened to that person OVER Michael. The only difference I can see between Shawn and quite literally anyone else in the show's history is that Shawn has KITT's chip implant thing. If that's the reason her opinion has more credence than Michael's, then wouldn't that mean KITT's own opinion has that authority? If that is the case, literally every example I've gone through in the last couple of paragraphs is not just challenged but rather negated entirely.

The most frustrating thing about this scene is that it simply didn't have to happen. Michael could have gone along with KITT's plan, showing him (and us) that he does trust his former partner even after all these years. Shawn could have convinced Michael to go along with it using her... feelings chip. Blegh. Or we could have had a stubborn Michael force this scene to be delayed, likely improving the pacing overall. Maybe we could have even seen a frustrated and emotionally exhausted Shawn wait until Michael is not in the car and then plead KITT to give her the truth, no matter what Michael says. We have seen KITT control his actions without Michael's input plenty of times, and we could have seen some more of his humanity show through if he could relate to Shawn's struggles... after all, he too has missing memories because she has his chip. They're both going through a bit of an identity crisis. I'm sure that he could find some workaround in his programming to help her if Michael wasn't there insisting that he does not take this course of action.

But even after all of that fussing over what has been done wrong with KITT, I can’t deny that he is the heart and soul of this film. There was only one scene in this film that brought me near tears. I got more of an emotional impact from this one clip than I have from a lot of movies that are undeniably much better. Michael’s old-fashioned Chevrolet does not hold up in the year 2000, and it is clear that the usual car chase sequence won’t work as police vehicles quickly creep up on them. I was personally very curious what they would do here. I figured that KITT would find some way to outsmart the drivers of the police cars, maybe by ending up on an elevated mountain road that trips up the other drivers and causes them to waste time turning around and hopping on that same path. Or, maybe, KITT would access a road that’s too narrow for the relatively bulky police cars. However, it quickly becomes clear that this city is made up of wide roads on the ground. As KITT veers off the road and tells Michael to trust him, the I found myself having to trust him. This isn’t the way Knight Rider chases usually go, and with all these odds stacked against him, the only thing we can do is hold our breath. The way this scene is staged to send us into this just as blind as Michael is, frankly, genius. Water slowly creeps into the frame as a feeling of dread builds at the thought of what KITT might do.

Surely, we are led to think, he will knock into some boxes and turn right back around. Right? We’re reminded of the fact that this is not the Knight 2000, that there is no chance of this car floating. That if KITT does what he really seems to be doing, there’s no chance… but he wouldn’t, would he? This is the only action sequence in the film that had me at the edge of my seat, staring wide eyed at the screen. And then, the turn that you want so badly to come doesn’t, and you have to wonder what’s about to happen. What was KITT thinking? Won’t Michael and Shawn drown? And, most prominently in my mind, won’t KITT drown?

For a moment, this scene plays us into believing that, because magic FLAG science that is pretty par for the course, everything is fine. KITT explains that they have an airtight cab and over 20 minutes of oxygen. Everyone lets out a collective breath of relief. We see it in Michael and Shawn, and I know I felt myself relax.

And then there’s a flicker in the screen, and that pit in the bottom of my stomach came right back. Michael is confused, and KITT explains what we should have realized was inevitable. This is KITT sacrificing himself. He even goes as far as to let Shawn know that she can use any of his computer chips that she may need. This comes off as strange at first, but it goes to show that KITT is, at his core, the same kind soul we always knew. He acts angry because he feels betrayed, but given the choice, he will chose another person’s life over his own, always. Even the microprocessor that he is most frustrated over, the thing that seems to drive a wedge between him and Shawn, is just how he is expressing his hurt. Now, thinking it is the end, he offers it up freely, and Shawn doesn’t seem to know how to respond. KITT is calm as he says his final goodbyes. And this is the first place in the film that we get to hear the amazingly nuanced voice acting that William Daniels is so great at. KITT sounds collected and at peace with what is to come, but there are also subtle hints that he is at least a bit nervous, a bit sad. “I know. I guess this is goodbye.” He doesn’t want to leave his friends, but he knows that he has to for them to be safe. Even if the pacing of the film seems to actively try to undermine this moment, it stands out to me as an amazing scene, even if the reaction from Michael is underwhelming at best and the reaction from Shawn is… as much as can be expected from Shawn, but that’s not saying much. As far as KITT knows in that moment, these are his last words: “Michael, take care of yourself.” Down to the last moment, Michael is everything to him.

IjustwannamakeitclearquicklythatIthinktheirrelationshipisentirelyplatonicokthankyou

And I felt sad, big time sad. The movie up until that point was unbelievably boring to me, and this wasn’t a turning point where the movie suddenly became great. It was a moment so darn good that I almost don’t think the movie deserved for it to have as big of an impact as it did. But that shows just how powerful this universe is, how wonderfully honest these characters are. Even after being butchered practically beyond recognition, one scene in-character can still bring you to tears because you have connected with them so deeply throughout the TV series.

AND THEN DEVON DIED IMMEDIATELY AFTERWARDS :D

I don’t like Devon.

Devon was actually more tolerable in this movie than normal, and I can see where people who don’t hate him could be sad that he died I just,,, he has hurt or talked down to KITT and KARR so many times that I actually could not sympathize. What’s even more frustrating about that is that Devon’s death is the one that Michael got all sad over when KITT sacrificed his life for him and Devon got kidnapped randomly but okay go off movie you can’t ruin that scene for me. I knew going in that Devon died, but I was expecting them to spend a lot more time setting it up and making it as dramatic as possible. Nope, he just got a shot to the old air tanks I guess? My view of it is nothing more than that it’s a thing that happened.

OH AND DEVON DID PULL ONE HEINOUS ACT. He said that KIFT was better than KITT in every way other than that KITT has humanity. SINCE WHEN HAS DEVON GIVEN ONE SINGULAR HOOT ABOUT THE AI’S BEING ALIVE??? TELL KARR THAT??? HECK, TELL DEACTIVATED KITT THAT YOU WERE JUST FINE SELLING OFF AT AUCTION THAT?!?! Also also, KIFT DOES NOT C O M P A R E TO KITT. We are coming back to KIFT in a moment, don’t you worry. For now, I just. Low blow, Devon, low blow.

Michael was fine too, he played a weirdly small part and that felt off but everything he said seemed pretty in character. The most out of character parts were when he said nothing at all. OH AND WHERE HE WAS REPLACING BONNIE but that’s besides the point, no Bonnie OR April… no Bonnie OR April… I’m fine…

…

It feels like this movie wants you to forget that Michael exists because Shawn is here she’s more interesting, right? Right???

She’s really not.

So back to KIFT. My favorite part of KIFT is that pronouncing KIFT in your head sounds funny. It’s like “gift” but if the gift were actually an underwhelming villain of sorts that is overtaken in a garage, parked, by Michael either removing his microprocessor entirely or moving it to a Chevrolet.

I was surprised how not bad KIFT looked. I had seen stills from the movie that looked really uninteresting compared to the regular designs, and while I still agree to some extent, it was a lot more epic than I would have thought. Something about how the paint shines on it is captivating. I was genuinely happy when KITT was moved to the snazzy red vehicle, although a big part of that could have been how disgusting mint green looks with red. Seriously, including the red scanner on that bizarre seafoamy-bluey car (and yes, I do think it is a very pretty car by itself) was like when people say movies were “inspired” but in the opposite direction. And the scanner looked weirdly small? Was it just me?

Am I the only one who feels w e i r d just looking at this??

I think this is the most normal thing to be categorized as being in uncanny valley but there we go, I did it. It’s not right.

Anyway, as neat as KIFT looks, it is no comparison to the classic Knight 2000 or even Season 3 KARR. Red can be striking, but not when the classic scanner is also red. No contrast!

KIFT is absurdly easy to forget, and I don’t think that the car’s design has anything to do with it. KITT spends most of the movie piloting that car, and while it is not what we are used to, it doesn’t come across as super lame to me, either…or at least, not because of the design. The biggest problem with KIFT is, I think, simply his voice. His voice feels so out of place in the movie, and it’s so strange to me considering that Daniels’ voice is integrated just fine. The recording sounds too crisp, too clean. KITT’s voice always has a great deal of character, a very Earthy-sounding voice for an AI character. I actually think that this incongruity is purposeful, and it’s a very clever concept. We are supposed to recognize that KIFT isn’t human like KITT is. KIFT sounds out of place in the real world among real people; he’s too neat around the edges. It’s especially obvious when KITT and KIFT talk to each other. This is also mirrored by how KITT occupies a well-loved Chevrolet that has little imperfections that make it feel real whereas KIFT is in this red… whatever it is that feels like it comes out of a sci-fi film. This effect would have really worked if we had enough time with KIFT to understand his personality–or, more aptly, his lack of personality. What makes this not work is the fact that we spend practically no time with KIFT. We don’t get to hear what he feels he is programmed to do, we don’t get to hear him deliver the sort of lifeless lines that Shawn did that made her so unlikable, and we don’t even get to hear his voice more than 4-5 times. Every time comes as a shock, taking us out of the moment of the film. We could have gotten used to his crisp sound if he had spoken more, and we may have seen the actual plot significance of it. Instead, it pulls you right out of the movie.

Oh yeah, and the only line(s?) that KIFT delivers to KITT are full-on taunting… that’s not very lifeless of you KIFT.

Alright, just one last thing to really hammer home a point from earlier and conclude this whole thing. You know what I was saying about this movie lacking the whimsical nature of the TV show? Well, the final chase puts the icing on this oddly sullen crab cake.

Yes, crab cake.

Because the pinchy crab that is Shawn makes it quite painful to get this particular cake and icing doesn’t even belong on it anyway.

KITT is racing down the street in this bright red car that I just explained is thematically wrong for him to be driving tbh but whatever, he’s racing in it and comes up to a barricade of randomly stacked up cars.

Oh Yeah, we all know what is coming.

The music swells. Michael looks at the upcoming barricade with furrowed eyebrows and quietly asks KITT what the heck they’re going to do now.

OH YEAH, we definitely know what is coming.

And at last, for the first time in the film…

KITT veers off to the right and they drive on water. “It’s really sink or swim with you, isn’t it?” Michael asks, pretending that’s funny as if I am not still emotionally raw from that scene that happened an hour ago.

Apparently, KIFT had that one obscure feature from “Return to Cadiz,” the Season 2 episode where April forces KITT to follow KARR into the ocean on the hopes that waterproof wheels might work maybe, directly ignoring his many attempts to get out of it. Yay. I love references to That Episode. That Episode which baited me with an opening that looked like KARR could have been discovered underwater only to show me that not only was there no KARR, but KITT was going to be bullied into repeating what his brother did when he died. Wholesome. Lovely. Fantastic. And how did KITT know for sure that would work? KITT clearly still has some technical hiccups in his own CPU from Michael tampering with it, that was an awful lot of confidence to place in a maybe.

AND MORE IMPORTANTLY…

THIS MOVIE DID NOT HAVE A TURBO BOOST

A TURBO BOOST

I cannot believe that a movie based around Knight Rider did not have a turbo boost (or for that matter, the THEMESONG???). Like I am honestly still surprised by it. Almost every episode of the original show had at least one turbo boost, and there is a reason. The idea of a talking car jumping in midair, sometimes with Michael “WOO!”-ing like a girl, is so fantastically fun that nobody even tries to question how impossible it is. I think we all know how impossible it is, and that doesn’t matter, it is yet another thing that embodies the heart of this show.

And… not even one.

…

So yeah, that just happened. I think this is technically a small novel. Wow.

I know that I'm still missing a lot... I have a lot of thoughts about this movie, and if you for some reason want more please ask! I would also love to hear your thoughts on this! Do you agree with my analysis? Do you disagree entirely? Did you notice something that I failed to mention entirely? Pleasepleaseplease send ideas, I would love to hear them! Also know that, no matter how much I was disappointed by the movie itself, I am fully open to hearing your ideas about how to improve or expand upon it. I truly believe that this film introduced some great concepts, and I would absolutely adore seeing them reworked in a way that's more true to the original. Thank you for reading! :D

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calisotadreamin · 5 years ago

Text

PKNA Issue #1 Shadows on Venus.

Script and plot: Francesco Artibani and Simone Stenti

Art: Claudio Sciarrone

Inducks

Index post to my entire essay series about PKNA.

Hello, let’s take a look at the first numbered PKNA issue, “Shadows on Venus”

I will talk about the plot in some detail, which means spoilers, so the rest is under the cut.

The plot of the story is fairly simple. The evronians try to kidnap Angus Fangus, and do manage to drain his emotions with one of their guns, leaving him a shell. DA and One organize a rescue to find a way to put Angus’s personality back into his body and they take Xadhoom along. It takes our heroes to an evronian base near Venus.

There they learn that Angus’s surfeit of negative emotions like hate and envy is so large that evronians consider him worthy of study in order to learn how they can exploit those emotions too.

Xadhoom offers herself in exchange for Angus being restored and freed, but after restoring Angus, the evronians betrays the heroes. Xadhoom breaks free and destroys the base while the DA and Angus escape it.

It is a simple fight the evil aliens plot, but there are some interesting character development going on here. And there is also a subplot.

Xadhoom in this issue is introduced as the same person as she was in issue 0/3. Her motivation for fighting the evronians is simple:

She helps out Angus solely because she wants to kill evronians, not because she cares for him or any other earthling. DA is clearly horrified by Angus being minddrained, but Xadhoom remains cold and seems to be mainly asking about Angus because DA cares.

Right afterwards, there is this bit where DA hides the existence of One from her, because he (with quite some justification) doesn’t feel like he can fully trust her yet. She fights the evil evronians, but she isn’t at all altruistic, or so it seems.

This contrasts with the Duck Avenger and One, who are so altruistic that they go to great lengths to help Angus. Notice how in the panel above Xadhoom is gleefully talking about revenge while the Duck Avenger is racing to help Angus.

Da cracks jokes but doesn’t hesitate one bit to help Angus, despite him being a terrible person.

In fact, in order to locate the Evronian base, One has to perform “an extrordinary amount of work” and it is the first time we see him seriously strained, as you can see in his expression above. He otherwise often comes across as near-omnipotent, but this is the first serious sign we see that his powers are indeed limited. Yet he does it anyway, more because the DA urges him to.

Despite the darker tone of this comic, what keeps it grounded in the duck comics that came before is this earnest morality: the good guys truly are good. They act out of a deep-seated belief that every life matters. This could come across as sickeningly sweet and sentimental (and it sometimes does in other disney stuff), but here it is well-done and really touching. Probably because we see the DA and One really be strained in their effort to save Angus. Their witty banter and mild sarcasm also keeps the stories from being outright sentimental.

Also it is revealed that the top of Ducklair tower is a spaceship. Very cool.

Compare that with Xadhoom, who doesn’t care for Angus or any other earth dweller at all. DA convinces get her to go along with them on their venusian expedition not through any appeal to her sense of empathy, but by telling her that there are evronians to kill. They don’t tell there there is a life to save, though there is.

In fact, Angus in his drained state still has some rudimentary childlike consciousness and when he proves to be liability as such, Xadhoom even threatens to disintegrate him and it is implied she only doesn’t do it because she gets distracted.

Later when they are fighting through the evronian base, Xadhoom however makes a horrific discovery:

This is one of the first times in the comic where the story stops to hint at how horrible the very concept of coolflames are.

And it is a nice character moment for Xadhoom. Both her and the reader are reminded that she has a very good reason for so obsessively hating the evronians and her quest for revenge.

And it reminds DA that Xadhoom still has empathy, as much as her deep trauma and obsession has put it to the background of her mind. This is the first time that he asks her to save someone.

A few pages later, we meet the evronian scientist Zoster who has now taken Angus’s body. He explains why they want Angus specifically:

It is literally that he is such an asshole that it becomes scientifically interesting and they want to do experiments on him.That’s hilarious.

When DA and Xadhoom shows up and confront him, Zoster explains that he might be able to put Angus back into Angus, but he wants someone else in exchange:

And surprisingly, Xadhoom agrees.

And she is then put into a capsule that will weaken and contain her. The evronians do put Angus’s cerebral energy back into him, but then being evronians, they betray their deal.

At which point, Xadhoom easily escapes her capsule and proceeds to blow up the evronian base, telling DA to get the hell out with Angus. And after a tense escape sequence, they do.

This is a very nice scene that works on several levels. It is a very suspenseful moment, which puts all three of the main characters into peril. And it leads into a satisfying climax to the story where the bad guys are soundly defeated (although only for this issue).

It is another proof of Xadhoom’s sheer power, and her awareness of it. She surrenders because she knows that she is far too powerful for the evronians to capture. It is a very cool moment for her.

Yet here she also shows that she is regaining the capacity to care about other people again. She begins this issue by claiming to be motivated by “pure and simple revenge”, but this is not what motivates her in the climax. She isn’t making an actual sacrifice, but she does go to some length to help Angus out. This is again not because she cares about him personally, she doesn’t know him at all. But she does know the Duck Avenger, who does care about Angus. And it is implied that because DA is a friend to her, she starts to care about his concerns as well, such as protecting life on Earth. Her friendship with DA gives her a new connection to other people and re-awakens her ability to care about them. It is a very nice piece of character development.

There is also a subplot taking place back on Earth, which I also want to briefly discuss. This subplot is about the consequences of Angus just disappearing suddenly. It introduces a new character Mike Morrighan, who is very similar to Angus: another selfish reporter. He would become a minor recurring character, but introducing him is one of the main purposes of this subplot. He has a theory on why Angus disappeared:

The subplot then follows his investigation of Angus disappearance, together with Lyla. Mike is at least as bad as Angus in his journalistic practice.

Lyla acts as the audience viewpoint character in the subplot, giving a moral perspective on what Mike is doing. It makes her very likeable.

She also plays that role earlier on in the issue, when she discovers Angus has been making a fake video of DA to discredit our hero.

Incidentally, most of the science in this comic is of course fantastical space opera stuff, but the fake video here seems fairly realistic, and feels relevant now that we worry about “deep fakes”.

Despite her being sidelined from the main plot, Lyla uses her android skills to figure out that evronians are behind Angus’s disappearance. Very cool.

Mike and Lyla discover that Angus had made preparations to get something delivered to him at the docks. And after the Duck Avenger returns Angus to Duckburg, we learn what it is.

This Maori mask of the Fangus clan is the first time the comic explores his maori heritage and makes it clear that it is important to him in some way. This would be explored more in later issues and would become a way for the writers to soften and complicate his character. Of course, Angus smuggled the mask in, because he is a shady guy.

It is actually very kind of Lyla and Mike to go out of their way to replace the mask with a replica. It actually feels somewhat contrived, to be honest, but I can see why it was written this way. The writers wanted to delay revealing what is in the box for a page and build up suspense. The reveal needed an explanation for the mask, an explanation Mike or Lyla realistically can’t give when they first open the box. But they neither wanted to show an anti-climatic empty box or Lyla giving away unlawfully smuggled goods, so they came up with the replica idea. It works well enough, I suppose.

The issue ends with the DA making use of Angus’s temporarily impaired state to make his own video, giving him his just desserts for the fake video earlier. And it even resolves the issue of how to explain his absence during his evronian kidnapping.

It is a happy ending, but only for now, as there are many adventures to come.

This is a fun issue. It is a standard “Thwart the bad guys” plot, but it is well-executed and fun. The action is cool and the art is excellent. And most importantly, there are some nice character moments that give it more meaning.

I hope you will join me for issue number 2, where there is another new bad guy that will be introduced….

#pkna #chronicles of the evronian war #duck avenger #xadhoom #lyla lay #one #analysis #francesco artibani #simone stenti #claudio sciarrone

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